Currently browsing: Items authored or edited by Linda Walsh

Walsh, Linda (2012). James Ward's 'Marengo': A Congruence of Aesthetic Theory, Pictorial Tradition, Natural History and National Pride. In: Open University MA Student Conference, 25 Feb 2012, Birkbeck, University of London, Not applicable.

Walsh, Linda (2012). Ausdrucksformen- Die Suche nach einer expressiven Sprache in der französischen Genremalerei des 18. Jahrhunderts. In: Klein, Tobias R. and Porath, Erik eds. Figuren des Ausdrucks: Formation einer Wissenskategorie zwischen 1700 und 1850. Munich: Wilhelm Fink, pp. 125–146.

Walsh, Linda (2011). Deconstructing and Reconstructing the Self: Sofia Coppola's 'Marie Antoinette' and Three Portraits. Invited paper.

Walsh, Linda (2010). Modes of expression in mid-eighteenth-century French genre painting. In: Klein, Tobias Robert and Porath, Erik eds. Figuren des Ausdrucks : Formation einer Wissenskategorie zwischen 1700 und 1850. Paderborn: Wilhelm Fink Verlag GmbH & Co. Verlag KG.

Walsh, Linda (2009). Finding a middle way: the search for a language of expression in mid-eighteenth-century French genre painting. In: Figuren des Ausdrucks Conference, Jan 2009, Berlin.

Walsh, Linda (2008). Art History at the Open University. In: Theory and Practice, Jan 2008, Open University, Milton Keynes.

Walsh, Linda (2008). The 'Hard Form' of sculpture: marble, matter and spirit in European sculpture from the Enlightenment through Romanticism. Modern Intellectual History, 5(3) pp. 455–486.

Walsh, Linda (2003). "Crushing infamy": the Revoulutionary Sculpture & Joseph Chihard. British Journal for Eighteenth-Century Studies, 26(1) pp. 109–128.

Walsh, Linda (1999). Charles Le Brun, 'art dictator of France'. In: Perry, Gillian and Cunningham, Colin eds. Academies, Museums and Canons of Art. Art and Its Histories. London, U.K. and New Haven, CT, U.S.: Yale University Press, pp. 86–123.

Walsh, Linda (1998). Subjects, society, style: changing evaluations of Watteau and his art. In: Barker, Emma; Webb, Nick and Woods, Kim eds. The Changing Status of the Artist. Art and Its Histories (2). London, U.K and New Haven, U.S.: Yale University Press, pp. 220–248.

Walsh, Linda (1996). The expressive face: manifestations of sensibility in eighteenth-century French art. Art History, 19(4) pp. 523–550.

Walsh, Linda (1994). Arms to be kissed a thousands times: reservations about lust in Diderot's art criticism. In: Perry, Gillian and Rossington, M eds. Femininity and Masculinity in Eighteenth-Century Art and Culture. Manchester: Manchester University Press, pp. 162–183.