Currently browsing: Items authored or edited by James Dooley https://orcid.org/0000-0002-7972-6888

18 items in this list.
Generated on Sat May 8 22:46:43 2021 BST.

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Bullock, Jamie; Coccioli, Lamberto; Dooley, James and Michailidis, Tychonas (2013). Live Electronics in Practice: Approaches to Training Professional Performers. Organised Sound, 18(2) pp. 170–177.

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Di Donato, Balandino; Dooley, James and Coccioli, Lamberto (2019). HarpCI, Empowering Performers to Control and Transform Harp Sounds in Live Performance. Contemporary Music Review, 38(6) pp. 667–686.

Dooley, James (2018). rive (moog). Royal Birmingham Conservatoire, Birmingham, UK. [Performance]. (Unpublished)

Dooley, James (2017). arK1a. Self-published.

Dooley, James and Di Donato, Balandino (2016). Equinode II. Integra Lab, Birmingham.

Dooley, James (2016). esthesis. Vimeo.

Dooley, James and Di Donato, Balandino equinode. [Show/Exhibition]

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Granieri, Niccolò; Dooley, James and Michailidis, Tychonas (2021). Retaining pianistic virtuosity in #MIs: Exploring pre-existing gestural nuances for live sound modulation through a comparative study. In: Hepworth-Sawyer, Russ; Paterson, Justin and Toulson, Rob eds. Innovation in Music: Future Opportunities. Abingdon, UK: Routledge.

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Johnson, Liz; Dooley, James; Hurst, Dane and McNeill, Jack (2019). Scintilla for dancer, clarinet and live electronics. Sound and Music.

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Michailidis, Tychonas; Dooley, James; Granieri, Niccolò and Di Donato, Balandino (2018). Improvising through the senses: a performance approach with the indirect use of technology. Digital Creativity, 29(2-3) pp. 149–164.

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Sabri, Sonia; Dooley, James and Di Donato, Balandino NuBody. [Performance]

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