Currently browsing: Items authored or edited by Andrew Gustar https://orcid.org/0000-0002-8894-2160

13 items in this list.
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Gustar, Andrew (2024). Defining Donaghadee. Significance, 22(1) pp. 34–37.

Gustar, Andrew (2023). Eurovision voting: a game of two halves. Significance, 20(2) pp. 6–10.

Gustar, Andrew J (2023). Mr Sorrell's Castles. Last Post: A literary journal from the Ford Madox Ford Society, 1(8&9) pp. 20–38.

Gustar, Andrew J. (2022). 'Words by F M Hueffer': A Survey of Song Settings of Ford's Poems. Last Post: A literary journal from the Ford Madox Ford Society, 1(6&7) pp. 30–69.

Gustar, Andrew (2020). The laws of musical fame and obscurity. Significance, 17(5) pp. 14–17.

Gustar, Andrew (2019). The Bad Nauheim Hotels in The Good Soldier: A Re-evaluation. Last Post: A literary journal from the Ford Madox Ford Society, 1(2) pp. 22–52.

Gustar, Andrew (2015). Quantitative Perspectives. Early Music, 43(2) pp. 365–366.

Gustar, Andrew (2014). The life and times of Black Ey’d Susan: the story of an English ballad. Folk Music Journal, 10(4) pp. 432–448.

Gustar, Andrew James (2014). Statistics in Historical Musicology. Doctor of Philosophy (PhD) thesis The Open University.

Gustar, Andrew James (2012). The closest thing to crazy: the shocking scarcity of septuple time in Western music. Journal of the Royal Musical Association, 137.(2) pp. 351–400.

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Hairs, C. J.; Arnold, M.; Gustar, A. J.; Hare, D. J. P.; Needleman, P. D.; Tuley, P. J. and Webber, J. M. (1999). The Closed Fund Alternative. British Actuarial Journal, 5(4) pp. 699–761.

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