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2024To Top

Harrison, Rebecca (2024). I Won’t Look: Refusing to Engage with Gender-Based Violence in Women-Led Screen Media. In: Berridge, Susan and Boyle, Karen eds. Routledge Companion to Gender, Media and Violence. London: Routledge, (In Press).

2023To Top

Brunet, Luc-André ed. (2023). NATO and the Strategic Defence Initiative: A Transatlantic History of the Star Wars Programme. Cold War History. Abingdon: Routledge.

Johnson, David; Nieftagodien, Noor and Van der Walt, Lucien eds. (2023). Labour Struggles in Southern Africa, 1919-1949: New Perspectives on the Industrial and Commercial Workers’ Union (ICU). Johannesburg, South Africa: HSRC Press.

Allan, William and Swift, Laura (2023). Euripides: Bacchae. Cambridge: Cambridge University Press (In Press).

Baker-Bates, Piers (2023). Constructing Sebastiano del Piombo: Pietro Aretino and the artistic landscape of Clementine Rome. Renaissance Studies (Early Access).

Barker, Elton; Konstantinidou, Kyriaki; Kiesling, Brady and Foka, Anna (2023). Journeying through Space and Time with Pausanias’s Description of Greece. Literary Geographies, 9(1) pp. 124–160.

Barnes, A. J. (2023). Revolutionary Heroes in Chinese Propaganda Posters. In: Allison, S. T.; Beggan, J. K. and Goethals, G. R. eds. Encyclopedia of Heroism Studies. Springer (In Press).

Brown, Richard Danson (2023). Anger, Complaint, and Poetic Form in the Tristram episode and The Faerie Queene, Book VI. Studies in English Literature 1500-1900 (SEL), 63(1) (In Press).

Brunet, Luc-André (2023). Introduction: The Strategic Defence Initiative and the Atlantic Alliance in the 1980s. In: Brunet, Luc-André ed. NATO and the Strategic Defence Initiative: A Transatlantic History of the Star Wars Programme. Cold War History. London: Routledge, pp. 1–11.

Brunet, Luc-André (2023). Canada’s "Polite No" to the SDI: A Question of Sovereignty? In: Brunet, Luc-André ed. NATO and the Strategic Defence Initiative: A Transatlantic History of the Star Wars Programme. Cold War History. London: Routledge, pp. 129–145.

Cathcart, Charles (2023). John Marston’s Stationers, 1607–1633. The Review of English Studies (Early Access).

Clarke, Martin (2023). [Book review] Eftychia Papanikolaou and Markus Rathey, eds, Sacred and Secular Intersections in Music of the Long Nineteenth Century: Church, Stage, and Concert Hall (Lanham: Lexington Books, 2022). Nineteenth-Century Music Review (Early access).

Doloughan, Fiona J. (2023). Radical Realism, Autofictional Narratives and the Reinvention of the Novel. Anthem Frontiers of Global Political Economy and Development. London: Anthem Press.

Dooley, James (2023). GRAZpatterns. James Dooley.

Foka, Anna; Barker, Elton; Konstantinidou, Kyriaki; Mostofian, Nasrin; Kiesling, Brady; Talatas, Linda; Cenk Demiroglu, O. and Palm, Kajsa (2023). A Digital Periegesis: Implementing Spatial Research Infrastructures for Classical History and Archaeology. In: Petrulevich, Alexandra and Skovgaard Boeck, Simon eds. Digital Spatial Infrastructures and Worldviews in Pre-Modern Societies. Collection Development, Cultural Heritage, and Digital Humanities - ARC. Leeds: ARC Humanities Press, pp. 205–223.

Golding, Rosemary (2023). [Book Review] Choral Treatises and Singing Societies in the Romantic Age. Journal of Historical Research in Music Education, 44(2) pp. 279–280.

Green, Richard and Michael-Fox, Bethan (2023). Mortality, moral regulation, and (im)moral entrepreneurship in My Favorite Murder. Continuum: Journal of Media and Cultural Studies (Early access).

Griffiths, Andrew (2023). War Correspondents. In: Demoor, Marysa; Van Dijck, Cedric and Van Puymbroek, Birgit eds. The Edinburgh Companion to First World War Periodicals. Edinburgh Companions to Literature and the Humanities. Edinburgh: Edinburgh University Press, pp. 175–189.

Gustar, Andrew (2023). Eurovision voting: a game of two halves. Significance, 20(2) pp. 6–10.

Murray, Andrew and Van den Maagdenberg, Joannes, eds. Communes and Conflict: Urban Rebellion in Late Medieval Flanders. By Jelle Haemers and Jan Dumolyn (2023). Leiden, Brill (2023).

Hamer, Laura and Minors, Helen Julia (2023). Introducing WMLON: The Women’s Musical Leadership Online Network. In: Cimardi, Linda and Nenić, Iva eds. Women’s Leadership in Music: Modes, Legacies, Alliances. Bielefeld: Transcript Verlag, pp. 141–152.

Harrison, Rebecca (2023). Mabel, Marilyn, and Me: Writing about Mabel Normand as a Feminist Film Historian. Early Popular Visual Culture, 21(1) pp. 152–172.

Hind, Heather (2023). Giving the Gift of a Lock of Hair in Elizabeth Barrett Browning’s “I never gave a lock of hair away” and “The soul’s Rialto hath its merchandise”. In: Casanova, Elena; Hölzlhammer, Lilli and Moll, Helen eds. Gegenständliche Poetiken des Haares [Representational Poetics of Hair]. De Gruyter, pp. 227–241.

Hobden, Fiona (2023). [Book Review] Xenophon and the Athenian Democracy: The Education of an Elite Citizenry, written by Matthew R. Christ. Polis: The Journal for Ancient Greek and Roman Political Thought, 40(1) pp. 175–178.

Houghton, Frances (2023). ‘Alien Seamen’ or ‘Imperial Family’? Race, Belonging and British Sailors of Colour in the Royal Navy, 1939–47. The English Historical Review (Early Access).

Hughes, Jessica (2023). Review of Salvatore Sorrentino, Nel silenzio il sussurro di una voce: L’itinerario spirituale di Bartolo Longo. Maria : A Journal of Marian Studies, 3(1) pp. 1–3.

Johnson, David (2023). The Romance and the Tragedy of the ICU. In: Johnson, David; Nieftagodien, Noor and Van der Walt, Lucien eds. Labour Struggles in Southern Africa, 1919-1949. New Perspectives on the Industrial and Commercial Workers’ Union (ICU). Johannesburg, South Africa: HSRC Press, pp. 181–194.

Johnson, David; Nieftagodien, Noor and Van der Walt, Lucien (2023). Introduction. In: Johnson, David; Nieftagodien, Noor and Van der Walt, Lucien eds. Labour Struggles in Southern Africa, 1919-1949. New Perspectives on the Industrial and Commercial Workers’ Union (ICU). Johannesburg, South Africa: HSRC Press, viii-xix.

Kawabata, Maiko (2023). The New “Yellow Peril” in “Western” European Symphony Orchestras. In: Bull, Anna and Scharff, Christina eds. Voices for Change in the Classical Music Profession: New Ideas for Tackling Inequalities and Exclusions. Oxford: Oxford University Press, pp. 159–171.

King, Edmund G. C. (2023). Networks. In: Demoor, Marysa; van Dijck, Cedric and Van Puymbroeck, Birgit eds. The Edinburgh Companion to First World War Periodicals. Edinburgh Companions to Literature and the Humanities. Edinburgh: Edinburgh University Press, pp. 32–50.

King, Helen (2023). Being Flesh: Bodies, History and LLF. Modern Believing, 64(1) pp. 36–43.

King, Helen (2023). From print to wool: Vesalius and the ‘knit your own womb’ movement. In: Représenter le sexe féminin [Uncovering the Female Sexual Anatomy] (Cazes, Hélène ed.), University of Victoria Libraries Press, Victoria, British Columbia, (In Press).

Kynan-Wilson, William (2023). Master Gregory [Magister Gregorius]. Oxford Dictionary of National Biography, Oxford University Press.

Kynan-Wilson, William (2023). [Book Review] Peter J. A. Jones, Laughter and Power in the Twelfth Century (Oxford: Oxford University Press, 2019). Speculum, 98(2) pp. 608–609.

Lalot, Fanny; Abrams, Dominic; Heering, Maria S.; Babaian, Jacinta; Ozkececi, Hilal; Peitz, Linus; Davies Hayon, Kaya and Broadwood, Jo (2023). Distrustful Complacency and the COVID ‐19 Vaccine: How Concern and Political Trust Interact to Affect Vaccine Hesitancy. Political Psychology (Early Access).

Langley, Chris R. (2023). Clerical old age and the forming of rites of passage in early modern Scotland. Studies in Church History, 59 (In Press).

Lloyd, Mair and Robson, James (2023). Battling for Latin: Instructors and Students on the Challenges of Teaching and Learning Beginners’ Latin in UK Universities. Classical World, 116(2) pp. 195–223.

Lloyd, Mair E. and Robson, James (2023). The Battle for Latin in UK Universities: A Statistical analysis of factors driving student success and failure in beginners’ Latin modules. Language Learning Journal (Early Access).

Lymberopoulou, Angeliki (2023). Maniera Greca and Renaissance Europe: More than Meets the Eye. In: Brubaker, Leslie; Darley, Rebecca and Reynolds, Reynolds eds. Global Byzantium: Papers from the Fiftieth Spring Symposium of Byzantine Studies. Society for the Promotion of Byzantine Studies, 24. London and New York: Routledge, pp. 155–171.

Miller, Malcolm and Hansen, Jutta Raab (2023). Introduction. Music and Exile: From 1933 to the Present Day. In: Miller, Malcolm and Hansen, Jutta Raab eds. Music and Exile. Yearbook of the Research Centre for German and Austrian Exile Studies, 22. Leiden, The Netherlands.: Koninklijke Brill NV, pp. 1–9.

Murray, Andrew (2023). Tragedy and Pathosformeln: The Political Emotions of Huizinga’s Autumntide of the Middle Ages. Journal of the Northern Renaissance (in press).

Murray, Andrew (2023). Speculation. In: Winkenweder, Brian and Tunali, Tijen eds. The Routledge Companion to Marxist Art History. Abingdon: Routledge, (In press).

Reeve, Michael (2023). [Book review] Brothers in the Great War: siblings, masculinity and emotions, by Linda Maynard. First World War Studies (Early Access).

Tickell, Alex (2023). The Work of Art in the Age of Transnational Reproduction: Form and Intertextuality in Xiaolu Guo’s A Concise Chinese-English Dictionary for Lovers and A Lover’s Discourse. Studies in the Novel, 55(1) pp. 76–92.

Trott, Vincent (2023). [Book Review]A history of American literature and culture of the First World War. First World War Studies (Early access).

Wainwright, Leon (2023). Arte e aceitabilidade: alguns problemas suscitados pela visualização da escravidão caribenha através do modernismo. Africanidades. Online Journal of the Museo Afro-Brasileiro da Universidade Federal da Bahia (Mafro), 3

Wainwright, Leon (2023). Art et acceptabilité: Modernisme et difficultés de représentation de l'esclavage dans les Caraïbes. Africanidades. Online Journal of the Museo Afro-Brasileiro da Universidade Federal da Bahia (Mafro), 3

Wainwright, Leon (2023). Art and Acceptability: Some Problems of Visualising Caribbean Slavery through Modernism. Africanidades, 2(2) pp. 160–176.

Wainwright, Leon and Asquith, Wendy (2023). ‘Enfin le moment de célébrer? L’art des Caraïbes à la Biennale de Venise’
[A Moment to Celebrate? Art of the Caribbean at the Venice Biennale]. Faire Monde(s), 3 pp. 40–68.

Wakefield, Donna; McEvoy, Mel; Blackburn-Daniels, Sally and Campbell, Siobhan (2023). Tackling the NHS mental health crisis of working through the COVID-19 pandemic; pilot creative writing programme has potential to support wellbeing of recovering healthcare workers. Journal of the Royal College of Physicians of Edinburgh (Early Access).

Walker Gore, Clare (2023). [Book Review] Peter J Katz. Reading Bodies in Victorian Fiction: Associationism, Empathy and Literary Authority. The Review of English Studies, 74(314) pp. 370–372.

Wright, Patrick (2023). Exit Strategy : and Ekphrasis Through The Lens Of The Abstract And The Formless. PhD thesis The Open University.

Yamagata, N. (2023). Thetis and the Shield of Achilles – Reading the Iliad with Auden. In: Paprocki, M; Vos, G. P. and Wright, D. J. eds. The Staying Power of Thetis: Allusion, Interaction, and Reception from Homer to the 21st Century. De Gruyter, pp. 395–410.

2022To Top

Golding, Rosemary ed. (2022). Music in Nineteenth-Century Britain. Routledge Historical Resources. UK: Routledge.

Herbert, Trevor; Clarke, Martin V. and Barlow, Helen eds. (2022). A History of Welsh Music. Cambridge: Cambridge University Press.

Johnson, David and Dee, Henry eds. (2022). 'I See You': The Industrial and Commercial Workers' Union of Africa, 1919-1930. Southern African Historical Documents, 3 (4). Cape Town: Historical Publications Southern Africa.

Swift, Laura ed. (2022). A Companion to Greek Lyric. Blackwell Companions to the Ancient World. Wiley-Blackwell.

Anderson, Stephen; Maclennan, Keith and Yamagata, Naoko (2022). Reading Homer: Iliad Books 16 and 18. The Joint Association of Classical Teachers' Greek Course: Reading Greek. Cambridge: Cambridge University Press.

Antonini, Alessio and Benatti, Francesca (2022). Cultural Challenges of DH Reflecting on DH Waves. In: Digital Humanities Congress 2022, 8-11 Sep 2022, Sheffield, UK.

Barker, Elton (2022). Die Another Day: Sarpedon, Aristodemos, and Homeric Intertextuality in Herodotus. Histos, Supplement(14) pp. 161–210.

Barker, Elton; Foka, Anna; Konstantinidou, Kyriaki; Mostofian, Nasrin; Talatas, Linda; Kiesling, John Brady; Demiroglu, Cenk; Palm, Kajsa; McMeekin, David and Vekselius, Johan (2022). Heritage metadata: a digital Periegesis. In: Koraljka, Golub and Ying-Hsang, Liu eds. Information and Knowledge Organisation in Digital Humanities. London: Routledge, pp. 227–242.

Barker, Emma (2022). Woman in a Turban: Domenichino’s Sibyl, Staël’s Corinne and the Image of Female Genius. Word and Image (In press).

Barlow, Helen and Clarke, Martin V. (2022). Singing Welshness: Sport, Music and the Crowd. In: Herbert, Trevor; Clarke, Martin V. and Barlow, Helen eds. A History of Welsh Music. Cambridge: Cambridge University Press, pp. 332–354.

Beardmore, Carol (2022). Editorial. Family & Community History, 25(1) pp. 1–2.

Beardmore, Carol (2022). ‘This Man is Really an Intolerable Pest’: Perceptions and Treatment of the Disabled in the Workhouse, 1834–1900. Family & Community History, 25(2) pp. 121–139.

Beardmore, Carol Anne (2022). Death, Grief and the Victorian GP: A Case Study of Edward Wrench of Baslow, Derbyshire, 1862 - 1898. Midland History, 47(3) pp. 313–330.

Benatti, Francesca; Vignale, François; Antonini, Alessio and King, Edmund (2022). Reading in Europe—Challenges and lessons learned from the case studies of the READ-IT project. Digital Scholarship in the Humanities (Early Access).

Blackburn, Manuella; Coutinho, Kevin and Suviste, Hayley (2022). The Equality, Diversity and Inclusion Engagement Fellowship Pilot AHRC Funding Scheme Report 2020 - 2022. The Open University.

Blackburn, Manuella and Harkins, Paul (2022). Finding the Female Users: A Feminist Historiography of the Fairlight CMI. In: Rethinking the History of Technology-based Music, 9 Jun 2022, University of Huddersfield.

Blackburn-Daniels, Sally and G. C. King, Edmund (2022). Bookshelves, Social Media and Gaming. English Studies, 103(5) pp. 653–659.

Brooker, Sam; Antonini, Alessio; Benatti, Francesca and Ohge, Christopher (2022). Missed Connections: Hypertext and Book History. In: DH+BH: An Interdisciplinary Conference on Digital Humanities and Book History, 22-24 Sep 2022, Virtual.

Brown, Richard Danson (2022). Literature and Form in the Renaissance. In: Rabinowitz, Paula and Hadfield, Andrew eds. Oxford Research Encyclopedia of Literature. Oxfordre.com. Oxford & New York: Oxford University Press.

Butcher, John and Clarke, Anactoria (2022). ‘Part-time mature students and (the unexpected benefits of?) access to the arts’. In: Broadhead, Samantha ed. Access and Widening Participation in Arts Higher Education: Current Practice and Research. The Arts in Higher Education. Switzerland: Springer Nature - Palgrave Macmillan, pp. 119–139.

Carlin, Brendon Nikolas (2022). Non-typological Architecture: Deterritorialising Interiors in Contemporary Japan. PhD thesis The Open University.

Chambers, Helen (2022). The Torrens as a Space of Writing, Reading, and Performance. In: Liebich, Susann and Publicover, Laurence eds. Shipboard Literary Cultures: Reading, Writing, and Performing at Sea. Maritime Literature and Culture. Cham: Palgrave Macmillan, pp. 185–210.

Clark, Leah (2022). Merchant-banker, Diplomat, Courtier or Agent? Intermediaries and Collecting Art in the Renaissance Courts. In: Reist, Inge ed. When Michelangelo Was Modern: The Art Market and Collecting in Italy, 1450-1650. Studies in the History of Collecting & Art Markets, 14. Leiden: Brill, pp. 34–50.

Clark, Leah R. and Campbell, Caroline (2022). Exhibition and Display. In: Campbell, Erin J. and Miller, Stephanie R. eds. A Cultural History of Furniture in the Middle Ages and Renaissance. A Cultural History of Furniture, 2. London: Bloomsbury.

Clarke, Martin V. (2022). A Brief History of Congregational Song: Shaping Theology through Hymn Compilations. In: Hawn, C. Michael ed. Sing with Understanding (Third Edition). Chicago: GIA, pp. 77–112.

Clarke, Martin V. (2022). Nonconformists and Their Music. In: Herbert, Trevor; Clarke, Martin V. and Barlow, Helen eds. A History of Welsh Music. Cambridge: Cambridge University Press, pp. 218–242.

Clarke, Martin V. and Hawn, C. Michael (2022). An Introduction to the Study of Congregational Song. In: Hawn, C. Michael ed. Sing with Understanding (Third Edition). Chicago: GIA, pp. 441–474.

Clarke, Martin V. and Howard, Beverly A. (2022). How Does a Hymn Mean? In: Hawn, C. Michael ed. Sing with Understanding - Third Edition. Chicago: GIA, pp. 49–76.

Clarke, Martin V. and Moore, Geoffrey C. (2022). "God in Three Persons, Blessed Trinity": Singing the Trinity. In: Hawn, C. Michael ed. Sing with Understanding (Third Edition). Chicago: GIA, pp. 277–286.

Coffey, Helen (2022). Music in Medieval Towns and Cities. Oxford University Press.

Crone, Rosalind (2022). Illiterate Inmates: Educating Criminals in Nineteenth-Century England. Oxford: Oxford University Press.

de Valk, Eva (2022). Acts of Terror: Representations of Terrorism on the Early Modern Stage. PhD thesis The Open University.

Donald, Stephanie Hemelryk and Davies Hayon, Kaya (2022). Green Hell: Detention, art, and activism in an English landscape. Rural Landscapes: Society, Environment, History, 9(1), article no. 2.

Donington, Katie (2022). [Book Review] Blood Legacy: Reckoning with a Family’s History of Slavery by Alex Renton. Slavery & Abolition, 43(3) pp. 671–673.

Drott, Eric and Thompson, Marie (2022). "Is your baby getting enough music?" Musical interventions into gestational labor. Women and Music: a Journal of Gender and Culture, 26 pp. 125–147.

Dueck, Byron and Essele Essele, Kisito (2022). Authority, Deference, and Disregard in Catholic Liturgical Music in Central Cameroon. Ethnomusicology, 66(1) pp. 21–50.

Foka, Anna; Demiroglu, Osman Cenk; Barker, Elton; Mostofian, Nasrin; Konstantinidou, Kyriaki; Kiesling, Brady; Talatas, Linda and Palm, Kajsa (2022). Visualizing Pausanias’s Description of Greece with contemporary GIS. Digital Scholarship in the Humanities, 37(3) pp. 716–724.

Fryers, Mark (2022). Children’s Maritime Television in Britain: Environment, Representation and Identity. In: Olson, Debbie and Schober, Adrian eds. Children, Youth and International Television. Abingdon: Routledge, pp. 91–110.

Gale, Michael (2022). [Book Review] Music, Dance, and Drama in Early Modern English Schools. Journal of Historical Research in Music Education, 44(1) pp. 122–124.

Golding, Rosemary (2022). Music as Therapy for the ‘exceptionally wealthy’ at the Nineteenth-Century Ticehurst Asylum. Royal Musical Association Research Chronicle (Early Access).

Golding, Rosemary (2022). Sounding the Archival Silence: Searching for Music in the Nineteenth-Century English Asylum. Social History of Medicine (Early access).

Graham, Emma-Jayne (2022). The haptic production of religious knowledge among the Vestal Virgins: A hands-on approach to Roman ritual. In: Abigail, Graham and Blanka, Misic eds. Senses, Cognition, and Ritual Experience in the Roman World. Ancient Religion and Cognition. Cambridge: Cambridge University Press, (In Press).

Griffiths, Andrew (2022). Edmund O'Donovan in Asia and Africa: Literary Journalism at the Edge of Empire. The Routledge Companion to World Literary Journalism pp. 239–252.

Gupta, Suman (2022). Political Catchphrases and Contemporary History: A Critique of New Normals. Oxford: Oxford University Press.

Gupta, Suman and Gupta, Ayan-Yue (2022). “Resilience” as a policy keyword: Arts Council England and austerity. Policy Studies, 43(2) pp. 279–295.

Gustar, Andrew J (2022). 'Words by F M Hueffer': A Survey of Song Settings of Ford's Poems. Last Post: A literary journal from the Ford Madox Ford Society, 1(6&7) pp. 30–69.

Hack, Karl (2022). Grand Strategy and Its Layers: Britain and Southeast Asia, 1946–1954. In: Farrell, Brian P.; Long, S.R. Joey and Ulbrich, David J. eds. From Far East to Asia Pacific: Great Powers and Grand Strategy 1900-1954. De Gruyter Studies in Military History, 4. Berlin/Boston: De Gruyter Oldenbourg, pp. 183–214.

Hamer, Laura (2022). [Book Review] Review of Jeanice Brooks (ed.), Nadia Boulanger and Her World (Chicago: University of Chicago Press, 2020). Twentieth-Century Music, 19(1) pp. 159–165.

Harrison, Rebecca (2022). Telephone Networks and Transactional Motherhood in Channel 4's It's A Sin. European Journal of Cultural Studies (Early access).

Haslam, Sara (2022). Losing and Finding Balance: Food as Fordian Diagnostic. Last Post: A literary journal from the Ford Madox Ford Society, 1(5) pp. 47–58.

Haslam, Sara (2022). Biography of a wartime 'miracle': women's literary caregiving 1914 to 1918. In: 3rd Joint GOTH-Health & Wellbeing NetWorkshop, 3 Feb 2022, Online.

Hawn, C. Michael; Clarke, Martin V. and Howard, Beverly A. (2022). Christian Hymn: A Proposed Definition. In: Hawn, C. Michael ed. Sing with Understanding - Third Edition. Chicago: GIA, pp. 41–48.

Haywood, Jan and Post, Doris (2022). The downfall of Croesus and Oedipus: Tracing affinities between Herodotus’ Histories and Sophocles’ Oedipus Tyrannus. Classical World, 115(3) pp. 225–259.

Hazareesingh, Sandip (2022). Food Heritage for Sustainable Futures: Women's Cultures and Knowledge as Hidden Pillars of Alternative Foodways. In: Cross, Charlotte and Giblin, John D. eds. Critical Approaches to Heritage for Development. Rethinking Development. London: Routledge, pp. 108–123.

Hind, Heather (2022). The Unrealised Potential of Robert Browning’s “Gold Hair”. European Journal of English Studies, 26(1) pp. 145–161.

Johnson, David (2022). ‘With the Abyssinian Armies, in Defence of Africa’s Only Native State’: Varieties of South African Anti-Fascism, 1930s–1960s. South African Historical Journal, 74(1) pp. 55–74.

Jones, Richard J (2022). ‘The pamphlet on the table’: The Life and Adventures of Sir Launcelot Greaves. In: Poplawski, Paul ed. Studying English Literature in Context. Cambridge: Cambridge University Press, pp. 183–198.

King, Edmund G. C. (2022). Unpacking the “Red Flag” Bookshelf: Negotiating Literary Value on Twitter. English Studies, 103(5) pp. 706–731.

King, Edmund G.C. (2022). From Common Reader to Canon: Memorialising the Shakespeare-Reading British Soldier during the First World War. In: King, Edmund G.C. and Smialkowska, Monika eds. Memorialising Shakespeare: Commemoration and Collective Identity, 1916-2016. Palgrave Shakespeare Studies. Basingstoke: Palgrave Macmillan, pp. 35–64.

Kolassa, Alexander (2022). ‘A crazy clutter of the mediaeval, medical mind’: Ken Russell, Peter Maxwell Davies, and Modernist Medievalism in The Devils. Journal of the Royal Musical Association, 147(1) pp. 135–170.

Kolassa, Alexander (2022). The medievalist origins of (British) modernist music. In: Falconieri, Tommaso di Carpegna; Savy, Pierre and Yawn, Lila eds. Middle Ages without Borders: an international conversation on medievalism. Rome: École française de Rome.

Kynan-Wilson, William (2022). [Book Review] Eivor Andersen Oftestad, The Lateran Church in Rome and the Ark of the Covenant: Housing the Holy Relics of Jerusalem. With an Edition and Translation of the Descriptio Lateranensis Ecclesiae (BAV Reg. Lat. 712). Woodbridge: Boydell & Brewer, 2019. Crusades, 21(1) pp. 178–179.

Langley, Chris R. (2022). Clergy widows in early modern Scotland. Scottish Church History, 51(2) pp. 111–132.

Lee, Peggy Kyoungwon; Oliveira, Pedro; Osman, Shanti Suki and Thompson, Marie (2022). A Conversation on Race, Sound, and the Im/possibility of Decolonised Listening. In: Ismaiel-Wendt, Johannes Salim and Schoon, Andi eds. Postcolonial Repercussions: On Sound Ontologies and Decolonised Listening. Sound Studies, 6. Bielefeld: transcript Verlag, pp. 45–58.

Lora-Wainwright, Anna; Wainwright, Leon and Loong, Shona (2022). British Chinese or British ESEA? Articulating creativity and care across scales and disciplines. British Journal of Chinese Studies, 12(1) pp. 138–142.

Lymberopoulou, Angeliki (2022). Heavenly Beings: Icons of the Orthodox Christian World. Auckland Art Gallery Toi O Tamaki, Auckland Art Gallery Toi O Tamaki.

Mac Cathmhaoill, Dónall (2022). Boundaries: Respecting Authenticating Limits in the Production of a Play on Trans Marginality. Platform: Journal of Theatre and Performing Arts, 16(1) pp. 111–117.

McPherson, Elaine; Clarke, Anactoria; Gallen, Anne-Marie; Keys, Mary and Wolf, Petra (2022). Improving gender balance through a Combined STEM degree. In: 15th Annual International Conference of Education, Research and Innovation, 7-9 Nov 2022, Seville, Spain.

Michael-Fox, Bethan (2022). [Book Review] Navigating miscarriage: social, medical and conceptual perspectives edited by Susie Kilshaw and Katie Berg. Mortality, 27(1) pp. 126–127.

Michael-Fox, Bethan (2022). [Book Review] Mediated Death by Johanna Sumiala, Cambridge, Polity Press, 2022. Mortality, 27(4) pp. 519–520.

Michael-Fox, Bethan (2022). Michael-Fox on Caswell, 'Dying Alone: Challenging Assumptions'. H-Death, H-Net Reviews.

Michael-Fox, Bethan (2022). [Book Review] Death in Contemporary Popular Culture edited by Adriana Teodorescu and Michael Hviid Jacobsen. Revenant: Critical and Creative Studies of the Supernatural, 8 pp. 422–424.

Michael-Fox, Bethan (2022). [Review] HEAR ME… Voices from a Care Home during the Covid 19 Pandemic by Anna Mankee-Williams and Ruth Heholt. The Revenant, 8 pp. 425–429.

Michael-Fox, Bethan (2022). [Book Review] Man-Eating Monsters: Anthropocentrism and Popular Culture by Dina Khapaeva (Editor). Revenant: Critical and Creative Studies of the Supernatural(8) pp. 430–432.

Michael-Fox, Bethan (2022). Practising Creative and Autobiographical Writing: Writing, Death and the Self. In: Richard, Povall and Mat, Osmond eds. Borrowed Time: on death, dying & change. Dartington: Art.Earth, pp. 325–338.

Michael-Fox, Bethan and Visser, Renske (2022). Death for Young Adult Audiences: Complexity, Complicity and Critique in Pretty Little Liars. Revenant: Critical and Creative Studies of the Supernatural(8) pp. 20–46.

Michael-Fox, Bethan and Visser, Renske (2022). Death and the Screen [Special Issue]. Revenant Journal: Issue 8.

Middle, Sarah (2022). Investigating Linked Data Usability for Ancient World Research. PhD thesis The Open University.

Mombauer, Annika (2022). Statesman of Europe: A Life of Sir Edward Grey [Book review]. Diplomacy & Statecraft, 33(2) pp. 406–407.

Mooney, James; Green, Owen and Williams, Sean (2022). Instrumental, Hermeneutic, and Ontological Indeterminacy in Hugh Davies’s Live Electronic Music. Contemporary Music Review, 41(2-3) pp. 193–215.

Murray, Andrew (2022). A Field of Invention: Fictive Frames in Van Eyck’s Portraits. In: Lecuppre-Desjardin, Elodie and Nils, Bock eds. Innovation and Medieval Communities (1200-1500). Turnhout: Brepols, (In press).

Murray, Andrew (2022). Mourning and Non-Ordered Religious Behaviour in the Tombs of Philip the Bold, John the Fearless and Margaret of Bavaria. Netherlands Yearbook for History of Art / Nederlands Kunsthistorisch Jaarboek, 72

Norrick-Rühl, Corinna and Towheed, Shafquat (2022). Introduction. In: Norrick-Rühl, Corinna and Towheed, Shafquat eds. Bookshelves in the Age of the COVID-19 Pandemic. New Directions in Book History. Cham: Palgrave Macmillan, pp. 1–27.

O'Shea, Helen (2022). Cultural histories, reproductive rights and collective remembering: Contemporary Ireland and Scotland in a post-Roe v. Wade world. Scottish Affairs, 31(4) pp. 473–479.

Plassart, Anna (2022). ‘The Scheme which Began the Calamities of Europe’: Scottish Writers on the First Polish Partition. In: Clure, Graham ed. Rousseau, Poland and Europe. Brill, (In press).

Plassart, Anna (2022). Montesquieu, Smith and Burke on the "labouring poor": an eighteenth-century debate. In: O'Flaherty, Niall and Mills, R. W. eds. Ideas of Poverty. Manchester: Manchester University Press (In Press).

Plassart, Anna and Bonin, Hugo (2022). Democratic struggle or national uprising? The Canadian rebellions in British political thought, 1835–1840. Global Intellectual History, 7(1) pp. 28–46.

Plastow, Christine (2022). ASPECTS OF ATHENIAN COURT RHETORIC - (A.) Glazebrook Sexual Labor in the Athenian Courts. Pp. xviii + 246, ills, maps. Austin: University of Texas Press, 2021. Cased, US\$55. ISBN: 978-1-4773-2440-0. The Classical Review pp. 1–3.

Probert, Thomas (2022). Psychiatric casualties and the British counter-insurgency in Malaya. Small Wars & Insurgencies, 33(3) pp. 528–549.

Reeve, Michael (2022). Managing risk in the ‘danger zone’: Defensive infrastructure and public safety discourses on the north-east coast of England during the First World War. Coastal Studies & Society, 1(2-4) pp. 180–208.

Reeve, Michael (2022). [Book Review] Beyond Trawlertown: memory, life and legacy in the wake of the Cod Wars by Jo Byrne. International Journal of Regional and Local History, 17(2) pp. 115–116.

Richardson, Heather (2022). 'The Mermaid's Curse': Case Study of a Multimodal Work-in-Progress. Writing in Practice, 7 pp. 18–29.

Robinson, Joel (2022). The City on Display: Architecture Festivals and the Urban Commons. Routledge Research in Architecture Series. London: Routledge.

Robson, James (2022). Aristophanes: Lysistrata. Bloomsbury Ancient Comedy Companions. London: Bloomsbury Publishing.

Rowland, David (2022). Further Light on Clementi's 1807 Contract with Beethoven. In: Miller, Malcolm and Kinderman, William eds. Beethoven the European: Transcultural Contexts of Performance, Interpretation and Reception. Speculum Musicae (48). Turnhout: Brepols, pp. 203–216.

Sciampacone, Amanda (2022). The ‘Scourge of Modern Times’: Cholera, Race, and Empire in Early Nineteenth-Century British Illustrated Print Culture. Journal of Victorian Culture, 27(2) pp. 356–369.

Shail, Andrew and Harrison, Rebecca (2022). Editorial. Early Popular Visual Culture, 20(4) pp. 291–292.

Stevens, Amanda (2022). ‘Home on the Rails’: The design, fitting and decoration of train interiors in Britain c. 1920-1955. PhD thesis The Open University.

Sutton-Vane, Angie (2022). Debate: The preservation of police force records for future research—Why it is important, what is failing and lessons that can be learned. Public Money & Management, 42(1) pp. 8–9.

Thofner, Margit (2022). Why Giants? In: Verberckmoes, Johan ed. Zwierige Reuzen in de 18e eeuw en de Lierse ommegang van 1722. Lier: Gezellen van 't Groot Volk, pp. 18–35.

Tickell, Alex (2022). 1962’s Sino-Indian border war lasted four weeks – internment of India’s Chinese community lasted years. The Conversation.

Towheed, Shafquat (2022). An Examination of Bookshelves in the Age of the COVID-19 Pandemic as a “Liminal Space”. In: Norrick-Rühl, Corinna and Towheed, Shafquat eds. Bookshelves in the Age of the COVID-19 Pandemic. New Directions in Book History. Cham: Palgrave Macmillan, pp. 31–47.

Towheed, Shafquat; Antonini, Alessio; Benatti, Francesca and Brooker, Sam (2022). Reading Transmedia: Re-contextualising the Written Word in Popular Web-native Genres. In: SHARP 2022 – Power of the Written Word, 11-15 Jul 2022, Amsterdam, NL.

Trott, Vincent (2022). The Poetic Marketplace. In: Potter, Jane ed. A History of World War One Poetry. Cambridge: Cambridge University Press, pp. 19–34.

Vincent, David (2022). [Book Review] Katie Hindmarch-Watson. Serving a Wired World. London’s Telecommunications Workers and the Making of an Information Capital. The American Historical Review, 127(1) pp. 543–544.

Wainwright, Leon (2022). A New Paradigm, Moving on from Bakhtin. Journal of Festival Culture Inquiry and Analysis, 1(1) pp. 28–32.

Wainwright, Leon (2022). Taste and geographical movement in contemporary art of the Caribbean. Caribbean Intransit, 3(6) pp. 36–47.

Wainwright, Leon (2022). A suitable distance? Revisiting a millennial approach to curating art in the Caribbean. Art Journal, 81(3) pp. 39–52.

Yamagata, Naoko (2022). Socrates the Homer-lover as portrayed in Plato, Xenophon and Aristophanes. Synthesis, 29(1), article no. e118.

Younger, Neil (2022). New Light on Henry Lanman, Owner of the Curtain. Early Theatre, 25(1) pp. 117–125.

Younger, Neil (2022). Religion and politics in Elizabethan England: The life of Sir Christopher Hatton. Politics, Culture and Society in Early Modern Britain. Manchester: Manchester University Press.

2021To Top

Hamer, Laura ed. (2021). The Cambridge Companion to Women in Music since 1900. Cambridge Companions. Cambridge: Cambridge University Press.

Hughes, Jessica ed. (2021). Material Religion in Pompeii. Open University: Open Arts Journal.

King, Edmund G.C. and Smialkowska, Monika eds. (2021). Memorialising Shakespeare: Commemoration and Collective Identity, 1916-2016. Palgrave Shakespeare Studies (PASHST). Basingstoke: Palgrave Macmillan.

Kynan-Wilson, William; Fonnesberg-Schmidt, Iben; Opitz-Trotman, Gesine and Lauge Christensen, Emil eds. (2021). The Papacy and Communication in the Central Middle Ages. London: Routledge.

Kynan-Wilson, William and Munns, J. M. eds. (2021). Henry of Blois: New Interpretations. Woodbridge: Boydell & Brewer.

Langley, Chris R.; McMillan, Catherine E. and Newton, Russell eds. (2021). The Clergy in Early Modern Scotland. St Andrews Studies in Scottish History, 9. Woodbridge: Boydell Press.

Wood, Paul; Wainwright, Leon and Harrison, Charles eds. (2021). Art in Theory: The West in the World - An Anthology of Changing Ideas. Art in Theory -- An Anthology of Changing Ideas. United States: Wiley-Blackwell.

Antonini, Alessio; Benatti, Francesca; Watson, Nicola; King, Edmund and Gibson, Jonathan (2021). Death and Transmediations: Manuscripts in the Age of Hypertext. In: HT '21: Proceedings of the 32nd ACM Conference on Hypertext and Social Media, Association for Computing Machinery, New York, NY, USA, pp. 17–26.

Antonini, Alessio; Suárez-Figueroa, Mari Carmen; Adamou, Alessandro; Benatti, Francesca; Vignale, François; Gravier, Guillaume and Lupi, Lucia (2021). Understanding the phenomenology of reading through modelling. Semantic Web Journal, 12(2) pp. 191–217.

Arts & Ideas Podcast (2021). New Thinking: Diverse Classical Music. BBC Radio 3.

Axioti, Eleni (2021). Architecture as an Apparatus of Governance: (British) Architecture from the Welfare State to the State of Neoliberal Workfare. PhD thesis The Open University.

Baker-Bates, Piers (2021). Portraying the Ideal Spanish Tridentine Prelate. In: Baker-Bates, Piers and Brooke, Irene eds. Portrait Cultures of the Early Modern Cardinal. Visual and Material Culture, 1300-1700. Amsterdam: Amsterdam University Press, pp. 343–370.

Baker-Bates, Piers (2021). Spanish Painting: Recreating a Perceived ‘Golden Age’. In: Potter, Matthew C. ed. Representing the Past in the Art of the Long Nineteenth Century. Routledge, pp. 106–123.

Baker-Bates, Piers and Brooke, Irene (2021). Portraying the Princes of the Church. In: Baker-Bates, Piers and Brooke, Irene eds. Portrait Cultures of the Early Modern Cardinal. Visual and Material Culture, 1300–1700. Amsterdam: Amsterdam University Press, pp. 21–42.

Barker, Elton (2021). On Space, Place, and Form in Herodotus’ Histories. Histos, 15 pp. 88–130.

Barker, Elton (2021). Geography. In: Baron, Christopher ed. The Herodotus Encyclopedia. John Wiley & Sons.

Barker, Elton and Christensen, Joel (2021). An epic Heracles. In: Ogden, Daniel ed. The Oxford Handbook of Heracles. Oxford Handbooks Online. Oxford: Oxford University Press, pp. 283–300.

Barker, Elton; Isaksen, Leif and O'Doherty, Marianne (2021). Introduction to the Pelagios special issue. International Journal of Humanities and Arts Computing, 15(1-2) pp. 1–4.

Barker, Naomi J (2021). Frescobaldi at the Ospedale di Santo Spirito: a portfolio career in seventeenth-century Rome. Early Music, 49(3) pp. 395–412.

Benatti, Francesca and Antonini, Alessio (2021). Into the Macroscope: Systematic integration of micro- and macro-scale study of digital reading. In: The 17th IGEL Conference, 23 Jun - 26 Jun 2021, University of Liverpool (Remote).

Benatti, Francesca; Gooding, Paul and Sillence, Matthew (2021). Learning Digital Humanities in a Community of Practice: the DEAR model of Postgraduate Research Training. Digital Humanities Quarterly, 15(3)

Benton, Tim (2021). Milieu, spirit, flesh and fusion in Le Corbusier’s life and work. ZARCH(17) pp. 12–41.

Betts, Eleanor (2021). [Book Review] Greg Woolf. The Life and Death of Ancient Cities: A Natural History (Oxford: Oxford University Press, 2020). European Journal of Archaeology, 24(4) pp. 559–562.

Blackburn, Manuella (2021). In Her Own Words: Practitioner Contribution 3. In: Laura, Hamer ed. The Cambridge Companion to Women in Music since 1900. Cambridge Companions. Cambridge University Press, pp. 228–234.

Blackburn-Daniels, Sally and Geoffroy, Sophie (2021). “Traces of the exotic” in Vernon Lee’s “Oke of Okehurst; Or, The Phantom Lover”. Women's Writing, 28(4) pp. 569–588.

Bridges, Emma (2021). Small grants, big impact: The Institute of Classical Studies’ seed funding scheme for public engagement. Research for All, 5(2) pp. 290–301.

Bridges, Emma and Stead, Henry (2021). [Subject Review] Reception. Greece and Rome, 68(2) pp. 348–352.

Brunet, Luc-André (2021). [Book review] Mohammed Lakhdar Ghettas. Algeria and the Cold War: International Relations and the Struggle for Autonomy. The American Historical Review, 126(1) pp. 427–429.

Brunton, Deborah (2021). [Book Review] Michael Bennett, War Against Smallpox. Edward Jenner and the Global Spread of Vaccination. Social History of Medicine, 34(1) pp. 331–332.

Burrows, Donald (2021). Handel’s singers from the London choirs. Early Music, 49(2) pp. 173–183.

Butcher, John and Clarke, Anactoria (2021). Widening HE participation in the arts: Impacts of an access module on learner preparedness. Arts and Humanities in Higher Education, 20(4) pp. 403–425.

Butler, Sarah (2021). Writing Home: An Exploration of The Writing of Jack and Bet (A Novel) And A Consideration of What the Novel – As A Space and A Practice – Might Offer to Our Understanding of The Concept of Home, And What A Consideration of Home Might Offer to Our Understanding of The Novel. PhD thesis The Open University.

Calver, Kay and Michael-Fox, Bethan (2021). Under pressure: representations of student suicide in British documentary television. Mortality, 26(4) pp. 376–393.

Calver, Kay and Michael-Fox, Bethan (2021). Constructing the university student in British documentary television. In: Brooks, Rachel and O'Shea, Sarah eds. Reimagining the Higher Education Student: Constructing and Contesting Identities. London: Routledge, pp. 151–168.

Campbell, Siobhan (2021). New Poetry | Filíocht Nua. New Hibernia Review, 25(2) pp. 76–88.

Cathcart, Charles (2021). A Source for the Satirised Vocabulary in Poetaster. Notes and Queries, 68(1) pp. 136–138.

Cathcart, Charles (2021). John Day and Edward Sharpham at the Black and White Friars. Medieval & Renaissance Drama in England, 34 pp. 19–40.

Charnley, Kim (2021). Sociopolitical Aesthetics: Art, Crisis and Neoliberalism. Radical Aesthetics-Radical Art. London: Bloomsbury Publishing.

Clarke, Anactoria (2021). Manti kakon: The Uncanny Prophecies of Calchas in the Iliad and Beyond. Preternature: Critical and Historical Studies on the Preternatural, 10(1) pp. 11–33.

Clarke, Martin V. (2021). Charles Wesley, Methodism and new art music in the long eighteenth century. Eighteenth-Century Music, 18(2) pp. 271–293.

Clarke, Martin V. (2021). Music. In: Barbeau, Jeffrey W. ed. The Cambridge Companion to British Romanticism and Religion. Cambridge Companions. Cambridge: Cambridge University Press, pp. 293–310.

Coffey, Helen (2021). Life as an Emperor's Musician. Musikleben des Spätmittelalters in der Region Österreich.

Conway, David and Williams, Chris (2021). The role of trade unions in promoting wellbeing. In: Mental Health and Wellbeing Conference, 1-2 Dec 2021, The Open University, Milton Keynes, United Kingdom.

Crisp, Lindsay P (2021). Breaking Down Colston: Destruction and transformation in London and Bristol. The Jugaad Project

Cui, Feng and Tickell, Alex (2021). Han Suyin: The little voice of decolonizing Asia. Journal of Postcolonial Writing, 57(2) pp. 147–153.

da Sousa Correa, Delia (2021). ‘Fragmented Music, Fragmented Minds: Janet Frame's Faces in the Water (1961)’. In: Bernhart, Walter and Englund, Axel eds. Arts of Incompletion: Fragments in Words and Music. Word and Music Studies (18). Amsterdam: Brill.

De Ornellas, Kevin and Mac Cathmhaoill, Dónall (2021). Addressing the legacy of inter-communal violence through drama: mainstream theatre and community drama. Glencree Journal, 2021 pp. 164–174.

Dee, Ashley (2021). “A System of Maltreatment”: Marital Cruelty in Victorian Glasgow. PhD thesis The Open University.

Doloughan, Fiona (2021). Literary Translingualism and Fiction. In: Kellman, Steven G. and Lvovich, Natasha eds. Routledge Handbook of Literary Translingualism. Routledge Literature Handbooks. Routledge, pp. 31–42.

Dooley, James and Hall, Simon (2021). MYtrOmbone: exploring gesture controlled live electronics in solo trombone performance. In: Proceedings of the International Computer Music Conference 2021 (Cádiz, Rodrigo F. ed.), International Computer Music Association, Inc., San Francisco, CA, pp. 23–26.

Fallas, Rebecca (2021). ‘Infertile’ and ‘sub-fertile’ semen in the Hippocratic Corpus and the biological works of Aristotle. In: Bradley, Mark; Leonard, Victoria and Totelin, Laurence eds. Bodily Fluids in Antiquity. Routledge, pp. 120–133.

Foka, Anna; McMeekin, David A.; Konstantinidou, Kyriaki; Mostofian, Nasrin; Barker, Elton; Demiroglu, O. Cenk; Chiew, Ethan; Kiesling, Brady and Talatas, Linda (2021). Mapping Ancient Heritage Narratives with Digital Tools. In: Champion, E. M. ed. Virtual Heritage: A Guide. London: Ubiquity Press, pp. 55–65.

Fryers, Mark (2021). The haunted seas of british television: nation, environment and horror. Gothic Nature, II pp. 131–155.

Fryers, Mark (2021). ‘It’s not ghosts, it’s history’: The Sonic Tradition of British Horror Television. In: Abbott, Stacey and Jowett, Lorna eds. Global TV Horror. Cardiff: The University of Wales Press, pp. 33–48.

Goh, Annie and Thompson, Marie (2021). Sonic Cyberfeminisms: Introduction. Feminist Review, 127(1) pp. 1–12.

Golding, Rosemary (2021). Music and Moral Management in the Nineteenth-Century English Lunatic Asylum. Mental Health in Historical Perspective, 1. Cham, Switzerland: Palgrave Macmillan.

Goodrich, Amanda (2021). [Book review] Ryan Hanley. Beyond Slavery and Abolition: Black British Writing, c. 1770–1830. The American Historical Review, 126(1) pp. 381–382.

Graham, Emma-Jayne (2021). At home with the Lares: lived religion rematerialised at Pompeii. Open Arts Journal, 10(2) pp. 33–50.

Graham, Emma-Jayne (2021). Interactional sensibilities: bringing ancient disability studies to its archaeological senses. In: Adams, Ellen ed. The Forgotten Other: Disability Studies and the Classical Body. Studies in Ancient Disabilities. Abingdon: Routledge, pp. 165–191.

Granieri, Niccolò; Dooley, James and Michailidis, Tychonas (2021). Retaining pianistic virtuosity in #MIs: Exploring pre-existing gestural nuances for live sound modulation through a comparative study. In: Hepworth-Sawyer, Russ; Paterson, Justin and Toulson, Rob eds. Innovation in Music: Future Opportunities. Abingdon, UK: Routledge.

Griffiths, Andrew (2021). Masculinity, Madness and Empire in Kipling’s ‘Thrown Away’ and ‘The Madness of Private Ortheris’. Journal of Victorian Culture, 26(4) pp. 552–567.

Gupta, Suman (2021). Procedural Democracy and Electronic Agents. AI Magazine, 42(1) pp. 30–38.

Gupta, Suman (2021). The University as a Political Site: 1968 and Now. European Review, 29(6) pp. 725–737.

Gupta, Suman and GRAF (2021). Brazil: the real dystopia project. Disjunctures, pandemics, and politics under Bolsonaro. Digithum(27) pp. 1–11.

Hack, Karl (2021). [Book Review] A Global History of Relocation in Counterinsurgency Warfare by Edward J. Erickson (ed.). Journal of Contemporary History, 56(4) pp. 1203–1205.

Hack, Karl (2021). The Malayan Emergency: Revolution and Counterinsurgency at the End of Empire. Cambridge Military Histories. Cambridge: Cambridge University Press.

Hamer, Laura (2021). 'Preface'. In: Hamer, Laura ed. The Cambridge Companion to Women in Music since 1900. Cambridge: Cambridge University Press, xxi-xxix.

Hamer, Laura (2021). 'On the Podium: Women Conductors'. In: Hamer, Laura ed. The Cambridge Companion to Women in Music since 1900. Cambridge: Cambridge University Press, pp. 64–79.

Haslam, Sara and King, Edmund G. C. (2021). “Medicinable Literature”: Bibliotherapy, Literary Caregiving, and the First World War. Literature and Medicine, 39(2) pp. 296–318.

Haywood, Jan (2021). The use(s) of inscriptions in Herodotus’ Histories. American Journal of Philology, 142(2) pp. 217–257.

Haywood, Jan (2021). Lade. In: Baron, Christopher ed. The Herodotus Encyclopedia. Wiley-Blackwell.

Hazareesingh, Sandip (2021). 'Our grandmother used to sing whilst weeding': Oral histories, millet food culture, and farming rituals among women smallholders in Ramanagara district, Karnataka. Modern Asian Studies, 55(3) pp. 938–972.

Hazareesingh, Sandip (2021). [Book review] Flachs, Andrew. Cultivating Knowledge: Biotechnology, Sustainability, and the Human Cost of Cotton Capitalism in India. The AAG Review of Books, 9(4) pp. 12–14.

Hobden, Fiona (2021). Travels with Odysseus and the Odyssey in twenty-first-century television documentaries. In: Potter, Amanda and Gardner, Hunter eds. Ancient Epic in Film and Television. Screening Antiquity. Edinburgh: Edinburgh University Press, pp. 135–151.

Howard, Patricia (2021). Guadagni in Handel’s London: the formation of a voice. Early Music, 49(2) pp. 195–210.

Hughes, Jessica (2021). Material religion and Pompeii: introduction. Open Arts Journal(10) pp. 3–12.

Kahn, Rebecca; Isaksen, Leif; Barker, Elton; Simon, Rainer; de Soto, Pau and Vitale, Valeria (2021). Pelagios – Connecting Histories of Place. Part II: From Community to Association. International Journal of Humanities and Arts Computing, 15(1-2) pp. 85–100.

Katritzky, M A (2021). William Hogarth and Book Illustration: Visualizing “Otherness” in pre-Victorian images of Shakespeare’s Caliban. In: Pietrini, Sandra ed. Shakespearean Characters Transposed: Iconography, Adaptations, Cultural Exchanges and Staging. L’immaginario teatrale, 1. Alessandria: Edizioni dell’Orso, 65-83 & 237-241.

Katritzky, M. A. (2021). William Hogarth (1697–1764) and book illustration I: Hudibras, Quixote and the Littlecote House murals. Theatralia, 24(1) pp. 313–356.

Katritzky, M. A. (2021). Unreliable Memories: Documenting the Scenography of the 1589 Florentine intermedi. European Medieval Drama, 25 pp. 239–281.

Katritzky, M. A. (2021). Generisches und spezifisches Anderssein: Shackshoone (1665–1680), Antonio Martinelli (1718–1740) und frühneuzeitliche Darstellungen von menschlichen Doppelfehlbildungen. In: Stolberg, Michael ed. Körper-Bilder in der Frühen Neuzeit: Kunst-, medizin- und mediengeschichtliche Perspektiven. Schriften des Historischen Kollegs Herausgegeben von Hartmut Leppin Kolloquien 107. Berlin/Boston: Walter de Gruyter GmbH, pp. 199–228.

King, Edmund and Smialkowska, Monika (2021). Introduction: Memorialising Shakespeare, Memorialising Ourselves. In: King, Edmund and Smialkowska, Monika eds. Memorialising Shakespeare: Commemoration and Collective Identity, 1916-2016. Palgrave Shakespeare Studies (PASHST). Basingstoke: Palgrave Macmillan, pp. 1–32.

King, Edmund G. C. (2021). [Book Review] Book Traces: Nineteenth-Century Readers and the Future of the Library, by Andrew M. Stauffer. Library & Information History, 37(2) pp. 186–187.

King, Helen (2021). Seeing the bigger picture: what is gynaecology for? Ágora: Estudos Clássicos em Debate, 23(1) pp. 17–48.

King, Helen (2021). A history of our own? Using Classics in disability histories. In: Adams, Ellen ed. Disability Studies and the Classical Body: The Forgotten Other. Routledge Studies in Ancient Disabilities. London: Routledge, pp. 237–263.

King, Helen (2021). Opening the body of fluids: Taking in and pouring out in Renaissance readings of Classical women. In: Bradley, Mark; Leonard, Victoria and Totelin, Laurence eds. Bodily Fluids in Antiquity. London: Routledge, pp. 381–398.

King, Helen (2021). ‘Treating the Patient, Not Just the Disease’: Reading Ancient Medicine in Modern Holistic Medicine. In: Thumiger, Chiara ed. Holism in Ancient Medicine and its Reception. Leiden: Brill, pp. 402–424.

Kolassa, Alexander (2021). [Book Review] The Oxford Handbook of Music and Medievalism. Ed. by Stephen C. Meyer and Kirsten Yri. Music and Letters, 102(1) pp. 143–145.

Kolassa, Alexander (2021). Intertextuality and (modernist) medievalism in British post-war music. In: Kostka, Violetta; Castro, Paulo Ferreira de and Everett, William eds. Intertextuality in Music: Dialogical Composition. London: Routledge, pp. 114–128.

Kynan-Wilson, William (2021). Henry of Blois and the construction of Roman identity. In: Kynan-Wilson, William and Munns, J. M. eds. Henry of Blois: New Interpretations. Woodbridge: Boydell & Brewer, pp. 185–208.

Kynan-Wilson, William and Munns, J. M. (2021). Introduction: Approaches to Henry of Blois. In: Kynan-Wilson, William and Munns, J. M. eds. Henry of Blois: New Interpretations. Woodbridge: Boydell & Brewer, pp. 1–25.

Kyratsou, Chrysi; McNulty Burrows, Cathrinea; Nguyen, Hoa; Barry, Heather E. and Simones, Lilian (2021). [Editorial] Introducing the IMPACT Journal and its First Issue. International Modern Perspectives in Academia and Community Today(1)

Langley, Chris R. (2021). Parish Politics and Godly Agitation in Late Interregnum Scotland. Church History, 90(3) pp. 557–578.

Langley, Chris R. (2021). Anticlericalism in Early Modern Scotland? In: Langley, Chris R.; McMillan, Catherine E. and Newton, Russell eds. The Clergy in Early Modern Scotland. St Andrews Studies in Scottish History, 9. Woodbridge: Boydell Press, pp. 89–110.

Layton-Jones, Katy (2021). [Book Review] Greening the City: Nature in French Towns from the 17th Century. By Charles-François Mathis and Émilie-Anne Pepy. Urban History, 48(4) pp. 754–756.

Mackie, Robin (2021). [Book review] Müller (ed.), Scotland and Arbroath 1320–2020. 700 years of Fighting for Freedom, Sovereignty, and Independence. The Scottish Historical Review, 100(1) pp. 152–155.

Marsden, Richard (2021). Blaenau Gwent REACH Summary Report. Open University in Wales, Cardiff.

Marsden, Richard (2021). [Book Review] The First Scottish Enlightenment: Rebels, Priests and History. By Kelsey Jackson Williams. Scottish Historical Review, 100(2) pp. 293–295.

Marsden, Richard and Ford, Elizabeth (2021). Blaenau Gwent REACH Online Exhibition. The OU in Wales, Cardiff.

McEneaney, Sinead (2021). “Not picketing in front of bra factories...”: Marxism, feminism, and the Weather Underground. In: Phelps, Christopher and Vandome, Robin eds. Marxism and America: New Appraisals. Manchester: Manchester University Press.

Michael-Fox, Bethan and Coward-Gibbs, Matt (2021). Sexual Encounters Between the Living and the (Un) dead in Popular Culture. In: Gibson, Rebecca and Vanderveen, James M. eds. Gender, Supernatural Beings, and the Liminality of Death Monstrous Males/Fatal Females. New York: Rowman and Littlefield.

Michael-Fox, Bethan and Visser, Renske (2021). The Death Studies Podcast. The Death Studies Podcast.

Michell, Sophie (2021). Historical Infanticide Through An Interdisciplinary Lens. Postgraduate Research Poster Competition, The Open University.

Murray, Andrew (2021). Burgundian Sword Ritual: Charismatic and Regnal Authority at the Funeral of Philip the Good in Bruges, 1467. The Court Historian - The International Journal of Court Studies, 26(1) pp. 11–28.

Murray, Andrew (2021). Philip the Bold’s Tomb (1412): Creative Agency, Courtly Patronage and Labour History. In: Cordez, Philippe ed. Mittelalter und Mittelalterbild / Le Moyen Âge et son image. Heidelberg: Heidelberg University Publishing.

Olney, Tom; Walker, Steve; Wood, Carlton and Clarke, Anactoria (2021). Are We Living in LA (P)LA Land? Reporting on the Practice of 30 STEM Tutors in Their Use of a Learning Analytics Implementation at The Open University. Journal of Learning Analytics, 8(3) pp. 45–59.

Parsons, Isabelle (2021). "You just stood there and watched": The Transformative Power of a Woman’s Withholding in Edith Wharton’s Sanctuary. Edith Wharton Review, 37(2) pp. 151–167.

Paul, Joanna (2021). In Search of the Lost City: The Enduring Absence of Pompeii. In: Geue, Tom and Giusti, Elena eds. Unspoken Rome: Absence in Latin Literature and its Reception. Cambridge: Cambridge University Press, pp. 250–269.

Paul, Joanna (2021). Afterword. In: Potter, Amanda and Gardner, Hunter eds. Ancient Epic in Film and Television. Edinburgh: Edinburgh University Press, pp. 233–239.

Perkins, Phil (2021). The Etruscan pithos revolution. In: Gleba, Margarita; Marín-Aguilera, Beatriz and Dimova, Bela eds. Making cities: Economies of production and urbanization in Mediterranean Europe, 1000–500 BC. McDonald Institute Conversations. Cambridge, UK: McDonald Institute for Archaeological Research, pp. 231–258.

Plassart, Anna (2021). [Book Review] Parliamentarism: From Burke to Weber. European Journal of Political Theory, 21(4) pp. 836–846.

Plassart, Anna (2021). “Sovereign of the Sea”: Adam Ferguson on Britain’s Empire. In: Brown, Michael and Hill, Jack A. eds. Adam Ferguson Unfurled. Aberdeen: Aberdeen University Press (In Press).

Plassart, Anna and Forbes, Suzanne (2021). La « nationalité » dans les discours parlementaires britanniques au XIXe siècle. Mots: Les langages du politique, 121 pp. 15–36.

Plassart, Anna and Mosher, Michael (2021). Introduction: A Cultural History of Democracy in the Age of Enlightenment. In: Plassart, Anna and Mosher, Michael eds. A Cultural History of Democracy in the Age of Enlightenment. London: Bloomsbury, pp. 1–16.

Plastow, Christine (2021). [Book review] Democratic Law in Classical Athens, written by Michael Gagarin. Polis: The Journal for Ancient Greek and Roman Political Thought, 38(2) pp. 332–335.

Post, Doris (2021). [Book Review] D. Kovacs Sophocles Oedipus the King: A New Verse Translation. Oxford: Oxford University Press, 2020. The Journal of Hellenic Studies, 141 pp. 251–252.

Post, Doris (2021). [Book Review] P.J. Finglass Sophocles (Greece and Rome New Surveys in the Classics 44). Cambridge: Cambridge University Press, 2019. The Journal of Hellenic Studies, 141 pp. 250–251.

Prescott, Lynda (2021). [Book review] Sarah Wasserman, The Death of Things: Ephemera and the American Novel. Literature & History, 30(1) pp. 97–99.

Reeve, Michael (2021). Bombardment, Public Safety and Resilience in English Coastal Communities during the First World War. Cham: Palgrave Macmillan.

Reeve, Michael (2021). ‘An Empire Dock’: Place Promotion and the Local Acculturation of Imperial Discourse in ‘Britain’s Third Port’. Northern History, 58(1) pp. 129–150.

Reeve, Michael (2021). ‘Are we downhearted? NO!’: representing war damage and destruction following bombardment on the First World War ‘home front’. Critical Military Studies, 7(4) pp. 397–417.

Reeve, Michael (2021). 'Something-to-smoke, at the right time, is a godsend': Voluntary Action and the Provision of Cigarettes to Soldiers during the First World War. In: Linch, Kevin and Lord, Matthew eds. Redcoats to Tommies: The Experience of the British Soldier from the Eighteenth Century. Boydell and Brewer.

Richardson, Heather (2021). Stitching a Divided City. TEXTILE: Cloth and Culture (Early Access).

Shaw, Samuel (2021). The Graphic’s ‘Heads of the People’ (1875-1883): Further Influences and Legacies. The Burlington Magazine, 163(1420) pp. 516–523.

Simones, Lilian (2021). Certificate for Music Educators Guidebook: Teaching Children and Young People. Routledge.

Steele, Matthew George (2021). The Conservation and Adaptation of Historic Anglican Churches in England for Secular Community Use and Continued Worship, Post‐1945. PhD thesis The Open University.

Sutton-Vane, Angela (2021). Investigating the Murder File: A Biographical Analysis of Creation, Survival and Impact. PhD thesis The Open University.

Swift, Laura (2021). Sappho and the Gods. In: Finglass, Patrick and Kelly, Adrian eds. The Cambridge Companion to Sappho. Cambridge Companions to Literature. Cambridge: Cambridge University Press, pp. 209–222.

Swift, Laura (2021). Negotiating hegemony in early Greek Poetry. In: Zucchetti, Emilio and Cimino, Anna Maria eds. Antonio Gramsci and the Ancient World. London: Routledge, pp. 44–62.

Tabony, Aiman (2021). The Ecological Superblock - Computational Ecology Principles in Urban Systems Design. PhD thesis The Open University.

Taylor, Clare and Richardson, Heather (2021). The Creative Interactions Project. Writing in Education, 84 pp. 58–62.

Taylor, Jack (2021). Against his will? Recovering male on male sexual violence in London, 1761-1861. PhD thesis The Open University.

Thofner, Margit (2021). [Book Review] Northern European reformations. Transnational perspectives. Edited by James E. Kelly, Henning Laugerud and Salvador Ryan. Cham: Palgrave Macmillan, 2020. The Journal of Ecclesiastical History, 72(4) pp. 885–888.

Thompson, Marie (2021). ‘Your Womb, the Perfect Classroom’: Prenatal Sound Systems and Uterine Audiophilia. Feminist Review, 127(1) pp. 73–89.

Tickell, Alex (2021). Han Suyin’s Cold War fictions: Life-writing, intimacy, and decolonization. Journal of Postcolonial Writing, 57(2) pp. 241–254.

Vitale, Valeria; de Soto, Pau; Simon, Rainer; Barker, Elton; Isaksen, Leif and Kahn, Rebecca (2021). Pelagios – Connecting Histories of Place. Part I: Methods and Tools. International Journal of Humanities and Arts Computing, 15(1-2) pp. 5–32.

Wainwright, Leon (2021). The Parallax Effect. In: Westgeest, Helen and Zijlmans, Kitty eds. Mix and Stir: New Outlooks on Contemporary Art from Global Perspectives. Amsterdam: Valiz, with support of Mondriaan Fonds, Academy of Creative and Performing Arts (ACPA), University of the Arts, The Hague / Faculty of Humanities, Leiden University, pp. 347–352.

Wallis, Robert (2021). [Book review] The rock art landscapes of Rombalds Moor, West Yorkshire, by Vivien Deacon. Time and Mind, 14(4) pp. 547–548.

Wallis, Robert (2021). Reproduction, Simulation and the Hyperreal: A Case Study of 'Lascaux III'. In: Rozwadowski, Anrzej and Hampson, Jamie eds. Visual Culture and Identity: Using Rock Art to Reconnect Past and Present. Oxford: Archaeopress.

Wallis, Robert J. (2021). Hunters and shamans, sex and death: relational ontologies and the materiality of the Lascaux 'shaft-scene'. In: Moro Abadía, Oscar and Porr, Martin eds. Ontologies of Rock Art: Images, Relational Approaches and Indigenous Knowledge. Abingdon: Routledge, pp. 319–334.

Wallis, Robert J. and Carocci, Max (2021). Introduction to the Special Issue Art, Shamanism and Animism. Religions, 12(10), article no. e853.

Wetherilt, Anne (2021). Emergency politics and the middlebrow novel: A comparative analysis of Han Suyin’s … and the Rain my Drink and Mary McMinnies’s The Flying Fox. Journal of Postcolonial Writing, 57(2) pp. 255–268.

Wilding, Alexandra (2021). [Book Review] Visual Approaches to the Gods of the Greeks - (E.) Simon The Gods of the Greeks. Translated by Jakob Zeyl. Edited by Alan Shapiro with a Foreword by Fritz Graf. Pp. xxviii + 440, ills, maps. Madison, WI and London: The University of Wisconsin Press, 2021 (originally published as Die Götter der Griechen, 1969). The Classical Review, 71(2) pp. 532–534.

Wilding, Alexandra (2021). Reinventing the Amphiareion at Oropos. Leiden: Brill, pp. 19–46.

Wilkinson, Louise J. and Wolfson, Sara J. (2021). Introduction: premodern queenship and diplomacy. Women's History Review, 30(5) pp. 713–722.

Winters, Ben (2021). 'Magic Fire': a Wagner Film with a Difference. The Wagner Journal, 15(3) pp. 11–22.

Winters, Ben (2021). Historical sound-film presentation and the closed-curtain roadshow overture. In: Cenciarelli, Carlo ed. The Oxford Handbook of Cinematic Listening. Oxford Handbooks. Oxford University Press.

Yamagata, Naoko (2021). [Book Review] R. Gagné) and M. Herrero de Jáuregui (eds) Les dieux d’Homère 2: anthropo-morphismes (Kernos Supplement 33). Liège: Presses Universitaires de Liège, 2019. The Journal of Hellenic Studies, 141 pp. 243–244.

Ziegler, Molly (2021). ‘For Fear to Be Infect’: Reading the Female Body in Early Modern Revenge Drama. Journal of Early Modern Studies, 10 pp. 249–268.

2020To Top

Burrows, Donald; Coffey, Helen; Greenacombe, John and Hicks, Anthony eds. (2020). George Frideric Handel: Collected Documents, Volume 4. 1742-1750. Cambridge University Press.

Canova-Green, Marie-Claude and Wolfson, Sara eds. (2020). The wedding of Charles I and Henrietta Maria, 1625. Celebrations and controversy. European Festival Studies: 1450-1700 (EFS). Brepols Publishers.

da Sousa Correa, Delia ed. (2020). The Edinburgh Companion to Literature and Music. Edinburgh Companions to Literature and the Humanities. Edinburgh University Press.

Hutchison, David and Johnson, David eds. (2020). Stuart Hood: Twentieth-Century Partisan. Newcastle: Cambridge Scholars.

Katritzky, M. A. and Drábek, Pavel eds. (2020). Transnational Connections in Early Modern Theatre. Manchester: Manchester University Press.

Langley, Chris R. ed. (2020). The National Covenant in Scotland, 1638-1689. Studies in Early Modern Cultural, Political and Social History, 37. Woodbridge: Boydell Press.

Lymberopoulou, Angeliki ed. (2020). Hell in the Byzantine World. A History of Art and Religion in Venetian Crete and the Eastern Mediterranean. Volume 1 Essays. Hell in the Byzantine World A History of Art and Religion in Venetian Crete and the Eastern Mediterranean, 1. Cambridge: Cambridge University Press.

Lymberopoulou, Angeliki ed. (2020). Hell in the Byzantine World. A History of Art and Religion in Venetian Crete and the Eastern Mediterranean (Volume 1 & 2). Hell in the Byzantine World A History of Art and Religion in Venetian Crete and the Eastern Mediterranean. Cambridge: Cambridge University Press.

Neale, Derek ed. (2020). Writing Talk: Interviews with writers about the creative process. London: Routledge.

Tickell, Alex and Ranasinha, Ruvani eds. (2020). Delhi: New Literatures of the Megacity. Abingdon: Routledge.

Alexiou, Katerina; Zamenopoulos, Theodore; Hale, Vera; West, Susie and de Sousa, Sophia (2020). Empowering design practices: exploring relations between architecture, faith, society and community. Open Arts Journal(9), article no. 5.

Antonini, Alessio and Benatti, Francesca (2020). *ing the Written Word: Digital Humanities Methods for Book History. In: SHARP 2020: Power of the Written Word, 11-15 Jul 2020, Amsterdam.

Antonini, Alessio; Benatti, Francesca and Blackburn-Daniels, Sally (2020). On Links To Be: Exercises in Style #2. In: 31st ACM Conference on Hypertext and Social Media (HT’20), 13-15 Jul 2020, Online, pp. 27–36.

Antonini, Alessio; Benatti, Francesca and King, Edmund (2020). Restoration and Repurposing of DH legacy projects: the UK-RED case. In: Book of Abstracts of DH2020.

Asquith, Wendy and Wainwright, Leon (2020). A moment to celebrate? Art of the Caribbean at the Venice Biennale. Journal of Curatorial Studies, 9(1) pp. 40–68.

Aylett, Sam (2020). The impact of architecture and space on understanding historical progress at the Museum of London. Postgraduate Research Poster Competition, The Open University.

Aylett, Samuel Paul Tobias (2020). The Museum of London 1976-2007: Reimagining Metropolitan Narratives in Postcolonial London. PhD thesis The Open University.

Barker, Elton (2020). What would Indy do? Resisting post-truth through the practice of annotation. In: Roosevelt, Chris ed. Spatial Webs: Mapping Anatolian Pasts for Research and the Public. ANAMEDD: Research Center for Anatolian Civilizations. Istanbul: Koç University Research Centre for Anatolian Civilizations, pp. 5–31.

Barker, Elton; Foka, Anna and Konstantinidou, Kyriaki (2020). Coding for the Many, Transforming Knowledge for All: Annotating Digital Documents. Publications of the Modern Language Association, 135(1) pp. 195–202.

Barker, Elton T. E. and Christensen, Joel P. (2020). Homer’s Thebes: Epic Rivalries and the Appropriation of Mythical Pasts. Hellenic Studies, 84. Harvard University Press.

Barker, Emma (2020). Envisioning Blindness in Eighteenth-Century Paris. Oxford Art Journal, 43(1) pp. 91–116.

Barlow, Helen (2020). ‘Praise the Lord! We are a musical nation’: the Welsh working classes and religious singing. Nineteenth-Century Music Review, 17(3) pp. 445–472.

Barlow, Helen and Herbert, Trevor (2020). Introduction - Listeners in music history: studying the evidence. Nineteenth-Century Music Review, 17(3) pp. 343–357.

Barlow, Helen and Herbert, Trevor eds. (2020) Nineteenth-Century Music Review (17) Special Issue 3: The Experience of Listening to Music in the Nineteenth Century, Cambridge University Press.

Barnes, Amy Jane (2020). Chinese Propaganda Posters at the British Library. Visual Resources, 36(2) pp. 124–147.

Barnes, Amy Jane (2020). 'Do the Chinese always smile?' Exhibiting the Cultural Revolution in Britain. Contemporary China Centre, University of Westminster.

Barnes, Amy Jane; Charnley, Kim; Dohmen, Renate and Lotz, Nicole (2020). Colonial histories, museum collections, FabLabs and community engagement: flows of practices, cultures and people – a roundtable. Open Arts Journal, 9 pp. 91–118.

Brown, Richard Danson (2020). Why at all Complain? "Bad" Poetry and Denatured Form in Spenser's Daphnaida. Spenser Studies, 34 pp. 77–110.

Brown, Richard Danson (2020). A. D. Cousins and Daniel Derrin, eds., Shakespeare and the Soliloquy in Early Modern English Drama. Spenser Review, 50(2), article no. 8.

Brunet, Luc-André (2020). 'A Bridge to Better Relations between London and Vichy': Jan Smuts, South Africa, and Commonwealth Diplomacy in the Second World War. In: Dubow, Saul and Drayton, Richard eds. Commonwealth History in the Twenty-First Century. Cambridge Imperial and Post-Colonial Studies Series (CIPCSS). Basingstoke: Palgrave Macmillan, pp. 251–269.

Bullock, Emily (2020). Inside the Beautiful Inside. Everything with Words.

Campbell, Siobhan (2020). Writing in a Time of Violence: Padraic Fiacc’s Demotic Aesthetic. PNReview, 46(4)

Campbell, Siobhan and Jensen, Meg (2020). Writing-based interventions: from Communities of Practice to Life Stories. Writing in Education(82) pp. 54–60.

Charlesworth, Amy and Begonia, Marissa (2020). 'Whose Housework, Whose Artwork? The Voice of Domestic Workers’. In: Deepwell, Katy ed. Feminist Art Activisms And Artivisms. Plural. Amsterdam: Valiz.

Charnley, Kim (2020). Art, design and modernity: the Bauhaus and beyond. Open Arts Journal, 9 pp. 43–56.

Clark, Leah R. (2020). The peregrinations of porcelain: The collections of Duchess Eleonora d’Aragona of Ferrara. Journal of the History of Collections, 32(2) pp. 275–288.

Clarke, Martin V. (2020). Hearing and Believing: Listening Experiences as Religious Experiences in Nineteenth-Century British Methodism. Nineteenth-Century Music Review, 17(3) pp. 381–402.

Clarke, Martin V. (2020). Churches and Devotional Practice. In: Watt, Paul; Collins, Sarah and Allis, Michael eds. The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century. Oxford: Oxford University Press.

Colclough, Stephen and King, Edmund G. C. (2020). Readers: Books and Biography. In: Eliot, Simon and Rose, Jonathan eds. A Companion to the History of the Book, 2nd. ed. Blackwell Companions to Literature and Culture, 1. Oxford: Wiley-Blackwell, pp. 157–171.

da Sousa Correa, Delia (2020). From 'the great Handel chorus' to 'wild passion and fancy': Listening to Handel and Purcell in The Mill on the Floss. 19: Interdisciplinary Studies in the Long Nineteenth Century(29), article no. 1934.

da Sousa Correa, Delia (2020). George Eliot, Schubert and the Cosmopolitan Music of Daniel Deronda. In: da Sousa Correa, Delia ed. The Edinburgh Companion to Literature and Music. Edinburgh: Edinburgh University Press, pp. 437–446.

da Sousa Correa, Delia (2020). Introduction: Part IV: Literature and Music in the Nineteenth Century. In: da Sousa Correa, Delia ed. The Edinburgh Companion to Literature and Music. Edinburgh University Press, pp. 383–394.

da Sousa Correa, Delia (2020). Introduction. In: da Sousa Correa, Delia ed. The Edinburgh Companion to Literature and Music. Edinburgh: Edinburgh University Press, pp. 1–15.

Dohmen, Renate (2020). Art, industry and the laws of nature: the South Kensington method revisited. Open Arts Journal(9) pp. 23–42.

Dohmen, Renate (2020). The Artist as Postindian Warrior: Saviourism, Appropriation and Care in the Art of Kent Monkman. Journal of Global Studies and Contemporary Art, 7(1) pp. 409–442.

Drábek, Pavel and Katritzky, M. A. (2020). Introduction. In: Katritzky, M. A. and Drábek, Pavel eds. Transnational Connections in Early Modern Theatre. Manchester: Manchester University Press, pp. 1–19.

Fear, Trevor (2020). The Role of Quintus Dellius in the meeting of Antony and Cleopatra at Tarsus. Phoenix, 74(1-2) pp. 91–99.

Foka, Anna; Barker, Elton; Konstantinidou, Kyriaki; Mostofian, Nasrin; Demiroglu, O. Cenk; Kiesling, Brady and Talatas, Linda (2020). Semantically geo-annotating an ancient Greek "travel guide" Itineraries, Chronotopes, Networks, and Linked Data. In: Proceedings of the 4th ACM SIGSPATIAL Workshop on Geospatial Humanities, ACM.

Fryers, Mark (2020). Horrific ‘in-betweenness’: spatial and temporal displacement and british society in 1970s children’s supernatural television’. Supernatural Studies, 6(2) pp. 30–58.

Fryers, Mark (2020). Thalassophobia: Jaws (1975) and the Nautical Spaces of Horror. In: Pascuzzi, Francesco and Waters, Sandra eds. The Spaces and Places of Horror. Critical Media Studies. Wilmington, Delaware: Vernon Press, pp. 127–144.

Fryers, Mark (2020). ‘An Impulse of Anger, Instantly Regretted’: Rebellion and Reaction in the early 1960s Naval Film. In: Petrie, Duncan; Williams, Melanie and Mayne, Laura eds. Sixties British Cinema Reconsidered. Edinburgh: Edinburgh University Press, pp. 209–222.

Gibson, Jonathan (2020). The Development of William Cecil's Italic Handwriting. Etudes Anglaises, 73(3) pp. 329–346.

Gibson, Jonathan and Coatalen, Guillaume (2020). Robert Cecil's Handwriting Advice to his Son. Etudes Anglaises, 73(3) pp. 313–328.

Golding, Rosemary (2020). ‘Appeasing the unstrung mental faculties’: listening to music in nineteenth-century lunatic asylums. Nineteenth-Century Music Review, 17(3) pp. 403–425.

Goodrich, Amanda (2020). The Two Henry Redhead Yorkes, radical to liberal: BAME presence in British Politics, 1790-1850. Journal of Liberal History(108) pp. 20–31.

Gouly, Daniel (2020). SoundCloud, Sampling and Sonic Experimentation: Knowledge Transmission in Hip-Hop’s Underground. PhD thesis The Open University.

Graham, Emma-Jayne (2020). Reassembling Religion in Roman Italy. Routledge.

Graham, Emma-Jayne (2020). Hand in hand: Rethinking anatomical votives as material things. In: Gasparini, V; Patzelt, M; Raja, R; Rieger, A-K; Rupke, J and Urciuoli, E eds. Lived Religion in the Ancient Mediterranean World: Approaching Religious Transformations from Archaeology, History and Classics. De Gruyter, pp. 209–236.

Graham, Emma-Jayne (2020). Mobility impairment: identifying lived experiences in Roman Italy. In: Laes, Christian ed. A Cultural History of Disability in Antiquity. London: Bloomsbury, pp. 31–45.

Granados-García, Paula Loreto (2020). Cultural Contact in Early Roman Spain through Linked Open Data. PhD thesis The Open University.

Greenhalgh, Claire Elizabeth (2020). The Depiction of Slavery in Ancient World Television Drama: Politics, Culture and Society. PhD thesis The Open University.

Gupta, Suman (2020). Digital India and the Poor: Policy, Technology and Society. Routledge.

Gupta, Suman; Allen, Richard; Schuller, Sebastian; Tu, Peter; Basu, Maitrayee; Gupta, Ayan-Yue; Durao, Fabio Akcelrud and Katsarska, Milena (2020). Social Analysis and the COVID-19 Crisis: A Collective Journal. Delhi and London: Routledge.

Gupta, Suman and Tu, Peter H (2020). What is Artificial Intelligence?: A Conversation between an AI Engineer and a Humanities Researcher. Singapore and London: World Scientific.

Gustar, Andrew (2020). The laws of musical fame and obscurity. Significance, 17(5) pp. 14–17.

Hall, Edith and Stead, Henry (2020). A People's History of Classics: Class and Greco-Roman Antiquity in Britain 1689-1939. London: Routledge.

Hamer, Laura (2020). [Book Review] Paul Dukas, Composer and Critic. Music & Letters, 101(1) pp. 172–174.

Harrison, Rebecca (2020). The Empire Strikes Back. BFI Film Classics. Bloomsbury.

Haslam, Sara (2020). Reading, Trauma and Literary Caregiving 1914-1918: Helen Mary Gaskell and the War Library. Journal of Medical Humanities, 41 pp. 305–321.

Haslam, Sara (2020). The Other in Ford's Making: Elsie, Fiction and Collaboration. In: Brasme, Isabelle ed. Homo Duplex: Ford Madox Ford's Experience and Aesthetics of Alterity. Present Perfect. Montpelier, France: PULM, pp. 21–42.

Haywood, Jan (2020). Alice Oswald's Memorial, a new Iliad. In: Silva, Maria de Fátima; Bouvier, David and Augusto, Maria das Graças eds. A Special Model of Classical Reception: Summaries and Short Narratives. Newcastle upon Tyne: Cambridge Scholars Publishing, pp. 73–90.

Hazareesingh, Sandip (2020). 'I remember when it used to rain well and we could trust the weather'. Women's stories of changing farming lives in southern India. Open University, Milton Keynes, UK.

Herbert, Trevor (2020). Public Military Music and the Promotion of Patriotism in the British Provinces, c. 1780-c. 1850. Nineteenth-Century Music Review, 17(3) pp. 427–444.

Hobden, Fiona (2020). Xenophon. Ancients in Action. London: Bloomsbury Academic.

Hobden, Fiona (2020). Making leaders great again? Xenophon on leadership. Omnibus, 79

Hobden, Fiona and Potter, Amanda (2020). Redirecting the gaze: the woman and the gladiator on television in the twenty-first century. New Voices in Classical Reception Studies. Conference Proceedings Volume Two, article no. 3.

Hogan, Edward (2020). Loops And Reels: Narrative disruption in film, fiction, and cinemagoing history. Writing in Practice, 6

Hogan, Edward (2020). The Electric. London: John Murray.

Hope, Valerie (2020). Life at Sea, Death on Land: the Funerary Commemoration of the Sailors of Roman Misenum. In: Bargfeldt, Niels and Hjarl Petersen, Jane eds. Reflections: Harbour City Deathscapes in Roman Italy and Beyond. Rome: Quasar, pp. 79–98.

Hope, Valerie (2020). Octavia: a Roman mother in mourning. In: Sharrock, Alison and Keith, Alison eds. Maternal conceptions in classical literature and philosophy. University of Toronto Press.

Hughes, Jessica (2020). A Sense of Disruption. Material Religion, 16(3) pp. 371–373.

Jarrett-Macauley, Delia and Nasta, Susheila (2020). Between the Wars: Caribbean, Pan-African, and Asian Networks from (I) - Global Locals. In: Nasta, Susheila and Stein, Mark U. eds. The Cambridge History of Black and Asian British Writing. Cambridge: Cambridge University Press, pp. 99–115.

Johnson, David (2020). Stuart Hood’s search for community: Novels beyond the nation. In: Hutchison, David and Johnson, David eds. Stuart Hood, Twentieth-Century Partisan. Newcastle: Cambridge Scholars, pp. 207–224.

Johnson, David and Hutchison, David (2020). Introduction. In: Hutchison, David and Johnson, David eds. Stuart Hood, Twentieth-Century Partisan. Newcastle: Cambridge Scholars, pp. 1–7.

Katritzky, M. A. (2020). Shakespeare’s picture of ‘We Three’ An image for illiterates? In: Duits, Rembrandt ed. The Art of the Poor: The Aesthetic Material Culture of the Lower Classes in Europe, 1300–1600. London: Bloomsbury, pp. 185–198.

Katritzky, M. A. (2020). London and The Hague, 1638: Performing quacks at court. In: Katritzky, M. A. and Drábek, Pavel eds. Transnational Connections in Early Modern Theatre. Manchester: Manchester University Press, pp. 114–138.

Katritzky, M. A. (2020). Margaret Cavendish’s Female Fairground Performers. In: Sewell, Jan and Smout, Clare eds. The Palgrave Handbook of the History of Women on Stage. Palgrave Macmillan, pp. 151–175.

Katritzky, M. A. (2020). The itinerant healer as a stage role: its origins in religious drama. In: von Contzen, Eva and Goodblatt, Chanita eds. Enacting the Bible in medieval and early modern drama. Manchester Medieval Literature and Culture. Manchester: Manchester University Press, pp. 81–103.

King, Helen (2020). Hippocrates Now: The 'Father of Medicine' in the Internet Age. Bloomsbury Studies in Classical Reception. London: Bloomsbury.

King, Helen (2020). The body beyond Laqueur: Hippocratic sex and its rediscovery. In: Höfele, Andreas and Kellner, Beate eds. Natur-Geschlecht-Politik: Denkmuster und Repräsentationsformen vom Alten Testament bis in die Neuzeit. Wilhelm Fink Verlag, pp. 199–216.

King, Helen (2020). Hippocratic whispers: telling the story of the life of Hippocrates on the internet. In: Totelin, Laurence and Flemming, Rebecca eds. Medicine and Markets: Essays on Ancient Medicine in honour of Vivian Nutton. Classical Press of Wales, pp. 143–160.

Kolassa, Alexander (2020). Hail the Nightmare: Music, Sound, and Materiality in Bloodborne. The Soundtrack, 11(1-2) pp. 23–38.

Langley, Chris R. (2020). Cultures of Care: Domestic Welfare, Discipline and the Church of Scotland, c. 1600–1689. St Andrews Studies in Reformation History. Leiden: Brill.

Langley, Chris R. (2020). Deportment, emotion and moderation at the Glasgow Assembly, 1638. Historical Research, 93(261) pp. 466–482.

Langley, Chris R. (2020). Reading John Knox in the Scottish Revolution, 1638-42. In: Langley, Chris R. ed. The National Covenant in Scotland, 1638–1689. Studies in Early Modern Cultural, Political and Social History, 37. Woodbridge: Boydell Press, pp. 89–104.

Lawrence, Paul (2020). Policing, ‘Science’ and the Curious Case of Photo-FIT. The Historical Journal, 63(4) pp. 1007–1031.

Lymberopoulou, Angeliki (2020). ‘…κέ παντός του λαου τοῡ χορίου τ(ης) Μάζας…’ Communal Patronage of Church Decoration in Rural Venetian Crete. In: The Art of the Poor The Aestehtic Material Culture of the Lower Classes in Europe 1300-1600 (Duits, Rembrandt ed.), Bloomsbury, London, pp. 53–63.

Lymberopoulou, Angeliki (2020). The five senses in Hell. Material religion, 16(3) pp. 364–367.

Lymberopoulou, Angeliki (2020). Hell on Crete. In: Lymberopoulou, Angeliki ed. Hell in the Byzantine World. A History of Art and Religion in Venetian Crete and the Eastern Mediterranean, Volume 1. Cambridge: Cambridge University Press, pp. 117–190.

Lymberopoulou, Angeliki (2020). Representations of Donors in Monumental Art of Venetian Crete. In: Privatporträt. Die Darstellung realer Personen in spätantiken und byzantinischen Kunst, Akten des Internationalen Workshops an der Österreichischen Akademie der Wissenschaften in Wien 14.-15. Februar 2013 (Tsamakda, Vasiliki and Zimmermann, Norbert eds.), Archäologische Forschungen, Verlag der Österreichischen Adademie der Wissenschaften, Vienna, pp. 209–218.

Lymberopoulou, Angeliki and Duits, Rembrandt (2020). Hell in the Byzantine World: A History of Art and Religion in Venetian Crete and the Eastern Mediterranean. Volume 2. A Catalogue of the Cretan Material. Hell in the Byzantine World. A History of Art and Religion in Venetian Crete and the Eastern Mediterranean, 2. Cambridge: Cambridge University Press.

Lymberopoulou, Angeliki and Panou, Eirini (2020). Introduction. In: Lymberopoulou, Angeliki ed. Hell in the Byzantine World. A History of Art and Religion in the Venetian Crete and the Eastern Mediterranean Volume 1: Essays, Volume 1. Cambridge: Cambridge University Press, pp. 1–18.

Mackie, Robin and Roberts, Gerrylynn (2020). Consultancy as a Career in Late Nineteenth and Twentieth Century Britain. Ambix, 67(3) pp. 214–233.

Marsden, Richard (2020). Towsey, Reading History in Britain and America, c.1750-1840. Scottish Historical Review, 99(1) pp. 164–165.

Marsden, Richard (2020). In defiance of discipline: antiquarianism, archaeology and history in late nineteenth-century Scotland. Journal of Scottish Historical Studies, 40(2) pp. 103–133.

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Michael-Fox, Bethan (2020). Dead Chatty: The Rise of the Articulate Undead in Popular Culture. In: Coward-Gibbs, Matt ed. Death, Culture & Leisure: Playing Dead. Emerald Studies in Death and Culture. Bingley: Emerald, pp. 111–124.

Miller, David Lee; Anderson, Judith H.; Brown, Richard Danson; Dolven, Jeff; Gross, Ken; Nohrnberg, James and Ramachandran, Ayesha (2020). Responses to Harry R. Berger, Resisting Allegory: interpretive delirium in Spenser's "Faerie Queene". Spenser Review, 50(2), article no. 50.2.2..

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Moohan, Elaine (2020). Medieval fragments from Glasgow's archives. The Innes Review, 71(2) pp. 139–201.

Murray, Andrew (2020). Rebellion, Dialogue and the Use of the “Common Good” in Philip the Bold’s Ordinances. Publications du Centre Européen d'Etudes Bourguignonnes, 60 pp. 63–78.

Murray, Andrew (2020). Statues. In: Bradshaw, Alan and Hietanen, Joel eds. The Dictionary of Coronavirus Culture. London: Repeater Books.

Murray, Andrew (2020). Political Emotion in the Mourners of Philip the Bold's Tomb. In: Ekardt, Philipp; Fehrenbach, Frank and Zumbusch, Cornelia eds. Politische Emotionen in den Künsten. Mnemosyne (7). Berlin: De Gruyter, pp. 25–42.

Nasta, Susheila and Stein, Mark U. eds. (2020). The Cambridge History of Black and Asian British Writing. Cambridge: Cambridge University Press.

Nasta, Susheila and Stein, Mark U. (2020). Introduction. In: Nasta, Susheila and Stein, Mark U. eds. The Cambridge History of Black and Asian British Writing. Cambridge: Cambridge University Press, pp. 1–22.

Neale, Derek (2020). 'Last' scenes: Experiments with the poetic and phatic, gender and genre. Liminalities: the journal of performance studies, 16(4)

Neale, Derek (2020). Introduction. Writing in Practice: the journal of creative writing research, 6

Neale, Derek (2020). Introduction. In: Neale, Derek ed. Writing Talk: Interviews with writers about the creative process. London: Routledge, pp. 1–17.

Neale, Derek, Gilbert, Francis, Brayfield, Celia and Melrose, Andrew (eds.) (2020) Writing in Practice: The Journal of Creative Writing Research. (Vol. 6) National Association of Writers in Education.

O'Shea, Helen (2020). Ireland and the End of the British Empire: The Republic and its Role in the Cyprus Emergency. London: Bloomsbury.

O'Shea, Helen (2020). [Book Review] 'Brutality in an Age of Human Rights: Activism and Counterinsurgency at the End of the British Empire by Brian Drohan
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Perkins, Phil (2020). Jean Gran-Aymerich, Les vases de bucchero: le monde étrusque entre orient et occident (Bibliotheca archaeologica 55). Rome: «L'Erma» di Bretschneider, 2017. pp. 287; 392 pp. of plates; illus., maps. 1 CD-ROM. isbn9788891308177. €450.00. (Review). Journal of Roman Studies, 110 pp. 248–250.

Perkins, Phil; Nocentini, Alessandro and Warden, P. Gregory (2020). Ricerca e scavi a Albagino (2017-2019). In: Arbeid, Barbara and Pessina, Andrea eds. Tutela & Restauro 2016 . 2019. Notiziario della Soprintendenza archeologia belle arti e paesaggio per la città metropolitana di Firenze e le province di Pistoia e Prato. Sesto Fiorentino: All'Insegna del Giglio, pp. 414–416.

Perry, Gill (2020). All at Sea: Bad Girls, Hut Myths and Tracey Emin's 'Property by the Sea'. In: Kokoli, Alexandra and Cherry, Deborah eds. Tracey Emin: Art into Life. Bloomsbury.

Pinto, Angelo (2020). The Symphony as a Novel: Mahler’s Tenth. PhD thesis The Open University.

Plassart, Anna (2020). Edmund Burke, Poland, and the Commonwealth of Europe. The Historical Journal, 63(4) pp. 885–910.

Plastow, Christine (2020). Homicide in the Attic Orators: Rhetoric, Ideology, and Context. London: Routledge.

Plastow, Christine (2020). [Book Review] N. Morley, Classics: Why it Matters. Cambridge: Polity Press, 2018. Pp. 143. Journal of Hellenic Studies, 140 pp. 308–309.

Prescott, Lynda (2020). Small Presses and Little Magazines: a Print Culture Perspective on Modernism. In: Poplawski, Paul ed. Yearbook of English Studies, Volume 50. Modern Humanities Research Association, pp. 13–28.

Probert, Thomas (2020). The Impact of Participating in British Counterinsurgency Campaigns on British Armed Forces Personnel: The Malayan Emergency as a Case-Study. PhD thesis The Open University.

Reardon, Joanne (2020). Ekphrasis in Still Life with Black Birds: Finding a new space - art and prose in collaboration. Writing in Practice, 6 pp. 40–52.

Reardon, Joanne (2020). The Weight of Bones. Gwynedd: Leaf by Leaf, imprint of Cinnamon Press.

Roberts, Barbara (2020). Amulets in late Roman Italy. Postgraduate Research Poster Competition, The Open University.

Rodgers, Michael (2020). Nabokov's Visceral, Cerebral, and Aesthetic Senses. In: Bouchet, Marie; Loison-Charles, Julie and Poulin, Isabelle eds. The Five Senses in Nabokov's Work. Palgrave Macmillan, pp. 53–68.

Rowland, David (2020). British Listeners c1780-1830. Nineteenth-Century Music Review, 17(3) pp. 359–379.

Rowland, David (2020). Composers, publishers and the market in late Georgian Britain. In: Sala, Massimiliano ed. Music publishing and composers (1750-1850). Speculum Musicae (37). Turnhout: Brepols, pp. 85–112.

Ryland-Epton, Louise (2020). ‘The source of all local authority': the role of Gloucestershire magistrates in local government 1800-1834. Midland History, 45(3) pp. 326–340.

Ryland‐Epton, Louise (2020). The Impact of Back Benchers in the Creation of Social Reform: The Indefatigable and Honourable Exertions of Mr Gilbert*. Parliamentary History, 39(2) pp. 276–290.

Sciampacone, Amanda (2020). ‘Epidemics in a Mist’: Medical Climatology and Cholera in Victorian Visual Culture. Journal of Victorian Culture, 25(4) pp. 492–511.

Shaw, Samuel and Pezzini, Barbara (2020). Exhibitions and the Market for Modern British Art: Independent Art of Today at Agnew's Gallery, 1906. Art History, 43(4) pp. 710–740.

Sobotta, Monika (2020). The Reception of Katherine Mansfield in Germany. PhD thesis The Open University.

Swift, Laura (2020). Phoenician Women. In: Markantonatos, Andreas ed. The Brill Companion to Euripides. Brill's Companions to Classical Studies. Leiden: Brill, pp. 342–358.

Taylor, Clare (2020). Revisiting London paper hangings tradesmen I: Crompton & Spinnage, c.1750-c.1770. The Wallpaper History Review, 2020 pp. 44–50.

Thompson, Marie (2020). Sounding the Arcane: Contemporary Music, Gender and Reproduction. Contemporary Music Review, 39(2) pp. 273–292.

Thompson, Marie (2020). Sonic Feminisms: Doing Gender in Neoliberal Times. In: Bull, Michael and Corbussen, Marcel eds. The Bloomsbury Handbook of Sonic Methodologies. Bloomsbury.

Thompson, Marie (2020). Sound Studies. In: van Orden, Kate ed. Music. Oxford Bibliographies.

Thøfner, Margit (2020). On Magic, Time and Exchange: The Arts of Sophia of Mecklenburg-Güstrow and Anna of Denmark-Norway. Art History, 43(2) pp. 384–411.

Thøfner, Margit (2020). Framing the Enemy: Gaspard Bouttats’s Collage Portraits for Prudencio de Sandoval’s Historia de la vida y hechos del Emperador Carlos V in the Whitworth Collection. Bulletin of the John Rylands Library, 96(2) pp. 67–93.

Thøfner, Margit (2020). ‘Exulting and Adorning it in Exuberant Strains’: Music, Figuration and Ornamentation in Abel Schrøder’s altarpiece of 1667 (Skt Morten, Næstved, Denmark). In: Hart, Imogen and Jones, Claire eds. Sculpture and the Decorative in Britain and Europe, Seventeenth Century to Contemporary. Material Culture of Art and Design. London: Bloomsbury Visual Arts, pp. 19–46.

Tickell, Alex (2020). Postcolonial Fiction and the Question of Influence: Arundhati Roy, The God of Small Things and Rumer Godden. Postcolonial Text, 15(1)

Tickell, Alex and Ranasinha, Ruvani (2020). Introduction to Delhi: New Literatures of the Megacity. In: Tickell, Alex and Ruvani, Ranasinha eds. Delhi: New Literatures of the megacity. Abingdon: Routledge, pp. 3–13.

Vincent, David (2020). A History of Solitude. Cambridge: Polity Press.

Wallis, Robert (2020). [Book Review] The Viking Way: Magic and Mind in Late Iron Age Scandinavia. by Neil Price Oxford: Oxbow. ISBN 978-1-84217260-5. Time & Mind: The Journal of Archaeology, Consciousness & Culture, 13(3) pp. 333–335.

Watson, N. J. (2020). The Author’s Effects: On the Writer’s House Museum. Oxford, New York: Oxford University Press.

Watson, Nicola J. (2020). Afterword. Nineteenth-Century Contexts, 42(4) pp. 467–471.

Watts, Stephen and Johnson, David (2020). Translated by Stuart Hood. In: Hutchison, David and Johnson, David eds. Stuart Hood, Twentieth-Century Partisan. Newcastle: Cambridge Scholars, pp. 172–187.

Haslam, Sara ed. (2020). The Complete Works Evelyn Waugh: Helena. Volume 11. The Complete Works of Evelyn Waugh, 11. UK: Oxford University Press.

Winters, Ben (2020). Influence. In: Kristiansen, Morten and Jones, Joseph E. eds. Richard Strauss in Context. Composers in Context. Cambridge: Cambridge University Press, pp. 311–319.

Winters, Ben (2020). Analogue Authenticity and the Sound of Wes Anderson. In: Vernallis, Carol; Rogers, Holly and Perrott, Lisa eds. Transmedia Directors: Artistry, Industry and New Audiovisual Aesthetics. New Approaches to Sound, Music and Media. Bloomsbury Press, pp. 50–55.

Wolfson, Sara (2020). 'Practical proselytising: the impact of counter-Reformation Catholicism at the Caroline court, 1625-1626'. In: Caldari, Valentina and Wolfson, Sara eds. Stuart Marriage Diplomacy. Dynastic Politics in their European Context, 1604-1630. Studies in Early Modern Cultural, Political and Social History. Boydell and Brewer.

Wolfson, Sara (2020). The Welcoming Journey of Queen Henrietta Maria and Stuart–Bourbon Relations, 1625–1626. In: Conava-Green, Marie-Claude and Wolfson, Sara eds. The Wedding of Charles I and Henrietta Maria, 1625: Celebrations and Controversy. European Festival Series: 1450-1700. Turnhout, Belgium: Brepols Publishers, pp. 179–204.

Yamagata, Naoko (2020). Thetis: the goddess between four worlds. In: Christopoulos, M. and Païzi-Apostolopoulou, M. eds. The Upper and the Under World in Homeric and Archaic Epic: Proceedings of the 13th International Symposium on the Odyssey, Ithaca, August 25-29, 2017. Ithaca, Greece: Centre for Odyssean Studies, pp. 11–30.

Yamagata, Naoko (2020). Homeric Summaries in Plato. In: de Fátima Silva, M; Bouvier, D and das Graças Augusto, M eds. A Special Model of Classical Reception: Summaries and Short Narratives. Newcastle upon Tyne: Cambridge Scholars Publishing, pp. 22–33.

Yamagata, Naoko (2020). Suicide in Homer and the Tale of the Heike. Yearbook of Ancient Greek Epic, 4 pp. 72–94.

2019To Top

Archibald, Zosia and Haywood, Jan eds. (2019). The Power of Individual and Community in Ancient Athens and Beyond. Swansea: The Classical Press of Wales.

Tickell, Alex ed. (2019). The Novel in South and South East Asia since 1945. The Oxford History of the Novel in English, 10. Oxford: Oxford University Press.

Adamou, Alessandro; Brown, Simon; Barlow, Helen; Allocca, Carlo and d’Aquin, Mathieu (2019). Crowdsourcing Linked Data on listening experiences through reuse and enhancement of library data. International Journal on Digital Libraries, 20(1) pp. 61–79.

Allen, Gemma (2019). The Rise of the Ambassadress: English Ambassadorial Wives and Early Modern Diplomatic Culture. The Historical Journal, 62(3) pp. 617–638.

Antonini, Alessio; Benatti, Francesca; King, Edmund; François, Vignale and Guillaume, Gravier (2019). Modelling Changes in Diaries, Correspondence and Authors’ Libraries to support research on reading: the READ-IT approach. In: Open Data and Ontologies for Cultural Heritage (ODOCH'19), 3 - Jun -2019, Rome, Italy.

Archibald, Zosia and Haywood, Jan (2019). Preface. In: Archibald, Zosia and Haywood, Jan eds. The Power of Individual and Community in Ancient Athens and Beyond. Swansea: The Classical Press of Wales, ix-xxvii.

Baker-Bates, Piers (2019). Establishing Spanish Cultural Identities at Rome (1516–1598). Hispanic Research Journal, 19(5) pp. 461–480.

Barker, Elton; Simon, Rainer; Vitale, Valeria; Kahn, Rebecca and Isaksen, Leif (2019). Revisiting Linking Early Geospatial Documents with Recogito. e-Perimetron, 14(3) pp. 150–163.

Barker, Naomi J. (2019). The Italian Keyboard Toccata c. 1615-1650: A Repository for Oral Compositional Practices. Royal Musical Association Research Chronicle, 50(1) pp. 1–28.

Barker, Naomi J. (2019). Mottos and Metaphors: Towards an Interpretation of the Emblems in Frescobaldi’s Primo libro d’arie musicali. Journal of Seventeenth-Century Music, 25(1)

Barlow, Helen (2019). Progress and tradition: listening to the singing of the Welsh c.1870 to c.1920. In: Barlow, Helen and Rowland, David eds. The experience of listening to music: methodologies, identities, histories. The Open University.

Barnes, Amy Jane (2019). ‘Knock Down the Gang of Four!’: caricatures in the British Library’s collection of post-1949 Chinese posters. University of Sheffield; Birkbeck University.

Benatti, Francesca (2019). Superhero comics and the digital communications circuit: a case study of Strong Female Protagonist. Journal of Graphic Novels and Comics, 10(3) pp. 306–319.

Benatti, Francesca (2019). Young Ireland and the Superannuated Bard: Rewriting Thomas Moore in The Nation. In: McCleave, Sarah and O'Hanlon, Triona eds. The Reputations of Thomas Moore: Poetry, Music, and Politics. Poetry and Song in the Age of Revolution. New York and London: Routledge, pp. 214–234.

Benatti, Francesca; Gooding, Paul and Sillence, Matthew (2019). Developing a Community of Practice: The CHASE Model for Digital Humanities Researcher Training. In: Digital Humanities Conference 2019: Complexities, 9-12 Jul 2019, Utrecht, the Netherlands.

Benzan, Carla (2019). Coming to Life at the Sacro Monte of Varallo: the sacred image al vivo in post-Tridentine Italy. In: Balfe, Thomas; Woodall, Joanna and Zittel, Claus eds. Ad Vivum: visual materials and the vocabulary of life-likeness in Europe before 1800. Intersections: Interdisciplinary studies in early modern culture (61). Leiden: Brill, pp. 224–246.

Blackburn, Manuella (2019). Editorial: Borrowing, quotation, sampling and plundering. Organised Sound, 24(02) pp. 115–120.

Blackburn, Manuella (2019). The Terminology of Borrowing. Organised Sound, 24(02) pp. 139–156.

Brock, Michelle D. and Langley, Chris R. (2019). Mapping the Scottish Reformation: Tracing Careers of the Scottish Clergy, 1560-1689. International Review of Scottish Studies, 44 pp. 27–34.

Brown, Richard Danson (2019). The art of The Faerie Queene. The Manchester Spenser. Manchester: Manchester University Press.

Brown, Richard Danson (2019). Three Poems in Spenserian Poetry: 'Merlin's Mirror', 'Faerie Queene Palimpsest', 'Figures of Speech'. Spenser Review, 49(3), article no. 2.

Brown, Richard Danson (2019). Caring to turn back: overhearing Spenser in Donne. In: Ryzhik, Yulia ed. Spenser and Donne: Thinking Poets. The Manchester Spenser, 1. Manchester: Manchester University Press, pp. 13–31.

Brown, Richard Danson (2019). Wise wights in privy places: rhyme and stanza form in Spenser and Chaucer. In: Stenner, Rachel; Badcoe, Tamsin and Griffith, Gareth eds. Rereading Chaucer and Spenser: Dan Geffrey with the New Poete. The Manchester Spenser. Manchester: Manchester University Press, pp. 113–136.

Brown, Richard Danson; Berry, Craig A.; Hadfield, Andrew and Grogan, Jane (2019). Editorial Introduction: Creative Responses to Spenser; Spenserian Poetry. Spenser Review, 49(3), article no. 1.

Brunet, Luc-André (2019). Unhelpful Fixer? Canada, the Euromissile Crisis, and Pierre Trudeau’s Peace Initiative, 1983-84. International History Review, 41(6) pp. 1145–1167.

Bullock, Emily (2019). Portfolio of short stories: 2015-2019. (Various Publishers).

Campbell, Siobhan (2019). ‘Bygone canon, bygone spleen’: Richard Murphy as a conflict poet in The Battle of Aughrim. In: Keatinge, Benjamin ed. Making Integral: Critical essays on Richard Murphy. Cork University Press, pp. 111–126.

Carter, Warren (2019). The Slow Fuse of the Revolutionary Mural: Diego Rivera, Historical Revisionism and Poststructuralism. Acta Academiae Artium Vilnensis, 94 pp. 39–59.

Cathcart, Charles (2019). Alexander Grosart, ‘The First True Gentleman That Ever Breathed’, and the Independent Scholar. English: Journal of the English Association, 68(262) pp. 264–282.

Cathcart, Charles (2019). ‘Heavens Tones’ and ‘Tones of Heaven’ in Antonio’s Revenge and What You Will. Notes and Queries, 66(3) pp. 469–473.

Cathcart, Charles (2019). Du Bartas’ Semaines and John Marston’s The Malcontent. Notes and Queries, 66(4) pp. 515–519.

Cathcart, Charles (2019). The Insatiate Countess, William Barksted’s Hiren, the Fair Greek, and the Children of the King’s Revels. Early Theatre, 22(1) pp. 119–140.

Clark, Leah R. (2019). Artefacts. In: Buono, Amy and Dupré, Sven eds. A Cultural History of Color in the Renaissance. A Cultural History of Color, vol. 3. London: Bloomsbury.

Clark, Leah R. (2019). The Politics of Acquisition: Venetian Objects in Italian Courtly Collections, ca. 1475-1525. In: Cordez, Philippe and Schnitz-Esser, Romedio eds. Typical Venice? Venetian Commodities, 13th-16th Centuries. Turnhout: Brepols.

Clark, Leah R. (2019). Representing the World: Collecting and Display in the Renaissance and Today. In: Galdy, Andrea ed. Collecting and Museology. Cambridge: Cambridge Scholars Publishing.

Clarke, Martin V. (2019). [Book Review] Wesley Hymns. Wesley and Methodist Studies, 11(2) pp. 222–224.

Clarke, Martin V. (2019). ‘O Lord, open thou our lips’: listeners’ experiences of BBC Radio 3’s Choral Evensong on The New Radio 3 Forum. In: Barlow, Helen and Rowland, David eds. The Experience of Listening to Music: Methodologies, Identities, Histories. Milton Keynes: The Open University.

Clarke, Martin V. (2019). “Come, all you people”: Lutheran Influences on the Spread of Global Hymnody. In: Schildt, Maria; Lundberg, Mattias and Lundblad, Jonas eds. Celebrating Lutheran Music: Scholarly Perspectives at the Quincentenary. Studia musicologica Upsaliensia. Uppsala: Acta Universitatis Upsaliensis, pp. 337–350.

Coffey, Helen (2019). Music and ceremony in Maximilian's Innsbruck. Musikleben des Spätmittelalters in der Region Österreich.

Cradduck, Lucinda (2019). Spirituality in the Music of Edmund Rubbra. PhD thesis The Open University.

Di Donato, Balandino; Dooley, James and Coccioli, Lamberto (2019). HarpCI, Empowering Performers to Control and Transform Harp Sounds in Live Performance. Contemporary Music Review, 38(6) pp. 667–686.

Dohmen, Renate (2019). Counter-Epistemologies of the Global South: Indian Floor Drawings Re-envisaged. South Asian Popular Culture, 16(2-3) pp. 235–244.

Doloughan, Fiona (2019). The problematics and performance of self-translation: The case of Xiaolu Guo. In: Bennett, Karen and Queiroz de Barros, Rita eds. Hybrid Englishes and the challenge of and for translation: Identity, mobility and language change. Routledge Advances in Translation and Interpreting, 1. New York: Routledge, pp. 21–36.

Donington, Katie (2019). The bonds of family: Slavery, commerce and culture in the British Atlantic. Studies in Imperialism. Manchester: Manchester University Press.

Donington, Katie (2019). Relics of empire: Colonialism and culture wars. In: Ward, Stuart and Rasch, Astrid eds. Embers of Empire in Brexit Britain. London: Bloomsbury, pp. 121–132.

Donnachie, Ian (2019). ‘We must give them an education, large, liberal and comprehensive’. Catherine Vale Whitwell: teacher, artist, author, feminist and Owenite communitarian. Women's History Review, 28(4) pp. 552–565.

Donnachie, Ian (2019). Catherine Vale Whitwell (1789-1873), educationist and communitarian. Oxford Dictionary of National Biography, OUP.

Dueck, Byron (2019). Powwow and Indigenous Modernities: Traditional Music, Public Education, and Child Welfare. In: Levine, Victoria Lindsay and Robinson, Dylan eds. Music and Modernity Among First Peoples of North America. Wesleyan University Press, pp. 158–173.

Emsley, Clive (2019). British Police in Postwar Vienna: Chasing the Real Harry Lime. History Today, 69(2) pp. 40–53.

Faire, Lucy and Mchugh, Denise (2019). Twelve shades of grey: encountering urban colour in the street in British provincial towns, c. 1945–1970. Urban History, 46(2) pp. 288–308.

Fryers, Mark (2019). 'Cash and catamarans': 1980s British society through Howards’ Way. The Journal of Popular Television, 7(3) pp. 261–277.

Fryers, Mark (2019). 'I will not fight for my country...for my ship...my King...or Captain': Redefining Imperial Masculinities in To the Ends of the Earth. In: Byrne, Katherine; Leggott, James and Taddeo, Julie Anne eds. Conflicting Masculinities: Men in Period Television Drama. London; New York: I. B. Tauris, pp. 35–51.

Garrard, Nicholas James Havelock (2019). An Exploration of Four Sixteenth-Century Artefacts from St Helen's Ranworth: Conformity, Decency, Moderation and Memory in the Post-Reformation era. PhD thesis The Open University.

Golding, Rosemary (2019). Music and Mass Education: Cultivation or Control? In: Collins, Sarah ed. Music and Victorian Liberalism: Composing the Liberal Subject. Cambridge University Press, pp. 60–80.

Goodrich, Amanda (2019). Henry Redhead Yorke, Colonial Radical: Politics and Identity in the Atlantic World, 1772-1813. The Enlightenment World, 33. London and New York: Taylor & Francis, Routledge.

Graham, Emma-Jayne (2019). Pilgrimage, mobile behaviours and the creation of religious place in early Roman Latium. In: Kuuliala, Jenni and Rantala, Jussi eds. Travel, Pilgrimage and Social Interaction from Antiquity to the Middle Ages. Routledge, pp. 15–36.

Griffiths, Andrew (2019). An Anglo-American Encounter in Africa: Henry M. Stanley in Abyssinia, 1868. In: Griffiths, Andrew; Alves, Audrey and Trindade, Alice eds. Literary Journalism and Africa's Wars: Colonial, Decolonial and Postcolonial Perspectives. ReportAGES. Nancy, France: Presses Universitaires de Nancy.

Gupta, Suman (2019). Indian student protests and the nationalist–neoliberal nexus. Postcolonial Studies, 22(1) pp. 1–15.

Gupta, Suman (2019). Creative writing programmes and patronage. British Journal of Educational Studies, 67(3) pp. 321–336.

Gupta, Suman and Chattarji, Subarno (2019). Protests, Repression, Restructuring: Contemplating Indian Higher Education in 2018. Postcolonial Studies, 22(1) pp. 117–130.

Gustar, Andrew (2019). Fame, Obscurity and Power Laws in Music History. Empirical Musicology Review, 14(3-4) pp. 186–215.

Gustar, Andrew (2019). The Bad Nauheim Hotels in The Good Soldier: A Re-evaluation. Last Post: A literary journal from the Ford Madox Ford Society, 1(2) pp. 22–52.

Hack, Karl (2019). Unfinished Decolonisation and Globalisation. Journal of Imperial and Commonwealth History, 47(5) pp. 818–850.

Hack, Karl (2019). We Meet Again: Britain and Singapore 1945-1946. In: Koh, Tommy and Wightman, Scott eds. 200 years of Singapore and the United Kingdom. Singapore: Straits Times Press, pp. 118–125.

Hamer, Laura (2019). Women on the Podium: Issues and Strategies of Women Orchestral Conductors. Estudios bandísticos, 3(1) pp. 21–39.

Hamer, Laura (2019). Critiquing the Canon: The Role of Criticism in Canon Formation. In: Dingle, Christopher ed. The Cambridge History of Music Criticism. The Cambridge History of Music. Cambridge University Press, pp. 231–248.

Hamer, Laura (2019). The Gender Paradox: Criticism of Women and Women as Critics. In: Dingle, Christopher ed. The Cambridge History of Music Criticism. The Cambridge History of Music. Cambridge University Press, pp. 272–290.

Hamer, Laura (2019). A Cultural Formation: Paul Dukas and Elsa Barraine. In: Minors, Helen Julia and Watson, Laura eds. Paul Dukas: Legacies of a French Musician. Abingdon and New York: Routledge, pp. 131–149.

Harlow, Nicky (2019). When I am Laid in Earth: a novel, and critical commentary investigating ‘Evocations of the Gothic: Creating “The Great Wrong Place’ and Material Evidence in Contemporary Crime Fiction. PhD thesis The Open University.

Harrison, Jill (2019). Fresh Perspectives on Hugo van der Goes’ Portrait of Margaret of Denmark and the Trinity Altarpiece. The Court Historian, 24(2) pp. 120–137.

Harrison, Rebecca (2019). Gender, Race, and Representation in the Star Wars Franchise: An Introduction. Media Education Journal, 65(2) pp. 16–19.

Haslam, Sara (2019). Ford Studies in the Twenty-first Century: Bibliography, Criticism and the Gaps on the Map. In: Haslam, Sara; Colombino, Laura and O'Malley, Seamus eds. The Routledge Companion to Ford Madox Ford. Routledge, pp. 1–22.

Haslam, Sara and Saunders, Max (2019). Ford's Letters. In: Haslam, Sara; Colombino, Laura and O'Malley, Seamus eds. The Routledge Research Companion to Ford Madox Ford. Routledge, pp. 25–38.

Haslam, Sara; Saunders, Max and Skinner, Paul (2019). Editing Ford. In: Haslam, Sara; Colombino, Laura and O'Malley, Seamus eds. The Routledge Research Companion to Ford Madox Ford. Routledge, pp. 441–460.

Herbert, Trevor (2019). Solo and ensemble brass instrument recordings. Early Music, 47(2) pp. 277–280.

Hobden, Fiona (2019). Spartacus: Blood and Sand (STARZ, 2010): a necessary fiction? In: van Helden, Daniël and Witcher, Robert eds. Researching the Archaeological Past through Imagined Narratives: A Necessary Fiction. Routledge Studies in Archaeology. Abingdon, Oxon: Routledge, pp. 238–254.

Hope, Valerie M. (2019). An Emperor's Tears: the significance of the mourning of the Julio-Claudian emperors. Thersites: Journal for Transcultural Presences and Diachronic identities from antiquity to date, 9 pp. 117–146.

Hughes, Jessica (2019). Tiny and Fragmented Votive Offerings from Classical Antiquity. In: Martin, S. Rebecca and Langin-Hooper, Stephanie M. eds. The Tiny and the Fragmented : Miniature, Broken, or Otherwise Incomplete Objects in the Ancient World. Oxford: Oxford University Press, pp. 48–71.

Jensen, Meg and Campbell, Siobhan (2019). Negotiated Truths and Iterative Practice: The Women in Conflict Expressive Life Writing Project. In: Douglas, Kate and Barnwell, Ashley eds. Research Methods for Auto/Biography Studies. Routledge Auto/Biography Studies. Routledge, pp. 115–129.

Johnson, David (2019). An Interview with Ania Loomba and Suvir Kaul. Wasafiri, 34(1) pp. 52–57.

Johnson, David (2019). Dreaming of Freedom in South Africa: Literature between Critique and Utopia. Edinburgh: Edinburgh University Press.

Johnson, Liz; Dooley, James; Hurst, Dane and McNeill, Jack (2019). Scintilla for dancer, clarinet and live electronics. Sound and Music.

Moohan, Elaine and Elliott, Kenneth, eds. Complete Works (Musica Scotica vol. 8). By Robert Johnson . Glasgow, Musica Scotica (2019).

Jones, Richard J. (2019). The eighteenth-century review journal as allegory: Smollett’s Critical Review and the work of criticism. The Eighteenth Century: Theory and Interpretation, 60(1) pp. 45–63.

Katritzky, M. A. (2019). Stefanelo Botarga and Zan Ganassa: Textual and visual records of a musical commedia dell’arte duo, in and beyond early modern Iberia. Music in Art, 44 pp. 83–104.

King, Catherine (2019). The Special Value of Precarious Patrons: Lucrezia Agliardi and the Tradition of Italian Laywomen Church Builders. Early Modern Women: An Interdisciplinary Journal, 13(2)

King, Edmund G. C. (2019). [Book Review] John Kerrigan, Shakespeare's Originality. Spenser Review, 49(3), article no. 13.

King, Edmund G. C.; Parmar, Maya and Towheed, Shafquat (2019). Reusing Historical Questionnaire Data and Using Newly Commissioned Oral History Interviews as Evidence in the History of Reading. Participations: Journal of Audience & Reception Studies, 16(1) pp. 530–553.

King, Helen (2019). Reflection: Phrontis: The Patient Meets the Text. In: Adamson, Peter ed. Health: A History. Oxford University Press, pp. 95–102.

Kynan-Wilson, William (2019). Play and performance in Ottoman costume albums. In: Boyar, Ebru and Fleet, Kate eds. Entertainment among the Ottomans. Leiden: Brill, pp. 62–89.

Kynan-Wilson, William (2019). The Origins of Orientalism: A Plurality of Orients and Occidents (c.1500-1800). In: Greenwood, William and de Guise, Lucien eds. Inspired by the East: How the Islamic World Influenced Western Art. London: British Museum, pp. 32–43.

Kynan-Wilson, William (2019). Looking East catalogue entries. In: Greenwood, William and de Guise, Lucien eds. Inspired by the East: How the Islamic World Influenced Western Art. London: British Museum, pp. 112–135.

Lawrence, Paul (2019). Historical Criminology and the Explanatory Power of the Past. Criminology and Criminal Justice, 19(4) pp. 493–511.

Lee, Catherine and Logan, Anne (2019). Women’s agency, activism and organisation. Women's History Review, 28(6) pp. 831–834.

Lloyd, Mair E. and Robson, James (2019). Staying the distance: transforming Latin pedagogy at the Open University. Journal of Latin Linguistics, 18(1-2) pp. 101–128.

Lymberopoulou, Angeliki (2019). Domenikos Theotokopoulos and Ancient Greek Art. In: Assimakopoulou, Ianthi ed. Echoes of Antiquity in the Oeuvre of Domenikos Theotokopoulos. Heraklion: Municipality of Heraklion, pp. 15–36.

Lymberopoulou, Angeliki (2019). Palaiologan art from regional Crete: Artistic decline or social progress? In: Late Byzantium Reconsidered The Arts of the Palaiologan Era in the Mediterranean (Mattiello, Andrea and Rossi, Maria Alessia eds.), Routledge (Taylor & Francis Group), London and New York, pp. 132–155.

Marsden, Richard (2019). National histories and national identities: Brexit and devolution, past and future. OpenTALKS History Lecture, Open University.

McBride, Terence (2019). Scottishness and ‘foreigners’: the role of a developing Scottish ‘machinery of government’ before 1939. Historical Research, 92(256) pp. 410–431.

McEneaney, Sinead (2019). Home Sweet Home? Housing Activism and Political Commemoration in Sixties Ireland. History Workshop Journal, 87(1) pp. 5–26.

McKellar, Elizabeth (2019). All roof, no wall: Peter Boston, A-frames, and the Primitive Hut in Twentieth-century British Architecture c. 1890-1970. Architectural History, 62 pp. 237–269.

Michael, Bethan (2019). The Return of the Dead: Fears and Anxieties Surrounding the Return of the Dead in Late Postmodern Culture. In: Michael-Fox, Bethan; Dixon, Izabela and Doran, Selina E.M. eds. There's More to Fear than Fear Itself: Fears and Anxieties in the 21st Century. Oxford and Leiden: Inter-Disciplinary Press and Brill, pp. 31–45.

Michael-Fox, Bethan (2019). [Book Review] Death, the Dead and Popular Culture, by Ruth Penfold-Mounce. Mortality, 24(4) pp. 488–489.

Michael-Fox, Bethan and Jarrett-Kerr, Adele (2019). Breastfeeding Beyond Infancy: An Autoethnographic Dialogue Between Two Women. CULTIVATE The Feminist Journal of the Centre for Women's Studies(2), article no. 4.

Plassart, Anna, ed. Letters of Crito. By John Millar (1796). History of European Ideas 45:2, 148-190 (2019).

Plassart, Anna, ed. Letters of Sidney. By John Millar (1796). History of European Ideas 45:2, 191-231 (2019).

Murray, Andrew (2019). The Montpellier Parchment and the Signature of Iustitia. Acta Academiae Artium Vilnensis, 94 pp. 301–323.

Murray, Andrew and Dumolyn, Jan (2019). Artist. Kunst und Politik. Jahrbuch der Guernica-Gesellschaft, 21 pp. 21–27.

Neale, Derek (2019). Writing, research and paradox. Writing in Education(77) pp. 4–5.

Neale, Derek (2019). New directory and forthcoming election. Writing in Education(78) p. 5.

Neale, Derek (2019). Bright beginnings, end of term. Writing in Education(79) pp. 9–11.

Neale, Derek (2019). Practice research, a new terminology. Writing in Education(79) pp. 48–49.

Neale, Derek (2019). Introduction. Writing in Practice, 5

Neale, Derek, Etter, Carrie, Cashdan, Liz and Melrose, Andrew (eds.) (2019) Writing in Practice: The Journal of Creative Writing Research. (Vol. 5) National Association of Writers in Education.

Parmar, Maya (2019). Reading Cultural Representations of the Double Diaspora: Britain, East Africa, Gujarat. Cham: Palgrave Macmillan.

Paul, Joanna (2019). Drones Over Pompeii: Cinematic Perspectives on Antiquity in the Digital Era. Classical Receptions Journal, 11(3) pp. 274–295.

Paul, Joanna (2019). Archaeology, historical fiction and Classical Reception Studies. In: Witcher, Robert and van Helden, Daniël P. eds. Researching the Archaeological Past through Imagined Narratives: A Necessary Fiction. Routledge Studies in Archaeology. Routledge, pp. 255–262.

Phillips, Claire (2019). Child Abandonment in England, 1741–1834: The Case of the London Foundling Hospital. Genealogy, 3(3) p. 35.

Plassart, Anna (2019). James Mill, the Scottish Enlightenment and the Problem of Civil Religion. Modern Intellectual History, 16(3) pp. 679–711.

Plassart, Anna (2019). Introduction: Millar and his Circle. History of European Ideas, 45(2) pp. 128–147.

Plastow, Christine (2019). Doctors in Attic Forensic Oratory. Greek, Roman, and Byzantine Studies, 59(4) pp. 575–595.

Plastow, Christine (2019). Use and Abuse of Law in the Athenian Courts. Mnemosyne supplements. History and archaeology of classical antiquity, 419. Bryn Mawr Classical Review, 2019(10), article no. 10.

Plastow, Christine (2019). The Devil's in the Detail: Including 'irrelevant' details in homicide narratives. In: Edwards, Mike and Spatharas, Dimos eds. Forensic Narratives in Athenian Courts. Routledge, pp. 40–54.

Plastow, Christine (2019). Space, place, and identity in Antiphon 'On the Murder of Herodes'. In: Filonik, Jakub; Griffith-Williams, Brenda and Kucharski, Janek eds. The Making of Identities in Athenian Oratory. Routledge, pp. 191–205.

Robson, James and Lloyd, Mair (2019). Making IT Count: Measuring Student Engagement with Online Resources at the Open University. In: Natoli, Bartolo and Hunt, Steven eds. Teaching Classics with Technology. London: Bloomsbury, pp. 39–52.

Rothe, Ursula (2019). The Toga and Roman Identity. London: Bloomsbury Academic.

Rowland, David (2019). The listening experiences of John Yeoman (1748 – 1824). In: Barlow, Helen and Rowland, David eds. The experience of listening to music: methodologies, identities, histories. Milton Keynes: The Open University.

Rowland, David (2019). Music Publishing in Britain ca. 1840-1900. In: Sala, Massimiliano ed. Music and the Second Industrial Revolution. Music, Science & Technology (2). Turnhout: Brepols.

Simones, Lilian (2019). Understanding the Meaningfulness of Vocal and Instrumental Music Teachers' Hand Gestures Through the Teacher Behavior and Gesture Framework. Frontiers in Education, 4, article no. 141.

Simones, Lilian Lima (2019). A framework for studying teachers’ hand gestures in instrumental and vocal music contexts. Musicae Scientiae, 23(2) pp. 231–249.

Slight, John (2019). Reactions to the Ottoman Jihad fatwa in the British Empire, 1914-1918. In: Johnson, Robert and Kitchen, James E. eds. The Great War in the Middle East. Routledge.

Stewart, Lindsey (2019). ‘A New and Fierce Disorder’s Raging’: Monomania in Mary Barton (1848). Journal of Victorian Culture, 24(4) pp. 492–506.

Swift, Laura (2019). Archilochus: The Poems: Introduction, Text, Translation, and Commentary. Oxford University Press.

Swift, Laura (2019). Ajax the Hero. In: Stuttard, David ed. Looking at Ajax. Bloomsbury Academic, pp. 29–41.

Thompson, Marie (2019). Spinoza and musical power. Textual Practice, 33(5) pp. 803–820.

Tickell, Alex (2019). Introduction. In: Tickell, Alex ed. The Oxford History of the Novel in English Volume 10: The Novel in South and South East Asia since 1945. The Oxford History of the Novel in English, 10. Oxford: Oxford University Press, xvii-xxxiv.

Tickell, Alex (2019). Life-Writing, Testimony and Biographical Fiction. In: Tickell, Alex ed. The Oxford History of the Novel in English: The Novel in South and South East Asia since 1945, Volume 10. Oxford: Oxford University Press, pp. 428–442.

Tickell, Alex and Gabriel, Sharmani (2019). History, Memory, and Cultural Identity in the Novel of South East Asia. In: Tickell, Alex ed. The Novel in South and South East Asia since 1945. The Oxford History of the Novel in English, 10. Oxford: Oxford University Press, pp. 398–413.

Towheed, Shafquat (2019). Publishing the South and South East Asian Novel in the Global Market. In: Tickell, Alex ed. The Oxford History of the Novel in English, Volume 10: The Novel in South and South East Asia since 1945, Volume 10. Oxford: Oxford University Press, pp. 595–609.

Towheed, Shafquat; Nash, Andrew and Squires, Claire (2019). Reading and Ownership. In: Nash, Andrew; Squires, Claire and Willison, I.R. eds. The Cambridge History of the Book in Britain, Volume 7: The Twentieth Century and Beyond. Cambridge History of the Book in Britain, 7. Cambridge: Cambridge University Press, pp. 231–276.

Trott, Vincent (2019). [Book Review] Words and the First World War: language, memory, vocabulary, by Julian Walker. First World War Studies, 10(1) pp. 160–161.

Vignale, François; Benatti, Francesca and Antonini, Alessio (2019). Reading in Europe - Challenge and Case Studies of READ-IT Project. In: Digital Humanities Conference 2019, 9-12 Jul 2019, Utrecht, Netherland.

Vincent, David (2019). ‘The Modern History of Literacy'. In: Rury, John L. and Tamura, Eileen eds. The Oxford Handbook of the History of Education. Oxford: Oxford University Press, pp. 507–522.

Wainwright, Leon (2019). [Book Review] Creole in the Archive: Imagery, Presence and the Location of the Caribbean Figure, by Roshini Kempadoo. The New West Indian Guide/Nieuwe West-Indische Gids, 93(3-4) pp. 345–346.

Wainwright, Leon (2019). Frank Bowling at Tate Britain: Provincialism, Transnationalism, and the Atlantic Divide. ASAP Journal Open-access platform of the Association for the Study of the Art of the Present (United States)

Wainwright, Leon (2019). Mona Hatoum’s Roadworks and Measures of Distance’. In: Aitken, Nick and Robles, Elizabeth eds. The Place is Here: Black Art in 1980s Britain. The Van Abbemuseum and Nottingham Contemporary: Sternberg Press, pp. 307–320.

Williams, Sean (2019). The EMS Synthi 100: Rare, expensive and not actually very good. In: Sustainable Sounds: Interrogating the Materials of Music Making Technologies, 11 May 2019, University of Edinburgh.

Williams, Sean (2019). New composition strategies and the EMS Synthi 100. In: Music and Sonic Art conference 2019, 31 Jun - 2 Jul 2019, Karlsruhe, Germany.

Winters, Ben (2019). New Opportunities in Film: Korngold and Warner Bros. In: Goldmark, Daniel and Karnes, Kevin C eds. Korngold and His World. Princeton: Princeton University Press, pp. 111–130.

Yamagata, Naoko (2019). 第六章　ホメロスの英雄像—アキレウスとヘクトル、サルぺドン、パトロクロス— [Chapter 6 Images of Homeric heroes – Achilles, Hector, Sarpedon and Patroclus]. In: 川島重成、古澤ゆう子、小林薫編 [Kawashima, S.; Furusawa, Y. and Kobayashi, K. eds.] 『ホメロス『イリアス』への招待』 [An Invitation to Homer’s Iliad]. Tokyo: Pinakes, pp. 163–189.

Yeh, Jane (2019). Discipline. Manchester, UK: Carcanet Press.

2018To Top

Allan, William and Swift, Laura eds. (2018). Moralizing Strategies in Early Greek Poetry. Mouseion, 15 (1). Toronto: University of Toronto Press.

Attfield, Nicholas and Winters, Ben eds. (2018). Music, Modern Culture, and the Critical Ear. Abingdon: Routledge.

Burrows, Donald; Coffey, Helen; Greenacombe, John and Hicks, Anthony eds. (2018). George Frideric Handel: Collected Documents. Volume 3. 1734–1742. Cambridge University Press.

Caldari, Valentina and Wolfson, Sara J. eds. (2018). Stuart Marriage Diplomacy. Dynastic Politics in their European Context, 1604-1630. Studies in Early Modern Cultural, Political and Social History, 31. Woodbridge: Boydell and Brewer.

Christian, Kathleen and de Divitiis, Bianca eds. (2018). Local antiquities, local identities: Art, literature and antiquarianism in Europe, c. 1400-1700. Manchester: Manchester University Press.

Cook, James; Kolassa, Alexander and Whittaker, Adam eds. (2018). Recomposing the Past: Representations of Early Music on Stage and Screen. Ashgate Screen Music Series. Abingdon and New York: Routledge.

De Renzi, Silvia; Bresadola, Marco and Conforti, Maria eds. (2018). Pathology in Practice: Diseases and Dissections in Early Modern Europe. The History of Medicine in Context. London: Routledge.

Golding, Rosemary ed. (2018). The Music Profession in Britain, 1780-1920: New Perspectives on Status and Identity. Music in Nineteenth-Century Britain. Routledge.

Griffiths, Andrew; Alves, Audrey and Trindade, Alice eds. (2018). Literary Journalism and Africa's Wars: Colonial, Decolonial and Postcolonial Perspectives. ReportAGES. Nancy, France: Presses Universitaires de Nancy.

Gupta, Suman and Virdee, Satnam eds. (2018). Race and Crisis. Ethnic & Racial Studies. London: Routledge.

Harvey, Graham and Hughes, Jessica eds. (2018). Sensual Religion: Religion and the Five Senses. Religion and the Senses. Sheffield: Equinox.

Haslam, Sara; Colombino, Laura and O'Malley, Seamus eds. (2018). The Routledge Research Companion to Ford Madox Ford. Routledge Research Companions. London and New York: Routledge.

Herbert, Trevor; Myers, Arnold and Wallace, John eds. (2018). The Cambridge Encyclopedia of Brass Instruments. Cambridge: Cambridge University Press.

Hobden, Fiona and Wrigley, Amanda eds. (2018). Ancient Greece on British Television. Screening Antiquity. Edinburgh: Edinburgh University Press.

Hoppe, C.; Goldbeck, M. and Kawabata, M. eds. (2018). Exploring Virtuosities: Heinrich Wilhelm Ernst, Nineteenth-Century Musical Practices and Beyond. Göttingen Studies in Musicology, 10. Olms.

Lymberopoulou, Angeliki ed. (2018). Cross-Cultural Interaction between Byzantium and the West, 1204-1669. Whose Mediterranean is it anyway? Society for the Promotion of Byzantine Studies, 22. London: Routledge.

Shaw, Samuel; Shaw, Sarah and Carle, Naomi eds. (2018). Edwardian Culture: Beyond the Garden Party. Among the Victorians and Modernists. London: Routledge.

Althoff, Gerd; Fonnesberg-Schmidt, Iben and Kynan-Wilson, William (2018). Framing papal communication in the central Middle Ages. Journal of Medieval History, 44(3) pp. 251–260.

Bakogianni, Anastasia and James, Paula (2018). Classical Drama at a Distance: Teaching Performance Reception in an Online Environment. Classical World, 112(1) pp. 707–725.

Barker, Naomi J. (2018). Learning the trade: What did Froberger do in Rome? In: Vejvar, Andreas and Grassl, Markus eds. "Avec discrétion": Rethinking Froberger. Wiener Veröffentlichungen zur Musikgeschichte (14). Vienna: Böhlau Verlag, pp. 205–221.

Barlow, Helen (2018). The British Army and the music profession: the impact of regimental bands on the status and identity of professional musicians. In: Golding, Rosemary ed. The Music Profession in Britain, 1780-1920: New Perspectives on Status and Identity. Music in Nineteenth-Century Britain. London: Routledge, pp. 72–89.

Barnes, Amy Jane (2018). 大英图书馆收藏的中国革命年画研究 [‘Research on Chinese Revolutionary New Year Paintings Collected by the British Library’]. 年画研究2018 [‘Nianhua Journal 2018’] pp. 27–29.

Barnes, Amy Jane (2018). Representing the China Dream: A case study in revolutionary cultural heritage. In: Watson, Sheila; Barnes, Amy Jane and Bunning, Katy eds. A Museum Studies Approach to Heritage. Leicester Readers in Museum Studies. Abingdon: Routledge, pp. 797–813.

Watson, Sheila; Barnes, Amy Jane and Bunning, Katy eds. (2018). A Museum Studies Approach to Heritage. Leicester Readers in Museum Studies. Abingdon: Routledge.

Barnes, Amy Jane (2018). Introduction to Part I. In: Watson, Sheila; Barnes, Amy Jane and Bunning, Katy eds. A Museum Studies Approach to Heritage. Leicester Readers in Museum Studies. Abingdon: Routledge, pp. 9–13.

Bell, Simon; Benatti, Francesca; Edwards, Neil R.; Laney, Robin; Morse, David R.; Piccolo, Lara and Zanetti, Oliver (2018). Smart Cities and M3: Rapid Research, Meaningful Metrics and Co-Design. Systemic Practice and Action Research, 31(1) pp. 27–53.

Benatti, Francesca and King, David (2018). One Year After. A Question of Style: individual voices and corporate identity in the Edinburgh Review, 1814-1820. In: RSVP/VSAWC 2018 The Body and the Page in Victorian Culture, 26-28 Jul 2018, University of Victoria, British Columbia, Canada.

Benatti, Francesca and King, David (2018). A Question of Style: corpus building and stylistic analysis of the Edinburgh Review and Quarterly Review, 1814-1820. In: DHC (Digital Humanities Congress) 2018, 06-08 Sep 2018, University of Sheffield.

Benton, Tim (2018). E-1027 and the «drôle de guerre». Rassegna di architettura e urbanistica(153) pp. 46–61.

Benzan, Carla (2018). Alone at the Summit: Solitude and the Ascetic Imagination at the Sacro Monte of Varallo. In: Enenkel, Karl A.E. and Göttler, Christine eds. Solitudo: Spaces, Places, and Times of Solitude in Late Medieval and Early Modern Cultures. Intersections: Interdisciplinary Studies in Early Modern Culture (56). Leiden and Boston: Brill, pp. 336–363.

Bloxham, John (2018). Willmoore Kendall’s ‘McCarthyite’ Socrates in conservative free speech debates of the 1950s and 1960s. International Journal of the Classical Tradition, 25(1) pp. 72–88.

Brown, Richard Danson (2018). “And dearest loue”: Virgilian half-lines in Spenser’s Faerie Queene. Proceedings of the Virgil Society, 29 pp. 49–74.

Brown, Richard Danson (2018). Trevor Joyce, Fastness: a Translation from the English of Edmund Spenser. Spenser Review, 48(1), article no. 14.

Brown, Richard Danson (2018). [Book Review] Catherine Bates, ed., A Companion to Renaissance Poetry. The Spenser Review, 48(3)

Brunet, Luc-André (2018). The creation of the Monnet Plan, 1945-46: a critical re-evaluation. Contemporary European History, 27(1) pp. 23–41.

Brunet, Luc-André (2018). [Book Review] A Vision of Europe: Franco-German Relations During the Great Depression, 1929–1932, by Conan Fischer. The English Historical Review, 133(565) pp. 1651–1652.

Brunet, Luc-André (2018). Jean Monnet et l'organisation des économies alliées pour la guerre (1939-1940). In: Bossuat, Gérard ed. Jean Monnet et l'économie. Euroclio. Bruxelles: Peter Lang.

Brunet, Luc-André (2018). The Role of Algeria in Debates over Post-War Europe within the French Resistance. In: Davis, Muriam Haleh and Serres, Thomas eds. North Africa and the Making of Europe: Governance, Institutions and Culture. London: Bloomsbury, pp. 23–42.

Caldari, V.; Questier, M. and Wolfson, S. (2018). Introduction. In: Caldari, Valentina and Wolfson, Sara eds. Stuart Marriage Diplomacy. Dynastic Politics in their European Context, 1604-1630. Boydell and Brewer.

Carter, Warren (2018). Mexican Muralism Reconsidered. In: Carter, Warren ed. Art after Empire: From Colonialism to Globalisation. Manchester: Manchester University Press in association with the OU, pp. 59–97.

Cathcart, Charles (2018). Thomas Brewer and his Associates: Hayman, Taylor, Heywood. Notes and Queries, 65(2) pp. 198–201.

Cathcart, Charles (2018). Leonard Becket, Stationer, and A help to discourse. The Library, 19(3) pp. 301–324.

Chambers, Helen (2018). Conrad's Reading: Space, Time, Networks. New Directions in Book History (NDBH). London: Palgrave Macmillan, Cham.

Christian, Kathleen (2018). Roma caput mundi: Rome's local antiquities as symbol and source. In: Christian, Kathleen and de Divitiis, Bianca eds. Local antiquities, local identities: Art, literature and antiquarianism in Europe, c. 1400-1700. Manchester: Manchester University Press, pp. 57–78.

Clark, Leah (2018). Collecting Art in the Italian Renaissance Court: Objects and Exchanges. Cambridge: Cambridge University Press.

Clark, Leah R. (2018). Objects of Exchange: Diplomatic Entanglements in Fifteenth-century Naples. Predella, 43-44 pp. 129–154.

Clark, Leah R. (2018). From Naples to Ferrara. The Collections of Duchess Eleonora d’Aragona. In: Ippoliti, Alessandro ed. Atti del convegno internazionale: Biagio Rossetti e il suo tempo. Rome: Ginevra Bentivoglio Editoria, pp. 255–265.

Clarke, Martin V. (2018). Church musicians in nineteenth-century Durham. In: Golding, Rosemary ed. The Music Profession in Britain, 1780-1920: New Perspectives on Status and Identity. Music in Nineteenth-Century Britain. Abingdon: Routledge, pp. 90–109.

Cook, James; Kolassa, Alexander and Whittaker, Adam (2018). [Introduction] Understanding the present through the past and the past through the present. In: Kolassa, Alexander; Cook, James and Whittaker, Adam eds. Recomposing the Past: Representations of Early Music on Stage and Screen. Ashgate Screen Music Series. Abingdon: Routledge, pp. 1–14.

Cook, James; Kolassa, Alexander and Whittaker, Adam (2018). Music in fantasy pasts: neomedievalism and Game of Thrones. In: Kolassa, Alexander; Cook, James and Whittaker, Adam eds. Recomposing the Past: Representations of Early Music on Stage and Screen. Ashgate Screen Music Series. Abingdon: Routledge, pp. 229–250.

Crone, Rosalind (2018). Educating the labouring poor in nineteenth-century Suffolk. Social History, 43(2) pp. 161–185.

Crone, Rosalind; Hoskins, Lesley and Preston, Rebecca (2018). Guide to the Criminal Prisons of Nineteenth-Century England. London Publishing Partnership.

Davis, Caroline and Trott, Vincent (2018). Introduction. Logos, 29(2-3) pp. 6–8.

De Renzi, Silvia (2018). Seats and series: dissecting diseases in the seventeenth century. In: De Renzi, Silvia; Bresadola, Marco and Conforti, Maria eds. Pathology in Practice: Diseases and Dissections in Early Modern Europe. The History of Medicine in Context. London: Routledge, pp. 96–115.

De Renzi, Silvia (2018). Family resemblance in the Old Regime. In: Hopwood, Nick; Flemming, Rebecca and Kassell, Lauren eds. Reproduction. Antiquity to the Present Day. Cambridge: Cambridge University Press, pp. 241–252.

De Renzi, Silvia; Bresadola, Marco and Conforti, Maria (2018). Pathological dissections in early modern Europe: practice and knowledge. In: De Renzi, Silvia; Bresadola, Marco and Conforti, Maria eds. Pathology in Practice: Diseases and Dissections in Early Modern Europe. The History of Medicine in Context. London: Routledge, pp. 3–19.

Dobinson, Colin; Ferraby, Rose; Lucas, Jason; Millett, Martin and Wallace, Lacey (2018). Archaeological Field Survey in the Environs of Aldborough (Isurium Brigantum). Yorkshire Archaeological Journal, 90(1) pp. 29–58.

Dohmen, Renate (2018). The Global, the Post-Abyssal and the Cosmopolitical: Casting a Creative Post-Underdeveloped, Post-Peripheral, Tropical Eye. In: Di Paola, Modesta ed. Cosmopolitics and Biopolitics. Ethics and Aesthetics in Contemporary Art. Art, Globalization, Interculturality. Barcelona: Barcelona University Press, pp. 77–94.

Dooley, James (2018). rive (moog). Royal Birmingham Conservatoire, Birmingham, UK. [Performance]. (Unpublished)

Droy, Laurence; Hughes, Lotte; Lamont, Mark; Nguura, Peter; Parsitau, Damaris and Wamue Ngare, Grace (2018). Alternative Rites of Passage in FGM/C Abandonment Campaigns in Africa: A research opportunity. LIAS Working Paper Series, Vol. 1, University of Leicester.

Dueck, Byron (2018). North American Indigenous song, the sacred and the senses. Body and Religion, 2(2) pp. 206–223.

Dueck, Byron (2018). North American Indigenous Song, the Sacred and the Senses. In: Harvey, Graham and Hughes, Jessica eds. Sensual Religion: Religion and the Five Senses. Equinox Publishing Ltd., pp. 170–188.

Emsley, Clive (2018). A Police Officer and a Gentleman: A.F. 'Michael' Wilcox. London: Blue Lamp Books.

Emsley, Clive (2018). ‘Du concept à l’institution: Les spécifités du mot “police” en langue anglaise’. In: Cicchini, Marco and Denis, Vincent eds. Le Nœud gordien. Police et justice: des Lumières à l’État libéral (1750-1850). Chêne-Bourg, Switzerland: Georg, pp. 47–69.

Forbes, Suzanne (2018). A 'Lost' Quaker-Baptist Pamphlet Debate between William Penn and John Plimpton in 1698. Eighteenth-Century Ireland, 32 pp. 44–64.

Forbes, Suzanne (2018). Print and Party Politics in Ireland, 1689-1714. Palgrave Macmillan.

Fryers, Mark (2018). Songs of the sea: sea beasts and maritime folklore in global animation. In: Hackett, John and Harrington, Seán eds. Beasts of the Deep: Sea Creatures and Popular Culture. East Barnet: John Libbey Publishing Ltd, pp. 185–198.

Gibson, Jonathan (2018). Miscellanies in manuscript and print. In: Bates, Catherine ed. A Companion to Renaissance Poetry. Chichester: Wiley-Blackwell, pp. 103–114.

Gibson, Jonathan (2018). Textual Introduction. In: Clarke, Elizabeth; Norbrook, David and Stevenson, Jane eds. The Works of Lucy Hutchinson, Volume 2: Theological Writings and Translations. Oxford: Oxford University Press, pp. 49–58.

Gibson, Jonathan (2018). Textual Introduction. In: Clarke, Elizabeth; Norbrook, David and Stevenson, Jane eds. The Works of Lucy Hutchinson, Volume 2: Theological Writings and Translations. Oxford: Oxford University Press, pp. 181–187.

Golding, Rosemary (2018). Introduction. In: Golding, Rosemary ed. The Music Profession in Britain, 1780-1920: New Perspectives on Status and Identity. Routledge, pp. 1–11.

Golding, Rosemary (2018). Music teaching in the late-nineteenth century: a professional occupation? In: Golding, Rosemary ed. The Music Profession in Britain, 1780-1920: New Perspectives on Status and Identity. Music in Nineteenth-Century Britain. Routledge, pp. 128–148.

Golding, Rosemary (2018). Finding Musicology in nineteenth-century Britain: contexts and conflicts. In: Wald-Fuhrmann, Melanie and Keym, Stefan eds. Wege zur Musikwissenschaft / Paths to Musicology. Bärenreiter Verlag.

Graham, Emma-Jayne (2018). ‘There Buds the Laurel’: Nature, Temporality and the Making of Place in the Cemeteries of Roman Italy. Theoretical Roman Archaeology Journal (TRAJ), 1(1), article no. 3.

Graham, Emma-Jayne; Sulosky Weaver, Carrie L. and Chamberlain, Andrew T. (2018). "Pars Pro Toto" and Personhood in Roman Cremation Ritual: New Bioarchaeological Evidence for the Rite of "Os Resectum". Bioarchaeology International, 2(4) pp. 240–254.

Griffiths, Andrew (2018). Seeking the Sources of Heart of Darkness: the African Narratives of late-Victorian Explorers and Journalists. Continents manuscrits(11)

Gupta, Suman (2018). [Book Review] On race: 34 conversations in a time of crisis. Ethnic and Racial Studies, 42(3) pp. 472–475.

Gupta, Suman and Allen, Richard (2018). “Liderazgo académico” y las condiciones del trabajo académico. Literatura: teoría, historia, crítica, 20(2) pp. 293–319.

Gupta, Suman and Virdee, Satnam (2018). Introduction: European crises: contemporary nationalisms and the language of “race”. Ethnic and Racial Studies, 41(10) pp. 1747–1764.

Hack, Karl (2018). ‘Devils that suck the blood of the Malayan People’: The Case for Post-Revisionist Analysis of Counter-insurgency Violence. War in History, 25(2) pp. 202–226.

Hamer, Laura (2018). 'Every impulse and spring of art seems to have died in me, except for music': Gerard Manley Hopkins as composer. The Musical Times, 159(1945) pp. 27–41.

Hamer, Laura (2018). Female Composers, Conductors, Performers: Musiciennes of Interwar France, 1919-1939. Abingdon: Routledge.

Hamer, Laura (2018). Beyond neoclassicism: symphonic form, catharsis, and political commentary in Barraine’s Deuxième symphonie (1938). In: Mawer, Deborah ed. Historical Interplay in French Music and Culture 1860 - 1960. Abingdon and New York: Routledge, pp. 121–138.

Hardwick, Lorna (2018). The poetics of cultural memory: WWI refractions of ancient peace. Classical Receptions Journal, 10(4) pp. 393–414.

Harrison, Rebecca (2018). Fuck the Canon (or, How Do You Solve a Problem Like von Trier?): Teaching, Screening, and Writing About Cinema in the Age of #MeToo. MAI: Feminism and Visual Culture, 1(2)

Harrison, Rebecca (2018). From Steam to Screen: Cinema, the Railways and Modernity. Cinema and Society. London: I B Tauris.

Haslam, Sara (2018). Ford Madox Ford's Last Library: Details, Dedications, and Remaining Mysteries in the Berg Collection, New York. Last Post: A literary journal from the Ford Madox Ford Society, 1(1) pp. 1–23.

Haslam, Sara (2018). No more Parades End: Ford Madox Ford’s last library and what it tells us about ‘the Tietjens saga’. Times Literary Supplement(6010)

Haywood, Jan (2018). From Croesus to Pausanias: Tragic Individuals in Early Greek Historiography. In: Archibald, Z. and Haywood, J. eds. The Power of the Individual in Ancient Athens: Essays in Honour of John K. Davies. Swansea: Classical Press of Wales.

Haywood, Jan and Mac Sweeney, Naoise (2018). Homer's Iliad and the Trojan War: Dialogues on Tradition. Bloomsbury Studies in Classical Reception (1). London: Bloomsbury.

Herbert, Trevor (2018). Cornetti e tromboni in the high Renaissance and Baroque. Early Music, 46(2) pp. 343–345.

Herbert, Trevor (2018). Cornett. In: Lawson, Colin and Stowell, Robin eds. The Cambridge Encyclopedia of Historical Performance in Music. Cambridge: Cambridge University Press, pp. 151–152.

Herbert, Trevor (2018). Military music. In: Lawson, Colin and Stowell, Robin eds. The Cambridge Encyclopedia of Historical Performance in Music. Cambridge: Cambridge University Press, pp. 409–411.

Herbert, Trevor (2018). Musica Reservata. In: Lawson, Colin and Stowell, Robin eds. The Cambridge Encyclopedia of Historical Performance in Music. Cambridge: Cambridge University Press, p. 427.

Herbert, Trevor (2018). Serpent. In: Lawson, Colin and Stowell, Robin eds. The Cambridge Encyclopedia of Historical Performance in Music. Cambridge: Cambridge University Press, pp. 572–573.

Herbert, Trevor (2018). Trombone. In: Lawson, Colin and Stowell, Robin eds. The Cambridge Encyclopedia of Historical Performance in Music. Cambridge: Cambridge University Press, pp. 630–632.

Herbert, Trevor (2018). Tuba and ophicleide. In: Lawson, Colin and Stowell, Robin eds. The Cambridge Encyclopedia of Historical Performance in Music. Cambridge: Cambridge University Press, pp. 636–638.

Herbert, Trevor (2018). Foreword: amateur bands, their localities, and their challenges – the lessons of history. In: Reily, Suzel A. and Brucher, Katherine eds. The Routledge Companion to the Study of Local Musicking. Routledge Music Companions. Abingdon: Routledge, xv-xxv.

Hewings, Ann and Prescott, Lynda (2018). Digital Futures. In: Eaglestone, Robert and Marshall, Gail eds. English: Shared Futures. The English Association: Essays and Studies. Cambridge: Boydell & Brewer Ltd, pp. 100–108.

Hills, Laura; Clarke, Anactoria; Hughes, Jonathan; Butcher, John; Shelton, Isobel and McPherson, Elaine (2018). Chinese whispers? Investigating the consistency of the language of assessment between a distance education institution, its tutors and students. Open Learning: The Journal of Open, Distance and e-Learning, 33(3) pp. 238–349.

Hobden, Fiona (2018). Augustus and the politics of the past today in television documentaries. In: Goodman, Penelope ed. Afterlives of Augustus, AD 14 - 2014. Cambridge: Cambridge University Press, pp. 294–321.

Hobden, Fiona (2018). Are We the Greeks? Understanding Antiquity and Ourselves in Television Documentaries. In: Hobden, Fiona and Wrigley, Amanda eds. Ancient Greece on British Television. Screening Antiquity. Edinburgh: Edinburgh University Press, pp. 24–43.

Hobden, Fiona and Wrigley, Amanda (2018). Broadcasting Greece: an introduction to Greek antiquity on the small screen. In: Hobden, Fiona and Wrigley, Amanda eds. Ancient Greece on British Television. Screening Antiquity. Edinburgh: Edinburgh University Press, pp. 1–23.

Hogan, Edward (2018). The Electric: a novel and critical commentary investigating narrative disruption in sign language, cinemagoing, and trauma. PhD thesis The Open University.

Hope, Valerie (2018). Vocal expression in Roman mourning. In: Butler, Shane and Nooter, Sarah eds. Sound and the Ancient Senses. The Senses in Antiquity. London and New York: Routledge, pp. 61–76.

Hope, Valerie (2018). Funerary practice in the city of Rome. In: Holleran, Claire and Claridge, Amanda eds. A Companion to the City of Rome. Blackwell Companions to the Ancient World. Wiley Blackwell, pp. 383–401.

Hope, Valerie (2018). Dead people's clothes: Materialising mourning and memory in ancient Rome. In: Newby, Zahra and Toulson, Ruth eds. The Materiality of Mourning: Cross-disciplinary Perspectives. London: Routledge, pp. 23–39.

Hope, Valerie Margaret (2018). 'Dulce et decorum est pro patria mori': the practical and symbolic treatment of the Roman war dead. Mortality: Promoting the interdisciplinary study of death and dying, 23(1) pp. 35–49.

Hughes, Jessica (2018). The texture of the gift: religious touching in the Greco-Roman world. Body and Religion, 2(1) pp. 88–112.

Hughes, Jessica (2018). Phallic Fertility in Pompeii. In: Hopwood, Nick; Flemming, Rebecca and Kassell, Lauren eds. Reproduction: Antiquity to the Present Day. Cambridge: CUP.

Hughes, Jessica and Flemming, Rebecca (2018). Exhibit 40 - The Room of the Ribbons. In: Hopwood, Nick; Flemming, Rebecca and Kassell, Lauren eds. Reproduction: Antiquity to the Present Day. Cambridge: Cambridge University Press, p. 672.

Hughes, Lotte (2018). Alternative Rites of Passage: Faith, rights, and performance in FGM/C abandonment campaigns in Kenya. African Studies, 77(2) pp. 274–292.

Hughes, Lotte; Akoth, Steve Ouma and Nyamweru, Celia (2018). The Politics of Culture in Kenya since 2010: Implications for pluralism. In: Ghai, Yash Pal and Ghai, Jill C. eds. Pluralism in Kenya. The Katiba Institute and the Global Institute for Pluralism.

Hughes, Lotte and Lamont, Mark (2018). Introduction: Cultural rights and constitutional change. African Studies, 77(2) pp. 159–170.

Hunt, Steven; Letchford, Clive; Lloyd, Mair; Manning, Laura and Plummer, Rachel (2018). The Virtue of Variety: Opening the Doors to Wider Pedagogical Practices in UK Schools and Universities. Journal of Classics Teaching, 19(38) pp. 53–60.

Huskinson, Janet (2018). Early Christian Art and Archaeology in Sixteenth and Seventeenth Century Rome. In: Jensen, Robin M. and Ellison, Mark D. eds. The Routledge Handbook of Early Christian Art. Routledge, pp. 364–379.

Johnson, David (2018). The limits of African nationalism: from anti-apartheid resistance to postcolonial critique. In: Deckard, Sharae and Varma, Rashmi eds. Marxism, Postcolonial Theory and the Future of Critique: Critical Engagements with Benita Parry. Routledge Research in Postcolonial Literatures. New York: Routledge, pp. 191–212.

Jones, Richard J. (2018). Continued Continuations of Complete Histories: Tobias Smollett and the Work of History. Journal for Eighteenth-Century Studies, 41(3) pp. 391–406.

Jones, Richard J. (2018). Tobias Smollett and the work of writing. Literature Compass, 15(8), article no. e12485.

Katritzky, M. A. (2018). German-Speaking Countries. In: Balme, Christopher B.; Vescovo, Piermario and Vianello, Daniele eds. Commedia dell'Arte in Context. Cambridge: Cambridge University Press, pp. 98–105.

Katritzky, M. A. (2018). Les représentations du charlatan pendant la première modernité et leur origine dans la scène du marchand du théâtre religieux. In: Dhraief, Beya; Negrel, Eric and Ruimi, Jennifer eds. Théâtre et charlatans dans l'Europe moderne. Registres collection des etudes théâtrales. Paris: Presses Sorbonne Nouvelle, pp. 99–116.

Katritzky, M. A. (2018). Commedia dell’arte related glass: early modern Venice. In: Ferrone, S. ed. Commedia dell’arte . Nuova Serie, Volume 1. Polistampa, pp. 11–31.

Katritzky, M. A. (2018). Stefanelo Botarga and Pickelhering: Fishy Italian and English Stage Clowns in Spain and Germany. In: Kuepper, Joachim and Pawlita, Leonie eds. Theatre Cultures within Globalising Empires: Looking at Early Modern England and Spain. Berlin/Boston: Walter de Gruyter, pp. 15–39.

King, David and Benatti, Francesca (2018). A (Data) Tale Of Two Faculties. In: Data Conversations, 26 Nov 2018, The Open University, UK.

King, Helen (2018). 'First behead your viper’: acquiring knowledge in Galen’s poison stories. In: Grell, Ole Peter; Cunningham, Andrew and Arrizabalaga, Jon eds. "It All Depends on the Dose": Poisons and Medicines in European History. Abingdon: Routledge, pp. 25–42.

King, Helen (2018). Women and Doctors in Ancient Greece. In: Hopwood, Nick; Flemming, Rebecca and Kassell, Lauren eds. Reproduction: Antiquity to the Present Day. Cambridge University Press, pp. 39–52.

King, Helen and Green, Monica H (2018). On the misuses of medical history. Lancet, 391(10128) pp. 1354–1355.

King, Helen and Zuccolin, Gabriella (2018). Rethinking nosebleeds: gendering spontaneous bleedings in medieval and early modern medicine. In: Johnson, Bonnie Lander and DeCamp, Eleanor eds. Blood Matters. Studies in European Literature and Thought, 1400-1700. Philadelphia, PA: University of Pennsylvania Press, pp. 79–91.

Kolassa, Alexander (2018). Presentness and the past in contemporary British opera. In: Cook, James; Kolassa, Alexander and Whittaker, Adam eds. Recomposing the Past: Representations of Early Music on Stage and Screen. Ashgate Screen Music Series. Abingdon and New York: Routledge, pp. 155–173.

Kolassa, Alexander (2018). The Past is a Different Planet: Sounding Medievalism in Aleksei German’s Hard to Be a God. In: Fugelso, Karl ed. Studies in Medievalism XXVII: Authenticity, Medievalism, Music. Studies in Medievalism, XXVII. Cambridge: D.S.Brewer, pp. 227–250.

Kolassa, Alexander (2018). Introduction to Part III. In: Fugelso, Karl ed. Authenticity, Medievalism, Music. Studies in Medievalism (27). Cambridge: Boydell & Brewer, pp. 181–182.

Kraamer, Malika and Barnes, Amy Jane (2018). Un-placed heritage: Making identity through fashion. In: Watson, Sheila; Barnes, Amy Jane and Bunning, Katy eds. A Museum Studies Approach to Heritage. Leicester Readers in Museum Studies. Abingdon: Routledge, pp. 598–618.

Kynan-Wilson, William (2018). Subverting a Papal Message? Master Gregory’s use of the Mirabilia urbis Romae. Journal of Medieval History, 44(3) pp. 347–364.

Kynan-Wilson, William and Fonnesberg-Schmidt, Iben (2018). Smiling, Laughing and Joking in Papal Rome: Thomas of Marlborough and Gerald of Wales at the Court of Pope Innocent III (1198-1216). Papers of the British School at Rome, 86 pp. 153–181.

Langley, Chris R. (2018). “In the execution of his office”: lay officials and the exercise of ecclesiastical discipline in Scotland, c. 1600-1660. The Seventeenth Century, 33(5) pp. 497–512.

Langley, Chris R. (2018). ‘So necessarie and charitable a worke’: welfare, identity and Scottish prisoners of war in England, 1650–55. In: Appleby, David and Hopper, Andrew eds. Battle-scarred: Mortality, medical care and military welfare in the British Civil Wars. Manchester: Manchester University Press, pp. 211–229.

Layton-Jones, Katy (2018). How to Lay Out a Very Large Garden Indeed: Edward Kemp’s Liverpool Parks, their History and Legacy. Garden History, 46(Suppl. 1) pp. 72–82.

Layton-Jones, Katy (2018). Manufactured landscapes: Victorian public parks and the industrial imagination. In: Dick, Malcolm and Mitchell, Elaine eds. Gardens and Green Spaces in the West Midlands since 1700. Hatfield: University of Hertfordshire Press, pp. 120–137.

Lee, Catherine (2018). ‘Giddy Girls’, ‘Scandalous Statements’ and a ‘Burst Bubble’: the war babies panic of 1914–1915. Women's History Review, 27(4) pp. 565–578.

Lloyd, Mair E. and Robson, James (2018). A Survey of Beginner's Language Teaching in UK Classics Departments: Latin. Council of University Classical Departments Bulletin, 47

Loftus, Donna (2018). Markets and culture. In: Handley, Sasha; McWilliam, Rohan and Noakes, Lucy eds. New Directions in Social and Cultural History. London: Bloomsbury, pp. 109–128.

Lymberopoulou, Angeliki (2018). Sight and the Byzantine Icon. Body and Religion, 2(1) pp. 46–67.

Lymberopoulou, Angeliki (2018). Sight and the Byzantine Icon. In: Harvey, Graham and Hughes, Jessica eds. Sensual Religion. Religion and the Five Senses. Sheffield: Equinox Publishingh Ltd, pp. 109–130.

Lymberopoulou, Angeliki (2018). Introduction. In: Lymberopoulou, Angeliki ed. Cross-Cultural interaction between Byzantium and the West, 1204-1669. Whose Mediterranean is it anyway? Society for the Promotion of Byzantine Studies (22). London: Routledge, pp. 1–18.

Lymberopoulou, Angeliki (2018). The Fogg Triptych: Testimony of a case study to the society and artistic production of Venetian Crete. In: Cross-cultural interaction between Byzantium and the West, 1204-1669. Whose Mediterranean is it anyway? (Lymberopoulou, Angeliki ed.), Society for the Promotion of Byzantine Studies, Routledge, London, pp. 59–73.

Marsden, Richard (2018). Brexit and the mythologies of nationalism: a warning for Wales. History and Policy.

Marsden, Richard (2018). Scottish parliamentary record scholarship in the devolution era. Parliaments, Estates and Representations, 39(1) pp. 113–132.

Marsden, Richard (2018). Henry Tudor: a Welsh hero...? OpenLearn, The Open University, Milton Keynes.

Marsden, Richard (2018). Game of Thrones: imagined world combines romantic and grotesque visions of Middle Ages. The Conversation.

Marsden, Richard A. (2018). Medievalism: New discipline or scholarly no-man’s land? History Compass, 16(2), article no. e12439.

McEneaney, Sinead (2018). Sex and the radical imagination in the Berkeley Barb and the San Francisco Oracle. Radical Americas, 3(1)

Michael-Fox, Bethan and Hayden, Nikita (2018). Transforming the Community, Transforming the Self: Young People, Social Action and community Leadership. The Sheffield Student Journal for Sociology(2), article no. 7.

Michailidis, Tychonas; Dooley, James; Granieri, Niccolò and Di Donato, Balandino (2018). Improvising through the senses: a performance approach with the indirect use of technology. Digital Creativity, 29(2-3) pp. 149–164.

Neale, Derek (2018). World writing and radio drama. Writing in Education(76) pp. 8–9.

Neale, Derek (2018). Introduction: Critical and creative reflections on process. Writing in Practice, 4, article no. 1.

Neale, Derek, Spencer, Amy, Howitt-Dring, Holly and Cable, Liz (eds.) (2018) Writing in Practice: The Journal of Creative Writing Research. (Vol. 4) National Association of Writers in Education.

Neale, Derek with Greenberg, Susan, Holloway, Simon and Melrose, Andrew (2018) Creative Writing Research Benchmark Statement. National Association of Writers in Education, UK.

Neville, Patricia Jean (2018). A World of Reading:An Intertextual Study of Janet Frame's Novels. PhD thesis The Open University.

Norman, Diana (2018). Siena and the Angevins (1300-1350): Art, Diplomacy and Dynastic Ambition. Beguinage of Turnhout, Belgium: Brepols Publishers.

Plastow, Christine (2018). Conversations with Iphigenia: two roundtable discussions with the playwrights of 'The Iphigenia Quartet'. Practitioners' Voices in Classical Reception Studies, 9

Plastow, Christine (2018). Staff-Student partnerships in pedagogy and research-based education: lessons for Classics. Council of University Classical Departments Bulletin 47.

Plastow, Christine (2018). Ancient Greek Law in the 21st Century. Ashley and Peter Larkin Endowment in Greek and Roman Culture. Bryn Mawr Classical Review, 2018(10), article no. 49.

Raudnitz, Sophie (2018). Tracing the Establishment of Political Society: Remembering and Forgetting in Ancient Greek Literature. PhD thesis The Open University.

Reeve, Michael (2018). [Book Review] Star shell reflections 1914-1916: the illustrated Great War diaries of Jim Maultsaid. First World War Studies, 9(3) pp. 367–368.

Reeve, Michael (2018). Smoking and Cigarette Consumption. In: Daniel, Ute; Gatrell, Peter; Janz, Oliver; Jones, Heather; Keene, Jennifer; Kramer, Alan and Nasson, Bill eds. 1914-1918-online. International Encyclopedia of the First World War. Berlin: Freie Universität Berlin.

Rennie, Claire Marie (2018). The education of children in London’s foundling hospital, c. 1800–1825. Childhood in the Past, 11(1) pp. 8–20.

Richard, Wallace; Harrison, Rebecca and Brunsdon, Charlotte (2018). Toward a History of Women Projectionists in Post-war British Cinemas. Journal of British Cinema and Television, 15(1) pp. 46–65.

Richards, Fiona (2018). Max & Mick: the partnership of Peter Maxwell Davies and Randolph Stow. The Musical Times, 159(1943) pp. 25–38.

Richards, Fiona (2018). Australasia. In: Herbert, Trevor; Myers, Arnold and Wallace, John eds. The Cambridge Encyclopedia of Brass Instruments. Cambridge University Press, pp. 41–44.

Richardson, Heather (2018). A dress for Kathleen. Review of Irish Studies in Europe, 2(1) pp. 279–294.

Robson, James and Graham, Emma-Jayne (2018). Classics online at the Open University: teaching and learning with interactive resources. In: Holmes-Henderson, Arlene; Hunt, Steven and Musié, Mai eds. Forward with Classics: Classical Languages in Schools and Communities. London: Bloomsbury, pp. 217–299.

Robson, James and Lloyd, Mair E. (2018). A Survey of Beginner's Language Teaching in UK Classics Departments: Ancient Greek. Council of University Classical Departments Bulletin, 47

Rodgers, Michael (2018). Nabokov and Nietzsche: Problems and Perspectives. Bloomsbury.

Rothe, Ursula (2018). Veiling in Pannonia. In: Ivleva, Tatiana; De Bruin, Jasper and Driessen, Mark eds. Embracing the Provinces: Society and Material Culture of the Roman Frontier Regions. Oxford: Oxbow Books, pp. 93–100.

Rothe, Ursula (2018). The Roman Villa: Definitions And Variations. In: Marzano, Annalisa and Métraux, Guy P. R. eds. The Roman Villa in the Mediterranean Basin: Late Republic to Late Antiquity. Cambridge: Cambridge University Press, pp. 42–58.

Rothe, Ursula; Kenkel, Frauke and Zerbini, Andrea (2018). Excavations in Area III on Tall Zar‘ā. Annual of the Department of Antiquities of Jordan, 58 pp. 257–273.

Rowland, David (2018). Composers and publishers in Clementi's London. In: Golding, Rosemary ed. The Music Profession in Britain, 1780-1920: New Perspectives on Status and Identity. Music in Nineteenth-Century Britain. London and New York: Routledge, pp. 32–52.

Rowland, David (2018). Clementi's Introduction in European musical life, 1801-1830. In: Sala, Luca Lévi and Stewart-MacDonald, Rohan H. eds. Muzio Clementi and British Musical Culture: Sources, Performance Practice and Style. Abingdon: Routledge, pp. 69–83.

Saunders, Elaine (2018). 'Men of good Character, strong, decent and active': Hertfordshire's Petty Constables, 1730-1799. PhD thesis The Open University.

Shaw, Samuel (2018). Weighing Down the Landscape: The Quarry as a Site of Rural Modernity. In: Bluemel, Kristin and McCluskey, Michael eds. Rural Modernity in Britain: A Critical Intervention. Edinburgh: Edinburgh University Press, pp. 69–83.

Shaw, Samuel (2018). Aliens at Prayer: Representing Jewish Life in the East End of London, c.1905. In: Shaw, Samuel; Shaw, Sarah and Carle, Naomi eds. Edwardian Culture: Beyond the Garden Party. Among the Victorians and Modernists. London: Routledge, pp. 133–153.

Shaw, Samuel and Plumb, Christopher (2018). Zebra. Animal Series. London: Reaktion Books.

Slight, John (2018). Global War and its impact on the Gulf States of Kuwait and Bahrain, 1914-1918. War and Society, 37(1) pp. 21–37.

Slight, John (2018). Anglo-French connections and co-operation against ‘Islamic’ resistance, 1914-1917. In: Fichter, James R. ed. British and French Colonialism in Africa, Asia and the Middle East: Connected Empires across the Eighteenth to the Twentieth Centuries. Cambridge Imperial and Post-Colonial Studies Series. Palgrave Macmillan.

Stead, Henry (2018). Kane O’Hara’s Midas: The Irish Origins of Classical Burlesque. In: Macintosh, Fiona; McConnell, Justine; Harrison, Stephen and Kenward, Claire eds. Epic Performances from the Middle Ages into the Twenty-First Century. Oxford University Press, pp. 461–475.

Stead, Henry (2018). Classics down the mineshaft: a buried history. In: Richardson, Edmund ed. Classics in Extremis: The Edges of Classical Reception. Bloomsbury Studies in Classical Reception. Bloomsbury Academic.

Stewart, Lindsey (2018). Monomania: The Life and Death of a Psychiatric Idea in Nineteenth-Century Fiction 1836-1860. PhD thesis The Open University.

Swift, Laura (2018). Thinking with Brothers in Sappho and Beyond. Mouseion: Journal of the Classical Association of Canada, 15(1) pp. 71–87.

Swift, Laura (2018). Competing generic narratives in Aeschylus' Oresteia. In: Andujar, Rosa; Hadjimichael, Theodora and Coward, Thomas eds. Paths of Song: The Lyric Dimension of Greek Tragedy. De Gruyter, pp. 119–136.

Taylor, Clare (2018). [Book Review] Designing the French interior: the modern home and mass media. Cultural and Social History, 15(4) pp. 618–620.

Taylor, Clare (2018). The Design, Production and Reception of Eighteenth-century Wallpaper in Britain. The Histories of Material Culture and Collecting, 1700-1950, ed. Stacey J. Pierson. Abingdon, Oxon and New York: Routledge.

Thompson, Marie (2018). Gendered sound. In: Bull, Michael ed. The Routledge Companion to Sound Studies. Routledge Media and Cultural Studies Companions. Abingdon: Routledge, pp. 108–117.

Tickell, Alex (2018). Writing in the Necropolis: Arundhati Roy's The Ministry of Utmost Happiness. Moving Worlds: A Journal of Transcultural Studies, 18(1) pp. 100–112.

Tickell, Alex (2018). ‘Writing the City and Indian English Fiction: Planning, Violence and Aesthetics’. In: Boehmer, Elleke and Davies, Dominic eds. Planned Violence: Post/colonial Urban Infrastructure, Literature & Culture. Cham: Palgrave Macmillan, pp. 195–211.

Tickell, Alex and Ranasinha, Ruvani (2018). Delhi: New writings on the megacity. Journal of Postcolonial Writing, 54(3) pp. 297–306.

Towheed, Shafquat (2018). [Book Review] Alaistair Fowler, The Mind of the Book: Pictorial Title Pages. The Spenser Review, 48(2), article no. 3.

Vincent, David (2018). [Book Review] The Littlehampton Libels: A Miscarriage of Justice and a Mystery about Words in 1920s England, by Christopher Hilliard. The English Historical Review, 133(565) pp. 1647–1649.

Vincent, David (2018). ‘Social Reform’. In: Patten, Robert L.; Jordan, John O. and Waters, Catherine eds. The Oxford Handbook of Charles Dickens. Oxford University Press, pp. 420–435.

Wainwright, Leon (2018). Sonia Khurana: The Contemporary Art of Relationality. Wasafiri, 33(3) pp. 30–38.

Wainwright, Leon (2018). Entwining Caribbean, British and American Art Histories: Trouble at the Turn to the "Transnational" and "Provincial". Post: Notes on Contemporary Art around the Globe. Museum of Modern Art (MoMA), New York.

Wainwright, Leon (2018). Visualising Figures of Caribbean Slavery through Modernism. In: Meecham, Pam ed. A Companion to Modern Art. Blackwell Companions to Art History. Chichester: Wiley-Blackwell, pp. 411–424.

Wainwright, Leon (2018). Materialities and Mobilities: A Note on the Political Geography of Contemporary Caribbean Art. In: Ueckmann, Natascha; Brüske, Anne and Bandau, Anja eds. Reshaping (g)local dynamics of the Caribbean: Relaciones y Deconexiones – Relations et Déconnexions – Relations and Disconnections. Heidelberg: Heidelberger Universitätsverlag HeiUp, pp. 143–157.

Walder, Dennis (2018). The Climb. In: Adeaga, Tomi and Udoh-Grossfurthner, Sarah eds. Payback and Other Stories: An Anthology of African and African Diaspora Short Stories. Vienna African Languages & Literatures (1). Vienna/Zurich: LITVerlag, pp. 156–163.

Watson, Nicola J. (2018). [Book Review] Transatlantic Literature and Author Love in the Nineteenth Century, edited by Paul Westover and Ann Wierda Rowland. Victorian Studies, 60(4) pp. 666–668.

Watson, Sheila; Barnes, Amy Jane and Bunning, Katy (2018). Introduction. In: Watson, Sheila; Barnes, Amy Jane and Bunning, Katy eds. A Museum Studies Approach to Heritage. Leicester Readers in Museum Studies. Abingdon: Routledge, pp. 1–5.

Wilding, Alexandra (2018). Review of Berti, Irene, Katharina Bolle, Fanny Opdenhoff and Fabian Stroth (eds), Writing Matters: Presenting and Perceiving Monumental Inscriptions in Antiquity and the Middle Ages. Materiale Textkulturen, 14. Berlin; Boston: De Gruyter, 2017. Bryn Mawr Classical Review

Williams, Sean (2018). Architecture for musical performance: backstage at the West German spherical pavilion at Expo 70, Osaka. In: Performance Studies Network 2018, 5-8 Jul 2018, Norwegian Academy of Music, Oslo.

Williams, Sean and Green, Owen (2018). Negotiating sonic space for group electronics. In: Doğantan-Dack, Mine and Dack, John eds. Music and Sonic Art: Theories and Practices. Cambridge Scholars Publishing, pp. 200–217.

Woods, Kim (2018). [Book Review] The Materiality of Devotion in Late Medieval Northern Europe: Images, Objects and Practices. Material Religion, 14(2) pp. 271–272.

Woods, Kim (2018). Cut in Alabaster: a Material of Sculpture and its European Traditions 1330-1530. Brepolis.

Younger, Neil (2018). How Protestant was the Elizabethan Regime? The English Historical Review, 133(564) pp. 1060–1092.

2017To Top

Barlow, Helen and Rowland, David eds. (2017). Listening to music: people, practices and experiences. The Open University.

Betts, Eleanor ed. (2017). Senses of the Empire: Multisensory Approaches to Roman Culture. Abingdon, UK: Routledge.

Griffiths, Andrew; Prieto, Sara and Zehle, Soenke eds. (2017). Literary Journalism and World War I: Marginal Voices. ReportAGES. Nancy, France: Presses Universitaires de Nancy.

Mera, Miguel; Sadoff, Ronald and Winters, Ben eds. (2017). The Routledge Companion to Screen Music and Sound. New York: Routledge.

Papaioannou, Tao and Gupta, Suman eds. (2017). Media Representations of Anti-Austerity Protests in the EU: Grievances, Identities and Agency. Routledge Research in Cultural and Media Studies. London: Routledge.

Richards, Fiona ed. (2017). The soundscapes of Australia: music, place and spirituality. Aldershot, UK: Routledge.

Wainwright, Leon ed. (2017). Disturbing pasts: memories, controversies and creativity. Manchester: Manchester University Press.

Wainwright, Leon and Zijlmans, Kitty eds. (2017). Sustainable art communities: Contemporary creativity and policy in the transnational Caribbean. Manchester University Press.

Attfield, Nicholas and Winters, Ben (2017). Introduction. In: Attfield, Nicholas and Winters, Ben eds. Music, Modern Culture, and the Critical Ear. Abingdon: Routledge, pp. 1–12.

Barker, Emma (2017). 'No Picture more Charming’: The Family Portrait in Eighteenth-Century France. Art History, 40(3) pp. 526–553.

Barlow, Helen (2017). “Human voices are alone themselves sufficient”: Protestant and Catholic currents in the listening experiences of an Anglo-Prussian marriage. In: Barlow, Helen and Rowland, David eds. Listening to Music: People, Practices and Experiences. The Open University.

Barnes, Amy Jane (2017). Introduction to Part III. In: Dudley, Sandra; Barnes, Amy Jane; Binnie, Jennifer; Petrov, Julia and Walklate, Jennifer eds. The Thing about Museums Objects and Experience, Representation and Contestation. Abingdon: Routledge, pp. 217–218.

Bates, Lis (2017). Honour-based Abuse in England and Wales: Who Does What to Whom? PhD thesis University of Bristol.

Benatti, Francesca and King, David (2017). A Question of Style: individual voices and corporate identity in the Edinburgh Review, 1814-1820. In: 49th Annual Conference of The Research Society for Victorian Periodicals: Borders and Border Crossings, 27-29 Jul 2017, University of Freiburg, Germany.

Benatti, Francesca and King, David (2017). Algorithmic criticism, Distant Reading and the Edinburgh Review. In: BARS (British Association for Romantic Studies) 2017 Romantic Improvement, 27-30 Jul 2017, University of York, UK.

Benatti, Francesca and King, David (2017). Hidden Authors and Reading Machines: Investigating 19th-century authorship with 21st-century technologies. In: SHARP 2017: Technologies of the book, 9-12 Jul 2017, University of Victoria, Canada.

Benatti, Francesca and King, David (2017). A Question of Style: individual voices and corporate identity in the Edinburgh Review, 1814-1820. In: DHSI 2017 Colloquium, 6-15 Jun 2017, University of Victoria, Canada.

Benton, Tim (2017). E-1027 and the Drôle De Guerre. In: Weaver, Thomas ed. AA Files, Volume 74. Architectural Association, pp. 123–143.

Benzan, Carla (2017). Atomic Atopic: Piero Manzoni’s space-age subtext and the ‘ins and outs’ of the modern intellectual. In: Guilbaut, Serge and O'Brian, John eds. Breathless Days: 1959–1960. Durham, NC: Duke University Press, pp. 275–312.

Betts, Eleanor (2017). Introduction: Senses of empire. In: Betts, Eleanor ed. Senses of the Empire: Multisensory Approaches to Roman Culture. London: Routledge, pp. 1–12.

Betts, Eleanor (2017). The multivalency of sensory artefacts in the city of Rome. In: Betts, Eleanor ed. Senses of the Empire: Multisensory Approaches to Roman Culture. Abingdon: Routledge, pp. 23–38.

Betts, Eleanor (2017). Afterword: Towards a methodology for Roman sensory studies. In: Betts, Eleanor ed. Senses of the Empire: Multisensory Approaches to Roman Culture. Abingdon: Routledge, pp. 193–199.

Brunet, Luc-André (2017). Forging Europe: Industrial Organisation in France, 1940-1952. Security, Conflict and Cooperation in the Contemporary World. Basingstoke: Palgrave Macmillan.

Brunet, Luc-André (2017). Patrons Résistants? French industrialists during the Second World War. French History, 31(4) pp. 512–534.

Brunet, Luc-André (2017). [Book Review] Fernando Guirao and Frances M.B. Lynch (eds), Alan S. Milward and Contemporary European History. Collected Academic Reviews. Journal of Contemporary History, 52(3) pp. 797–799.

Campbell, Siobhan (2017). Heat Signature. Bridgend, Wales: Seren Press.

Campbell, Siobhan (2017). Crossing the Lines: Borders, Transgressions, and a Spot of Smuggling. New Hibernia Review, 21(4) pp. 11–19.

Campbell, Siobhan (2017). Eavan Boland and the development of a poetics: ‘It may be beauty/but it isn’t truth’. In: Campbell, Siobhan and O'Mahony, Nessa eds. Eavan Boland: Inside History. Arlen House, pp. 155–176.

Campbell, Siobhan and O'Mahony, Nessa (2017). Eavan Boland: Inside History. London, Dublin and New York: Arlen House.

Cathcart, Charles (2017). “Swell, swell, my joys”: Ben Jonson, Quotation, and A Help to Memory and Discourse. Ben Jonson Journal, 24(2) pp. 187–204.

Cathcart, Charles (2017). Robert Daborne's Irish critic. Medieval and Renaissance Drama in England, 30 pp. 36–51.

Chambers, Helen (2017). “The first mate is a Polish count, a very quiet fellow”: Some New Torrens Documents. The Conradian, 42(2) pp. 69–87.

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Emsley, Clive (2017). Exporting British Policing during the Second World War: Policing Soldiers and Civilians. London: Bloomsbury Academic.

Fiore, Antonio David (2017). ‘In defence of the decorator’ : Giulio Rosso (1897-1976) in Italy in the interwar period. PhD thesis The Open University.

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Graham, Emma-Jayne (2017). Babes in arms? Sensory dissonance and the ambiguities of votive objects. In: Betts, Eleanor ed. Senses of the Empire: Multisensory Approaches to Roman Culture. Abingdon, Oxon: Routledge, pp. 120–136.

Graham, Emma-Jayne (2017). Partible humans and permeable gods: enacting human-divine personhood in the sanctuaries of Hellenistic Italy. In: Draycott, Jane and Graham, Emma-Jayne eds. Bodies of Evidence: Ancient Anatomical Votives Past, Present and Future. Medicine and the Body in Antiquity. London and New York: Routledge, pp. 45–62.

Graham, Emma-Jayne and Draycott, Jane (2017). Introduction: Debating the anatomical votive. In: Draycott, Jane and Graham, Emma-Jayne eds. Bodies of Evidence: Ancient Anatomical Votives Past, Present and Future. Medicine and the Body in Antiquity. London and New York: Routledge, pp. 1–19.

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Griffiths, Andrew (2017). Strategic Fictions? John Buchan, The Times and the Ypres Salient. In: Griffiths, Andrew; Prieto, Sara and Zehle, Soenke eds. Literary Journalism and World War I: Marginal Voices. ReportAGES. Nancy, France: Presses Universitaires de Nancy, pp. 55–75.

Gupta, Suman (2017). Disciplinary departures and discipline formation: The institutional rationale. TEXT Journal of Writing and Writing Courses, 21(2)

Gupta, Suman (2017). A Perspectiva Da Pensativa Traça De Livro Quanto À Pesquisa Literária e Linguística [The Thinking Bookworm’s View Of Literary And Linguistic Research]. Revista da Anpoll, 43 pp. 175–192.

Gupta, Suman (2017). Media-Framing Analysis, One-Word Framing and ‘Austerity’. In: Papaioannou, Tao and Gupta, Suman eds. Media Representations of Anti-Austerity Protests in the EU: Grievances, Identities and Agency. Routledge.

Gupta, Suman; Katsarska, Milena; Spyros, Theodoros A. and Hajimichael, Mike (2017). Usurping Suicide: The Political Resonances of Individual Deaths. London: Zed.

Gupta, Suman; Search, Alexander; Durao, Fabio A. and McDonough, Terrence (2017). Entrepreneurial Literary Theory: A Debate on Research and the Future of Academia. London: Shot in the Dark.

Hack, Karl (2017). The Art of Counterinsurgency: Phase Analysis with Primary Reference to Malaya (1948-60), and Secondary Reference to Kenya (1952-60). In: Thomas, Martin and Curless, Gareth eds. Decolonization and Conflict: Colonial Comparisons and Legacies. London: Bloomsbury, pp. 177–196.

Hancock-Jones, Robert; Renshaw, James and Swift, Laura (2017). Greek Theatre and Imperial Image: OCR Classical Civilisation AS and A Level Components 21 and 22. Bloomsbury Academic.

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Holmes, Janice (2017). The "Absence" of Family in 19th-Century Irish Presbyterian Clerical Biographies. In: Spiritual and Ecclesiastical Biographies. Research, Results, and Reading (Jarlert, Anders ed.), Konferenser (Conferences), Kungl. Vitterhets Historie och Antikvitets Akademien (Royal Swedish Academy of Letters, History and Antiquities), Stockholm, pp. 105–120.

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Hope, Valerie (2017). Living without the dead: finding solace in ancient Rome. In: Tappenden, Frederick S. and Daniel-Hughes, Carly eds. Coming Back to Life: The Permeability of Past and Present, Mortality and Immortality, Death and Life in the Ancient Mediterranean. Montreal, Quebec: McGill Scholarly Publishing, pp. 39–70.

Hope, Valerie M. (2017). A sense of grief: the role of the senses in the performance of Roman mourning. In: Betts, Eleanor ed. Senses of the Empire. Multisensory Approaches to Roman Culture. Abingdon: Routledge, pp. 86–103.

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Hughes, Lotte (2017). Implementing cultural rights (nature, issues at stake and challenges) - Report 2010 (A/HRC/14/36). In: Belder, Lucky and Porsdam, Helle eds. Negotiating Cultural Rights: Issues at Stake, Challenges and Recommendations. Edward Elgar, pp. 37–58.

Hughes, Lotte (2017). Memorialization and Mau Mau: A Critical Review. In: MacArthur, Julie ed. Dedan Kimathi on Trial: Colonial Justice and Popular Memory in Kenya's Mau Mau rebellion. Research in International Studies, Global and Comparative Studies, (17). Ohio University Press, pp. 339–374.

Hughes, Lotte (2017). Mau Mau: The Divisive Heritage of Liberation Struggle in Kenya. In: Walters, Diana; Laven, Daniel and Davis, Peter eds. Heritage and Peacebuilding. Heritage Matters. Woodbridge, Suffolk: The Boydell Press, pp. 179–190.

Jensen, Meg and Campbell, Siobhan M. (2017). The Expressive Life-Writing Handbook. London and Edinburgh: Beyond Borders Scotland in association with The Stabilisation and Recovery Network.

Johnson, David (2017). Anti-apartheid people's histories and post-apartheid nationalist biographies. In: Choudry, Aziz and Vally, Salim eds. Reflections on Knowledge, Learning and Social Movements: History's Schools. London and New York: Routledge, pp. 88–103.

Katritzky, M. A. (2017). The Bal des Ardents (1393), Thomas of Woodstock (1397) and Richard II (1400): Three Medieval Conspiracy Rumours and the Scots’ Mine Play (1608). European Medieval Drama, 20 pp. 105–139.

Katritzky, M. A. (2017). Virtuous needleworkers, vicious apes: the embroideries of Mary Queen of Scots and Bess of Hardwick. In: Münch, Birgit Ulrike; Tacke, Andreas; Herzog, Markwart and Heudecker, Sylvia eds. Künstlerinnen: neue Perspektiven auf ein Forschungsfeld der Vormoderne. Kunsthistorisches Forum Irsee, 4. Petersberg: Michael Imhof Verlag, pp. 48–61.

King, Edmund G. C. (2017). [Book Review] The British Soldier and His Libraries, c. 1822–1901. Library & Information History, 33(4) pp. 279–280.

King, Edmund G. C. (2017). Discovering Shakespeare’s Personal Style: Editing and Connoisseurship in the Eighteenth Century. In: Depledge, Emma and Kirwan, Peter eds. Canonising Shakespeare: Stationers and the Book Trade, 1640–1740. Cambridge: Cambridge University Press, pp. 130–142.

Kynan-Wilson, William (2017). The Ottoman Imagery of Jacopo Ligozzi. In: Arfioli, Maurizio and Caroscio, Marta eds. The Grand Ducal Medici and the Levant: Material Culture, Diplomacy, and Imagery in the Early Modern Mediterranean. The Medici Archive Project (3). Turnhout: Brepolis, pp. 101–111.

Kynan-Wilson, William (2017). ‘Painted by the Turcks themselves’: Reading Peter Mundy’s Ottoman Costume Album in Context. In: Babaie, Sussan and Gibson, Melanie eds. The Mercantile Effect: On Art and Exchange in the Islamicate World. London: Gingko Library, pp. 38–50.

Kynan-Wilson, William (2017). Roman Identity in William of Malmesbury’s Historical Writings. In: Thomson, R. M.; Dolmans, E. and Winkler, E. eds. Discovering William of Malmesbury. Woodbridge: Boydell & Brewer, pp. 81–91.

Langley, Chris R. (2017). Caring for Soldiers, Veterans and Families in Scotland, 1638-1651. History, 102(349) pp. 5–23.

Langley, Chris R. (2017). Sheltering under the Covenant: The National Covenant, Orthodoxy and the Irish Rebellion, 1638–1644. The Scottish Historical Review, 96(2) pp. 137–160.

Langley, Chris R. (2017). Lying Sick to Die: Dying, Informal Care and Authority in Scotland, ca. 1600–1660. Sixteenth Century Journal, 48(1) pp. 27–46.

Lawrence, Paul (2017). The Vagrancy Act (1824) and the Persistence of Pre-emptive Policing in England since 1750. British Journal of Criminology, 57(3) pp. 513–531.

Loftus, Donna (2017). Time, history and the making of the industrial middle class: the story of Samuel Smith. Social History, 42(1) pp. 29–51.

Marsden, Richard and Bestic, Penni (2017). The Weakness of European Wales. Planet: the Welsh Internationalist, 225 pp. 29–36.

Mcbride, Terence (2017). Migrants and the Public World in Scotland, 1885–1939: A Way Forward for Comparative Research. Journal of Migration History, 3(1) pp. 54–77.

Mckie, Stuart (2017). The Social Significance of Curse Tablets in the North-Western Provinces of the Roman Empire. PhD thesis The Open University.

Mera, Miguel; Sadoff, Ronald and Winters, Ben (2017). Introduction: Framing Screen Music and Sound. In: Mera, Miguel; Sadoff, Ronald and Winters, Ben eds. The Routledge Companion to Screen Music and Sound. New York: Routledge, pp. 1–14.

Midorikawa, Emily and Sweeney, Emma Claire (2017). A Secret Sisterhood: The Hidden Friendships of Austen, Bronte, Eliot and Woolf. Aurum Press.

Mombauer, Annika (2017). The German centenary of the First World War. War & Society, 36(4) pp. 276–288.

Mooney, James; Green, Owen and Williams, Sean (2017). Performing Hugh Davies’s Live Electronic Music. In: Performing Indeterminacy, 30 Jun - 2 Jul 2017, University of Leeds.

Morris, Robert M. (2017). What the Met brought to the party - reinforcement, colonization, specialization and fusion. In: Stevenson, K; Cox, D. J. and Channing, I eds. LEADING THE POLICE: A HISTORY OF CHIEF CONSTABLES 1835-2017. Routledge SOLON Explorations in Crime and Criminal Justice Histories. Abingdon: Routledge, pp. 158–173.

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Norman, Diana (2017). Icona, Immaginis . . . cum Variis Miraculis: Preserving the Memory of the Blessed Andrea Gallerani in Siena. In: Cardarelli, Sandra and Fenelli, Laura eds. Saints, Miracles and the Image: Healing Saints and Miraculous Images in the Renaissance. Beguinage of Turnhout, Belgium: Brepols Publishers, pp. 53–73.

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Rowland, David (2017). Introduction. In: Barlow, Helen and Rowland, David eds. Listening to Music: People, Practices and Experiences. Milton Keynes: The Open University.

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Stadtler, Florian (2017). ‘Home’ front: Indian soldiers and civilians in Britain, 1939–45. In: Roy, Kaushik and Rand, Gavin eds. Culture, Conflict and the Military in Colonial South Asia. War and Society in South Asia. Routledge, pp. 258–276.

Swift, Laura (2017). Narratorial Authority and its Subversion in Archilochus. In: Bakker, Egbert ed. Authorship and Greek Song: Authority, Authenticity, and Performance. Brill, pp. 161–177.

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Barker, Elton; Bouzarovski, Stefan; Isaksen, Leif and Pelling, Chris eds. (2016). New Worlds from Old Texts: Revisiting Ancient Space and Place. Oxford: Oxford University Press.

Dixon, Izabela; Doran, Selina E.M. and Michael, Bethan eds. (2016). There's More to Fear than Fear Itself: Fears and Anxieties in the 21st Century. Oxford and Leiden: Inter-Disciplinary Press and Brill.

Donington, Katie; Hanley, Ryan and Moody, Jessica eds. (2016). Britain’s History and Memory of Transatlantic Slavery: Local Nuances of a ‘National Sin’. Studies in International Slavery. Liverpool: Liverpool University Press.

Draycott, Jane and Graham, Emma-Jayne eds. (2016). Bodies of Evidence: Ancient Anatomical Votives Past, Present and Future. Medicine and the Body in Antiquity. London: Routledge.

Gupta, Suman; Habjan, Jernej and Tutek, Hrvoje eds. (2016). Academic Labour, Unemployment and Global Higher Education: Neoliberal Policies of Funding and Management. Palgrave Critical University Studies. London: Palgrave Macmillan.

Hewings, Ann; Prescott, Lynda and Seargeant, Philip eds. (2016). Futures for English Studies: Teaching language, literature and creative writing in Higher Education. Basingstoke: Palgrave Macmillan.

Holder, Julian and McKellar, Elizabeth eds. (2016). Neo-Georgian Architecture 1880-1970: a reappraisal. Swindon, UK: Historic England.

Langley, Chris R. ed. (2016). The Minutes of the Synod of Lothian and Tweeddale, 1648-1659. Scottish History Society 6th Series, 11. Woodbridge: Boydell Press.

Maat, Haaro and Hazareesingh, Sandip eds. (2016). Local Subversions of Colonial Cultures. Commodities and Anti-Commodities in Global History. Palgrave Macmillan.

Rodgers, Michael and Sweeney, Susan Elizabeth eds. (2016). Nabokov and the Question of Morality: Aesthetics, Metaphysics, and the Ethics of Fiction. New York: Palgrave Macmillan.

Swift, Laura and Carey, Chris eds. (2016). Iambus and Elegy: New Approaches. Oxford: Oxford University Press.

Tickell, Alex ed. (2016). South-Asian Fiction in English: Contemporary Transformations. Houndmills, Basingstoke: Palgrave Macmillan.

Tickell, Alex ed. (2016). A335 Literature in Transition: from 1800 to the Present. Book 2 'Movements' (1870-1940). Milton Keynes: Open University.

Allen, Gemma (2016). Women as counsellors in sixteenth-century England: The letters of Lady Anne Bacon and Lady Elizabeth Russell. In: Daybell, James and Gordon, Andrew eds. Women and Epistolary Agency in Early Modern Culture, 1450-1690. Women and Gender in the Early Modern World. Abingdon: Routledge, pp. 81–95.

Barker, Elton (2016). Orestes. In: McClure, Laura K. ed. A Companion to Euripides. Wiley-Blackwell, pp. 270–283.

Barker, Elton and Bouzarovski, Stefan (2016). Between east and west: movements and transformations in Herodotean topology. In: Barker, Elton; Bouzarovski, Stefan; Isaksen, Leif and Pelling, Chris eds. New Worlds from Old Texts: Revisiting Ancient Space and Place. Oxford: Oxford University Press, pp. 155–180.

Barker, Elton; Bouzarovski, Stefan and Isaksen, Leif (2016). Introduction: Creating new worlds out of old texts. In: Barker, Elton; Bouzarovski, Stefan; Isaksen, Leif and Pelling, Chris eds. New Worlds from Old Texts: Revisiting Ancient Space and Place. Oxford: Oxford University Press, pp. 1–21.

Barker, Elton; Isaksen, Leif and Ogden, Jessica (2016). Telling stories with maps: digital experiments with Herodotean geography. In: Barker, Elton; Bouzarovski, Stefan; Isaksen, Leif and Pelling, Chris eds. New Worlds from Old Texts: Revisiting Ancient Space and Place. Oxford: Oxford University Press, pp. 181–224.

Barker, Elton and Pelling, Chris (2016). Space-Travelling in Herodotus 5. In: Barker, Elton; Bouzarovski, Stefan; Isaksen, Leif and Pelling, Chris eds. New Worlds from Old Texts: Revisiting Ancient Space and Place. Oxford: Oxford University Press, pp. 225–251.

Barker, Elton; Simon, Rainer; Isaksen, Leif and de Soto Cañamares, Pau (2016). Peripleo: a Tool for Exploring Heterogeneous Data through the Dimensions of Space and Time. Code4Lib, 31

Barker, Elton; Simon, Rainer; Isaksen, Leif and de Soto Cañamares, Pau (2016). The Pleiades Gazetteer and the Pelagios Project. In: Berman, Merrick Lex; Mostern, Ruth and Southall, Humphrey eds. Placing Names: Enriching and Integrating Gazetteers. Bloomington: Indiana University Press, pp. 97–109.

Barker, Elton and Terras, Melissa (2016). Greek Literature, the Digital Humanities, and the Shifting Technologies of Reading. Oxford University Press, Oxford.

Barker, Elton T. E. and Christensen, Joel P. (2016). Odysseus’s nostos and the Odyssey’s nostoi: rivalry within the epic cycle. Philologia Antiqua, 7 pp. 85–110.

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Benatti, Francesca and King, David (2016). In Search of the Voice of the Edinburgh Review. In: Romantic Voices, 22-23 Jun 2016, The Oxford Research Centre in the Humanities, Oxford, UK, British Association for Romantic Studies.

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Dohmen, Renate (2016). Material (Re)collections of the ‘Shiny East’: A Late Nineteenth-Century Travel Account by a Young British Woman in India. In: Henes, Mary and Murray, Brian H. eds. Travel Writing, Visual Culture and Form, 1760–1900. Palgrave Studies in Nineteenth-Century Writing and Culture. Basingstoke: Palgrave Macmillan, pp. 42–64.

Dohmen, Renate (2016). A fraught challenge to the status quo: The 1883-4 Calcutta International Exhibition, conceptions of art and industry, and the politics of world fairs. In: Nichols, Kate; Wade, Rebecca and Williams, Gabriel eds. Art versus Industry? New Perspectives on Visual and Industrial Cultures in Nineteenth-Century Britain. Studies in Design and Material Culture. Manchester: Manchester University Press, pp. 199–216.

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Donnachie, Ian (2016). Landscape, Industry and the Reforming Vision of David Dale and Robert Owen: Visitors to the Falls of Clyde and New Lanark in the later 18th and early 19th centuries. The Pleasaunce: ‘Falls of Clyde’ special issue pp. 10–17.

Donnachie, Ian (2016). 'Anything You Want It to Mean'? Scotland's Changing Heritage Landscape. In: Hooper, Glenn ed. Heritage and Tourism in Britain and Ireland. London: Palgrave Macmillan, pp. 145–160.

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Hamer, Laura (2016). [Review-Article] 'Paths to the Podium' Review-Article of The Musical Work of Nadia Boulanger: Performing Past and Future Between the Wars by Jeanice Brooks. Journal of the Royal Musical Association, 141(2) pp. 495–504.

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Katritzky, M. A. (2016). German Patrons of Venetian Carnival Art: Archduke Ferdinand II of Tyrol’s Ambras Collections and the 1579 Travel Journal of Prince Ferdinand of Bavaria. In: Münch, Birgit Ulrike; Tacke, Andreas; Herzog, Markwart and Heudecker, Sylvia eds. Von kurzer Dauer? Fallbeispiele zu temporären Kunstzentren der Vormoderne. Kunsthistorisches Forum Irsee (3). Petersberg, Germany: Michael Imhof Verlag, pp. 126–142.

Katritzky, M. A. (2016). Die Ikonografie der Commedia dell'arte bis 1750. In: Sommer-Mathis, Andrea; Franke, Daniela and Risatti, Rudi eds. Spettacolo barocco! Triumph des Theaters. Vienna: KHM-Museumsband, Theatermuseum Wien & Michael Imhoff Verlag, pp. 82–97.

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Neale, Derek (2016). El cuento en la academia: mimesis, diégesis y el rol del drama y el cine. In: Angel, Marcos and Fernández, Gerardo Argüelles eds. Recetas para el misterio: ensayos de escritura creativa. Autores, Textos y Temas. Literatura (44). Mexico city, Mexico; Buenos Aires, Argentina; Barcelona and Madrid, Spain: Anthropos, pp. 47–67.

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Benton, Tim; Fontan del Junco, Manuel and Zozaya, Maria eds. (2015). Modern Taste: Art Deco in Paris 1910-1935. Madrid: Fundacion Juan March.

Burrows, Donald; Coffey, Helen; Greenacombe, John and Hicks, Anthony eds. (2015). George Frideric Handel: Collected Documents: Volume 2: 1725-1734. Cambridge: Cambridge University Press.

Davis, Caroline and Johnson, David eds. (2015). The Book in Africa: Critical Debates. New Directions in Book History. Basingstoke: Palgrave Macmillan.

Devlin, Zoë L. and Graham, Emma-Jayne eds. (2015). Death Embodied: Archaeological Approaches to the Treatment of the Corpse. Studies in Funerary Archaeology, 9. Oxford: Oxbow.

Hope, Valerie and Bakogianni, Anastasia eds. (2015). War as Spectacle: Ancient and Modern Perspectives on the Display of Armed Conflict. London: Bloomsbury.

Hughes, Jessica and Buongiovanni, Claudio eds. (2015). Remembering Parthenope: The Reception of Classical Naples from Antiquity to the Present. Classical Presences. Oxford: Oxford University Press.

Masterson, Mark; Rabinowitz, Nancy Sorkin and Robson, James eds. (2015). Sex in Antiquity: Exploring Gender and Sexuality in the Ancient World. Rewriting Antiquity. Abingdon, New York: Routledge.

Saunders, Max and Haslam, Sara eds. (2015). Ford Madox Ford's The Good Soldier: Centenary Essays. International Ford Madox Ford Studies, 14. Leiden and Boston: Brill.

Stead, Henry and Hall, Edith eds. (2015). Greek and Roman Classics in the British Struggle for Social Reform. Bloomsbury Studies in Classical Reception. Bloomsbury Academic.

Towheed, Shafquat and King, Edmund eds. (2015). Reading and the First World War: Readers, Texts, Archives. New Directions in Book History. Basingstoke: Palgrave Macmillan.

Wainwright, Leon and Fuglerud, Øivind eds. (2015). Objects and Imagination: Perspectives on Materialization and Meaning. Material Mediations: People and Things in a World of Movement, 3. Oxford: Berghahn Books.

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Barnes, Amy Jane and Kraamer, Malika (2015). Japanese Saris: Dress, Globalisation and Multiple Migrants. Textile History, 46(2) pp. 169–188.

Benatti, Francesca and Tonra, Justin (2015). English Bards and Unknown Reviewers: a Stylometric Analysis of Thomas Moore and the Christabel Review. Breac: A Digital Journal of Irish Studies, October

Benton, Tim (2015). Le Corbusier Peintre a Cap Martin. Paris: Editions du Patrimoine.

Beswick, Katie; Parmar, Maya and Sil, Esha (2015). Towards a spatial practice of the postcolonial city: introducing the cultural producer. Interventions: International Journal of Postcolonial Studies, 17(6) pp. 789–801.

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Brown, Simon; Barlow, Helen; Adamou, Alessandro and d'Aquin, Mathieu (2015). The Listening Experience Database Project: Collating the Responses of the "Ordinary Listener" to Prompt New Insights into Musical Experience. The International Journal of the Humanities: Annual Review, 13 pp. 17–32.

Brunton, Deborah (2015). Regulating filth: cleansing in Scottish towns and cities, 1840–1880. Urban History, 42(3) pp. 424–439.

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Buongiovanni, Claudio and Hughes, Jessica (2015). Introduction: Entering the siren's city. In: Hughes, Jessica and Buongiovanni, Claudio eds. Remembering Parthenope: The Reception of Classical Naples from Antiquity to the Present. Classical Presences. Oxford: Oxford University Press, pp. 1–18.

Burrows, Donald (2015). G. F. Handel: L'Allegro, il Penseroso ed il Moderato. Novello and Company, London.

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Coffey, Helen (2015). Music for an Elector and King: the Hanover Hofkapelle during the reigns of George I and II. In: Händel und die Musikgeschichte des Hauses Hannover, 10-11 Jun 2014, Halle, Saale, Georg-Friedrich-Händel-Gesellschaft e. V., pp. 135–152.

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Collings, Matthew; Rawlinson, Jules and Williams, Sean (2015). Requiem for Edward Snowden. Sound Scotland.

Collings, Matthew; Rawlinson, Jules and Williams, Sean (2015). Requiem for Edward Snowden. Edinburgh College of Art.

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da Sousa Correa, Delia (2015). Music. In: Felluga, Dino Franco; Gilbert, Pamela K. and Hughes, Linda K. eds. The Encyclopedia of Victorian Literature, Volume III. Chichester: Wiley-Blackwell, pp. 1092–1101.

da Sousa Correa, Delia (2015). Katherine Mansfield’s Germany: “these pine trees provide most suitable accompaniment for a trombone!”. In: Kaščáková, Janka and Kimber, Gerri eds. Katherine Mansfield and Continental Europe: Connections and Influences. Basingstoke: Palgrave Macmillan, pp. 99–113.

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Doloughan, Fiona J. (2015). Translating culture: linguistic attachment, detachment and (self)-narration. In: Barta, Peter I. and Powrie, Phil eds. Bicultural Literature and Film in French and English. Routledge Studies in Comparative Literature. Abingdon: Routledge, pp. 237–247.

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Edwards, Steve (2015). Allan Sekula’s Chronotopes: Uneven and Combined Capitalism. In: Van Gelde, Hilde ed. Allan Sekula. Ship of Fools / The Dockers Museum. Leuven University Press, pp. 31–43.

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Goodrich, Amanda (2015). Radical Popular Attitudes to the Monarchy in Britain during the French Revolution. In: Gestrich, Andreas and Schaich, Michael eds. The Hanoverian Succession: Dynastic Politics and Monarchical Culture. Ashgate, pp. 261–278.

Graham, Emma-Jayne (2015). Embodying death in archaeology. In: Devlin, Zoe and Graham, Emma-Jayne eds. Death Embodied: Archaeological Approaches to the Treatment of the Corpse. Studies in Funerary Archaeology 9. Oxford: Oxbow Books, pp. 1–17.

Graham, Emma-Jayne (2015). Corporeal concerns: the role of the body in the transformation of Roman mortuary practices. In: Devlin, Zoë L. and Graham, Emma-Jayne eds. Death Embodied: Archaeological Approaches to the Treatment of the Corpse. Studies in Funerary Archaeology (9). Oxford: Oxbow, pp. 41–62.

Green, Owen; Williams, Sean and Murray-Rust, Dave (2015). Concert with Aleks Kolkowski and Grey Area. Edinburgh College of Art.

Griffiths, Andrew (2015). The New Journalism, the New Imperialism and the Fiction of Empire, 1870-1900. Palgrave Studies in the History of the Media. London: Palgrave Macmillan.

Grummitt, David (2015). Henry VI. Routledge Historical Biographies. London: Routledge.

Gupta, Suman (2015). Philology and Global English Studies: Retracings. London: Palgrave Macmillan.

Gupta, Suman (2015). Consumable Texts in Contemporary India: Uncultured Books and Bibliographical Sociology. New Directions in Book History. Basingstoke: Palgrave Macmillan.

Gupta, Suman (2015). Pixação and Tourist Appraisal. Wasafiri: International Contemporary Writing, 30(2) pp. 40–46.

Gupta, Suman (2015). Crisis and Representation: Notes on Media and Media Studies. Cyprus Review, 27(1) pp. 293–310.

Gupta, Suman (2015). Crisis of the Novel and the Novel of Crisis. Canadian Review of Comparative Literature, 42(4) pp. 454–467.

Gupta, Suman (2015). On Mapping Genre: Literary Fiction/Genre Fiction and Globalization Processes. In: Habjan, Jernej and Imlinger, Fabienne eds. Globalizing Literary Genres: Literature, History, Modernity. Interdisciplinary Perspectives on Literature. New York: Routledge, pp. 213–227.

Gupta, Suman; Allen, Richard; Chattarji, Subarno and Chaudhuri, Supriya (2015). Reconsidering English Studies in Indian Higher Education. Routledge Research in Higher Education. Abingdon: Routledge.

Gustar, Andrew (2015). Quantitative Perspectives. Early Music, 43(2) pp. 365–366.

Hack, Karl (2015). Detention, Deportation and Resettlement: British Counterinsurgency and Malaya’s Rural Chinese, 1948–60. Journal of Imperial and Commonwealth History, 43(5) pp. 611–640.

Hack, Karl (2015). The Malayan Emergency: British Counterinsurgency Phases and the Triumph of Geo-demographic Control, 1948-60. In: Fremont-Barnes, Gregory ed. A History of Counterinsurgency: From South Africa to Algeria, 1900 to 1954. Santa Barbara, California: ABC-Clio, pp. 125–176.

Hack, Karl (2015). Tropical transitions in colonial counter-insurgency: From Malayan Emergency to post-colonial partnership. In: Johnson, Robert and Clack, Timothy eds. At the End of Military Intervention: Historical, Theoretical, and Applied Approaches to Transition, Handover, and Withdrawal. Oxford: Oxford University Press, pp. 61–85.

Hamer, Laura (2015). [Book Review] Perspectives on the Performance of French Piano Music by Scott McCarrey and Lesley A. Wright (eds.). Music & Letters, 96(1) pp. 133–135.

Harrison, Rebecca (2015). Writing History on the Page and Screen: Mediating Conflict through Britain’s First World War Ambulance Trains. Historical Journal of Film, Radio and Television, 35(4) pp. 559–578.

Haslam, Sara (2015). Contested Ground: alcohol, attachment, and the hut habit at war. University College, Dublin. Humanities Institute.

Haslam, Sara (2015). Ford and gender. In: Chantler, Ashley and Hawkes, Rob eds. An Introduction to Ford Madox Ford. Farnham: Ashgate, pp. 163–176.

Haslam, Sara (2015). Dowell and Dopamine: Information, Pleasure and Plot. In: Haslam, Sara and Saunders, Max eds. Ford Madox Ford's The Good Soldier: Centenary Essays. Leiden and Boston: Brill, pp. 117–132.

Hope, Valerie (2015). Bodies on the Battlefield: the spectacle of Rome's fallen soldiers. In: Hope, Valerie and Bakogiannia, Anastasia eds. War as Spectacle. Ancient and Modern Perspectives on the Display of Armed Conflict. London: Bloomsbury, pp. 157–178.

Hughes, Jessica (2015). 'No retreat, even when broken': classical architecture in the Presepe Napoletano. In: Hughes, Jessica and Buongiovanni, Claudio eds. Remembering Parthenope: Receptions of Classical Naples from Antiquity to the Present. Classical Presences. Oxford: Oxford University Press, pp. 284–309.

Hughes, Jessica and Graham, Emma-Jayne (2015). The votives project. Material Religion, 11(1) pp. 129–131.

Hughes, Lotte and Fouere, Marie-Aude (2015). Heritage and memory in East Africa today: a review of recent developments in cultural heritage research and memory studies. Azania: Archaeological Research in Africa, 50(4) pp. 542–558.

James, Paula (2015). Hercules as a Symbol of Labour: A Nineteenth-century Class-conflicted Hero. In: Stead, Henry and Hall, Edith eds. Greek and Roman classics in the British struggle for social reform. Bloomsbury Studies in Classical Reception. London, New York: Bloomsbury Academic, pp. 138–154.

Johnson, David (2015). Clements Kadalie, the ICU, and the Language of Freedom. English in Africa, 42(3) pp. 43–69.

Johnson, David (2015). Print culture and imagining the Union of South Africa. In: Davis, Caroline and Johnson, David eds. The Book in Africa: Critical Debates. New Direction in Book History. Basingstoke: Palgrave Macmillan, pp. 105–127.

Johnson, David (2015). Coriolanus in South Africa. In: Smith, Bruce R. ed. The World's Shakespeare, 1660-Present. The Cambridge Guide to the Worlds of Shakespeare, 2. Cambridge, UK: Cambridge University Press, pp. 1235–1241.

Katritzky, M. A. (2015). Lucas van Leyden's 'Toothdrawer', 1523: Passion play merchant scenes and the religious origins of quack depictions. In: Mueller, Juergen and Muench, Birgit Ulrike eds. Peiraikos' Erben: Die Genese der Genremalerei bis 1550. Trierer Beitraege zu den historischen Kulturwissenschaften (14). Wiesbaden: Reichert Verlag, pp. 125–148.

Kawabata, Maiko (2015). Playing the “Unplayable”: Schoenberg, Heifetz, and the Violin Concerto, Op. 36. Journal of Musicological Research, 34(1) pp. 31–50.

Kenkel, Frauke and Rothe, Ursula (2015). Tall Zar‘ā, Jordanien: Landwirtschaftlicher Komplex, ländliche Villa im orientalischen Stil oder Klosteranlage? Die Ausgrabungen im Areal III: Die Arbeiten des Jahres 2014. e-Forschungsberichte des Deutschen Archäologischen Instituts, 2 pp. 23–27.

King, Edmund G. C. (2015). A Captive Audience? The Reading Lives of Australian Prisoners of War, 1914–1918. In: Towheed, Shafquat and King, Edmund G. C. eds. Reading and the First World War: Readers, Texts, Archives. New Directions in Book History. Basingstoke: Palgrave Macmillan, pp. 153–167.

King, Helen (2015). Between male and female in ancient medicine. In: Boschung, Dietrich; Shapiro, Alan and Waschek, Frank eds. Bodies in Transition: Dissolving the Boundaries of Embodied Knowledge. Morphomata (23). Paderborn: Fink Verlag, pp. 249–264.

Kolassa, Alexander (2015). Composing for the Memory Dealer: New Paradigms for the Immersive Soundtrack. Journal of Sonic Studies, 9

Laney, Robin; Samuels, Robert and Capulet, Emilie (2015). Cross entropy as a measure of musical contrast. In: Mathematics and Computation in Music (Collins, Tom; Meredith, David and Volk, Anja eds.), Lecture Notes in Computer Science, Springer International Publishing, Cham, Switzerland, pp. 193–198.

Langley, Chris R. (2015). Worship, Civil War and Community, 1638–1660. London: Routledge.

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Mombauer, Annika (2015). Guilt or Responsibility? The Hundred Year Debate on the Origins of the First World War. Central European History, 48(4) pp. 541–564.

Neale, Derek (2015). The 'Start Writing Fiction' MOOC: Teaching a class of twenty-five thousand. Writing in Education(67) pp. 58–61.

Neale, Derek, Butt, Maggie, Whitehead, Harry and Brayfield, Celia (eds.) (2016) Writing in Practice: The Journal of Creative Writing Research. (Vol. 1) National Association of Writers in Education.

Pacheco, Anita (2015). 'Where Lies this Power Divine?': The Representation of Kingship in Aphra Behn's Early Tragicomedies. Journal for Eighteenth-Century Studies, 38(3) pp. 317–334.

Paul, Joanna (2015). ‘‘Time is only a mode of thought, you know’: Ancient History, Empire, and Imagination in E. Nesbit’s Stories for Children’. In: Maurice, Lisa ed. The Reception of Ancient Greece and Rome in Children’s Literature: Eagles and Heroes. Metaforms (6). Leiden: Brill, pp. 30–55.

Perry, Gill (2015). 'A lady on the stage and an actress off it’: Performance and femininity in images of Elizabeth Farren, Countess of Derby. In: Lloyd, Stephen ed. Art, Animals and Politics: Knowsley and the Earls of Derby. London: Unicorn Press, pp. 61–80.

Plassart, Anna (2015). The Scottish Enlightenment and the French Revolution. Ideas in Context, 3. Cambridge: Cambridge University Press.

Reardon, Joanne and Kenton Webb, Richard (2015). Still Life with Blackbirds. London: Artists Choice Editions.

Richards, Fiona (2015). ‘so insistently literary’: the Englishness of Randolph Stow. Journal of the Association for the Study of Australian Literature, 14(5), article no. 8.

Richards, Fiona (2015). "The streaming of the sun and the flowing of the stars": D.H. Lawrence and Peter Sculthorpe. Journal of D.H.Lawrence Studies, 3(3) pp. 33–50.

Richards, Fiona (2015). Strange Territories: John Ireland and Arthur Machen. Faunus: The Journal of the Friends of Arthur Machen, 32 pp. 29–41.

Richards, Fiona (2015). “the whole landscape dazzling and shrilling”: Soundscapes of war and peace in David Malouf’s Fly Away Peter. Southerly, 75(3) pp. 155–168.

Richards, Fiona (2015). The Goat-God in England: A Musical Context for Lawrence's Fascination with Pan. D.H.Lawrence Review, 40(1) pp. 90–106.

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Richardson, Heather (2015). Outbound/Inbound. Australian Association of Writing Programmes, Australia.

Robson, James (2015). Fantastic sex: fantasies of sexual assault in Aristophanes. In: Masterson, Mark; Rabinowitz, Nancy Sorkin and Robson, James eds. Sex in Antiquity: Exploring Gender and Sexuality in the Ancient World. Rewriting Antiquity. Abingdon: Routledge, pp. 315–331.

Rodgers, Michael (2015). A Theory of Genre Formation in the Twentieth Century. CLCWeb: Comparative Literature and Culture, 17(4), article no. 2.

Rowland, David (2015). Pianists and the European music trade c. 1790-1820. In: Sala, Massimiliano ed. Piano culture in 19th-century Paris. Turnhout: Brepols, pp. 17–26.

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Simon, Rainer; Barker, Elton; Isaksen, Leif and de Soto Cañamares, Pau (2015). Linking early geospatial documents, one place at a time: annotation of geographic documents with Recogito. e-Perimetron, 10(2) pp. 49–59.

Simones, Lilian; Schroeder, Franziska and Rodger, Matthew (2015). Categorizations of physical gesture in piano teaching: A preliminary enquiry. Psychology of Music, 43(1) pp. 103–121.

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Simones, Lilian Lima; Rodger, Matthew and Schroeder, Franziska (2015). Communicating musical knowledge through gesture: Piano teachers’ gestural behaviours across different levels of student proficiency. Psychology of Music, 43(5) pp. 723–735.

Slight, John (2015). The British Empire and the Hajj, 1865-1956. Cambridge, MA: Harvard University Press.

Stead, Henry (2015). A Cockney Catullus: The Reception of Catullus in Romantic Britain, 1795-1821. Classical Presences. Oxford University Press.

Swift, Laura (2015). Negotiating seduction: Archilochus’ Cologne Epode and the transformation of epic. Philologus, 159(1) pp. 2–28.

Swift, Laura (2015). Lyric visions of epic combat: the spectacle of war in archaic personal song. In: Bakogianni, Anastasia and Hope, Valerie eds. War as Spectacle: Ancient and Modern Perspectives on the Display of Armed Conflict. London: Bloomsbury Academic, pp. 93–109.

Swift, Laura (2015). Stesichorus on Stage. In: Finglass, P. J. and Kelly, A. eds. Stesichorus in Context. Cambridge University Press, pp. 125–144.

Tickell, Alex (2015). An Interview with Manju Kapur. Journal of Postcolonial Writing, 51(3) pp. 340–350.

Tickell, Alex (2015). Some Uses of History: Historiography, Politics and the Indian Novel. In: Anjaria, Ulka ed. A History of the Indian Novel in English. Cambridge: Cambridge University Press, pp. 237–250.

Tickell, Alex (2015). Driving Pinky Madam (and Murdering Mr Ashok): Social Justice and Domestic Service in Aravind Adiga's The White Tiger. In: Malreddy, Pavan Kumar; Heidemann, Birte; Laursen, Ole Birk and Wilson, Janet eds. Reworking Postcolonialism: Globalisation, Labour and Rights. Palgrave Macmillan, pp. 150–164.

Towheed, Shafquat (2015). Reading the Great War: An Examination of Edith Wharton’s Reading and Responses, 1914–1918. In: Towheed, Shafquat and King, Edmund G.C. eds. Reading and the First World War: Readers, Texts, Archives. New Directions in Book History. Palgrave Macmillan, pp. 78–95.

Towheed, Shafquat; Benatti, Francesca and King, Edmund G. C. (2015). Readers and Reading in the First World War. Yearbook of English Studies, 45 pp. 239–261.

Towheed, Shafquat and King, Edmund G. C. (2015). Introduction. In: Towheed, Shafquat and King, Edmund G. C. eds. Reading and the First World War: Readers, Texts, Archives. New Directions in Book History. Basingstoke: Palgrave Macmillan, pp. 1–25.

Vincent, David (2015). I Hope I Don't Intrude: Privacy and its Dilemmas in Nineteenth-Century Britain. Oxford: Oxford University Press.

Wainwright, Leon (2015). Timed Out: Pathways and Pitfalls for Art History and Caribbean Studies. Small Axe: A Caribbean Journal of Criticism, 19(2) pp. 185–196.

Walder, Dennis (2015). Editorial. Journal of Southern African Studies, 41(6) pp. 1147–1150.

Walder, Dennis (2015). Athol Fugard. In: Middeke, Martin; Schnierer, Peter Paul and Homann, Greg eds. The Methuen Drama Guide to Contemporary South African Theatre. Methuen Drama. London and New York: Bloomsbury, pp. 125–144.

Watson, Nicola (2015). Epistolary fiction. In: Garside, Peter and O'Brien, Karen eds. The Oxford History of the Novel in English, Volume 2. Oxford: Oxford University Press, pp. 370–384.

Watson, Nicola J. (2015). Gardening with Shakespeare. In: Calvo, Clara and Kahn, Coppélia eds. Celebrating Shakespeare: Commemoration and Cultural Memory. Cambridge: Cambridge University Press, pp. 301–329.

Watson, Nicola J. (2015). Rousseau on the Tourist Trail. In: Esterhammer, Angela; Piccitto, Diane and Vincent, Patrick eds. Romanticism, Rousseau, Switzerland: New Prospects. Palgrave Studies in the Enlightenment, Romanticism and the Cultures of Print. Houndmills, UK: Palgrave Macmillan, pp. 84–100.

West, Susie (2015). Looking back from 1700: problems in locating the country house library. In: Dimmock, Matthew; Hadfield, Andrew and Healy, Margaret eds. The Intellectual Culture of the English Country House, 1500-1700. Manchester: Manchester University Press, pp. 178–194.

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Wilding, Alexandra (2015). Aspirations and identities: Proxenia at Oropos during the fourth to second centuries BC. Bulletin of the Institute of Classical Studies, 58(2) pp. 55–81.

Williams, Sean (2015). Osaka Expo '70: The promise and reality of a spherical sound stage. In: Insonic, 26-28 Nov 2015, Karlsruhe, Germany.

Williams, Sean (2015). Stockhausen Concerts Database. Edinburgh College of Art.

Williams, Sean (2015). Technical influence and physical constraint in the realisation of Gesang der Jünglinge. In: Tracking the Creative Process in Music, 8-10 Oct 2015, Paris, France.

Williams, Sean (2015). Orchid House - world of sounds: Sound from around the world, between 3 am and 6 am. Edinburgh College of Art.

Williams, Sean; Mooney, James and Green, Owen (2015). Celebrating the work of Hugh Davies 3. University of Leeds.

Williams, Sean; Moonie, James; Green, Owen; Green, Owen; Lloyd, Emma; Sturm, Armin and Murray-Rust, Dave (2015). Grey Area Performs: Hugh Davies, Stockhausen, Christian Wolff, Owen Green. University of Leeds.

Williams, Sean and Stockhausen, Karlheinz (2015). "Hymnen - electronic music" sound projection. Edinburgh College of Art.

Williams, Sean and Stockhausen, Karlheinz (2015). "Kontakte - electronic music" sound projection. Edinburgh College of Art.

Yamagata, Naoko (2015). 'From Our Own Correspondent: Authorial Commentary on the "Spectacles of War" in Homer and in the Tale of the Heike'. In: Bakogianni, Anastasia and Hope, Valerie M. eds. War as Spectacle: Ancient and Modern Perspectives on the Display of Armed Conflict. London: Bloomsbury, pp. 43–55.

Younger, Neil (2015). Drama, politics, and news in the Earl of Sussex's entertainment of Elizabeth at New Hall, 1579. The Historical Journal, 58(2) pp. 343–366.

2014To Top

Allen, Gemma ed. (2014). The Letters of Lady Anne Bacon. Camden Fifth Series, 44. Cambridge: Cambridge University Press.

Bajetta, Carlo M.; Coatalen, Guillaume and Gibson, Jonathan eds. (2014). Elizabeth I's Foreign Correspondence: Letters, Rhetoric, and Politics. Queenship and Power. Basingstoke: Palgrave Macmillan.

Carroll, Maureen and Graham, Emma-Jayne eds. (2014). Infant Health and Death in Roman Italy and Beyond. Journal of Roman Archaeology Supplementary Series, 96. Ann Arbor: Journal of Roman Archaeology.

Christian, Kathleen W.; Guest, Clare E. L. and Wedepohl, Claudia eds. (2014). The Muses and their Afterlife in post-Classical Europe. Warburg Institute Colloquia 26. London: Warburg Institute.

Crone, Rosalind ed. (2014). Policing Entertainment. The Making of the Modern Police (4). London: Pickering & Chatto.

Godfrey, Barry and Lawrence, Paul eds. (2014). Crime and Justice since 1750 (2nd ed). Abingdon: Routledge.

Henke, Robert and Katritzky, M. A. eds. (2014). European Theatre Performance Practice, 1580–1750. Critical Essays on European Theatre Performance Practice, 2. Farnham: Ashgate.

Katritzky, M. A. and Davis, Jim eds. (2014). Critical Essays on European Theatre Performance Practice: 4-Volume Set. Farnham: Ashgate.

Kennedy, Beccy; Mitha, Alnoor and Wainwright, Leon eds. (2014). Triennial City: Localising Asian Art. Manchester: Cornerhouse.

Lawrence, Paul ed. (2014). Policing the Poor. The Making of the Modern Police, 3. London: Pickering & Chatto.

Toynbee, Jason; Tackley, Catherine and Doffman, Mark eds. (2014). Black British Jazz: Routes, Ownership and Performance. Ashgate Popular and Folk Music Series. Farnham: Ashgate.

Adamou, Alessandro; d'Aquin, Mathieu; Barlow, Helen and Brown, Simon (2014). LED: curated and crowdsourced linked data on music listening experiences. In: Proceedings of the ISWC 2014 Posters & Demonstrations Track, CEUR Workshop Proceedings, CEUR-WS.org, pp. 93–96.

Bajetta, Carlo M.; Coatalen, Guillaume and Gibson, Jonathan (2014). Introduction. In: Bajetta, Carlo M.; Coatalen, Guillaume and Gibson, Jonathan eds. Elizabeth I’s Foreign Correspondence: Letters, Rhetoric, and Politics. Queenship and Power. Basingstoke: Palgrave Macmillan, xix-xxv.

Baker, Patty; King, Helen and Totelin, Laurence (2014). Teaching ancient medicine: the issues of abortion. In: Rabinowitz, Nancy Sorkin and McHardy, Fiona eds. From Abortion to Pederasty: Addressing Difficult Topics in the Classics Classroom. Columbus, OH: Ohio State University Press, pp. 71–91.

Barker, Elton and Christensen, Joel (2014). Even Herakles had to die: Homeric ‘heroism’, mortality and the epic tradition. Trends in Classics, 6(2) pp. 249–277.

Barnes, Amy Jane (2014). Forum: Museums and Mental Health. Introduction. Museum Worlds: Advances in Research, 2(1) pp. 133–135.

Barnes, Amy Jane (2014). Museum Representations of Maoist China: From Cultural Revolution to Commie Kitsch. Routledge.

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da Sousa Correa, Delia (2014). Voice and vocation in the novels of George Eliot. In: Bernhart, Walter and Kramer, Lawrence eds. On Voice. Word and Music Studies, 13. Amsterdam: Rodopi, pp. 105–116.

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Dueck, Byron (2014). Standard, advantage, and race in British discourse about jazz. In: Toynbee, Jason; Tackley, Catherine and Doffman, Mark eds. Black British Jazz: Routes, Ownership, and Performance. Ashgate Popular and Folk Music Series. Farnham: Ashgate, pp. 199–220.

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Katritzky, M. A. (2014). Literary anthropologies and Pedro González, the “Wild Man” of Tenerife. In: Slater, John; Pardo-Tomás, José and López-Terrada, Maríaluz eds. Medical Cultures of the Early Modern Spanish Empire. New Hispanisms: Cultural and Literary Studies. Farnham: Ashgate, pp. 107–128.