Currently browsing: Items authored or edited by Marie Thompson https://orcid.org/0000-0002-2660-9864

Drott, Eric and Thompson, Marie (2022). "Is your baby getting enough music?" Musical interventions into gestational labor. Women and Music: a Journal of Gender and Culture, 26 pp. 125–147.

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Goh, Annie and Thompson, Marie (2021). Sonic Cyberfeminisms: Introduction. Feminist Review, 127(1) pp. 1–12.

Lee, Peggy Kyoungwon; Oliveira, Pedro; Osman, Shanti Suki and Thompson, Marie (2022). A Conversation on Race, Sound, and the Im/possibility of Decolonised Listening. In: Ismaiel-Wendt, Johannes Salim and Schoon, Andi eds. Postcolonial Repercussions: On Sound Ontologies and Decolonised Listening. Sound Studies, 6. Bielefeld: transcript Verlag, pp. 45–58.

Thompson, Marie (2024). Introduction: The aesthetics of tinnitus. The Senses and Society, 19(1) pp. 1–2.

Thompson, Marie (2024). Mapping tinnitus. The Senses and Society, 19(1) pp. 44–66.

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Thompson, Marie (2021). ‘Your Womb, the Perfect Classroom’: Prenatal Sound Systems and Uterine Audiophilia. Feminist Review, 127(1) pp. 73–89.

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Thompson, Marie (2020). Sonic Feminisms: Doing Gender in Neoliberal Times. In: Bull, Michael and Corbussen, Marcel eds. The Bloomsbury Handbook of Sonic Methodologies. Bloomsbury.

Thompson, Marie (2020). Sounding the Arcane: Contemporary Music, Gender and Reproduction. Contemporary Music Review, 39(2) pp. 273–292.

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Thompson, Marie (2020). Sound Studies. In: van Orden, Kate ed. Music. Oxford Bibliographies.

Thompson, Marie (2019). Spinoza and musical power. Textual Practice, 33(5) pp. 803–820.

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Thompson, Marie (2018). Gendered sound. In: Bull, Michael ed. The Routledge Companion to Sound Studies. Routledge Media and Cultural Studies Companions. Abingdon: Routledge, pp. 108–117.

Thompson, Marie (2017). Beyond Unwanted Sound: Noise, Affect and Aesthetic Moralism. New York: Bloomsbury.

Thompson, Marie (2017). Whiteness and the Ontological Turn in Sound Studies. Parallax, 23(3) pp. 266–282.

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Thompson, Marie (2017). To soothe or remove? Affect, revanchism and the weaponized use of classical music. Communication and the Public, 2(4) pp. 272–283.

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Thompson, Marie (2017). Experimental music and the question of what can a body do? In: Moisala, Pirkko; Leppänen, Taru; Tiainen, Milla and Väätäinen, Hanna eds. Musical Encounters with Deleuze and Guattari. Bloomsbury, pp. 149–168.

Thompson, Marie (2016). Feminised Noise and the ‘Dotted Line’ of Sonic Experimentalism. Contemporary Music Review, 35(1) pp. 85–101.

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Thompson, Marie (2012). Productive Parasites: Thinking of Noise as Affect. Cultural Studies Review, 18(3) pp. 13–35.

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