Currently browsing: Items authored or edited by Samuel Shaw https://orcid.org/0000-0002-6452-8408

Shaw, Samuel (2024). Art, Identity and Cosmopolitanism: William Rothenstein and the British Art World, c.1880–1935. Oxford, UK: Peter Lang Verlag.

Shaw, Samuel (2021). The Graphic’s ‘Heads of the People’ (1875-1883): Further Influences and Legacies. The Burlington Magazine, 163(1420) pp. 516–523.

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Shaw, Samuel and Pezzini, Barbara (2020). Exhibitions and the Market for Modern British Art: Independent Art of Today at Agnew's Gallery, 1906. Art History, 43(4) pp. 710–740.

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Shaw, Samuel and Plumb, Christopher (2018). Zebra. Animal Series. London: Reaktion Books.

Shaw, Samuel; Shaw, Sarah and Carle, Naomi eds. (2018). Edwardian Culture: Beyond the Garden Party. Among the Victorians and Modernists. London: Routledge.

Shaw, Samuel (2018). Aliens at Prayer: Representing Jewish Life in the East End of London, c.1905. In: Shaw, Samuel; Shaw, Sarah and Carle, Naomi eds. Edwardian Culture: Beyond the Garden Party. Among the Victorians and Modernists. London: Routledge, pp. 133–153.

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Shaw, Samuel (2018). Weighing Down the Landscape: The Quarry as a Site of Rural Modernity. In: Bluemel, Kristin and McCluskey, Michael eds. Rural Modernity in Britain: A Critical Intervention. Edinburgh: Edinburgh University Press, pp. 69–83.

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Shaw, Samuel and Rough, William (2016). In Focus: 'The Doll’s House' 1899–1900 by William Rothenstein. In Tate In Focus Tate.

Shaw, Samuel (2016). "Characters in Search of an Author": The Single-Figure Study and the Pritzker Collection. In: Collins, Ian and Hughes, Eleanor eds. Modernism and Memory: Rhoda Pritzker and the Art of Collecting. New Haven: Yale University Press, pp. 93–126.

Shaw, Samuel (2015). "Scarcely a scholar": William Rothenstein and the Artist as Art-writer in English Periodicals, ca.1890–1910. Visual Resources, 31(1-2) pp. 45–60.