Currently browsing: Film and Media

Number of items at this level: 81.
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BookTo Top

Chamarette, Jenny (2012). Phenomenology and the Future of Film: Rethinking Subjectivity Beyond French Cinema. London: Palgrave Macmillan.

Davies Hayon, Kaya (2018). Sensuous Cinema: The Body in Contemporary Maghrebi Film. Thinking Cinema, 7. London: Bloomsbury.

Davies Hayon, Kaya (2018). Sensuous Cinema: The Body in Contemporary Maghrebi Film. Bloomsbury Publishing Plc.

Fryers, Mark and Harmes, Marcus K. (2025). The Woman in Black. Devil's Advocates. Liverpool, UK: Liverpool University Press.

Harrison, Rebecca (2018). From Steam to Screen: Cinema, the Railways and Modernity. Cinema and Society. London: I B Tauris.

Mahon, James Patrick (2016). Through Irish Eyes. Galway, RoI: Book Hub Publishing.

Edited BookTo Top

Chamarette, Jenny and Higgins, Jenny eds. (2010). Guilt and Shame: Essays in French Literature, Thought and Visual Culture. Modern French Identities, 79. Oxford: Peter Lang.

Davies Hayon, Kaya and Van de Peer, Stefanie eds. (2024). Transnational Arab Stardom: Glamour, Performance and Politics. London: Bloomsbury.

Book SectionTo Top

Bennion-Nixon, Lee-Jane and Bell, David (2001). The Popular Culture of Conspiracy/The Culture of Popular Conspiracy. In: Parish, Jane and Parker, Martin eds. The Age of Anxiety: Conspiracy Theory and the Human Sciences. Oxford: Blackwell Publishers, 133-152..

Chamarette, Jenny (2021). "Luminous Entities": Ricciotto Canuto, Spiritism, and nascent film theory'. In: Jönsson, Mats; Wolthers, Louise and Östlind, Niklas eds. Thresholds: Interwar Lens Media Cultures 1919-1939. Frankfurt: Walther König, pp. 101–122.

Chamarette, Jenny (2022). Digital Time, Teaching Temporalities, and Feminist Pedagogies: Teaching Varda’s Gleaners (2000) Twenty Years on. In: Kennedy-Karpat, Colleen and Çiçekoğlu, Feride eds. The Sustainable Legacy of Agnès Varda: Feminist Practice and Pedagogy. London: Bloomsbury Academic, pp. 161–168.

Chamarette, Jenny (2020). Case Study 12: Film Studies BA, Research Methods, Queen Mary University of London. In: McAndrew, Ewan ed. Wikimedia in Education. Edinburgh: Wikimedia in partnership with the University of Edinburgh, pp. 28–29.

Chamarette, Jenny (2021). Honour. In: Mussnug, Florian; Nabugodi, Mathelinda and Petrou, Thea eds. Thinking Through Relation: Encounters in Creative Critical Writing. New Comparative Criticism (11). Oxford: Peter Lang, pp. 21–40.

Chamarette, Jenny (2025). Critique, Repair and Care: Rebuilding the Black and Decolonial Archive with Theaster Gates and Kader Attia. In: Ring, Annie and Bollington, Lucy eds. Citational Media: Counter-Archives and Technology in Contemporary Visual Culture. Visual Culture 7. Oxford: Legenda (In Press), pp. 83–108.

Chamarette, Jenny (2019). CHAPTER 4 Ageless: Akerman’s avatars. In: Schmid, Marion and Wilson, Emma eds. Chantal Akerman: Afterlives. Legenda, pp. 54–65.

Chamarette, Jenny and Higgins, Jennifer (2010). Introduction. In: Chamarette, Jenny and Higgins, Jennifer eds. Guilt and Shame: Essays in French Literature, Thought and Visual Culture. Modern French Identities, 79. Oxford: Peter Lang, pp. 1–14.

Davies Hayon, Kaya (2024). The Sexually and Politically Dissident Stardom of Lubna Azabal. In: Davies Hayon, Kaya and Van de Peer, Stefanie eds. Transnational Arab Stardom: Glamour, Performance and Politics. Bloomsbury Publishing, pp. 133–148.

Davies Hayon, Kaya (2021). Framing fundamentalism in contemporary European film. In: Gergely, Gábor and Hayward, Susan eds. The Routledge Companion to European Cinema. Routledge, 307–315.

Davies Hayon, Kaya (2020). 3 Questions of Gender and Embodiment in the Intimiste Films of Rachid Bouchareb. In: Gott, Michael and Kealhofer-Kemp, Leslie eds. ReFocus: The Films of Rachid Bouchareb. ReFocus: The International Directors Series. Edinburgh University Press, pp. 64–81.

Davies Hayon, Kaya (2021). Embodying the White (Colonial) Woman: Isabelle Huppert’s Roles in Postcolonial Film. In: Rees-Robert, Nick and Waldron, Darren eds. Isabelle Huppert: Stardom, Performance, Authorship. Bloomsbury Publishing, pp. 157–176.

Fryers, Mark (2021). ‘It’s not ghosts, it’s history’: The Sonic Tradition of British Horror Television. In: Abbott, Stacey and Jowett, Lorna eds. Global TV Horror. Cardiff: The University of Wales Press, pp. 33–48.

Fryers, Mark (2025). Harold’s Going Stiff: Aging and Mental Health in Zombie Narratives. In: Bacon, Simon ed. The Palgrave Handbook of the Zombie. Cham, CH: Palgrave MacMillan, pp. 1–19.

Fryers, Mark (2024). Ghosts (Nick Broomfield - 2006) The Sea as Death. In: Bronk-Bacon, Katarzyna and Bacon, Simon eds. Death in the 21st Century: A Companion. Genre Fiction and Film Companions, 12. Oxford UK: Peter Lang Group AG, pp. 135–142.

Fryers, Mark (2022). Children’s maritime television in Britain: Environment, representation and identity. In: Olson, Debbie and Schober, Adrian eds. Children, Youth and International Television. Abingdon: Routledge, pp. 91–110.

Fryers, Mark and Harmes, Marcus (2025). Round the Ring Stones: Nigel Kneale and Megaliths. In: Johnston, Derek ed. Nigel Kneale and Horror: Medium, Time, Culture and Genre. Hidden Horror Histories. Liverpool, UK: Liverpool University Press, pp. 145–164.

Fryers, Mark (2019). 'I will not fight for my country...for my ship...my King...or Captain': Redefining Imperial Masculinities in To the Ends of the Earth. In: Byrne, Katherine; Leggott, James and Taddeo, Julie Anne eds. Conflicting Masculinities: Men in Period Television Drama. London; New York: I. B. Tauris, pp. 35–51.

Fryers, Mark (2018). Songs of the sea: sea beasts and maritime folklore in global animation. In: Hackett, John and Harrington, Seán eds. Beasts of the Deep: Sea Creatures and Popular Culture. East Barnet: John Libbey Publishing Ltd, pp. 185–198.

Fryers, Mark (2014). "It’s not the navy—we don’t stand backwards to stand upwards": The Onedin Line and the Changing Waters of British Maritime Identity. In: Leggott, James and Taddeo, Julie eds. Upstairs and Downstairs: British Costume Drama Television from The Forsyte Saga to Downton Abbey. London: Rowman & Littlefield, pp. 139–151.

Fryers, Mark (2020). Thalassophobia: Jaws (1975) and the Nautical Spaces of Horror. In: Pascuzzi, Francesco and Waters, Sandra eds. The Spaces and Places of Horror. Critical Media Studies. Wilmington, Delaware: Vernon Press, pp. 127–144.

Fryers, Mark (2020). ‘An Impulse of Anger, Instantly Regretted’: Rebellion and Reaction in the early 1960s Naval Film. In: Petrie, Duncan; Williams, Melanie and Mayne, Laura eds. Sixties British Cinema Reconsidered. Edinburgh: Edinburgh University Press, pp. 209–222.

Garfield, Rachel; Chamarette, Jenny and O'Donoghue, Darragh (2023). Stephen Dwoskin, an Intermedial Artist. In: Nagib, Lúcia and Solomon, Stefan eds. The Moving Form of Film: Historicising the Media through Other Media. Oxford: Oxford University Press, pp. 225–246.

Mahon, James P. (2019). Media Manipulation and Happiness. In: MacGiolla Bhuí, Niall; Noone, Phil and Housel, Rebecca eds. Mental Health For Millennials, Volume 3. Galway, RoI: Book Hub Publishing.

Journal ItemTo Top

Bennion-Nixon, Lee-Jane (2010). We (Still) Need a Woman for the Job: The Warrior Woman, Feminism and Cinema in the Digital Age. Sense of Cinema(57)

Chamarette, Jenny (2022). Backdating the Crip Technoscience Manifesto: Stephen Dwoskin’s Digital Activism. Film Quarterly, 76(2) pp. 16–24.

Chamarette, Jenny (2022). ‘A long meandering slide’: Feminist critique, genderqueerness, sexual agency and Crip subjectivity in Stephen Dwoskin’s late works. Moving Image Review & Art Journal, 11(1) pp. 10–33.

Chamarette, Jenny (2021). Curating the Godardian institution: agency and critique in film and contemporary art. Screen, 62(4) pp. 485–511.

Chamarette, Jenny (2022). Dwoskin: Disability, Diaspora, Dysphoria. Jewish Film and New Media, 10(1) pp. 81–117.

Chamarette, Jenny (2019). Aldersløs - Akerman's avatarer. Balthazar Filmkritik, 4 pp. 16–37.

Chamarette, Jenny; Mayer, So and Quinlivan, Davina (2019). Towards a Queer Feminist Vernacular: Dr Katharina Lindner's Film Bodies. MAI Journal of Feminism and Visual Culture(3), article no. 1.

Davies, Ben; Lalot, Fanny; Peitz, Linus; Heering, Maria S.; Ozkececi, Hilal; Babaian, Jacinta; Davies Hayon, Kaya; Broadwood, Jo and Abrams, Dominic (2021). Changes in political trust in Britain during the COVID-19 pandemic in 2020: integrated public opinion evidence and implications. Humanities and Social Sciences Communications, 8, article no. 166.

Davies Hayon, Kaya (2020). Exoticism or Empowerment? The Representation of Non-normative Women and Prostitution in Nabil Ayouch's Much Loved. L'Esprit Créateur, 60(2) pp. 99–112.

Davies Hayon, Kaya (2020). Sexe, race et colonies and the Aesthetics-Ethics Debate in the Francophone Postcolonial Visual Field. Bulletin of Francophone Postcolonial Studies, 11(1) pp. 3–6.

Davies Hayon, Kaya (2019). Faiza Ambah's Mariam and the Embodied Politics of Veiling in France. Paragraph, 42(3) pp. 333–350.

Davies Hayon, Kaya (2017). 'Je suis une étrangère de partout': The Material Realities of Exile in Tony Gatlif's Exils (2004). Studies in French Cinema, 17(1) pp. 75–90.

Davies Hayon, Kaya (2016). Resistance and Reinvention: Representations of the Belly Dancing Body in Raja Amari's Satin rouge/Red Satin (2002). Journal of African Cinemas, 8(1) pp. 29–42.

Davies Hayon, Kaya (2021). [Book Review] :Negotiating Dissidence: The Pioneering Women of Arab Documentary, by Stefanie Van De Peer. Alphaville: Journal of Film and Screen Media, 21 pp. 224–227.

Donald, Stephanie Hemelryk and Davies Hayon, Kaya (2022). Green Hell: Detention, art, and activism in an English landscape. Rural Landscapes: Society, Environment, History, 9(1), article no. 2.

Fryers, Mark (2021). The haunted seas of british television: nation, environment and horror. Gothic Nature, II pp. 131–155.

Fryers, Mark (2024). ‘A chilling story from today’s headlines:’ Community, Maritime Apocalypse and Discourses of Eco-Dystopia’s in Doomwatch (1972). Revenant: Critical and Creative Studies of the Supernatural(10) pp. 27–44.

Fryers, Mark and Ashby, Adrian (2025). An (EastEnders) education: Social interventions, collective proselytising, male fandom and EastEnders. Critical Studies in Television: The International Journal of Television Studies (Early access).

Fryers, Mark (2019). 'Cash and catamarans': 1980s British society through Howards’ Way. The Journal of Popular Television, 7(3) pp. 261–277.

Fryers, Mark (2020). Horrific ‘in-betweenness’: spatial and temporal displacement and british society in 1970s children’s supernatural television’. Supernatural Studies, 6(2) pp. 30–58.

Harrison, Rebecca (2023). Mabel, Marilyn, and Me: Writing about Mabel Normand as a Feminist Film Historian. Early Popular Visual Culture, 21(1) pp. 152–172.

Harrison, Rebecca (2022). Telephone Networks and Transactional Motherhood in Channel 4's It's A Sin. European Journal of Cultural Studies, 26(1) pp. 85–94.

Harrison, Rebecca and Bimm, Morgan (2023). Spotlight: Gender and Feminisms Caucus. JCMS: Journal of Cinema and Media Studies, 63(1) pp. 1–4.

Harrison, Rebecca (2019). Gender, Race, and Representation in the Star Wars Franchise: An Introduction. Media Education Journal, 65(2) pp. 16–19.

Harrison, Rebecca (2018). Fuck the Canon (or, How Do You Solve a Problem Like von Trier?): Teaching, Screening, and Writing About Cinema in the Age of #MeToo. MAI: Feminism and Visual Culture, 1(2)

Harrison, Rebecca (2016). The Coming of the Projectionettes: Women’s Work in Film Projection and Changing Modes of Spectatorship in Second World War British Cinemas. Feminist Media Histories, 2(2) pp. 47–70.

Harrison, Rebecca (2015). Writing History on the Page and Screen: Mediating Conflict through Britain’s First World War Ambulance Trains. Historical Journal of Film, Radio and Television, 35(4) pp. 559–578.

Harrison, Rebecca (2014). Inside the Cinema Train: Britain, Empire and Modernity in the Twentieth Century. Film History, 26(4) pp. 32–57.

Harrison, Rebecca (2009). Haunted screens and spiritual scenes: film as a medium in the cinema of Carl Theodor Dreyer. Scandinavica, 48(1) pp. 31–43.

Hemelryk Donald, Stephanie; Davies Hayon, Kaya and Sorbera, Lucia (2019). Refugee filmmaking: Editorial. Alphaville: Journal of Film and Screen Media, 18 pp. 3–11.

Lalot, Fanny; Abrams, Dominic; Broadwood, Jo; Davies Hayon, Kaya and Platts‐Dunn, Isobel (2022). The social cohesion investment: Communities that invested in integration programmes are showing greater social cohesion in the midst of the COVID-19 pandemic. Journal of Community & Applied Social Psychology, 32(3) pp. 536–554.

Lalot, Fanny; Abrams, Dominic; Heering, Maria S.; Babaian, Jacinta; Ozkececi, Hilal; Peitz, Linus; Davies Hayon, Kaya and Broadwood, Jo (2023). Distrustful Complacency and the COVID ‐19 Vaccine: How Concern and Political Trust Interact to Affect Vaccine Hesitancy. Political Psychology, 44(5) pp. 983–1011.

Lalot, Fanny; Abrams, Dominic; Heering, Maria S.; Babaian, Jacinta; Ozkececi, Hilal; Peitz, Linus; Davies Hayon, Kaya and Broadwood, Jo (2023). Distrustful Complacency and the COVID‐19 Vaccine: How Concern and Political Trust Interact to Affect Vaccine Hesitancy. Political Psychology, 44(5) pp. 983–1011.

Mahon, James (2024). The rise of sports club media in Scotland: Implications for ethics teaching. Ethical Space, International Journal of Communication, 21(4)

Mahon, James (2024). Reflections and insights from PG pandemic delivery in Scotland. Journalism Education, 13(1) pp. 57–65.

Mahon, James (2025). [Book review] Trafficking data by Aynne Kokas, Oxford and New York, VitalSource Bookshelf and Oxford University Press Academic, 2022. Critical Studies in Media Communication (Early access).

Mahon, James and Alam, Hammad (2024). Emerging Post-Pandemic Challenges in British Higher Education for Students of Pakistani Origin and Potential Solutions. Journal of Journalism, Media Science & Creative Arts, 4(1) pp. 18–24.

McGillivray, David and Mahon, James (2021). Distributed digital capital: digital literacies and everyday media practices. Media Practice and Education, 22(3) pp. 196–210.

Richard, Wallace; Harrison, Rebecca and Brunsdon, Charlotte (2018). Toward a History of Women Projectionists in Post-war British Cinemas. Journal of British Cinema and Television, 15(1) pp. 46–65.

Shail, Andrew and Harrison, Rebecca (2022). Editorial. Early Popular Visual Culture, 20(4) pp. 291–292.

Conference or Workshop ItemTo Top

Mahon, James (2019). Untold stories, from the palm of your hand. In: Association for Journalism Education (AJE) 2019 Summer Conference, 8-12 Jun 2019, Paris, France.

Mahon, James (2025). The rise and rise of the Scottish podcast scene and its implications for media education in the UK. In: Közvetítés/Transmitere/Transmission, 22 Mar 2025, Sapientia Hungarian University of Transylvania, Romania.

Mahon, James (2021). Is mobile journalism a revolution or an evolution? In: Global Broadcast and Digital Collaborations in Higher Education 2021, 29-30 Nov 2021, Online.

Mahon, James (2023). Insights from the Devolved Post-Covid Newsroom and their Classroom Impact. In: 2023 Global Media Education Summit, 02-04 Mar 2023, Simon Fraser University, Vancouver, Canada.

Mahon, James (2023). Media Education and The Devolved Post-Covid Scottish Newsroom. In: MeCCSA 2023 Annual Conference, 04-06 Sep 2025, Glasgow Caledonian University, UK.

Mahon, James (2020). [Presentation at] Association For Journalism Education Virtual Summer Conference. In: Association for Journalism Education Virtual Summer Conference, 23 Jun 2020, Online.

Mahon, James (2024). Losing Leisure, Scotland's Community Centre Closures. In: Leisure Studies Association Conference, 10-12 Jul 2024, Paisley, UK.

Mahon, James (2024). Emerging Challenges in Post-Pandemic British Higher Education for Students of Pakistani Origin. In: Association for Journalism Education, UK Annual Conference 2024, 27-28 Jun 2024, Liverpool, UK.

ThesisTo Top

Mahon, James (2021). The Mojo Revolution: A Critical Evaluation of Mobile Journalism Practice and its Impact on Journalistic Identity. Doctor of Philosophy (PhD) thesis University of West Scotland.

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