Currently browsing: Contemporary Cultures of Writing Research Group

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Anderson, Linda and Neale, Derek (2009). Writing fiction. Abingdon: Routledge.

Asbee, Sue (2013). ‘Not quite every character is a living person in this story. And not quite the reverse.’ Margiad Evans: Memory, fiction and autobiography. In: Bohata, Kirsti and Gramich, Katie eds. Rediscovering Margiad Evans - Marginality, Gender and Illness. Cardiff: University of Wales Press.

Ashery, Oreet and Giaxoglou, Korina (2019). Digital Death and the Digital Afterlife: Oreet Ashery in Conversation with Korina Giaxoglou. In: Zielińska, Joanna ed. Performance Works. Milan: Mousse Publishing for Ujazdowski Castle Center for Contemporary Art in Warsaw.

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Campbell, Siobhán (2016). Periwinkles. Poetry Ireland Review(119) p. 88.

Campbell, Siobhan (2017). Heat Signature. Bridgend, Wales: Seren Press.

Campbell, Siobhán (2014). Seamus Heaney's 'Casualty' - Causal or Casual? Poetry Ireland Review(113) pp. 133–134.

Campbell, Siobhan (2017). Eavan Boland and the development of a poetics: ‘It may be beauty/but it isn’t truth’. In: Campbell, Siobhan and O'Mahony, Nessa eds. Eavan Boland: Inside History. Arlen House, pp. 155–176.

Clarke, Caroline; Corlett, Sandra and Gilmore, Charlotte (2020). On the Fringe/At the Fringe: Fleshing out Research. In: Pullen, Alison; Hellin, Jenny and Harding, Nancy eds. Writing Differently. Dialogues in Critical Management Studies, 4. Bingley: Emerald Publishing Limited, pp. 25–52.

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da Sousa Correa, Delia (2010). Literary research and other media. In: Da Sousa Correa, Delia and Owens, W. R. eds. The Handbook to Literary Research. Abingdon: Routledge, pp. 148–166.

Doloughan, Fiona (2012). Transforming texts: learning to become a (creative) writer through reading. New Writing: The International Journal For the Practice and Theory of Creative Writing, 9(2) pp. 182–203.

Doloughan, Fiona (2010). Bottling the Imagination: writing as metamorphosis in Ali Smith's Girl Meets Boy. New Writing: The International Journal for the Practice and Theory of Creative Writing, 7(3) pp. 241–251.

Doloughan, Fiona (2005). Reflections on the concept of 'voice' in translation. In Other Words: The Journal for Literary Translators(26) pp. 26–33.

Doloughan, Fiona (2005). "Reading Images, Telling Tales: Meaning-Making and the Culture of Narrativity". International Journal of Learning, 11 pp. 1697–1701.

Doloughan, Fiona (2016). Translation, Storytelling and Multimodality. Interférences littéraires/Literaire interferenties, 19 pp. 107–122.

Doloughan, Fiona (2017). Translation as a Motor of Critique and Invention in Contemporary Literature: The Case of Xiaolu Guo. In: Gilmour, Rachael and Steinitz, Tamar eds. Multilingual Currents in Literature, Translation and Culture. Routledge Interdisciplinary Perspectives on Literature. New York and London: Routledge, pp. 150–167.

Doloughan, Fiona (2021). Literary Translingualism and Fiction. In: Kellman, Steven G. and Lvovich, Natasha eds. Routledge Handbook of Literary Translingualism. Routledge Literature Handbooks. Routledge (In Press).

Doloughan, Fiona J. (2015). Translating culture: linguistic attachment, detachment and (self)-narration. In: Barta, Peter I. and Powrie, Phil eds. Bicultural Literature and Film in French and English. Routledge Studies in Comparative Literature. Abingdon: Routledge, pp. 237–247.

Doloughan, Fiona J. (2010). Multimodal storytelling: performance and inscription in the narration of art history. In: Page, Ruth ed. New Perspectives on Narrative and Multimodality. Routledge Studies in Multimodality (1). New York and Abingdon, Oxon.: Routledge, pp. 14–30.

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Fraser, Robert (2010). Bugger the skylarks: Lawrence and Mansfield at war: a battle in ten scenes. Katherine Mansfield Studies, 2(1) pp. 100–163.

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Gerschel, Liz and Nasta, Susheila (1989). There's no such thing as only literature : English teaching in an anti-racist and multicultural context. In: Brooker, Peter and Humm, Peter eds. Dialogue and Difference: English into the Nineties. New Accents. London: Routledge, pp. 132–148.

Giaxoglou, Korina (2019). Trajectories of treasured texts: laments as narratives. In: Falconi, Elizabeth and Graber, Kate eds. Storytelling as Narrative Practice: Ethnographic Approaches to the Tales We Tell. Studies in Pragmatics (19). Brill, pp. 136–162.

Gupta, Suman (2009). Re-Reading Harry Potter (2nd Edn). Houndmills: Palgrave Macmillan.

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Haslam, Sara and Neale, Derek (2009). Life writing. Abingdon: Routledge.

Hogan, Edward (2020). The Electric. London: John Murray.

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Jensen, Meg and Campbell, Siobhan (2019). Negotiated Truths and Iterative Practice: The Women in Conflict Expressive Life Writing Project. In: Douglas, Kate and Barnwell, Ashley eds. Research Methods for Auto/Biography Studies. Routledge Auto/Biography Studies. Routledge, pp. 115–129.

Jensen, Meg and Campbell, Siobhan M. (2017). The Expressive Life-Writing Handbook. London and Edinburgh: Beyond Borders Scotland in association with The Stabilisation and Recovery Network.

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Katritzky, M. A. (2017). Virtuous needleworkers, vicious apes: the embroideries of Mary Queen of Scots and Bess of Hardwick. In: Münch, Birgit Ulrike; Tacke, Andreas; Herzog, Markwart and Heudecker, Sylvia eds. Künstlerinnen: neue Perspektiven auf ein Forschungsfeld der Vormoderne. Kunsthistorisches Forum Irsee, 4. Petersberg: Michael Imhof Verlag, pp. 48–61.

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Marino, Alessandra (2018). Canti di Rabbia, Frammenti di Vita. In: Chambers, I.; Curti, L. and Quadraro, M. eds. Ritorni Critici. La Sfida degli Studi Culturali in Italia. Bologna: Meltemi, pp. 63–76.

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Neale, Derek (2012). The Book of Guardians. London: Salt.

Neale, Derek (2012). Writing and dreaming primary and primal scenes. New Writing: The International Journal for the Practice and Theory of Creative Writing, 10(1) pp. 39–51.

Neale, Derek (2007). Writing a wicked commentary. Writing in Education(41) pp. 28–31.

Neale, Derek (2016). Six short stories. Cut a long story Ltd, Folkestone, UK.

Neale, Derek (2020). 'Last' scenes: Experiments with the poetic and phatic, gender and genre. Liminalities: the journal of performance studies, 16(4)

Neale, Derek (2020). Introduction. Writing in Practice: the journal of creative writing research, 6

Neale, Derek (2006). The creative process: writing what you come to know. In: Anderson, Linda ed. Creative writing: a workbook with readings. Abingdon: Routledge, pp. 56–69.

Neale, Derek (2006). The creative process: writing what you know. In: Anderson, Linda ed. Creative writing: a workbook with readings. Abingdon: Routledge, pp. 44–55.

Neale, Derek (2006). Writing fiction: showing and telling. In: Anderson, Linda ed. Creative writing: a workbook with readings. Abingdon: Routledge, pp. 127–140.

Neale, Derek (2006). Writing fiction: structure. In: Anderson, Linda ed. Creative writing: a workbook with readings. Abingdon: Routledge, pp. 140–154.

Neale, Derek (2006). Writing fiction: the story and the reader. In: Anderson, Linda ed. Creative writing: a workbook with readings. Abingdon: Routledge, pp. 154–166.

Neale, Derek (2005). Life writing: life characters. In: Anderson, Linda ed. Creative writing: a workbook with readings. Abingdon, UK: Routledge, pp. 343–358.

Neale, Derek (2005). Life writing: using memory. In: Anderson, Linda ed. Creative writing: a workbook with readings. Abingdon, UK: Routledge, pp. 316–330.

Neale, Derek (2005). Life writing: versions of a life. In: Anderson, Linda ed. Creative writing: a workbook with readings. Abingdon, UK: Routledge, pp. 330–343.

Neale, Derek (2016). El cuento en la academia: mimesis, diégesis y el rol del drama y el cine. In: Angel, Marcos and Fernández, Gerardo Argüelles eds. Recetas para el misterio: ensayos de escritura creativa. Autores, Textos y Temas. Literatura (44). Mexico city, Mexico; Buenos Aires, Argentina; Barcelona and Madrid, Spain: Anthropos, pp. 47–67.

Neale, Derek (2009). CASE STUDY 3: Literature and Film - Reading Film: An Angel at My Table. In: Da Sousa Correa, Delia and Owens, W. R. eds. The Handbook to Literary Research 2nd Edition. Abingdon: Routledge, pp. 162–165.

Neale, Derek (2016). Creativity and Creative Writing. In: Demjén, Zsófia and Seargeant, Philip eds. Creativity in Language: From Everday Style to Verbal Art. Milton Keynes: The Open University, pp. 121–172.

Neale, Derek (2009). Playing with genre. In: Neale, Derek ed. A Creative Writing Handbook: developing dramatic technique, individual style and voice. London: A&C Black, pp. 1–13.

Neale, Derek (2009). Revealing secrets. In: Neale, Derek ed. A Creative Writing Handbook. London: A&C Black, pp. 58–72.

Neale, Derek (2009). Splicing the strands. In: Neale, Derek ed. A Creative Writing Handbook: developing dramatic technique, individual style and voice. London: A&C Black, pp. 164–180.

Neale, Derek (2009). Staging stories. In: Neale, Derek ed. A Creative Writing Handbook: developing dramatic technique, individual style and voice. London: A&C Black, pp. 73–92.

Neale, Derek (2009). Voices in fiction. In: Neale, Derek ed. A Creative Writing Handbook: developing dramatic technique, individual style and voice. London: A&C Black, pp. 181–195.

Neale, Derek (2009). Writing films. In: Neale, Derek ed. A Creative Writing Handbook: developing dramatic technique, individual style and voice. London: A&C Black, pp. 113–133.

Neale, Derek (2009). Writing radio drama. In: Neale, Derek ed. A Creative Writing Handbook: developing dramatic technique, individual style and voice. London: A&C Black, pp. 93–112.

Neale, Derek (2009). Writing stage plays. In: Neale, Derek ed. A Creative Writing Handbook: developing dramatic technique, individual style and voice. London: A&C Black, pp. 41–92.

Neale, Derek (2009). Film structure. In: Neale, Derek ed. A Creative Writing Handbook: developing dramatic technique, individual style and voice. London: A&C Black, pp. 134–148.

Neale, Derek (2020). Introduction. In: Neale, Derek ed. Writing Talk: Interviews with writers about the creative process. London: Routledge, pp. 1–17.

Neale, Derek, Etter, Carrie, Cashdan, Liz and Melrose, Andrew (eds.) (2019) Writing in Practice: The Journal of Creative Writing Research. (Vol. 5) National Association of Writers in Education.

Neale, Derek, Gilbert, Francis, Brayfield, Celia and Melrose, Andrew (eds.) (2020) Writing in Practice: The Journal of Creative Writing Research. (Vol. 6) National Association of Writers in Education.

Neale, Derek, Spencer, Amy, Howitt-Dring, Holly and Cable, Liz (eds.) (2018) Writing in Practice: The Journal of Creative Writing Research. (Vol. 4) National Association of Writers in Education.

Neale, Derek, Butt, Maggie, Whitehead, Harry and Brayfield, Celia (eds.) (2016) Writing in Practice: The Journal of Creative Writing Research. (Vol. 1) National Association of Writers in Education.

Neale, Derek with Greenberg, Susan, Holloway, Simon and Melrose, Andrew (2018) Creative Writing Research Benchmark Statement. National Association of Writers in Education, UK.

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Prescott, Lynda (2016). Using collaboration to foster academic integrity. Open Learning: The Journal of Open and Distance Learning, 31(2) pp. 152–162.

Prescott, Lynda (2012). Life writing and life-learning: an analysis of creative writing students' work. Studies in Continuing Education, 34(2) pp. 145–147.

Prescott, Lynda (2010). How to read a short story. The English Review, 20(4) pp. 32–34.

Prescott, Lynda (2008). Pat Barker's Regeneration trilogy: fiction and history. The English Review, 19(2) pp. 17–20.

Prescott, Lynda (2016). The Short Story Anthology: Shaping the Canon. In: Head, Dominic ed. The Cambridge History of the English Short Story. Cambridge: Cambridge University Press, pp. 564–580.

Prescott, Lynda; Hewings, Ann and Seargeant, Philip (2016). Introduction: Futures for English Studies. In: Hewings, Ann; Prescott, Lynda and Seargeant, Philip eds. Futures for English Studies: Teaching Language, Literature and Creative Writing. Basingstoke: Palgrave Macmilan, pp. 1–8.

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Richardson, Heather (2017). This is not a memoir: case study of a memoir-in-progress. New Writing: The International Journal For the Practice and Theory of Creative Writing, 14(2) pp. 160–166.

Richardson, Heather (2016). Studio Notes. National Museums of Northern Ireland.

Richardson, Heather (2017). It's Mr Otello... Australian Association of Writing Programmes, Australia.

Richardson, Heather (2017). Shake Hole. Australian Association of Writing Programmes, Australia.

Richardson, Heather (2017). Doubting Thomas. Glasgow: Vagabond Voices.

Richardson, Heather (2018). A dress for Kathleen. Review of Irish Studies in Europe, 2(1) pp. 279–294.

Richardson, Heather (2017). All the rules we could ask for. In: Anderson, Linda and Sherratt-Bado, Dawn Miranda eds. Female Lines: New Writing by Women from Northern Ireland. Dublin: New Island.

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Nasta, Susheila, ed. Moses Migrating: A Novel (new edition). By Samuel Selvon (1983). Boulder, Colorado, Lynne Reiner (2009).

Sweeney, Emma Claire (2016). Owl Song at Dawn. London: Legend Press.

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Tomkins, Leah and Eatough, Virginia (2018). Hermeneutics: Interpretation, Understanding and Sense-making. In: Cassell, Catherine; Cunliffe, Ann L. and Grandy, Gina eds. SAGE Handbook of Qualitative Business and Management Research Methods. Sage, pp. 185–200.

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Yeh, Jane (2005). Marabou. Manchester, UK: Carcanet Press.

Yeh, Jane (2012). The Ninjas. Manchester, UK: Carcanet Press.

Yeh, Jane (2019). Discipline. Manchester, UK: Carcanet Press.

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