Currently browsing: Items authored or edited by Andrew Murray https://orcid.org/0000-0002-3625-9140

Murray, Andrew (2025). Speculation. In: Tunali, Tijen and Winkenweder, Brian eds. The Routledge Companion to Marxisms in Art History. Routledge Art History and Visual Studies Companions. Abingdon, UK: Routledge (In Press).

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Murray, Andrew and Bradshaw, Alan (2024). Could commodities themselves speak? An Introduction to the Agnotology of the Spectacle. Environment and Planning D: Society and Space, 42(2) pp. 275–293.

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Murray, Andrew (2023). Tragedy and Pathosformeln: The Political Emotions of Huizinga’s Autumntide of the Middle Ages. Journal of the Northern Renaissance, 14

Murray, Andrew and Van den Maagdenberg, Joannes, eds. Communes and Conflict: Urban Rebellion in Late Medieval Flanders. By Jelle Haemers and Jan Dumolyn (2023). Leiden, Brill (2023).

Murray, Andrew (2022). A Field of Invention: Fictive Frames in Van Eyck’s Portraits. In: Lecuppre-Desjardin, Elodie and Nils, Bock eds. Innovation and Medieval Communities (1200-1500). Turnhout: Brepols (In Press).

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Murray, Andrew (2022). Mourning and Non-Ordered Religious Behaviour in the Tombs of Philip the Bold, John the Fearless and Margaret of Bavaria. Netherlands Yearbook for History of Art / Nederlands Kunsthistorisch Jaarboek, 72

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Murray, Andrew (2021). Burgundian Sword Ritual: Charismatic and Regnal Authority at the Funeral of Philip the Good in Bruges, 1467. The Court Historian - The International Journal of Court Studies, 26(1) pp. 11–28.

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Murray, Andrew (2021). Philip the Bold’s Tomb (1412): Creative Agency, Courtly Patronage and Labour History. In: Cordez, Philippe ed. Mittelalter und Mittelalterbild / Le Moyen Âge et son image. Heidelberg: Heidelberg University Publishing.

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Murray, Andrew (2020). Political Emotion in the Mourners of Philip the Bold's Tomb. In: Ekardt, Philipp; Fehrenbach, Frank and Zumbusch, Cornelia eds. Politische Emotionen in den Künsten. Mnemosyne (7). Berlin: De Gruyter, pp. 25–42.

Murray, Andrew (2020). Rebellion, Dialogue and the Use of the “Common Good” in Philip the Bold’s Ordinances. Publications du Centre Européen d'Etudes Bourguignonnes, 60 pp. 63–78.

Murray, Andrew (2020). Statues. In: Bradshaw, Alan and Hietanen, Joel eds. The Dictionary of Coronavirus Culture. London: Repeater Books.

Murray, Andrew (2019). The Montpellier Parchment and the Signature of Iustitia. Acta Academiae Artium Vilnensis, 94 pp. 301–323.

Murray, Andrew and Dumolyn, Jan (2019). Artist. Kunst und Politik. Jahrbuch der Guernica-Gesellschaft, 21 pp. 21–27.