Currently browsing: Items authored or edited by Renate Dohmen

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Dohmen, Renate (2024). ‘What’s In a Photo?’ Frederick Douglass and Ram Singh II, Maharaj of Jaipur. Or: Lateral Art History and The Postindian Trickster, An Experiment in Method. In: Burns, Emily and Price, Alice M. Rudy eds. Routledge Companion to Art and Empire: Imperialism and Aesthetic Practices. Routledge (In press).

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Dohmen, Renate (2018). The Global, the Post-Abyssal and the Cosmopolitical: Casting a Creative Post-Underdeveloped, Post-Peripheral, Tropical Eye. In: Di Paola, Modesta ed. Cosmopolitics and Biopolitics. Ethics and Aesthetics in Contemporary Art. Art, Globalization, Interculturality. Barcelona: Barcelona University Press, pp. 77–94.

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Dohmen, Renate (2016). Encounters beyond the Gallery. Relational Aesthetics and Cultural Difference? International Library of Modern and Contemporary Art. London: I.B.Tauris.

Dohmen, Renate (2016). A fraught challenge to the status quo: The 1883-4 Calcutta International Exhibition, conceptions of art and industry, and the politics of world fairs. In: Nichols, Kate; Wade, Rebecca and Williams, Gabriel eds. Art versus Industry? New Perspectives on Visual and Industrial Cultures in Nineteenth-Century Britain. Studies in Design and Material Culture. Manchester: Manchester University Press, pp. 199–216.

Dohmen, Renate (2016). Material (Re)collections of the ‘Shiny East’: A Late Nineteenth-Century Travel Account by a Young British Woman in India. In: Henes, Mary and Murray, Brian H. eds. Travel Writing, Visual Culture and Form, 1760–1900. Palgrave Studies in Nineteenth-Century Writing and Culture. Basingstoke: Palgrave Macmillan, pp. 42–64.

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