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Hammond, Mary (2006). Amid the Dear Old Horrors: memory, London, and literary labour in 'The Private Papers of Henry Ryecroft'. In: Spiers, John ed. Gissing and the city: cultural crisis and the making of books in Late Victorian Engand. London, UK: Palgrave Macmillan, pp. 171–179.

Hammond, Mary (2005). The Reading experience database 1450-1945. In: Myers, Robin; Harris, Michael and Mandelbrote, Giles eds. Owners, annotators and the signs of reading. Publishing Pathways. London, UK and New Castle Delaware, USA: British Library and Oak Knoll Press, pp. 175–187.

Hammond, Mary (2005). Going public: exploring outlets; presentation and proposal. In: Anderson, Linda ed. Creative writing: a workbook with readings. London, UK: Routledge, pp. 383–410.

Hammond, Mary (2004). Monsters and metaphors: 'Buffy the Vampire Slayer' and the Old World. In: Gwenllian-Jones, Sarah and Pearson, Roberta E. eds. Cult Television. Minneapolis, Minneapolis, USA: Minnesota University Press.

Hammond, Mary (2004). Hall Caine and the Melodrama on page, stage and screen. Nineteenth Century Theatre and Film, 31(1) pp. 39–57.

Hammond, Mary (2002). Thackeray's Waterloo: History and War in Vanity Fair. Literature and History, 11(2) pp. 19–38.

Hammond, Mary (2002). 'The Great Fiction Bore': free Libraries and the construction of a reading public in England, 1880-1914. Libraries and Culture: a journal of library history, 37(2) pp. 83–108.


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