Currently browsing: Items authored or edited by William Kynan-Wilson

Althoff, Gerd; Fonnesberg-Schmidt, Iben and Kynan-Wilson, William (2018). Framing papal communication in the central Middle Ages. Journal of Medieval History, 44(3) pp. 251–260.

Kynan-Wilson, William (2021). Henry of Blois and the construction of Roman identity. In: Kynan-Wilson, William and Munns, J. M. eds. Henry of Blois: New Interpretations. Woodbridge: Boydell & Brewer, pp. 185–208.

Kynan-Wilson, William and Munns, J. M. (2021). Introduction: Approaches to Henry of Blois. In: Kynan-Wilson, William and Munns, J. M. eds. Henry of Blois: New Interpretations. Woodbridge: Boydell & Brewer, pp. 1–25.

Kynan-Wilson, William (2019). The Origins of Orientalism: A Plurality of Orients and Occidents (c.1500-1800). In: Greenwood, William and de Guise, Lucien eds. Inspired by the East: How the Islamic World Influenced Western Art. London: British Museum, pp. 32–43.

Kynan-Wilson, William (2019). Looking East catalogue entries. In: Greenwood, William and de Guise, Lucien eds. Inspired by the East: How the Islamic World Influenced Western Art. London: British Museum, pp. 112–135.

Kynan-Wilson, William (2019). Play and performance in Ottoman costume albums. In: Boyar, Ebru and Fleet, Kate eds. Entertainment among the Ottomans. Leiden: Brill, pp. 62–89.

Kynan-Wilson, William and Fonnesberg-Schmidt, Iben (2018). Smiling, Laughing and Joking in Papal Rome: Thomas of Marlborough and Gerald of Wales at the Court of Pope Innocent III (1198-1216). Papers of the British School at Rome, 86 pp. 153–181.

Kynan-Wilson, William (2018). Subverting a Papal Message? Master Gregory’s use of the Mirabilia urbis Romae. Journal of Medieval History, 44(3) pp. 347–364.

Kynan-Wilson, William (2017). ‘Painted by the Turcks themselves’: Reading Peter Mundy’s Ottoman Costume Album in Context. In: Babaie, Sussan and Gibson, Melanie eds. The Mercantile Effect: On Art and Exchange in the Islamicate World. London: Gingko Library, pp. 38–50.

Kynan-Wilson, William (2017). The Ottoman Imagery of Jacopo Ligozzi. In: Arfioli, Maurizio and Caroscio, Marta eds. The Grand Ducal Medici and the Levant: Material Culture, Diplomacy, and Imagery in the Early Modern Mediterranean. The Medici Archive Project (3). Turnhout: Brepolis, pp. 101–111.

Kynan-Wilson, William (2017). Roman Identity in William of Malmesbury’s Historical Writings. In: Thomson, R. M.; Dolmans, E. and Winkler, E. eds. Discovering William of Malmesbury. Woodbridge: Boydell & Brewer, pp. 81–91.

Kynan-Wilson, William (2016). Stories and Storytellers: The Naming of Textiles in West Africa. From Traditional to Contemporary Aesthetic Practices in West Africa, Benin and Togo. The Art Histories and Aesthetic Practices Blog, Medium.

Kynan-Wilson, William (2012). Mira Romanorum artifitia: William of Malmesbury and the Romano-British Remains at Carlisle. Essays in Medieval Studies, 28 pp. 35–49.

Kynan-Wilson, William (2007). Uniting the Strands: David Jones’ Quia per Incarnati. The David Jones Journal, 6 pp. 97–114.

William, Kynan-Wilson (2017). Costume Albums. In: Fleet, Kate; Kramer, Gudrun; Matringe, Denis; Nawas, John and Rowson, Everett eds. The Encyclopaedia of Islam (3rd edition). Brill, pp. 25–27.