Currently browsing: Gender and Otherness in the Humanities (GOTH)

Jackson, Lace M. (2024). Global Majority Leadership: The Experience and Practice. Palgrave Macmillan.

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King, Helen (2024). Immaculate Forms: Uncovering the History of Women's Bodies. Wellcome Collection. London, UK: Profile Books Ltd..

Richardson, Heather (2023). A Dress for Kathleen. Norwich: Story Machine.

Vincent, Ben (2020). Non-Binary Genders: Navigating Communities, Identities, and Healthcare. Bristol: Policy Press.

Katritzky, M. A. and Drábek, Pavel eds. (2019). Transnational Connections in Early Modern Theatre. Manchester: Manchester University Press.

Vincent, Ben; Erikainen, Sonja and Pearce, Ruth eds. (2020). TERF Wars: Feminism and the fight for transgender futures. The Sociological Review Monograph Series, 68 (4). London: Sage.

Drábek, Pavel and Katritzky, M. A. (2020). Introduction. In: Katritzky, M. A. and Drábek, Pavel eds. Transnational Connections in Early Modern Theatre. Manchester: Manchester University Press, pp. 1–19.

Dyer, Natalie; Mackenzie, Hollie; Teggi, Diana and de Vries, Patricia (2022). Pussy Riot Vs. Trump: Becoming Woman To Resist Becoming Fascist. In: Dolphijn, Rick and Braidotti, Rosi eds. Deleuze and Guattari and Fascism. Deleuze Connections. Edinburgh: Edinburgh University Press, pp. 362–379.

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Fryers, Mark (2019). 'I will not fight for my country...for my ship...my King...or Captain': Redefining Imperial Masculinities in To the Ends of the Earth. In: Byrne, Katherine; Leggott, James and Taddeo, Julie Anne eds. Conflicting Masculinities: Men in Period Television Drama. London; New York: I. B. Tauris, pp. 35–51.

Hind, Heather (2023). Giving the Gift of a Lock of Hair in Elizabeth Barrett Browning’s “I never gave a lock of hair away” and “The soul’s Rialto hath its merchandise”. In: Casanova, Elena; Hölzlhammer, Lilli and Moll, Helen eds. Gegenständliche Poetiken des Haares [Representational Poetics of Hair]. De Gruyter, pp. 227–241.

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Katritzky, M A (2023). The 'English Comedy' in Early Modern Europe: Migration, Emigration, Integration. In: Meerzon, Yana and Wilmer, S.E. eds. The Palgrave Handbook of Theatre and Migration. Palgrave Macmillan Cham, pp. 255–266.

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Katritzky, M A (2021). William Hogarth and Book Illustration: Visualizing “Otherness” in pre-Victorian images of Shakespeare’s Caliban. In: Pietrini, Sandra ed. Shakespearean Characters Transposed: Iconography, Adaptations, Cultural Exchanges and Staging. L’immaginario teatrale, 1. Alessandria: Edizioni dell’Orso, 65-83 & 237-241.

Katritzky, M A and Drábek, Pavel (2023). ‘Aktorzy angielscy w Rzeczypospolitej w 1. połowie XVII w.’. In: Żukowski, Jacek ed. Triumfalna Harmonia. Teatr Władysława IV – eseje. Warsaw: The Royal Castle in Warsaw-Museum, pp. 286–315.

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Katritzky, M. A. (2023). Shackshoone: the disabled non-European performative body in 17th-century London. In: Hengerer, Mark ed. Der Körper in der Frühen Neuzeit: Praktiken, Rituale, Performanz. Wolfenbütteler Arbeiten zur Barockforschung. Wiesbaden, Germany: Harrassowitz Verlag, pp. 323–344.

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Katritzky, M. A. (2023). Don Quixote in 18th Century British Book Culture: Tobias Smollett and Francis Hayman. In: Jones, Richard J ed. Tobias Smollett After 300 Years: Life, Writing, Reputation. Eighteenth-Century Moments. Clemson SC: Clemson University Press, pp. 59–76.

Katritzky, M. A. (2021). Generisches und spezifisches Anderssein: Shackshoone (1665–1680), Antonio Martinelli (1718–1740) und frühneuzeitliche Darstellungen von menschlichen Doppelfehlbildungen. In: Stolberg, Michael ed. Körper-Bilder in der Frühen Neuzeit: Kunst-, medizin- und mediengeschichtliche Perspektiven. Schriften des Historischen Kollegs Herausgegeben von Hartmut Leppin Kolloquien 107. Berlin/Boston: Walter de Gruyter GmbH, pp. 199–228.

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Katritzky, M. A. (2020). Shakespeare’s picture of ‘We Three’ An image for illiterates? In: Duits, Rembrandt ed. The Art of the Poor: The Aesthetic Material Culture of the Lower Classes in Europe, 1300–1600. London: Bloomsbury, pp. 185–198.

Katritzky, M. A. (2020). London and The Hague, 1638: Performing quacks at court. In: Katritzky, M. A. and Drábek, Pavel eds. Transnational Connections in Early Modern Theatre. Manchester: Manchester University Press, pp. 114–138.

Katritzky, M. A. (2020). Margaret Cavendish’s Female Fairground Performers. In: Sewell, Jan and Smout, Clare eds. The Palgrave Handbook of the History of Women on Stage. Palgrave Macmillan, pp. 151–175.

Katritzky, M. A. (2020). The itinerant healer as a stage role: its origins in religious drama. In: von Contzen, Eva and Goodblatt, Chanita eds. Enacting the Bible in medieval and early modern drama. Manchester Medieval Literature and Culture. Manchester: Manchester University Press, pp. 81–103.

King, Helen (2021). A history of our own?: Using Classics in disability histories. In: Adams, Ellen ed. Disability Studies and the Classical Body: The Forgotten Other. Routledge Studies in Ancient Disabilities. London: Routledge, pp. 237–263.

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King, Helen (2021). Opening the body of fluids: Taking in and pouring out in Renaissance readings of Classical women. In: Bradley, Mark; Leonard, Victoria and Totelin, Laurence eds. Bodily Fluids in Antiquity. London: Routledge, pp. 381–398.

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King, Helen (2026). From print to wool: Vesalius and the ‘knit your own womb’ movement. In: Cazes, Hélène; Fairbank, Viviane and Koźluk, Magdalena eds. Découvrir le sexe féminin: dires et savoirs de la 'nature' cachée des femmes [Uncovering the Female Anatomy: Discourses on Women's Hidden “Nature”]. Folia Litteraria Romanica (21). Lodz University Press, (In Press).

King, Helen (2022). The body and botany: “the first step toward the brothel”. In: Santos Pinheiro, Cristina; Silva, Gabriel A. F.; Fonseca, Rui Carlos; Mota, Bernardo Machado and Pinheiro, Joaquim eds. Gynecia: Studies on Gynaecology in Ancient, Medieval and Early-modern Texts. Porto: Edições Afrontamento, pp. 11–26.

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King, Helen (2020). The body beyond Laqueur: Hippocratic sex and its rediscovery. In: Höfele, Andreas and Kellner, Beate eds. Natur-Geschlecht-Politik: Denkmuster und Repräsentationsformen vom Alten Testament bis in die Neuzeit. Wilhelm Fink Verlag, pp. 199–216.

Watson, Sophie (2021). Epilogue. In: Bramadat, Paul; Griera, Mar; Martínez-Ariño, Julia and Burchardt, Marian eds. Urban Religious Events: Public Spirituality in Contested Space. Bloomsbury Studies in Religion, Space and Place. London & New York: Bloomsbury Academic, pp. 203–208.

Bowes-Catton, Helen (2021). ‘This magical place’: Understanding BiCon 2008 as a heterotopic place-event. Sexualities, 24(7) pp. 851–873.

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Brown, Richard Danson (2025). Complaint, Anger, and Poetic Form in the Tristram Episode and The Faerie Queene, Book 6. Studies in English Literature 1500-1900 (SEL), 63(1) pp. 27–52.

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Chamarette, Jenny (2022). Dwoskin: Disability, Diaspora, Dysphoria. Jewish Film and New Media, 10(1) pp. 81–117.

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Dohmen, Renate (2023). Miss Chief and the art of Decolonial Tease: The Mixedblood Urban Earthdiver and the Flâneur. Third Text

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Dohmen, Renate and Korporaal, Astrid (2024). Interlude 2: Trickster Abrakadabra: The Art of Hosting or Declaring Yourself a Guest. Third Text

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Erikainen, Sonja; Vincent, Ben and Hopkins, Al (2022). Specific Detriment: Barriers and Opportunities for Non-Binary Inclusive Sports in Scotland. Journal of Sport & Social Issues, 46(1)

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Hind, Heather (2022). The Unrealised Potential of Robert Browning’s “Gold Hair”. European Journal of English Studies, 26(1) pp. 145–161.

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Katritzky, M A (2024). The Merchant Scene of Biblical Drama: Rehabilitating the Female Input. Journal of the Bible and its Reception, 11(2) pp. 173–203.

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Katritzky, M. A. (2021). Unreliable Memories: Documenting the Scenography of the 1589 Florentine intermedi. European Medieval Drama, 25 pp. 239–281.

Katritzky, M. A. (2019). Stefanelo Botarga and Zan Ganassa: Textual and visual records of a musical commedia dell’arte duo, in and beyond early modern Iberia. Music in Art, 44 pp. 83–104.

King, Helen (2021). Seeing the bigger picture: what is gynaecology for? Ágora: Estudos Clássicos em Debate, 23(1) pp. 17–48.

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King, Helen (2023). Being Flesh: Bodies, History and LLF. Modern Believing, 64(1) pp. 36–43.

Lister, Kate; Coughlan, Tim and Owen, Nathaniel (2020). Learning Needs, Barriers, Differences and Study Requirements: How Students Identify as ‘disabled’ in Higher Education. Widening Participation and Lifelong Learning, 22(1) pp. 95–111.

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Mac Cathmhaoill, Dónall (2022). Boundaries: Respecting Authenticating Limits in the Production of a Play on Trans Marginality. Platform: Journal of Theatre and Performing Arts, 16(1) pp. 111–117.

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Pearce, Ruth; Erikainen, Sonja and Vincent, Ben (2020). TERF Wars: Introduction. The Sociological Review, 68(4) pp. 677–698.

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Pearce, Ruth; Erikainen, Sonja and Vincent, Ben (2020). Afterword: TERF Wars in the time of COVID-19. The Sociological Review, 68(4) pp. 882–888.

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Richardson, Heather (2022). 'The Mermaid's Curse': Case Study of a Multimodal Work-in-Progress. Writing in Practice, 7 pp. 18–29.

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Smolović-Jones, Nela; Johansson, Marjana; Pullen, Alison and Giritli-Nygren, Katarina (2024). Feminism and Social Movements: Notes on hope and despair. Gender, Work and Organization, 31(3) pp. 954–960.

• Request a copy from the author This document will be available to download from 13 March 2026

Haslam, Sara (2022). Biography of a wartime 'miracle': women's literary caregiving 1914 to 1918. In: 3rd Joint GOTH-Health & Wellbeing NetWorkshop, 3 Feb 2022, Online.

Smolović-Jones, Nela (2024). Becoming a Feminist-Activist Ethnographer: Generating Gender-Equal Democratic Practice. In Figiel, Kasia ed. Sage Research Methods: Diversifying and Decolonizing Research SAGE Publications, Inc..

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