Currently browsing: Film and Media

Number of items at this level: 81.
Generated on Tue May 13 10:39:05 2025 BST.

2025To Top

Chamarette, Jenny (2025). Critique, Repair and Care: Rebuilding the Black and Decolonial Archive with Theaster Gates and Kader Attia. In: Ring, Annie and Bollington, Lucy eds. Citational Media: Counter-Archives and Technology in Contemporary Visual Culture. Visual Culture 7. Oxford: Legenda (In Press), pp. 83–108.

Fryers, Mark (2025). Harold’s Going Stiff: Aging and Mental Health in Zombie Narratives. In: Bacon, Simon ed. The Palgrave Handbook of the Zombie. Cham, CH: Palgrave MacMillan, pp. 1–19.

Fryers, Mark and Ashby, Adrian (2025). An (EastEnders) education: Social interventions, collective proselytising, male fandom and EastEnders. Critical Studies in Television: The International Journal of Television Studies (Early access).

Fryers, Mark and Harmes, Marcus (2025). Round the Ring Stones: Nigel Kneale and Megaliths. In: Johnston, Derek ed. Nigel Kneale and Horror: Medium, Time, Culture and Genre. Hidden Horror Histories. Liverpool, UK: Liverpool University Press, pp. 145–164.

Fryers, Mark and Harmes, Marcus K. (2025). The Woman in Black. Devil's Advocates. Liverpool, UK: Liverpool University Press.

Mahon, James (2025). The rise and rise of the Scottish podcast scene and its implications for media education in the UK. In: Közvetítés/Transmitere/Transmission, 22 Mar 2025, Sapientia Hungarian University of Transylvania, Romania.

Mahon, James (2025). [Book review] Trafficking data by Aynne Kokas, Oxford and New York, VitalSource Bookshelf and Oxford University Press Academic, 2022. Critical Studies in Media Communication (Early access).

2024To Top

Davies Hayon, Kaya (2024). The Sexually and Politically Dissident Stardom of Lubna Azabal. In: Davies Hayon, Kaya and Van de Peer, Stefanie eds. Transnational Arab Stardom: Glamour, Performance and Politics. Bloomsbury Publishing, pp. 133–148.

Davies Hayon, Kaya and Van de Peer, Stefanie eds. (2024). Transnational Arab Stardom: Glamour, Performance and Politics. London: Bloomsbury.

Fryers, Mark (2024). ‘A chilling story from today’s headlines:’ Community, Maritime Apocalypse and Discourses of Eco-Dystopia’s in Doomwatch (1972). Revenant: Critical and Creative Studies of the Supernatural(10) pp. 27–44.

Fryers, Mark (2024). Ghosts (Nick Broomfield - 2006) The Sea as Death. In: Bronk-Bacon, Katarzyna and Bacon, Simon eds. Death in the 21st Century: A Companion. Genre Fiction and Film Companions, 12. Oxford UK: Peter Lang Group AG, pp. 135–142.

Mahon, James (2024). The rise of sports club media in Scotland: Implications for ethics teaching. Ethical Space, International Journal of Communication, 21(4)

Mahon, James (2024). Reflections and insights from PG pandemic delivery in Scotland. Journalism Education, 13(1) pp. 57–65.

Mahon, James (2024). Losing Leisure, Scotland's Community Centre Closures. In: Leisure Studies Association Conference, 10-12 Jul 2024, Paisley, UK.

Mahon, James (2024). Emerging Challenges in Post-Pandemic British Higher Education for Students of Pakistani Origin. In: Association for Journalism Education, UK Annual Conference 2024, 27-28 Jun 2024, Liverpool, UK.

Mahon, James and Alam, Hammad (2024). Emerging Post-Pandemic Challenges in British Higher Education for Students of Pakistani Origin and Potential Solutions. Journal of Journalism, Media Science & Creative Arts, 4(1) pp. 18–24.

2023To Top

Garfield, Rachel; Chamarette, Jenny and O'Donoghue, Darragh (2023). Stephen Dwoskin, an Intermedial Artist. In: Nagib, Lúcia and Solomon, Stefan eds. The Moving Form of Film: Historicising the Media through Other Media. Oxford: Oxford University Press, pp. 225–246.

Harrison, Rebecca (2023). Mabel, Marilyn, and Me: Writing about Mabel Normand as a Feminist Film Historian. Early Popular Visual Culture, 21(1) pp. 152–172.

Harrison, Rebecca and Bimm, Morgan (2023). Spotlight: Gender and Feminisms Caucus. JCMS: Journal of Cinema and Media Studies, 63(1) pp. 1–4.

Lalot, Fanny; Abrams, Dominic; Heering, Maria S.; Babaian, Jacinta; Ozkececi, Hilal; Peitz, Linus; Davies Hayon, Kaya and Broadwood, Jo (2023). Distrustful Complacency and the COVID ‐19 Vaccine: How Concern and Political Trust Interact to Affect Vaccine Hesitancy. Political Psychology, 44(5) pp. 983–1011.

Lalot, Fanny; Abrams, Dominic; Heering, Maria S.; Babaian, Jacinta; Ozkececi, Hilal; Peitz, Linus; Davies Hayon, Kaya and Broadwood, Jo (2023). Distrustful Complacency and the COVID‐19 Vaccine: How Concern and Political Trust Interact to Affect Vaccine Hesitancy. Political Psychology, 44(5) pp. 983–1011.

Mahon, James (2023). Insights from the Devolved Post-Covid Newsroom and their Classroom Impact. In: 2023 Global Media Education Summit, 02-04 Mar 2023, Simon Fraser University, Vancouver, Canada.

Mahon, James (2023). Media Education and The Devolved Post-Covid Scottish Newsroom. In: MeCCSA 2023 Annual Conference, 04-06 Sep 2025, Glasgow Caledonian University, UK.

2022To Top

Chamarette, Jenny (2022). Backdating the Crip Technoscience Manifesto: Stephen Dwoskin’s Digital Activism. Film Quarterly, 76(2) pp. 16–24.

Chamarette, Jenny (2022). ‘A long meandering slide’: Feminist critique, genderqueerness, sexual agency and Crip subjectivity in Stephen Dwoskin’s late works. Moving Image Review & Art Journal, 11(1) pp. 10–33.

Chamarette, Jenny (2022). Dwoskin: Disability, Diaspora, Dysphoria. Jewish Film and New Media, 10(1) pp. 81–117.

Chamarette, Jenny (2022). Digital Time, Teaching Temporalities, and Feminist Pedagogies: Teaching Varda’s Gleaners (2000) Twenty Years on. In: Kennedy-Karpat, Colleen and Çiçekoğlu, Feride eds. The Sustainable Legacy of Agnès Varda: Feminist Practice and Pedagogy. London: Bloomsbury Academic, pp. 161–168.

Donald, Stephanie Hemelryk and Davies Hayon, Kaya (2022). Green Hell: Detention, art, and activism in an English landscape. Rural Landscapes: Society, Environment, History, 9(1), article no. 2.

Fryers, Mark (2022). Children’s maritime television in Britain: Environment, representation and identity. In: Olson, Debbie and Schober, Adrian eds. Children, Youth and International Television. Abingdon: Routledge, pp. 91–110.

Harrison, Rebecca (2022). Telephone Networks and Transactional Motherhood in Channel 4's It's A Sin. European Journal of Cultural Studies, 26(1) pp. 85–94.

Lalot, Fanny; Abrams, Dominic; Broadwood, Jo; Davies Hayon, Kaya and Platts‐Dunn, Isobel (2022). The social cohesion investment: Communities that invested in integration programmes are showing greater social cohesion in the midst of the COVID-19 pandemic. Journal of Community & Applied Social Psychology, 32(3) pp. 536–554.

Shail, Andrew and Harrison, Rebecca (2022). Editorial. Early Popular Visual Culture, 20(4) pp. 291–292.

2021To Top

Chamarette, Jenny (2021). Curating the Godardian institution: agency and critique in film and contemporary art. Screen, 62(4) pp. 485–511.

Chamarette, Jenny (2021). "Luminous Entities": Ricciotto Canuto, Spiritism, and nascent film theory'. In: Jönsson, Mats; Wolthers, Louise and Östlind, Niklas eds. Thresholds: Interwar Lens Media Cultures 1919-1939. Frankfurt: Walther König, pp. 101–122.

Chamarette, Jenny (2021). Honour. In: Mussnug, Florian; Nabugodi, Mathelinda and Petrou, Thea eds. Thinking Through Relation: Encounters in Creative Critical Writing. New Comparative Criticism (11). Oxford: Peter Lang, pp. 21–40.

Davies, Ben; Lalot, Fanny; Peitz, Linus; Heering, Maria S.; Ozkececi, Hilal; Babaian, Jacinta; Davies Hayon, Kaya; Broadwood, Jo and Abrams, Dominic (2021). Changes in political trust in Britain during the COVID-19 pandemic in 2020: integrated public opinion evidence and implications. Humanities and Social Sciences Communications, 8, article no. 166.

Davies Hayon, Kaya (2021). Framing fundamentalism in contemporary European film. In: Gergely, Gábor and Hayward, Susan eds. The Routledge Companion to European Cinema. Routledge, 307–315.

Davies Hayon, Kaya (2021). [Book Review] :Negotiating Dissidence: The Pioneering Women of Arab Documentary, by Stefanie Van De Peer. Alphaville: Journal of Film and Screen Media, 21 pp. 224–227.

Davies Hayon, Kaya (2021). Embodying the White (Colonial) Woman: Isabelle Huppert’s Roles in Postcolonial Film. In: Rees-Robert, Nick and Waldron, Darren eds. Isabelle Huppert: Stardom, Performance, Authorship. Bloomsbury Publishing, pp. 157–176.

Fryers, Mark (2021). The haunted seas of british television: nation, environment and horror. Gothic Nature, II pp. 131–155.

Fryers, Mark (2021). ‘It’s not ghosts, it’s history’: The Sonic Tradition of British Horror Television. In: Abbott, Stacey and Jowett, Lorna eds. Global TV Horror. Cardiff: The University of Wales Press, pp. 33–48.

Mahon, James (2021). The Mojo Revolution: A Critical Evaluation of Mobile Journalism Practice and its Impact on Journalistic Identity. Doctor of Philosophy (PhD) thesis University of West Scotland.

Mahon, James (2021). Is mobile journalism a revolution or an evolution? In: Global Broadcast and Digital Collaborations in Higher Education 2021, 29-30 Nov 2021, Online.

McGillivray, David and Mahon, James (2021). Distributed digital capital: digital literacies and everyday media practices. Media Practice and Education, 22(3) pp. 196–210.

2020To Top

Chamarette, Jenny (2020). Case Study 12: Film Studies BA, Research Methods, Queen Mary University of London. In: McAndrew, Ewan ed. Wikimedia in Education. Edinburgh: Wikimedia in partnership with the University of Edinburgh, pp. 28–29.

Davies Hayon, Kaya (2020). Exoticism or Empowerment? The Representation of Non-normative Women and Prostitution in Nabil Ayouch's Much Loved. L'Esprit Créateur, 60(2) pp. 99–112.

Davies Hayon, Kaya (2020). Sexe, race et colonies and the Aesthetics-Ethics Debate in the Francophone Postcolonial Visual Field. Bulletin of Francophone Postcolonial Studies, 11(1) pp. 3–6.

Davies Hayon, Kaya (2020). 3 Questions of Gender and Embodiment in the Intimiste Films of Rachid Bouchareb. In: Gott, Michael and Kealhofer-Kemp, Leslie eds. ReFocus: The Films of Rachid Bouchareb. ReFocus: The International Directors Series. Edinburgh University Press, pp. 64–81.

Fryers, Mark (2020). Horrific ‘in-betweenness’: spatial and temporal displacement and british society in 1970s children’s supernatural television’. Supernatural Studies, 6(2) pp. 30–58.

Fryers, Mark (2020). Thalassophobia: Jaws (1975) and the Nautical Spaces of Horror. In: Pascuzzi, Francesco and Waters, Sandra eds. The Spaces and Places of Horror. Critical Media Studies. Wilmington, Delaware: Vernon Press, pp. 127–144.

Fryers, Mark (2020). ‘An Impulse of Anger, Instantly Regretted’: Rebellion and Reaction in the early 1960s Naval Film. In: Petrie, Duncan; Williams, Melanie and Mayne, Laura eds. Sixties British Cinema Reconsidered. Edinburgh: Edinburgh University Press, pp. 209–222.

Mahon, James (2020). [Presentation at] Association For Journalism Education Virtual Summer Conference. In: Association for Journalism Education Virtual Summer Conference, 23 Jun 2020, Online.

2019To Top

Chamarette, Jenny (2019). Aldersløs - Akerman's avatarer. Balthazar Filmkritik, 4 pp. 16–37.

Chamarette, Jenny (2019). CHAPTER 4 Ageless: Akerman’s avatars. In: Schmid, Marion and Wilson, Emma eds. Chantal Akerman: Afterlives. Legenda, pp. 54–65.

Chamarette, Jenny; Mayer, So and Quinlivan, Davina (2019). Towards a Queer Feminist Vernacular: Dr Katharina Lindner's Film Bodies. MAI Journal of Feminism and Visual Culture(3), article no. 1.

Davies Hayon, Kaya (2019). Faiza Ambah's Mariam and the Embodied Politics of Veiling in France. Paragraph, 42(3) pp. 333–350.

Fryers, Mark (2019). 'Cash and catamarans': 1980s British society through Howards’ Way. The Journal of Popular Television, 7(3) pp. 261–277.

Fryers, Mark (2019). 'I will not fight for my country...for my ship...my King...or Captain': Redefining Imperial Masculinities in To the Ends of the Earth. In: Byrne, Katherine; Leggott, James and Taddeo, Julie Anne eds. Conflicting Masculinities: Men in Period Television Drama. London; New York: I. B. Tauris, pp. 35–51.

Harrison, Rebecca (2019). Gender, Race, and Representation in the Star Wars Franchise: An Introduction. Media Education Journal, 65(2) pp. 16–19.

Hemelryk Donald, Stephanie; Davies Hayon, Kaya and Sorbera, Lucia (2019). Refugee filmmaking: Editorial. Alphaville: Journal of Film and Screen Media, 18 pp. 3–11.

Mahon, James (2019). Untold stories, from the palm of your hand. In: Association for Journalism Education (AJE) 2019 Summer Conference, 8-12 Jun 2019, Paris, France.

Mahon, James P. (2019). Media Manipulation and Happiness. In: MacGiolla Bhuí, Niall; Noone, Phil and Housel, Rebecca eds. Mental Health For Millennials, Volume 3. Galway, RoI: Book Hub Publishing.

2018To Top

Davies Hayon, Kaya (2018). Sensuous Cinema: The Body in Contemporary Maghrebi Film. Thinking Cinema, 7. London: Bloomsbury.

Davies Hayon, Kaya (2018). Sensuous Cinema: The Body in Contemporary Maghrebi Film. Bloomsbury Publishing Plc.

Fryers, Mark (2018). Songs of the sea: sea beasts and maritime folklore in global animation. In: Hackett, John and Harrington, Seán eds. Beasts of the Deep: Sea Creatures and Popular Culture. East Barnet: John Libbey Publishing Ltd, pp. 185–198.

Harrison, Rebecca (2018). Fuck the Canon (or, How Do You Solve a Problem Like von Trier?): Teaching, Screening, and Writing About Cinema in the Age of #MeToo. MAI: Feminism and Visual Culture, 1(2)

Harrison, Rebecca (2018). From Steam to Screen: Cinema, the Railways and Modernity. Cinema and Society. London: I B Tauris.

Richard, Wallace; Harrison, Rebecca and Brunsdon, Charlotte (2018). Toward a History of Women Projectionists in Post-war British Cinemas. Journal of British Cinema and Television, 15(1) pp. 46–65.

2017To Top

Davies Hayon, Kaya (2017). 'Je suis une étrangère de partout': The Material Realities of Exile in Tony Gatlif's Exils (2004). Studies in French Cinema, 17(1) pp. 75–90.

2016To Top

Davies Hayon, Kaya (2016). Resistance and Reinvention: Representations of the Belly Dancing Body in Raja Amari's Satin rouge/Red Satin (2002). Journal of African Cinemas, 8(1) pp. 29–42.

Harrison, Rebecca (2016). The Coming of the Projectionettes: Women’s Work in Film Projection and Changing Modes of Spectatorship in Second World War British Cinemas. Feminist Media Histories, 2(2) pp. 47–70.

Mahon, James Patrick (2016). Through Irish Eyes. Galway, RoI: Book Hub Publishing.

2015To Top

Harrison, Rebecca (2015). Writing History on the Page and Screen: Mediating Conflict through Britain’s First World War Ambulance Trains. Historical Journal of Film, Radio and Television, 35(4) pp. 559–578.

2014To Top

Fryers, Mark (2014). "It’s not the navy—we don’t stand backwards to stand upwards": The Onedin Line and the Changing Waters of British Maritime Identity. In: Leggott, James and Taddeo, Julie eds. Upstairs and Downstairs: British Costume Drama Television from The Forsyte Saga to Downton Abbey. London: Rowman & Littlefield, pp. 139–151.

Harrison, Rebecca (2014). Inside the Cinema Train: Britain, Empire and Modernity in the Twentieth Century. Film History, 26(4) pp. 32–57.

2012To Top

Chamarette, Jenny (2012). Phenomenology and the Future of Film: Rethinking Subjectivity Beyond French Cinema. London: Palgrave Macmillan.

2010To Top

Bennion-Nixon, Lee-Jane (2010). We (Still) Need a Woman for the Job: The Warrior Woman, Feminism and Cinema in the Digital Age. Sense of Cinema(57)

Chamarette, Jenny and Higgins, Jennifer (2010). Introduction. In: Chamarette, Jenny and Higgins, Jennifer eds. Guilt and Shame: Essays in French Literature, Thought and Visual Culture. Modern French Identities, 79. Oxford: Peter Lang, pp. 1–14.

Chamarette, Jenny and Higgins, Jenny eds. (2010). Guilt and Shame: Essays in French Literature, Thought and Visual Culture. Modern French Identities, 79. Oxford: Peter Lang.

2009To Top

Harrison, Rebecca (2009). Haunted screens and spiritual scenes: film as a medium in the cinema of Carl Theodor Dreyer. Scandinavica, 48(1) pp. 31–43.

2001To Top

Bennion-Nixon, Lee-Jane and Bell, David (2001). The Popular Culture of Conspiracy/The Culture of Popular Conspiracy. In: Parish, Jane and Parker, Martin eds. The Age of Anxiety: Conspiracy Theory and the Human Sciences. Oxford: Blackwell Publishers, 133-152..

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