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Allan, William and Swift, Laura (2024). Euripides: Bacchae. Cambridge Greek and Latin Classics. Cambridge: Cambridge University Press.

Allen, Gemma (2013). The Cooke sisters: education, piety and politics in early modern England. Politics, Culture & Society in Early Modern Britain. Manchester University Press.

Anderson, Stephen; Maclennan, Keith and Yamagata, Naoko (2022). Reading Homer: Iliad Books 16 and 18. The Joint Association of Classical Teachers' Greek Course: Reading Greek. Cambridge: Cambridge University Press.

Anderson, Linda and Neale, Derek (2009). Writing fiction. Abingdon: Routledge.

Arciszewska, Barbara and McKellar, Elizabeth (2004). Articulating British classicism: New approaches in Eighteenth Century architecture. Reinterpreting classicism: culture, reaction and appropriation. Aldershot, UK: Ashgate.

Bakogianni, Anastasia (2011). Electra Ancient and Modern: Aspects of the Reception of the Tragic Heroine. Bulletin of the Institute of Classical Studies Supplement, 113. London: Institute of Classical Studies.

Barker, Naomi J. (2024). Music, Medicine and Religion at the Ospedale di Santo Spirito in Rome 1550–1750. Music in Society and Culture, 12. Woodbridge: Boydell Press.

Barker, Elton and Christensen, Joel (2013). A Beginner’s Guide to Homer. London: One World.

Barker, Emma (2005). Greuze and the painting of sentiment. Cambridge, UK: Cambridge University Press.

Benatti, Francesca (2024). Innovations in Digital Comics: A Popular Revolution. Elements in Publishing and Book Culture. Cambridge, UK: Cambridge University Press.

Benton, Tim (2023). The painter Le Corbusier; Eileen Gray's villa E1027 and le Cabanon. Berlin: Birkhauser.

Benton, Tim (2006). The Modernist Home. London: Victoria and Albert Museum.

Benton, Tim (2007). Le Corbusier conférencier. Paris, France: Editions Le Moniteur.

Benton, Tim (2009). The Rhetoric of Modernism: Le Corbusier as Lecturer. Basel: Birkhäuser Publications.

Benton, Tim (2013). Lc Foto : Le Corbusier : Secret Photographer. Zurich: Lars Müller.

Benton, Tim (2015). Le Corbusier Peintre a Cap Martin. Paris: Editions du Patrimoine.

Benton, Tim; Cohen, Jean-Louis and Phaidon Editors (2008). Le Corbusier le Grand. London: Phaidon.

Blackburn, Kevin and Hack, Karl (2005). Did Singapore have to fall? Churchill and the impregnable fortress. London, UK: Routledge.

Bridges, Emma (2014). Imagining Xerxes: Ancient Perspectives on a Persian King. Bloomsbury Studies in Classical Reception. London: Bloomsbury.

Brown, Richard Danson (2009). Louis MacNeice and the Poetry of the 1930s. Writers and their Work. Tavistock, UK: Northcote House Publishers Ltd.

Brown, Richard Danson (2019). The art of The Faerie Queene. The Manchester Spenser. Manchester: Manchester University Press.

Brown, Richard Danson and Lethbridge, Julian (2013). Concordance to the Rhymes of the Faerie Queene: with two studies of Spenser's Rhymes. The Manchester Spenser. Manchester: Manchester University Press.

Brunet, Luc-André (2017). Forging Europe: Industrial Organisation in France, 1940-1952. Security, Conflict and Cooperation in the Contemporary World. Basingstoke: Palgrave Macmillan.

Brunton, Deborah (2013). Health and Wellness in the 19th Century. Health and Wellness in Daily Life. Santa Barbara: ABC Clio.

Bullock, Emily (2021). Human Terrain. Reflex Fiction.

Bullock, Emily (2015). The Longest Fight. Myriad Editions.

Bullock, Emily (2020). Inside the Beautiful Inside. Everything with Words.

Burrows, Donald (2008). Handel and the English Chapel Royal (revised paperback edition). Oxford Studies in British Church Music. Oxford: Oxford University Press.

Burrows, Donald (2005). Handel and the English Chapel Royal. Oxford Studies in British Church Music. Oxford, UK: Oxford University Press.

Burrows, Donald (1991). Handel's Messiah (Korean edition). Cambridge music handbooks. Seoul: Imprima Korean Agency.

Burrows, Donald (2012). Handel. New York: Oxford University Press.

Burrows, Donald and Dunhill, Rosemary (2002). Music and theatre in Handel's world : the family papers of James Harris 1732-1780. Oxford, UK: Oxford University Press.

Butt, John and Donnachie, Ian (1979). Industrial Archaeology in the British Isles. London: Paul Elek Ltd.

Campbell, Siobhan (2017). Heat Signature. Bridgend, Wales: Seren Press.

Campbell, Siobhan and O'Mahony, Nessa (2017). Eavan Boland: Inside History. London, Dublin and New York: Arlen House.

Chambers, Helen (2018). Conrad's Reading: Space, Time, Networks. New Directions in Book History (NDBH). London: Palgrave Macmillan, Cham.

Charnley, Kim (2021). Sociopolitical Aesthetics: Art, Crisis and Neoliberalism. Radical Aesthetics-Radical Art. London: Bloomsbury Publishing.

Clarke, Martin V. (2017). British Methodist Hymnody: Theology, Heritage, and Experience. Routledge Methodist Studies. Abingdon: Routledge.

Clarke, Richard; McKellar, Elizabeth and Symes, Michael (2005). Russell Square: a lifelong resource for teaching and learning. Birkbeck FCE Occasional paper, 5. London: Centre for European Protected Area Research (CEPAR), Birkbeck, University of London.

Clayton, Martin (2008). Time in Indian Music: Rhythm, Metre, and Form in North Indian Rag Performance. Oxford Monographs on Music. New York: Oxford University Press.

Cohen, Jean-Louis and Benton, Tim (2008). Le Corbusier the Great. London/New York: Phaidon.

Crone, Rosalind; Hoskins, Lesley and Preston, Rebecca (2018). Guide to the Criminal Prisons of Nineteenth-Century England. London Publishing Partnership.

Cunningham, Andrew and Grell, Ole (2000). The Four Horsemen of the Apocalypse : Religion, War, Famine and Death in reformation Europe. Cambridge: Cambridge University Press.

da Sousa Correa, Delia (2003). George Eliot, music and Victorian culture. Basingstoke, UK: Palgrave Macmillan.

De Renzi, Silvia (2000). Instruments in Print: Books from the Whipple Collection. Cambridge, U.K.: Whipple Museum for the History of Science.

Desmond, Adrian and Moore, James (1992). Darwin. London: Penguin.

Desmond, Adrian and Moore, James (2008). Darwin. Amsterdam: Nieuw Amsterdam.

Desmond, Adrian; Moore, James and Browne, Janet (2007). Charles Darwin. Very Interesting People. Oxford, UK: Oxford University Press.

Desmond, Adrian; Moore, James and Browne, Janet (2008). Charles Darwin : - Kurz und bündig[German ed]. Heidelberg: Spektrum.

Desmond, Adrian and Moore, James A. (2009). Darwin's Sacred Cause: Race, Slavery And The Quest For Human Origins. London: Houghton Miffin Harcourt Publishing Company.

Dobson, Michael and Watson, Nicola J. (2002). England's Elizabeth: an afterlife in fame and fantasy. Oxford, UK: Oxford University Press.

Dohmen, Renate (2016). Encounters beyond the Gallery. Relational Aesthetics and Cultural Difference? International Library of Modern and Contemporary Art. London: I.B.Tauris.

Doloughan, Fiona J. (2023). Radical Realism, Autofictional Narratives and the Reinvention of the Novel. Anthem Frontiers of Global Political Economy and Development. London: Anthem Press.

Doloughan, Fiona (2001). Communication Skills and the Knowledge Economy: language, literacy and the production of meaning. Perspectives on Education Policy (11). London, U.K.: Institute of Education.

Donington, Katie (2019). The bonds of family: Slavery, commerce and culture in the British Atlantic. Studies in Imperialism. Manchester: Manchester University Press.

Donnachie, Ian and Hewitt, George (1993). Historic New Lanark: the Dale and Owen Industrial Community since 1785. Edinburgh: Edinburgh University Press.

Donnachie, Ian (1979). A History of the Brewing Industry in Scotland. Edinburgh: John Donald Publishers Ltd.

Donnachie, Ian (1993). History Bibliography: Industrial Archaeology. Curriculum support series, 16 (3). Dundee: Scottish Consultative Council on the Curriculum.

Donnachie, Ian; Graves, Adrian; Howe, Alexia and Richards, Eric (1988). That Land of Exiles: Scots in Australia. Edinburgh: Her Majesty's Stationery Office.

Donnachie, Ian and Hewitt, George (2001). Collins Dictionary of Scottish history. London and Glasgow, UK: Collins.

Donnachie, Ian and Hewitt, George (2007). The Birlinn companion to Scottish history. Edinburgh, UK: Birlinn Limited.

Donnachie, Ian and Hewitt, George (1989). A Companion to Scottish History from the Reformation to the Present. London: B.T.Batsford Ltd.

Donnachie, Ian and Hewitt, George (2015). Historic New Lanark: The Dale and Owen Industrial Community since 1785 (2nd ed). Edinburgh Classic Editions. Edinburgh: Edinburgh University Press.

Dumont D'Ayot, Catherine and Benton, Tim (2012). Le Corbusier's Pavilion for Zurich: Model and Prototype of an Ideal Exhibition Space. Ennetbaden: Lars Muller Verlag.

Edwards, Stephen (2006). Photography: A Very Short Introduction. Very Short Introductions. Oxford, UK: Oxford University Press.

Edwards, Steve (2006). The Making of English Photography, Allegories. Pennsylvania, USA: Pennsylvania State University Press.

Emsley, Clive (2005). Hard Men: Violence in England since 1750. London, UK: Hambledon Press.

Emsley, Clive (2004). Crime and Society in England, 1750-1900. 3rd edition. Themes in British Social History. Harlow, UK: Pearson Longman.

Frascina, Francis; Garb, Tamar; Blake, Nigel; Fer, Briony and Harrison, Charles (1993). Modernity and modernism: French painting in the nineteenth century. Modern art: practices and debates. New Haven, USA: Yale University Press.

Fraser, Robert (2002). Ben Okri: Towards the Invisible City. Writers and their work. Tavistock, UK: Northcote House.

Furbank, P. N. and Owens, W. R. (2006). A political biography of Daniel Defoe. Eighteenth century political biographies. London, UK: Pickering & Chatto.

Furbank, P. N. and Owens, W. R. (1988). The Canonisation of Daniel Defoe. New Haven and London: Yale University Press.

Furbank, P. N. and Owens, W. R. (1994). Defoe De-Attributions: A Critique of J. R. Moore's 'Checklist'. London and Rio Grande: The Hambledon Press.

Furbank, P. N. and Owens, W. R. (1998). A Critical Bibliography of Daniel Defoe. London: Pickering and Chatto.

Gaiger, Jason (2008). Aesthetics and Painting. Continuum Aesthetics. London: Continuum International Publishing Group.

Godfrey, Barry and Lawrence, Paul (2005). Crime and justice 1750-1950. Cullompton, Devon, UK: Willan Publishing.

Godfrey, Barry S.; Williams, Chris A. and Lawrence, Paul (2007). History and Crime. Key approaches to criminology. London, UK: Sage.

Golding, Rosemary (2013). Music and Academia in Victorian Britain. Music in Nineteenth-Century Britain. Farnham: Ashgate.

Golding, Rosemary (2021). Music and Moral Management in the Nineteenth-Century English Lunatic Asylum. Mental Health in Historical Perspective, 1. Cham, Switzerland: Palgrave Macmillan.

Goodrich, Amanda (2005). Debating England's Aristocracy in the 1790s: Pamphlets, Polemics and Political Ideas. The Royal Historical Society Studies in History. Woodbridge, U.K.: The Boydell Press.

Goodrich, Amanda (2019). Henry Redhead Yorke, Colonial Radical: Politics and Identity in the Atlantic World, 1772-1813. The Enlightenment World, 33. London and New York: Taylor & Francis, Routledge.

Greenwell, Bill (2006). Impossible Objects. Blaenau Ffestiniog: Cinnamon Press.

Griffiths, Andrew (2015). The New Journalism, the New Imperialism and the Fiction of Empire, 1870-1900. Palgrave Studies in the History of the Media. London: Palgrave Macmillan.

Grummitt, David (2015). Henry VI. Routledge Historical Biographies. London: Routledge.

Gupta, Suman (2003). Re-reading Harry Potter. Basingstoke, UK: Palgrave Macmillan.

Gupta, Suman (2009). Re-Reading Harry Potter (2nd Edn). Houndmills: Palgrave Macmillan.

Gupta, Suman (2009). Globalization and Literature. Cambridge: Polity.

Gupta, Suman (2011). Contemporary Literature: The Basics. Basics. London: Routledge.

Gupta, Suman (2015). Consumable Texts in Contemporary India: Uncultured Books and Bibliographical Sociology. New Directions in Book History. Basingstoke: Palgrave Macmillan.

Gupta, Suman; Allen, Richard; Chattarji, Subarno and Chaudhuri, Supriya (2015). Reconsidering English Studies in Indian Higher Education. Routledge Research in Higher Education. Abingdon: Routledge.

Gupta, Suman; Allen, Richard; Schuller, Sebastian; Tu, Peter; Basu, Maitrayee; Gupta, Ayan-Yue; Durao, Fabio Akcelrud and Katsarska, Milena (2020). Social Analysis and the COVID-19 Crisis: A Collective Journal. Delhi and London: Routledge.

Gupta, Suman; Katsarska, Milena; Spyros, Theodoros A. and Hajimichael, Mike (2017). Usurping Suicide: The Political Resonances of Individual Deaths. London: Zed.

Gupta, Suman; Search, Alexander; Durao, Fabio A. and McDonough, Terrence (2017). Entrepreneurial Literary Theory: A Debate on Research and the Future of Academia. London: Shot in the Dark.

Hack, Karl (2021). The Malayan Emergency: Revolution and Counterinsurgency at the End of Empire. Cambridge Military Histories. Cambridge: Cambridge University Press.

Hack, Karl and Blackburn, Kevin (2012). War Memory and the Making of Modern Malaysia and Singapore. Singapore: NUS Press.

Hack, Karl; Brocheux, Pierre; El Mechat, Samia; Frey, Marc; Nanta, Arnaud; Randrianja, Solofo and Regnault, Jean-Marc (2012). Les Décolonisations au XX Siècle: La Fin des Empires Européens et Japonais. Paris: Armand Colin.

Hancock-Jones, Robert; Renshaw, James and Swift, Laura (2017). Greek Theatre and Imperial Image: OCR Classical Civilisation AS and A Level Components 21 and 22. Bloomsbury Academic.

Hardwick, Lorna; Harrison, Stephen and Vandiver, Elizabeth (2024). Rupert Brooke, Charles Sorley, Isaac Rosenberg, & Wilfred Owen: Classical Connections. Oxford Classical Reception Commentaries. Oxford, UK: Oxford University Press.

Hardwick, Lorna (2003). Reception Studies. Greece and Rome: New Surveys in the Classics (33). Oxford, U.K.: Oxford University Press.

Hardwick, Lorna (2004). Translating words, Translating Cultures. Classical Inter/Faces. London, U.K.: Duckworth.

Harrison, Charles (2005). Painting the difference: sex and spectator in modern art. Chicago. USA: University of Chicago Press.

Haslam, Sara (2002). Fragmenting modernism: Ford Madox Ford, the novel and the Great War. Manchester, UK: Manchester University Press.

Haslam, Sara and Neale, Derek (2009). Life writing. Abingdon: Routledge.

Haywood, Jan and Mac Sweeney, Naoise (2018). Homer's Iliad and the Trojan War: Dialogues on Tradition. Bloomsbury Studies in Classical Reception (1). London: Bloomsbury.

Hazareesingh, Sandip (2007). The colonial city and the challenge of modernity: Urban hegemonies and civic contestations in Bombay (1900-1925). New Perspectives in South Asian History, 18. Andhra Pradesh, India: Orient Longman.

Heck, Thomas F.; Erenstein, Robert; Katritzky, M. A.; Peeters, Frank; Smith, William A. and de Vries, Lyckle (1999). Picturing Performance: The Iconography of the Performing Arts in Concept and Practice. Rochester, NY: University of Rochester Press.

Herbert, Trevor (2006). The Trombone. Yale Musical Instrument Series. Yale University Press.

Herbert, Trevor (2012). Music in words: a guide to researching and writing about music (2nd edition). London: Associated Board of the Royal Schools of Music.

Herbert, Trevor and Myers, Arnold (1990). Catalogue of the European Wind and Percussion Instruments in the Cyfarthfa Castle Museum Collection. Merthyr Tydfil: Cyfarthfa Castle Museum and Art Gallery.

Hobden, Fiona (2020). Xenophon. Ancients in Action. London: Bloomsbury Academic.

Hobden, Fiona (2013). The Symposion in Ancient Greek Society and Thought. Cambridge: Cambridge University Press.

Hogan, Edward (2020). The Electric. London: John Murray.

Holmes, Janice (2001). Religious revivals in Britain and Ireland, 1859-1905. Dublin, Ireland: Irish Academic Press.

Holton, Stephanie (2022). Sleep and Dreams in Early Greek Thought: Presocratic and Hippocratic Approaches. Medicine and the Body in Antiquity. Abingdon, UK: Routledge.

Hope, Valerie (2007). Death in Ancient Rome: A sourcebook. London, UK: Routledge.

Hope, Valerie M. (2001). Constructing identity: the Roman funerary monuments of Aquileia, Mainz and Nimes. British Archaeological Reports, International Series (960). Oxford, UK: Archaeopress.

Hughes, Jessica (2017). Votive Body Parts in Greek and Roman Religion. Cambridge Classical Studies. Cambridge: Cambridge University Press.

James, Paula (2011). Ovid's Myth of Pygmalion on Screen: In Pursuit of the Perfect Woman. Continuum Studies in Classical Reception. London: Continuum.

Jensen, Meg and Campbell, Siobhan M. (2017). The Expressive Life-Writing Handbook. London and Edinburgh: Beyond Borders Scotland in association with The Stabilisation and Recovery Network.

Johnson, David (1996). Shakespeare and South Africa. Oxford: Clarendon Press.

Johnson, David; Pete, Steve and Du Plessis, Max (2001). Jurisprudence: a South African perspective. Durban, South Africa: Butterworths.

Jones, Richard J. (2011). Tobias Smollett in the Enlightenment: Travels through France, Italy and Scotland. Transits: Literature, Thought & Culture 1650-1850. Lewisburg: Bucknell University Press.

Katritzky, M. A. (2006). The art of commedia: a study in the commedia dell'arte 1560-1620 with special reference to the visual records. Internationale Forschungen zur Allgemeinen und Vergleichenden Literatur, 100. Amsterdam, Netherlands: Rodopi.

Katritzky, M. A. (2007). Women, medicine and theatre 1500-1750: literary mountebanks and performing quacks. Studies in performance and early modern drama. Aldershot, UK: Ashgate.

King, Helen (2007). Midwifery, Obstetrics and the Rise of Gynaecology: The Uses of a Sixteenth-Century Compendium. Women and Gender in the Early Modern World. Aldershot: Ashgate.

King, Helen (2024). Immaculate Forms: Uncovering the History of Women's Bodies. Wellcome Collection. London, UK: Profile Books Ltd..

King, Catherine E. (2007). Representing Renaissance Art 1500-1600. Manchester, UK: Manchester University Press.

King, Helen (2020). Hippocrates Now: The 'Father of Medicine' in the Internet Age. Bloomsbury Studies in Classical Reception. London: Bloomsbury.

Knight, Lania (2022). Single-Track B-Road. Stroud, UK: Yew Tree Press.

Knight, Lania (2023). There Is Fire Here. Falmouth, UK: Signal 8 Press.

Landeschi, Giacomo and Betts, Eleanor (2023). Capturing the Senses: Digital Methods for Sensory Archaeologies. Quantitative Methods in the Humanities and Social Sciences. Cham, Switzerland: Springer.

Lawrence, Paul; Williams, Chris and Godfrey, Barry (2008). History and Crime. Key Approaches to Criminology. London: Sage.

Layton-Jones, Katy and Lee, Robert (2008). Places of Health and Amusement: Liverpool’s Historic Parks and Gardens. Informed Conservation. Swindon: English Heritage.

Llewellyn-Jones, Lloyd and Robson, James (2009). Ctesias' History of Persia: Tales of the Orient. Routledge Classical Translations. Abingdon, Oxon: Routledge.

Lymberopoulou, Angeliki and Duits, Rembrandt (2020). Hell in the Byzantine World: A History of Art and Religion in Venetian Crete and the Eastern Mediterranean. Volume 2. A Catalogue of the Cretan Material. Hell in the Byzantine World. A History of Art and Religion in Venetian Crete and the Eastern Mediterranean, 2. Cambridge: Cambridge University Press.

Mitchell, Stuart (2006). The brief and turbulent life of modernising conservatism. Newcastle: Cambridge Scholars Publishing.

Mombauer, Annika (2024). The Causes of the First World War: The Long Blame Game. Making History. Abingdon, UK: Routledge.

Mombauer, Annika (2001). Helmuth von Moltke and the origins of the First World War. New Studies in European History. Cambridge, UK: Cambridge University Press.

Mombauer, Annika (2014). Die Julikrise. Europas Weg in den Ersten Weltkrieg. Beck'sche Reihe Wissen. Munich: C.H. Beck Verlag.

Neale, Derek (2012). The Book of Guardians. London: Salt.

Newall, Diana (2008). Appreciating Art. London: A&C Black / Herbert Press Ltd.

Norman, Diana (2003). Painting in late medieval and Renaissance Siena (1260-1555). New Haven, USA: Yale University Press.

Norman, Diana (2018). Siena and the Angevins (1300-1350): Art, Diplomacy and Dynastic Ambition. Beguinage of Turnhout, Belgium: Brepols Publishers.

Norman, Diana (1999). Siena and the Virgin: Art and Politics in a Late-Medieval City State. London and New Haven, USA: Yale University Press.

O'Day, Rosemary (1995). The Longman Companion to the Tudor Age. Longman companions to history. London: Longman.

O'Day, Rosemary (2000). The professions in Early Modern England, 1450-1800: servants of the commonweal. Themes In British Social History. London: Longman / Pearson Education.

Owens, W. R. and Furbank, P. N. (1985). A KWIC Concordance to Daniel Defoe's 'Moll Flanders'. Garland Reference Library of the Humanities. New York and London: Garland.

Pacheco, Anita (2007). William Shakespeare: Coriolanus. Writers and their Work. Tavistock, Devon: Northcote House.

Paul, Joanna (2013). Film and the Classical Epic Tradition. Classical Presences. Oxford: Oxford University Press.

Perkins, Phil (1999). Etruscan Settlement, Society and Material Culture in Central Coastal Etruria. British Archaeological Reports International Series (788). Oxford: J. and E. Hedges.

Perkins, Philip (2007). Etruscan Bucchero in the British Museum. British Museum Research Publication, 165. London, UK: The British Museum Press.

Perry, Gill (2013). Playing at Home: The House in Contemporary Art. Art Since the '80s. London: Reaktion books Ltd.

Perry, Gillian; Roach, Joseph and West, Shearer (2011). The First Actresses: Nell Gwyn to Sarah Siddons. London: National Portrait Gallery and University of Michigan Press.

Philip, Robert (2004). Performing music in the age of recording. New Haven, USA: Yale University Press.

Pierson, Stacey and Barnes, Amy Jane (2002). A Collector's Vision: Ceramics for the Qianlong Emperor. London: Percival David Foundation of Chinese Art.

Plassart, Anna (2015). The Scottish Enlightenment and the French Revolution. Ideas in Context, 3. Cambridge: Cambridge University Press.

Pooke, Grant and Newall, Diana (2008). Art History: the Basics. The Basics. Abingdon: Routledge.

Ramsden, Mel; Harrison, Charles and Baldwin, Michael (2006). Art and Language: Homes for Homes II. Zurich, Switzerland: JRP-Ringier.

Ravenhill-Johnson, Annie and James, Paula (2013). The Art and Ideology of the Trade Union Emblem, 1850-1925. London: Anthem Press.

Reardon, Joanne (2020). The Weight of Bones. Gwynedd: Leaf by Leaf, imprint of Cinnamon Press.

Reardon, Joanne and Kenton Webb, Richard (2015). Still Life with Blackbirds. London: Artists Choice Editions.

Richardson, Heather (2023). A Dress for Kathleen. Norwich: Story Machine.

Richardson, Carol M. (2009). Reclaiming Rome: Cardinals in the Fifteenth Century. Studies in Intellectual History, 173. Leiden: Brill.

Richardson, Heather (2017). Doubting Thomas. Glasgow: Vagabond Voices.

Robinson, Joel (2023). The City on Display: Architecture Festivals and the Urban Commons. Routledge Research in Architecture Series. London: Routledge.

Robson, James (2013). Sex and Sexuality in Classical Athens. Debates and Documents. Edinburgh: Edinburgh University Press.

Robson, James (2023). Aristophanes: Lysistrata. Bloomsbury Ancient Comedy Companions. London: Bloomsbury Publishing.

Robson, James (2006). Humour, obscenity and Aristophanes. Drama - studien zum antiken drama und seiner rezeption, 1. Tuebingen, Germany: Gunter Narr Verlag.

Robson, James (2009). Aristophanes: An Introduction. London: Duckworth.

Rothe, Ursula (2009). Dress and Cultural Identity in the Rhine-Moselle Region of the Roman Empire. British Archaeological Reports, 2009 (S2038). Oxford: Archaeopress.

Rothe, Ursula (2019). The Toga and Roman Identity. London: Bloomsbury Academic.

Samuels, Robert (1995). Mahler's Sixth Symphony: a Study in Musical Semiotics. Cambridge Studies in Music Theory and Analysis, 6. Cambridge: Cambridge University Press.

Sargeant, Samuel (2024). Faith of their Fathers. A Saga of Iceland. London: Neem Tree Press.

Sargeant, Samuel (2026). Crimes of their Brothers. A Saga of Iceland. London: Neem Tree Press/Unbound (In Press).

Shaw, Samuel and Plumb, Christopher (2018). Zebra. Animal Series. London: Reaktion Books.

Slight, John (2015). The British Empire and the Hajj, 1865-1956. Cambridge, MA: Harvard University Press.

Spackman, I. J.; Owens, W. R. and Furbank, P. N. (1987). A KWIC Concordance to Daniel Defoe's 'Robinson Crusoe'. New York and London: Garland Publishing.

Stadtler, Florian (2013). Fiction, Film, and Indian Popular Cinema: Salman Rushdie's Novels and the Cinematic Imagination. Routledge Research in Postcolonial Literatures. Abingdon: Routledge.

Sweeney, Emma Claire (2016). Owl Song at Dawn. London: Legend Press.

Swift, L. A. (2010). The hidden chorus: echoes of genre in tragic lyric. Oxford Classical Monographs. Oxford: Oxford University Press.

Swift, Laura (2008). Euripides: Ion. Duckworth Companions to Greek and Roman Drama. London: Duckworth.

Swift, Laura (2016). Greek Tragedy: Themes and Contexts. Classical World. London: Bloomsbury Academic.

Taylor, Clare (2018). The Design, Production and Reception of Eighteenth-century Wallpaper in Britain. The Histories of Material Culture and Collecting, 1700-1950, ed. Stacey J. Pierson. Abingdon, Oxon and New York: Routledge.

Tickell, Alex (2007). Arundhati Roy's The God of Small Things. Routledge Guides to Literature. Abingdon: Routledge.

Tickell, Alex (2012). Terrorism, Insurgency and Indian-English Literature, 1830-1947. Routledge Research in Postcolonial Literatures. London: Routledge.

Vincent, David (2016). Privacy: A Short History. Cambridge: Polity Press.

Vincent, David (2020). A History of Solitude. Cambridge: Polity Press.

Wainwright, Leon (2011). Timed Out: Art and the Transnational Caribbean. Rethinking Art's Histories. Manchester: Manchester University Press.

Wainwright, Leon (2017). Phenomenal Difference: A Philosophy of Black British Art. Value: Art: Politics, 13. Liverpool: Liverpool University Press.

Walder, Dennis (2003). Athol Fugard. Writers and their work. Tavistock, UK: Northcote House.

Walder, Dennis (2011). Postcolonial Nostalgias: Writing, Representation, and Memory. Routledge Research in Postcolonial Literatures. Abingdon: Routledge.

Ward, Marchella (2023). Blindness and Spectatorship in Ancient and Modern Theatres: Towards New Ways of Looking and Looking Back. Classics after Antiquity. Cambridge, UK: Cambridge University Press.

Watson, N. J. (2020). The Author’s Effects: On the Writer’s House Museum. Oxford, New York: Oxford University Press.

West, Susie (2008). Hardwick Old Hall. London: English Heritage.

Wilding, Alexandra (2022). Reinventing the Amphiareion at Oropos. Mnemosyne Supplements, 445. Leiden: Brill.

Winters, Ben (2007). Erich Wolfgang Korngold’s The Adventures of Robin Hood: A Film Score Guide. Scarecrow Film Score Guides, 6. Lanham, MD: Scarecrow Press.

Wood, Paul (2013). Western Art and the Wider World. Oxford: Wiley-Blackwell.

Wright, Patrick (2025). Exit Strategy. Llandysul, UK: Broken Sleep Books.

Wright, Patrick (2017). Nullaby. Lorgnette series. London: Eyewear Publishing.

Wright, Patrick (2020). Full Sight of Her. London: Eyewear Publishing.

Wright, Patrick (2013). Fallen Pictures. Oneiros Books.

Yamagata, Naoko (1994). Homeric Morality. Mnemosyne, Bibliotheca Classica Batava Supplementum. Brill Academic Publishers.

Yeh, Jane (2005). Marabou. Manchester, UK: Carcanet Press.

Yeh, Jane (2012). The Ninjas. Manchester, UK: Carcanet Press.

Yeh, Jane (2019). Discipline. Manchester, UK: Carcanet Press.

Younger, Neil (2022). Religion and politics in Elizabethan England: The life of Sir Christopher Hatton. Politics, Culture and Society in Early Modern Britain. Manchester: Manchester University Press.

Younger, Neil (2012). War and Politics in the Elizabethan Counties. Politics, Culture and Society in Early Modern Britain. Manchester: Manchester University Press.

Edited BookTo Top

Allan, William and Swift, Laura eds. (2018). Moralizing Strategies in Early Greek Poetry. Mouseion, 15 (1). Toronto: University of Toronto Press.

Allen, Gemma ed. (2014). The Letters of Lady Anne Bacon. Camden Fifth Series, 44. Cambridge: Cambridge University Press.

Anderson, Linda ed. (2005). Creative writing: A workbook with readings. Abingdon, UK: Routledge and The Open University.

Antonini, Alessio and Benatti, Francesca eds. (2023). HT '23: Proceedings of the 34th ACM Conference on Hypertext and Social Media. Hypertext Conference Proceedings. New York: Association for Computing Machinery.

Archibald, Zosia and Haywood, Jan eds. (2019). The Power of Individual and Community in Ancient Athens and Beyond. Swansea: The Classical Press of Wales.

Asbee, Sue ed. (2013). Yellow Book Writers. The Women Aesthetes: British Writers, 1870 - 1900, 3. London: Pickering and Chatto.

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Allen, Gemma (2016). Women as counsellors in sixteenth-century England: The letters of Lady Anne Bacon and Lady Elizabeth Russell. In: Daybell, James and Gordon, Andrew eds. Women and Epistolary Agency in Early Modern Culture, 1450-1690. Women and Gender in the Early Modern World. Abingdon: Routledge, pp. 81–95.

Allen, Gemma (2010). "a briefe and plaine declaration": Lady Anne Bacon’s 1564 Translation of the Apologia Ecclesiae Anglicanae. In: Lawrence-Mathers, Anne. and Hardman, Phillipa eds. Women and Writing, c.1340-c.1650: The Domestication of Print Culture. Manuscript Culture in the British Isles. Woodbridge: Boydell & Brewer, pp. 62–76.

Allen, Richard (2001). Mary Shelley as editor of Percy Shelley. In: Bellamy, Joan; Laurence, Anne and Perry, Gillian eds. Women, Scholarship and Criticism: Gender & knowledge c.1790-1900. Manchester: Manchester University Press, pp. 77–90.

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Alzola Romero, Aaron (2005). ¿Colonizadores colonizados? Acercamientos teóricos recientes al papel fenicio en el sur de la Península Ibérica. In: Blanco, Antonio; Cancelo, Carlos and Esparza, Ángel eds. Bronce Final y Edad del Hierro en la Península Ibérica: Encuentro de Jóvenes Investigadores. Aquilafuente (86). Salamanca: Universidad de Salamanca, pp. 469–478.

Alzola Romero, Aaron (2008). Los sitios de cada cosa: propuesta intercontextual para el estudio de las interacciones sociales en la protohistoria de la Cataluña Meridional. In: Miñarro Casas, Marta and Valenzuela-Lamas, Silvia eds. Actes del I Congrés de Joves Investigadors en Arqueologia dels Països Catalans: La Protohistòria als Països Catalans. Arqueomediterrània (10). Barcelona: Universidad de Barcelona, pp. 205–214.

Anderson, Linda (2006). Stimulating creativity and imagination: What really works? In: Anderson, Linda ed. Creative Writing: A Workbook with Readings. Abingdon/Milton Keynes: Routledge/OU, pp. 17–32.

Anderson, Linda (2006). Keeping a writer's notebook. In: Anderson, Linda ed. Creative Writing: A Workbook with Readings. Abingdon/Milton Keynes: Routledge/OU, pp. 33–43.

Anderson, Linda (2006). Character creation. In: Anderson, Linda ed. Creative Writing: A Workbook with Readings. Abingdon/Milton Keynes: Routledge/OU, pp. 70–85.

Anderson, Linda (2006). Setting. In: Anderson, Linda ed. Creative Writing: A Workbook with Readings. Abingdon/Milton Keynes: Routledge/OU, pp. 86–98.

Anderson, Linda (2006). Point of view:trying on voices. In: Anderson, Linda ed. Creative Writing: A Workbook with Readings. Abingdon/Milton Keynes: Routledge/OU, pp. 99–112.

Anderson, Linda (2006). Point of view: degrees of knowing. In: Anderson, Linda ed. Creative Writing: A Workbook with Readings. Abingdon/Milton Keynes: Routledge/OU, pp. 113–126.

Anderson, Linda (2005). Uneasy relations. In: ed. Write or Wrong?:Creative Writing in the Academy. Issues in English (3). Leicester: The English Association, pp. 21–28.

Anderson, Linda (2009). Film technique in fiction. In: Neale, Derek ed. A Creative Writing Handbook. London: A & C Black/The Open University, pp. 149–163.

Anderson, Linda (2006). Narrative point of view: who tells the story? In: Steel, Jayne ed. Wordsmithery: The Writer's Craft and Practice. Basingstoke: Palgrave Macmillan, pp. 78–95.

Anderson, Linda (2006). Bodily states. In: Steel, Jayne ed. Wordsmithery: The Writer's Craft and Practice. Basingstoke: Palgrave Macmillan, pp. 212–227.

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Asbee, Sue (2009). "To Write a Great Story": Margiad Evans' Illness Narratives. In: Bartoszko, Aleksandra and Vaccarella, Maria eds. The Patient: Probing Interdisciplinary Boundaries. Inter-Disciplinary Press, pp. 55–64.

Asbee, Sue (2013). ‘Not quite every character is a living person in this story. And not quite the reverse.’ Margiad Evans: Memory, fiction and autobiography. In: Bohata, Kirsti and Gramich, Katie eds. Rediscovering Margiad Evans - Marginality, Gender and Illness. Cardiff: University of Wales Press.

Asbee, Sue (2004). Margiad Evans's The Wooden Doctor: Illness and Sexuality. In: Brown, Tony ed. Welsh Writing in English, Volume 9. University of Wales Press, pp. 33–49.

Attfield, Nicholas and Winters, Ben (2017). Introduction. In: Attfield, Nicholas and Winters, Ben eds. Music, Modern Culture, and the Critical Ear. Abingdon: Routledge, pp. 1–12.

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Baird, Kenneth and Hamer, Laura (2025). Lilian Baylis: The Visionary Impresario. In: Hamer, Laura and Minors, Helen Julia eds. The Routledge Companion to Women and Musical Leadership: The Nineteenth Century and Beyond. New York: Routledge, pp. 127–140.

Baird, Kenneth and Hamer, Laura (2025). Lilian Baylis: The Visionary Impresario. In: Hamer, Laura and Minors, Helen Julia eds. The Routledge Companion to Women and Musical Leadership: The Nineteenth Century and Beyond. Routledge Music Companions. New York, USA and Oxon, UK: Routledge, pp. 127–140.

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Baker, Patty; King, Helen and Totelin, Laurence (2014). Teaching ancient medicine: the issues of abortion. In: Rabinowitz, Nancy Sorkin and McHardy, Fiona eds. From Abortion to Pederasty: Addressing Difficult Topics in the Classics Classroom. Columbus, OH: Ohio State University Press, pp. 71–91.

Baker-Bates, Piers (2021). Portraying the Ideal Spanish Tridentine Prelate. In: Baker-Bates, Piers and Brooke, Irene eds. Portrait Cultures of the Early Modern Cardinal. Visual and Material Culture, 1300-1700. Amsterdam: Amsterdam University Press, pp. 343–370.

Baker-Bates, Piers (2022). Spanish Painting: Recreating a Perceived ‘Golden Age’. In: Potter, Matthew C. ed. Representing the Past in the Art of the Long Nineteenth Century: Historicism, Postmodernism, and Internationalism. Routledge Research in Art History. Routledge, pp. 106–123.

Baker-Bates, Piers and Brooke, Irene (2021). Portraying the Princes of the Church. In: Baker-Bates, Piers and Brooke, Irene eds. Portrait Cultures of the Early Modern Cardinal. Visual and Material Culture, 1300–1700. Amsterdam: Amsterdam University Press, pp. 21–42.

Baker-Bates, Piers (2008). The bishop and the artist: the quest for patronage in high renaissance rome. In: Burke, Jill and Bury, Michael eds. Art and Identity in Early Modern Rome. Aldershot, UK: Ashgate, pp. 45–58.

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Bakogianni, Anastasia (2013). Annihilating Clytemnestra: the severing of the mother-daughter bond in Michael Cacoyannis’ Iphigenia (1977). In: Nikoloutsos, Konstantinos P. ed. Ancient Greek Women in Film. Classical Presences. Oxford: Oxford University Press, pp. 207–234.

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Barker, Elton (2013). All mod cons: power, openness and text in a digital turn. In: Hardwick, Lorna and Harrison, Stephen eds. Classics in the Modern World: A ‘Democratic Turn’? Oxford: Oxford University Press, pp. 411–426.

Barker, Elton and Christensen, Joel (2021). An epic Heracles. In: Ogden, Daniel ed. The Oxford Handbook of Heracles. Oxford Handbooks Online. Oxford: Oxford University Press, pp. 283–300.

Barker, Elton; Isaksen, Leif; Rabinowitz, Nick; Bouzarovski, Stefan and Pelling, Chris (2013). On using a digital resources for the study of an ancient text: the case of Herodotus’ Histories. In: Dunn, Stuart and Mahony, Simon eds. The Digital Classicist. Bulletin of the Institute of Classical Studies Supplement (122). Institute of Classical Studies, University of London, pp. 45–62.

Barker, Emma (2024). Viewing Blindness at the Paris Salon. In: Kluge, Dorit; Maës, Gaëtane and Pichet, Isabelle eds. L' expérience sensorielle dans les expositions d'art au XVIIIe siècle: The Sensory Experience in 18th Century Art Exhibitions. Passages, 25. Paris, France: Deutsches Forum für Kunstgeschichte/Centre allemand d'histore de l'art, pp. 41–53.

Barker, Emma (2013). Georgiana at Althorp: Spencer Family Portraits 1755-1783. In: Perry, Gillian; Retford, Kate; Vibert, Jordan and Lyons, Hannah eds. Placing Faces: The Portrait and the Country House 1650-1850. Manchester: Manchester University Press.

Barker, Elton (2011). ‘Possessing an unbridled tongue’: frank speech and speaking back in Euripides’ Orestes. In: Carter, David ed. Why Athens? A Reappraisal of Tragic Politics. Oxford: Oxford University Press, pp. 145–162.

Barker, Elton (2016). Orestes. In: McClure, Laura K. ed. A Companion to Euripides. Wiley-Blackwell, pp. 270–283.

Barker, Elton (2020). What would Indy do? Resisting post-truth through the practice of annotation. In: Roosevelt, Chris ed. Spatial Webs: Mapping Anatolian Pasts for Research and the Public. ANAMEDD: Research Center for Anatolian Civilizations. Istanbul: Koç University Research Centre for Anatolian Civilizations, pp. 5–31.

Barker, Elton and Bouzarovski, Stefan (2016). Between east and west: movements and transformations in Herodotean topology. In: Barker, Elton; Bouzarovski, Stefan; Isaksen, Leif and Pelling, Chris eds. New Worlds from Old Texts: Revisiting Ancient Space and Place. Oxford: Oxford University Press, pp. 155–180.

Barker, Elton; Bouzarovski, Stefan and Isaksen, Leif (2016). Introduction: Creating new worlds out of old texts. In: Barker, Elton; Bouzarovski, Stefan; Isaksen, Leif and Pelling, Chris eds. New Worlds from Old Texts: Revisiting Ancient Space and Place. Oxford: Oxford University Press, pp. 1–21.

Barker, Elton; Bouzarovski, Stefan; Isaksen, Leif and Pelling, Chris (2013). Writing space, living space: time, agency and place relations in Herodotus’s Histories. In: Heirman, Jo and Klooster, Jacqueline eds. The Ideologies of Lived Space in Literary Texts, Ancient and Modern. Ghent: Academia Press, pp. 229–247.

Barker, Elton; Isaksen, Leif and Ogden, Jessica (2016). Telling stories with maps: digital experiments with Herodotean geography. In: Barker, Elton; Bouzarovski, Stefan; Isaksen, Leif and Pelling, Chris eds. New Worlds from Old Texts: Revisiting Ancient Space and Place. Oxford: Oxford University Press, pp. 181–224.

Barker, Elton and Pelling, Chris (2016). Space-Travelling in Herodotus 5. In: Barker, Elton; Bouzarovski, Stefan; Isaksen, Leif and Pelling, Chris eds. New Worlds from Old Texts: Revisiting Ancient Space and Place. Oxford: Oxford University Press, pp. 225–251.

Barker, Elton; Simon, Rainer; Isaksen, Leif and de Soto Cañamares, Pau (2016). The Pleiades Gazetteer and the Pelagios Project. In: Berman, Merrick Lex; Mostern, Ruth and Southall, Humphrey eds. Placing Names: Enriching and Integrating Gazetteers. Bloomington: Indiana University Press, pp. 97–109.

Barker, Elton T. E. (2008). Momos advises Zeus: changing representations of ‘Cypria’ fragment 1. In: Cingano, Ettore and Milano, Lucio eds. Papers on Ancient Literatures: Greece, Rome and the Near East: Proceedings of the “Advanced Seminar in the Humanities”, Venice International University 2004-2005. Padova: S.A.R.G.O.N. Editrice e Libreria, pp. 33–73.

Barker, Emma (2013). Greuze and England. In: Andries, Lise; Ogée, Frédéric; Dunkley, John and Sanfey, Daragh eds. Intellectual Journeys: The Translation of Ideas in Enlightenment England, France and Ireland. Studies on Voltaire and the Eighteenth Century. United Kingdom: Voltaire Foundation, pp. 133–165.

Barker, Emma (2007). Putting the viewer in the frame: Greuze as sentimentalist. In: Conisbee, Philip ed. French Genre Painting in the Eighteenth Century. Studies in the History of Art, National Gallery of Art, Washington, DC, 72. New Haven, US: Yale University Press, pp. 105–127.

Barker, Emma (2016). Ghosts and Heroes: Girodet and the Ossianic Mode in Post-Revolutionary French Art. In: Padiyar, Satish; Shaw, Philip and Simpson, Philippa eds. Visual Culture and the Revolutionary and Napoleonic Wars. London and New York: Routledge, pp. 102–119.

Barker, Naomi J. (2013). The ear of the lynx: The musical legacy of the Accademia dei Lincei. In: Smith, David J. and Taylor, Rachelle eds. Networks of music and culture in the late sixteenth and early seventeenth centuries. Surrey: Ashgate Publishing Limited, pp. 59–70.

Barker, Naomi J. (2018). Learning the trade: What did Froberger do in Rome? In: Vejvar, Andreas and Grassl, Markus eds. "Avec discrétion": Rethinking Froberger. Wiener Veröffentlichungen zur Musikgeschichte (14). Vienna: Böhlau Verlag, pp. 205–221.

Barker, Naomi Joy (2003). Viewing the stile espressivo: Doni, Poussin and the ancient genera. In: Dobszay, László ed. The past in the present, Volume 1. Budapest: Liszt Ferenc Academy of Music.

Barlow, Helen (2022). The Celtic Revival. In: Herbert, Trevor; Clarke, Martin V. and Barlow, Helen eds. A History of Welsh Music. Cambridge: Cambridge University Press, pp. 171–194.

Barlow, Helen and Clarke, Martin V. (2022). Singing Welshness: Sport, Music and the Crowd. In: Herbert, Trevor; Clarke, Martin V. and Barlow, Helen eds. A History of Welsh Music. Cambridge: Cambridge University Press, pp. 332–354.

Barlow, Helen (2017). “Human voices are alone themselves sufficient”: Protestant and Catholic currents in the listening experiences of an Anglo-Prussian marriage. In: Barlow, Helen and Rowland, David eds. Listening to Music: People, Practices and Experiences. The Open University.

Barlow, Helen (2019). Progress and tradition: listening to the singing of the Welsh c.1870 to c.1920. In: Barlow, Helen and Rowland, David eds. The experience of listening to music: methodologies, identities, histories. The Open University.

Barlow, Helen (2018). The British Army and the music profession: the impact of regimental bands on the status and identity of professional musicians. In: Golding, Rosemary ed. The Music Profession in Britain, 1780-1920: New Perspectives on Status and Identity. Music in Nineteenth-Century Britain. London: Routledge, pp. 72–89.

Barnes, A. J. (2024). Revolutionary Heroes in Chinese Propaganda Posters. In: Allison, S. T.; Beggan, J. K. and Goethals, G. R. eds. Encyclopedia of Heroism Studies. Cham: Springer, pp. 1–7.

Barnes, Amy Jane (2011). Displaying the Communist Other: Perspectives on the Exhibition and Interpretation of Communist Visual Culture. In: Dudley, Sandra; Barnes, Amy Jane; Binnie, Jennifer; Petrov, Julia and Walklate, Jennifer eds. The Thing about Museums: Objects and Experience, Representation and Contestation. Routledge.

Barnes, Amy Jane (2017). Introduction to Part III. In: Dudley, Sandra; Barnes, Amy Jane; Binnie, Jennifer; Petrov, Julia and Walklate, Jennifer eds. The Thing about Museums Objects and Experience, Representation and Contestation. Abingdon: Routledge, pp. 217–218.

Barnes, Amy Jane (2012). Introduction to Part III. In: Dudley, Sandra; Barnes, Amy Jane; Binnie, Jennifer; Petrov, Julia and Walklate, Jennifer eds. Narrating objects, collecting stories: essays in honour of Professor Susan M. Pearce. London and New York: Routledge, pp. 121–124.

Barnes, Amy Jane (2011). Exhibiting China in London. In: Knell, Simon J.; Aronsson, Peter; Amunsden, Arne Bugge; Barnes, Amy Jane; Burch, Stuart; Carter, Jennifer; Gosselin, Viviane; Hughes, Sarah A. and Kirwan, Alan eds. National Museums: New Studies from Around the World. Routledge, pp. 386–399.

Barnes, Amy Jane (2018). Representing the China Dream: A case study in revolutionary cultural heritage. In: Watson, Sheila; Barnes, Amy Jane and Bunning, Katy eds. A Museum Studies Approach to Heritage. Leicester Readers in Museum Studies. Abingdon: Routledge, pp. 797–813.

Barnes, Amy Jane (2018). Introduction to Part I. In: Watson, Sheila; Barnes, Amy Jane and Bunning, Katy eds. A Museum Studies Approach to Heritage. Leicester Readers in Museum Studies. Abingdon: Routledge, pp. 9–13.

Barnes, Amy Jane and Walklate, Jennifer (2011). Afterword: a conversation with Sue Pearce. In: Dudley, Sandra; Barnes, Amy Jane; Binnie, Jennifer; Petrov, Julia and Walklate, Jennifer eds. The Thing About Museums: Objects and Experience, Representation and Contestation. Routledge.

Benatti, Francesca (2013). Joining the press-gang: Thomas Moore and the Edinburgh Review. In: Benatti, Francesca; Ryder, Sean and Tonra, Justin eds. Thomas Moore: Texts, Contexts, Hypertext. Reimagining Ireland (24). Oxford: Peter Lang.

Benatti, Francesca (2019). Young Ireland and the Superannuated Bard: Rewriting Thomas Moore in The Nation. In: McCleave, Sarah and O'Hanlon, Triona eds. The Reputations of Thomas Moore: Poetry, Music, and Politics. Poetry and Song in the Age of Revolution. New York and London: Routledge, pp. 214–234.

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Katritzky, M A (2023). The 'English Comedy' in Early Modern Europe: Migration, Emigration, Integration. In: Meerzon, Yana and Wilmer, S.E. eds. The Palgrave Handbook of Theatre and Migration. Palgrave Macmillan Cham, pp. 255–266.

Katritzky, M A (2021). William Hogarth and Book Illustration: Visualizing “Otherness” in pre-Victorian images of Shakespeare’s Caliban. In: Pietrini, Sandra ed. Shakespearean Characters Transposed: Iconography, Adaptations, Cultural Exchanges and Staging. L’immaginario teatrale, 1. Alessandria: Edizioni dell’Orso, 65-83 & 237-241.

Katritzky, M A and Drábek, Pavel (2023). ‘Aktorzy angielscy w Rzeczypospolitej w 1. połowie XVII w.’. In: Żukowski, Jacek ed. Triumfalna Harmonia. Teatr Władysława IV – eseje. Warsaw: The Royal Castle in Warsaw-Museum, pp. 286–315.

Katritzky, M. A. (2023). Shackshoone: the disabled non-European performative body in 17th-century London. In: Hengerer, Mark ed. Der Körper in der Frühen Neuzeit: Praktiken, Rituale, Performanz. Wolfenbütteler Arbeiten zur Barockforschung. Wiesbaden, Germany: Harrassowitz Verlag, pp. 323–344.

Katritzky, M. A. (2008). English troupes in early modern Germany: the women. In: Henke, Robert and Nicholson, Eric eds. Transnational exchange in early modern theater. Studies in performance and early modern drama. Aldershot, UK: Ashgate, pp. 35–46.

Katritzky, M. A. (2023). Don Quixote in 18th Century British Book Culture: Tobias Smollett and Francis Hayman. In: Jones, Richard J ed. Tobias Smollett After 300 Years: Life, Writing, Reputation. Eighteenth-Century Moments. Clemson SC: Clemson University Press, pp. 59–76.

Katritzky, M. A. (2018). Stefanelo Botarga and Pickelhering: Fishy Italian and English Stage Clowns in Spain and Germany. In: Kuepper, Joachim and Pawlita, Leonie eds. Theatre Cultures within Globalising Empires: Looking at Early Modern England and Spain. Berlin/Boston: Walter de Gruyter, pp. 15–39.

Katritzky, M. A. (2015). Lucas van Leyden's 'Toothdrawer', 1523: Passion play merchant scenes and the religious origins of quack depictions. In: Mueller, Juergen and Muench, Birgit Ulrike eds. Peiraikos' Erben: Die Genese der Genremalerei bis 1550. Trierer Beitraege zu den historischen Kulturwissenschaften (14). Wiesbaden: Reichert Verlag, pp. 125–148.

Katritzky, M. A. (1996). Orlando di Lasso and the commedia dell'arte. In: Schmid, Bernhold ed. Orlando di Lasso in der Musikgeschichte. Bericht über das Symposium der Bayerischen Akademie der Wissenschaften München, 4-6. Juli 1994. Bayerischen Akademie der Wissenschaften, Philosophisch-Historische Klasse, Abhandlungen, Neue Folge (111). München, Germany: Verlag der Bayerischen Akademie der Wissenschaften / C. H. Beck Verlag, pp. 133–155.

Katritzky, M. A. (2021). Generisches und spezifisches Anderssein: Shackshoone (1665–1680), Antonio Martinelli (1718–1740) und frühneuzeitliche Darstellungen von menschlichen Doppelfehlbildungen. In: Stolberg, Michael ed. Körper-Bilder in der Frühen Neuzeit: Kunst-, medizin- und mediengeschichtliche Perspektiven. Schriften des Historischen Kollegs Herausgegeben von Hartmut Leppin Kolloquien 107. Berlin/Boston: Walter de Gruyter GmbH, pp. 199–228.

Katritzky, M. A. and Heck, Thomas F. (1999). Selected iconographic research resources. In: Heck, Thomas F. ed. Picturing Performance: The Iconography of the Performing Arts in Concept and Practice. Rochester, NY: University of Rochester Press, pp. 163–186.

Katritzky, M.A. (1999). Performing-arts iconography: tradition, techniques, and trends. In: Heck, Thomas F. ed. Picturing Performance: The Iconography of the Performing Arts in Concept and Practice. Rochester, NY: University of Rochester Press, pp. 68–90.

Katritzky, M .A. (2014). Historical and literary contexts for the Skimmington: impotence and Samuel Butler’s "Hudibras". In: Sara F., Matthews-Grieco ed. Cuckoldry, Impotence and Adultery in Europe, 15th–17th Century. Visual Culture in Early Modernity. Farnham: Ashgate, pp. 59–84.

Katritzky, M. A. (2008). Guarinonius' lazzi: English comedians, Italian charlatans, and German quacks in a medical treatise of 1610. In: Amann, Klaus and Siller, Max eds. Hippolytus Guarinonius. Akten des 5. Symposiums der Sterzinger Osterspiele (5.-7. 4. 2004) "Die Greuel der Verwüstung menschlichen Geschlechts." Zur 350. Wiederkehr des Todesjahres von Hippolytus Guarinonius (1571-1654). Schlern-Schriften (340). Innsbruck: Universitätsverlag Wagner, pp. 107–137.

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Katritzky, M. A. (1989). The Recueil Fossard 1928-88: a review and three reconstructions. In: Cairns, Christopher ed. The commedia dell'arte from the renaissance to Dario Fo. The Italian origins of European theatre (VI). Lewiston/Queenston/Lampeter: Edwin Mellen Press, pp. 99–116.

Katritzky, M. A. (1996). Scenery, setting and stages in late renaissance commedia dell'arte performances: some pictorial evidence. In: Cairns, Christopher ed. Scenery, set and staging in the Italian renaissance: studies in the practice of theatre. Lewiston, New York: Edwin Mellen Press, pp. 209–288.

Katritzky, M. A. (1999). Mountebanks, mummers and masqueraders in Thomas Platter's diary (1595-1600). In: Cairns, Christopher ed. The Renaissance Theatre: Texts, Performance, Design. Aldershot: Ashgate, pp. 12–29.

Katritzky, M. A. (2014). Images of the commedia dell'arte. In: Chaffee, Judith and Crick, Olly eds. The Routledge Companion to Commedia dell'Arte. Abingdon: Routledge, pp. 284–299.

Katritzky, M. A. (2010). Checklist of libraries, print, online and other research resources. In: Da Sousa Correa, Delia and Owens, W. R. eds. The Handbook to Literary Research, Volume 2nd editio. Abingdon: Routledge, pp. 224–249.

Katritzky, M. A. (2018). Les représentations du charlatan pendant la première modernité et leur origine dans la scène du marchand du théâtre religieux. In: Dhraief, Beya; Negrel, Eric and Ruimi, Jennifer eds. Théâtre et charlatans dans l'Europe moderne. Registres collection des etudes théâtrales. Paris: Presses Sorbonne Nouvelle, pp. 99–116.

Katritzky, M. A. (2020). Shakespeare’s picture of ‘We Three’ An image for illiterates? In: Duits, Rembrandt ed. The Art of the Poor: The Aesthetic Material Culture of the Lower Classes in Europe, 1300–1600. London: Bloomsbury, pp. 185–198.

Katritzky, M. A. (2018). Commedia dell’arte related glass: early modern Venice. In: Ferrone, S. ed. Commedia dell’arte . Nuova Serie, Volume 1. Polistampa, pp. 11–31.

Katritzky, M. A. (2012). “‘The picture of “We three”’: a transnational visual and verbal formula before, during and after the lifetime of Shakespeare. In: Filatkina, Natalia; Muench, Birgit Ulrike and Kleine-Engel, Ane eds. Formelhaftigkeit in Text und Bild. Trierer Beitraege zu den historischen Kulturwissenschaften (2). Wiesbaden: Reichert Verlag, pp. 223–244.

Katritzky, M. A. (2014). Shakespeare’s “portrait of a blinking idiot”: transnational reflections. In: Henke, Robert and Nicholson, Eric eds. Transnational Mobilities in Early Modern Theater. Studies in Performance and Early Modern Drama. Ashgate, pp. 157–175.

Katritzky, M. A. (2020). London and The Hague, 1638: Performing quacks at court. In: Katritzky, M. A. and Drábek, Pavel eds. Transnational Connections in Early Modern Theatre. Manchester: Manchester University Press, pp. 114–138.

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Katritzky, M. A. (2000). Carnival and comedy in Georg Straub of St Gallen's printed album amicorum of 1600. In: Laufhuette, Hartmut ed. Kuenste und Natur in Diskursen der Fruehen Neuzeit. Wolfenbuetteler ARbeiten zur Barockforschung (35). Wiesbaden: Harrassowitz Verlag, pp. 603–633.

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Kawabata, Maiko (2023). The New “Yellow Peril” in “Western” European Symphony Orchestras. In: Bull, Anna and Scharff, Christina eds. Voices for Change in the Classical Music Profession: New Ideas for Tackling Inequalities and Exclusions. Oxford: Oxford University Press, pp. 159–171.

King, Edmund and Smialkowska, Monika (2021). Introduction: Memorialising Shakespeare, Memorialising Ourselves. In: King, Edmund and Smialkowska, Monika eds. Memorialising Shakespeare: Commemoration and Collective Identity, 1916-2016. Palgrave Shakespeare Studies (PASHST). Basingstoke: Palgrave Macmillan, pp. 1–32.

King, Edmund G. C. (2023). Networks. In: Demoor, Marysa; van Dijck, Cedric and Van Puymbroeck, Birgit eds. The Edinburgh Companion to First World War Periodicals. Edinburgh Companions to Literature and the Humanities. Edinburgh: Edinburgh University Press, pp. 32–50.

King, Edmund G.C. (2022). From Common Reader to Canon: Memorialising the Shakespeare-Reading British Soldier during the First World War. In: King, Edmund G.C. and Smialkowska, Monika eds. Memorialising Shakespeare: Commemoration and Collective Identity, 1916-2016. Palgrave Shakespeare Studies. Basingstoke: Palgrave Macmillan, pp. 35–64.

King, Helen (2021). A history of our own?: Using Classics in disability histories. In: Adams, Ellen ed. Disability Studies and the Classical Body: The Forgotten Other. Routledge Studies in Ancient Disabilities. London: Routledge, pp. 237–263.

King, Helen (2021). Opening the body of fluids: Taking in and pouring out in Renaissance readings of Classical women. In: Bradley, Mark; Leonard, Victoria and Totelin, Laurence eds. Bodily Fluids in Antiquity. London: Routledge, pp. 381–398.

King, Helen (2006). The origins of medicine in the second century AD. In: Goldhill, Simon and Osborne, Robin eds. Rethinking revolutions through Ancient Greece. Cambridge: Cambridge University Press, pp. 246–263.

King, Helen (1999). Comparative perspectives on medicine and religion in the ancient world. In: Hinnells, John R. and Porter, Roy eds. Religion, Health and Suffering: a Cross-Cultural Study of Attitudes to Suffering and the Implications for Medicine in a Multi-Religious Society. London: Kegan Paul International, pp. 276–294.

King, Helen (2012). Introduction. In: Horstmanshoff, Manfred; King, Helen and Zittel, Claus eds. Blood, Sweat and Tears – The Changing Concepts of Physiology from Antiquity into Early Modern Europe. Intersections Interdisciplinary Studies in Early Modern Culture (25). Leiden: Brill, pp. 1–17.

King, Helen (2004). Illness and other personal crises in Greek and Roman religions. In: Johnston, Sarah Iles ed. Religions of the ancient world: A guide. Harvard: Harvard University Press, pp. 464–467.

King, Helen (1995). 'As if none understood the art that cannot understand Greek': the education of midwives in seventeenth century England. In: Nutton, Vivian and Porter, Roy eds. The History of Medical Education in Britain. Clio Medica: Perspectives in Medical Humanities (30). Atlanta, GA: Editions Rodopi B. V., pp. 184–198.

King, Helen (1999). Chronic pain and the creation of narrative. In: Porter, James I. ed. Constructions of the Classical Body. Michigan: University of Michigan Press, pp. 269–286.

King, Helen (2022). The body and botany: “the first step toward the brothel”. In: Santos Pinheiro, Cristina; Silva, Gabriel A. F.; Fonseca, Rui Carlos; Mota, Bernardo Machado and Pinheiro, Joaquim eds. Gynecia: Studies on Gynaecology in Ancient, Medieval and Early-modern Texts. Porto: Edições Afrontamento, pp. 11–26.

King, Helen (2021). ‘Treating the Patient, Not Just the Disease’: Reading Ancient Medicine in Modern Holistic Medicine. In: Thumiger, Chiara ed. Holism in Ancient Medicine and its Reception. Leiden: Brill, pp. 402–424.

King, Helen (2008). Barbes, sang et genre: afficher la différence dans le monde antique. In: Wilgaux, Jérôme and Dasen, Véronique eds. Languages et Métaphores du Corps dans le Monde Antique. Rennes: Presses universitaires de Rennes, pp. 153–168.

King, Catherine (2002). Artists' houses: mass advertising artistic status and theory in Antwerp c. 1565. In: Heck, Michèle-Caroline; Lemerle, Frédérique and Pauwels, Yves eds. Théorie des arts et création artistique dans l'Europe du Nord du XVIe au début du XVIIIe siècle. Villeneuve d’Ascq, France: Université Charles-de-Gaulle - Lille 3, pp. 173–189.

King, Edmund (2012). Cardenio and the Eighteenth-century Shakespeare Canon. In: Carnegie, David and Taylor, Gary eds. The Quest for Cardenio: Shakespeare, Fletcher, Cervantes and the Lost Play. Oxford: Oxford University Press, pp. 81–94.

King, Edmund (2010). Narratives about collaborating playwrights: the new bibliography, “disintegration”, and the problem of multiple authorship in Shakespeare. In: Johnson, Laurie and Chalk, Darryl eds. “Rapt in Secret Studies”: Emerging Shakespeares. Newcastle Upon Tyne: Cambridge Scholars Publishing, pp. 249–268.

King, Edmund G. C. (2017). Discovering Shakespeare’s Personal Style: Editing and Connoisseurship in the Eighteenth Century. In: Depledge, Emma and Kirwan, Peter eds. Canonising Shakespeare: Stationers and the Book Trade, 1640–1740. Cambridge: Cambridge University Press, pp. 130–142.

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King, Edmund G. C. (2015). A Captive Audience? The Reading Lives of Australian Prisoners of War, 1914–1918. In: Towheed, Shafquat and King, Edmund G. C. eds. Reading and the First World War: Readers, Texts, Archives. New Directions in Book History. Basingstoke: Palgrave Macmillan, pp. 153–167.

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King, Helen (2012). Inside and outside, cavities and containers: the organs of generation in seventeenth-century English medicine. In: Baker, Patricia A.; Nijdam, Han and van 't Land, Karine eds. Medicine and Space: Body, Surroundings and Borders in Antiquity and the Middle Ages. Visualising the Middle Ages (4). Leiden: Brill, pp. 37–60.

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King, Helen (2012). Midwifery, 1700-1800: the man-midwife as competitor. In: Borsay, Anne and Hunter, Billie eds. Nursing and Midwifery in Britain Since 1700. Basingstoke: Palgrave Macmillan, pp. 107–127.

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King, Helen (2002). The power of paternity: the Father of Medicine meets the Prince of Physicians. In: Cantor, David ed. Reinventing Hippocrates. The History of Medicine in Context. Aldershot: Ashgate, pp. 21–36.

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King, Helen (2007). When is a foetus not a foetus? Diagnosing false conceptions in early modern France. In: Dasen, Veronique ed. L' Embryon humain à travers l' histoire: Images, savoirs et rites. Testimonia. Gollion: Infolio, pp. 223–238.

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King, Helen (2011). Sex, medicine and disease. In: Golden, Mark and Toohey, Peter eds. A Cultural History of Sexuality in the Classical World. A Cultural History of Sexuality (1). Oxford and New York: Berg, pp. 107–124.

King, Helen (2010). Gynecology. In: Grafton, Anthony; Most, Glenn W. and Settis, Salvatore eds. The classical tradition. Cambridge, MA: Harvard University Press, pp. 416–417.

King, Helen (2018). 'First behead your viper’: acquiring knowledge in Galen’s poison stories. In: Grell, Ole Peter; Cunningham, Andrew and Arrizabalaga, Jon eds. "It All Depends on the Dose": Poisons and Medicines in European History. Abingdon: Routledge, pp. 25–42.

King, Helen (2001). Recovering hysteria from history: Herodotus and “the first case of shell shock”. In: Halligan, Peter; Bass, Christopher and Marshall, John eds. Contemporary Approaches to the Science of Hysteria: Clinical and Theoretical Perspectives. Oxford University Press, pp. 36–48.

King, Helen (2013). Fear of flute girls, fear of falling. In: Harris, William V. ed. Mental Disorders in the Classical World. Columbia Studies in the Classical Tradition (38). Brill, pp. 265–282.

King, Helen (2020). The body beyond Laqueur: Hippocratic sex and its rediscovery. In: Höfele, Andreas and Kellner, Beate eds. Natur-Geschlecht-Politik: Denkmuster und Repräsentationsformen vom Alten Testament bis in die Neuzeit. Wilhelm Fink Verlag, pp. 199–216.

King, Helen (2018). Women and Doctors in Ancient Greece. In: Hopwood, Nick; Flemming, Rebecca and Kassell, Lauren eds. Reproduction: Antiquity to the Present Day. Cambridge University Press, pp. 39–52.

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King, Helen (2020). Hippocratic whispers: telling the story of the life of Hippocrates on the internet. In: Totelin, Laurence and Flemming, Rebecca eds. Medicine and Markets: Essays on Ancient Medicine in honour of Vivian Nutton. Classical Press of Wales, pp. 143–160.

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King, Helen and Brown, Jo (2014). Thucydides and the plague. In: Morley, Neville and Lee, Christine eds. A Handbook to the Reception of Thucydides. Chichester: Wiley, pp. 447–473.

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King, Helen and Zuccolin, Gabriella (2018). Rethinking nosebleeds: gendering spontaneous bleedings in medieval and early modern medicine. In: Johnson, Bonnie Lander and DeCamp, Eleanor eds. Blood Matters. Studies in European Literature and Thought, 1400-1700. Philadelphia, PA: University of Pennsylvania Press, pp. 79–91.

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