Currently browsing: Items authored or edited by Charles Cathcart

Cathcart, Charles (2024). Isabella’s silence and Philocalia’s absence. The Explicator (early access).

Cathcart, Charles (2024). The Devil of the Vault and John Hanson’s Time is a Turncoat. Notes and Queries, 71(1) pp. 70–73.

Cathcart, Charles (2023). Late Thomas Heywood and “insidiate”: Authorial Agency and The Second Part of the Theatre of God’s Judgements. The Papers of the Bibliographical Society of America, 117(2) pp. 173–213.

Cathcart, Charles (2023). Textual Transmission and the Enterprising Plagiarist: George Powell, The Treacherous Brothers, and The Dumb Knight. Renaissance Drama, 51(1) pp. 89–108.

Cathcart, Charles (2023). John Marston’s Stationers, 1607–1633. The Review of English Studies, 74 pp. 274–289.

Cathcart, Charles (2021). A Source for the Satirised Vocabulary in Poetaster. Notes and Queries, 68(1) pp. 136–138.

Cathcart, Charles (2021). John Day and Edward Sharpham at the Black and White Friars. Medieval & Renaissance Drama in England, 34 pp. 19–40.

Cathcart, Charles (2019). Du Bartas’ Semaines and John Marston’s The Malcontent. Notes and Queries, 66(4) pp. 515–519.

Cathcart, Charles (2019). ‘Heavens Tones’ and ‘Tones of Heaven’ in Antonio’s Revenge and What You Will. Notes and Queries, 66(3) pp. 469–473.

Cathcart, Charles (2019). Alexander Grosart, ‘The First True Gentleman That Ever Breathed’, and the Independent Scholar. English: Journal of the English Association, 68(262) pp. 264–282.

Cathcart, Charles (2019). The Insatiate Countess, William Barksted’s Hiren, the Fair Greek, and the Children of the King’s Revels. Early Theatre, 22(1) pp. 119–140.

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Cathcart, Charles (2018). Thomas Brewer and his Associates: Hayman, Taylor, Heywood. Notes and Queries, 65(2) pp. 198–201.

Cathcart, Charles (2018). Leonard Becket, Stationer, and A help to discourse. The Library, 19(3) pp. 301–324.

Cathcart, Charles (2017). “Swell, swell, my joys”: Ben Jonson, Quotation, and A Help to Memory and Discourse. Ben Jonson Journal, 24(2) pp. 187–204.

Cathcart, Charles (2017). Robert Daborne's Irish critic. Medieval and Renaissance Drama in England, 30 pp. 36–51.

Cathcart, Charles (2016). The Curtain-Drawer of the World: Hamlet, Lear , Parkes, and Becket. Notes and Queries, 63(4) pp. 543–547.

Cathcart, Charles (2016). ‘A Memento for Mortality’, the Publications of Leonard Becket, and the Afterlife of Hamlet. The Review of English Studies, 67(279) pp. 275–293.

Cathcart, Charles (2016). Edward Greene, Goldsmith; William Marston, Apprentice; and Eastward Ho!. Early Theatre, 19(2) pp. 81–100.

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Cathcart, Charles (2013). “Passionate Man In His Slight Play”: John Marston’s Prologues And Epilogues. The Dutch Courtesan Project.

Cathcart, C. (2013). 'The Masque Being Endid' and The Works of Mr John Marston. Notes and Queries, 60(4) pp. 538–542.

Cathcart, Charles (2012). "Sir Giles Goosecap, Knight": George Chapman; "Poetaster"; and the Children of the Chapel. Medieval & Renaissance Drama in England, 25 pp. 42–61.

Cathcart, Charles (2011). Guilpin and the Godly Satyre. The Review of English Studies, 62(253) pp. 64–79.

Cathcart, Charles (2010). John Davies of Hereford, Marston, and Hall. Ben Jonson Journal, 17(2) pp. 242–248.

Cathcart, Charles (2010). Romeo at the Rose in 1598. Early Theatre, 13(2) pp. 149–162.

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Cathcart, Charles (2009). Lampatho's 'Delicious Sweet' in Marston's What You Will. Notes and Queries, 56(4) pp. 610–612.

Cathcart, Charles (2009). How a Man may Choose A Good Wife from a Bad and The Taming of the Shrew. Notes and Queries, 56(4) pp. 612–615.

Cathcart, Charles (2009). Old Plays and the General Reader: an Essay in Praise of the Regents Renaissance Drama Series. Early Modern Literary Studies, 14(3), article no. 5.

Cathcart, Charles (2008). Marston, Rivalry, Rapprochement, and Jonson. Aldershot: Ashgate.

Cathcart, Charles (2007). Guilpin, Shakespeare, and 'A Scourge of Wire'. Notes and Queries, 54(3) pp. 307–310.

Cathcart, Charles (2007). Poetaster and the Prince of Love. Ben Jonson Journal, 14(2) pp. 206–217.

Cathcart, Charles (2006). John Marston, The Malcontent, and the King's Men. The Review of English Studies, 57(228) pp. 43–63.

Cathcart, Charles (2005). Authorship, Indebtedness, and the Children of the King's Revels. Studies in English Literature, 1500-1900, 45(2) pp. 357–374.

Cathcart, Charles (2003). Lodge, Marston, and the Family of Love. Notes and Queries, 50(1) pp. 68–70.

Cathcart, Charles (2003). The Insatiate Countess: Date, Topicality, and Company Appropriation. Medieval & Renaissance Drama in England, 16 pp. 81–100.

Cathcart, Charles (2003). Histriomastix, Hamlet, and the "quintessence of Duckes". Notes and Queries, 50(4) pp. 427–430.

Cathcart, Charles (2003). Club Law, The Family of Love, and the Familist Sect. Notes and Queries, 50(1) pp. 65–68.

Cathcart, Charles (2003). Borrowings and the Authorial Domain: Gostanzo, Polonius, and Marston's Gonzago. Comparative Drama, 37(2) pp. 159–174.

Cathcart, Charles (2002). John Weever and the Jonson-Marston Rivalry. Ben Jonson Journal, 9(1) pp. 235–247.

Cathcart, Charles (2002). John Fletcher in 1600-1601: Two Early Poems, an Involvement in the "Poets' War," and a Network of Literary Connections. Philological Quarterly, 81(1) pp. 33–51.

Cathcart, Charles (2001). "Lust's Dominion"; or, the "Lascivious Queen": Authorship, Date, and Revision. The Review of English Studies, 52(207) pp. 360–375.

Cathcart, C. (2001). Hamlet: Date and Early Afterlife. The Review of English Studies, 52(207) pp. 341–359.

Cathcart, Charles (2000). Twelfth Night and John Weever. Notes and Queries, 47(1) pp. 79–81.

Cathcart, Charles (2000). Plural Authorship, Attribution, and the Children of the King’s Revels. Renaissance Forum, 4(2) pp. 1–36.

Cathcart, Charles (2000). Ben Jonson and the Dedication of Antonio and Mellida. Notes and Queries, 47(1) pp. 100–103.

Cathcart, Charles (1999). Marston, Montaigne, and Lady Politic Would-be. English Language Notes, 36(1) pp. 4–8.

Cathcart, Charles (1999). "You will crown him King that slew your King": "Lust's Dominion" and Oliver Cromwell. Medieval & Renaissance Drama in England, 11 pp. 264–274.