Currently browsing: Items authored or edited by James Dooley https://orcid.org/0000-0002-7972-6888

18 items in this list.
Generated on Sat May 8 22:46:43 2021 BST.

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Granieri, Niccolò; Dooley, James and Michailidis, Tychonas (2021). Retaining pianistic virtuosity in #MIs: Exploring pre-existing gestural nuances for live sound modulation through a comparative study. In: Hepworth-Sawyer, Russ; Paterson, Justin and Toulson, Rob eds. Innovation in Music: Future Opportunities. Abingdon, UK: Routledge.

Journal ItemTo Top

Di Donato, Balandino; Dooley, James and Coccioli, Lamberto (2019). HarpCI, Empowering Performers to Control and Transform Harp Sounds in Live Performance. Contemporary Music Review, 38(6) pp. 667–686.

Michailidis, Tychonas; Dooley, James; Granieri, Niccolò and Di Donato, Balandino (2018). Improvising through the senses: a performance approach with the indirect use of technology. Digital Creativity, 29(2-3) pp. 149–164.

Bullock, Jamie; Coccioli, Lamberto; Dooley, James and Michailidis, Tychonas (2013). Live Electronics in Practice: Approaches to Training Professional Performers. Organised Sound, 18(2) pp. 170–177.

OtherTo Top

Johnson, Liz; Dooley, James; Hurst, Dane and McNeill, Jack (2019). Scintilla for dancer, clarinet and live electronics. Sound and Music.

Dooley, James (2018). rive (moog). Royal Birmingham Conservatoire, Birmingham, UK. [Performance]. (Unpublished)

Dooley, James (2017). arK1a. Self-published.

Dooley, James and Di Donato, Balandino (2016). Equinode II. Integra Lab, Birmingham.

Dooley, James (2016). esthesis. Vimeo.

AudioTo Top

Show/ExhibitionTo Top

Dooley, James and Di Donato, Balandino equinode. [Show/Exhibition]

PerformanceTo Top

Sabri, Sonia; Dooley, James and Di Donato, Balandino NuBody. [Performance]

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