Currently browsing: Items authored or edited by Michael Rodgers

Rodgers, Michael (2020). Nabokov's Visceral, Cerebral, and Aesthetic Senses. In: Bouchet, Marie; Loison-Charles, Julie and Poulin, Isabelle eds. The Five Senses in Nabokov's Work. Palgrave Macmillan, pp. 53–68.

Rodgers, Michael (2018). Nabokov and Nietzsche: Problems and Perspectives. Bloomsbury.

Rodgers, Michael (2016). The Will to Disempower? Nabokov and his Readers. In: Rodgers, Michael and Sweeney, Susan Elizabeth eds. Nabokov and the Question of Morality: Aesthetics, Metaphysics and the Ethics of Fiction. Palgrave Macmillan, pp. 51–69.

Rodgers, Michael and Sweeney, Susan Elizabeth eds. (2016). Nabokov and the Question of Morality: Aesthetics, Metaphysics, and the Ethics of Fiction. New York: Palgrave Macmillan.

Rodgers, Michael (2015). A Theory of Genre Formation in the Twentieth Century. CLCWeb: Comparative Literature and Culture, 17(4), article no. 2.

• Download Published Version (PDF / 426kB)

Rodgers, Michael (2013). The Original of Laura and Nietzsche: A Zarathustran Tool? In: Leving, Yuri ed. Shades of Laura: Vladimir Nabokov's Last Novel, The Original of Laura. McGill-Queen's University Press, pp. 114–128.

Rodgers, Michael (2012). Relationships of Ownership: Art and Theft in Bob Dylan's 1960s Trilogy. Imaginations: Journal of Cross-Cultural Image Studies, 3(1) pp. 17–29.

Rodgers, Michael (2011). Lolita's Nietzchean Morality. Philosophy and Literature, 35(1) pp. 104–120.