Currently browsing: Items authored or edited by Maiko Kawabata

Hoppe, C.; Goldbeck, M. and Kawabata, M. eds. (2018). Exploring Virtuosities: Heinrich Wilhelm Ernst, Nineteenth-Century Musical Practices and Beyond. Göttingen Studies in Musicology, 10. Olms.

Kawabata, Maiko (2023). The New “Yellow Peril” in “Western” European Symphony Orchestras. In: Bull, Anna and Scharff, Christina eds. Voices for Change in the Classical Music Profession: New Ideas for Tackling Inequalities and Exclusions. Oxford: Oxford University Press, pp. 159–171.

Kawabata, Maiko (2015). Playing the “Unplayable”: Schoenberg, Heifetz, and the Violin Concerto, Op. 36. Journal of Musicological Research, 34(1) pp. 31–50.

Kawabata, Maiko (2014). The aura of Stradivari’s violins. Ad Parnassum. A Journal of Eighteenth- and Nineteenth-Century Instrumental Music, 12(23) pp. 61–74.

Kawabata, Maiko (2014). How Gilles Apap's new cadenza illuminates Mozart, via Bakhtin. ECHO: A Music-Centered Journal, 12(1)

Kawabata, Maiko (2007). Virtuosity, the Violin, the Devil ... What Really Made Paganini "Demonic"? Current Musicology, 83 pp. 85–108.

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Kawabata, Maiko (2004). Virtuoso Codes of Violin Performance: Power, Military Heroism, and Gender (1789-1830). 19th-Century Music, 28(2) pp. 89–107.

Kawabata, Maiko (2004). The Concerto that Wasn't: Paganini, Urhan and Harold in Italy. Nineteenth-Century Music Review, 1(1) pp. 67–114.

Kawabata, Maiko (2000). The narrating voice in Rimsky-Korsakov's Shekherazade. Women and Music, 4 pp. 18–39.

Arts & Ideas Podcast (2021). New Thinking: Diverse Classical Music.