Currently browsing: History of Books and Reading (HOBAR)

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Antonini, Alessio; Adamou, Alessandro; Suarez Figueroa, Mari Carmen and Benatti, Francesca (2023). Experiential Observations: an Ontology Pattern-based Study on Capturing the Potential Content within Evidences of Experiences. Journal on Computing and Cultural Heritage, 16(3), article no. 58.

Antonini, Alessio and Benatti, Francesca (2022). Cultural Challenges of DH Reflecting on DH Waves. In: Digital Humanities Congress 2022, 8-11 Sep 2022, Sheffield, UK.

Antonini, Alessio; Benatti, Francesca; Watson, Nicola; King, Edmund and Gibson, Jonathan (2021). Death and Transmediations: Manuscripts in the Age of Hypertext. In: HT '21: Proceedings of the 32nd ACM Conference on Hypertext and Social Media, Association for Computing Machinery, New York, NY, USA, pp. 17–26.

Antonini, Alessio and Benatti, Francesca (2020). *ing the Written Word: Digital Humanities Methods for Book History. In: SHARP 2020: Power of the Written Word, 11-15 Jul 2020, Amsterdam.

Antonini, Alessio; Benatti, Francesca and King, Edmund (2020). Restoration and Repurposing of DH legacy projects: the UK-RED case. In: Book of Abstracts of DH2020.

Antonini, Alessio; Vignale, François and Gravier, Guillaume (2020). READ-IT deliverable D2 - Model of the State of Mind V1.7.

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Bajetta, Carlo M.; Coatalen, Guillaume and Gibson, Jonathan (2014). Introduction. In: Bajetta, Carlo M.; Coatalen, Guillaume and Gibson, Jonathan eds. Elizabeth I’s Foreign Correspondence: Letters, Rhetoric, and Politics. Queenship and Power. Basingstoke: Palgrave Macmillan, xix-xxv.

Barker, Elton; Foka, Anna and Konstantinidou, Kyriaki (2020). Coding for the Many, Transforming Knowledge for All: Annotating Digital Documents. Publications of the Modern Language Association, 135(1) pp. 195–202.

Bell, Simon; Benatti, Francesca; Edwards, Neil R.; Laney, Robin; Morse, David R.; Piccolo, Lara and Zanetti, Oliver (2018). Smart Cities and M3: Rapid Research, Meaningful Metrics and Co-Design. Systemic Practice and Action Research, 31(1) pp. 27–53.

Benatti, Francesca (2009). Irish patriots and Scottish adventurers: the Irish Penny Journal, 1840-1841. Canadian Journal of Irish Studies, 35(2) pp. 36–41.

Benatti, Francesca (2024). Innovations in Digital Comics: A Popular Revolution. Elements in Publishing and Book Culture. Cambridge, UK: Cambridge University Press.

Benatti, Francesca (2013). Joining the press-gang: Thomas Moore and the Edinburgh Review. In: Benatti, Francesca; Ryder, Sean and Tonra, Justin eds. Thomas Moore: Texts, Contexts, Hypertext. Reimagining Ireland (24). Oxford: Peter Lang.

Benatti, Francesca (2019). Young Ireland and the Superannuated Bard: Rewriting Thomas Moore in The Nation. In: McCleave, Sarah and O'Hanlon, Triona eds. The Reputations of Thomas Moore: Poetry, Music, and Politics. Poetry and Song in the Age of Revolution. New York and London: Routledge, pp. 214–234.

Benatti, Francesca and Antonini, Alessio (2021). Into the Macroscope: Systematic integration of micro- and macro-scale study of digital reading. In: The 17th IGEL Conference, 23 Jun - 26 Jun 2021, University of Liverpool (Remote).

Benatti, Francesca; Norrick-Rühl, Corinna and Antonini, Alessio (2021). Reading Popular Culture Offline and Online: Outlining a Comparative Study of Reading Experiences Between Webcomics and Twenty-First Century Book Club Choices. In: 2nd International Conference of the European Association for Digital Humanities, 21-25 Sep 2021, Russia.

Benatti, Francesca; Towheed, Shafquat; Blackburn-Daniels, Sally and Antonini, Alessio (2024). @TellMeWhatUReadingbot: the Multi-modal Strategy of the READ-IT Project for Collecting Experiences of Reading. In: Proceedings of the 35th ACM Conference on Hypertext and Social Media, HT '24, Association for Computing Machinery, New York, NY, USA, pp. 217–222.

Benatti, Francesca; Vignale, François; Antonini, Alessio and King, Edmund (2023). Reading in Europe—Challenges and lessons learned from the case studies of the READ-IT project. Digital Scholarship in the Humanities, 38(2) pp. 477–481.

Benatti, Francesca (2019). Superhero comics and the digital communications circuit: a case study of Strong Female Protagonist. Journal of Graphic Novels and Comics, 10(3) pp. 306–319.

Benatti, Francesca (2008). Land and landscape in the Dublin Penny Journal, 1832-1833. In: Hooper, Glenn and Ní Bhroiméil, Úna eds. Land and Landscape in Nineteenth-Century Ireland. Nineteenth-Century Ireland Series. Dublin: Four Courts Press, pp. 13–24.

Benatti, Francesca and King, David (2016). In Search of the Voice of the Edinburgh Review. In: Romantic Voices, 22-23 Jun 2016, The Oxford Research Centre in the Humanities, Oxford, UK, British Association for Romantic Studies.

Benatti, Francesca and King, David (2016). A Question of Style: individual voices and corporate identity in the Edinburgh Review, 1814-1820. In: Digital Humanities Congress 2016, 8-10 Sep 2016, University of Sheffield, UK.

Benatti, Francesca and King, David (2017). A Question of Style: individual voices and corporate identity in the Edinburgh Review, 1814-1820. In: 49th Annual Conference of The Research Society for Victorian Periodicals: Borders and Border Crossings, 27-29 Jul 2017, University of Freiburg, Germany.

Benatti, Francesca and King, David (2018). A Question of Style: corpus building and stylistic analysis of the Edinburgh Review and Quarterly Review, 1814-1820. In: DHC (Digital Humanities Congress) 2018, 06-08 Sep 2018, University of Sheffield.

Benatti, Francesca; Ryder, Sean and Tonra, Justin (2011). The Thomas Moore Archive.

Benatti, Francesca and Tonra, Justin (2015). English Bards and Unknown Reviewers: a Stylometric Analysis of Thomas Moore and the Christabel Review. Breac: A Digital Journal of Irish Studies, October

Brown, Richard Danson (2025). Anger, Complaint, and Poetic Form in the Tristram Episode and The Faerie Queene, Book 6. Studies in English Literature 1500-1900 (SEL), 63(1) (In Press).

Brown, Richard Danson (2024). Spenser with Bruegel: Authority and Punishment in The Faerie Queene, Book V. Spenser Studies, 38 pp. 1–29.

Brown, Richard Danson (2024). [Book Review] Rebecca M. Rush, The Fetters of Rhyme: Liberty and Poetic Form in Early Modern England. Ben Jonson Journal, 31(1) pp. 117–122.

Brown, Richard Danson (2024). [Book Review] Lucy Wooding, Tudor England: A History New Haven: Yale University Press, 2022. Sidney Journal, 42(1)

Brown, Richard Danson (2025). Fie Upon “But Yet”: Stanza Lead Words and Adversative Conjunctions in The Faerie Queene. In: Goeglein, Tamara A. and Vaught, Jennifer C. eds. Textual Respect: Essays in Honor of Judith H. Anderson. Kalamazoo, USA and Berlin, Germany: Medieval Institute Publications and De Gruyter (In Press).

Brown, Richard Danson (2024). Scorned little creatures?: insects and genre in Complaints (1591). In: Stenner, Rachel and Shinn, Abigail eds. Edmund Spenser and Animal Life. Palgrave Studies in Animals and Literature. London: Palgrave, pp. 139–158.

Brown, Richard Danson and Chaghafi, Elisabeth (2023). “Looke backe, who list”: Reassessing the 1611 Folio Text of Complaints. Spenser Review, 53(2)

Brown, Richard Danson and Hadfield, Andrew (2024). Bad Spenser? A Dialogue. The Spenser Review, 54(1) pp. 1–14.

Brown, Richard Danson; Hadfield, Andrew and Wadowski, Andrew (2024). The Spenser Review, Vol 54, Issue 1. Special Issue: Spenser and Bad Poetry.

Brown, Richard Danson (2010). Book review: Edmund Spenser, Selected Letters and Other Papers, Christopher Burlinson and Andrew Zurcher (eds). The Modern Language Review, 105(3) pp. 832–834.

Brown, Richard Danson (2010). Book Review: Gerald Dawe (ed) 'Earth Voices Whispering: An Anthology of Irish War Poetry 1914-1945'. Wasafiri, 25(2) pp. 85–87.

Brown, Richard Danson (2009). Book review: Andrew Zurcher, Spenser's Legal Language: Law and Poetry in Early Modern England. The Modern Language Review, 104(2) pp. 546–548.

Brown, Richard Danson (2008). Book review: Richard Chamberlain, 'Radical Spenser: Pastoral, Politics and the New Aestheticism'. Yearbook of English Studies, 38(1 & 2) pp. 268–269.

Brown, Richard Danson (2008). Andrew Hadfield, ‘Shakespeare and Renaissance Politics’, and ‘Shakespeare, Spenser and the Matter of Britain’. Yearbook of English Studies, 38(1 & 2) pp. 269–271.

Brown, Richard Danson (2008). Book review: John Stubbs, 'Donne: The Reformed Soul'. Yearbook of English Studies, 38(1 & 2) pp. 272–274.

Brown, Richard Danson (2012). Review of Richard A. McCabe, ed. The Oxford Handbook of Edmund Spenser. Modern Language Review, 107(1) pp. 271–272.

Brown, Richard Danson (2018). “And dearest loue”: Virgilian half-lines in Spenser’s Faerie Queene. Proceedings of the Virgil Society, 29 pp. 49–74.

Brown, Richard Danson (2018). Trevor Joyce, Fastness: a Translation from the English of Edmund Spenser. Spenser Review, 48(1), article no. 14.

Brown, Richard Danson (2018). [Book Review] Catherine Bates, ed., A Companion to Renaissance Poetry. The Spenser Review, 48(3)

Brown, Richard Danson (2019). The art of The Faerie Queene. The Manchester Spenser. Manchester: Manchester University Press.

Brown, Richard Danson (2019). Wise wights in privy places: rhyme and stanza form in Spenser and Chaucer. In: Stenner, Rachel; Badcoe, Tamsin and Griffith, Gareth eds. Rereading Chaucer and Spenser: Dan Geffrey with the New Poete. The Manchester Spenser. Manchester: Manchester University Press, pp. 113–136.

Brown, Richard Danson and Lethbridge, Julian (2013). Concordance to the Rhymes of the Faerie Queene: with two studies of Spenser's Rhymes. The Manchester Spenser. Manchester: Manchester University Press.

Owens, W., ed. Grace Abounding to the Chief of Sinners. By John Bunyan (1666). Harmondsworth, Penguin Books (1987).

Owens, W. R., ed. The Miscellaneous Works of John Bunyan: Volume XII. By John Bunyan . Oxford, Clarendon Press (1994).

Owens, W. R., ed. The Miscellaneous Works of John Bunyan, Vol.13. By John Bunyan (1692). Oxford, Clarendon Press (1994).

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Chambers, Helen (2022). The Torrens as a Space of Writing, Reading, and Performance. In: Liebich, Susann and Publicover, Laurence eds. Shipboard Literary Cultures: Reading, Writing, and Performing at Sea. Maritime Literature and Culture. Cham: Palgrave Macmillan, pp. 185–210.

Chambers, Helen (2018). Conrad's Reading: Space, Time, Networks. New Directions in Book History (NDBH). London: Palgrave Macmillan, Cham.

Chambers, Helen (2017). “The first mate is a Polish count, a very quiet fellow”: Some New Torrens Documents. The Conradian, 42(2) pp. 69–87.

Chambers, Helen (2016). ‘Le traducteur E. M. (une femme)’: Conrad, The Hueffers and the 1903 Maupassant translations. In: Becquet, Alexandra and Davison-Pégon, Claire eds. Ford Madox Ford’s Cosmopolis: Psycho-geography, Flânerie and the Cultures of Paris. International Ford Madox Ford Studies (15). Amsterdam: Brill Rodopi, pp. 155–173.

Chambers, Helen (2013). ‘“A Sort of Still Uproar”: Conrad’s Reading of Periodicals’. In: Donovan, Stephen ed. Conrad First.

Chambers, Helen (2015). “Fine-Weather Books”: Representations of Readers and Reading in Chance. In: Simmons, Allan H. and Jones, Susan eds. Centennial Essays on Conrad's "Chance". Conrad Studies (9). Leiden & Boston: Brill Rodopi, pp. 98–115.

Coatalen, Guillaume and Gibson, Jonathan (2014). Six Holograph Letters in French from Queen Elizabeth I to the Duke of Anjou: Texts and Analysis. In: Bajetta, Carlo M.; Coatalen, Guillaume and Gibson, Jonathan eds. Elizabeth I’s Foreign Correspondence: Letters, Rhetoric, and Politics. Basingstoke: Palgrave Macmillan, pp. 27–62.

Colclough, Stephen and King, Edmund G. C. (2020). Readers: Books and Biography. In: Eliot, Simon and Rose, Jonathan eds. A Companion to the History of the Book, 2nd. ed. Blackwell Companions to Literature and Culture, 1. Oxford: Wiley-Blackwell, pp. 157–171.

Towheed, Shafquat, ed. The Sign of Four. By Arthur Conan Doyle (1890). Peterborough, Ontario, Canada, Broadview Press (2010).

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Furbank, Philip Nicholas and Owens, W. R., eds. The True-Born Englishman and Other Writings. By Daniel Defoe . London, Penguin Books (1997).

Furbank, P. N.; Owens, W. R. and Coulson, A. J., eds. A Tour Through the Whole Island of Great Britain. By Daniel Defoe (1724). New Haven, Yale University Press (1991).

Owens, W. R., ed. The true-born Englishman and other poems. By Daniel Defoe . London, Pickering & Chatto (2003).

Owens, W. R., ed. Daniel Defoe, The Compleat English Gentleman and Of Royal Education. By Daniel Defoe (1729). London, UK, Pickering & Chatto (2007).

Owens, W. R., ed. Daniel Defoe, The Life and Strange Surprizing Adventures of Robinson Crusoe. By Daniel Defoe (1719). London, Pickering & Chatto (2008).

Owens, W. R., ed. Daniel Defoe, The Farther Adventures of Robinson Crusoe. By Daniel Defoe (1719). London, Pickering & Chatto (2007).

Owens, W. R., ed. The Farther Adventures of Robinson Crusoe. By Daniel Defoe (1719). London, Pickering & Chatto (2008).

Drábek, Pavel and Katritzky, M. A. (2020). Introduction. In: Katritzky, M. A. and Drábek, Pavel eds. Transnational Connections in Early Modern Theatre. Manchester: Manchester University Press, pp. 1–19.

Drábek, Pavel and Katritzky, M. A. (2016). Shakespearean players in early modern Europe. In: Smith, Bruce R. ed. The Cambridge Guide to the Worlds of Shakespeare, Volume 2. Cambridge: Cambridge University Press, pp. 1527–1533.

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Fraser, Robert (2012). Surrealists in the Storm: David Gascoyne, Spain and Mass Observation. Times Literary Supplement(5679) 14 -15.

Fraser, R. (2011). Leonard Bast's library: aspiration, emulation, and the imperial national tradition. In: Spiers, John ed. Nationalisms and the National Canon. The culture of the publisher's series (2). Basingstoke, U.K.: Palgrave Macmillan, pp. 116–133.

Fraser, Robert (2005). War and the colonial book trade: the case of OUP India. Script and Print: Bulletin of the Bibliographical Society of Australia and New Zealand, 29 pp. 93–104.

Fraser, Robert (2008). Book History Through Postcolonial Eyes: Rewriting the Script. London, UK: Routledge.

Fraser, Robert (2010). Fiction and the other reader: the reception of imperial adventure romance in Africa. Angles on the English-Speaking World, 10, 99 -107.

Fraser, Robert (2011). Riddling soul: John Donne, Theatrical Performer of His Various Selves and Maker of an Oddly Modern Music. Times Literary Supplement(5653) pp. 3–4.

Fraser, Robert (2012). Night Thoughts: The Surreal Life of the Poet David Gascoyne. Oxford, UK: Oxford University Press.

Fraser, Robert (2008). School readers in the Empire and the creation of postcolonial taste. In: Fraser, Robert and Hammond, Mary eds. Books Without Borders, Volume 1. Basingstoke: Palgrave, pp. 89–107.

Fraser, Robert (2009). The Tiger That Pounced; The African Writers Series (1962-2003) and the Online Reader. In: Satpathy, Sumanyu ed. Southern Postcolonialisms. Delhi, India: Routledge, 30 -49.

Furbank, P N and Owens, W R (1997). The Defoe that never was: a tale of de-attribution. The American Scholar, 66(2) pp. 276–284.

Furbank, P. N. and Owens, W. R. (2006). A political biography of Daniel Defoe. Eighteenth century political biographies. London, UK: Pickering & Chatto.

Furbank, P. N. and Owens, W. R. (1988). The Canonisation of Daniel Defoe. New Haven and London: Yale University Press.

Furbank, P. N. and Owens, W. R. (1994). Defoe De-Attributions: A Critique of J. R. Moore's 'Checklist'. London and Rio Grande: The Hambledon Press.

Furbank, P. N. and Owens, W. R. (1998). A Critical Bibliography of Daniel Defoe. London: Pickering and Chatto.

Furbank, P. N. and Owens, W. R. (1984). "A Vindication of the Press" (1718): Not by Defoe? Papers of the Bibliographical Society of America, 78(3) pp. 355–360.

Furbank, P. N. and Owens, W. R. (1986). Defoe and the 'improvisatory' sentence. English Studies, 67(2) pp. 157–166.

Furbank, P. N. and Owens, W. R. (1986). What if Defoe did not write the "History of the Wars of Charles XII"? Papers of the Bibliographical Society of America, 80 pp. 333–347.

Furbank, P. N. and Owens, W. R. (1988). William Lee of Sheffield: Sanitary Reformer and Defoe Bibliographer. The Book Collector, 37(2) pp. 185–206.

Furbank, P. N. and Owens, W. R. (1988). The Defoe canon again. Papers of the Bibliographical Society of America, 82 pp. 95–98.

Furbank, P. N. and Owens, W. R. (1992). The Lost Property Office: some Defoe attributions reconsidered. Papers of the Bibliographical Society of America, 86 pp. 245–267.

Furbank, P. N. and Owens, W. R. (1992). Defoe and Francis Noble. Eighteenth-Century Fiction, 4(4) pp. 301–313.

Furbank, P. N. and Owens, W. R. (1993). Defoe, Trent, and the 'Defection'. Review of English Studies, 44(173) pp. 70–76.

Furbank, P. N. and Owens, W. R. (1993). Defoe and A Curious Little Oration Deliver'd by Father Andrew. Notes and Queries, 238(3) p. 328.

Furbank, P. N. and Owens, W. R. (1993). Defoe and the 'Tippony Ale'. Scottish Historical Review, 72(1) pp. 86–89.

Furbank, P. N. and Owens, W. R. (1995). Daniel Defoe and A Letter from a Gentleman at the Court of St Germains (1710). Etudes Anglaises, 48 pp. 61–66.

Furbank, P. N. and Owens, W. R. (1994). Defoe and 'Sir Andrew Politick'. British Journal for Eighteenth-Century Studies, 17(1) pp. 27–39.

Furbank, P. N. and Owens, W. R. (1996). On the attribution of periodicals and newspapers to Daniel Defoe. Publishing History, 40 pp. 83–98.

Furbank, P. N. and Owens, W. R. (1997). The dating of Defoe's "Atlantis Major". Notes and Queries, 242(2) pp. 189–190.

Furbank, P. N. and Owens, W. R. (1997). Whence the Defoe Canon? Eighteenth-Century Fiction, 9(2) pp. 223–225.

Furbank, P. N. and Owens, W. R. (1997). The lost continuation of Defoe's Roxana. Eighteenth-Century Fiction, 9(3) pp. 229–308.

Furbank, P. N. and Owens, W. R. (1997). The Myth of Defoe as 'Applebee's Man'. Review of English Studies, 48(190) pp. 198–204.

Furbank, P. N. and Owens, W. R. (1998). Defoe and the sham Flying-Post. Publishing History, 43 pp. 5–15.

Furbank, P. N. and Owens, W. R. (2000). Defoe, the De la Faye letters and Mercurius Politicus. British Journal for Eighteenth-Century Studies, 23(1) pp. 13–19.

Furbank, P. N. and Owens, W. R. (2001). Defoe and King William: a sceptical enquiry. Review of English Studies, 52(206) pp. 227–232.

Furbank, P. N. and Owens, W. R. (2001). Defoe's South-Sea and North-Sea schemes: a footnote to A New Voyage Round the World. Eighteenth-Century Fiction, 13 pp. 501–508.

Furbank, P. N. and Owens, W. R. (2002). Defoe's £17,000 bankruptcy. Notes and Queries, 247(3) pp. 363–364.

Furbank, P.N. and Owens, W. R. (1993). Defoe, William Hendley, and Charity Still a Christian Virtue (1719). Huntington Library Quarterly, 56(3) pp. 327–330.

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Gibson, Jonathan (2008). The Perdita Project: women's writing, manuscript studies and XML tagging. In: Bowen, William R. and Siemens, Raymond G. eds. New Technologies and Renaissance Studies. Medieval and Renaissance Texts and Studies (324). Tempe, AZ: Iter Inc. in collaboration with ACMRS (Arizona Center for Medieval and Renaissance Studies), pp. 230–242.

Gibson, Jonathan (1997). Significant space in manuscript letters. The Seventeenth Century, 12(1) pp. 1–10.

Gibson, Jonathan (2004). The legal context of Spenser's Daphnaïda. The Review of English Studies, 55(218) pp. 24–44.

Gibson, Jonathan (2012). Synchrony and process: editing manuscript miscellanies. Studies in English Literature 1500-1900 (SEL), 52(1) pp. 85–100.

Gibson, Jonathan (2020). The Development of William Cecil's Italic Handwriting. Etudes Anglaises, 73(3) pp. 329–346.

Gibson, Jonathan (2014). 'Dedans la plie de mon fidelle affection': Familiarity and Materiality in Elizabeth’s Letters to Anjou. In: Bajetta, Carlo M.; Coatalen, Guillaume and Gibson, Jonathan eds. Elizabeth I's Foreign Correspondence Letters, Rhetoric, and Politics. Basingstoke: Palgrave Macmillan, pp. 63–89.

Gibson, Jonathan (2018). Miscellanies in manuscript and print. In: Bates, Catherine ed. A Companion to Renaissance Poetry. Chichester: Wiley-Blackwell, pp. 103–114.

Gibson, Jonathan (2018). Textual Introduction. In: Clarke, Elizabeth; Norbrook, David and Stevenson, Jane eds. The Works of Lucy Hutchinson, Volume 2: Theological Writings and Translations. Oxford: Oxford University Press, pp. 49–58.

Gibson, Jonathan (2018). Textual Introduction. In: Clarke, Elizabeth; Norbrook, David and Stevenson, Jane eds. The Works of Lucy Hutchinson, Volume 2: Theological Writings and Translations. Oxford: Oxford University Press, pp. 181–187.

Gibson, Jonathan (2003). Civil War in 1614: Lucan, Gorges and Prince Henry. In: Clucas, Stephen and Davies, Rosalind eds. The Crisis of 1614 and The Addled Parliament: Literary and Historical Perspectives. Aldershot: Ashgate, pp. 161–176.

Gibson, Jonathan (2016). From Palatino to Cresci: Italian Writing Books and the Italian Scripts of Early Modern English Letters. In: Daybell, James and Gordon, Andrew eds. Cultures of Correspondence in Early Modern Britain. Material Texts. Philadelphia: University of Pennsylvania Press, pp. 29–47.

Gibson, Jonathan (2010). Casting off blanks: hidden structures in early modern paper books. In: Daybell, James and Hinds, Peter eds. Material Readings of Early Modern Culture: Texts and Social Practices, 1580-1730. Early Modern Literature in History. Basingstoke: Palgrave Macmillan, pp. 208–228.

Gibson, Jonathan (2011). The queen's two hands. In: Petrina, Alessandra ed. Representations of Elizabeth I in Early Modern Culture. Basingstoke: Palgrave Macmillan, pp. 47–65.

Gibson, Jonathan (2011). Arthur Gorges. In: Sullivan jr., Garrett A. and Stewart, Alan eds. The Encyclopedia of English Renaissance Literature, Volume 2. Chichester: Wiley-Blackwell, pp. 392–393.

Gibson, Jonathan (2011). Elizabeth Jocelin. In: Sullivan, jr., Garrett A. and Stewart, Alan eds. The Encyclopedia of English Renaissance Literature. Chichester: Wiley-Blackwell, pp. 545–547.

Gibson, Jonathan and Coatalen, Guillaume (2020). Robert Cecil's Handwriting Advice to his Son. Etudes Anglaises, 73(3) pp. 313–328.

Gibson, Jonathan; Norbrook, David and Barbour, Reid (2011). The manuscript. In: Barbour, Reid and Norbrook, David eds. The Works of Lucy Hutchinson. Volume 1: The Translation of Lucretius, Volume 1. Oxford: Oxford University Press, cxxiv-cxxxiii.

Gibson, Jonathan and Wright, Gillian (2009). Editing Perdita: texts, theories, readers. In: Hurley, Ann Hollinshead and Goodblatt, Chanita eds. Women Editing/Editing Women: Early Modern Women Writers and the New Textualism. Newcastle upon Tyne: Cambridge Scholars Publishing, pp. 155–173.

Griffiths, Andrew (2023). War Correspondents. In: Demoor, Marysa; Van Dijck, Cedric and Van Puymbroek, Birgit eds. The Edinburgh Companion to First World War Periodicals. Edinburgh Companions to Literature and the Humanities. Edinburgh: Edinburgh University Press, pp. 175–189.

Griffiths, Andrew (2013). Winston Churchill, the Morning Post and the End of the Imperial Romance. Victorian Periodicals Review, 46(2) pp. 163–183.

Griffiths, Andrew (2018). Seeking the Sources of Heart of Darkness: the African Narratives of late-Victorian Explorers and Journalists. Continents manuscrits(11)

Griffiths, Andrew (2017). Literary Journalism and Empire: George Warrington Steevens in Africa, 1898–1900. Literary Journalism Studies, 9(1) pp. 60–81.

Griffiths, Andrew (2015). The New Journalism, the New Imperialism and the Fiction of Empire, 1870-1900. Palgrave Studies in the History of the Media. London: Palgrave Macmillan.

Griffiths, Andrew (2019). An Anglo-American Encounter in Africa: Henry M. Stanley in Abyssinia, 1868. In: Griffiths, Andrew; Alves, Audrey and Trindade, Alice eds. Literary Journalism and Africa's Wars: Colonial, Decolonial and Postcolonial Perspectives. ReportAGES. Nancy, France: Presses Universitaires de Nancy.

Griffiths, Andrew (2017). Strategic Fictions? John Buchan, The Times and the Ypres Salient. In: Griffiths, Andrew; Prieto, Sara and Zehle, Soenke eds. Literary Journalism and World War I: Marginal Voices. ReportAGES. Nancy, France: Presses Universitaires de Nancy, pp. 55–75.

Gupta, Suman (2024). Dictionaries of Internet Terms: The 1990s. Dictionaries: Journal of the Dictionary Society of North America (In press).

Gupta, Suman (2003). In search of genius: T.S. Eliot as publisher. Journal of Modern Literature, 27(1-2) pp. 26–35.

Gupta, Suman (2009). Re-Reading Harry Potter (2nd Edn). Houndmills: Palgrave Macmillan.

Gupta, Suman (2009). Globalization and Literature. Cambridge: Polity.

Gupta, Suman (2012). Indian ‘commercial’ fiction in English, the publishing industry, and youth culture. Economic and Political Weekly, 46(5) pp. 46–53.

Gupta, Suman (2012). On the Indian readers of Hitler's Mein Kampf. Economic & Political Weekly, 47(46) pp. 51–58.

Gupta, Suman (2015). Consumable Texts in Contemporary India: Uncultured Books and Bibliographical Sociology. New Directions in Book History. Basingstoke: Palgrave Macmillan.

Gupta, Suman (2015). Crisis of the Novel and the Novel of Crisis. Canadian Review of Comparative Literature, 42(4) pp. 454–467.

Gupta, Suman (2017). A Perspectiva Da Pensativa Traça De Livro Quanto À Pesquisa Literária e Linguística [The Thinking Bookworm’s View Of Literary And Linguistic Research]. Revista da Anpoll, 43 pp. 175–192.

Gupta, Suman (2015). On Mapping Genre: Literary Fiction/Genre Fiction and Globalization Processes. In: Habjan, Jernej and Imlinger, Fabienne eds. Globalizing Literary Genres: Literature, History, Modernity. Interdisciplinary Perspectives on Literature. New York: Routledge, pp. 213–227.

Gupta, Suman (2009). Harry Potter Goes to China. In: Maybin, Janet and Watson, Nicola J. eds. Children’s Literature: Approaches and Territories. Basingstoke: Palgrave Macmillan, pp. 338–352.

Gupta, Suman; Search, Alexander; Durao, Fabio A. and McDonough, Terrence (2017). Entrepreneurial Literary Theory: A Debate on Research and the Future of Academia. London: Shot in the Dark.

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Haslam, Sara (2023). A New Era: Magic, Meaning, Memory and Modernism in Ford Madox Ford's Letters. In: Ford Madox Ford: at the dawn of an era, 9-10 Nov 2023, School of Arts and Humanities, University of Lisbon.

Haslam, Sara (2022). The Hueffers and the Conrads in 1899. The Conradian, 47(1) pp. 66–75.

Haslam, Sara (2022). The Case of the Missing Cromwell: Ford Madox Ford, Art, Life and Letters in 1899. Last Post: A literary journal from the Ford Madox Ford Society, 1(8 & 9) pp. 57–85.

Haslam, Sara (2020). The Other in Ford's Making: Elsie, Fiction and Collaboration. In: Brasme, Isabelle ed. Homo Duplex: Ford Madox Ford's Experience and Aesthetics of Alterity. Present Perfect. Montpelier, France: PULM, pp. 21–42.

Haslam, Sara (2023). Ford Madox Ford. In: Schwartz, Carol A. ed. Twentieth-Century Literary Criticism. Twentieth-Century Literary Criticism, 434. Farmington Hills, MI, US: Gale, pp. 1–152.

Haslam, Sara and King, Edmund G. C. (2021). “Medicinable Literature”: Bibliotherapy, Literary Caregiving, and the First World War. Literature and Medicine, 39(2) pp. 296–318.

Haslam, Sara; Miller, Jesse and Cantwell-Jurkovic, Laureen (2024). The Flow of Comfort: Bibliotherapy, the History of Literary Caregiving, and the Academic Library Today. In: Cantwell-Jurkovic, Laureen P. ed. Intersections in Healing: Academic Libraries and the Health Humanities. Medical Library Association Books. Lanham, Maryland, US: Rowman & Littlefield, pp. 63–82.

Haslam, Sara (2002). Fragmenting modernism: Ford Madox Ford, the novel and the Great War. Manchester, UK: Manchester University Press.

Haslam, Sara (2013). A literary intervention: writing alcohol in British literature 1915–1930. First World War Studies, 4(2) pp. 219–239.

Haslam, Sara (2015). Contested Ground: alcohol, attachment, and the hut habit at war.

Haslam, Sara (2006). Ford Madox Ford: the good soldier. In: Bradshaw, David and Dettmar, Kevin J. H. eds. A Companion to Modernist Literature and Culture. Blackwell Companions to Literature and Culture. Oxford, UK: Blackwell Publishing, pp. 350–357.

Haslam, Sara (2006). England and Englishness: Ford's first trilogy. In: Brown, Dennis and Plastow, Jenny eds. Ford Madox Ford and Englishness. International Ford Madox Ford Studies, 5 (5). Rodopi, pp. 47–62.

Haslam, Sara (2015). Ford and gender. In: Chantler, Ashley and Hawkes, Rob eds. An Introduction to Ford Madox Ford. Farnham: Ashgate, pp. 163–176.

Haslam, Sara (2009). 'To Cook, or to Paint, in Paris? Ford in Colour'. In: Colombino, Laura ed. Ford Madox Ford and Visual Culture. International Ford Madox Ford Studies, 8. Amsterdam; New York: Rodopi, pp. 85–97.

Haslam, Sara (2013). Ford as Edwardian author: publishers, trends, markets. In: Colombino, Laura and Saunders, Max eds. The Edwardian Ford Madox Ford. International Ford Madox Ford Studies (12). Amsterdam/New York: Rodopi, pp. 35–48.

Haslam, Sara (2002). An 'Historian's Methods'?: Between St Dennis and St George and the Language of Propaganda. In: Fortunati, Vita and Lamberti, Elena eds. Ford Madox Ford and "The Republic of Letters". Bologna, Italy: CLUEB, pp. 41–50.

Haslam, Sara (2007). Making a text the Fordian way: Between St Dennis and St George, propaganda and the first world war. In: Hammond, Mary and Towheed, Shafquat eds. Publishing in the First World War: Essays in Book History. Basingstoke, UK: Palgrave Macmillan, pp. 202–214.

Haslam, Sara (2003). Ford's training. In: Hampson, Robert and Saunders, Max eds. Ford Madox Ford's Modernity. International Ford Madox Ford Studies, 2. Amsterdam/New York, USA: Rodopi, pp. 35–46.

Haslam, Sara ed. (2010). The Good Soldier by Ford Madox Ford. Ware, Hertfordshire: Wordsworth Editions.

Haslam, Sara (2012). “The moaning of the world” and the “words that bring me peace”: Modernism and the First World War. In: Piette, Adam and Rawlinson, Mark eds. The Edinburgh Companion to British and American War Literature. Edinburgh: Edinburgh University Press, pp. 47–57.

Haslam, Sara (2010). Ford Madox Ford. In: Shaffer, Brian ed. The Encyclopedia of Twentieth Century Fiction, Volume 1. Wiley-Blackwell.

Haslam, Sara and Saunders, Max (2005). Portraits of Cities: Ford Madox Ford; Three Essays from an Unfinished Work;. In: Haslam, Sara ed. Ford Madox Ford and the City. International Ford Madox Ford Studies (4). New York/London: Rodopi, pp. 211–234.

Hewings, Ann and Prescott, Lynda (2018). Digital Futures. In: Eaglestone, Robert and Marshall, Gail eds. English: Shared Futures. The English Association: Essays and Studies. Cambridge: Boydell & Brewer Ltd, pp. 100–108.

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Johnson, David (2015). Print culture and imagining the Union of South Africa. In: Davis, Caroline and Johnson, David eds. The Book in Africa: Critical Debates. New Direction in Book History. Basingstoke: Palgrave Macmillan, pp. 105–127.

Johnson, David (2018). The limits of African nationalism: from anti-apartheid resistance to postcolonial critique. In: Deckard, Sharae and Varma, Rashmi eds. Marxism, Postcolonial Theory and the Future of Critique: Critical Engagements with Benita Parry. Routledge Research in Postcolonial Literatures. New York: Routledge, pp. 191–212.

Jones, Richard J (2023). Introduction [to Tobias Smollett after 300 years: life, writing, reputation]. In: Jones, Richard J ed. Tobias Smollett after 300 years: life, writing, reputation. US and UK: Clemson University Press in association with Liverpool University Press, pp. 1–17.

Jones, Richard J (2023). The life and adventures of Tobias Smollett. In: Jones, Richard J ed. Tobias Smollett after 300 years: life, writing, reputation. US and UK: Clemson University Press in association with Liverpool University Press, pp. 209–221.

Jones, Richard J (2022). ‘The pamphlet on the table’: The Life and Adventures of Sir Launcelot Greaves. In: Poplawski, Paul ed. Studying English Literature in Context. Cambridge: Cambridge University Press, pp. 183–198.

Jones, Richard J. (2011). Tobias Smollett in the Enlightenment: Travels through France, Italy and Scotland. Transits: Literature, Thought & Culture 1650-1850. Lewisburg: Bucknell University Press.

Jones, Richard J. (2019). The eighteenth-century review journal as allegory: Smollett’s Critical Review and the work of criticism. The Eighteenth Century: Theory and Interpretation, 60(1) pp. 45–63.

Jones, Richard J. (2018). Continued Continuations of Complete Histories: Tobias Smollett and the Work of History. Journal for Eighteenth-Century Studies, 41(3) pp. 391–406.

Jones, Richard J. (2018). Tobias Smollett and the work of writing. Literature Compass, 15(8), article no. e12485.

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Katritzky, M A (2023). The 'English Comedy' in Early Modern Europe: Migration, Emigration, Integration. In: Meerzon, Yana and Wilmer, S.E. eds. The Palgrave Handbook of Theatre and Migration. Palgrave Macmillan Cham, pp. 255–266.

Katritzky, M A (2021). William Hogarth and Book Illustration: Visualizing “Otherness” in pre-Victorian images of Shakespeare’s Caliban. In: Pietrini, Sandra ed. Shakespearean Characters Transposed: Iconography, Adaptations, Cultural Exchanges and Staging. L’immaginario teatrale, 1. Alessandria: Edizioni dell’Orso, 65-83 & 237-241.

Katritzky, M A and Drábek, Pavel (2023). ‘Aktorzy angielscy w Rzeczypospolitej w 1. połowie XVII w.’. In: Żukowski, Jacek ed. Triumfalna Harmonia. Teatr Władysława IV – eseje. Warsaw: The Royal Castle in Warsaw-Museum, pp. 286–315.

Katritzky, M. A. (1996). The Florentine entrata of Joanna of Austria and other entrate described in a German diary. Journal of the Warburg and Courtauld Institutes, 59 pp. 148–173.

Katritzky, M. A. (2014). “A plague o’ these pickle herring”: from London drinkers to European stage clown. In: Renaissance Shakespeare/Shakespeare Renaissances: Proceedings of the Ninth World Shakespeare Congress, World Shakespeare Congress Proceedings, University of Delaware Press; copublished with Rowman & Littlefield, pp. 159–168.

Katritzky, M. A. (2021). Unreliable Memories: Documenting the Scenography of the 1589 Florentine intermedi. European Medieval Drama, 25 pp. 239–281.

Katritzky, M. A. (2023). Shackshoone: the disabled non-European performative body in 17th-century London. In: Hengerer, Mark ed. Der Körper in der Frühen Neuzeit: Praktiken, Rituale, Performanz. Wolfenbütteler Arbeiten zur Barockforschung. Wiesbaden, Germany: Harrassowitz Verlag, pp. 323–344.

Katritzky, M. A. (2008). English troupes in early modern Germany: the women. In: Henke, Robert and Nicholson, Eric eds. Transnational exchange in early modern theater. Studies in performance and early modern drama. Aldershot, UK: Ashgate, pp. 35–46.

Katritzky, M. A. (2023). Don Quixote in 18th Century British Book Culture: Tobias Smollett and Francis Hayman. In: Jones, Richard J ed. Tobias Smollett After 300 Years: Life, Writing, Reputation. Eighteenth-Century Moments. Clemson SC: Clemson University Press, pp. 59–76.

Katritzky, M. A. (2018). Stefanelo Botarga and Pickelhering: Fishy Italian and English Stage Clowns in Spain and Germany. In: Kuepper, Joachim and Pawlita, Leonie eds. Theatre Cultures within Globalising Empires: Looking at Early Modern England and Spain. Berlin/Boston: Walter de Gruyter, pp. 15–39.

Katritzky, M. A. (2015). Lucas van Leyden's 'Toothdrawer', 1523: Passion play merchant scenes and the religious origins of quack depictions. In: Mueller, Juergen and Muench, Birgit Ulrike eds. Peiraikos' Erben: Die Genese der Genremalerei bis 1550. Trierer Beitraege zu den historischen Kulturwissenschaften (14). Wiesbaden: Reichert Verlag, pp. 125–148.

Katritzky, M. A. (2021). Generisches und spezifisches Anderssein: Shackshoone (1665–1680), Antonio Martinelli (1718–1740) und frühneuzeitliche Darstellungen von menschlichen Doppelfehlbildungen. In: Stolberg, Michael ed. Körper-Bilder in der Frühen Neuzeit: Kunst-, medizin- und mediengeschichtliche Perspektiven. Schriften des Historischen Kollegs Herausgegeben von Hartmut Leppin Kolloquien 107. Berlin/Boston: Walter de Gruyter GmbH, pp. 199–228.

Katritzky, M .A. (2014). Historical and literary contexts for the Skimmington: impotence and Samuel Butler’s "Hudibras". In: Sara F., Matthews-Grieco ed. Cuckoldry, Impotence and Adultery in Europe, 15th–17th Century. Visual Culture in Early Modernity. Farnham: Ashgate, pp. 59–84.

Katritzky, M. A. (2005). Pickelhering and Hamlet in Dutch art: The English comedians of Robert Browne, John Green, and Robert Reynolds. Shakespeare Yearbook, 15 pp. 113–140.

Katritzky, M. A. (1987). Italian comedians in renaissance prints. The Print Quarterly, 4(3) pp. 236–254.

Katritzky, M. A. (1991). How did the Commedia dell'arte cross the Alps to Bavaria? Theatre Research International, 16(3) pp. 201–215.

Katritzky, M. A. (2014). 'A wonderfull monster borne in Germany’: hairy girls in medieval and early modern German book, court and performance culture. German Life and Letters, 67(4) pp. 467–480.

Katritzky, M. A. (2016). The theatrical impact of St Francis Xavier's canonization: Pietro Della Valle's account of the 1624 Jesuit festivities in Goa. Ludica. Annali di storia e civiltà del gioco, 2013-2014(19-20) pp. 24–38.

Katritzky, M. A. (2016). Maik Goth, Monsters and the Poetic Imagination in The Faerie Queene, and Tara Pedersen, Mermaids and the Production of Knowledge in Early Modern England. Spenser Review, 46(1), article no. 6.

Katritzky, M. A. (2017). The Bal des Ardents (1393), Thomas of Woodstock (1397) and Richard II (1400): Three Medieval Conspiracy Rumours and the Scots’ Mine Play (1608). European Medieval Drama, 20 pp. 105–139.

Katritzky, M. A. (2019). Stefanelo Botarga and Zan Ganassa: Textual and visual records of a musical commedia dell’arte duo, in and beyond early modern Iberia. Music in Art, 44 pp. 83–104.

Katritzky, M. A. (2008). Guarinonius' lazzi: English comedians, Italian charlatans, and German quacks in a medical treatise of 1610. In: Amann, Klaus and Siller, Max eds. Hippolytus Guarinonius. Akten des 5. Symposiums der Sterzinger Osterspiele (5.-7. 4. 2004) "Die Greuel der Verwüstung menschlichen Geschlechts." Zur 350. Wiederkehr des Todesjahres von Hippolytus Guarinonius (1571-1654). Schlern-Schriften (340). Innsbruck: Universitätsverlag Wagner, pp. 107–137.

Katritzky, M. A. (2018). German-Speaking Countries. In: Balme, Christopher B.; Vescovo, Piermario and Vianello, Daniele eds. Commedia dell'Arte in Context. Cambridge: Cambridge University Press, pp. 98–105.

Katritzky, M. A. (2008). Reading the actress in commedia imagery. In: Brown, Pamela Allen and Parolin, Peter eds. Women players in England, 1500-1660: beyond the all-male stage. Studies in performance and early modern drama. Aldershot, UK: Ashgate, pp. 109–143.

Katritzky, M. A. (1999). Mountebanks, mummers and masqueraders in Thomas Platter's diary (1595-1600). In: Cairns, Christopher ed. The Renaissance Theatre: Texts, Performance, Design. Aldershot: Ashgate, pp. 12–29.

Katritzky, M. A. (2014). Images of the commedia dell'arte. In: Chaffee, Judith and Crick, Olly eds. The Routledge Companion to Commedia dell'Arte. Abingdon: Routledge, pp. 284–299.

Katritzky, M. A. (2018). Les représentations du charlatan pendant la première modernité et leur origine dans la scène du marchand du théâtre religieux. In: Dhraief, Beya; Negrel, Eric and Ruimi, Jennifer eds. Théâtre et charlatans dans l'Europe moderne. Registres collection des etudes théâtrales. Paris: Presses Sorbonne Nouvelle, pp. 99–116.

Katritzky, M. A. (2020). Shakespeare’s picture of ‘We Three’ An image for illiterates? In: Duits, Rembrandt ed. The Art of the Poor: The Aesthetic Material Culture of the Lower Classes in Europe, 1300–1600. London: Bloomsbury, pp. 185–198.

Katritzky, M. A. (2018). Commedia dell’arte related glass: early modern Venice. In: Ferrone, S. ed. Commedia dell’arte . Nuova Serie, Volume 1. Polistampa, pp. 11–31.

Katritzky, M. A. (2014). Shakespeare’s “portrait of a blinking idiot”: transnational reflections. In: Henke, Robert and Nicholson, Eric eds. Transnational Mobilities in Early Modern Theater. Studies in Performance and Early Modern Drama. Ashgate, pp. 157–175.

Katritzky, M. A. (2020). London and The Hague, 1638: Performing quacks at court. In: Katritzky, M. A. and Drábek, Pavel eds. Transnational Connections in Early Modern Theatre. Manchester: Manchester University Press, pp. 114–138.

Katritzky, M. A. (2008). Special section of [the journal] Early Theatre. Issues in Review Essays: New Developments in Commedia Research. In: Katritzky, M.A. ed. Not Set, Volume 11.

Katritzky, M. A. (2000). Carnival and comedy in Georg Straub of St Gallen's printed album amicorum of 1600. In: Laufhuette, Hartmut ed. Kuenste und Natur in Diskursen der Fruehen Neuzeit. Wolfenbuetteler ARbeiten zur Barockforschung (35). Wiesbaden: Harrassowitz Verlag, pp. 603–633.

Katritzky, M. A. (1992). The diaries of Prince Ferdinand of Bavaria: commedia dell'arte at the wedding festivals of Florence (1565) and Munich (1568). In: Mulryne, J. R. and Shewring, Margaret eds. Italian renaissance festivals and their European influence. Studies in Italian Theatre and Commedia dell'Arte (3). Lewiston / Queenston / Lampeter: Edwin Mellen Press, pp. 143–172.

Katritzky, M. A. (2016). German Patrons of Venetian Carnival Art: Archduke Ferdinand II of Tyrol’s Ambras Collections and the 1579 Travel Journal of Prince Ferdinand of Bavaria. In: Münch, Birgit Ulrike; Tacke, Andreas; Herzog, Markwart and Heudecker, Sylvia eds. Von kurzer Dauer? Fallbeispiele zu temporären Kunstzentren der Vormoderne. Kunsthistorisches Forum Irsee (3). Petersberg, Germany: Michael Imhof Verlag, pp. 126–142.

Katritzky, M. A. (2020). Margaret Cavendish’s Female Fairground Performers. In: Sewell, Jan and Smout, Clare eds. The Palgrave Handbook of the History of Women on Stage. Palgrave Macmillan, pp. 151–175.

Katritzky, M. A. (2014). Literary anthropologies and Pedro González, the “Wild Man” of Tenerife. In: Slater, John; Pardo-Tomás, José and López-Terrada, Maríaluz eds. Medical Cultures of the Early Modern Spanish Empire. New Hispanisms: Cultural and Literary Studies. Farnham: Ashgate, pp. 107–128.

Katritzky, M. A. (2016). Die Ikonografie der Commedia dell'arte bis 1750. In: Sommer-Mathis, Andrea; Franke, Daniela and Risatti, Rudi eds. Spettacolo barocco! Triumph des Theaters. Vienna: KHM-Museumsband, Theatermuseum Wien & Michael Imhoff Verlag, pp. 82–97.

Katritzky, M. A. (2013). Travelers’ tales: magic and superstition on early modern European and London stages. In: Theile, Verena and McCarthy, Andrew D. eds. Staging the Superstitions of Early Modern Europe. Studies in Performance and Early Modern Drama. Farnham; Burlington, VT: Ashgate, pp. 217–238.

Katritzky, M. A. (2020). The itinerant healer as a stage role: its origins in religious drama. In: von Contzen, Eva and Goodblatt, Chanita eds. Enacting the Bible in medieval and early modern drama. Manchester Medieval Literature and Culture. Manchester: Manchester University Press, pp. 81–103.

Katritzky, M.A. (2001). Marketing medicine: the image of the early modern mountebank. Renaissance Studies, 15(2) pp. 121–153.

Katritzky, M.A. (2012). Healing, performance and ceremony in the writings of three early modern physicians: Hippolytus Guarinonius and the brothers Felix and Thomas Platter. The history of medicine in context. Ashgate.

Katritzky, M.A. (2002). Theatre iconography in costume series: the "New York" friendship album. In: Balme, Christopher; Erenstein, Robert and Molinari, Cesare eds. European Theatre Iconography. Rome: Bulzoni Editore, pp. 171–196.

Katritzky, M.A. (2004). The autobiographical writings of Felix and Thomas II Platter: court festivals and commedia dell'arte. In: Eversmann, Peter; van Gaal, Rob and van der Zalm, Rob eds. Theaterwetenschap spelenderwijs: theatre studies at play. Amsterdam: Pallas Publications, pp. 34–56.

Katritzky, M.A. (2004). What did Vigil Raber's stage really look like? Questions of authenticity and integrity in medieval theatre iconography. In: Gebhardt, Michael and Siller, Max eds. Vigil Raber: zur 450. Wiederkehr seines Todesjahres. Schlern-Schriften, 326. Innsbruck: Universitaetsverlag Wagner.

Katritzky, M.A. (2009). Quacksalber in den Schriften Christian Weises und Johann Kuhnaus: Der Politische Quacksalber (1693) und Der Musicalische Qvack=salber (1700). In: Hesse, Peter ed. Poet und Praeceptor Christian Weise (1642 - 1708) zum 300. Todestag; Tagungsband. Dresden: Neisse Verlag, pp. 319–340.

Katritzky, M.A. (2007). Text and performance: medieval religious stage quacks and the commedia dell'arte. In: Kasten, Ingrid and Fischer-Lichte, Erika eds. Transformationen des Religioesen. Performativitaet und Textualitaet im geistlichen Spiel. Trends in Medieval Philology, 11. Berlin: Walter de Gruyter, pp. 99–126.

Katritzky, M.A. (2001). Franco Bertelli's "Carnevale Italiano Mascherato" of 1642 and other printed influences on theatrical pictures in alba amicorum. In: Pelc, Milan ed. Klovicev Zbornik: minijatura - crtez - grafika 1450. - 1700. Zagreb, Croatia: Hrvatska akademiha znanosti i umjetnosti - Institut za povijest umjetnosti, pp. 217–229.

King, Edmund (2010). Alexander Turnbull's ‘dream imperial’: collecting Shakespeare in the colonial antipodes. Script and Print: Bulletin of the Bibliographical Society of Australia and New Zealand, 34(2) pp. 69–86.

King, Edmund (2013). “Books are more to me than food”: British prisoners of war as readers, 1914-1918. Book History, 16 pp. 246–271.

King, Edmund C. G. (2011). Man of science, man of religion: the reading of a medical missionary in Uganda, 1896-1918. In: SHARP 2011: The Book in Art and Science, 14-17 Jul 2011, Washington, D.C., USA.

King, Edmund G. C. (2023). Networks. In: Demoor, Marysa; van Dijck, Cedric and Van Puymbroeck, Birgit eds. The Edinburgh Companion to First World War Periodicals. Edinburgh Companions to Literature and the Humanities. Edinburgh: Edinburgh University Press, pp. 32–50.

King, Helen (2022). The body and botany: “the first step toward the brothel”. In: Santos Pinheiro, Cristina; Silva, Gabriel A. F.; Fonseca, Rui Carlos; Mota, Bernardo Machado and Pinheiro, Joaquim eds. Gynecia: Studies on Gynaecology in Ancient, Medieval and Early-modern Texts. Porto: Edições Afrontamento, pp. 11–26.

King, Edmund (2008). Pope's 1723–25 Shakespear, classical editing, and humanistic reading practices. Eighteenth-Century Life, 32(2) pp. 3–13.

King, Edmund (2004). “Small-scale copyrights”?: Quotation marks in theory and in practice. Papers of the Bibliographical Society of America, 98(1) pp. 39–53.

King, Edmund (2009). Lewis Theobald, Double Falshood, and the 1733 Works of Shakespeare. In: International Cardenio Colloquium, 22-24 May 2009, Victoria University of Wellington, New Zealand.

King, Edmund (2008). Jacob’s Sons in the South Pacific: The Geoeschatology of Edwin Fairburn’s "Ships of Tarshish". In: Flogging a Dead Horse: Are National Literatures Finished? A Stout Research Centre in the Humanities Conference, 10-13 Dec 2008, Victoria University of Wellington, New Zealand.

King, Edmund (2008). The Shakespearean Book in the Colonial Antipodes: The Case of Alexander Turnbull. In: Bibliographical Society of Australia and New Zealand Conference, 2008, 2-3 Oct 2008, University of Sydney, Australia.

King, Edmund (2008). "Fragments minutely broken": text, paratext, and authorship in the eighteenth-century Shakespeare edition. In: Australia and New Zealand Shakespeare Association Conference, 2008, 6-9 Feb 2008, University of Otago, Dunedin, New Zealand.

King, Edmund (2011). A captive audience? The reading lives of Australian prisoners of war, 1914–18. In: Open University Book History and Bibliography Research Group Seminars: Reading and the First World War, 12 Feb 2011, London, UK.

King, Edmund (2011). Reading the Great War through Wilfrid Scawen Blunt: J. A. Fallows, MA, and His Copy of My Diaries, 1900–1914. In: Society for the History of Authorship, Reading and Publishing Regional Conference, 28-30 Apr 2011, University of Queensland, Brisbane, Australia.

King, Edmund (2014). E. W. Hornung’s unpublished “Diary,” the YMCA, and the reading soldier in the First World War. English Literature in Transition, 1880-1920, 57(3) pp. 361–387.

King, Edmund (2014). “A priceless book to have out here”: soldiers reading Shakespeare in the first world war. Shakespeare, 10(3) pp. 230–244.

King, Edmund (2012). Cardenio and the Eighteenth-century Shakespeare Canon. In: Carnegie, David and Taylor, Gary eds. The Quest for Cardenio: Shakespeare, Fletcher, Cervantes and the Lost Play. Oxford: Oxford University Press, pp. 81–94.

King, Edmund (2010). Narratives about collaborating playwrights: the new bibliography, “disintegration”, and the problem of multiple authorship in Shakespeare. In: Johnson, Laurie and Chalk, Darryl eds. “Rapt in Secret Studies”: Emerging Shakespeares. Newcastle Upon Tyne: Cambridge Scholars Publishing, pp. 249–268.

King, Edmund G. C. (2010). Fragmenting authorship in the eighteenth-century Shakespeare edition. Shakespeare, 6(1) pp. 1–19.

King, Edmund G. C. (2016). Radicalism in the Margins: The Politics of Reading Wilfrid Scawen Blunt in 1920. Journal of British Studies, 55(3) pp. 501–518.

King, Edmund G. C. (2019). [Book Review] John Kerrigan, Shakespeare's Originality. Spenser Review, 49(3), article no. 13.

King, Edmund G. C. (2017). Discovering Shakespeare’s Personal Style: Editing and Connoisseurship in the Eighteenth Century. In: Depledge, Emma and Kirwan, Peter eds. Canonising Shakespeare: Stationers and the Book Trade, 1640–1740. Cambridge: Cambridge University Press, pp. 130–142.

King, Edmund G. C. (2016). Editors. In: Smith, Emma ed. The Cambridge Companion to Shakespeare's First Folio. Cambridge: Cambridge University Press, pp. 121–136.

King, Edmund G. C. (2015). A Captive Audience? The Reading Lives of Australian Prisoners of War, 1914–1918. In: Towheed, Shafquat and King, Edmund G. C. eds. Reading and the First World War: Readers, Texts, Archives. New Directions in Book History. Basingstoke: Palgrave Macmillan, pp. 153–167.

King, Edmund G. C.; Parmar, Maya and Towheed, Shafquat (2019). Reusing Historical Questionnaire Data and Using Newly Commissioned Oral History Interviews as Evidence in the History of Reading. Participations: Journal of Audience & Reception Studies, 16(1) pp. 530–553.

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Lavery, Hannah (2014). The Impotency Poem from Ancient Latin to Restoration English Literature. Farnham: Ashgate.

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Nasta, Susheila (1992). An Annotated Bibliography of Novelists from Africa, the Caribbean and South Asia. London, UK: British Council Publications.

Nasta, Susheila (2008). Between Bloomsbury and Gandhi? The background to the publication and reception of Mulk Raj Anand's Untouchable. In: Fraser, Robert and Hammond, Mary eds. Books Without Borders. Volume 2. Perspectives from South Asia, Volume 2. Basingstoke, UK: Macmillan, pp. 151–170.

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Owens, W. R. (1986). The date of Bunyan's "Treatise of Antichrist". The Seventeenth Century, 1(2) pp. 153–157.

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Pacheco, Anita (2014). Festive comedy in the widdow ranter: Behn's clowns and Falstaff. Restoration: Studies in English Literary Culture, 1660-1700, 38(2) pp. 43–61.

Pacheco, Anita (2013). '"Little Religion" but "Admirable Morals": Christianity and Honor in Aphra Behn's Oroonoko'. Modern Philology, 111(2) pp. 253–280.

Pacheco, Anita (2015). 'Where Lies this Power Divine?': The Representation of Kingship in Aphra Behn's Early Tragicomedies. Journal for Eighteenth-Century Studies, 38(3) pp. 317–334.

Parsons, Isabelle (2023). Flowers, Champagne, and Amputation in "The Men Who Saved the World," a War Story by Edith Wharton. Edith Wharton Review, 39(2) pp. 128–142.

Prescott, Lynda (2020). Small Presses and Little Magazines: a Print Culture Perspective on Modernism. In: Poplawski, Paul ed. Yearbook of English Studies, Volume 50. Modern Humanities Research Association, pp. 13–28.

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Spackman, I. J.; Owens, W. R. and Furbank, P. N. (1987). A KWIC Concordance to Daniel Defoe's 'Robinson Crusoe'. New York and London: Garland Publishing.

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Tagg, Caroline and Evans, Mel eds. (2020). Message and Medium: English Language Practices Across Old and New Media. Topics in English linguistics, 105. Berlin: De Gruyter Mouton.

Tickell, Alex (2015). Some Uses of History: Historiography, Politics and the Indian Novel. In: Anjaria, Ulka ed. A History of the Indian Novel in English. Cambridge: Cambridge University Press, pp. 237–250.

Tickell, Alex (2016). 'An Idea Whose Time Has Come': Indian Fiction in English After 1991. In: Tickell, Alex ed. South-Asian Fiction in English: Contemporary Transformations. Houndmills, Basingstoke: Palgrave Macmillan, pp. 37–58.

Towheed, Shafquat (2009). Tools and techniques for literary research: Using online and printed sources. In: Da Sousa Correa, Delia and Owens, W. R. eds. The Handbook to Literary Research (Second Edition). Abingdon: Routledge, pp. 9–35.

Towheed, Shafquat (2013). The science of musical memory: Vernon Lee and the remembrance of sounds past. In: Ellis, Katharine and Weliver, Phyllis eds. Words and Notes in the Long Nineteenth-Century. Woodbridge, Suffolk: Boydell & Brewer, pp. 104–122.

Towheed, Shafquat (2008). Two paradigms of literary production: the production, circulation and legal status of Rudyard Kipling's Departmental Ditties and Indian Railway Library Texts. In: Fraser, Robert and Hammond, Mary eds. Books Without Borders, Volume 2: Perspec. Basingstoke: Palgrave, pp. 125–136.

Towheed, Shafquat (2009). Territory, space, modernity: Elizabeth Bowen's 'The Demon Lover and Other Stories' and wartime London. In: Osborn, Susan ed. Elizabeth Bowen: New Critical Perspectives. Cork: Cork University Press, pp. 113–131.

Towheed, Shafquat; Antonini, Alessio; Benatti, Francesca and Brooker, Sam (2022). Reading Transmedia: Re-contextualising the Written Word in Popular Web-native Genres. In: SHARP 2022 – Power of the Written Word, 11-15 Jul 2022, Amsterdam, NL.

Towheed, Shafquat (2006). The Creative Evolution of Scientific Paradigms: Vernon Lee and the Debate over the Hereditary Transmission of Acquired Characters. Victorian Studies, 49(1) pp. 33–61.

Towheed, Shafquat (2007). Geneva v. Saint Petersburg: Two Concepts of Literary Property and the Material Lives of Books in Under Western Eyes. Book History, 10 pp. 169–191.

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Towheed, Shafquat (2009). Reading History and Nation: Robert Louis Stevenson's Reading of William Forbes-Mitchell's Reminiscences of the Great Mutiny 1857-9. Nineteenth-Century Contexts, 31(1) pp. 3–17.

Towheed, Shafquat (2010). Reading in the digital archive. Journal of Victorian Culture, 15(1) pp. 139–143.

Towheed, Shafquat (2010). ‘Music is not merely for musicians’: Vernon Lee's musical reading and response. Yearbook of English Studies, 40(1-2) pp. 273–294.

Towheed, Shafquat (2011). Locating the reader, or what do we do with the man in the hat? Methodological perspectives and evidence from the United Kingdom Reading Experience Database, 1450-1945 (UK RED). Primerjalna knizevnost (Comparative Literature), 34(2) pp. 173–186.

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Towheed, Shafquat (2018). [Book Review] Alaistair Fowler, The Mind of the Book: Pictorial Title Pages. The Spenser Review, 48(2), article no. 3.

Towheed, Shafquat (2011). Introduction. In: Crone, Rosalind and Towheed, Shafquat eds. The History of Reading, Volume 3: Methods, Strategies, Tactics. Basingstoke, UK: Palgrave Macmillan, pp. 1–12.

Towheed, Shafquat (2006). Containing the Decadent Text: Decadent Readers, Reading Decadence. In: Fox, Paul ed. Decadences: Morality and Aesthetics in British Literature. Studies in English Literatures (2). Stuttgart, Germany: Ibidem Verlag, pp. 1–31.

Towheed, Shafquat (2010). Copyright and libel. In: Logan, Peter Melville ed. The Encyclopedia of the Novel. The Wiley-Blackwell Encyclopedia of Literature, 1 (1). Malden: Wiley-Blackwell, pp. 212–218.

Towheed, Shafquat (2010). When the reading had to stop: Readers, reading and the circulation of texts in 'The Custom of the Country'. In: Rattray, Laura ed. Edith Wharton's The Custom of the Country: A Reassessment. Gender and Genre (3). London: Pickering and Chatto, pp. 29–41.

Towheed, Shafquat (2011). Negotiating the list: launching Macmillan's Colonial Library and author contracts. In: Spiers, John ed. The Culture of the Publisher's Series: Nationalisms and the National Canon, Volume 2. Basingstoke: Palgrave Macmillan.

Towheed, Shafquat (2019). Publishing the South and South East Asian Novel in the Global Market. In: Tickell, Alex ed. The Oxford History of the Novel in English, Volume 10: The Novel in South and South East Asia since 1945, Volume 10. Oxford: Oxford University Press, pp. 595–609.

Towheed, Shafquat (2011). Arthur Conan Doyle, The Sign of Four. In: Watson, Nicola J. and Towheed, Shafquat eds. Romantics and Victorians. Reading and Studying Literature (2). London: Bloomsbury Academic, pp. 411–437.

Towheed, Shafquat (2011). Robert Louis Stevenson, 'The Beach of Falesá'. In: Watson, Nicola J. and Towheed, Shafquat eds. Romantics and Victorians. Reading and Studying Literature (2). London: Bloomsbury Academic, pp. 439–464.

Towheed, Shafquat (2010). Geneva v. St Petersburg: two concepts of literary property and the material lives of books in Under Western Eyes. In: Weedon, Alexis ed. The History of the Book in the West: 1914-2000. The History of the Book in the West: A Library of Critical Essays, 5 (5). Aldershot: Ashgate.

Towheed, Shafquat; Benatti, Francesca and King, Edmund G. C. (2015). Readers and Reading in the First World War. Yearbook of English Studies, 45 pp. 239–261.

Towheed, Shafquat; Crone, Rosalind and Halsey, Katie (2010). Examining the evidence of reading: three examples from the Reading Experience Database, 1450-1945. In: Gunzenhauser, Bonnie ed. Reading in History: New Methodologies from the Anglo-American Tradition. The History of the Book. London: Pickering and Chatto, pp. 29–45.

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Towheed, Shafquat and Owens, W. R. (2011). Introduction. In: Towheed, Shafquat and Owens, W. R. eds. The History of Reading, Volume 1: International Perspectives, c.1500-1990. Basingstoke, UK: Palgrave Macmillan, pp. 1–12.

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Wadowski, Andrew; Hadfield, Andrew and Brown, Richard Danson (2024). "Bad Intro": Letter from the Editors. The Spenser Review, 54(1)

Walder, Dennis (2011). "There is no first reading": (re)-reading nineteenth-century realist novels and their critics. Synthesis, 3 pp. 55–68.

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Watson, Nicola (2011). Sir Walter Scott: the bard of Abbotsford and the Laird of Avon. In: Holland, Peter and Poole, Adrian eds. Great Shakespeareans Set II. Great Shakespeareans. Cambridge: Continuum.

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