Currently browsing: Items authored or edited by Adam Linson https://orcid.org/0000-0001-9602-6536

Linson, Adam; Xu, Yucheng; English, Andrea R. and Fisher, Robert B. (2022). Identifying Student Struggle by Analyzing Facial Movement During Asynchronous Video Lecture Viewing: Towards an Automated Tool to Support Instructors. In: Artificial Intelligence in Education (Rodrigo, M.M.; Matsuda, N.; Cristea, A.I. and Dimitrova, V. eds.), Lecture Notes in Computer Science, Springer, Cham, pp. 53–65.

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Linson, Adam; Parr, Thomas and Friston, Karl J. (2020). Active inference, stressors, and psychological trauma: A neuroethological model of (mal)adaptive explore-exploit dynamics in ecological context. Behavioural Brain Research, 380, article no. 112421.

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Linson, Adam and Calvo, Paco (2020). Zoocentrism in the weeds? Cultivating plant models for cognitive yield. Biology & Philosophy, 35(5), article no. 49.

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Linson, Adam and Friston, Karl (2019). Reframing PTSD for computational psychiatry with the active inference framework. Cognitive Neuropsychiatry, 24(5) pp. 347–368.

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Linson, Adam; Clark, Andy; Ramamoorthy, Subramanian and Friston, Karl (2018). The Active Inference Approach to Ecological Perception: General Information Dynamics for Natural and Artificial Embodied Cognition. Frontiers in Robotics and AI, 5, article no. 21.

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Linson, Adam and Clarke, Eric F. (2017). Distributed cognition, ecological theory and group improvisation. In: Clarke, Eric F. and Doffman, Mark eds. Distributed Creativity: Collaboration and Improvisation in Contemporary Music. Studies in Musical Performance as Creative Practice. New York: Oxford University Press, pp. 52–69.

Linson, Adam; Dobbyn, Chris; Lewis, George and Laney, Robin (2015). A Subsumption Agent for Collaborative Free Improvisation. Computer Music Journal, 39(4) pp. 96–115.

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Linson, Adam (2014). Investigating the cognitive foundations of collaborative musical free improvisation: Experimental case studies using a novel application of the subsumption architecture. PhD thesis The Open University.

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Linson, Adam (2013). The expressive stance: intentionality, expression, and machine art. International Journal of Machine Consciousness, 5(2) pp. 195–216.

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Linson, Adam; Dobbyn, Chris and Laney, Robin (2013). A parsimonious cognitive architecture for human-computer interactive musical free improvisation. Advances in Intelligent Systems and Computing, 196 pp. 219–224.

Linson, Adam; Dobbyn, Chris and Laney, Robin (2012). Critical issues in evaluating freely improvising interactive music systems. In: International Conference on Computational Creativity (ICCC) 2012, 30 May - 01 Jun 2012, Dublin, Ireland.

Linson, Adam; Dobbyn, Chris and Laney, Robin (2012). Improvisation without representation: artificial intelligence and music. In: Music, Mind, and Invention Workshop: Creativity at the Intersection of Music and Computation, 30-31 Mar 2012, Ewing, New Jersey, USA.

Linson, Adam; Dobbyn, Chris and Laney, Robin (2012). Interactive intelligence: behaviour-based AI, musical HCI and the Turing Test. In: Revisiting Turing and his Test: Comprehensiveness, Qualia, and the Real World, Symposium no. 7 at AISB/IACAP World Congress 2012: Alan Turing Year 2012, 2-6 Jul 2012, Birmingham, UK.

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Linson, Adam (2011). Unnecessary constraints: a challenge to some assumptions of digital musical instrument design. In: International Computer Music Conference 2011, 31 Jul - 5 Aug 2011, University of Huddersfield, UK.

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