Currently browsing: Gender and Otherness in the Humanities (GOTH)

King, Helen (2026). From print to wool: Vesalius and the ‘knit your own womb’ movement. In: Cazes, Hélène; Fairbank, Viviane and Koźluk, Magdalena eds. Découvrir le sexe féminin: dires et savoirs de la 'nature' cachée des femmes [Uncovering the Female Anatomy: Discourses on Women's Hidden “Nature”]. Folia Litteraria Romanica (21). Lodz University Press, (In Press).

Brown, Richard Danson (2025). Complaint, Anger, and Poetic Form in the Tristram Episode of The Faerie Queene. SEL Studies in English Literature 1500-1900, 63(1) pp. 27–52.

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Mac Cathmhaoill, Dónall (2025). Theatre and Politics in Post-Conflict Northern Ireland: Applied Theatre, Social Change, and Political Advocacy. Exeter, UK: University of Exeter Press.

Dohmen, Renate and Korporaal, Astrid (2024). Interlude 2: Trickster Abrakadabra: The Art of Hosting or Declaring Yourself a Guest. Third Text

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Jackson, Lace M. (2024). Global Majority Leadership: The Experience and Practice. Palgrave Macmillan.

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Katritzky, M A (2024). The Merchant Scene of Biblical Drama: Rehabilitating the Female Input. Journal of the Bible and its Reception, 11(2) pp. 173–203.

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King, Helen (2024). Immaculate Forms: Uncovering the History of Women's Bodies. Wellcome Collection. London, UK: Profile Books Ltd..

Smolović-Jones, Nela (2024). Becoming a Feminist-Activist Ethnographer: Generating Gender-Equal Democratic Practice. In Figiel, Kasia ed. Sage Research Methods: Diversifying and Decolonizing Research SAGE Publications, Inc..

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Smolović-Jones, Nela; Johansson, Marjana; Pullen, Alison and Giritli-Nygren, Katarina (2024). Feminism and Social Movements: Notes on hope and despair. Gender, Work and Organization, 31(3) pp. 954–960.

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Dohmen, Renate (2023). Miss Chief and the art of Decolonial Tease: The Mixedblood Urban Earthdiver and the Flâneur. Third Text

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Hind, Heather (2023). Giving the Gift of a Lock of Hair in Elizabeth Barrett Browning’s “I never gave a lock of hair away” and “The soul’s Rialto hath its merchandise”. In: Casanova, Elena; Hölzlhammer, Lilli and Moll, Helen eds. Gegenständliche Poetiken des Haares [Representational Poetics of Hair]. De Gruyter, pp. 227–241.

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Katritzky, M A (2023). The 'English Comedy' in Early Modern Europe: Migration, Emigration, Integration. In: Meerzon, Yana and Wilmer, S.E. eds. The Palgrave Handbook of Theatre and Migration. Palgrave Macmillan Cham, pp. 255–266.

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Katritzky, M A and Drábek, Pavel (2023). ‘Aktorzy angielscy w Rzeczypospolitej w 1. połowie XVII w.’. In: Żukowski, Jacek ed. Triumfalna Harmonia. Teatr Władysława IV – eseje. Warsaw: The Royal Castle in Warsaw-Museum, pp. 286–315.

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Katritzky, M. A. (2023). Shackshoone: the disabled non-European performative body in 17th-century London. In: Hengerer, Mark ed. Der Körper in der Frühen Neuzeit: Praktiken, Rituale, Performanz. Wolfenbütteler Arbeiten zur Barockforschung. Wiesbaden, Germany: Harrassowitz Verlag, pp. 323–344.

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Katritzky, M. A. (2023). Don Quixote in 18th Century British Book Culture: Tobias Smollett and Francis Hayman. In: Jones, Richard J ed. Tobias Smollett After 300 Years: Life, Writing, Reputation. Eighteenth-Century Moments. Clemson SC: Clemson University Press, pp. 59–76.

King, Helen (2023). Being Flesh: Bodies, History and LLF. Modern Believing, 64(1) pp. 36–43.

Richardson, Heather (2023). A Dress for Kathleen. Norwich: Story Machine.

Chamarette, Jenny (2022). Dwoskin: Disability, Diaspora, Dysphoria. Jewish Film and New Media, 10(1) pp. 81–117.

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Dyer, Natalie; Mackenzie, Hollie; Teggi, Diana and de Vries, Patricia (2022). Pussy Riot Vs. Trump: Becoming Woman To Resist Becoming Fascist. In: Dolphijn, Rick and Braidotti, Rosi eds. Deleuze and Guattari and Fascism. Deleuze Connections. Edinburgh: Edinburgh University Press, pp. 362–379.

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Erikainen, Sonja; Vincent, Ben and Hopkins, Al (2022). Specific Detriment: Barriers and Opportunities for Non-Binary Inclusive Sports in Scotland. Journal of Sport & Social Issues, 46(1)

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Haslam, Sara (2022). Biography of a wartime 'miracle': women's literary caregiving 1914 to 1918. In: 3rd Joint GOTH-Health & Wellbeing NetWorkshop, 3 Feb 2022, Online.

Hind, Heather (2022). The Unrealised Potential of Robert Browning’s “Gold Hair”. European Journal of English Studies, 26(1) pp. 145–161.

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King, Helen (2022). The body and botany: “the first step toward the brothel”. In: Santos Pinheiro, Cristina; Silva, Gabriel A. F.; Fonseca, Rui Carlos; Mota, Bernardo Machado and Pinheiro, Joaquim eds. Gynecia: Studies on Gynaecology in Ancient, Medieval and Early-modern Texts. Porto: Edições Afrontamento, pp. 11–26.

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Mac Cathmhaoill, Dónall (2022). Boundaries: Respecting Authenticating Limits in the Production of a Play on Trans Marginality. Platform: Journal of Theatre and Performing Arts, 16(1) pp. 111–117.

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Richardson, Heather (2022). 'The Mermaid's Curse': Case Study of a Multimodal Work-in-Progress. Writing in Practice, 7 pp. 18–29.

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Bowes-Catton, Helen (2021). ‘This magical place’: Understanding BiCon 2008 as a heterotopic place-event. Sexualities, 24(7) pp. 851–873.

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Katritzky, M A (2021). William Hogarth and Book Illustration: Visualizing “Otherness” in pre-Victorian images of Shakespeare’s Caliban. In: Pietrini, Sandra ed. Shakespearean Characters Transposed: Iconography, Adaptations, Cultural Exchanges and Staging. L’immaginario teatrale, 1. Alessandria: Edizioni dell’Orso, 65-83 & 237-241.

Katritzky, M. A. (2021). Unreliable Memories: Documenting the Scenography of the 1589 Florentine intermedi. European Medieval Drama, 25 pp. 239–281.

Katritzky, M. A. (2021). Generisches und spezifisches Anderssein: Shackshoone (1665–1680), Antonio Martinelli (1718–1740) und frühneuzeitliche Darstellungen von menschlichen Doppelfehlbildungen. In: Stolberg, Michael ed. Körper-Bilder in der Frühen Neuzeit: Kunst-, medizin- und mediengeschichtliche Perspektiven. Schriften des Historischen Kollegs Herausgegeben von Hartmut Leppin Kolloquien 107. Berlin/Boston: Walter de Gruyter GmbH, pp. 199–228.

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King, Helen (2021). Seeing the bigger picture: what is gynaecology for? Ágora: Estudos Clássicos em Debate, 23(1) pp. 17–48.

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King, Helen (2021). A history of our own?: Using Classics in disability histories. In: Adams, Ellen ed. Disability Studies and the Classical Body: The Forgotten Other. Routledge Studies in Ancient Disabilities. London: Routledge, pp. 237–263.

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King, Helen (2021). Opening the body of fluids: Taking in and pouring out in Renaissance readings of Classical women. In: Bradley, Mark; Leonard, Victoria and Totelin, Laurence eds. Bodily Fluids in Antiquity. London: Routledge, pp. 381–398.

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Watson, Sophie (2021). Epilogue. In: Bramadat, Paul; Griera, Mar; Martínez-Ariño, Julia and Burchardt, Marian eds. Urban Religious Events: Public Spirituality in Contested Space. Bloomsbury Studies in Religion, Space and Place. London & New York: Bloomsbury Academic, pp. 203–208.

Vincent, Ben; Erikainen, Sonja and Pearce, Ruth eds. (2020). TERF Wars: Feminism and the fight for transgender futures. The Sociological Review Monograph Series, 68 (4). London: Sage.

Drábek, Pavel and Katritzky, M. A. (2020). Introduction. In: Katritzky, M. A. and Drábek, Pavel eds. Transnational Connections in Early Modern Theatre. Manchester: Manchester University Press, pp. 1–19.

Katritzky, M. A. (2020). Shakespeare’s picture of ‘We Three’ An image for illiterates? In: Duits, Rembrandt ed. The Art of the Poor: The Aesthetic Material Culture of the Lower Classes in Europe, 1300–1600. London: Bloomsbury, pp. 185–198.

Katritzky, M. A. (2020). London and The Hague, 1638: Performing quacks at court. In: Katritzky, M. A. and Drábek, Pavel eds. Transnational Connections in Early Modern Theatre. Manchester: Manchester University Press, pp. 114–138.

Katritzky, M. A. (2020). Margaret Cavendish’s Female Fairground Performers. In: Sewell, Jan and Smout, Clare eds. The Palgrave Handbook of the History of Women on Stage. Palgrave Macmillan, pp. 151–175.

Katritzky, M. A. (2020). The itinerant healer as a stage role: its origins in religious drama. In: von Contzen, Eva and Goodblatt, Chanita eds. Enacting the Bible in medieval and early modern drama. Manchester Medieval Literature and Culture. Manchester: Manchester University Press, pp. 81–103.

King, Helen (2020). The body beyond Laqueur: Hippocratic sex and its rediscovery. In: Höfele, Andreas and Kellner, Beate eds. Natur-Geschlecht-Politik: Denkmuster und Repräsentationsformen vom Alten Testament bis in die Neuzeit. Wilhelm Fink Verlag, pp. 199–216.

Lister, Kate; Coughlan, Tim and Owen, Nathaniel (2020). Learning Needs, Barriers, Differences and Study Requirements: How Students Identify as ‘disabled’ in Higher Education. Widening Participation and Lifelong Learning, 22(1) pp. 95–111.

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Pearce, Ruth; Erikainen, Sonja and Vincent, Ben (2020). TERF Wars: Introduction. The Sociological Review, 68(4) pp. 677–698.

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Pearce, Ruth; Erikainen, Sonja and Vincent, Ben (2020). Afterword: TERF Wars in the time of COVID-19. The Sociological Review, 68(4) pp. 882–888.

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Vincent, Ben (2020). Non-Binary Genders: Navigating Communities, Identities, and Healthcare. Bristol: Policy Press.

Katritzky, M. A. and Drábek, Pavel eds. (2019). Transnational Connections in Early Modern Theatre. Manchester: Manchester University Press.

Fryers, Mark (2019). 'I will not fight for my country...for my ship...my King...or Captain': Redefining Imperial Masculinities in To the Ends of the Earth. In: Byrne, Katherine; Leggott, James and Taddeo, Julie Anne eds. Conflicting Masculinities: Men in Period Television Drama. London; New York: I. B. Tauris, pp. 35–51.

Katritzky, M. A. (2019). Stefanelo Botarga and Zan Ganassa: Textual and visual records of a musical commedia dell’arte duo, in and beyond early modern Iberia. Music in Art, 44 pp. 83–104.