Currently browsing: Items authored or edited by Renate Dohmen https://orcid.org/0000-0001-5701-1163

Barnes, Amy Jane; Charnley, Kim; Dohmen, Renate and Lotz, Nicole (2020). Colonial histories, museum collections, FabLabs and community engagement: flows of practices, cultures and people – a roundtable. Open Arts Journal, 9 pp. 91–118.

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Dohmen, Renate and Korporaal, Astrid (2024). Interlude 2: Trickster Abrakadabra: The Art of Hosting or Declaring Yourself a Guest. Third Text

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Dohmen, Renate (2024). ‘What’s In a Photo?’ Frederick Douglass and Ram Singh II, Maharaj of Jaipur. Or: Lateral Art History and The Postindian Trickster, An Experiment in Method. In: Burns, Emily and Price, Alice M. Rudy eds. Routledge Companion to Art and Empire: Imperialism and Aesthetic Practices. Routledge (In press).

Dohmen, Renate (2023). Urban Earthdivers and the Immodest Messiah as Decolonial Worldmakers. The Art of Kent Monkman. Archivo Papers. Journal of Photography and Visual Culture, 3(2) pp. 31–50.

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Dohmen, Renate (2023). Miss Chief and the art of Decolonial Tease: The Mixedblood Urban Earthdiver and the Flâneur. Third Text

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Dohmen, Renate (2020). The Artist as Postindian Warrior: Saviourism, Appropriation and Care in the Art of Kent Monkman. Journal of Global Studies and Contemporary Art, 7(1) pp. 409–442.

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Dohmen, Renate (2020). Art, industry and the laws of nature: the South Kensington method revisited. Open Arts Journal(9) pp. 23–42.

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Dohmen, Renate (2019). Counter-Epistemologies of the Global South: Indian Floor Drawings Re-envisaged. South Asian Popular Culture, 16(2-3) pp. 235–244.

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Dohmen, Renate (2018). The Global, the Post-Abyssal and the Cosmopolitical: Casting a Creative Post-Underdeveloped, Post-Peripheral, Tropical Eye. In: Di Paola, Modesta ed. Cosmopolitics and Biopolitics. Ethics and Aesthetics in Contemporary Art. Art, Globalization, Interculturality. Barcelona: Barcelona University Press, pp. 77–94.

Dohmen, Renate (2016). Encounters beyond the Gallery. Relational Aesthetics and Cultural Difference? International Library of Modern and Contemporary Art. London: I.B.Tauris.

Dohmen, Renate (2016). All Bark and No Bite: India at Tate Britain’s ‘Artist and Empire’ Exhibition. Third Text Forum: Artist and Empire Part 1: Tate.

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Dohmen, Renate (2016). A fraught challenge to the status quo: The 1883-4 Calcutta International Exhibition, conceptions of art and industry, and the politics of world fairs. In: Nichols, Kate; Wade, Rebecca and Williams, Gabriel eds. Art versus Industry? New Perspectives on Visual and Industrial Cultures in Nineteenth-Century Britain. Studies in Design and Material Culture. Manchester: Manchester University Press, pp. 199–216.

Dohmen, Renate (2016). Material (Re)collections of the ‘Shiny East’: A Late Nineteenth-Century Travel Account by a Young British Woman in India. In: Henes, Mary and Murray, Brian H. eds. Travel Writing, Visual Culture and Form, 1760–1900. Palgrave Studies in Nineteenth-Century Writing and Culture. Basingstoke: Palgrave Macmillan, pp. 42–64.

Dohmen, Renate (2013). Towards a cosmopolitan criticality: Relational aesthetics, Rirkrit Tiravanija and transnational encounters with pad thai. Open Arts Journal(1) pp. 35–46.

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Dohmen, Renate (2012). Memsahibs and the “Sunny East”: Representations of British India by Millicent Douglas Pilkington and Beryl White. Victorian Literature and Culture, 40(1) pp. 153–177.

Dohmen, Renate (2004). The home in the world: women, threshold designs and performative relations in contemporary Tamil Nadu, south India. Cultural Geographies, 11(1) pp. 7–25.

Dohmen, Renate (2001). Happy Homes and the Indian Nation: Women's Designs in Post-colonial Tamil Nadu. Journal of Design History, 14(2) pp. 129–139.