Open Research Online

Christian, Kathleen Wren (2010). Empire without End: Antiquities Collections in Renaissance Rome, c. 1350-1527. New Haven, CT: Yale University Press.

Christian, Kathleen and de Divitiis, Bianca eds. (2018). Local antiquities, local identities: Art, literature and antiquarianism in Europe, c. 1400-1700. Manchester: Manchester University Press.

Christian, Kathleen W.; Guest, Clare E. L. and Wedepohl, Claudia eds. (2014). The Muses and their Afterlife in post-Classical Europe. Warburg Institute Colloquia 26. London: Warburg Institute.

Christian, Kathleen Wren and Drogin, David J. eds. (2010). Patronage and Italian Renaissance Sculpture. Farnham: Ashgate.

Christian, Kathleen (2018). Roma caput mundi: Rome's local antiquities as symbol and source. In: Christian, Kathleen and de Divitiis, Bianca eds. Local antiquities, local identities: Art, literature and antiquarianism in Europe, c. 1400-1700. Manchester: Manchester University Press, pp. 57–78.

Christian, Kathleen (2017). Architecture and Antique Sculpture in Early Modern Rome. In: Mallgrave, Harry Francis and Payne, Alina eds. Companions to the History of Architecture: Volume I, Renaissance and Baroque Architecture. John Wiley & Sons, pp. 73–103.

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Christian, Kathleen W. (2016). Raphael’s Vitruvius and Raimondi’s Caryatid Façade. In: Wouk, Edward ed. Marcantonio Raimondi, Raphael, and the Image Multiplied. Manchester University Press.

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Christian, K. (2016). Apollo Belvedere. In: Wouk, Edward ed. Marcantonio Raimondi, Raphael and the image multiplied. Manchester: Manchester University Press.

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Christian, K. (2016). The Three Graces. In: Wouk, Edward ed. Marcantonio Raimondi, Raphael and the image multiplied. Manchester: Manchester University Press.

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Christian, Kathleen (2015). Between reality and representation. Portraits, objects, and collectors. In: Settis, Salvatore; Anguissola, Anna and Gasparotto, Davide eds. Serial / Portable Classic. The Greek Canon and its Mutations. Milan: Fondazione Prada.

Christian, Kathleen (2014). Antiquities. In: Wyatt, Michael ed. The Cambridge Companion to the Italian Renaissance. Cambridge: Cambridge University Press, pp. 40–58.

Christian, Kathleen (2014). The multiplicity of the Muses: the reception of antique images of the Muses in Italy, 1400-1600. In: Christian, Kathleen; Guest, Clare and Wedepohl, Claudia eds. The Muses and their Afterlife in post-Classical Europe. Warburg Institute Colloquia (26). London: The Warburg Institute, pp. 103–153.

Christian, Kathleen Wren (2013). Mummies, scimitars, and a lost Crucifixion by Domenichino: the collections of Pietro and Nicolò Francesco della Valle in seventeenth-century Rome. In: Israëls, Machtelt and Waldman, Louis A. eds. Renaissance Studies in Honor of Joseph Connors. Villa I Tatti (29). Florence: Villa I Tatti, pp. 568–573.

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Christian, Kathleen (2012). For the Delight of Friends, Citizens, and Strangers: Maarten van Heemskerck’s Drawings of Antiquities Collections. In: Bartsch, Tatjana and Seiler, Peter eds. Rom zeichnen. Maarten van Heemskerck 1532-1536/37. Humboldt-Schriften zur Kunst- und Bildgeschichte (8). Berlin: Gebr. Mann Verlag, pp. 129–156.

Christian, Kathleen Wren (2008). Instauratio and Pietas: the della Valle collections of ancient sculpture. In: Penny, Nicholas and Schmidt, Eike D. eds. Collecting Sculpture in Early Modern Europe. Studies in the History of Art (70). Washintgton: National Gallery of Art, pp. 33–65.

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Christian, Kathleen (2008). Landscapes of ruin and the imagination in the antiquarian gardens of renaissance Rome. In: Conan, Michel ed. Gardens and Imagination: Cultural History and Agency. Dumbarton Oaks Colloquium Series in the History of Landscape Architecture (30). Washington DC: Dumbarton Oaks Research Library and Collection (Distributed by Harvard University Press), pp. 116–137.

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Christian, Kathleen (2006). Poetry and 'Spirited' Ancient Sculpture. In: Kenda, Barbara ed. Aeolian Winds and the Spirit of Renaissance Architecture: Academia Eolia Revisited. Taylor and Francis, pp. 103–24.

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Christian, Kathleen (2001). Petrarch's Triumph of Chastity in Leonardo's Lady with an Ermine. In: Jones, Lars and Matthew, Louisa eds. Coming About ... A Festschrift for John Shearman. Cambridge MA: Harvard University Art Museums, pp. 33–40.