Open Research Online

Chamarette, Jenny (2012). Phenomenology and the Future of Film: Rethinking Subjectivity Beyond French Cinema. London: Palgrave Macmillan.

Davies Hayon, Kaya (2018). Sensuous Cinema: The Body in Contemporary Maghrebi Film. Thinking Cinema, 7. London: Bloomsbury.

Davies Hayon, Kaya (2018). Sensuous Cinema: The Body in Contemporary Maghrebi Film. Bloomsbury Publishing Plc.

Harrison, Rebecca (2020). The Empire Strikes Back. BFI Film Classics. Bloomsbury.

Harrison, Rebecca (2018). From Steam to Screen: Cinema, the Railways and Modernity. Cinema and Society. London: I B Tauris.

Chamarette, Jenny and Higgins, Jenny eds. (2010). Guilt and Shame: Essays in French Literature, Thought and Visual Culture. Modern French Identities, 79. Oxford: Peter Lang.

Davies Hayon, Kaya and Van de Peer, Stefanie eds. (2024). Transnational Arab Stardom: Glamour, Performance and Politics. London: Bloomsbury.

Bennion-Nixon, Lee-Jane and Bell, David (2001). The Popular Culture of Conspiracy/The Culture of Popular Conspiracy. In: Parish, Jane and Parker, Martin eds. The Age of Anxiety: Conspiracy Theory and the Human Sciences. Oxford: Blackwell Publishers, 133-152..

Chamarette, Jenny (2021). "Luminous Entities": Ricciotto Canuto, Spiritism, and nascent film theory'. In: Jönsson, Mats; Wolthers, Louise and Östlind, Niklas eds. Thresholds: Interwar Lens Media Cultures 1919-1939. Frankfurt: Walther König, pp. 101–122.

Chamarette, Jenny (2022). Digital Time, Teaching Temporalities, and Feminist Pedagogies: Teaching Varda’s Gleaners (2000) Twenty Years on. In: Kennedy-Karpat, Colleen and Çiçekoğlu, Feride eds. The Sustainable Legacy of Agnès Varda: Feminist Practice and Pedagogy. London: Bloomsbury Academic, pp. 161–168.

Chamarette, Jenny (2020). Case Study 12: Film Studies BA, Research Methods, Queen Mary University of London. In: McAndrew, Ewan ed. Wikimedia in Education. Edinburgh: Wikimedia in partnership with the University of Edinburgh, pp. 28–29.

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Chamarette, Jenny (2021). Honour. In: Mussnug, Florian; Nabugodi, Mathelinda and Petrou, Thea eds. Thinking Through Relation: Encounters in Creative Critical Writing. New Comparative Criticism (11). Oxford: Peter Lang, pp. 21–40.

Chamarette, Jenny (2025). Critique, Repair and Care: Rebuilding the Black and Decolonial Archive with Theaster Gates and Kader Attia. In: Ring, Annie and Bollington, Lucy eds. Citational Media: Counter-Archives and Technology in Contemporary Visual Culture. Visual Culture 7. Oxford: Legenda (In Press), pp. 83–108.

Chamarette, Jenny (2019). CHAPTER 4 Ageless: Akerman’s avatars. In: Schmid, Marion and Wilson, Emma eds. Chantal Akerman: Afterlives. Legenda, pp. 54–65.

Chamarette, Jenny and Higgins, Jennifer (2010). Introduction. In: Chamarette, Jenny and Higgins, Jennifer eds. Guilt and Shame: Essays in French Literature, Thought and Visual Culture. Modern French Identities, 79. Oxford: Peter Lang, pp. 1–14.

Davies Hayon, Kaya (2024). The Sexually and Politically Dissident Stardom of Lubna Azabal. In: Davies Hayon, Kaya and Van de Peer, Stefanie eds. Transnational Arab Stardom: Glamour, Performance and Politics. Bloomsbury Publishing, pp. 133–148.

Davies Hayon, Kaya (2021). Framing fundamentalism in contemporary European film. In: Gergely, Gábor and Hayward, Susan eds. The Routledge Companion to European Cinema. Routledge, 307–315.

Davies Hayon, Kaya (2020). 3 Questions of Gender and Embodiment in the Intimiste Films of Rachid Bouchareb. In: Gott, Michael and Kealhofer-Kemp, Leslie eds. ReFocus: The Films of Rachid Bouchareb. ReFocus: The International Directors Series. Edinburgh University Press, pp. 64–81.

Davies Hayon, Kaya (2021). Embodying the White (Colonial) Woman: Isabelle Huppert’s Roles in Postcolonial Film. In: Rees-Robert, Nick and Waldron, Darren eds. Isabelle Huppert: Stardom, Performance, Authorship. Bloomsbury Publishing, pp. 157–176.

Fryers, Mark (2021). ‘It’s not ghosts, it’s history’: The Sonic Tradition of British Horror Television. In: Abbott, Stacey and Jowett, Lorna eds. Global TV Horror. Cardiff: The University of Wales Press, pp. 33–48.

Fryers, Mark (2024). Ghosts (Nick Broomfield - 2006) The Sea as Death. In: Bronk-Bacon, Katarzyna and Bacon, Simon eds. Death in the 21st Century: A Companion. Genre Fiction and Film Companions, 12. Oxford UK: Peter Lang Group AG, pp. 135–142.

Fryers, Mark (2022). Children’s maritime television in Britain: Environment, representation and identity. In: Olson, Debbie and Schober, Adrian eds. Children, Youth and International Television. Abingdon: Routledge, pp. 91–110.

Fryers, Mark (2019). 'I will not fight for my country...for my ship...my King...or Captain': Redefining Imperial Masculinities in To the Ends of the Earth. In: Byrne, Katherine; Leggott, James and Taddeo, Julie Anne eds. Conflicting Masculinities: Men in Period Television Drama. London; New York: I. B. Tauris, pp. 35–51.

Fryers, Mark (2018). Songs of the sea: sea beasts and maritime folklore in global animation. In: Hackett, John and Harrington, Seán eds. Beasts of the Deep: Sea Creatures and Popular Culture. East Barnet: John Libbey Publishing Ltd, pp. 185–198.

Fryers, Mark (2014). "It’s not the navy—we don’t stand backwards to stand upwards": The Onedin Line and the Changing Waters of British Maritime Identity. In: Leggott, James and Taddeo, Julie eds. Upstairs and Downstairs: British Costume Drama Television from The Forsyte Saga to Downton Abbey. London: Rowman & Littlefield, pp. 139–151.

Fryers, Mark (2020). Thalassophobia: Jaws (1975) and the Nautical Spaces of Horror. In: Pascuzzi, Francesco and Waters, Sandra eds. The Spaces and Places of Horror. Critical Media Studies. Wilmington, Delaware: Vernon Press, pp. 127–144.

Fryers, Mark (2020). ‘An Impulse of Anger, Instantly Regretted’: Rebellion and Reaction in the early 1960s Naval Film. In: Petrie, Duncan; Williams, Melanie and Mayne, Laura eds. Sixties British Cinema Reconsidered. Edinburgh: Edinburgh University Press, pp. 209–222.

Garfield, Rachel; Chamarette, Jenny and O'Donoghue, Darragh (2023). Stephen Dwoskin, an Intermedial Artist. In: Nagib, Lúcia and Solomon, Stefan eds. The Moving Form of Film: Historicising the Media through Other Media. Oxford: Oxford University Press, pp. 225–246.

Harrison, Rebecca (2024). I Won’t Look: Refusing to Engage with Gender-Based Violence in Women-Led Screen Media. In: Berridge, Susan and Boyle, Karen eds. Routledge Companion to Gender, Media and Violence. London: Routledge.

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Bennion-Nixon, Lee-Jane (2010). We (Still) Need a Woman for the Job: The Warrior Woman, Feminism and Cinema in the Digital Age. Sense of Cinema(57)

Chamarette, Jenny (2022). Backdating the Crip Technoscience Manifesto: Stephen Dwoskin’s Digital Activism. Film Quarterly, 76(2) pp. 16–24.

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Chamarette, Jenny (2022). ‘A long meandering slide’: Feminist critique, genderqueerness, sexual agency and Crip subjectivity in Stephen Dwoskin’s late works. Moving Image Review & Art Journal, 11(1) pp. 10–33.

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Chamarette, Jenny (2021). Curating the Godardian institution: agency and critique in film and contemporary art. Screen, 62(4) pp. 485–511.

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Chamarette, Jenny (2022). Dwoskin: Disability, Diaspora, Dysphoria. Jewish Film and New Media, 10(1) pp. 81–117.

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Chamarette, Jenny (2019). Aldersløs - Akerman's avatarer. Balthazar Filmkritik, 4 pp. 16–37.

Chamarette, Jenny; Mayer, So and Quinlivan, Davina (2019). Towards a Queer Feminist Vernacular: Dr Katharina Lindner's Film Bodies. MAI Journal of Feminism and Visual Culture(3), article no. 1.

Davies, Ben; Lalot, Fanny; Peitz, Linus; Heering, Maria S.; Ozkececi, Hilal; Babaian, Jacinta; Davies Hayon, Kaya; Broadwood, Jo and Abrams, Dominic (2021). Changes in political trust in Britain during the COVID-19 pandemic in 2020: integrated public opinion evidence and implications. Humanities and Social Sciences Communications, 8, article no. 166.

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Davies Hayon, Kaya (2020). Exoticism or Empowerment? The Representation of Non-normative Women and Prostitution in Nabil Ayouch's Much Loved. L'Esprit Créateur, 60(2) pp. 99–112.

Davies Hayon, Kaya (2020). Sexe, race et colonies and the Aesthetics-Ethics Debate in the Francophone Postcolonial Visual Field. Bulletin of Francophone Postcolonial Studies, 11(1) pp. 3–6.

Davies Hayon, Kaya (2019). Faiza Ambah's Mariam and the Embodied Politics of Veiling in France. Paragraph, 42(3) pp. 333–350.

Davies Hayon, Kaya (2017). 'Je suis une étrangère de partout': The Material Realities of Exile in Tony Gatlif's Exils (2004). Studies in French Cinema, 17(1) pp. 75–90.

Davies Hayon, Kaya (2016). Resistance and Reinvention: Representations of the Belly Dancing Body in Raja Amari's Satin rouge/Red Satin (2002). Journal of African Cinemas, 8(1) pp. 29–42.

Davies Hayon, Kaya (2021). [Book Review] :Negotiating Dissidence: The Pioneering Women of Arab Documentary, by Stefanie Van De Peer. Alphaville: Journal of Film and Screen Media, 21 pp. 224–227.

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Donald, Stephanie Hemelryk and Davies Hayon, Kaya (2022). Green Hell: Detention, art, and activism in an English landscape. Rural Landscapes: Society, Environment, History, 9(1), article no. 2.

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Fryers, Mark (2021). The haunted seas of british television: nation, environment and horror. Gothic Nature, II pp. 131–155.

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Fryers, Mark (2024). ‘A chilling story from today’s headlines:’ Community, Maritime Apocalypse and Discourses of Eco-Dystopia’s in Doomwatch (1972). Revenant: Critical and Creative Studies of the Supernatural(10) pp. 27–44.

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Fryers, Mark (2019). 'Cash and catamarans': 1980s British society through Howards’ Way. The Journal of Popular Television, 7(3) pp. 261–277.

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Fryers, Mark (2020). Horrific ‘in-betweenness’: spatial and temporal displacement and british society in 1970s children’s supernatural television’. Supernatural Studies, 6(2) pp. 30–58.

Harrison, Rebecca (2023). Mabel, Marilyn, and Me: Writing about Mabel Normand as a Feminist Film Historian. Early Popular Visual Culture, 21(1) pp. 152–172.

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Harrison, Rebecca (2022). Telephone Networks and Transactional Motherhood in Channel 4's It's A Sin. European Journal of Cultural Studies, 26(1) pp. 85–94.

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Harrison, Rebecca and Bimm, Morgan (2023). Spotlight: Gender and Feminisms Caucus. JCMS: Journal of Cinema and Media Studies, 63(1) pp. 1–4.

Harrison, Rebecca (2019). Gender, Race, and Representation in the Star Wars Franchise: An Introduction. Media Education Journal, 65(2) pp. 16–19.

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Harrison, Rebecca (2018). Fuck the Canon (or, How Do You Solve a Problem Like von Trier?): Teaching, Screening, and Writing About Cinema in the Age of #MeToo. MAI: Feminism and Visual Culture, 1(2)

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Harrison, Rebecca (2016). The Coming of the Projectionettes: Women’s Work in Film Projection and Changing Modes of Spectatorship in Second World War British Cinemas. Feminist Media Histories, 2(2) pp. 47–70.

Harrison, Rebecca (2015). Writing History on the Page and Screen: Mediating Conflict through Britain’s First World War Ambulance Trains. Historical Journal of Film, Radio and Television, 35(4) pp. 559–578.

Harrison, Rebecca (2014). Inside the Cinema Train: Britain, Empire and Modernity in the Twentieth Century. Film History, 26(4) pp. 32–57.

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Harrison, Rebecca (2009). Haunted screens and spiritual scenes: film as a medium in the cinema of Carl Theodor Dreyer. Scandinavica, 48(1) pp. 31–43.

Hemelryk Donald, Stephanie; Davies Hayon, Kaya and Sorbera, Lucia (2019). Refugee filmmaking: Editorial. Alphaville: Journal of Film and Screen Media, 18 pp. 3–11.