Currently browsing: Items authored or edited by Piers Baker-Bates

Baker-Bates, Piers (2023). Constructing Sebastiano del Piombo: Pietro Aretino and the artistic landscape of Clementine Rome. Renaissance Studies (Early Access).

Baker-Bates, Piers (2021). Portraying the Ideal Spanish Tridentine Prelate. In: Baker-Bates, Piers and Brooke, Irene eds. Portrait Cultures of the Early Modern Cardinal. Visual and Material Culture, 1300-1700. Amsterdam: Amsterdam University Press, pp. 343–370.

Baker-Bates, Piers (2021). Spanish Painting: Recreating a Perceived ‘Golden Age’. In: Potter, Matthew C. ed. Representing the Past in the Art of the Long Nineteenth Century. Routledge, pp. 106–123.

Baker-Bates, Piers and Brooke, Irene (2021). Portraying the Princes of the Church. In: Baker-Bates, Piers and Brooke, Irene eds. Portrait Cultures of the Early Modern Cardinal. Visual and Material Culture, 1300–1700. Amsterdam: Amsterdam University Press, pp. 21–42.

Baker-Bates, Piers (2019). Establishing Spanish Cultural Identities at Rome (1516–1598). Hispanic Research Journal, 19(5) pp. 461–480.

Baker-Bates, Piers (2013). Beyond Rome: Sebastiano del Piombo as a painter of diplomatic gifts. Renaissance Studies, 27(1) pp. 51–72.

Baker-Bates, P.A. (2011). A means for the projection of soft power: 'Spanish churches' at Rome 1469-1527. Intersections: Interdisciplinary Studies in Early Modern Culture, 22

Baker-Bates, P. A. (2011). Sebastianello Nostro Venetiano: the career of Sebastiano del Piombo and the concept of a 'court artist' in renaissance Rome. The Court Historian - The International Journal of Court Studies, 16(1) pp. 7–23.

Baker-Bates, Piers (2008). A portrait of Cardinal Pompeo Colonna, rival and imitator of the papal Caesars. Papers of the British School at Rome, 76 pp. 183–199.

Baker-Bates, Piers (2008). The bishop and the artist: the quest for patronage in high renaissance rome. In: Burke, Jill and Bury, Michael eds. Art and Identity in Early Modern Rome. Aldershot, UK: Ashgate, pp. 45–58.