Currently browsing: Creative Industries

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Generated on Thu Dec 5 09:45:10 2024 GMT.

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Davies Hayon, Kaya (2018). Sensuous Cinema: The Body in Contemporary Maghrebi Film. Thinking Cinema, 7. London: Bloomsbury.

Harrison, Rebecca (2020). The Empire Strikes Back. BFI Film Classics. Bloomsbury.

Harrison, Rebecca (2018). From Steam to Screen: Cinema, the Railways and Modernity. Cinema and Society. London: I B Tauris.

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Davies Hayon, Kaya and Van de Peer, Stefanie eds. (2024). Transnational Arab Stardom: Glamour, Performance and Politics. London: Bloomsbury.

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Bennion-Nixon, Lee-Jane and Bell, David (2001). The Popular Culture of Conspiracy/The Culture of Popular Conspiracy. In: Parish, Jane and Parker, Martin eds. The Age of Anxiety: Conspiracy Theory and the Human Sciences. Oxford: Blackwell Publishers, 133-152..

Davies Hayon, Kaya (2024). The Sexually and Politically Dissident Stardom of Lubna Azabal. In: Davies Hayon, Kaya and Van de Peer, Stefanie eds. Transnational Arab Stardom: Glamour, Performance and Politics. Bloomsbury Publishing, pp. 133–148.

Davies Hayon, Kaya (2021). Framing fundamentalism in contemporary European film. In: Gergely, Gábor and Hayward, Susan eds. The Routledge Companion to European Cinema. Routledge, 307–315.

Davies Hayon, Kaya (2020). 3 Questions of Gender and Embodiment in the Intimiste Films of Rachid Bouchareb. In: Gott, Michael and Kealhofer-Kemp, Leslie eds. ReFocus: The Films of Rachid Bouchareb. ReFocus: The International Directors Series. Edinburgh University Press, pp. 64–81.

Davies Hayon, Kaya (2021). Embodying the White (Colonial) Woman: Isabelle Huppert’s Roles in Postcolonial Film. In: Rees-Robert, Nick and Waldron, Darren eds. Isabelle Huppert: Stardom, Performance, Authorship. Bloomsbury Publishing, pp. 157–176.

Fryers, Mark (2021). ‘It’s not ghosts, it’s history’: The Sonic Tradition of British Horror Television. In: Abbott, Stacey and Jowett, Lorna eds. Global TV Horror. Cardiff: The University of Wales Press, pp. 33–48.

Fryers, Mark (2024). Ghosts (Nick Broomfield - 2006) The Sea as Death. In: Bronk-Bacon, Katarzyna and Bacon, Simon eds. Death in the 21st Century: A Companion. Genre Fiction and Film Companions, 12. Oxford UK: Peter Lang Group AG, pp. 135–142.

Fryers, Mark (2022). Children’s maritime television in Britain: Environment, representation and identity. In: Olson, Debbie and Schober, Adrian eds. Children, Youth and International Television. Abingdon: Routledge, pp. 91–110.

Fryers, Mark (2019). 'I will not fight for my country...for my ship...my King...or Captain': Redefining Imperial Masculinities in To the Ends of the Earth. In: Byrne, Katherine; Leggott, James and Taddeo, Julie Anne eds. Conflicting Masculinities: Men in Period Television Drama. London; New York: I. B. Tauris, pp. 35–51.

Fryers, Mark (2018). Songs of the sea: sea beasts and maritime folklore in global animation. In: Hackett, John and Harrington, Seán eds. Beasts of the Deep: Sea Creatures and Popular Culture. East Barnet: John Libbey Publishing Ltd, pp. 185–198.

Fryers, Mark (2014). "It’s not the navy—we don’t stand backwards to stand upwards": The Onedin Line and the Changing Waters of British Maritime Identity. In: Leggott, James and Taddeo, Julie eds. Upstairs and Downstairs: British Costume Drama Television from The Forsyte Saga to Downton Abbey. London: Rowman & Littlefield, pp. 139–151.

Fryers, Mark (2020). Thalassophobia: Jaws (1975) and the Nautical Spaces of Horror. In: Pascuzzi, Francesco and Waters, Sandra eds. The Spaces and Places of Horror. Critical Media Studies. Wilmington, Delaware: Vernon Press, pp. 127–144.

Fryers, Mark (2020). ‘An Impulse of Anger, Instantly Regretted’: Rebellion and Reaction in the early 1960s Naval Film. In: Petrie, Duncan; Williams, Melanie and Mayne, Laura eds. Sixties British Cinema Reconsidered. Edinburgh: Edinburgh University Press, pp. 209–222.

Harrison, Rebecca (2024). I Won’t Look: Refusing to Engage with Gender-Based Violence in Women-Led Screen Media. In: Berridge, Susan and Boyle, Karen eds. Routledge Companion to Gender, Media and Violence. London: Routledge.

Journal ItemTo Top

Davies, Ben; Lalot, Fanny; Peitz, Linus; Heering, Maria S.; Ozkececi, Hilal; Babaian, Jacinta; Davies Hayon, Kaya; Broadwood, Jo and Abrams, Dominic (2021). Changes in political trust in Britain during the COVID-19 pandemic in 2020: integrated public opinion evidence and implications. Humanities and Social Sciences Communications, 8, article no. 166.

Donald, Stephanie Hemelryk and Davies Hayon, Kaya (2022). Green Hell: Detention, art, and activism in an English landscape. Rural Landscapes: Society, Environment, History, 9(1), article no. 2.

Harrison, Rebecca and Bimm, Morgan (2023). Spotlight: Gender and Feminisms Caucus. JCMS: Journal of Cinema and Media Studies, 63(1) pp. 1–4.

Hemelryk Donald, Stephanie; Davies Hayon, Kaya and Sorbera, Lucia (2019). Refugee filmmaking: Editorial. Alphaville: Journal of Film and Screen Media, 18 pp. 3–11.

Lalot, Fanny; Abrams, Dominic; Broadwood, Jo; Davies Hayon, Kaya and Platts‐Dunn, Isobel (2022). The social cohesion investment: Communities that invested in integration programmes are showing greater social cohesion in the midst of the COVID-19 pandemic. Journal of Community & Applied Social Psychology, 32(3) pp. 536–554.

Lalot, Fanny; Abrams, Dominic; Heering, Maria S.; Babaian, Jacinta; Ozkececi, Hilal; Peitz, Linus; Davies Hayon, Kaya and Broadwood, Jo (2023). Distrustful Complacency and the COVID ‐19 Vaccine: How Concern and Political Trust Interact to Affect Vaccine Hesitancy. Political Psychology, 44(5) pp. 983–1011.

Lalot, Fanny; Abrams, Dominic; Heering, Maria S.; Babaian, Jacinta; Ozkececi, Hilal; Peitz, Linus; Davies Hayon, Kaya and Broadwood, Jo (2023). Distrustful Complacency and the COVID‐19 Vaccine: How Concern and Political Trust Interact to Affect Vaccine Hesitancy. Political Psychology, 44(5) pp. 983–1011.

Richard, Wallace; Harrison, Rebecca and Brunsdon, Charlotte (2018). Toward a History of Women Projectionists in Post-war British Cinemas. Journal of British Cinema and Television, 15(1) pp. 46–65.

Shail, Andrew and Harrison, Rebecca (2022). Editorial. Early Popular Visual Culture, 20(4) pp. 291–292.

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