Currently browsing: Music Computing Lab

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Edited BookTo Top

Holland, Simon; Petre, Marian; Church, Luke and Marasoiu, Mariana eds. (2023). PPIG 2022: Proceedings of the 33rd Annual Workshop of the Psychology of Programming Interest Group. Psychology of Programming Interest Group Proceedings. Milton Keynes and Online: PPIG.

Edwards, Alistair D. N. and Holland, Simon eds. (1992). Multimedia Interface Design in Education. NATO ASI Series, F 76. Berlin: Springer Verlag.

Book SectionTo Top

Bouwer, Anders; Holland, Simon and Dalgleish, Mat (2013). The Haptic Bracelets: learning multi-limb rhythm skills from haptic stimuli while reading. In: Holland, Simon; Wilkie, Katie; Mulholland, Paul and Seago, Allan eds. Music and Human-Computer Interaction. Cultural Computing. London: Springer, pp. 101–122.

Bouwer, Anders; Holland, Simon and Dalgleish, Mat (2013). Song walker harmony space: embodied interaction design for complex musical skills. In: Holland, Simon; Wilkie, Katie; Mulholland, Paul and Seago, Allan eds. Music and Human-Computer Interaction. Cultural Computing. London: Springer, pp. 207–221.

Hödl, Oliver; Kayali, Fares; Fitzpatrick, Geraldine and Holland, Simon (2019). TMAP Design Cards for Technology-Mediated Audience Participation in Live Music. In: Holland, Simon; Mudd, Tom; Wilkie-McKenna, Katie; McPherson, Andrew and Wanderley, Marcelo eds. New Directions in Music and Human-Computer Interaction. Springer Series on Cultural Computing. Springer, pp. 41–59.

Holland, Simon; Wilkie, Katie; Bouwer, Anders; Dalgleish, Mat and Mulholland, Paul (2011). Whole body interaction in abstract domains. In: England, David ed. Whole Body Interaction. Human-Computer Interaction Series. London, U.K.: Springer Verlag, pp. 19–34.

Holland, S.; Morse, D.R. and Gedenryd, H. (2002). Direct combination: a new user interaction principle for mobile and ubiquitous HCI. In: Paterno, Fabio ed. Human Computer Interaction with Mobile Devices. Lecture Notes in Computer Science (2411). Berlin: Springer, pp. 108–122.

Holland, Simon (1992). Interface Design for Empowerment: a Case Study from Music. In: Edwards, Alistair D. N. and Holland, Simon eds. Multimedia Interface Design in Education. NATO ASI Series (F 76). Berlin: Springer Verlag, pp. 177–194.

Holland, Simon (2005). A first empirical study of direct combination in a ubiquitous environment. In: Fincher, Sally; Markpoulos, Panos; Moore, David and Ruddle, Roy eds. People and computers XVIII - Design for life: proceedings of HCI 2004. London, UK: Springer, pp. 229–247.

Holland, Simon (1987). Computers in Music Education. In: Jones, Ann and Scrimshaw, Peter eds. Computers in Education 5-13. Open University Press.

Holland, Simon (2016). Harmony and Technology Enhanced Learning. In: King, Andrew; Himonides, Evangelos and Ruthmann, S. Alex eds. The Routledge Companion to Music, Technology and Education. New York, USA: Routledge.

Holland, Simon (2000). Artificial Intelligence in Music Education: A Critical Review. In: Miranda, Eduardo Reck ed. Readings in Music and Artificial Intelligence. Contemporary Music Studies. Routledge, pp. 239–274.

Holland, Simon (1994). Learning about harmony with Harmony Space: an overview. In: Smith, Matt; Smaill, Alan and Wiggins, Geraint A. eds. Music Education: An Artificial Intelligence Approach. Workshops in Computing. London: Springer, pp. 24–40.

Holland, Simon; Bouwer, Anders and Hödl, Oliver (2018). Haptics for the development of fundamental rhythm skills, including multi-limb coordination. In: Papetti, Stefano and Saitis, Charalampos eds. Musical Haptics. Springer Series on Touch and Haptic Systems. Springer International Publishing, pp. 215–237.

Holland, Simon; Day, Robert; Leplâtre, Grégory and Edwards, Alistair (2004). Mobile HCI and sound. In: Brewster, Stephen and Dunlop, Mark eds. Mobile Human-Computer Interaction – MobileHCI. Lecture Notes in Computer Science, 3160. Berlin: Springer, pp. 527–528.

Holland, Simon and Elsom-Cook, Mark (1990). Architecture of a knowledge-based music tutor. In: Elsom-Cook, Mark ed. Guided Discovery Tutoring. London: Paul Chapman, pp. 70–103.

Holland, Simon and Fiebrink, Rebecca (2019). Machine Learning, Music and Creativity: An Interview with Rebecca Fiebrink. In: Holland, Simon; Mudd, Tom; Wilkie, Katie; McPherson, Andrew and Wanderley, Marcelo eds. New Directions in Music and Human-Computer Interaction. Springer Series on Cultural Computing. Springer, pp. 259–267.

Holland, Simon; Mudd, Tom; Wilkie-McKenna, Katie; McPherson, Andrew and Wanderley, Marcelo M. (2019). Understanding Music Interaction, and Why It Matters. In: Holland, Simon; Mudd, Tom; Wilkie, Katie; McPherson, Andrew and Wanderley, Marcelo M. eds. New Directions in Music and Human-Computer Interaction. Springer Series on Cultural Computing. Springer, pp. 1–20.

Holland, Simon; Wilkie, Katie; Mulholland, Paul and Seago, Allan (2013). Music interaction: understanding music and human-computer interaction. In: Holland, Simon; Wilkie, Katie; Mulholland, Paul and Seago, Allan eds. Music and Human-Computer Interaction. Cultural Computing. London: Springer, pp. 1–28.

Seago, Allan; Holland, Simon and Mulholland, Paul (2004). A Critical Analysis of Synthesizer User Interfaces for Timbre. In: Dearden, Andy and Watt, Leon eds. Proceedings of the XVIII British HCI Group Annual Conference HCI 2004, Volume 2. Bristol, UK: Research Press International, pp. 105–108.

Smith, Matt and Holland, Simon (1994). MOTIVE: The development of an AI tool for beginning melody composers. In: Smith, Matt; Smaill, Alan and Wiggins, Geraint A. eds. Music Education: An Artificial Intelligence Approach. Workshops in Computing. Springer Verlag, pp. 41–55.

Wilkie, Katie; Holland, Simon and Mulholland, Paul (2013). Towards a participatory approach for interaction design based on conceptual metaphor theory: a case study from music interaction. In: Holland, Simon; Wilkie, Katie; Mulholland, Paul and Seago, Allan eds. Music and Human-Computer Interaction. Cultural Computing. London: Springer, pp. 259–270.

Xambó, Anna; Laney, Robin; Dobbyn, Chris and Jordà, Sergi (2013). Video analysis for evaluating music interaction: musical tabletops. In: Holland, S.; Wilkie, K.; Mulholland, P. and Seago, A. eds. Music and Human-Computer Interaction. Springer Series on Cultural Computing. London, UK: Springer Verlag, pp. 241–258.

Journal ItemTo Top

Andrea, Franceschini and Laney, Robin (2021). Sketching music together: Mixed groups exploring melodic similarity and contrast using a digital tabletop. Journal of Music, Technology & Education, 14(2&3) pp. 179–207.

Angelis, Vassilis; Holland, Simon; Upton, Paul J. and Clayton, Martin (2013). Testing a computational model of rhythm perception using polyrhythmic stimuli. Journal of New Music Research, 42(1) pp. 47–60.

Buys, Kurijn; Sharp, David and Laney, Robin (2017). Developing and evaluating a hybrid wind instrument. Acta Acustica united with Acustica, 103(5) pp. 830–846.

Collins, Tom and Laney, Robin (2017). Computer-Generated Stylistic Compositions with Long-Term Repetitive and Phrasal Structure. Journal of Creative Music Systems, 1(2)

Collins, Tom; Laney, Robin; Willis, Alistair and Garthwaite, Paul (2011). Modeling pattern importance in Chopin's mazurkas. Music Perception: An Interdisciplinary Journal, 28(4) pp. 387–414.

Georgiou, Theodoros; Holland, Simon and van der Linden, Janet (2020). Rhythmic Haptic Cueing for Gait Rehabilitation of People With Hemiparesis: Quantitative Gait Study. JMIR Biomedical Engineering, 5(1), article no. e18649.

Georgiou, Theodoros; Islam, Riasat; Holland, Simon; Linden, Janet Van Der; Price, Blaine; Mulholland, Paul and Perry, Allan (2020). Rhythmic Haptic Cueing Using Wearable Devices as Physiotherapy for Huntington Disease: Case Study. JMIR Rehabilitation and Assistive Technologies, 7(2), article no. 18589.

Griffiths, Rob; Holland, Simon and Edwards, Marion (2007). Sense before syntax: a path to a deeper understanding of objects. Innovation in Teaching and Learning in Information and Computer Sciences, 6(4) pp. 125–144.

Hill, Patrick; Holland, Simon and Laney, Robin (2007). An introduction to aspect-oriented music representation. Computer Music Journal, 31(4) pp. 45–56.

Hodl, Oliver; Fitzpatrick, Geraldine and Holland, Simon (2014). Exploring the Digital Music Instrument Trombosonic with Extreme Users and at a Participatory Performance. International Journal on Advances in Intelligent Systems, 7(3-4) pp. 439–449.

Holland, Simon and Burgess, Gordon (1992). Beauty and the beast: New approaches to teaching computing for humanities students at the University of Aberdeen. Computers and the Humanities, 26 pp. 267–274.

Holland, Simon; Morse, David R. and Gedenryd, Henrik (2002). AudioGPS: Spatial audio navigation with a minimal attention interface. Personal and Ubiquitous Computing, 6(4) pp. 253–259.

Howard, Patricia; Holland, Simon and Whitelock, Denise (1994). Sound investments: some applications of computers in music teaching, and a revolutionary new program. The Musical Times, 135(1817) pp. 467–471.

Islam, Riasat; Bennasar, Mohamed; Holland, Simon; Mulholland, Paul and Price, Blaine (2024). Democratizing Clinical Movement Analysis: Assessing the Versatility of MoJoXlab with Open-protocol Inertial Sensors. Procedia Computer Science, 246 pp. 2360–2369.

Linson, Adam; Dobbyn, Chris and Laney, Robin (2013). A parsimonious cognitive architecture for human-computer interactive musical free improvisation. Advances in Intelligent Systems and Computing, 196 pp. 219–224.

Linson, Adam; Dobbyn, Chris; Lewis, George and Laney, Robin (2015). A Subsumption Agent for Collaborative Free Improvisation. Computer Music Journal, 39(4) pp. 96–115.

Milne, Andrew J.; Sethares, William A.; Laney, Robin and Sharp, David B. (2011). Modelling the similarity of pitch collections with expectation tensors. Journal of Mathematics and Music: Mathematical and Comptational Approaches to Music Theory, Analysis, Composition and Performance, 5(1) pp. 1–20.

Milne, Andrew; Laney, Robin and Sharp, David (2015). A spectral pitch class model of the probe tone data and scalic tonality. Music Perception, 32(4) pp. 364–393.

Milne, Andrew; Sethares, William and Plamondon, James (2007). Isomorphic controllers and Dynamic Tuning: invariant fingering over a tuning continuum. Computer Music Journal, 31(4) pp. 15–32.

Milne, Andrew; Sethares, William and Plamondon, James (2008). Tuning continua and keyboard layouts. Journal of Mathematics and Music, 2(1) pp. 1–19.

Milne, Andrew J. and Holland, Simon (2016). Empirically testing Tonnetz, voice-leading, and spectral models of perceived triadic distance. Journal of Mathematics and Music: Mathematical and Comptational Approaches to Music Theory, Analysis, Composition and Performance, 10(1) pp. 59–85.

Milne, Andrew J.; Laney, Robin and Sharp, David B. (2016). Testing a Spectral Model of Tonal Affinity with Microtonal Melodies and Inharmonic Spectra. Musicae Scientiae, 20(4) pp. 465–494.

Mudd, Tom; Holland, Simon and Mulholland, Paul (2020). The Role of Nonlinear Dynamics in Musicians' Interactions with Digital and Acoustic Musical Instruments. Computer Music Journal, 43(4) pp. 25–40.

Mudd, Tom; Holland, Simon and Mulholland, Paul (2019). Nonlinear Dynamical Processes in Musical Interactions: investigating the role of nonlinear dynamics in supporting surprise and exploration in interactions with digital musical instruments. International Journal of Human-Computer Studies, 128 pp. 27–40.

Prechtl, Anthony; Milne, Andrew J.; Holland, Simon; Laney, Robin and Sharp, David B. (2012). A MIDI sequencer that widens access to the compositional possibilities of novel tunings. Computer Music Journal, 36(1) pp. 42–54.

Sethares, William A.; Milne, Andrew J.; Tiedje, Stefan; Prechtl, Anthony and Plamondon, James (2009). Spectral tools for Dynamic Tonality and audio morphing. Computer Music Journal, 33(2) pp. 71–84.

Stockley, Rachel C.; Donaldson, Glenis; Georgiou, Theo; Holland, Simon; van der Linden, Janet; Tetley, Josie; Garbutt, Linda and Pinzone, Ornella (2017). Walk to the Beat: A Case Report of the Use of a Novel Haptic Device to Improve Walking after Stroke. Journal of Novel Physiotherapy and Physical Rehabilitation, 4(2) pp. 56–59.

Stockley, RC; Donaldson, G; Georgiou, Theodoros; Caton, S; Pinzone, O; Visi, F; Holland, Simon; Sullivan, M and Tetley, Josie (2017). A small repeated measures study of haptic cueing upon gait symmetry in people after stroke. International Journal of Stroke, 12 (5S) pp. 44–45.

Tetley, Josephine Wendy; Holland, Simon; Caton, Sue; Donaldson, Glynis; Georgiou, Theodoros; Visi, Federico and Stockley, Rachel Christina (2022). Using rhythm for rehabilitation: the acceptability of a novel haptic cueing device in extended stroke rehabilitation. Journal of Enabling Technologies, 16(4) pp. 290–301.

van der Linden, Janet; Rogers, Yvonne; Waights, Verina and Taylor, Crissman (2012). A blended design approach for pervasive healthcare: bringing together users, experts and technology. Health Informatics Journal, 18(3) pp. 212–218.

van der Linden, Janet; Schoonderwaldt, Erwin; Bird, Jon and Johnson, Rose (2011). MusicJacket — combining motion capture and vibrotactile feedback to teach violin bowing. IEEE Transactions on Instrumentation and Measurement, 60(1) pp. 104–113.

Wilkie, Katie; Holland, Simon and Mulholland, Paul (2010). What can the language of musicians tell us about music interaction design? Computer Music Journal, 34(4) pp. 34–48.

Xambó, Anna; Hornecker, Eva; Marshall, Paul; Jordà, Sergi; Dobbyn, Chris and Laney, Robin (2013). Let’s jam the reactable: peer learning during musical improvisation with a tabletop tangible interface. ACM Transactions on Computer-Human Interaction (TOCHI), 20(6), article no. 36.

Xambó, Anna; Hornecker, Eva; Marshall, Paul; Jorda, Sergi; Dobbyn, Chris and Laney, Robin (2016). Exploring Social Interaction With a Tangible Music Interface. Interacting with Computers, 29(2) pp. 248–270.

Conference or Workshop ItemTo Top

Bellingham, Matt; Holland, Simon and Mulholland, Paul (2016). Designing a Highly Expressive Algorithmic Music Composition System for Non-Programmers. In: DMRN+11: Digital Music Research Network One-Day Workshop 2016.

Bellingham, Matt; Holland, Simon and Mulholland, Paul (2017). Choosers: designing a highly expressive algorithmic music composition system for non-programmers. In: Second Conference on Computer Simulation of Musical Creativity, 11-13 Sep 2017, The Open University, Milton Keynes, UK.

Bellingham, Matt; Holland, Simon and Mulholland, Paul (2018). Choosers: The design and evaluation of a visual algorithmic music composition language for non-programmers. In: Proceedings of 29th Annual Workshop of the Psychology of Programming Interest Group - PPIG 2018.

Bellingham, Matt; Holland, Simon and Mulholland, Paul (2014). A cognitive dimensions analysis of interaction design for algorithmic composition software. In: Proceedings of Psychology of Programming Interest Group Annual Conference 2014 (du Boulay, Benedict and Good, Judith eds.), 25-27 Jun 2014, Brighton, University of Sussex, pp. 135–140.

Bird, Jon; Holland, Simon; Marshall, Paul; Rogers, Yvonne and Clark, Andy (2008). Feel the force: Using tactile technologies to investigate the extended mind. In: Proceedings of Devices that Alter Perception, 21 Sep 2008, Seoul, Korea.

Bolzoni, Andrea; Di Donato, Balandino and Laney, Robin (2021). tiNNbre: a timbre-based musical agent. In: Nordic SMC 2021: The 2nd Nordic Sound and Music Conference, 11-12 Nov 2021, Online, Nordic SMC, Aalborg University.

Bowen, Keith; Buys, Kurijn and Sharp, David (2018). On The Accuracy Of Calculation Of The Impedance Spectra Of Woodwind Instruments. In: Measurements and modelling of musical instruments and performance spaces, 22 Oct 2018, St Cecilia's Hall, Edinburgh.

Buys, K.; Sharp, D. and Laney, R. (2014). Developing a hybrid wind instrument: using a loudspeaker to couple a theoretical exciter to a real resonator. In: Proceedings of the International Symposium on Musical Acoustics pp. 331–336.

Buys, Kurijn; Sharp, David and Laney, Robin (2014). Developing and evaluating a hybrid wind instrument excited by a loudspeaker. In: Proceedings of the Institute of Acoustics, pp. 294–303.

Buys, Kurijn; Sharp, David and Laney, Robin (2015). A comparison of single-reed and bowed-string excitations of a hybrid wind instrument. In: Proceedings of the Third Vienna Talk on Music Acoustics, University of Music and Performing Arts Vienna, pp. 290–296.

Buys, Kurijn; Sharp, David and Laney, Robin (2017). Development of a hybrid wind instrument—Some key findings. In: Journal of the Acoustical Society of America, 141(5), article no. 3620.

Buys, Kurijn; Sharp, David and Laney, Robin (2016). Improving the stability of a hybrid wind instrument using two microphones. In: Proceedings of the International Symposium on Musical and Room Acoustics (Miyara, Federico ed.), Asociación de Acústicos Argentinos, AdAA, Buenos Aires.

Canny, Nicholas; Holland, Simon and Mudd, Tom (2023). Proceedings of the CHIME Music and HCI Workshop 2023. In: CHIME One Day Workshop 2023, 4 Dec 2023, The Open University, Milton Keynes, The Open University.

Carey, Tom; Harrigan, Kevin and Holland, Simon (1999). Enhancing Interaction Scenarios with a Domain-Oriented Pattern Language. In: INTERACT '99: IFIP TC13 International Conference on Human-Computer Interaction, 30 Aug - 3 Sep 1999, Edinburgh, Scotland.

Collins, Tom; Laney, Robin; Willis, Alistair and Garthwaite, Paul (2010). Using discovered, polyphonic patterns to filter computer-generated music. In: Proceedings of the International Conference on Computational Creativity, 7-9 Jan 2010, Lisbon Portugal.

Collins, Tom; Thurlow, Jeremy; Laney, Robin; Willis, Alistair and Garthwaite, Paul (2010). A comparative evaluation of algorithms for discovering translational patterns in Baroque keyboard works. In: Proceedings of the International Symposium on Music Information Retrieval, 9-13 Aug 2010, Utrecht, The Netherlands.

Corneli, Joseph; Holland, Simon; Pease, Alison; Mulholland, Paul; Murray-Rust, Dave; Scaltsas, Theodore and Smaill, Alan (2018). Patterns of Design. In: Proceedings of the 23rd European Conference on Pattern Languages of Programs (EuroPLoP ’18), ACM, New York, NY, USA, article no. 22.

Dalton, Nicholas; Mackay, Gordon and Holland, Simon (2012). Kolab: appropriation & improvisation in mobile tangible collaborative interaction. In: DIS 2012 Designing Interactive Systems, 11-15 Jun 2012, Newcastle, UK.

Daquino, Marilena; Daga, Enrico; d'Aquin, Mathieu; Gangemi, Aldo; Holland, Simon; Laney, Robin; Penuela, Albert Merono and Mulholland, Paul (2017). Characterizing the Landscape of Musical Data on the Web: State of the Art and Challenges. In: Second Workshop on Humanities in the Semantic Web - WHiSe II, 21-25 Oct 2017, Vienna, Austria.

Franceschini, Andrea (2010). Towards a practical approach to music theory on the Reactable. In: SMC 2010: 7th Sound and Music Computing Conference, 21-24 Jul 2010, Barcelona, Spain.

Franceschini, Andrea; Laney, Robin and Dobbyn, Chris (2014). Learning musical contour on a tabletop. In: Joint ICMC/SMC 2014 Conference, 14-20 Sep 2014, Athens, Greece.

Georgiou, Theodoros; Holland, Simon and van der Linden, Janet (2016). Rhythmic Haptic Cueing for Entrainment: Assisting post-stroke gait rehabilitation. In: Designing Around People: CWUAAT 2016 (Langdon, Pat; Lazar, Jonathan; Heylighen, Ann and Dong, Hua eds.), Springer, pp. 55–64.

Georgiou, Theodoros; Holland, Simon and van der Linden, Janet (2016). The Haptic Bracelets: Gait rehabilitation after Stroke. In: EuroHaptics 2016, Jul 4-7, London, UK.

Georgiou, Theodoros; Holland, Simon and van der Linden, Janet (2016). Wearable Haptic Devices For Post- Stroke Gait Rehabilitation. In: Designing, developing, and evaluating the internet of personal health: International Joint Conference on Pervasive and Ubiquitous Computing (UbiComp 2016), 12-16 Sep 2016, Heidelberg, Germany.

Georgiou, Theodoros; Holland, Simon and van der Linden, Janet (2017). Rhythm and Gait rehabilitation: a case study using rhythmic haptic cueing for stabilising gait and improving asymmetries. In: 26th European Stroke Conference, 24-26 May 2017, Berlin, Germany.

Georgiou, Theodoros; Holland, Simon; van der Linden, Janet and Donaldson, Glenis (2016). Questioning Classic Patient Classification Techniques in Gait Rehabilitation: Insights from Wearable Haptic Technology. In: eHealth 360°. Lecture Notes of the Institute for Computer Sciences, Social Informatics and Telecommunications Engineering (Giokas, Kostas; Bokor, Laszlo and Hopfgartner, Frank eds.), Springer, Cham, 181 pp. 327–339.

Georgiou, Theodoros; Holland, Simon; van der Linden, Janet; Tetley, Josie; Stockley, Rachel C.; Donaldson, Glenis; Garbutt, Linda; Pinzone, Ornella; Grasselly, Fanny and Deleaye, Kevin (2015). A blended user centred design study for wearable haptic gait rehabilitation following hemiparetic stroke. In: Proceedings of the 9th International Conference on Pervasive Computing Technologies for Healthcare, ICST (Institute for Computer Sciences, Social-Informatics and Telecommunications Engineering), pp. 72–79.

Georgiou, Theodoros; Holland, Simon; van der Linden, Janet and Visi, Federico (2017). Two kinds of entrainment in gait rehabilitation using haptic metronomic cues. In: 16th Rhythm Production and Perception Workshop, 3-5 Jul 2017, Birmingham, UK.

Griffiths, Rob; Woodman, Mark; Holland, Simon; Macgregor, Malcolm and Robinson, Hugh (1999). Separable User Interface Architectures in Teaching Object Technology. In: Proceedings of Technology of Object-Oriented Languages and Systems - TOOLS 30, IEEE, pp. 290–299.

Haro, Martín; Xambó, Anna; Fuhrmann, Ferdinand; Bogdanov, Dmitry; Gómez, Emilia and Herrera, Perfecto (2010). The Musical Avatar: a visualization of musical preferences by means of audio content description. In: 5th Audio Mostly Conference, 15-17 Sep 2010, Piteå, Sweden.

Hill, Patrick; Holland, Simon and Laney, Robin (2006). Symmetric composition of musical concerns. In: Proceedings of the 5th international conference on Aspect-oriented software development, ACM Press, New York, NY, USA, pp. 226–236.

Hill, Patrick; Holland, Simon and Laney, Robin C. (2004). Applying aspect-oriented programming to music computing. In: SMC04 Conference Proceedings: First Sound and Music Computing Conference (Agon, Carlos and Assayag, Gerard eds.), Services Des Publications, IRCAM, Paris, pp. 169–165.

Hill, Patrick; Holland, Simon and Laney, Robin C. (2004). Using Dynamic Aspects in Music Composition Systems. In: Proceedings of the 2004 Dynamic Aspects Workshop (DAW04) (Filman, Robert E. and Haupt, Michael eds.), Research Institute for Advanced Computer Science (RIACS), pp. 89–97.

Hodl, Oliver; Fitzpatrick, Geraldine and Holland, Simon (2014). Experimence: Considerations for Composing a Rock Song for Interactive Audience Participation. In: Proceedings of ICMC/SMC Joint Conference: 40th International Computer Music Conference and 11th Sound and Music Computing (ICMC/SMC 2014). (Georgaki, A. and Kouroupetroglou, G. eds.), Michigan Publishing pp. 169–176.

Hödl, Oliver; Fitzpatrick, Geraldine; Kayali, Fares and Holland, Simon (2017). Design Implications for Technology-Mediated Audience Participation in Live Music. In: Proceedings of the 14th Sound and Music Computing Conference, July 5-8 2017, Aalto University, Espoo, Finland pp. 28–34.

Hödl, Oliver; Kayali, Fares; Fitzpatrick, Geraldine and Holland, Simon (2015). Towards bridging a gap in a musical live performance. In: Proceedings of the Third Vienna Talk on Music Acoustics (Mayer, Alexander; Chatziioannou, Vasileios and Goebl, Werner eds.), University of Music and Performing Arts Vienna, Vienna, Austria p. 226.

Holland, Caroline and Holland, Simon (2004). Smart homes and extended families. In: HCI and the Older Population, pp. 15–17.

Holland, Simon; Marshall, Paul; Bird, Jon; Dalton, Sheep; Morris, Richard; Pantidi, Nadia; Rogers, Yvonne and Clark, Andy (2009). Running up Blueberry Hill: Prototyping whole body interaction in harmony space. In: Proceedings of the 3rd international Conference on Tangible and Embedded interaction, 16-18 Feb 2009, Cambridge, UK.

Holland, Simon (2010). Asymmetrical Multi-User Co-operative Whole Body Interaction in Abstract Domains. In: CHI 2010 (ACM Conference on Human Factors in Computing Systems), 10-15 Apr 2010, Atlanta, GA, USA.

Holland, Simon (1987). New Cognitive Theories of Harmony Applied to Direct Manipulation Tools for Novices. In: Proceedings of 1987 International Computer Music Conference, Michigan Publishing pp. 182–189.

Holland, Simon (1991). Visual Programming in Prolog. In: Sixth International PEG Conference on Knowledge-Based Environments for Teaching and Learning, 31 May - 02 Jun 1991, Rapallo (Genova), Italy.

Holland, Simon (1991). Two-dimensional Visual Programming and Three-Dimensional Execution Visualisation in Prolog. In: Colloquium Digest of the Institute of Electrical Engineers' IEE Colloquium on Real World Visualisation - Virtual World - Virtual Reality, IEE Electronics Division, 4/1-4/4.

Holland, Simon (2004). Reflective Composition: the declarative composition of roles to unify objects, roles, and aspects [poster session]. In: Conference on Object Oriented Programming Systems Languages and Applications (OOPSLA 2004) (Vilissides, John and Schmidt, Doug eds.), 24-28 Oct 2004, Vancouver, BC, Canada, ACM Press, pp. 224–225.

Holland, Simon and Alty, Jim (1993). HCI and Music: Squaring the Circle. In: INTERCHI 1993 (Joint meeting of ACM SIGCHI and INTERACT), 24-29 Apr 1993, Amsterdam.

Holland, Simon; Bouwer, Anders J.; Dalgleish, Mat and Hurtig, Topi M. (2010). Feeling the beat where it counts: fostering multi-limb rhythm skills with the haptic drum kit. In: Proceedings of the fourth international conference on Tangible, embedded, and embodied interaction, 25-27 Jan 2010, Boston Cambridge Mass, USA, pp. 21–28.

Holland, Simon; Gedenryd, Henrik and Morse, David (2002). Applying Direct Combination to afford spontaneity in Pervasive Computing. In: Workshop on Supporting Spontaneous Interaction in Ubiquitous Computing Settings, 29 Sep - 1 Oct 2002, Gothenburg, Sweden.

Holland, Simon; Griffiths, Robert and Woodman, Mark (1997). Avoiding Object Misconceptions. In: SIGCSE '97: Proceedings of the twenty-eighth SIGCSE technical symposium on Computer science education (Miller, J.E. ed.), ACM, New York, pp. 131–134.

Holland, Simon and Holland, Caroline (2005). The simplification of complex interactions for more inclusive social communication technologies (position paper). In: HCI and the Older Population, 5 Sep 2005, Edinburgh, UK.

Holland, Simon; Marshall, Paul; Bird, Jonathan and Rogers, Yvonne (2009). Prototyping Whole Body Navigation of Musical Harmony. In: Whole Body Interaction 2009 (SIGCHI), 5 Apr 2009, Boston, Mass, USA.

Holland, Simon; McPherson, Andrew P.; McKay, Wendy E.; Wanderley, Marcelo M.; Gurevich, Michael D.; Mudd, Tom W.; O'Modhrain, Sile; Wilkie, Katie L.; Malloch, Joseph W.; Garcia, Jeremie and Johnston, Andrew (2016). Music and HCI. In: Proceedings of the 2016 CHI Conference Extended Abstracts on Human Factors in Computing Systems, ACM, New York pp. 3339–3346.

Holland, Simon and Morse, David R. (2001). AudioGPS: spatial audio in a minimal attention interface. In: Third International Workshop on Human Computer Interaction with Mobile Devices, 10 Sep 2001, Lille, France.

Holland, Simon and Oppenheim, Daniel (1999). Direct Combination. In: CHI '99: Proceedings of the SIGCHI conference on Human Factors in Computing Systems (Williams, Marion; Altom, Mark; Erlich, Kate and Newman, William eds.), Proceedings of ACM CHI, ACM Press/Addison Wesley, New York, pp. 262–269.

Holland, Simon; Wright, Rachel; Wing, Alan; Crevoisier, Thomas; Hodl, Oliver and Canelli, Maxime (2014). A Gait Rehabilitation pilot study using tactile cueing following Hemiparetic Stroke. In: PervasiveHealth '14: Proceedings of the 8th International Conference on Pervasive Computing Technologies for Healthcare (Fardoun, Habib Habib M. and Ruiz Penichet, Victor eds.), 20 May 2014, Oldenburg, Germany, ACM, pp. 402–405.

Holland, Simon; Wright, Rachel L.; Wing, Alan; Crevoisier, Thomas; Hödl, Oliver and Canelli, Maxime (2015). A pilot study using tactile cueing for gait rehabilitation following stroke. In: ICTs for Improving Patients Rehabilitation Research Techniques (Fardoun, Habib M.; Penichet, Victor M. R. and Alghazzawi, Daniyal M. eds.), Communications in Computer and Information Science (CCIS), Springer Verlag, Berlin, pp. 222–233.

Hughes, Craig; Wermelinger, Michel and Holland, Simon (2011). Sound Spheres: A Design Study of the Articulacy of a Non-Contact Finger Tracking Virtual Musical Instrument. In: 8th Sound and Music Computing Conference, 6-9 Jul 2011, Padova, Italy.

Islam, Riasat; Holland, Simon; Georgiou, Theodoros; Price, Blaine and Mulholland, Paul (2018). A longitudinal rehabilitation case study for hemiparetic gait using outdoor rhythmic haptic cueing via a wearable device. In: 27th European Stroke Conference, 11-13 Apr 2018, Athens, Greece.

Islam, Riasat; Holland, Simon; Georgiou, Theodoros; Price, Blaine and Mulholland, Paul (2018). Gait rehabilitation by outdoor rhythmic haptic cueing using wearable technology for neurological conditions: a case study. In: ACPIN International Neurophysiotherapy Conference, 19-20 Mar 2018, Manchester, UK.

Islam, Riasat (2018). Wearable Haptic Devices for Gait Re-education by Rhythmic Haptic Cueing. In: 32nd International BCS Human Computer Interaction Conference (HCI 2018), 2-6 Jul 2018, Belfast, Northern Ireland, United Kingdom, BCS Learning and Development Ltd.

Islam, Riasat; Georgiou, Theodoros; Holland, Simon; Price, Blaine and Mulholland, Paul (2018). How can rhythmic haptic cueing using wearable haptic devices help gait rehabilitation for stroke survivors: a longitudinal pilot study. In: 2nd Digital Health & Wellbeing Conference 2018, 01-03 May 2018, The Open University, Milton Keynes, UK.

Islam, Riasat; Holland, Simon; Georgiou, Theodoros; Price, Blaine and Mulholland, Paul (2018). Wearable Haptic Devices for Long-Term Gait Re-education for Neurological Conditions. In: Haptic Technologies for Healthcare, EuroHaptics 2018, 13-16 Jun 2018, Pisa, Italy.

Islam, Riasat; Holland, Simon; Price, Blaine; Georgiou, Theodoros and Mulholland, Paul (2018). Wearables for Long Term Gait Rehabilitation of Neurological Conditions. In: A Short Workshop on Next Steps Towards Long Term Self Tracking, CHI 2018: CHI Conference on Human Factors in Computing Systems, 21-26 Apr 2018, Montreal, QC, Canada.

Islam, Riasat; Holland, Simon; Price, Blaine and Mulholland, Paul (2019). Gait Rehabilitation for Neurological Conditions using Wearable Devices. In: Workgroup on Interactive Systems in Health, CHI 2019: Conference on Human Factors in Computing Systems, 5 May 2019, Glasgow, United Kingdom.

Johnson, Rose; van der Linden, Janet and Rogers, Yvonne (2010). To buzz or not to buzz: improving awareness of posture through vibrotactile feedback. In: Whole Body Interaction Workshop CHI2010, 10-11 Apr 2010, Atlanta.

Johnson, Rose; van der Linden, Janet and Rogers, Yvonne (2010). MusicJacket: the efficacy of real-time vibrotactile feedback for learning to play the violin. In: Proceedings of the 28th International Conference on Human Factors in Computing Systems, 10-15 Apr 2010, Atlanta Georgia, USA.

Katz, Dmitri S.; Price, Blaine A.; Holland, Simon and Dalton, Nicholas Sheep (2018). Designing for Diabetes Decision Support Systems with Fluid Contextual Reasoning. In: CHI '18 Proceedings of the 2018 CHI Conference on Human Factors in Computing Systems, ACM, New York, NY, USA, article no. 625.

Katz, Dmitri (2017). More Than Numbers. In: Proceedings of the 2017 CHI Conference Extended Abstracts on Human Factors in Computing Systems - CHI EA '17, ACM Press, New York, NY, USA pp. 286–290.

Katz, Dmitri; Arsand, Erik; Dalton, Nick; Holland, Simon; Martin, Clare; Olsson, Carl Magnus and Price, Blaine A. (2016). Designing, Developing, and Evaluating the Future Internet of Personal Health. In: UbiComp '16: Proceedings of the 2016 ACM International Joint Conference on Pervasive and Ubiquitous Computing: Adjunct, ACM, pp. 1068–1073.

Katz, Dmitri; Dalton, Nick; Holland, Simon; O'Kane, Aisling and Price, Blaine A. (2016). Questioning the Reflection Paradigm for Diabetes Mobile Apps. In: EAI International Conference on Wearables in Healthcare, 14-15 Jun 2016, Budapest, European Alliance for Innovation.

Katz, Dmitri S.; Price, Blaine A.; Holland, Simon and Dalton, Nicholas Sheep (2018). Data, Data Everywhere, and Still Too Hard to Link: Insights from User Interactions with Diabetes Apps. In: CHI 2018: CHI Conference on Human Factors in Computing Systems, 21-26 Apr 2018, Montreal, QC, Canada.

Laney, Robin; Dobbyn, Chris; Xambó, Anna; Schirosa, Mattia; Miell, Dorothy; Littleton, Karen and Dalton, Nick (2010). Issues and techniques for collaborative music making on multi-touch surfaces. In: 7th Sound and Music Computing Conference, 21-24 Jul 2010, Barcelona.

Laney, Robin; Samuels, Robert and Capulet, Emilie (2015). Cross entropy as a measure of musical contrast. In: Mathematics and Computation in Music (Collins, Tom; Meredith, David and Volk, Anja eds.), Lecture Notes in Computer Science, Springer International Publishing, Cham, Switzerland, pp. 193–198.

Lederman, Noam; Holland, Simon and Mulholland, Paul (2020). A principled approach to the development of drum improvisation skills through interaction with a conversational agent. In: PPIG 2020 - 31st Annual Workshop, 30 Nov - 4 Dec 2020, Online.

Lederman, Noam; Holland, Simon and Mulholland, Paul (2023). An agent for creative development in drum kit playing. In: PPIG 2022: Proceedings of the 33rd Annual Workshop of the Psychology of Programming Interest Group (Holland, Simon; Petre, Marian; Church, Luke and Marasoiu, Mariana eds.), Proceedings of the Psychology of Programming Interest Group, PPIG, Milton Keynes, UK, pp. 88–90.

Linson, Adam; Dobbyn, Chris and Laney, Robin (2012). Critical issues in evaluating freely improvising interactive music systems. In: International Conference on Computational Creativity (ICCC) 2012, 30 May - 01 Jun 2012, Dublin, Ireland.

Linson, Adam; Dobbyn, Chris and Laney, Robin (2012). Interactive intelligence: behaviour-based AI, musical HCI and the Turing Test. In: Revisiting Turing and his Test: Comprehensiveness, Qualia, and the Real World, Symposium no. 7 at AISB/IACAP World Congress 2012: Alan Turing Year 2012, 2-6 Jul 2012, Birmingham, UK.

Linson, Adam; Dobbyn, Chris and Laney, Robin (2012). Improvisation without representation: artificial intelligence and music. In: Music, Mind, and Invention Workshop: Creativity at the Intersection of Music and Computation, 30-31 Mar 2012, Ewing, New Jersey, USA.

Milne, Andrew J. (2009). A psychoacoustic model of harmonic cadences: a preliminary report. In: 7th Triennial Conference of European Society for the Cognitive Sciences of Music (ESCOM 2009), 12-16 Aug 2009, Jyväskylä, Finland.

Milne, Andrew J. (2010). Tonal music theory: A psychoacoustic explanation? In: Proceedings of the International Conference of Music Perception and Cognition 2010 (ICMPC 11), 23-27 Aug 2010, Seattle, USA.

Milne, Andrew J. and Prechtl, Anthony (2008). New tonalities with the Thummer and The Viking. In: 3rd International Haptic and Auditory Interaction Design Workshop, 15-16 Sep 2008, Jyväskylä, Finland.

Milne, Andrew J.; Prechtl, Anthony; Laney, Robin and Sharp, David B. (2010). Spectral pitch distance and microtonal melodies. In: Proceedings of the International Conference of Music Perception and Cognition 2010 (ICMPC 11), 23-27 Aug 2010, Seattle, USA.

Milne, Andrew J.; Sethares, William A.; Laney, Robin and Sharp, David B. (2010). Metrics for pitch collections. In: Proceedings of the International Conference of Music Perception and Cognition 2010 (ICMPC 11), 23-27 Aug 2010, Seattle, USA.

Milne, Andrew J.; Xambó, Anna; Laney, Robin; Sharp, David B.; Prechtl, Anthony and Holland, Simon (2011). Hex Player—a virtual musical controller. In: The International Conference on New Interfaces for Musical Expression 2011, 30 May - 01 Jun 2011, Oslo, Norway.

Mudd, Tom; Dalton, Nick; Holland, Simon and Mulholland, Paul (2014). Dynamical Systems in Interaction Design for Improvisation. In: Workshop on Human Computer Improvisation at 2014 ACM conference on Designing Interactive Systems, 21-25 Jun 2014, Vancouver, BC, Canada.

Mudd, Tom; Holland, Simon; Mulholland, Paul and Dalton, Nicholas (2014). Nonlinear Dynamical Systems as Enablers of Exploratory Engagement with Musical Instruments. In: INTER-FACE: International Conference on Live Interfaces 2014, 19-23 Nov 2014, Lisbon, Portugal.

Mudd, Tom; Holland, Simon; Mulholland, Paul and Dalton, Nicholas (2014). Dynamical Interactions with Electronic Instruments. In: Proceedings of the Internation Conference on New Interfaces for Musical Expression (Caramiaux, Baptiste; Tahiroglu, Koray; Fiebrink, Rebecca and Tanaka, Atau eds.), Goldsmiths, University of London, pp. 126–129.

Mudd, Tom; Holland, Simon; Mulholland, Paul and Dalton, Nick (2015). Investigating the effects of introducing nonlinear dynamical processes into digital musical interfaces. In: Proceedings of Sound and Music Computing Conference, 2015, Sound and Music Computing Network.

Prechtl, Anthony; Laney, Robin; Willis, Alistair and Samuels, Robert (2014). Algorithmic music as intelligent game music. In: AISB50: The 50th Annual Convention of the AISB, 1-4 Apr 2014, London, UK.

Prechtl, Anthony; Laney, Robin; Willis, Alistair and Samuels, Robert (2014). Methodological approaches to the evaluation of game music systems. In: AM '14 Proceedings of the 9th Audio Mostly: A Conference on Interaction With Sound, ACM, article no. 26.

Roma, Gerard; Xambó, Anna; Herrera, Perfecto and Laney, Robin (2012). Factors in human recognition of timbre lexicons generated by data clustering. In: 9th Sound and Music Computing Conference (SMC 2012), 11-14 Jul 2012, Copenhagen, Denmark.

Seago, Allan; Holland, Simon and Mulholland, Paul (2010). A novel user interface for musical timbre design. In: Audio Engineering Society 128th Convention, Audio Engineering Society, London, article no. 8140.

Seago, Allan; Holland, Simon and Mulholland, Paul (2005). Towards a mapping of timbral space. In: Proceedings of Conference on Interdisciplinary Musicology (CIM05), 10-12 Mar 2005, Montreal, Canada.

Seago, Allan; Holland, Simon and Mulholland, Paul (2008). Timbre space as synthesis space: towards a navigation based approach to timbre specification. In: Spring Conference of the Institute of Acoustics 2008: Widening Horizons in Acoustics, 10-11 Apr 2008, Reading, UK.

Smith, Matthew and Holland, Simon (1992). An AI Tool for the Analysis and Generation of Melodies. In: 1992 International Computer Music Conference (ICMC 1992), 14-18 Oct 1992, San Jose State University, California, International Computer Music Association, pp. 61–64.

Steffert, Tony; Holland, Simon; Mulholland, Paul; Dalton, Sheep and Väljamäe, Aleksander (2015). Prototyping a method for the assessment of real-time EEG sonifications. In: Proceedings of the 21st International Conference on Auditory Display (Vogt, Katharina; Andreopoulou, Areti and Goudarzi, Visda eds.), Institute of Electronic Music and Acoustics (IEM), University of Music and Performing Arts Graz (KUG), Austria pp. 217–224.

Stockley, R; Donaldson, G; Tetley, J.; Georgiou, T.; Holland, S.; van der Linden, J. and Pinzone, O. (2016). Walk to the beat: a single case study investigating a novel haptic device to improve walking after stroke. In: Cerebrovascular Diseases (Hennerici, Marion R. ed.), S. Karger, Basel, 41((Suppl 1)) p. 89.

Tetley, Josie; Holland, Caroline; Nederland, Trud; Toorn, Jessica van den; Reichert, Monika; Lis, Katharina; Mason, Anne; Kokol, Peter; Blazun, Helena; Hughes, Jonathan; Waights, Verina and Holland, Simon (2010). Older people & technological innovations-lifelong, learning and applications for health and wellbeing. In: Fourth European Nursing Congress Older Persons: the Future of Care., 4-7 Oct 2010, Rotterdam.

Tetley, Josephine; Holland, Caroline; Hughes, Jonathan; Waights, Verina and Holland, Simon (2010). Older people and technological innovations: lifelong learning and applications for health and wellbeing. In: 39th British Society of Gerontology Annual Conference, 6-8 Jul 2010, Brunel University, Uxbridge.

Väljamäe, A.; Steffert, T.; Holland, S.; Marimon, X.; Benitez, R.; Mealla, S.; Oliveira, A. and Jordà, S. (2013). A review of real-time EEG sonification research. In: International Conference on Auditory Display 2013 (ICAD 2013), 6-10 Jul 2013, Lodz, Poland, pp. 85–93.

van der Linden, Janet; Johnson, Rose; Bird, Jonathan; Rogers, Yvonne and Schoonderwaldt, Erwin (2011). Buzzing to play: lessons learned from an in the wild study of real-time vibrotactile feedback. In: The 29th International Conference on Human Factors in Computing Systems. ACM CHI 2011, 07-12 May 2011, Vancouver, BC, Canada, pp. 533–542.

van der Linden, Janet; Schoonderwaldt, Erwin and Bird, Jon (2009). Towards a real-time system for teaching novices good violin bowing technique. In: Proceedings HAVE, IEEE International Workshop on Haptic Audio Visual Environments and Games, 7-8 Nov 2009, Lecco, Italy, pp. 81–86.

Visi, Federico; Georgiou, Theodoros; Holland, Simon; Pinzone, Ornella; Donaldson, Glenis and Tetley, Josie (2017). Assessing the Accuracy of an Algorithm for the Estimation of Spatial Gait Parameters Using Inertial Measurement Units: Application to Healthy Subject and Hemiparetic Stroke Survivor. In: 4th International Conference on Movement Computing (MOCO '17), 28-30 Jun 2017, London, UK, ACM.

Whitelock, Denise; Brna, Paul and Holland, Simon (1996). What is the Value of Virtual Reality for Conceptual Learning? Towards a Theoretical Framework. In: Proceedings of the European Conference on Artificial Intelligence in Education (Brna, P.; Paiva, A. and Self, J. eds.), Edições Colibri, Lisboa, Portugal, pp. 136–141.

Whitelock, Denise; Holland, Simon and Howard, Patricia (1995). Understanding harmony and technology in music education. In: Proceedings of the ICTE 1995: the 12th International Conference on Technology and Education (Sechrest, T.; Thomas, M. and Estes, N. eds.), University of Texas, Texas, pp. 382–384.

Wilkie, Katie; Holland, Simon and Mulholland, Paul (2011). We can work it out: towards a participatory approach to designing music interactions. In: When Words Fail: What can Music Interaction tell us about HCI?, 04 Jul 2011, Newcastle Upon Tyne.

Wilkie, Katie; Holland, Simon and Mulholland, Paul (2009). Evaluating musical software using conceptual metaphors. In: Proceedings of BCS Human-Computer Interaction (HCI 2009), 1-5 Sep 2009, Cambridge UK.

Wilkie, Katie; Holland, Simon and Mulholland, Paul (2009). Analysis of conceptual metaphors to improve music software: the role of prior experience in inclusive music interaction. In: British Computer Society HCI Conference 2009 Workshop, 01-05 Sep 2009, Cambridge.

Wilkie, Katie; Holland, Simon and Mulholland, Paul (2014). Eliciting Domain Knowledge Using Conceptual Metaphors: A Case Study from Music Interaction. In: Proceedings of the 28th International BCS Human Computer Interaction Conference (HCI 2014), 9-12 Sep 2014, Southport, UK, pp. 126–129.

Woodman, Mark; Davies, Gordon and Holland, Simon (1996). The Joy Of Software – Starting With Objects. In: Proceedings of the Twenty-Seventh SIGCSE Technical Symposium on Computer Science Education (Klee, Karl J. ed.), ACM, New York, pp. 88–92.

Woodman, Mark; Griffiths, Rob; Holland, Simon; Robinson, Hugh and Mcgregor, Malcolm (1999). Employing Object Technology to Expose Fundamental Object Concepts. In: Proceedings: Technology of Object-Oriented Languages and Systems (TOOLS 29), IEEE, pp. 371–383.

Woodman, Mark; Griffiths, Rob; McGregor, Malcolm; Holland, Simon and Robinson, Hugh (1999). Exploiting Smalltalk Modules In A Customizable Programming Environment. In: ICSE '99: Proceedings of the 21st International Conference on Software Engineering, ACM, New York, pp. 65–74.

Woodman, Mark and Holland, Simon (1996). From software user to software author: an initial pedagogy for Introductory Object-Oriented Computing. In: ITiCSE '96: Proceedings of the 1st Conference on Integrating Technology into Computer Science Education, ACM, New York, pp. 60–62.

Woodman, Mark; Holland, Simon and Price, Blaine (1994). Pervasiveness of a Programming Paradigm: Questions Concerning an Object-oriented Approach. In: Second All Ireland Conference on the Teaching of Computing, 5-7 Sep 1994, Dublin City University.

Woodman, Mark; Law, Andrew; Holland, Simon and Griffiths, Rob (1997). The Object Shop – Using CD-ROM Multimedia To Introduce Object Concepts. In: SIGCSE 97: Proceedings of the twenty-eighth SIGCSE technical symposium on Computer science education (Miller, James E. ed.), ACM, New York, pp. 345–349.

Xambó, Anna; Laney, Robin; Dobbyn, Chris and Jordà, Sergi (2011). Collaborative music interaction on tabletops: an HCI approach. In: BCS HCI 2011 Workshop on When Words Fail: What can Music Interaction tell us about HCI?, 4 Jul 2011, Newcastle Upon Tyne.

Xambó, Anna; Roma, Gerard; Laney, Robin; Dobbyn, Chris and Jordà, Sergi (2014). SoundXY4: supporting tabletop collaboration and awareness with ambisonics spatialisation. In: Proceedings of the Internation Conference on New Interfaces for Musical Expression, Goldsmiths University of London, pp. 40–45.

Xambó, Anna; Laney, Robin and Dobbyn, Chris (2011). TOUCHtr4ck: democratic collaborative music. In: TEI '11 Fifth International Conference on Tangible, Embedded and Embodied Interaction, 23-26 Jan 2011, Funchal, Portugal.

Xambó, Anna; Laney, Robin; Dobbyn, Chris and Jordà, Sergi (2011). Multi-touch interaction principles for collaborative real-time music activities: towards a pattern language. In: International Computer Music Conference Proceedings, 31 Jul - 5 Aug 2011, Huddersfield.

Xambó, Anna; Laney, Robin; Dobbyn, Chris and Jordà, Sergi (2012). Towards a taxonomy for video analysis on collaborative musical tabletops. In: BCS HCI 2012 Workshop on Video Analysis Techniques for HCI, 11 Sep 2012, Birmingham, UK.

ThesisTo Top

Angelis, Vassilis (2014). Testing and Analysis of a Computational Model of Human Rhythm Perception. Doctor of Philosophy (PhD) thesis The Open University.

Buys, Kurijn (2018). Development and Evaluation of a Hybrid Wind Instrument. Doctor of Philosophy (PhD) thesis The Open University.

Collins, Thomas Edward (2011). Improved methods for pattern discovery in music, with applications in automated stylistic composition. Doctor of Philosophy (PhD) thesis The Open University.

Cutajar, Simon (2020). Automatic Generation of Dynamic Musical Transitions in Computer Games. Doctor of Philosophy (PhD) thesis The Open University.

Franceschini, Andrea (2016). Learning to use melodic similarity and contrast for narrative using a Digital Tabletop Musical Interface. Doctor of Philosophy (PhD) thesis The Open University.

Georgiou, Theodoros (2018). Rhythmic Haptic Cueing for Gait Rehabilitation of Hemiparetic Stroke and Brain Injury Survivors. Doctor of Philosophy (PhD) thesis The Open University.

Hill, Patrick (2007). Aspect-Oriented Music Representation. Doctor of Philosophy (PhD) thesis The Open University.

Holland, Simon (1989). Artificial intelligence, education and music : the use of artificial intelligence to encourage and facilitate music composition by novices. Doctor of Philosophy (PhD) thesis The Open University.

Linson, Adam (2014). Investigating the cognitive foundations of collaborative musical free improvisation: Experimental case studies using a novel application of the subsumption architecture. Doctor of Philosophy (PhD) thesis The Open University.

Milne, Andrew J. (2013). A Computational Model of the Cognition of Tonality. Doctor of Philosophy (PhD) thesis The Open University.

Mudd, Tom (2017). Nonlinear Dynamics In Musical Interactions. Doctor of Philosophy (PhD) thesis The Open University.

Seago, Allan (2009). A new user interface for musical timbre design. Doctor of Philosophy (PhD) thesis The Open University.

Steffert, Tony (2018). Real-Time Electroencephalogram Sonification for Neurofeedback. Doctor of Philosophy (PhD) thesis The Open University.

Wilkie, Katie Louise (2014). Conceptual Metaphor, Human-Computer Interaction And Music: Applying Conceptual Metaphor To The Design And Analysis Of Music Interactions. Doctor of Philosophy (PhD) thesis The Open University.

Xambó Sedó, Anna (2015). Tabletop Tangible Interfaces for Music Performance: Design and Evaluation. Doctor of Philosophy (PhD) thesis The Open University.

OtherTo Top

Holland, Simon (1991). Preliminary report on the design of a constraint-based musical planner.

Holland, Simon (2004). When is Direct Combination Useful?

Holland, Simon (2004). A Simple Taxonomy of Search Reduction in Direct Combination.

Holland, Simon (1994). Learning about harmony with Harmony Space: an overview (Extended Technical Report) STAN-M-88.

Tetley, J.; Stockley, R.; Donaldson, G.; Caton, S.; Sullivan, M.; Holland, S.; Georgiou, T.; Visi, F.; Williamson, A.; Wong, J. and Hill, R. (2017). Using rhythm for rehabilitation: evaluation of a novel haptic device.

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