Currently browsing: Items authored or edited by Andrew Gustar https://orcid.org/0000-0002-8894-2160

Gustar, Andrew (2023). Eurovision voting: a game of two halves. Significance, 20(2) pp. 6–10.

Gustar, Andrew J (2023). Mr Sorrell's Castles. Last Post: A literary journal from the Ford Madox Ford Society, 1(8&9) pp. 20–38.

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Gustar, Andrew J. (2022). 'Words by F M Hueffer': A Survey of Song Settings of Ford's Poems. Last Post: A literary journal from the Ford Madox Ford Society, 1(6&7) pp. 30–69.

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Gustar, Andrew (2020). The laws of musical fame and obscurity. Significance, 17(5) pp. 14–17.

Gustar, Andrew (2019). Fame, Obscurity and Power Laws in Music History. Empirical Musicology Review, 14(3-4) pp. 186–215.

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Gustar, Andrew (2019). The Bad Nauheim Hotels in The Good Soldier: A Re-evaluation. Last Post: A literary journal from the Ford Madox Ford Society, 1(2) pp. 22–52.

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Gustar, Andrew (2015). Quantitative Perspectives. Early Music, 43(2) pp. 365–366.

Gustar, Andrew (2014). The life and times of Black Ey’d Susan: the story of an English ballad. Folk Music Journal, 10(4) pp. 432–448.

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Gustar, Andrew James (2014). Statistics in Historical Musicology. PhD thesis The Open University.

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Gustar, Andrew James (2012). The closest thing to crazy: the shocking scarcity of septuple time in Western music. Journal of the Royal Musical Association, 137.(2) pp. 351–400.

Hairs, C. J.; Arnold, M.; Gustar, A. J.; Hare, D. J. P.; Needleman, P. D.; Tuley, P. J. and Webber, J. M. (1999). The Closed Fund Alternative. British Actuarial Journal, 5(4) pp. 699–761.