Currently browsing: Items authored or edited by Kaya Davies Hayon https://orcid.org/0000-0001-9269-510X

Davies Hayon, Kaya and Van de Peer, Stefanie eds. (2024). Transnational Arab Stardom: Glamour, Performance and Politics. London: Bloomsbury.

Davies Hayon, Kaya (2024). The Sexually and Politically Dissident Stardom of Lubna Azabal. In: Davies Hayon, Kaya and Van de Peer, Stefanie eds. Transnational Arab Stardom: Glamour, Performance and Politics. Bloomsbury Publishing, pp. 133–148.

Lalot, Fanny; Abrams, Dominic; Heering, Maria S.; Babaian, Jacinta; Ozkececi, Hilal; Peitz, Linus; Davies Hayon, Kaya and Broadwood, Jo (2023). Distrustful Complacency and the COVID‐19 Vaccine: How Concern and Political Trust Interact to Affect Vaccine Hesitancy. Political Psychology, 44(5) pp. 983–1011.

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Lalot, Fanny; Abrams, Dominic; Heering, Maria S.; Babaian, Jacinta; Ozkececi, Hilal; Peitz, Linus; Davies Hayon, Kaya and Broadwood, Jo (2023). Distrustful Complacency and the COVID ‐19 Vaccine: How Concern and Political Trust Interact to Affect Vaccine Hesitancy. Political Psychology, 44(5) pp. 983–1011.

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Lalot, Fanny; Abrams, Dominic; Broadwood, Jo; Davies Hayon, Kaya and Platts‐Dunn, Isobel (2022). The social cohesion investment: Communities that invested in integration programmes are showing greater social cohesion in the midst of the COVID-19 pandemic. Journal of Community & Applied Social Psychology, 32(3) pp. 536–554.

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Donald, Stephanie Hemelryk and Davies Hayon, Kaya (2022). Green Hell: Detention, art, and activism in an English landscape. Rural Landscapes: Society, Environment, History, 9(1), article no. 2.

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Davies Hayon, Kaya (2021). Framing fundamentalism in contemporary European film. In: Gergely, Gábor and Hayward, Susan eds. The Routledge Companion to European Cinema. Routledge, 307–315.

Davies Hayon, Kaya (2021). [Book Review] :Negotiating Dissidence: The Pioneering Women of Arab Documentary, by Stefanie Van De Peer. Alphaville: Journal of Film and Screen Media, 21 pp. 224–227.

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Davies, Ben; Lalot, Fanny; Peitz, Linus; Heering, Maria S.; Ozkececi, Hilal; Babaian, Jacinta; Davies Hayon, Kaya; Broadwood, Jo and Abrams, Dominic (2021). Changes in political trust in Britain during the COVID-19 pandemic in 2020: integrated public opinion evidence and implications. Humanities and Social Sciences Communications, 8, article no. 166.

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Davies Hayon, Kaya (2021). Embodying the White (Colonial) Woman: Isabelle Huppert’s Roles in Postcolonial Film. In: Rees-Robert, Nick and Waldron, Darren eds. Isabelle Huppert: Stardom, Performance, Authorship. Bloomsbury Publishing, pp. 157–176.

Davies Hayon, Kaya (2020). 3 Questions of Gender and Embodiment in the Intimiste Films of Rachid Bouchareb. In: Gott, Michael and Kealhofer-Kemp, Leslie eds. ReFocus: The Films of Rachid Bouchareb. ReFocus: The International Directors Series. Edinburgh University Press, pp. 64–81.

Davies Hayon, Kaya (2020). Exoticism or Empowerment? The Representation of Non-normative Women and Prostitution in Nabil Ayouch's Much Loved. L'Esprit Créateur, 60(2) pp. 99–112.

Davies Hayon, Kaya (2020). Sexe, race et colonies and the Aesthetics-Ethics Debate in the Francophone Postcolonial Visual Field. Bulletin of Francophone Postcolonial Studies, 11(1) pp. 3–6.

Davies Hayon, Kaya (2019). Faiza Ambah's Mariam and the Embodied Politics of Veiling in France. Paragraph, 42(3) pp. 333–350.

Hemelryk Donald, Stephanie; Davies Hayon, Kaya and Sorbera, Lucia (2019). Refugee filmmaking: Editorial. Alphaville: Journal of Film and Screen Media, 18 pp. 3–11.

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Davies Hayon, Kaya (2018). Sensuous Cinema: The Body in Contemporary Maghrebi Film. Thinking Cinema, 7. London: Bloomsbury.

Davies Hayon, Kaya (2018). Sensuous Cinema: The Body in Contemporary Maghrebi Film. Bloomsbury Publishing Plc.

Davies Hayon, Kaya (2017). 'Je suis une étrangère de partout': The Material Realities of Exile in Tony Gatlif's Exils (2004). Studies in French Cinema, 17(1) pp. 75–90.

Davies Hayon, Kaya (2016). Resistance and Reinvention: Representations of the Belly Dancing Body in Raja Amari's Satin rouge/Red Satin (2002). Journal of African Cinemas, 8(1) pp. 29–42.