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2027To Top

Brown, Richard Danson (2027). Edmund Spenser: The Faerie Queene. In: Bates, Catherine ed. Routledge Companion to Renaissance Literature. Abingdon, UK: Routledge [In press].

2026To Top

Brown, Richard Danson and Chaghafi, Elisabeth eds. (2026). Edmund Spenser, Complaints. The Manchester Spenser. Manchester: Manchester University Press (In press).

Brown, Richard Danson and Hadfield, Andrew eds. (2026). Bad Poetry? New Perspectives on the Value of Sixteenth-Century Literature. London, UK: Boydell and Brewer (In Press).

King, Helen (2026). From print to wool: Vesalius and the ‘knit your own womb’ movement. In: Cazes, Hélène; Fairbank, Viviane and Koźluk, Magdalena eds. Découvrir le sexe féminin: dires et savoirs de la 'nature' cachée des femmes [Uncovering the Female Anatomy: Discourses on Women's Hidden “Nature”]. Folia Litteraria Romanica (21). Lodz University Press, (In Press).

Sargeant, Samuel (2026). Crimes of their Brothers. A Saga of Iceland. London: Neem Tree Press/Unbound (In Press).

2025To Top

Brunet, Luc-André and Karamouzi, Eirini eds. (2025). Beyond the Euromissile Crisis: Global Histories of Anti-Nuclear Activism in the Cold War. Protest, Culture and Society, 33. New York, NY, USA: Berghahn Books.

Campbell, Siobhan; Haslam, Sara and King, Edmund G. C. eds. (2025). A Hundred Years of Bibliotherapy: Healing through Books. London, UK: Routledge.

Hamer, Laura and Minors, Helen Julia eds. (2025). The Routledge Companion to Women and Musical Leadership: The Nineteenth Century and Beyond. Routledge Music Companions. New York, USA and Oxon, UK: Routledge.

Potter, Amanda and Strong, Anise K. eds. (2025). Classical Receptions and Impact of Xena: Warrior Princess. IMAGINES – Classical Receptions in the Visual and Performing Arts. London, UK: Bloomsbury.

Woodthorpe, Kate; Frisby, Helen and Michael-Fox, Bethan eds. (2025). Death and Institutions: Processes, Places and the Past. Death and Culture. Bristol, UK: Bristol University Press.

Ault, Katharine Jane (2025). Giotto and Non-Giotto in Nineteenth-Century Britain. Doctor of Philosophy (PhD) thesis The Open University.

Aynsworth, Charlotte; Waite, Felicity; Sargeant, Samuel; Humpston, Clara and Dudley, Robert (2025). Visual hallucinations in psychosis: What do people actually see? Psychology and Psychotherapy: Theory, Research and Practice, 98 pp. 58–73.

Baird, Kenneth and Hamer, Laura (2025). Lilian Baylis: The Visionary Impresario. In: Hamer, Laura and Minors, Helen Julia eds. The Routledge Companion to Women and Musical Leadership: The Nineteenth Century and Beyond. New York: Routledge, pp. 127–140.

Baird, Kenneth and Hamer, Laura (2025). Lilian Baylis: The Visionary Impresario. In: Hamer, Laura and Minors, Helen Julia eds. The Routledge Companion to Women and Musical Leadership: The Nineteenth Century and Beyond. Routledge Music Companions. New York, USA and Oxon, UK: Routledge, pp. 127–140.

Brown, Richard (2025). Giving ear to the cries: Chasing Spenserian Voices in The Shepheardes Calender. Spenser Studies, 39 (in press).

Brown, Richard Danson (2025). Complaint, Anger, and Poetic Form in the Tristram Episode of The Faerie Queene. SEL Studies in English Literature 1500-1900, 63(1) pp. 27–52.

Brown, Richard Danson (2025). Fie Upon “But Yet”: Stanza Lead Words and Adversative Conjunctions in The Faerie Queene. In: Goeglein, Tamara A. and Vaught, Jennifer C. eds. Textual Respect: Essays in Honor of Judith H. Anderson. Kalamazoo, USA and Berlin, Germany: Medieval Institute Publications and De Gruyter (In Press).

Brunet, Luc-André and Karamouzi, Eirini (2025). Introduction: Globalising the History of Anti-nuclear Activism. In: Brunet, Luc-André and Karamouzi, Eirini eds. Beyond the Euromissile Crisis: Global Histories of Anti-Nuclear Activism in the Cold War. Protest, Culture and Society, 33. New York, NY, USA: Berghahn Books, pp. 1–20.

Brunet, Luc-André; Karamouzi, Eirini and Sanders-Zakre, Alicia (2025). Epilogue: Global Histories of Anti-Nuclear Activism. In: Brunet, Luc-Andre and Karamouzi, Eirini eds. Beyond the Euromissile Crisis: Global Histories of Anti-Nuclear Activism in the Cold War. Protest, Culture and Society, 33. New York, NY, USA: Berghahn Books, pp. 345–348.

Carter, Warren (2025). Different Marxist Histories of Art Post-1968: T.J. Clark and O.K. Werckmeister. In: Tunali, Tijen and Winkenweder, Brian eds. The Routledge Companion to Marxisms in Art History. Abingdon: Routledge (In Press).

Cathcart, Charles (2025). Isabella’s silence and Philocalia’s absence. The Explicator, 83(1) pp. 80–86.

Charnley, Kim (2025). Carpenter of the Predicate: Ian Burn, Conceptual Art and Making. In: Ileana, Parvu ed. A Show of Hands: Crafting Concepts in Contemporary Art. Berlin: De Gruyter, pp. 151–177.

Clarke, Martin V. (2025). [Book Review] Andrew Gant, O Sing unto the Lord: A History of English Church Music. London, Profile Books, 2016. Wesley and Methodist Studies, 17(1) p. 108.

Dohmen, Renate (2025). ‘What’s In a Photo?’ Frederick Douglass and Ram Singh II, Maharaj of Jaipur. Or: Lateral Art History and The Postindian Trickster, An Experiment in Method. In: Burns, Emily C. and Price, Alice M. Rudy eds. Routledge Companion to Art and Empire: Imperialism and Aesthetic Practices. Routledge Art History and Visual Studies Companions. Routledge (In press).

Donington, Katie (2025). [Review] Ordinary People, Extraordinary Times: Living the British Empire in Jamaica, 1756 by Sheryllynne Haggerty. McGill-Queen’s University Press, 2023. The American Historical Review, 130(1) pp. 361–362.

Fear, Trevor (2025). Cleopatra in the Xenaverse. In: Potter, Amanda and Strong, Anise K. eds. Classical Receptions and Impact of Xena: Warrior Princess. IMAGINES – Classical Receptions in the Visual and Performing Arts. London, UK: Bloomsbury.

Golding, Rosemary (2025). Musical samplers in the museum of musical works: the nature, status and value of nineteenth-century Oxford degree exercises. Journal of the Royal Musical Association (Early access).

Graham, Emma-Jayne (2025). Material and experiential religion. The Classical Review (Early access).

Graham, Emma-Jayne (2025). Moving with time and space at the sanctuary of Juno, Gabii (Italy). In: Jordan, Pamela; Mura, Sara and Hamilton, Sue eds. New Sensory Approaches to the Past: Applied Methods in Sensory Heritage and Archaeology. London, UK: UCL Press (In press).

Grindley, Ann (2025). Sites of Empowerment: Fin-de-Siècle Salon Culture and the Music of Cécile Chaminade. In: Hamer, Laura and Minors, Helen Julia eds. The Routledge Companion to Women and Musical Leadership: The Nineteenth Century and Beyond. New York: Routledge, pp. 65–78.

Grummitt, David (2025). Chivalric Competition, Military Organisation and Edward IV’s French Campaign of 1475. The Ricardian, 35 pp. 95–115.

Grummitt, David (2025). Richard III and Calais. The Ricardian, 35 (In Press).

Grummitt, David (2025). A Short History of the Wars of the Roses: Revised Edition. Short Histories. London, UK: Bloomsbury Academic (In Press).

Grummitt, David (2025). The Wars of the Roses Volume 1: The Triumph of York 1455-1461. From Retinue to Regiment 1453-1618. Warwick, UK: Helion & Company (In Press).

Hamer, Laura (2025). 'Une Belle Manifestation Féministe': The Formation of the Union des Femmes Professeurs et Compositeurs de Musique. In: Hamer, Laura and Minors, Helen Julia eds. The Routledge Companion to Women and Musical Leadership: The Nineteenth Century and Beyond. New York: Routledge, pp. 79–91.

Hamer, Laura (2025). ‘Une belle manifestation féministe’: The Formation of the Union des Femmes Professeurs et Compositeurs de Musique. In: Hamer, Laura and Minors, Helen Julia eds. The Routledge Companion to Women and Musical Leadership: The Nineteenth Century and Beyond. Routledge Music Companions. New York and Oxon: Routledge, pp. 79–91.

Hamer, Laura and Brocken, Michael (2025). Bandleader Mrs Mary Hamer and Her Boys: Popular Music and Dance Cultures in Interwar Liverpool. Cambridge Elements: Women in Music. Cambridge University Press.

Hamer, Laura and Minors, Helen Julia eds. (2025). The Routledge Companion to Women and Musical Leadership: The Nineteenth Century and Beyond. New York: Routledge.

Hamer, Laura and Minors, Helen Julia (2025). Defining, Surveying and Interrogating Women in Musical Leadership. In: Hamer, Laura and Minors, Helen Julia eds. The Routledge Companion to Women and Musical Leadership: The Nineteenth Century and Beyond. New York: Routledge, pp. 1–12.

Hamer, Laura; Minors, Helen Julia; Farnham, Alice; Hamilton, Katy; Haughton, Emma; McCabe, Jessy; MacDonald, Sarah; Vencatasamy, Davina and Wilson, Eleanor (2025). Women's Musical Leadership in Music Industries and Education. In: Hamer, Laura and Minors, Helen Julia eds. The Routledge Companion to Women and Musical Leadership: The Nineteenth Century and Beyond. New York: Routledge, pp. 335–357.

Hobden, Fiona (2025). The trouble with Xenophon: marching with the Ten Thousand in 21st-century fiction. In: Farrell, C. and Gish, D. eds. Brill's Companion to the Reception of Xenophon. Brill (In press).

Holton, Stephanie (2025). The funerary symbolism of pinecones: from ancient tombstones to Neoclassical mausolea. In: Symbols of Mortality, 22 Feb 2025, Online.

Holton, Stephanie (2025). Early Greek Theories of Sleep. In: Ancient Theories of Sleep, 3 Mar 2025, University of Geneva.

King, Edmund G. C. (2025). The Curative Value of Reading: Hospital Libraries and Literary Therapeutics in Britain, 1919–1946. In: Campbell, Siobhan; Haslam, Sara and King, Edmund G. C. eds. A Hundred Years of Bibliotherapy: Healing through Books. London: Routledge (In press), pp. 178–199.

King, Edmund G. C.; Haslam, Sara and Campbell, Siobhan (2025). Healing through Books: An Introduction. In: Campbell, Siobhan; Haslam, Sara and King, Edmund G. C. eds. A Hundred Years of Bibliotherapy: Healing through Books. London, UK: Routledge, pp. 1–26.

Langley, Chris R. (2025). Ecclesiastical record books and political legitimacy in mid-seventeenth century Scotland. The Journal of Ecclesiastical History (Early Access).

Mac Cathmhaoill, Dónall (2025). Theatre and Politics in Post-Conflict Northern Ireland: Applied Theatre, Social Change, and Political Advocacy. Exeter, UK: University of Exeter Press.

Middle, Sarah; Aristeidou, Maria; Barker, Elton; Pett, Daniel and Alcock, Sarah (2025). Discovering Object Stories: Linking Unstructured Museum Data Through Semantic Annotation. Journal of Open Humanities Data, 11 pp. 1–13.

Murray, Andrew (2025). Speculation. In: Tunali, Tijen and Winkenweder, Brian eds. The Routledge Companion to Marxisms in Art History. Routledge Art History and Visual Studies Companions. Abingdon, UK: Routledge (In Press).

Potter, Amanda (2025). Xena Mythology-based Fanfiction. In: Potter, Amanda and Strong, Anise K. eds. Classical Receptions and Impact of Xena: Warrior Princess. IMAGINES – Classical Receptions in the Visual and Performing Arts. London, UK: Bloomsbury, pp. 126–143.

Potter, Amanda and Strong, Anise K. (2025). Introduction. In: Potter, Amanda and Strong, Anise K. eds. Classical Receptions and Impact of Xena: Warrior Princess. IMAGINES – Classical Receptions in the Visual and Performing Arts. London, UK: Bloomsbury, pp. 1–7.

Robson, James (2025). An Enviable Life or Worse than Death? Reconstructing Women's Experience of Marriage and Sex in Classical Athens. In: Clark, Anna and Williams, Elizabeth W. eds. Sources and Methods in the History of Sexuality. Routledge Guides to Using Historical Sources. London and New York: Routledge, pp. 102–118.

Simones, Lilian (2025). Advancing Excellence in Teaching: Professionalizing Vocal and Instrumental Music Education. In: Parkes, Kelly A. and Daniel, Ryan eds. The Applied Studio Model in Higher Music Education: Critical Perspectives and Opportunities. London: Routledge, pp. 34–60.

Tickell, Alex (2025). Race, the 1962 Sino-Indian Conflict, and India’s Chinese Community. In: Dhana, Meena ed. Oxford Intersections: Racism by Context. Oxford University Press.

Towheed, Shafquat (2025). Evaluating Negative Representations of Reading: Ivan Turgenev’s Faust (1855). In: Attar, Karen and Nash, Andrew eds. Books, Readers and Libraries in Fiction. London, UK: University of London, pp. 95–110.

Walker, Amelia; Lovell, Bronwyn; Rozitis, Stef; Caldwell, Anne; Callus, Victoria Zoe; Collis, Paul; Crocker, Robert; Disney, Dan; Hill, Jesse; Huen, Antony; Jarrett, Evan; O'Connor, Wanda; Phillips, Georgia Rose; Roberts, Elvire; Roberts, Lilian; Sharman, Ali; Tupper, Devin and Böhm, Carina (2025). Ecopoetic encounters: unsettling anthropocentric assumptions via constraint-based anthologethnography. New Writing, 22(1) pp. 135–152.

Watson, Nicola J. (2025). Manuscript in the Writer's House Museum. In: Sommer, Tim ed. Cultural Heritage and the Literary Archive: Objects, Institutions, and Practices between the Analogue and the Digital. New York: Routledge, pp. 131–149.

Wetherilt, Anne (2025). Representations of the Malayan Emergency in fiction: Reading Han Suyin, Mary McMinnies and Anthony Burgess. In: Driskell, Jonathan; Rutkowski, Marek W. and Hock Soon Ng, Andrew eds. The Malayan Emergency in Film, Literature and Art: Cultural Memory as Historical Other. Bloomsbury, pp. 77–100.

Winters, Ben (2025). Korngold in America: Music, Myth, and Hollywood. Oxford Music / Media. New York: Oxford University Press (In press).

Wright, Patrick (2025). Exit Strategy. Llandysul, UK: Broken Sleep Books.

Wright, Patrick (2025). Ekphrasis outside the frame: towards a model of therapeutic nature writing. Writing in Education(94) pp. 45–47.

2024To Top

Beardmore, Carol ed. (2024). Navigating the Nineteenth Century Institution: Workhouse and Asylum. Newcastle, UK: Cambridge Scholars Publishing.

Bullen, David and Plastow, Christine eds. (2024). Greek Tragedy, Education, and Theatre Practices in the UK Classics Ecology. Classics In and Out of the Academy. London, UK: Routledge.

Coleclough, Sharon; Michael-Fox, Bethan and Visser, Renske eds. (2024). Difficult Death, Dying and the Dead in Media and Culture. Palgrave Macmillan, Cham.

Cook, James; Kolassa, Alexander; Robinson, Alexander and Whittaker, Adam eds. (2024). History as Fantasy in Music, Sound, Image and Media. Music and Visual Culture. New York, USA and Oxon, UK: Routledge.

Finkelstein, David; Johnson, David and Davis, Caroline eds. (2024). The Edinburgh Companion to British Colonial Periodicals. Edinburgh Companions to Literature and the Humanities. Edinburgh: Edinburgh University Press.

Gaviña-Costero, Maria; Mac Cathmhaoill, Dónall and Pedro, Dina eds. (2024). ‘Lost, Unhappy and at Home’: The Impact of Violence on Irish Culture
Volume 1: Literature. Reimagining Ireland, 133 (1). Lausanne, Switzerland: Peter Lang Group AG.

Gaviña-Costero, Maria; Pedro, Dina and Mac Cathmhaoill, Dónall eds. (2024). ‘Lost, Unhappy and at Home’: The Impact of Violence on Irish Culture
Volume II: Socio-Cultural Aspects. Reimagining Ireland, 134. Lausanne, Switzerland: Peter Lang Group AG.

Gilles, Greg; Frank, Karolina; Plastow, Christine and Webb, Lewis eds. (2024). Female Agency in the Ancient Mediterranean World. Women in Ancient Cultures - Ancient History & Classics. Liverpool, UK: Liverpool University Press.

Rowland, David ed. (2024). Clementi Correspondence and Other Documents. Muzio Clementi Opera Omnia, CCE 5. Bologna: Ut Orpheus Edizioni.

Allan, William and Swift, Laura (2024). Euripides: Bacchae. Cambridge Greek and Latin Classics. Cambridge: Cambridge University Press.

Aristeidou, M.; Middle, S.; Alcock, S.; Barker, E. and Pett, D. (2024). Evaluating the usability and perceived usefulness of a semantic annotation tool for heritage knowledge exchange and citizen engagement. In: ICERI2024 Proceedings, IATED pp. 2271–2278.

Attah, Tom; Cavett, Esther; Dueck, Byron; Miller, Sue and Redhead, Lauren (2024). Teaching music theory in UK higher education today: contexts and commentaries. Music Education Research, 26(1) pp. 71–81.

Bajetta, Carlo M. and Gibson, Jonathan (2024). Letters (Early modern). In Bloomsbury History: Theory and Method Bloomsbury.

Baker‐Bates, Piers (2024). All roads lead from Rome: the transcultural career of Francisco de Reynoso. Renaissance Studies, 38(5) pp. 713–737.

Barker, Elton (2024). The Hero in Homer. In: Allison, Scott; Beggan, James and Goethals, George eds. Encyclopedia of Heroism Studies. Cham: Springer, pp. 1–7.

Barker, Elton; Palladino, Chiara and Gordin, Shai (2024). Digital approaches to investigating space and place in Classical Studies. The Classical Review, 74(1) pp. 1–19.

Barker, Emma (2024). Viewing Blindness at the Paris Salon. In: Kluge, Dorit; Maës, Gaëtane and Pichet, Isabelle eds. L' expérience sensorielle dans les expositions d'art au XVIIIe siècle: The Sensory Experience in 18th Century Art Exhibitions. Passages, 25. Paris, France: Deutsches Forum für Kunstgeschichte/Centre allemand d'histore de l'art, pp. 41–53.

Barker, Naomi (2024). [Book Review] Annette Richards, The Temple of Fame & Friendship: Portraits, music, and history in the C.P.E. Bach Circle. Chicago, University of Chicago Press, 2022. Journal of the History of Collections, 36(1) pp. 200–201.

Barker, Naomi J. (2024). Music, Medicine and Religion at the Ospedale di Santo Spirito in Rome 1550–1750. Music in Society and Culture, 12. Woodbridge: Boydell Press.

Barnes, A. J. (2024). Revolutionary Heroes in Chinese Propaganda Posters. In: Allison, S. T.; Beggan, J. K. and Goethals, G. R. eds. Encyclopedia of Heroism Studies. Cham: Springer, pp. 1–7.

Benatti, Francesca (2024). Innovations in Digital Comics: A Popular Revolution. Elements in Publishing and Book Culture. Cambridge, UK: Cambridge University Press.

Benatti, Francesca and Antonini, Alessio (2024). On the margins and at the centre. New Review of Hypermedia and Multimedia, 30(1-2) pp. 1–7.

Benatti, Francesca; Berube, Linda and Priego, Ernesto (2024). Webcomics 2024: Creativity in Small Spaces [Web/Comics]. In: Proceedings of the 35th ACM Conference on Hypertext and Social Media, ACM, 4 pp. 386–387.

Benatti, Francesca; Towheed, Shafquat; Blackburn-Daniels, Sally and Antonini, Alessio (2024). @TellMeWhatUReadingbot: the Multi-modal Strategy of the READ-IT Project for Collecting Experiences of Reading. In: Proceedings of the 35th ACM Conference on Hypertext and Social Media, HT '24, Association for Computing Machinery, New York, NY, USA, pp. 217–222.

Bloxham, J. A. (2024). [Book Review] A Genius for Confusion: Joseph R. McCarthy and the Politics of Deceit. Journal of American History, 111(1) pp. 187–188.

Brown, Richard Danson (2024). Spenser with Bruegel: Authority and Punishment in The Faerie Queene, Book V. Spenser Studies, 38 pp. 1–29.

Brown, Richard Danson (2024). [Book Review] Rebecca M. Rush, The Fetters of Rhyme: Liberty and Poetic Form in Early Modern England. Ben Jonson Journal, 31(1) pp. 117–122.

Brown, Richard Danson (2024). [Book Review] Lucy Wooding, Tudor England: A History New Haven: Yale University Press, 2022. Sidney Journal, 42(1)

Brown, Richard Danson (2024). Scorned little creatures?: insects and genre in Complaints (1591). In: Stenner, Rachel and Shinn, Abigail eds. Edmund Spenser and Animal Life. Palgrave Studies in Animals and Literature. London: Palgrave, pp. 139–158.

Brown, Richard Danson and Hadfield, Andrew (2024). Bad Spenser? A Dialogue. The Spenser Review, 54(1) pp. 1–14.

Brown, Richard Danson; Hadfield, Andrew and Wadowski, Andrew (2024). The Spenser Review, Vol 54, Issue 1. Special Issue: Spenser and Bad Poetry. International Spenser Society.

Brownhill, Charlotte (2024). Wentworth’s ‘eye of the Court’: Sir George Radcliffe’s management of the Irish parliaments of Charles I’s reign. Parliamentary History, 43(3) pp. 276–290.

Campbell, Siobhan and Jensen, Meg (2024). Expressive writing and telling and participatory action research: developing a relational ethics of practice for story-based interventions in crisis settings. Journal of Poetry Therapy (Early access).

Carter, Warren and Wiedel-Kaufmann, Ben (2024). Painting the town red? One hundred years of public muralism and the left: An introductory essay. Art & the Public Sphere, 13(1) pp. 3–27.

Cathcart, Charles (2024). The Devil of the Vault and John Hanson’s Time is a Turncoat. Notes and Queries, 71(1) pp. 70–73.

Chambers, Helen (2024). The Sea Voyages Revisited. In: Baldwin, Debra Romanick ed. The Routledge Companion to Joseph Conrad. London, UK: Routledge, pp. 9–21.

Clarke, Martin (2024). [Book Review] Guy L. Beck. Musicology of Religion: Theories, Methods, and Directions (SUNY Series in Religious Studies.) Albany: State University of New York Press, 2023. Notes, 80(4) pp. 700–703.

Clarke, Martin V. (2024). Music and Charles Wesley’s Legacy. The Journal of Religious History, Literature and Culture, 10(2) pp. 57–80.

Clarke, Martin V. (2024). Singing justice? Congregational song and social justice in contemporary British Methodism. In: Fifteenth Oxford Institute of Methodist Theological Studies, 4-11 Aug 2024, Oxford, UK.

Clarke, Martin V. (2024). Music and Spirituality in Communal Song: Methodists and Welsh Sporting Crowds. In: Corbett, George and Moerman, Sarah eds. Music and Spirituality: Theological Approaches, Empirical Methods, and Christian Worship. Cambridge, UK: Open Book Publishers, pp. 371–388.

Clarke, Martin V. (2024). 1780 Collection of Hymns. In: Norris, Clive Murray and Cunningham, Joseph W eds. The Routledge Companion to John Wesley. Routledge Religion Companions. Abingdon: Routledge, pp. 114–125.

Cook, James; Kolassa, Alexander; Robinson, Alexander and Whittaker, Adam (2024). Introduction: Beyond authenticity in music, history, and fantasy. In: Cook, James; Kolassa, Alexander; Robinson, Alexander and Whittaker, Adam eds. History as Fantasy in Music, Sound, Image and Media. Music and Visual Culture. New York, USA and Oxon, UK: Routledge.

Crisp, Lindsay Polly (2024). Objects and bodies in Michael Landy's Shelf Life. In: Mohan, Urmila ed. The Efficacy of Intimacy and Belief in Worldmaking Practices. Routledge, pp. 58–72.

da Sousa Correa, Delia and Golding, Rosemary (2024). [Book Review] Allan W. Atlas, ed., A Wilkie Collins Songbook. Middleton, WI: A-R Editions, 2023. Nineteenth-Century Music Review (Early access).

Dohmen, Renate and Korporaal, Astrid (2024). Interlude 2: Trickster Abrakadabra: The Art of Hosting or Declaring Yourself a Guest. Third Text

Doloughan, Fiona J. (2024). [Book Review] Paul Dawson, The Story of Fictional Truth: Realism from the Death to the Rise of the Novel (Theory and Interpretation of Narrativ), Columbus, OH: Ohio State University Press. Anglia, 142(2) pp. 397–401.

Dooley, James (2024). Formuls: An Electronic Musical Instrument for Synthesis-Based Composition and Performance. In: Estibeiro, Marc; Payling, Dave and Cotter, David eds. Collaboration, Engagement, and Tradition in Contemporary and Electronic Music: NoiseFloor Perspectives. London, UK: Focal Press, pp. 119–139.

Faire, Lucy; McHugh, Denise and Williams, Chris A. (2024). Making manifestos for urban history: creative collaboration in a conference workshop. Urban History (Early access).

Finkelstein, David and Johnson, David (2024). Introduction: British Colonial Periodicals in Context: Part I Creating and Contesting the Colonial Public Sphere. In: Finkelstein, David; Johnson, David and Davis, Caroline eds. The Edinburgh Companion to British Colonial Periodicals. Edinburgh: Edinburgh University Press, pp. 1–34.

Fraser, Cora Beth; Yamagata, Naoko and Mac Mahon, Ardle (2024). The Relaxed Tutorial Project: distance learning and anxiety in Classical Studies. Journal of Classics Teaching (Early Access).

Fraser, Robert (2024). Diana's Mirror: The Reflective Surface of Frazer's The Golden Bough. In: Budin, Stephanie Lynn and Tullly, Caroline J. eds. A Century of James Frazer’s The Golden Bough: Shaking the Tree, Breaking the Bough. London, UK: Routledge, pp. 323–338.

Garrett, Natalee (2024). Queen Charlotte: Family, Duty, Scandal. Abingdon: Routledge.

Gilles, Greg; Frank, Karolina; Plastow, Christine and Webb, Lewis (2024). Introduction. In: Gilles, Greg; Frank, Karolina; Plastow, Christine and Webb, Lewis eds. Female Agency in the Ancient Mediterranean World. Women in Ancient Cultures - Ancient History & Classics. Liverpool, UK: Liverpool University Press.

Golding, Rosemary (2024). Classical Music in British Children’s Television: Narrative, Communication, and Cultural Meaning. Music, Sound, and the Moving Image (In press).

Golding, Rosemary (2024). Concerts and Cures at the Crichton Royal Institution, 1840-1860. Music and Letters, 105(4) pp. 505–543.

Graham, Emma-Jayne (2024). [Book Review] Jane Draycott, Prosthetics and assistive technology in Ancient Greece and Rome. Cambridge: Cambridge University Press, 2023. Journal of Roman Studies, 114 pp. 253–254.

Graham, Emma-Jayne (2024). The haptic production of religious knowledge among the Vestal Virgins: A hands-on approach to Roman ritual. In: Abigail, Graham and Blanka, Misic eds. Senses, Cognition, and Ritual Experience in the Roman World. Ancient Religion and Cognition. Cambridge: Cambridge University Press, pp. 59–88.

Graham, Emma-Jayne (2024). Death's ritual symbolic performance. In: Erasmo, Mario ed. A Cultural History of Death in Antiquity. The Cultural Histories Series, 1. London, UK: Bloomsbury Publishing, pp. 67–82.

Graham, Emma-Jayne (2024). Fluid places and the sensory transposition of place in the production of Roman pilgrimage narratives. Accordia Research Papers, 16 pp. 199–215.

Griffiths, Andrew (2024). The Anglo-Zulu War in the Friend of India: Mediation, Meaning and Authority. In: Finkelstein, David; Johnson, David and Davis, Caroline eds. Edinburgh Companion to Colonial Periodicals. Edinburgh Companions to Literature and the Humanities. Edinburgh, UK: Edinburgh University Press, pp. 390–403.

Grummitt, David (2024). The Wars of the Roses: War and Martial Culture in England 1455-1487. Oxford: Oxford University Press (In press).

Gupta, Ayan-Yue and Gupta, Suman (2024). Catchwords: An Essay on Research Methods. Key Words: A Journal of Cultural Materialism (In Press).

Gupta, Suman (2024). Dictionaries of Internet Terms: The 1990s. Dictionaries: Journal of the Dictionary Society of North America (In press).

Gupta, Suman and Tu, Peter H. (2024). The Practical Philosophy of AI-Assistants: An Engineering-Humanities Conversation. World Scientific.

Hardie, Liz; Lowe, Jonquil; Pride, Mychelle; Waugh, Kevin; Hauck, Mirjam; Ryan, Francine; Gooch, Daniel; Patent, Volker; McCartney, Kieran; Maguire, Claire; Richards, Mike and Richardson, Heather (2024). Developing robust assessment in the light of Generative AI developments. NCFE; The Open University, Milton Keynes, UK.

Hardwick, Lorna; Harrison, Stephen and Vandiver, Elizabeth (2024). Rupert Brooke, Charles Sorley, Isaac Rosenberg, & Wilfred Owen: Classical Connections. Oxford Classical Reception Commentaries. Oxford, UK: Oxford University Press.

Hardy, Emma (2024). A Modern but Useful Art: William Morris, Jeffrey and Co. and the Morris & Co. Wallpapers 1864-c.1928. Doctor of Philosophy (PhD) thesis The Open University.

Haslam, Sara; Miller, Jesse and Cantwell-Jurkovic, Laureen (2024). The Flow of Comfort: Bibliotherapy, the History of Literary Caregiving, and the Academic Library Today. In: Cantwell-Jurkovic, Laureen P. ed. Intersections in Healing: Academic Libraries and the Health Humanities. Medical Library Association Books. Lanham, Maryland, US: Rowman & Littlefield, pp. 63–82.

Hobden, Fiona and Paul, Joanna (2024). [Editorial] New voices, new horizons. New Voices in Classical Reception Studies(14) pp. 1–6.

Holton, Stephanie (2024). Prognosis and psyche: the medical dream before Aristotle. In: ONEIRATA: Sleep, Dreams, and Divination in Aristotle and his Predecessors, 22-23 May 2024, University of Durham, Durham, UK.

Hope, Valerie M. (2024). Dead and Dying Bodies. In: Erasmo, Mario ed. A Cultural History of Death in Antiquity. A Cultural History of Death. London: Bloomsbury, pp. 15–31.

Houghton, Frances (2024). Towards a More Inclusive Modern British History? Reflecting on Barriers, Challenges, and Opportunities in Twenty-First Century UK Higher Education. Modern British History, 35(1) pp. 50–54.

Houghton, Frances (2024). Hunting the Royal Navy’s Medical ‘Snark’: Diagnosis, Prevention and Treatment of Tropical Neurosis in British Sailors, 1943-45. Social History of Medicine (Early access).

Houghton, Frances; John, Kesewa; Moss, Eloise; Sanders, Michael; Strange, Julie-Marie and White, Benjamin Thomas (2024). [Book Review] Social History Book Club: Lyonel Trouillot, Antoine of Gommiers. Social History, 49(3) pp. 397–409.

Johnson, David (2024). The Atlantic Charter in British Colonial Periodicals. In: Finkelstein, David; Johnson, David and Davis, Caroline eds. The Edinburgh Companion to British Colonial Periodicals. Edinburgh: Edinburgh University Press, pp. 418–431.

Kanter, Dawn (2024). Collecting and connecting portrait sittings: a re-evaluation of portrait-sitting accounts in enhancing knowledge and understanding of British portraiture 1900-1960. Doctor of Philosophy (PhD) thesis The Open University.

Katritzky, M A (2024). The Merchant Scene of Biblical Drama: Rehabilitating the Female Input. Journal of the Bible and its Reception, 11(2) pp. 173–203.

King, Helen (2024). [Book Review] Lesley Dean-Jones (ed, trans), Historia Animalium Book X: Aristotle’s Endoxon, Topos and Dialectic on On Failure to Reproduce. Social History of Medicine (Early access).

King, Helen (2024). Immaculate Forms: Uncovering the History of Women's Bodies. Wellcome Collection. London, UK: Profile Books Ltd..

Knight, Lania (2024). Write a Novel in Twelve Easy Steps. In: Moore, Marshall and Meekings, Sam eds. The Scholarship of Creative Writing Practice: Beyond Craft, Pedagogy, and the Academy. Bloomsbury, pp. 63–76.

Kolassa, Alexander (2024). Haunted by the Past: Music and Folk Horror in Children of the Stones. In: Cook, James; Kolassa, Alexander; Robinson, Alexander and Whittaker, Adam eds. History as Fantasy in Music, Sound, Image and Media. Music and Visual Culture. Routledge.

Kolassa, Alexander (2024). Beyond nostalgia: hearing anachronism in Westworld and television's new golden age. In: Halfyard, Janet K. and Reyland, Nicholas eds. The Palgrave Handbook of Music and Sound in Peak TV. Cham: Palgrave Macmillan, pp. 347–363.

Konstantinidou, Maria; Pavlopoulos, John and Barker, Elton (2024). Exploring intertextuality across the Homeric poems through language models. In: Proceedings of the 1st Workshop on Machine Learning for Ancient Languages (ML4AL 2024) (Pavlopoulos, John; Sommerschield, Thea; Assael, Yannis; Gordin, Shai; Cho, Kyunghyun; Pasarotti, Marco; Sprugnoli, Rachele; Liu, Yudong; Li, Bin and Anderson, Adam eds.), Association for Computational Linguistics, pp. 260–268.

Lloyd, Mair E. and Robson, James (2024). The Battle for Latin in UK Universities: A Statistical analysis of factors driving student success and failure in beginners’ Latin modules. Language Learning Journal, 52(3) pp. 349–365.

Loftus, Donna (2024). The “Futility of Thrift” and the Moral Economy of Nineteenth-Century Britain. Global Perspectives, 5(1), article no. 117591.

Lymberopoulou, Angeliki (2024). [Book Review] Andrea Myers Achi ed., Africa and Byzantium, New York, The Metropolitan Museum of Art, 2023. The English Historical Review, 139(601) pp. 1559–1560.

Mac Cathmhaoill, Dónall (2024). [Book Review] Culture, Democracy and the Right to Make Art. Drama Research, 15

Mac Cathmhaoill, Dónall (2024). Aesthetics and Efficacy in Applied and Community Theater. In: Bradford, Richard; Gonzalez, Madelena and De Ornellas, Kevin eds. A Companion to Literary Evaluation. Blackwell Companions to Literature and Culture. Chichester, UK: John Wiley & Sons Ltd, pp. 226–242.

Mac Cathmhaoill, Dónall (2024). The Trouble with Trouble: Restaging Historic Acts of Violence. In: Gaviña-Costero, Maria; Mac Cathmhaoill, Dónall and Pedro, Dina eds. ‘Lost, Unhappy and at Home’: The Impact of Violence on Irish Culture Volume II: Socio-Cultural Aspects. Reimagining Ireland, 134. Lausanne, CH: Peter Lang Group AG, pp. 185–202.

MacCathmhaoill, Dónall (2024). [Review] Stephen Kelly. Margaret Thatcher, the Conservative Party and the Northern Ireland Conflict, 1975-1990. (London: Bloomsbury Academic, 2022), 408 pp., ISBN: 9781350115378. Review of Irish Studies in Europe, 7(1) pp. 128–130.

Marsden, Richard (2024). Heritage, identity and the creative arts in the South Wales Valleys. National Identities, 26(3) pp. 237–265.

Marsden, Richard (2024). What does knowledge exchange look like for a historian? Project Match.

Marsden, Richard (2024). [Book review] Craig Beveridge, Recovering Scottish History: John Hill Burton and Scottish National identity in the Nineteenth Century. Edinburgh: Edinburgh University Press, 2023. Victorian Studies, 66(3) pp. 488–490.

Marsden, Richard and Plassart, Anna (2024). Changing the narrative: Valuing Arts and Humanities degrees. The Learned Society of Wales, Cardiff, UK.

McKellar, Elizabeth (2024). Beyond the Walls: Traversing the Boundaries of Architectural History. In: Arnold, Dana ed. Women and Architectural History: The Monstrous Regiment Then and Now. London, UK: Routledge, pp. 171–186.

Michael-Fox, Beth (2024). The future is ash: Climate emergency and human responsibility in The Fades. In: Bacon, Simon ed. Zombie Futures in Literature, Media and Culture: Pandemics, Society and the Evolution of the Zombie in the 21st Century. London, UK: Bloomsbury Publishing, pp. 178–190.

Michael-Fox, Bethan (2024). [Book Review] Hauntology: Ghosts of Futures Past by Merlin Coverley. Mortality, 29(2) pp. 361–362.

Michael-Fox, Bethan (2024). My favourite fictional academic. Times Higher Education.

Michael-Fox, Bethan (2024). Five books to help if you are dealing with death and bereavement. The Open University.

Michael-Fox, Bethan (2024). Exploiting Opportunities and Exposing Inequalities: Telling Covid-19 Stories in Host (2020), Mythic Quest (2020–) and For Life (2020-2021). In: Bernardi, Verena; Giammanco, Amanda D. and Mißler, Heike eds. Covid-19 in film and television: watching the pandemic. Routledge Research in Cultural and Media Studies. Abingdon, UK: Routledge.

Michael-Fox, Bethan (2024). Troubling Entanglements: Death, Loss and the Dead in and on Television. In: Peterson, Jesse D.; Dekker, Natashe Lemos and Olson, Philip R. eds. Death's Social and Material Meaning Beyond the Human. Death and Culture. Bristol University Press.

Michael-Fox, Bethan; Coleclough, Sharon and Visser, Renske (2024). Introduction to Difficult Death, Dying and the Dead in Media and Culture. In: Coleclough, Sharon; Michael-Fox, Bethan and Visser, Renske eds. Difficult Death, Dying and the Dead in Media and Culture. Palgrave Macmillan, Cham, pp. 1–22.

Michael-Fox, Bethan and Visser, Renske (2024). Mrs Death Misses Death (Salena Godden, 2021) – Death as a Black Woman. In: Bronk-Bacon, Katarzyna and Bacon, Simon eds. Death in the 21st Century: A Companion. Genre Fiction and Film Companions, 12. Oxford, UK: Peter Lang Group AG, pp. 215–222.

Mombauer, Annika (2024). The Causes of the First World War: The Long Blame Game. Making History. Abingdon, UK: Routledge.

Mombauer, Annika and Stibbe, Matthew (2024). [Nekrolog] John C. G. Röhl (1938-2023). Historische Zeitschrift, 319(1) pp. 110–122.

Morales Tirado, Alba; Carvalho, Jason; Ratta, Marco; Uwasomba, Chukwudi; Mulholland, Paul; Barlow, Helen; Herbert, Trevor and Daga, Enrico (2024). Musical Meetups Knowledge Graph (MMKG): a collection of evidence for historical social network analysis. In: The Semantic Web. ESWC 2024. Lecture Notes in Computer Science, vol 14665 (Meroño Peñuela, Albert; Dimou, Anastasia; Troncy, Raphael; Hartig, Olaf; Acosta, Maribel; Alam, Mehwish; Paulheim, Heiko and Lisena, Pasquale eds.), Springer, Cham.

Moss, Eloise; Houghton, Frances; John, Kesewa; Kalayil, Sheena; Pooley, William; Sanders, Michael and White, Benjamin Thomas (2024). Social History Book Club: Zadie Smith, The Fraud. Social History, 49(2) pp. 225–239.

Murray, Andrew (2024). Philip the Bold’s Tomb: Sculptural Creativity within a Web of Networks. In: Cordez, Philippe ed. Art médiéval et médiévalisme. Passages Online (9). Heidelberg: Heidelberg University Publishing, pp. 155–179.

Murray, Andrew and Bradshaw, Alan (2024). Could commodities themselves speak? An Introduction to the Agnotology of the Spectacle. Environment and Planning D: Society and Space, 42(2) pp. 275–293.

Naja, Iman; Divin, Natalie; Coward, Sarah; Campbell, Siobhan; Benatti, Francesca and Antonini, Alessio (2024). Conversational Media for Inclusive Access to Mental Health Interventions for Schoolchildren. In: Proceedings of the 35th ACM Conference on Hypertext and Social Media, Association for Computing Machinery, New York, NY, USA, pp. 29–34.

O'Shea, Helen (2024). Politics of the Heart: In Conversation with Porty Pride. Scottish Affairs, 33(1) pp. 36–46.

O'Shea, Helen and Barker, Kim (2024). Guest Editorial. Scottish Affairs, 33(1) pp. 1–3.

Owens, W. R. (2024). ‘There you shall enjoy your friends again’: Bunyan’s Depiction of Heaven. In: Harris, J and Searle, A eds. The Puritan Literary Tradition. Oxford: Oxford University Press, pp. 180–195.

Perkins, P. and Warden, P. G. (2024). The Vicchio stele and Poggio Colla. Studi Etruschi, LXXXVII (In press).

Plassart, Anna (2024). Montesquieu, Smith and Burke on the ‘labouring poor’: An eighteenth-century debate. In: O'Flaherty, Niall and Mills, R.J.W. eds. Ideas of poverty in the Age of Enlightenment. Studies in early modern European history. Manchester, UK: Manchester University Press, pp. 128–147.

Plastow, Christine (2024). Towards Co-creation: Roles of Classics Academics in Modern Productions of Greek Tragedy. In: Bullen, David and Plastow, Christine eds. Greek Tragedy, Education, and Theatre Practices in the UK Classics Ecology. Classics In and Out of the Academy. London, UK: Routledge.

Plastow, Christine and Bullen, David (2024). Introducing the Classics Ecology. In: Bullen, David and Plastow, Christine eds. Greek Tragedy, Education, and Theatre Practices in the UK Classics Ecology. Classics In and Out of the Academy. London, UK: Routledge.

Probert, Thomas (2024). Convalescence and diversional therapy at the British Military Hospital in the Cameron Highlands. BMJ Military Health (Early access).

Robson, James (2024). Sex in Athens in the Fifth and Fourth Centuries BCE. In: Wiesner-Hanks, M. E. and Kuefler, M. eds. Sites of Knowledge and Practice. The Cambridge World History of Sexualities, 3. Cambridge: Cambridge University Press, pp. 1–26.

Rolston, Bill; Carter, Warren and Wiedel-Kaufmann, Ben (2024). ‘Digging where I stand’: Researching murals in the North of Ireland. An interview with Bill Rolston. Art & the Public Sphere, 13(1) pp. 79–93.

Rowland, David (2024). Performing simultaneous triplets and dotted rhythms in Schubert's piano music. In: Gardiner, Matthew and Martin, Christine eds. Schubert's Piano. Cambridge: Cambridge University Press, pp. 116–135.

Sargeant, Samuel (2024). Faith of their Fathers. A Saga of Iceland. London: Neem Tree Press.

Sharon, Coleclough; Michael-Fox, Bethan and Renske, Visser (2024). Conclusion to Difficult Death, Dying, and the Dead in Media and Culture. In: Michael-Fox, Bethan; Sharon, Coleclough and Renske, Visser eds. Difficult Death, Dying and the Dead in Media and Culture. Palgrave Macmillan, pp. 265–275.

Shaw, Samuel (2024). Art, Identity and Cosmopolitanism: William Rothenstein and the British Art World, c.1880–1935. Oxford, UK: Peter Lang Verlag.

Silverblank, Hannah and Ward, Marchella (2024). Monsters and Disability: The Violence of Interpreting Bodies in Aristotle and Homer. In: Felton, Debbie ed. The Oxford Handbook of Monsters in Classical Myth. Oxford: Oxford University Press, pp. 399–414.

Slight, John (2024). [Book Reviews] Journey in the Grand Sahara of Africa.. Middle Eastern Studies, 60(3) pp. 519–520.

Slight, John (2024). The Hajj and Colonial South Asia. In: Khan, Qaisra M. and Nassar, Nahla eds. Hajj and the Arts of Pilgrimage: Essays in Honour of Nasser David Khalili, Volume 2. London: GINGKO, pp. 283–306.

Sullivan, Emma (2024). [Book Review] Stand-up Comedy and Contemporary Feminisms, Sexism, Stereotypes and Structural Inequalities, by Ellie Tomsett. London: Bloomsbury, 2023, 261 pp. Comedy Studies, 15(1) pp. 130–132.

Sullivan, Emma (2024). Tim Renkow’s Jerk: Cringe Comedy, Disability and Political Correctness. Open Library of Humanities, 10(2)

Taylor, Clare (2024). Old blocks and modern papers: the enduring appeal of eighteenth-century wallpaper patterns. The Wallpaper History Review, 2024 pp. 55–58.

Taylor, Clare (2024). Musical instrument covers and their makers in eighteenth and nineteenth century Britain and Ireland. Galpin Society Journal, 77 pp. 138–142.

Taylor, Clare (2024). An authentic material? Gilt leather imitations in late nineteenth-century Britain. In: Post-prints of the 12th Interim Meeting of the ICOM-CC Leather and Related Materials Working Group, Cultural Heritage Agency of the Netherlands.

Thompson, Marie (2024). Mapping tinnitus. The Senses and Society, 19(1) pp. 44–66.

Thompson, Marie (2024). Introduction: The aesthetics of tinnitus. The Senses and Society, 19(1) pp. 1–2.

Tickell, Alex (2024). [Book review] The broken promise of infrastructure, by Dominic Davies, London, Lawrence Wishart, 2023. Journal of Postcolonial Writing, 60(6) pp. 880–881.

Tickell, Alex and Wetherilt, Anne (2024). Non-Alignment and Maoist China: Eastern Horizon in the Era of Decolonisation, 1960-1981. In: Finkelstein, David; Johnson, David and Davis, Caroline eds. The Edinburgh Companion to British Colonial Periodicals. Edinburgh Companions to Literature and the Humanities. Edinburgh, UK: Edinburgh University Press, pp. 446–462.

Toms, Judith and von Bechtolsheim, Mirjam (2024). Evocative Objects. Textile tools, weapons and armour in Early Iron Age Italian burials. Accordia Research Papers, 16 pp. 83–112.

Tsoumpra, Natalia (2024). Knights: Political Satire. In: Farmer, Matthew C. and Lefkowitz, Jeremy B. eds. A Companion to Aristophanes. Wiley, pp. 107–126.

van Wyk, Anna-Mart; Brunet, Luc-Andre and Karamouzi, Eirini eds. (2024). Special issue on New Histories of Anti-Nuclear Activism in Africa, The Thinker, 100(3)

Wadowski, Andrew; Hadfield, Andrew and Brown, Richard Danson (2024). "Bad Intro": Letter from the Editors. The Spenser Review, 54(1)

Walkington, Zoe; Pike, Graham and Campbell, Siobhan (2024). The Psychology of our Relationship with Fictional Villains. In: Literature Matters Conference, 4-6 Nov 2024, Open University, Online.

Watson, Róisín (2024). [Review of Exhibitions] Albrecht Dürer's Material World (Manchester, Whitworth Art Gallery, 30 June 2023–10 March 2024). Catalogue by Edward H. Wouk and Jennifer Spinks (eds.). Manchester: Manchester University Press, 2023. Renaissance Studies, 38(2) pp. 309–313.

Wells, Elizabeth (2024). ‘Ready to Fight Everybody’: The Rise and Fall of Pupil Insurgency in England’s Public Schools: 1768-1868. Doctor of Philosophy (PhD) thesis The Open University.

Wood, Carlton; Cook, Lynda and Clarke, Anactoria (2024). Supporting students effectively in an online teaching environment at the beginning of their student journey. Widening Participation and Lifelong Learning, 26(2) pp. 115–137.

Wright, Patrick (2024). I research the therapeutic qualities of writing about art - here are three steps for trying it yourself. The Conversation.

Wright, Patrick (2024). The Ekphrasis of Abstract Paintings through Oulipo and Other Critical Techniques. Writing in Practice, 10 pp. 99–113.

Wright, Patrick (2024). 'Cornelia Parker's Cold Dark Matter and the ekphrasis of grief'. In: We Need to Write About Art: Ekphrasis Now, 6 Jul 2024, Leeds Trinity University, Leeds, UK.

Wright, Patrick (2024). Ekphrasis outside the frame: towards a model of therapeutic nature writing'. In: National Association of Writers in Education Conference: Writing to Connect, 9 Nov 2024, Online.

Yamagata, Naoko (2024). ホメロスの世界観 : 『イリアス』におけるアテネとアポロンの対立を巡って [Homer's Cosmology: On the Rivalry between Athena and Apollo in the Iliad]. Propylaia, 30 pp. 1–24.

2023To Top

Antonini, Alessio and Benatti, Francesca eds. (2023). HT '23: Proceedings of the 34th ACM Conference on Hypertext and Social Media. Hypertext Conference Proceedings. New York: Association for Computing Machinery.

Brunet, Luc-André ed. (2023). NATO and the Strategic Defence Initiative: A Transatlantic History of the Star Wars Programme. Cold War History. Abingdon: Routledge.

Filonik, Jakub; Plastow, Christine and Zelnick-Abramovitz, Rachel eds. (2023). Citizenship in Antiquity: Civic Communities in the Ancient Mediterranean. Rewriting Antiquity. London: Routledge.

Johnson, David; Nieftagodien, Noor and Van der Walt, Lucien eds. (2023). Labour Struggles in Southern Africa, 1919-1949: New Perspectives on the Industrial and Commercial Workers’ Union (ICU). Johannesburg, South Africa: HSRC Press.

Jones, Richard J ed. (2023). Tobias Smollett after 300 years: life, writing, reputation. Eighteenth-Century Moments. US and UK: Clemson University Press in association with Liverpool University Press (In Press).

Umachandran, Mathura and Ward, Marchella eds. (2023). Critical Ancient World Studies: The Case for Forgetting Classics. Abingdon, UK: Routledge.

Wallis, Robert J. ed. (2023). The Art and Archaeology of Human Engagements with Birds of Prey: From Prehistory to the Present. London: Bloomsbury Publishing.

Antonini, Alessio; Adamou, Alessandro; Suarez Figueroa, Mari Carmen and Benatti, Francesca (2023). Experiential Observations: an Ontology Pattern-based Study on Capturing the Potential Content within Evidences of Experiences. Journal on Computing and Cultural Heritage, 16(3), article no. 58.

Antonini, Alessio; Bushnell, Megan; Ohge, Christopher; Benatti, Francesca; Adamou, Alessandro and Brooker, Sam (2023). Hypertext as Method: Reflections on Hypertext as Design Logic. In: HT '23: Proceedings of the 34th ACM Conference on Hypertext and Social Media, ACM, article no. 45.

Ashton-Lelliott, Beatrice; Parker Kinch, Debbie and Zadrozny, Sara (2023). Introduction Confinement: The Entrapped Individual in Victorian Writing. Victoriographies, 13(1) pp. 1–14.

Baker-Bates, Piers (2023). Constructing Sebastiano del Piombo: Pietro Aretino and the artistic landscape of Clementine Rome. Renaissance Studies (Early Access).

Barker, Elton; Konstantinidou, Kyriaki; Kiesling, Brady and Foka, Anna (2023). Journeying through Space and Time with Pausanias’s Description of Greece. Literary Geographies, 9(1) pp. 124–160.

Barker, Emma (2023). Woman in a Turban: Domenichino’s Sibyl, Staël’s Corinne and the Image of Female Genius. Word and Image, 39(2) pp. 235–259.

Barker, Emma (2023). The Virtuous Widow in Late Eighteenth-Century Art. In: Proceedings of the international conference: Figures of widows in the modern era (17th and 18th centuries): Images of an accepted, hidden, claimed social status? (Fesneau, Florence and Tauziède-Espariat, Maël eds.), Éditions du GRHAM, Paris, pp. 108–123.

Benatti, Francesca; Berube, Linda and Priego, Ernesto (2023). Web/Comics 2023: Webcomics and/as Hypertext. In: HT '23: Proceedings of the 34th ACM Conference on Hypertext and Social Media, ACM, article no. 49.

Benatti, Francesca; Vignale, François; Antonini, Alessio and King, Edmund (2023). Reading in Europe—Challenges and lessons learned from the case studies of the READ-IT project. Digital Scholarship in the Humanities, 38(2) pp. 477–481.

Benton, Tim (2023). Eileen Gray and Jean Badovici at Vézelay. Journal of Design History, 36(4) pp. 340–360.

Benton, Tim (2023). The painter Le Corbusier; Eileen Gray's villa E1027 and le Cabanon. Berlin: Birkhauser.

Blackburn, Manuella (2023). The representation of diversity in sample packs. In: NoiseFloor 2023, 12 May 2023, Staffordshire University.

Bridges, Emma (2023). Warriors' Wives: Ancient Greek Myth and Modern Experience. Oxford: Oxford University Press.

Brown, Richard Danson and Chaghafi, Elisabeth (2023). “Looke backe, who list”: Reassessing the 1611 Folio Text of Complaints. Spenser Review, 53(2)

Brunet, Luc-André (2023). Introduction: The Strategic Defence Initiative and the Atlantic Alliance in the 1980s. In: Brunet, Luc-André ed. NATO and the Strategic Defence Initiative: A Transatlantic History of the Star Wars Programme. Cold War History. London: Routledge, pp. 1–11.

Brunet, Luc-André (2023). Canada’s "Polite No" to SDI: A Question of Sovereignty? In: Brunet, Luc-André ed. NATO and the Strategic Defence Initiative: A Transatlantic History of the Star Wars Programme. Cold War History. London: Routledge, pp. 129–145.

Burrows, Donald (2023). Correcting the ‘grossest faults’: Charles Jennens and the Composition of Handel’s Messiah. Music & Letters, 104(4) pp. 533–566.

Burrows, Donald (2023). King George III and the ‘Smith Collection’ of Handel manuscripts. Early Music, 51(2) pp. 217–233.

Burton, Natalie (2023). Re-'Cycling' Poetry: Structure in the Twentieth-Century English Song Cycle. Doctor of Philosophy (PhD) thesis The Open University.

Cathcart, Charles (2023). John Marston’s Stationers, 1607–1633. The Review of English Studies, 74 pp. 274–289.

Cathcart, Charles (2023). Late Thomas Heywood and “insidiate”: Authorial Agency and The Second Part of the Theatre of God’s Judgements. The Papers of the Bibliographical Society of America, 117(2) pp. 173–213.

Cathcart, Charles (2023). Textual Transmission and the Enterprising Plagiarist: George Powell, The Treacherous Brothers, and The Dumb Knight. Renaissance Drama, 51(1) pp. 89–108.

Chaplin, Elayne and Chaplin, Melissa (2023). Unresolved – Narrative Strategies in an Unsolved True Crime: Depictions of the JonBenét Ramsey killing. In: Larke-Walsh, George S. ed. True Crime in American Media. Routledge Research in Cultural and Media Studies. Abingdon, Oxon: Routledge, pp. 83–97.

Charnley, Kim (2023). Introduction: Emancipatory technique, the Avant-Garde and 'Alter-Realism'. In: Roberts, John ed. Art and Emancipation. Historical Materialism (301). Leiden - Boston: Brill, pp. 1–22.

Clarke, Martin V. (2023). [Book review] Eftychia Papanikolaou and Markus Rathey, eds, Sacred and Secular Intersections in Music of the Long Nineteenth Century: Church, Stage, and Concert Hall (Lanham: Lexington Books, 2022). Nineteenth-Century Music Review, 20(2) pp. 438–442.

Coffey, Helen (2023). Civic and courtly dancing. Musikleben des Spätmittelalters in der Region Österreich, University of Vienna.

Daniel, Alistair (2023). Montreal, a novel and critical commentary exploring voice in fictional autobiography. Doctor of Philosophy (PhD) thesis The Open University.

De Ornellas, Kevin and Mac Cathmhaoill, Dónall (2023). “You’ll Get Old Sitting There”: Contempt for Aged Males in Three “Shakespearean” Works by Edward Bond. In: Kurdi, Mária ed. Negotiating Age: Aging and Ageism in Contemporary Literature and Theatre. Debrecen University Press and Sciendo, pp. 26–47.

Dohmen, Renate (2023). Urban Earthdivers and the Immodest Messiah as Decolonial Worldmakers. The Art of Kent Monkman. Archivo Papers. Journal of Photography and Visual Culture, 3(2) pp. 31–50.

Dohmen, Renate (2023). Miss Chief and the art of Decolonial Tease: The Mixedblood Urban Earthdiver and the Flâneur. Third Text

Doloughan, Fiona (2023). Radical Realism and Fictionality Modes in Contemporary Auto/Biographical Literature. In: Gibbons, Alison and King, Elizabeth eds. Reading the Contemporary Author: Narrative, Authority, Fictionality. Frontiers of Narrative. Lincoln, Nebraska: University of Nebraska Press, pp. 131–153.

Doloughan, Fiona J. (2023). Radical Realism, Autofictional Narratives and the Reinvention of the Novel. Anthem Frontiers of Global Political Economy and Development. London: Anthem Press.

Donington, Katie (2023). Whose Heritage? Slavery, Country Houses, and the “Culture Wars” in England. In: Conerman, Stephan; Rauhut, Claudia; Schneider, Ulrike and Zeuske, Michael eds. Cultural Heritage and Slavery: Perspectives from Europe. Dependency and Slavery Studies, 10. Berlin: De Grutyer, pp. 139–166.

Donington, Katie (2023). Cultivating the world: English country house gardens, 'exotic' plants and elite women collectors, c.1690-1800. In: Stobart, Jon ed. Global Goods and the Country House: Comparative Perspectives, 1650-1800. London: UCL Press, pp. 381–404.

Dooley, James (2023). GRAZpatterns. James Dooley.

Emmett, Bonnie (2023). Housing for Single Working Women in Inter-War London, 1919-1939. Doctor of Philosophy (PhD) thesis The Open University.

Filonik, Jakub; Plastow, Christine and Zelnick-Abramovitz, Rachel (2023). Citizenship in antiquity: current perspectives and challenges. In: Filonik, Jakub; Plastow, Christine and Zelnick-Abramovitz, Rachel eds. Citizenship in Antiquity: Civic Communities in the Ancient Mediterranean. Rewriting Antiquity. London: Routledge, pp. 1–22.

Foka, Anna; Barker, Elton; Konstantinidou, Kyriaki; Mostofian, Nasrin; Kiesling, Brady; Talatas, Linda; Cenk Demiroglu, O. and Palm, Kajsa (2023). A Digital Periegesis: Implementing Spatial Research Infrastructures for Classical History and Archaeology. In: Petrulevich, Alexandra and Skovgaard Boeck, Simon eds. Digital Spatial Infrastructures and Worldviews in Pre-Modern Societies. Collection Development, Cultural Heritage, and Digital Humanities - ARC. Leeds: ARC Humanities Press, pp. 205–223.

Fonnesberg-Schmidt, Iben; Kjaer, Lars and Kynan-Wilson, William (2023). In dialogue: responses to papal communication. Journal of Medieval History, 49(3) pp. 291–305.

Gibson, Jonathan (2023). Making the Memoirs: missing leaves in the manuscript of Lucy Hutchinson’s life of John Hutchinson. The Seventeenth Century, 38(3) pp. 403–412.

Golding, Rosemary (2023). [Book Review] Choral Treatises and Singing Societies in the Romantic Age. Journal of Historical Research in Music Education, 44(2) pp. 279–280.

Golding, Rosemary (2023). On the edges of society: the hidden musical cultures of nineteenth-century British lunatic asylums. In: Cortizo, Maria Encina and Nommick, Yvan eds. Between Centres and Peripheries: Music in Europe from the French Revolution to WWI. Turnhout: Brepols, pp. 323–342.

Green, Richard and Michael-Fox, Bethan (2023). Mortality, moral regulation, and (im)moral entrepreneurship in My Favorite Murder. Continuum: Journal of Media & Cultural Studies, 37(2) pp. 237–247.

Griffiths, Andrew (2023). [Book Review] Chris Dubbs, An Unladylike Profession: American Women War Correspondents in World War I. First World War Studies, 14(2-3) pp. 396–398.

Griffiths, Andrew (2023). Edmund O'Donovan in Asia and Africa: Literary Journalism at the Edge of Empire. In: Bak, John S. and Reynolds, Bill eds. The Routledge Companion to World Literary Journalism. Oxon, UK and New York, USA: Routledge, pp. 239–252.

Griffiths, Andrew (2023). War Correspondents. In: Demoor, Marysa; Van Dijck, Cedric and Van Puymbroek, Birgit eds. The Edinburgh Companion to First World War Periodicals. Edinburgh Companions to Literature and the Humanities. Edinburgh: Edinburgh University Press, pp. 175–189.

Murray, Andrew and Van den Maagdenberg, Joannes, eds. Communes and Conflict: Urban Rebellion in Late Medieval Flanders. By Jelle Haemers and Jan Dumolyn (2023). Leiden, Brill (2023).

Hamer, Laura and Minors, Helen Julia (2023). Introducing WMLON: The Women’s Musical Leadership Online Network. In: Cimardi, Linda and Nenić, Iva eds. Women’s Leadership in Music: Modes, Legacies, Alliances. Bielefeld: Transcript Verlag, pp. 141–152.

Harkcom, Tristan (2023). Wagnerian Wounds: Trauma and Wagner’s post-1849 Works. Doctor of Philosophy (PhD) thesis The Open University.

Haslam, Sara (2023). A New Era: Magic, Meaning, Memory and Modernism in Ford Madox Ford's Letters. In: Ford Madox Ford: at the dawn of an era, 9-10 Nov 2023, School of Arts and Humanities, University of Lisbon.

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Hogan, Edward (2023). Home Work. Manchester International Fiction Prize.

Hogan, Edward (2023). ‘Becky and the Rockettes: Attrition, Affect(ion), and (Ex)Change in the Fieldwork Relationship by Hannah Hernandez Gould, Independent Academic.’. In: European Network of Short Fiction Research Conference, Landscape and Temporality, 23-25 Oct 2023, University of Manchester, Machester, UK.

Hogan, Edward (2023). War Work. In: Melia, Joe ed. Bristol Short Story Prize Anthology. Bristol Short Story Prize Anthology, 16. Bristol: Tangent Books, pp. 97–105.

Houghton, Frances (2023). Under the ‘Best Possible Protection’? Violence and Medical Care in British Warships and Hospital Ships during the Second World War. Humanity: An International Journal of Human Rights, Humanitarianism, and Development, 14(3) pp. 420–434.

Hughes, Jessica (2023). Review of Salvatore Sorrentino, Nel silenzio il sussurro di una voce: L’itinerario spirituale di Bartolo Longo. Maria : A Journal of Marian Studies, 3(1) pp. 1–3.

Jack, Gillian (2023). Prostitution, repentance, and civic welfare in Renaissance Florence. In: Fehler, Timothy G. and Thomley, Jared B. eds. Do good unto all: Charity and poor relief across Christian Europe, 1400–1800. Studies in Early Modern European History. Manchester, UK: Manchester University Press, pp. 231–249.

Johnson, David (2023). The Romance and the Tragedy of the ICU. In: Johnson, David; Nieftagodien, Noor and Van der Walt, Lucien eds. Labour Struggles in Southern Africa, 1919-1949. New Perspectives on the Industrial and Commercial Workers’ Union (ICU). Johannesburg, South Africa: HSRC Press, pp. 181–194.

Johnson, David; Nieftagodien, Noor and Van der Walt, Lucien (2023). Introduction. In: Johnson, David; Nieftagodien, Noor and Van der Walt, Lucien eds. Labour Struggles in Southern Africa, 1919-1949. New Perspectives on the Industrial and Commercial Workers’ Union (ICU). Johannesburg, South Africa: HSRC Press, viii-xix.

Jones, Richard J (2023). Introduction [to Tobias Smollett after 300 years: life, writing, reputation]. In: Jones, Richard J ed. Tobias Smollett after 300 years: life, writing, reputation. US and UK: Clemson University Press in association with Liverpool University Press, pp. 1–17.

Jones, Richard J (2023). The life and adventures of Tobias Smollett. In: Jones, Richard J ed. Tobias Smollett after 300 years: life, writing, reputation. US and UK: Clemson University Press in association with Liverpool University Press, pp. 209–221.

Katritzky, M A (2023). The 'English Comedy' in Early Modern Europe: Migration, Emigration, Integration. In: Meerzon, Yana and Wilmer, S.E. eds. The Palgrave Handbook of Theatre and Migration. Palgrave Macmillan Cham, pp. 255–266.

Katritzky, M A and Drábek, Pavel (2023). ‘Aktorzy angielscy w Rzeczypospolitej w 1. połowie XVII w.’. In: Żukowski, Jacek ed. Triumfalna Harmonia. Teatr Władysława IV – eseje. Warsaw: The Royal Castle in Warsaw-Museum, pp. 286–315.

Katritzky, M. A. (2023). Shackshoone: the disabled non-European performative body in 17th-century London. In: Hengerer, Mark ed. Der Körper in der Frühen Neuzeit: Praktiken, Rituale, Performanz. Wolfenbütteler Arbeiten zur Barockforschung. Wiesbaden, Germany: Harrassowitz Verlag, pp. 323–344.

Katritzky, M. A. (2023). Don Quixote in 18th Century British Book Culture: Tobias Smollett and Francis Hayman. In: Jones, Richard J ed. Tobias Smollett After 300 Years: Life, Writing, Reputation. Eighteenth-Century Moments. Clemson SC: Clemson University Press, pp. 59–76.

Kawabata, Maiko (2023). The New “Yellow Peril” in “Western” European Symphony Orchestras. In: Bull, Anna and Scharff, Christina eds. Voices for Change in the Classical Music Profession: New Ideas for Tackling Inequalities and Exclusions. Oxford: Oxford University Press, pp. 159–171.

King, Catherine (2023). Female Patronage, Artistic. In: Klemettilä, Hannele ed. Medieval Studies, Routledge Resources Online. Routledge.

King, Edmund G. C. (2023). Networks. In: Demoor, Marysa; van Dijck, Cedric and Van Puymbroeck, Birgit eds. The Edinburgh Companion to First World War Periodicals. Edinburgh Companions to Literature and the Humanities. Edinburgh: Edinburgh University Press, pp. 32–50.

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Knight, Lania (2023). There Is Fire Here. Falmouth, UK: Signal 8 Press.

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Langley, Chris R. (2023). Clerical old age and the forming of rites of passage in early modern Scotland. Studies in Church History, 59 pp. 244–264.

Lawrence, Paul (2023). A Global History of Crime and Punishment in the Modern Age. In: Emsley, Clive and McDougall, Sara eds. A Global History of Crime and Punishment, Volume 6. London: Bloomsbury Academic.

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Michael-Fox, Bethan and Calver, Kay (2023). Dark Comedies/Dark Universities: Negotiating the Neoliberal Institution in British Satirical Comedies The History Man (1981), A Very Peculiar Practice (1986-1988) and Campus (2011). In: Harmes, Marcus K. and Scully, Richard eds. Academia and Higher Learning in Popular Culture. Palgrave Studies in Science and Popular Culture (PSSPC). Palgrave Macmillan, pp. 197–214.

Miller, Malcolm (2023). ‘A Place of Refuge in Your Arms’: Reizenstein’s Anna Kraus as Holocaust Opera. In: Miller, Malcolm and Hansen, Jutta Raab eds. Music and Exile. Yearbook of the Research Centre for German and Austrian Exile Studies, 22. Leiden, The Netherlands: Koninklijke Brill NV, pp. 168–191.

Miller, Malcolm and Hansen, Jutta Raab (2023). Introduction. Music and Exile: From 1933 to the Present Day. In: Miller, Malcolm and Hansen, Jutta Raab eds. Music and Exile. Yearbook of the Research Centre for German and Austrian Exile Studies, 22. Leiden, The Netherlands.: Koninklijke Brill NV, pp. 1–9.

Mulholland, Paul; Stoneman, Adam; Barker, Naomi; Maguire, Mark; Carvalho, Jason; Daga, Enrico and Warren, Paul (2023). The Sound of Paintings: Using Citizen Curation to Explore the Cross-Modal Personalization of Museum Experiences. In: UMAP '23 Adjunct: Adjunct Proceedings of the 31st ACM Conference on User Modeling, Adaptation and Personalization, ACM, pp. 408–418.

Murray, Andrew (2023). Tragedy and Pathosformeln: The Political Emotions of Huizinga’s Autumntide of the Middle Ages. Journal of the Northern Renaissance, 14

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O’Connor, Wanda (2023). Renovating the Open Field: Innovative Women Poets Reclaiming an Erasure History. In: Morris, Daniel ed. The Cambridge Companion to American Poetry and Politics since 1900. Cambridge Companions to Literature. Cambridge, UK: Cambridge University Press, pp. 242–260.

Parsons, Isabelle (2023). Flowers, Champagne, and Amputation in "The Men Who Saved the World," a War Story by Edith Wharton. Edith Wharton Review, 39(2) pp. 128–142.

Phillips, Claire (2023). “So They May be Usefull to Themselves”: Work and Apprenticeship in the Ackworth Branch Foundling Hospital, 1757–1773. Family & Community History, 25(3) pp. 219–233.

Plastow, Christine (2023). Places of citizenship in Athenian forensic oratory. In: Filonik, Jakub; Plastow, Christine and Zelnick-Abramovitz, Rachel eds. Citizenship in Antiquity: Civic Communities in the Ancient Mediterranean. Rewriting Antiquity. London: Routledge, pp. 355–368.

Pratt, Kim Emmerson (2023). Monster and Hero?: Rethinking Polyphemos and Odysseus in Homer’s Odyssey. Limina: A Journal of Historical and Cultural Studies, 28(2) pp. 31–42.

Pratt, Kim Emmerson (2023). Polyphemos’ Lament. Limina: A Journal of Historical and Cultural Studies, 28(2) pp. 67–68.

Reeve, Michael (2023). [Book review] Brothers in the Great War: siblings, masculinity and emotions, by Linda Maynard. First World War Studies, 14(1) pp. 189–191.

Richardson, Heather (2023). Stitching a Divided City. TEXTILE: Cloth and Culture, 21(1) pp. 90–95.

Richardson, Heather (2023). A Dress for Kathleen. Norwich: Story Machine.

Roberts, Barbara (2023). Amuletic Objects in Late Antique Italy and Sicily. Doctor of Philosophy (PhD) thesis The Open University.

Robinson, Joel (2023). The City on Display: Architecture Festivals and the Urban Commons. Routledge Research in Architecture Series. London: Routledge.

Robinson, Joel (2023). Biennial commoning: opening, reusing and sharing the city at the architecture festival. The Journal of Architecture, 28(1) pp. 75–100.

Robson, James (2023). Aristophanes: Lysistrata. Bloomsbury Ancient Comedy Companions. London: Bloomsbury Publishing.

Rothe, Ursula; Hamelink, Anique and Delferrière, Nicolas (2023). Roman Clavus Decoration on Gallic Dress: A Reevaluation Based on New Discoveries. American Journal of Archaeology, 127(4) pp. 545–562.

Ryland-Epton, Louise (2023). Parliament and the English County Magistrate: The Parliamentary Aspirations of Sir George Onesiphorus Paul 1780–1810. Parliamentary History, 42(2) pp. 213–233.

Sciampacone, Amanda (2023). "Invisible Destroyers": Cholera and COVID in British Visual Culture. In: Morton, Marsha and Akehurst, Ann-Marie eds. Visual Culture and Pandemic Disease since 1750: Capturing Contagion. Science and the Arts since 1750. New York: Routledge, pp. 137–156.

Seth, Catriona and Watson, Nicola J. eds. (2023) Materialising Romanticism. Romanticism on the Net # 80-91 (Spring-Fall 2023)

Thøfner, Margit (2023). Tasting God’s Wisdom: Music and Art in the Early Modern Lutheran Church. In: Mahler Kraaz, Sarah and De Mille, Charlotte eds. The Bloomsbury Handbook of Music and Art. Bloomsbury, pp. 9–24.

Tickell, Alex (2023). The Work of Art in the Age of Transnational Reproduction: Form and Intertextuality in Xiaolu Guo’s A Concise Chinese-English Dictionary for Lovers and A Lover’s Discourse. Studies in the Novel, 55(1) pp. 76–92.

Trott, V. (2023). Battles. In: Demoor, M.; Van Dijck, C. and Van Puymbroeck, B. eds. Edinburgh Companion To First World War Periodicals. Edinburgh Companions to Literature and the Humanities. Edinburgh, UK: Edinburgh University Press, pp. 227–243.

Trott, Vincent (2023). [Book Review] A history of American literature and culture of the First World War. First World War Studies, 14(1) pp. 213–215.

Wainwright, Leon (2023). Arte e aceitabilidade: alguns problemas suscitados pela visualização da escravidão caribenha através do modernismo. Africanidades. Online Journal of the Museo Afro-Brasileiro da Universidade Federal da Bahia (Mafro), 3

Wainwright, Leon (2023). Art et acceptabilité: Modernisme et difficultés de représentation de l'esclavage dans les Caraïbes. Africanidades. Online Journal of the Museo Afro-Brasileiro da Universidade Federal da Bahia (Mafro), 3

Wainwright, Leon (2023). Art and Acceptability: Some Problems of Visualising Caribbean Slavery through Modernism. Africanidades, 2(2) pp. 160–176.

Wainwright, Leon and Asquith, Wendy (2023). ‘Enfin le moment de célébrer? L’art des Caraïbes à la Biennale de Venise’
[A Moment to Celebrate? Art of the Caribbean at the Venice Biennale]. Faire Monde(s), 3 pp. 40–68.

Wakefield, Donna; McEvoy, Mel; Blackburn-Daniels, Sally and Campbell, Siobhan (2023). Tackling the NHS mental health crisis of working through the COVID-19 pandemic; pilot creative writing programme has potential to support wellbeing of recovering healthcare workers. Journal of the Royal College of Physicians of Edinburgh, 53(1) pp. 81–82.

Wallis, Robert J. (2023). Introduction - The Art and Archaeology of Human Engagements with Birds or Prey: From Prehistory to the Present. In: Wallis, Robert J. ed. The Art and Archaeology of Human Engagements with Birds or Prey: From Prehistory to the Present. London: Bloomsbury Publishing, pp. 1–10.

Wallis, Robert J. (2023). Relating to Raptors: The ‘upper part of a hawk’s head and beak’ in a Chalcolithic/Early Bronze Age ‘Beaker’ Grave, Driffield, East Yorkshire. In: Wallis, Robert J. ed. The Art and Archaeology of Human Engagements with Birds of Prey: From Prehistory to the Present. London: Bloomsbury Publishing, pp. 119–135.

Ward, Marchella (2023). Blindness and Spectatorship in Ancient and Modern Theatres: Towards New Ways of Looking and Looking Back. Classics after Antiquity. Cambridge, UK: Cambridge University Press.

Williams, Chris A (2023). Counting and Experiencing Crime in the Twentieth Century. In: Lawrence, Paul ed. A Global History of Crime and Punishment in the Modern Age. A Global History of Crime and Punishment, 6. London: Bloomsbury, pp. 23–45.

Woodall, Susan (2023). Material Setting and Reform Experience in English Institutions for Fallen Women, 1838-1910. Genders and Sexualities in History. Palgrave Macmillan.

Wright, Patrick (2023). Exit Strategy : Ekphrasis Through The Lens Of The Abstract And The Formless. Doctor of Philosophy (PhD) thesis The Open University.

Wright, Patrick (2023). Making Use of Reproductions for Creative Writing at a Distance. Writing in Education(89) pp. 49–52.

Wright, Patrick (2023). Form, formlessness and the lyric: Art as a lens for re-presenting loss. In: Great Writing Conference, 15-16 Jul 2023, University College London.

Wright, Patrick (2023). Making use of digital technologies for creative writing in lockdown. In: National Association of Writers in Education Conference: Living as a Writer, 12-13 Mar 2023, Online.

Yamagata, N. (2023). Thetis and the Shield of Achilles – Reading the Iliad with Auden. In: Paprocki, M; Vos, G. P. and Wright, D. J. eds. The Staying Power of Thetis: Allusion, Interaction, and Reception from Homer to the 21st Century. De Gruyter, pp. 395–410.

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Golding, Rosemary ed. (2022). Music in Nineteenth-Century Britain. Routledge Historical Resources. UK: Routledge.

Herbert, Trevor; Clarke, Martin V. and Barlow, Helen eds. (2022). A History of Welsh Music. Cambridge: Cambridge University Press.

Johnson, David and Dee, Henry eds. (2022). 'I See You': The Industrial and Commercial Workers' Union of Africa, 1919-1930. Southern African Historical Documents, 3 (4). Cape Town: Historical Publications Southern Africa.

Mosher, Michael and Plassart, Anna eds. (2022). A Cultural History of Democracy in the Age of Enlightenment. The Cultural Histories Series. London, UK: Bloomsbury Academic.

Swift, Laura ed. (2022). A Companion to Greek Lyric. Blackwell Companions to the Ancient World. Wiley-Blackwell.

Anderson, Stephen; Maclennan, Keith and Yamagata, Naoko (2022). Reading Homer: Iliad Books 16 and 18. The Joint Association of Classical Teachers' Greek Course: Reading Greek. Cambridge: Cambridge University Press.

Antonini, Alessio and Benatti, Francesca (2022). Cultural Challenges of DH Reflecting on DH Waves. In: Digital Humanities Congress 2022, 8-11 Sep 2022, Sheffield, UK.

Baker-Bates, Piers (2022). Spanish Painting: Recreating a Perceived ‘Golden Age’. In: Potter, Matthew C. ed. Representing the Past in the Art of the Long Nineteenth Century: Historicism, Postmodernism, and Internationalism. Routledge Research in Art History. Routledge, pp. 106–123.

Barker, Elton (2022). Die Another Day: Sarpedon, Aristodemos, and Homeric Intertextuality in Herodotus. Histos, Supplement(14) pp. 161–210.

Barlow, Helen (2022). The Celtic Revival. In: Herbert, Trevor; Clarke, Martin V. and Barlow, Helen eds. A History of Welsh Music. Cambridge: Cambridge University Press, pp. 171–194.

Barlow, Helen and Clarke, Martin V. (2022). Singing Welshness: Sport, Music and the Crowd. In: Herbert, Trevor; Clarke, Martin V. and Barlow, Helen eds. A History of Welsh Music. Cambridge: Cambridge University Press, pp. 332–354.

Beardmore, Carol (2022). Editorial. Family & Community History, 25(1) pp. 1–2.

Beardmore, Carol (2022). ‘This Man is Really an Intolerable Pest’: Perceptions and Treatment of the Disabled in the Workhouse, 1834–1900. Family & Community History, 25(2) pp. 121–139.

Beardmore, Carol Anne (2022). Death, Grief and the Victorian GP: A Case Study of Edward Wrench of Baslow, Derbyshire, 1862 - 1898. Midland History, 47(3) pp. 313–330.

Blackburn, Manuella (2022). Instruments INDIA sample pack. Loopmasters, UK.

Blackburn, Manuella; Coutinho, Kevin and Suviste, Hayley (2022). The Equality, Diversity and Inclusion Engagement Fellowship Pilot AHRC Funding Scheme Report 2020 - 2022. The Open University.

Blackburn, Manuella and Harkins, Paul (2022). Finding the Female Users: A Feminist Historiography of the Fairlight CMI. In: Rethinking the History of Technology-based Music, 9 Jun 2022, University of Huddersfield.

Blackburn-Daniels, Sally and G. C. King, Edmund (2022). Bookshelves, Social Media and Gaming. English Studies, 103(5) pp. 653–659.

Brooker, Sam; Antonini, Alessio; Benatti, Francesca and Ohge, Christopher (2022). Missed Connections: Hypertext and Book History. In: DH+BH: An Interdisciplinary Conference on Digital Humanities and Book History, 22-24 Sep 2022, Virtual.

Brown, Richard Danson (2022). Literature and Form in the Renaissance. In: Rabinowitz, Paula and Hadfield, Andrew eds. Oxford Research Encyclopedia of Literature. Oxfordre.com. Oxford & New York: Oxford University Press.

Butcher, John and Clarke, Anactoria (2022). ‘Part-time mature students and (the unexpected benefits of?) access to the arts’. In: Broadhead, Samantha ed. Access and Widening Participation in Arts Higher Education: Current Practice and Research. The Arts in Higher Education. Switzerland: Springer Nature - Palgrave Macmillan, pp. 119–139.

Carlin, Brendon Nikolas (2022). Non-typological Architecture: Deterritorialising Interiors in Contemporary Japan. Doctor of Philosophy (PhD) thesis The Open University.

Chambers, Helen (2022). The Torrens as a Space of Writing, Reading, and Performance. In: Liebich, Susann and Publicover, Laurence eds. Shipboard Literary Cultures: Reading, Writing, and Performing at Sea. Maritime Literature and Culture. Cham: Palgrave Macmillan, pp. 185–210.

Clark, Leah (2022). Merchant-banker, Diplomat, Courtier or Agent? Intermediaries and Collecting Art in the Renaissance Courts. In: Reist, Inge ed. When Michelangelo Was Modern: The Art Market and Collecting in Italy, 1450-1650. Studies in the History of Collecting & Art Markets, 14. Leiden: Brill, pp. 34–50.

Clark, Leah R. and Campbell, Caroline (2022). Exhibition and Display. In: Campbell, Erin J. and Miller, Stephanie R. eds. A Cultural History of Furniture in the Middle Ages and Renaissance. A Cultural History of Furniture, 2. London: Bloomsbury.

Clarke, Martin V. (2022). Moravian Soundscapes: A Sonic History of the Moravian Missions in Early Pennsylvania. By Sarah Justina Eyerly. Reading Religion Newsletter, 7(3-4)

Clarke, Martin V. (2022). A Brief History of Congregational Song: Shaping Theology through Hymn Compilations. In: Hawn, C. Michael ed. Sing with Understanding (Third Edition). Chicago: GIA, pp. 77–112.

Clarke, Martin V. (2022). Nonconformists and Their Music. In: Herbert, Trevor; Clarke, Martin V. and Barlow, Helen eds. A History of Welsh Music. Cambridge: Cambridge University Press, pp. 218–242.

Clarke, Martin V. and Hawn, C. Michael (2022). An Introduction to the Study of Congregational Song. In: Hawn, C. Michael ed. Sing with Understanding (Third Edition). Chicago: GIA, pp. 441–474.

Clarke, Martin V. and Howard, Beverly A. (2022). How Does a Hymn Mean? In: Hawn, C. Michael ed. Sing with Understanding - Third Edition. Chicago: GIA, pp. 49–76.

Clarke, Martin V. and Moore, Geoffrey C. (2022). "God in Three Persons, Blessed Trinity": Singing the Trinity. In: Hawn, C. Michael ed. Sing with Understanding (Third Edition). Chicago: GIA, pp. 277–286.

Coffey, Helen (2022). Music in Medieval Towns and Cities. Oxford University Press.

Crone, Rosalind (2022). Illiterate Inmates: Educating Criminals in Nineteenth-Century England. Oxford: Oxford University Press.

de Valk, Eva (2022). Acts of Terror: Representations of Terrorism on the Early Modern Stage. Doctor of Philosophy (PhD) thesis The Open University.

Doloughan, Fiona (2022). Literary Translingualism and Fiction. In: Kellman, Steven G. and Lvovich, Natasha eds. Routledge Handbook of Literary Translingualism. Routledge Literature Handbooks. Routledge, pp. 31–42.

Donington, Katie (2022). [Book Review] Blood Legacy: Reckoning with a Family’s History of Slavery by Alex Renton. Slavery & Abolition, 43(3) pp. 671–673.

Drott, Eric and Thompson, Marie (2022). "Is your baby getting enough music?" Musical interventions into gestational labor. Women and Music: a Journal of Gender and Culture, 26 pp. 125–147.

Dueck, Byron and Essele Essele, Kisito (2022). Authority, Deference, and Disregard in Catholic Liturgical Music in Central Cameroon. Ethnomusicology, 66(1) pp. 21–50.

Foka, Anna; Demiroglu, Osman Cenk; Barker, Elton; Mostofian, Nasrin; Konstantinidou, Kyriaki; Kiesling, Brady; Talatas, Linda and Palm, Kajsa (2022). Visualizing Pausanias’s Description of Greece with contemporary GIS. Digital Scholarship in the Humanities, 37(3) pp. 716–724.

Foka, Anna; Konstantinidou, Kyriaki; Talatas, Linda; Mostofian, Nasrin; Kiesling, John Brady; Barker, Elton; Demiroglu, Cenk O.; Palm, Kajsa; McMeekin, David and Vekselius, Johan (2022). Heritage metadata: a digital Periegesis. In: Koraljka, Golub and Ying-Hsang, Liu eds. Information and Knowledge Organisation in Digital Humanities: Global Perspectives. Routledge Research in Arts and Humanities. London: Routledge, pp. 227–242.

Gale, Michael (2022). [Book Review] Music, Dance, and Drama in Early Modern English Schools. Journal of Historical Research in Music Education, 44(1) pp. 122–124.

Garrett, Natalee (2022). ‘Albion's Queen by All Admir'd’: Reassessing the Public Reputation of Queen Charlotte, 1761‐1818. Journal for Eighteenth-Century Studies, 45(3) pp. 351–370.

Garrett, Natalee (2022). Royalty, Celebrity, and the Press in Georgian Britain, 1770-1820. Royal Studies Journal, 9(2) pp. 99–115.

Golding, Rosemary (2022). Music as Therapy for the "exceptionally wealthy" at the Nineteenth-Century Ticehurst Asylum. Royal Musical Association Research Chronicle, 53 pp. 51–72.

Golding, Rosemary (2022). Sounding the Archival Silence: Searching for Music in the Nineteenth-Century English Asylum. Social History of Medicine, 35(4) pp. 1223–1246.

Golding, Rosemary (2022). [Book review] The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century. Victorian Studies, 64(2) pp. 340–342.

Gupta, Suman (2022). Political Catchphrases and Contemporary History: A Critique of New Normals. Oxford: Oxford University Press.

Gupta, Suman and Gupta, Ayan-Yue (2022). “Resilience” as a policy keyword: Arts Council England and austerity. Policy Studies, 43(2) pp. 279–295.

Hack, Karl (2022). Grand Strategy and Its Layers: Britain and Southeast Asia, 1946–1954. In: Farrell, Brian P.; Long, S.R. Joey and Ulbrich, David J. eds. From Far East to Asia Pacific: Great Powers and Grand Strategy 1900-1954. De Gruyter Studies in Military History, 4. Berlin/Boston: De Gruyter Oldenbourg, pp. 183–214.

Hamer, Laura (2022). [Book Review] Review of Jeanice Brooks (ed.), Nadia Boulanger and Her World (Chicago: University of Chicago Press, 2020). Twentieth-Century Music, 19(1) pp. 159–165.

Haslam, Sara (2022). Losing and Finding Balance: Food as Fordian Diagnostic. Last Post: A literary journal from the Ford Madox Ford Society, 1(5) pp. 47–58.

Haslam, Sara (2022). Biography of a wartime 'miracle': women's literary caregiving 1914 to 1918. In: 3rd Joint GOTH-Health & Wellbeing NetWorkshop, 3 Feb 2022, Online.

Haslam, Sara (2022). The Hueffers and the Conrads in 1899. The Conradian, 47(1) pp. 66–75.

Haslam, Sara (2022). The Case of the Missing Cromwell: Ford Madox Ford, Art, Life and Letters in 1899. Last Post: A literary journal from the Ford Madox Ford Society, 1(8 & 9) pp. 57–85.

Hawn, C. Michael; Clarke, Martin V. and Howard, Beverly A. (2022). Christian Hymn: A Proposed Definition. In: Hawn, C. Michael ed. Sing with Understanding - Third Edition. Chicago: GIA, pp. 41–48.

Haywood, Jan and Post, Doris (2022). The downfall of Croesus and Oedipus: Tracing affinities between Herodotus’ Histories and Sophocles’ Oedipus Tyrannus. Classical World, 115(3) pp. 225–259.

Hazareesingh, Sandip (2022). Food Heritage for Sustainable Futures: Women's Cultures and Knowledge as Hidden Pillars of Alternative Foodways. In: Cross, Charlotte and Giblin, John D. eds. Critical Approaches to Heritage for Development. Rethinking Development. Abingdon, Oxon: Routledge, pp. 108–123.

Hogan, Edward (2022). Single Sit. In: Royle, Nicholas ed. Best British Short Stories 2022. Cromer, UK: Salt Publishing.

Holton, Stephanie (2022). Sleep and Dreams in Early Greek Thought: Presocratic and Hippocratic Approaches. Medicine and the Body in Antiquity. Abingdon, UK: Routledge.

Houghton, Frances (2022). ‘Alien Seamen’ or ‘Imperial Family’? Race, Belonging and British Sailors of Colour in the Royal Navy, 1939–47. The English Historical Review, 137(588) pp. 1429–1461.

Johnson, David (2022). ‘With the Abyssinian Armies, in Defence of Africa’s Only Native State’: Varieties of South African Anti-Fascism, 1930s–1960s. South African Historical Journal, 74(1) pp. 55–74.

Jones, Richard J (2022). ‘The pamphlet on the table’: The Life and Adventures of Sir Launcelot Greaves. In: Poplawski, Paul ed. Studying English Literature in Context. Cambridge: Cambridge University Press, pp. 183–198.

King, Catherine (2022). Women as patrons: 1500–1800. In: Lee, Sonya ed. Grove Art Online. Oxford University Press.

King, Edmund G. C. (2022). Unpacking the “Red Flag” Bookshelf: Negotiating Literary Value on Twitter. English Studies, 103(5) pp. 706–731.

King, Edmund G.C. (2022). From Common Reader to Canon: Memorialising the Shakespeare-Reading British Soldier during the First World War. In: King, Edmund G.C. and Smialkowska, Monika eds. Memorialising Shakespeare: Commemoration and Collective Identity, 1916-2016. Palgrave Shakespeare Studies. Basingstoke: Palgrave Macmillan, pp. 35–64.

King, Helen (2022). The body and botany: “the first step toward the brothel”. In: Santos Pinheiro, Cristina; Silva, Gabriel A. F.; Fonseca, Rui Carlos; Mota, Bernardo Machado and Pinheiro, Joaquim eds. Gynecia: Studies on Gynaecology in Ancient, Medieval and Early-modern Texts. Porto: Edições Afrontamento, pp. 11–26.

Knight, Lania (2022). Single-Track B-Road. Stroud, UK: Yew Tree Press.

Kolassa, Alexander (2022). ‘A crazy clutter of the mediaeval, medical mind’: Ken Russell, Peter Maxwell Davies, and Modernist Medievalism in The Devils. Journal of the Royal Musical Association, 147(1) pp. 135–170.

Kolassa, Alexander (2022). The medievalist origins of (British) modernist music. In: Falconieri, Tommaso di Carpegna; Savy, Pierre and Yawn, Lila eds. Middle Ages without Borders: an international conversation on medievalism. Rome: École française de Rome.

Kynan-Wilson, William (2022). [Book Review] Eivor Andersen Oftestad, The Lateran Church in Rome and the Ark of the Covenant: Housing the Holy Relics of Jerusalem. With an Edition and Translation of the Descriptio Lateranensis Ecclesiae (BAV Reg. Lat. 712). Woodbridge: Boydell & Brewer, 2019. Crusades, 21(1) pp. 178–179.

Langley, Chris R. (2022). Clergy widows in early modern Scotland. Scottish Church History, 51(2) pp. 111–132.

Lee, Peggy Kyoungwon; Oliveira, Pedro; Osman, Shanti Suki and Thompson, Marie (2022). A Conversation on Race, Sound, and the Im/possibility of Decolonised Listening. In: Ismaiel-Wendt, Johannes Salim and Schoon, Andi eds. Postcolonial Repercussions: On Sound Ontologies and Decolonised Listening. Sound Studies, 6. Bielefeld: transcript Verlag, pp. 45–58.

Lora-Wainwright, Anna; Wainwright, Leon and Loong, Shona (2022). British Chinese or British ESEA? Articulating creativity and care across scales and disciplines. British Journal of Chinese Studies, 12(1) pp. 138–142.

Lymberopoulou, Angeliki (2022). Heavenly Beings: Icons of the Orthodox Christian World. Auckland Art Gallery Toi O Tamaki, Auckland Art Gallery Toi O Tamaki.

Mac Cathmhaoill, Dónall (2022). Boundaries: Respecting Authenticating Limits in the Production of a Play on Trans Marginality. Platform: Journal of Theatre and Performing Arts, 16(1) pp. 111–117.

Mackie, Robin (2022). Succession and inheritance in Scottish business families, c.1875-1935. Business History, 64(1) pp. 55–74.

McPherson, Elaine; Clarke, Anactoria; Gallen, Anne-Marie; Keys, Mary and Wolf, Petra (2022). Improving gender balance through a Combined STEM degree. In: 15th Annual International Conference of Education, Research and Innovation, 7-9 Nov 2022, Seville, Spain.

Michael-Fox, Bethan (2022). [Book Review] Navigating miscarriage: social, medical and conceptual perspectives edited by Susie Kilshaw and Katie Berg. Mortality, 27(1) pp. 126–127.

Michael-Fox, Bethan (2022). [Book Review] Mediated Death by Johanna Sumiala, Cambridge, Polity Press, 2022. Mortality, 27(4) pp. 519–520.

Michael-Fox, Bethan (2022). Michael-Fox on Caswell, 'Dying Alone: Challenging Assumptions'. In H-Death, H-Net Reviews H-Death, H-Net Reviews.

Michael-Fox, Bethan (2022). [Book Review] Death in Contemporary Popular Culture edited by Adriana Teodorescu and Michael Hviid Jacobsen. Revenant: Critical and Creative Studies of the Supernatural, 8 pp. 422–424.

Michael-Fox, Bethan (2022). [Review] HEAR ME… Voices from a Care Home during the Covid 19 Pandemic by Anna Mankee-Williams and Ruth Heholt. The Revenant, 8 pp. 425–429.

Michael-Fox, Bethan (2022). [Book Review] Man-Eating Monsters: Anthropocentrism and Popular Culture by Dina Khapaeva (Editor). Revenant: Critical and Creative Studies of the Supernatural(8) pp. 430–432.

Michael-Fox, Bethan (2022). Practising Creative and Autobiographical Writing: Writing, Death and the Self. In: Richard, Povall and Mat, Osmond eds. Borrowed Time: on death, dying & change. Dartington: Art.Earth, pp. 325–338.

Michael-Fox, Bethan and Visser, Renske (2022). Death and the Screen: Editors’ Introduction. Revenant: Critical and Creative Studies of the Supernatural(8) pp. 7–19.

Michael-Fox, Bethan and Visser, Renske (2022). Death for Young Adult Audiences: Complexity, Complicity and Critique in Pretty Little Liars. Revenant: Critical and Creative Studies of the Supernatural(8) pp. 20–46.

Michael-Fox, Bethan and Visser, Renske (2022). Death and the Screen [Special Issue]. In Michael-Fox, Bethan and Visser, Renske eds. Revenant: Critical and Creative Studies of the Supernatural. Issue 8: Death and the Screen Revenant Journal: Issue 8.

Middle, Sarah (2022). Investigating Linked Data Usability for Ancient World Research. Doctor of Philosophy (PhD) thesis The Open University.

Mombauer, Annika (2022). Statesman of Europe: A Life of Sir Edward Grey [Book review]. Diplomacy & Statecraft, 33(2) pp. 406–407.

Mooney, James; Green, Owen and Williams, Sean (2022). Instrumental, Hermeneutic, and Ontological Indeterminacy in Hugh Davies’s Live Electronic Music. Contemporary Music Review, 41(2-3) pp. 193–215.

Murray, Andrew (2022). A Field of Invention: Fictive Frames in Van Eyck’s Portraits. In: Lecuppre-Desjardin, Elodie and Nils, Bock eds. Innovation and Medieval Communities (1200-1500). Turnhout: Brepols (In Press).

Murray, Andrew (2022). Mourning and Non-Ordered Religious Behaviour in the Tombs of Philip the Bold, John the Fearless and Margaret of Bavaria. Netherlands Yearbook for History of Art / Nederlands Kunsthistorisch Jaarboek, 72

Norrick-Rühl, Corinna and Towheed, Shafquat (2022). Introduction. In: Norrick-Rühl, Corinna and Towheed, Shafquat eds. Bookshelves in the Age of the COVID-19 Pandemic. New Directions in Book History. Cham: Palgrave Macmillan, pp. 1–27.

O'Shea, Helen (2022). Cultural histories, reproductive rights and collective remembering: Contemporary Ireland and Scotland in a post-Roe v. Wade world. Scottish Affairs, 31(4) pp. 473–479.

Perkins, Phil (2022). The bucchero from Poggio Colla. In: Gaucci, Andrea and Cappuccini, Luca eds. Officine e artigianato ceramic nei siti etruschi dell’Appennino tosco-emiliano tra VII e IV sec. a.C. Instituto Nazionale di Studi Etruschi ed Italici, 66. Rome: “L’Erma” di Bretschneider, pp. 363–383.

Plassart, Anna (2022). ‘The Scheme which Began the Calamities of Europe’: Scottish Writers on the First Polish Partition. In: Clure, Graham ed. Rousseau, Poland and Europe. Brill (In Press).

Plassart, Anna and Bonin, Hugo (2022). Democratic struggle or national uprising? The Canadian rebellions in British political thought, 1835–1840. Global Intellectual History, 7(1) pp. 28–46.

Plastow, Christine (2022). ASPECTS OF ATHENIAN COURT RHETORIC - (A.) Glazebrook Sexual Labor in the Athenian Courts. Pp. xviii + 246, ills, maps. Austin: University of Texas Press, 2021. Cased, US\$55. ISBN: 978-1-4773-2440-0. The Classical Review pp. 1–3.

Probert, Thomas (2022). Psychiatric casualties and the British counter-insurgency in Malaya. Small Wars & Insurgencies, 33(3) pp. 528–549.

Reeve, Michael (2022). Managing risk in the ‘danger zone’: Defensive infrastructure and public safety discourses on the north-east coast of England during the First World War. Coastal Studies & Society, 1(2-4) pp. 180–208.

Reeve, Michael (2022). [Book Review] Beyond Trawlertown: memory, life and legacy in the wake of the Cod Wars by Jo Byrne. International Journal of Regional and Local History, 17(2) pp. 115–116.

Richardson, Heather (2022). 'The Mermaid's Curse': Case Study of a Multimodal Work-in-Progress. Writing in Practice, 7 pp. 18–29.

Rowland, David (2022). Further Light on Clementi's 1807 Contract with Beethoven. In: Miller, Malcolm and Kinderman, William eds. Beethoven the European: Transcultural Contexts of Performance, Interpretation and Reception. Speculum Musicae (48). Turnhout: Brepols, pp. 203–216.

Sciampacone, Amanda (2022). The ‘Scourge of Modern Times’: Cholera, Race, and Empire in Early Nineteenth-Century British Illustrated Print Culture. Journal of Victorian Culture, 27(2) pp. 356–369.

Stevens, Amanda (2022). ‘Home on the Rails’: The design, fitting and decoration of train interiors in Britain c. 1920-1955. Doctor of Philosophy (PhD) thesis The Open University.

Sutton-Vane, Angie (2022). Debate: The preservation of police force records for future research—Why it is important, what is failing and lessons that can be learned. Public Money & Management, 42(1) pp. 8–9.

Swift, Laura (2022). Dramatic Lyric. In: Swift, Laura ed. A Companion to Greek Lyric. Wiley, pp. 377–388.

Thøfner, Margit (2022). Chalk and Cheese. Art History, 45(2) pp. 404–410.

Thøfner, Margit (2022). Why Giants? In: Verberckmoes, Johan ed. Zwierige Reuzen in de 18e eeuw en de Lierse ommegang van 1722. Lier: Gezellen van 't Groot Volk, pp. 18–35.

Tickell, Alex (2022). 1962’s Sino-Indian border war lasted four weeks – internment of India’s Chinese community lasted years. The Conversation.

Towheed, Shafquat (2022). An Examination of Bookshelves in the Age of the COVID-19 Pandemic as a “Liminal Space”. In: Norrick-Rühl, Corinna and Towheed, Shafquat eds. Bookshelves in the Age of the COVID-19 Pandemic. New Directions in Book History. Cham: Palgrave Macmillan, pp. 31–47.

Towheed, Shafquat; Antonini, Alessio; Benatti, Francesca and Brooker, Sam (2022). Reading Transmedia: Re-contextualising the Written Word in Popular Web-native Genres. In: SHARP 2022 – Power of the Written Word, 11-15 Jul 2022, Amsterdam, NL.

Trott, Vincent (2022). The Poetic Marketplace. In: Potter, Jane ed. A History of World War One Poetry. Cambridge: Cambridge University Press, pp. 19–34.

Vincent, David (2022). [Book Review] Katie Hindmarch-Watson. Serving a Wired World. London’s Telecommunications Workers and the Making of an Information Capital. The American Historical Review, 127(1) pp. 543–544.

Wainwright, Leon (2022). A New Paradigm, Moving on from Bakhtin. Journal of Festival Culture Inquiry and Analysis, 1(1) pp. 28–32.

Wainwright, Leon (2022). Taste and geographical movement in contemporary art of the Caribbean. Caribbean Intransit, 3(6) pp. 36–47.

Wainwright, Leon (2022). A suitable distance? Revisiting a millennial approach to curating art in the Caribbean. Art Journal, 81(3) pp. 39–52.

Wilding, Alexandra (2022). Reinventing the Amphiareion at Oropos. Mnemosyne Supplements, 445. Leiden: Brill.

Wright, Patrick (2022). Exploded form: Cornelia Parker's Cold Dark Matter. In: Contemporary Cultures of Writing, 15 Nov 2022, Online.

Wright, Patrick (2022). Framing Catastrophe: The Ekphrastic Prose Poem. In: Caldwell, Anne and Hardwick, Paul eds. Prose Poetry in Theory and Practice. London: Routledge, pp. 156–170.

Yamagata, Naoko (2022). Socrates the Homer-lover as portrayed in Plato, Xenophon and Aristophanes. Synthesis, 29(1), article no. e118.

Younger, Neil (2022). New Light on Henry Lanman, Owner of the Curtain. Early Theatre, 25(1) pp. 117–125.

Younger, Neil (2022). Religion and politics in Elizabethan England: The life of Sir Christopher Hatton. Politics, Culture and Society in Early Modern Britain. Manchester: Manchester University Press.

Ziegler, Molly (2022). [Book review]: Sandra Young, Shakespeare in the Global South: Stories of Oceans Crossed in Contemporary Adaptation. Scottish Journal of Performance, 7(1) pp. 99–103.

2021To Top

Hamer, Laura ed. (2021). The Cambridge Companion to Women in Music since 1900. Cambridge Companions. Cambridge: Cambridge University Press.

Hughes, Jessica ed. (2021). Material Religion in Pompeii. Open University: Open Arts Journal.

King, Edmund G.C. and Smialkowska, Monika eds. (2021). Memorialising Shakespeare: Commemoration and Collective Identity, 1916-2016. Palgrave Shakespeare Studies (PASHST). Basingstoke: Palgrave Macmillan.

Kynan-Wilson, William; Fonnesberg-Schmidt, Iben; Opitz-Trotman, Gesine and Lauge Christensen, Emil eds. (2021). The Papacy and Communication in the Central Middle Ages. London: Routledge.

Kynan-Wilson, William and Munns, J. M. eds. (2021). Henry of Blois: New Interpretations. Woodbridge: Boydell & Brewer.

Langley, Chris R.; McMillan, Catherine E. and Newton, Russell eds. (2021). The Clergy in Early Modern Scotland. St Andrews Studies in Scottish History, 9. Woodbridge: Boydell Press.

Wood, Paul; Wainwright, Leon and Harrison, Charles eds. (2021). Art in Theory: The West in the World - An Anthology of Changing Ideas. Art in Theory -- An Anthology of Changing Ideas. United States: Wiley-Blackwell.

Antonini, Alessio; Benatti, Francesca; Watson, Nicola; King, Edmund and Gibson, Jonathan (2021). Death and Transmediations: Manuscripts in the Age of Hypertext. In: HT '21: Proceedings of the 32nd ACM Conference on Hypertext and Social Media, Association for Computing Machinery, New York, NY, USA, pp. 17–26.

Antonini, Alessio; Suárez-Figueroa, Mari Carmen; Adamou, Alessandro; Benatti, Francesca; Vignale, François; Gravier, Guillaume and Lupi, Lucia (2021). Understanding the phenomenology of reading through modelling. Semantic Web Journal, 12(2) pp. 191–217.

Arts & Ideas Podcast (2021). New Thinking: Diverse Classical Music. BBC Radio 3.

Axioti, Eleni (2021). Architecture as an Apparatus of Governance: (British) Architecture from the Welfare State to the State of Neoliberal Workfare. Doctor of Philosophy (PhD) thesis The Open University.

Baker-Bates, Piers (2021). Portraying the Ideal Spanish Tridentine Prelate. In: Baker-Bates, Piers and Brooke, Irene eds. Portrait Cultures of the Early Modern Cardinal. Visual and Material Culture, 1300-1700. Amsterdam: Amsterdam University Press, pp. 343–370.

Baker-Bates, Piers and Brooke, Irene (2021). Portraying the Princes of the Church. In: Baker-Bates, Piers and Brooke, Irene eds. Portrait Cultures of the Early Modern Cardinal. Visual and Material Culture, 1300–1700. Amsterdam: Amsterdam University Press, pp. 21–42.

Barker, Elton (2021). On Space, Place, and Form in Herodotus’ Histories. Histos, 15 pp. 88–130.

Barker, Elton (2021). Geography. In: Baron, Christopher ed. The Herodotus Encyclopedia. John Wiley & Sons.

Barker, Elton and Christensen, Joel (2021). An epic Heracles. In: Ogden, Daniel ed. The Oxford Handbook of Heracles. Oxford Handbooks Online. Oxford: Oxford University Press, pp. 283–300.

Barker, Elton; Isaksen, Leif and O'Doherty, Marianne (2021). Introduction to the Pelagios special issue. International Journal of Humanities and Arts Computing, 15(1-2) pp. 1–4.

Barker, Naomi J (2021). Frescobaldi at the Ospedale di Santo Spirito: a portfolio career in seventeenth-century Rome. Early Music, 49(3) pp. 395–412.

Benatti, Francesca and Antonini, Alessio (2021). Into the Macroscope: Systematic integration of micro- and macro-scale study of digital reading. In: The 17th IGEL Conference, 23 Jun - 26 Jun 2021, University of Liverpool (Remote).

Benatti, Francesca; Gooding, Paul and Sillence, Matthew (2021). Learning Digital Humanities in a Community of Practice: the DEAR model of Postgraduate Research Training. Digital Humanities Quarterly, 15(3)

Benatti, Francesca; Norrick-Rühl, Corinna and Antonini, Alessio (2021). Reading Popular Culture Offline and Online: Outlining a Comparative Study of Reading Experiences Between Webcomics and Twenty-First Century Book Club Choices. In: 2nd International Conference of the European Association for Digital Humanities, 21-25 Sep 2021, Russia.

Benton, Tim (2021). Milieu, spirit, flesh and fusion in Le Corbusier’s life and work. ZARCH(17) pp. 12–41.

Betts, Eleanor (2021). [Book Review] Greg Woolf. The Life and Death of Ancient Cities: A Natural History (Oxford: Oxford University Press, 2020). European Journal of Archaeology, 24(4) pp. 559–562.

Blackburn, Manuella (2021). In Her Own Words: Practitioner Contribution 3. In: Laura, Hamer ed. The Cambridge Companion to Women in Music since 1900. Cambridge Companions. Cambridge University Press, pp. 228–234.

Bridges, Emma (2021). Small grants, big impact: The Institute of Classical Studies’ seed funding scheme for public engagement. Research for All, 5(2) pp. 290–301.

Bridges, Emma and Stead, Henry (2021). [Subject Review] Reception. Greece and Rome, 68(2) pp. 348–352.

Brunet, Luc-André (2021). [Book review] Mohammed Lakhdar Ghettas. Algeria and the Cold War: International Relations and the Struggle for Autonomy. The American Historical Review, 126(1) pp. 427–429.

Brunton, Deborah (2021). [Book Review] Michael Bennett, War Against Smallpox. Edward Jenner and the Global Spread of Vaccination. Social History of Medicine, 34(1) pp. 331–332.

Bullock, Emily (2021). Human Terrain. Reflex Fiction.

Burrows, Donald (2021). Handel’s singers from the London choirs. Early Music, 49(2) pp. 173–183.

Butcher, John and Clarke, Anactoria (2021). Widening HE participation in the arts: Impacts of an access module on learner preparedness. Arts and Humanities in Higher Education, 20(4) pp. 403–425.

Butler, Sarah (2021). Writing Home: An Exploration of The Writing of Jack and Bet (A Novel) And A Consideration of What the Novel – As A Space and A Practice – Might Offer to Our Understanding of The Concept of Home, And What A Consideration of Home Might Offer to Our Understanding of The Novel. Doctor of Philosophy (PhD) thesis The Open University.

Calver, Kay and Michael-Fox, Bethan (2021). Under pressure: representations of student suicide in British documentary television. Mortality, 26(4) pp. 376–393.

Calver, Kay and Michael-Fox, Bethan (2021). Constructing the university student in British documentary television. In: Brooks, Rachel and O'Shea, Sarah eds. Reimagining the Higher Education Student: Constructing and Contesting Identities. London: Routledge, pp. 151–168.

Campbell, Siobhan (2021). New Poetry | Filíocht Nua. New Hibernia Review, 25(2) pp. 76–88.

Cathcart, Charles (2021). A Source for the Satirised Vocabulary in Poetaster. Notes and Queries, 68(1) pp. 136–138.

Cathcart, Charles (2021). John Day and Edward Sharpham at the Black and White Friars. Medieval & Renaissance Drama in England, 34 pp. 19–40.

Charnley, Kim (2021). Sociopolitical Aesthetics: Art, Crisis and Neoliberalism. Radical Aesthetics-Radical Art. London: Bloomsbury Publishing.

Clarke, Anactoria (2021). Manti kakon: The Uncanny Prophecies of Calchas in the Iliad and Beyond. Preternature: Critical and Historical Studies on the Preternatural, 10(1) pp. 11–33.

Clarke, Martin V. (2021). Charles Wesley, Methodism and new art music in the long eighteenth century. Eighteenth-Century Music, 18(2) pp. 271–293.

Clarke, Martin V. (2021). Music. In: Barbeau, Jeffrey W. ed. The Cambridge Companion to British Romanticism and Religion. Cambridge Companions. Cambridge: Cambridge University Press, pp. 293–310.

Coffey, Helen (2021). Life as an Emperor's Musician. In Musikleben des Spätmittelalters in der Region Österreich Musikleben des Spätmittelalters in der Region Österreich.

Conway, David and Williams, Chris (2021). The role of trade unions in promoting wellbeing. In: Mental Health and Wellbeing Conference, 1-2 Dec 2021, The Open University, Milton Keynes, United Kingdom.

Crisp, Lindsay P. (2021). Breaking Down Colston: Destruction and transformation in London and Bristol. The Jugaad Project

Cui, Feng and Tickell, Alex (2021). Han Suyin: The little voice of decolonizing Asia. Journal of Postcolonial Writing, 57(2) pp. 147–153.

da Sousa Correa, Delia (2021). Fragmented Music, Fragmented Minds: Janet Frame's Faces in the Water (1961). In: Bernhart, Walter and Englund, Axel eds. Arts of Incompletion: Fragments in Words and Music. Word and Music Studies (18). Amsterdam: Brill.

De Ornellas, Kevin and Mac Cathmhaoill, Dónall (2021). Addressing the legacy of inter-communal violence through drama: mainstream theatre and community drama. Glencree Journal, 2021 pp. 164–174.

Dee, Ashley (2021). “A System of Maltreatment”: Marital Cruelty in Victorian Glasgow. Doctor of Philosophy (PhD) thesis The Open University.

Dooley, James and Hall, Simon (2021). MYtrOmbone: exploring gesture controlled live electronics in solo trombone performance. In: Proceedings of the International Computer Music Conference 2021 (Cádiz, Rodrigo F. ed.), International Computer Music Association, Inc., San Francisco, CA, pp. 23–26.

Fallas, Rebecca (2021). ‘Infertile’ and ‘sub-fertile’ semen in the Hippocratic Corpus and the biological works of Aristotle. In: Bradley, Mark; Leonard, Victoria and Totelin, Laurence eds. Bodily Fluids in Antiquity. Routledge, pp. 120–133.

Foka, Anna; McMeekin, David A.; Konstantinidou, Kyriaki; Mostofian, Nasrin; Barker, Elton; Demiroglu, O. Cenk; Chiew, Ethan; Kiesling, Brady and Talatas, Linda (2021). Mapping Ancient Heritage Narratives with Digital Tools. In: Champion, E. M. ed. Virtual Heritage: A Guide. London: Ubiquity Press, pp. 55–65.

Goh, Annie and Thompson, Marie (2021). Sonic Cyberfeminisms: Introduction. Feminist Review, 127(1) pp. 1–12.

Golding, Rosemary (2021). Music and Moral Management in the Nineteenth-Century English Lunatic Asylum. Mental Health in Historical Perspective, 1. Cham, Switzerland: Palgrave Macmillan.

Goodrich, Amanda (2021). [Book review] Ryan Hanley. Beyond Slavery and Abolition: Black British Writing, c. 1770–1830. The American Historical Review, 126(1) pp. 381–382.

Graham, Emma-Jayne (2021). At home with the Lares: lived religion rematerialised at Pompeii. Open Arts Journal, 10(2) pp. 33–50.

Graham, Emma-Jayne (2021). Interactional sensibilities: bringing ancient disability studies to its archaeological senses. In: Adams, Ellen ed. The Forgotten Other: Disability Studies and the Classical Body. Studies in Ancient Disabilities. Abingdon: Routledge, pp. 165–191.

Granieri, Niccolò; Dooley, James and Michailidis, Tychonas (2021). Retaining pianistic virtuosity in #MIs: Exploring pre-existing gestural nuances for live sound modulation through a comparative study. In: Hepworth-Sawyer, Russ; Paterson, Justin and Toulson, Rob eds. Innovation in Music: Future Opportunities. Abingdon, UK: Routledge.

Grell, Ole Peter (2021). [Book Review] Northern European Reformations: Transnational Perspectives. Edited by James E. Kelly, Henning Laugerud, and Salvador Ryan. Church History, 90(2) pp. 444–446.

Griffiths, Andrew (2021). Masculinity, Madness and Empire in Kipling’s ‘Thrown Away’ and ‘The Madness of Private Ortheris’. Journal of Victorian Culture, 26(4) pp. 552–567.

Gupta, Suman (2021). Procedural Democracy and Electronic Agents. AI Magazine, 42(1) pp. 30–38.

Gupta, Suman (2021). The University as a Political Site: 1968 and Now. European Review, 29(6) pp. 725–737.

Gupta, Suman and GRAF (2021). Brazil: the real dystopia project. Disjunctures, pandemics, and politics under Bolsonaro. Digithum(27) pp. 1–11.

Hack, Karl (2021). [Book Review] A Global History of Relocation in Counterinsurgency Warfare by Edward J. Erickson (ed.). Journal of Contemporary History, 56(4) pp. 1203–1205.

Hack, Karl (2021). The Malayan Emergency: Revolution and Counterinsurgency at the End of Empire. Cambridge Military Histories. Cambridge: Cambridge University Press.

Hamer, Laura (2021). 'Preface'. In: Hamer, Laura ed. The Cambridge Companion to Women in Music since 1900. Cambridge: Cambridge University Press, xxi-xxix.

Hamer, Laura (2021). 'On the Podium: Women Conductors'. In: Hamer, Laura ed. The Cambridge Companion to Women in Music since 1900. Cambridge: Cambridge University Press, pp. 64–79.

Haslam, Sara and King, Edmund G. C. (2021). “Medicinable Literature”: Bibliotherapy, Literary Caregiving, and the First World War. Literature and Medicine, 39(2) pp. 296–318.

Haywood, Jan (2021). The use(s) of inscriptions in Herodotus’ Histories. American Journal of Philology, 142(2) pp. 217–257.

Haywood, Jan (2021). Lade. In: Baron, Christopher ed. The Herodotus Encyclopedia. Wiley-Blackwell.

Hazareesingh, Sandip (2021). 'Our grandmother used to sing whilst weeding': Oral histories, millet food culture, and farming rituals among women smallholders in Ramanagara district, Karnataka. Modern Asian Studies, 55(3) pp. 938–972.

Hazareesingh, Sandip (2021). [Book review] Flachs, Andrew. Cultivating Knowledge: Biotechnology, Sustainability, and the Human Cost of Cotton Capitalism in India. The AAG Review of Books, 9(4) pp. 12–14.

Hobden, Fiona (2021). Travels with Odysseus and the Odyssey in twenty-first-century television documentaries. In: Potter, Amanda and Gardner, Hunter eds. Ancient Epic in Film and Television. Screening Antiquity. Edinburgh: Edinburgh University Press, pp. 135–151.

Hogan, Edward (2021). A Guide to Household Infestations. In O'Connor, Rebecca ed. The Moth The Moth, Milltown, IRL.

Howard, Patricia (2021). Guadagni in Handel’s London: the formation of a voice. Early Music, 49(2) pp. 195–210.

Hughes, Jessica (2021). Material religion and Pompeii: introduction. Open Arts Journal(10) pp. 3–12.

Kahn, Rebecca; Isaksen, Leif; Barker, Elton; Simon, Rainer; de Soto, Pau and Vitale, Valeria (2021). Pelagios – Connecting Histories of Place. Part II: From Community to Association. International Journal of Humanities and Arts Computing, 15(1-2) pp. 85–100.

Katritzky, M A (2021). William Hogarth and Book Illustration: Visualizing “Otherness” in pre-Victorian images of Shakespeare’s Caliban. In: Pietrini, Sandra ed. Shakespearean Characters Transposed: Iconography, Adaptations, Cultural Exchanges and Staging. L’immaginario teatrale, 1. Alessandria: Edizioni dell’Orso, 65-83 & 237-241.

Katritzky, M. A. (2021). William Hogarth (1697–1764) and book illustration I: Hudibras, Quixote and the Littlecote House murals. Theatralia, 24(1) pp. 313–356.

Katritzky, M. A. (2021). Unreliable Memories: Documenting the Scenography of the 1589 Florentine intermedi. European Medieval Drama, 25 pp. 239–281.

Katritzky, M. A. (2021). Generisches und spezifisches Anderssein: Shackshoone (1665–1680), Antonio Martinelli (1718–1740) und frühneuzeitliche Darstellungen von menschlichen Doppelfehlbildungen. In: Stolberg, Michael ed. Körper-Bilder in der Frühen Neuzeit: Kunst-, medizin- und mediengeschichtliche Perspektiven. Schriften des Historischen Kollegs Herausgegeben von Hartmut Leppin Kolloquien 107. Berlin/Boston: Walter de Gruyter GmbH, pp. 199–228.

King, Edmund and Smialkowska, Monika (2021). Introduction: Memorialising Shakespeare, Memorialising Ourselves. In: King, Edmund and Smialkowska, Monika eds. Memorialising Shakespeare: Commemoration and Collective Identity, 1916-2016. Palgrave Shakespeare Studies (PASHST). Basingstoke: Palgrave Macmillan, pp. 1–32.

King, Edmund G. C. (2021). [Book Review] Book Traces: Nineteenth-Century Readers and the Future of the Library, by Andrew M. Stauffer. Library & Information History, 37(2) pp. 186–187.

King, Helen (2021). Seeing the bigger picture: what is gynaecology for? Ágora: Estudos Clássicos em Debate, 23(1) pp. 17–48.

King, Helen (2021). A history of our own?: Using Classics in disability histories. In: Adams, Ellen ed. Disability Studies and the Classical Body: The Forgotten Other. Routledge Studies in Ancient Disabilities. London: Routledge, pp. 237–263.

King, Helen (2021). Opening the body of fluids: Taking in and pouring out in Renaissance readings of Classical women. In: Bradley, Mark; Leonard, Victoria and Totelin, Laurence eds. Bodily Fluids in Antiquity. London: Routledge, pp. 381–398.

King, Helen (2021). ‘Treating the Patient, Not Just the Disease’: Reading Ancient Medicine in Modern Holistic Medicine. In: Thumiger, Chiara ed. Holism in Ancient Medicine and its Reception. Leiden: Brill, pp. 402–424.

Kolassa, Alexander (2021). [Book Review] The Oxford Handbook of Music and Medievalism. Ed. by Stephen C. Meyer and Kirsten Yri. Music and Letters, 102(1) pp. 143–145.

Kolassa, Alexander (2021). Intertextuality and (modernist) medievalism in British post-war music. In: Kostka, Violetta; Castro, Paulo Ferreira de and Everett, William eds. Intertextuality in Music: Dialogic Composition. London: Routledge, pp. 114–128.

Kynan-Wilson, William (2021). Henry of Blois and the construction of Roman identity. In: Kynan-Wilson, William and Munns, J. M. eds. Henry of Blois: New Interpretations. Woodbridge: Boydell & Brewer, pp. 185–208.

Kynan-Wilson, William and Munns, J. M. (2021). Introduction: Approaches to Henry of Blois. In: Kynan-Wilson, William and Munns, J. M. eds. Henry of Blois: New Interpretations. Woodbridge: Boydell & Brewer, pp. 1–25.

Kyratsou, Chrysi; McNulty Burrows, Cathrinea; Nguyen, Hoa; Barry, Heather E. and Simones, Lilian (2021). [Editorial] Introducing the IMPACT Journal and its First Issue. International Modern Perspectives in Academia and Community Today(1)

Langley, Chris R. (2021). Parish Politics and Godly Agitation in Late Interregnum Scotland. Church History, 90(3) pp. 557–578.

Langley, Chris R. (2021). Anticlericalism in Early Modern Scotland? In: Langley, Chris R.; McMillan, Catherine E. and Newton, Russell eds. The Clergy in Early Modern Scotland. St Andrews Studies in Scottish History, 9. Woodbridge: Boydell Press, pp. 89–110.

Layton-Jones, Katy (2021). [Book Review] Greening the City: Nature in French Towns from the 17th Century. By Charles-François Mathis and Émilie-Anne Pepy. Urban History, 48(4) pp. 754–756.

Mackie, Robin (2021). [Book review] Müller (ed.), Scotland and Arbroath 1320–2020. 700 years of Fighting for Freedom, Sovereignty, and Independence. The Scottish Historical Review, 100(1) pp. 152–155.

Marsden, Richard (2021). Blaenau Gwent REACH Summary Report. Open University in Wales, Cardiff.

Marsden, Richard (2021). [Book Review] The First Scottish Enlightenment: Rebels, Priests and History. By Kelsey Jackson Williams. Scottish Historical Review, 100(2) pp. 293–295.

Marsden, Richard and Ford, Elizabeth (2021). Blaenau Gwent REACH Online Exhibition. The OU in Wales, Cardiff.

McEneaney, Sinead (2021). “Not picketing in front of bra factories...”: Marxism, feminism, and the Weather Underground. In: Phelps, Christopher and Vandome, Robin eds. Marxism and America: New Appraisals. Manchester: Manchester University Press.

Michael-Fox, Bethan and Coward-Gibbs, Matt (2021). Sexual Encounters Between the Living and the (Un) dead in Popular Culture. In: Gibson, Rebecca and Vanderveen, James M. eds. Gender, Supernatural Beings, and the Liminality of Death Monstrous Males/Fatal Females. New York: Rowman and Littlefield.

Michael-Fox, Bethan and Visser, Renske (2021). The Death Studies Podcast [Podcast]. The Death Studies Podcast.

Michell, Sophie (2021). Historical Infanticide Through An Interdisciplinary Lens. Postgraduate Research Poster Competition, The Open University.

Murray, Andrew (2021). Burgundian Sword Ritual: Charismatic and Regnal Authority at the Funeral of Philip the Good in Bruges, 1467. The Court Historian - The International Journal of Court Studies, 26(1) pp. 11–28.

Olney, Tom; Walker, Steve; Wood, Carlton and Clarke, Anactoria (2021). Are We Living in LA (P)LA Land? Reporting on the Practice of 30 STEM Tutors in Their Use of a Learning Analytics Implementation at The Open University. Journal of Learning Analytics, 8(3) pp. 45–59.

Parsons, Isabelle (2021). "You just stood there and watched": The Transformative Power of a Woman’s Withholding in Edith Wharton’s Sanctuary. Edith Wharton Review, 37(2) pp. 151–167.

Paul, Joanna (2021). In Search of the Lost City: The Enduring Absence of Pompeii. In: Geue, Tom and Giusti, Elena eds. Unspoken Rome: Absence in Latin Literature and its Reception. Cambridge: Cambridge University Press, pp. 250–269.

Paul, Joanna (2021). Afterword. In: Potter, Amanda and Gardner, Hunter eds. Ancient Epic in Film and Television. Edinburgh: Edinburgh University Press, pp. 233–239.

Perceval, Anna (2021). How might the study of the Brady Photographic Archive contribute to the understanding of the changing reception and use of vernacular photography in art history? Student dissertation for The Open University module A844 MA Art History part 2.

Perkins, Phil (2021). The Etruscan pithos revolution. In: Gleba, Margarita; Marín-Aguilera, Beatriz and Dimova, Bela eds. Making cities: Economies of production and urbanization in Mediterranean Europe, 1000–500 BC. McDonald Institute Conversations. Cambridge, UK: McDonald Institute for Archaeological Research, pp. 231–258.

Plassart, Anna (2021). [Book Review] Parliamentarism: From Burke to Weber. European Journal of Political Theory, 21(4) pp. 836–846.

Plassart, Anna (2021). “Sovereign of the Sea”: Adam Ferguson on Britain’s Empire. In: Brown, Michael and Hill, Jack A. eds. Adam Ferguson Unfurled: re-imagining the moral imperium. Aberdeen: Aberdeen University Press (In Press).

Plassart, Anna and Forbes, Suzanne (2021). La « nationalité » dans les discours parlementaires britanniques au XIXe siècle. Mots: Les langages du politique, 121 pp. 15–36.

Plassart, Anna and Mosher, Michael (2021). Introduction: A Cultural History of Democracy in the Age of Enlightenment. In: Plassart, Anna and Mosher, Michael eds. A Cultural History of Democracy in the Age of Enlightenment. London: Bloomsbury, pp. 1–16.

Plastow, Christine (2021). [Book review] Democratic Law in Classical Athens, written by Michael Gagarin. Polis: The Journal for Ancient Greek and Roman Political Thought, 38(2) pp. 332–335.

Post, Doris (2021). [Book Review] D. Kovacs Sophocles Oedipus the King: A New Verse Translation. Oxford: Oxford University Press, 2020. The Journal of Hellenic Studies, 141 pp. 251–252.

Post, Doris (2021). [Book Review] P.J. Finglass Sophocles (Greece and Rome New Surveys in the Classics 44). Cambridge: Cambridge University Press, 2019. The Journal of Hellenic Studies, 141 pp. 250–251.

Prescott, Lynda (2021). [Book review] Sarah Wasserman, The Death of Things: Ephemera and the American Novel. Literature & History, 30(1) pp. 97–99.

Reeve, Michael (2021). Bombardment, Public Safety and Resilience in English Coastal Communities during the First World War. Cham: Palgrave Macmillan.

Reeve, Michael (2021). ‘An Empire Dock’: Place Promotion and the Local Acculturation of Imperial Discourse in ‘Britain’s Third Port’. Northern History, 58(1) pp. 129–150.

Reeve, Michael (2021). ‘Are we downhearted? NO!’: representing war damage and destruction following bombardment on the First World War ‘home front’. Critical Military Studies, 7(4) pp. 397–417.

Reeve, Michael (2021). 'Something-to-smoke, at the right time, is a godsend': Voluntary Action and the Provision of Cigarettes to Soldiers during the First World War. In: Linch, Kevin and Lord, Matthew eds. Redcoats to Tommies: The Experience of the British Soldier from the Eighteenth Century. Boydell and Brewer.

Shaw, Samuel (2021). The Graphic’s ‘Heads of the People’ (1875-1883): Further Influences and Legacies. The Burlington Magazine, 163(1420) pp. 516–523.

Simones, Lilian (2021). Certificate for Music Educators Guidebook: Teaching Children and Young People. Routledge.

Steele, Matthew George (2021). The Conservation and Adaptation of Historic Anglican Churches in England for Secular Community Use and Continued Worship, Post‐1945. Doctor of Philosophy (PhD) thesis The Open University.

Sutton-Vane, Angela (2021). Investigating the Murder File: A Biographical Analysis of Creation, Survival and Impact. Doctor of Philosophy (PhD) thesis The Open University.

Swift, Laura (2021). Sappho and the Gods. In: Finglass, Patrick and Kelly, Adrian eds. The Cambridge Companion to Sappho. Cambridge Companions to Literature. Cambridge: Cambridge University Press, pp. 209–222.

Swift, Laura (2021). Negotiating hegemony in early Greek Poetry. In: Zucchetti, Emilio and Cimino, Anna Maria eds. Antonio Gramsci and the Ancient World. Routledge Monographs in Classical Studies. London: Routledge, pp. 44–62.

Tabony, Aiman (2021). The Ecological Superblock - Computational Ecology Principles in Urban Systems Design. Doctor of Philosophy (PhD) thesis The Open University.

Taylor, Clare and Richardson, Heather (2021). The Creative Interactions Project. Writing in Education, 84 pp. 58–62.

Taylor, Jack (2021). Against his will? Recovering male on male sexual violence in London, 1761-1861. Doctor of Philosophy (PhD) thesis The Open University.

Thompson, Marie (2021). ‘Your Womb, the Perfect Classroom’: Prenatal Sound Systems and Uterine Audiophilia. Feminist Review, 127(1) pp. 73–89.

Thøfner, Margit (2021). [Book Review] Northern European reformations. Transnational perspectives. Edited by James E. Kelly, Henning Laugerud and Salvador Ryan. Cham: Palgrave Macmillan, 2020. The Journal of Ecclesiastical History, 72(4) pp. 885–888.

Thøfner, Margit (2021). Of Elephants and Harmony: Memory, Knowledge and Pleasure in the Joyous Entry of Albert of Austria and Isabella of Spain into Antwerp. Cheiron - materiali e strumenti di aggiornamento storiografico(1) pp. 39–67.

Tickell, Alex (2021). Han Suyin’s Cold War fictions: Life-writing, intimacy, and decolonization. Journal of Postcolonial Writing, 57(2) pp. 241–254.

Vitale, Valeria; de Soto, Pau; Simon, Rainer; Barker, Elton; Isaksen, Leif and Kahn, Rebecca (2021). Pelagios – Connecting Histories of Place. Part I: Methods and Tools. International Journal of Humanities and Arts Computing, 15(1-2) pp. 5–32.

Wainwright, Leon (2021). The Parallax Effect. In: Westgeest, Helen and Zijlmans, Kitty eds. Mix and Stir: New Outlooks on Contemporary Art from Global Perspectives. Amsterdam: Valiz, with support of Mondriaan Fonds, Academy of Creative and Performing Arts (ACPA), University of the Arts, The Hague / Faculty of Humanities, Leiden University, pp. 347–352.

Wallis, Robert (2021). [Book review] The rock art landscapes of Rombalds Moor, West Yorkshire, by Vivien Deacon. Time and Mind, 14(4) pp. 547–548.

Wallis, Robert (2021). Reproduction, Simulation and the Hyperreal: A Case Study of 'Lascaux III'. In: Rozwadowski, Anrzej and Hampson, Jamie eds. Visual Culture and Identity: Using Rock Art to Reconnect Past and Present. Oxford: Archaeopress.

Wallis, Robert J. (2021). Hunters and shamans, sex and death: relational ontologies and the materiality of the Lascaux 'shaft-scene'. In: Moro Abadía, Oscar and Porr, Martin eds. Ontologies of Rock Art: Images, Relational Approaches and Indigenous Knowledge. Abingdon: Routledge, pp. 319–334.

Wallis, Robert J. and Carocci, Max (2021). Introduction to the Special Issue Art, Shamanism and Animism. Religions, 12(10), article no. e853.

Watson, Róisín (2021). Shells and Grottoes in Modern Germany. In: Bass, Marisa Anne; Goldgar, Anne; Grootenboer, Hanneke and Swan, Claudia eds. Conchophilia: Shells, Art, and Curiosity in Early Modern Europe. New Jersey, USA: Princeton University Press, pp. 127–154.

Wetherilt, Anne (2021). Emergency politics and the middlebrow novel: A comparative analysis of Han Suyin’s … and the Rain my Drink and Mary McMinnies’s The Flying Fox. Journal of Postcolonial Writing, 57(2) pp. 255–268.

Wilding, Alexandra (2021). [Book Review] Visual Approaches to the Gods of the Greeks - (E.) Simon The Gods of the Greeks. Translated by Jakob Zeyl. Edited by Alan Shapiro with a Foreword by Fritz Graf. Pp. xxviii + 440, ills, maps. Madison, WI and London: The University of Wisconsin Press, 2021 (originally published as Die Götter der Griechen, 1969). The Classical Review, 71(2) pp. 532–534.

Wilkinson, Louise J. and Wolfson, Sara J. (2021). Introduction: premodern queenship and diplomacy. Women's History Review, 30(5) pp. 713–722.

Winters, Ben (2021). 'Magic Fire': a Wagner Film with a Difference. The Wagner Journal, 15(3) pp. 11–22.

Winters, Ben (2021). Historical sound-film presentation and the closed-curtain roadshow overture. In: Cenciarelli, Carlo ed. The Oxford Handbook of Cinematic Listening. Oxford Handbooks. Oxford University Press.

Wright, Patrick (2021). The Ethics of Life Writing: Full Sight of Her. Writing in Education(83) pp. 73–75.

Wright, Patrick (2021). Ethics in life writing. In: National Association of Writers in Education Conference: What Next? Writing in Education and Communities in 2021 and Beyond, 12-13 Mar 2021, Online.

Yamagata, Naoko (2021). [Book Review] R. Gagné) and M. Herrero de Jáuregui (eds) Les dieux d’Homère 2: anthropo-morphismes (Kernos Supplement 33). Liège: Presses Universitaires de Liège, 2019. The Journal of Hellenic Studies, 141 pp. 243–244.

Ziegler, Molly (2021). ‘For Fear to Be Infect’: Reading the Female Body in Early Modern Revenge Drama. Journal of Early Modern Studies, 10 pp. 249–268.

2020To Top

Burrows, Donald; Coffey, Helen; Greenacombe, John and Hicks, Anthony eds. (2020). George Frideric Handel: Collected Documents, Volume 4. 1742-1750. Cambridge University Press.

Canova-Green, Marie-Claude and Wolfson, Sara eds. (2020). The wedding of Charles I and Henrietta Maria, 1625. Celebrations and controversy. European Festival Studies: 1450-1700 (EFS). Brepols Publishers.

da Sousa Correa, Delia ed. (2020). The Edinburgh Companion to Literature and Music. Edinburgh Companions to Literature and the Humanities. Edinburgh University Press.

Hutchison, David and Johnson, David eds. (2020). Stuart Hood: Twentieth-Century Partisan. Newcastle: Cambridge Scholars.

Langley, Chris R. ed. (2020). The National Covenant in Scotland, 1638-1689. Studies in Early Modern Cultural, Political and Social History, 37. Woodbridge: Boydell Press.

Lymberopoulou, Angeliki ed. (2020). Hell in the Byzantine World. A History of Art and Religion in Venetian Crete and the Eastern Mediterranean. Volume 1 Essays. Hell in the Byzantine World A History of Art and Religion in Venetian Crete and the Eastern Mediterranean, 1. Cambridge: Cambridge University Press.

Neale, Derek ed. (2020). Writing Talk: Interviews with writers about the creative process. London: Routledge.

Tickell, Alex and Ranasinha, Ruvani eds. (2020). Delhi: New Literatures of the Megacity. Abingdon: Routledge.

Alexiou, Katerina; Zamenopoulos, Theodore; Hale, Vera; West, Susie and de Sousa, Sophia (2020). Empowering design practices: exploring relations between architecture, faith, society and community. Open Arts Journal(9), article no. 5.

Antonini, Alessio; Benatti, Francesca and Blackburn-Daniels, Sally (2020). On Links To Be: Exercises in Style #2. In: 31st ACM Conference on Hypertext and Social Media (HT’20), 13-15 Jul 2020, Online, pp. 27–36.

Antonini, Alessio and Benatti, Francesca (2020). *ing the Written Word: Digital Humanities Methods for Book History. In: SHARP 2020: Power of the Written Word, 11-15 Jul 2020, Amsterdam.

Antonini, Alessio; Benatti, Francesca and King, Edmund (2020). Restoration and Repurposing of DH legacy projects: the UK-RED case. In: Book of Abstracts of DH2020.

Antonini, Alessio; Brooker, Sam and Benatti, Francesca (2020). Circuits, Cycles, Configurations: an Interaction Model of Web Comics. In: The 13th International Conference on Interactive Digital Storytelling, 3-6 Nov 2020, Bournemouth, UK.

Asquith, Wendy and Wainwright, Leon (2020). A moment to celebrate? Art of the Caribbean at the Venice Biennale. Journal of Curatorial Studies, 9(1) pp. 40–68.

Aylett, Samuel Paul Tobias (2020). The Museum of London 1976-2007: Reimagining Metropolitan Narratives in Postcolonial London. Doctor of Philosophy (PhD) thesis The Open University.

Barker, Elton (2020). What would Indy do? Resisting post-truth through the practice of annotation. In: Roosevelt, Chris ed. Spatial Webs: Mapping Anatolian Pasts for Research and the Public. ANAMEDD: Research Center for Anatolian Civilizations. Istanbul: Koç University Research Centre for Anatolian Civilizations, pp. 5–31.

Barker, Elton; Foka, Anna and Konstantinidou, Kyriaki (2020). Coding for the Many, Transforming Knowledge for All: Annotating Digital Documents. Publications of the Modern Language Association, 135(1) pp. 195–202.

Barker, Elton T. E. and Christensen, Joel P. (2020). Homer’s Thebes: Epic Rivalries and the Appropriation of Mythical Pasts. Hellenic Studies, 84. Harvard University Press.

Barker, Emma (2020). Envisioning Blindness in Eighteenth-Century Paris. Oxford Art Journal, 43(1) pp. 91–116.

Barlow, Helen (2020). ‘Praise the Lord! We are a musical nation’: the Welsh working classes and religious singing. Nineteenth-Century Music Review, 17(3) pp. 445–472.

Barlow, Helen and Herbert, Trevor (2020). Introduction - Listeners in music history: studying the evidence. Nineteenth-Century Music Review, 17(3) pp. 343–357.

Barlow, Helen and Herbert, Trevor eds. (2020) Nineteenth-Century Music Review (17) Special Issue 3: The Experience of Listening to Music in the Nineteenth Century, Cambridge University Press.

Barnes, Amy Jane (2020). Chinese Propaganda Posters at the British Library. Visual Resources, 36(2) pp. 124–147.

Barnes, Amy Jane (2020). 'Do the Chinese always smile?' Exhibiting the Cultural Revolution in Britain. In The Contemporary China Centre Blog Contemporary China Centre, University of Westminster.

Barnes, Amy Jane; Charnley, Kim; Dohmen, Renate and Lotz, Nicole (2020). Colonial histories, museum collections, FabLabs and community engagement: flows of practices, cultures and people – a roundtable. Open Arts Journal, 9 pp. 91–118.

Brown, Richard Danson (2020). Why at all Complain? "Bad" Poetry and Denatured Form in Spenser's Daphnaida. Spenser Studies, 34 pp. 77–110.

Brown, Richard Danson (2020). A. D. Cousins and Daniel Derrin, eds., Shakespeare and the Soliloquy in Early Modern English Drama. Spenser Review, 50(2), article no. 8.

Brunet, Luc-André (2020). 'A Bridge to Better Relations between London and Vichy': Jan Smuts, South Africa, and Commonwealth Diplomacy in the Second World War. In: Dubow, Saul and Drayton, Richard eds. Commonwealth History in the Twenty-First Century. Cambridge Imperial and Post-Colonial Studies Series (CIPCSS). Basingstoke: Palgrave Macmillan, pp. 251–269.

Bullock, Emily (2020). Inside the Beautiful Inside. Everything with Words.

Campbell, Siobhan (2020). Writing in a Time of Violence: Padraic Fiacc’s Demotic Aesthetic. PNReview, 46(4)

Campbell, Siobhan and Jensen, Meg (2020). Writing-based interventions: from Communities of Practice to Life Stories. Writing in Education(82) pp. 54–60.

Charlesworth, Amy and Begonia, Marissa (2020). 'Whose Housework, Whose Artwork? The Voice of Domestic Workers’. In: Deepwell, Katy ed. Feminist Art Activisms And Artivisms. Plural. Amsterdam: Valiz.

Charnley, Kim (2020). Art, design and modernity: the Bauhaus and beyond. Open Arts Journal, 9 pp. 43–56.

Clark, Leah R. (2020). The peregrinations of porcelain: The collections of Duchess Eleonora d’Aragona of Ferrara. Journal of the History of Collections, 32(2) pp. 275–288.

Clarke, Anactoria (2020). [Book Review] ‘Review of Hammond’s ‘Artemidorus: The Interpretation of Dreams’ and Thonemann’s ‘An Ancient Dream Manual: Artemidorus’ The Interpretation of Dreams’. Classics for All.

Clarke, Anactoria (2020). ‘Time and tide for no man wait’: Chiron’s qualities complicated in John Updike’s The Centaur’. New Classicists(3), article no. 2.

Clarke, Martin V. (2020). Hearing and Believing: Listening Experiences as Religious Experiences in Nineteenth-Century British Methodism. Nineteenth-Century Music Review, 17(3) pp. 381–402.

Clarke, Martin V. (2020). Churches and Devotional Practice. In: Watt, Paul; Collins, Sarah and Allis, Michael eds. The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century. Oxford: Oxford University Press.

Colclough, Stephen and King, Edmund G. C. (2020). Readers: Books and Biography. In: Eliot, Simon and Rose, Jonathan eds. A Companion to the History of the Book, 2nd. ed. Blackwell Companions to Literature and Culture, 1. Oxford: Wiley-Blackwell, pp. 157–171.

da Sousa Correa, Delia (2020). From 'the great Handel chorus' to 'wild passion and fancy': Listening to Handel and Purcell in The Mill on the Floss. 19: Interdisciplinary Studies in the Long Nineteenth Century(29), article no. 1934.

da Sousa Correa, Delia (2020). George Eliot, Schubert and the Cosmopolitan Music of Daniel Deronda. In: da Sousa Correa, Delia ed. The Edinburgh Companion to Literature and Music. Edinburgh: Edinburgh University Press, pp. 437–446.

da Sousa Correa, Delia (2020). Introduction: Part IV: Literature and Music in the Nineteenth Century. In: da Sousa Correa, Delia ed. The Edinburgh Companion to Literature and Music. Edinburgh University Press, pp. 383–394.

da Sousa Correa, Delia (2020). Introduction. In: da Sousa Correa, Delia ed. The Edinburgh Companion to Literature and Music. Edinburgh: Edinburgh University Press, pp. 1–15.

Dohmen, Renate (2020). The Artist as Postindian Warrior: Saviourism, Appropriation and Care in the Art of Kent Monkman. Journal of Global Studies and Contemporary Art, 7(1) pp. 409–442.

Dohmen, Renate (2020). Art, industry and the laws of nature: the South Kensington method revisited. Open Arts Journal(9) pp. 23–42.

Drábek, Pavel and Katritzky, M. A. (2020). Introduction. In: Katritzky, M. A. and Drábek, Pavel eds. Transnational Connections in Early Modern Theatre. Manchester: Manchester University Press, pp. 1–19.

Fear, Trevor (2020). The Role of Quintus Dellius in the meeting of Antony and Cleopatra at Tarsus. Phoenix, 74(1-2) pp. 91–99.

Foka, Anna; Barker, Elton; Konstantinidou, Kyriaki; Mostofian, Nasrin; Demiroglu, O. Cenk; Kiesling, Brady and Talatas, Linda (2020). Semantically geo-annotating an ancient Greek "travel guide" Itineraries, Chronotopes, Networks, and Linked Data. In: Proceedings of the 4th ACM SIGSPATIAL Workshop on Geospatial Humanities, ACM.

Gibson, Jonathan (2020). The Development of William Cecil's Italic Handwriting. Etudes Anglaises, 73(3) pp. 329–346.

Gibson, Jonathan and Coatalen, Guillaume (2020). Robert Cecil's Handwriting Advice to his Son. Etudes Anglaises, 73(3) pp. 313–328.

Golding, Rosemary (2020). ‘Appeasing the unstrung mental faculties’: listening to music in nineteenth-century lunatic asylums. Nineteenth-Century Music Review, 17(3) pp. 403–425.

Goodrich, Amanda (2020). The Two Henry Redhead Yorkes, radical to liberal: BAME presence in British Politics, 1790-1850. Journal of Liberal History(108) pp. 20–31.

Gouly, Daniel (2020). SoundCloud, Sampling and Sonic Experimentation: Knowledge Transmission in Hip-Hop’s Underground. Doctor of Philosophy (PhD) thesis The Open University.

Graham, Emma-Jayne (2020). Reassembling Religion in Roman Italy. Routledge.

Graham, Emma-Jayne (2020). Hand in hand: Rethinking anatomical votives as material things. In: Gasparini, V; Patzelt, M; Raja, R; Rieger, A-K; Rupke, J and Urciuoli, E eds. Lived Religion in the Ancient Mediterranean World: Approaching Religious Transformations from Archaeology, History and Classics. De Gruyter, pp. 209–236.

Graham, Emma-Jayne (2020). Mobility impairment: identifying lived experiences in Roman Italy. In: Laes, Christian ed. A Cultural History of Disability in Antiquity. London: Bloomsbury, pp. 31–45.

Granados-García, Paula Loreto (2020). Cultural Contact in Early Roman Spain through Linked Open Data. Doctor of Philosophy (PhD) thesis The Open University.

Greenhalgh, Claire Elizabeth (2020). The Depiction of Slavery in Ancient World Television Drama: Politics, Culture and Society. Doctor of Philosophy (PhD) thesis The Open University.

Gupta, Suman (2020). Digital India and the Poor: Policy, Technology and Society. Routledge.

Gupta, Suman; Allen, Richard; Schuller, Sebastian; Tu, Peter; Basu, Maitrayee; Gupta, Ayan-Yue; Durao, Fabio Akcelrud and Katsarska, Milena (2020). Social Analysis and the COVID-19 Crisis: A Collective Journal. Delhi and London: Routledge.

Gupta, Suman and Tu, Peter H (2020). What is Artificial Intelligence?: A Conversation between an AI Engineer and a Humanities Researcher. Singapore and London: World Scientific.

Hamer, Laura (2020). [Book Review] Paul Dukas, Composer and Critic. Music & Letters, 101(1) pp. 172–174.

Haslam, Sara (2020). The Other in Ford's Making: Elsie, Fiction and Collaboration. In: Brasme, Isabelle ed. Homo Duplex: Ford Madox Ford's Experience and Aesthetics of Alterity. Present Perfect. Montpelier, France: PULM, pp. 21–42.

Haslam, Sara (2020). Reading, Trauma and Literary Caregiving 1914-1918: Helen Mary Gaskell and the War Library. Journal of Medical Humanities, 41 pp. 305–321.

Haywood, Jan (2020). Alice Oswald's Memorial, a new Iliad. In: Silva, Maria de Fátima; Bouvier, David and Augusto, Maria das Graças eds. A Special Model of Classical Reception: Summaries and Short Narratives. Newcastle upon Tyne: Cambridge Scholars Publishing, pp. 73–90.

Hazareesingh, Sandip (2020). 'I remember when it used to rain well and we could trust the weather'. Women's stories of changing farming lives in southern India. Open University, Milton Keynes, UK.

Herbert, Trevor (2020). Public Military Music and the Promotion of Patriotism in the British Provinces, c. 1780-c. 1850. Nineteenth-Century Music Review, 17(3) pp. 427–444.

Hobden, Fiona (2020). Xenophon. Ancients in Action. London: Bloomsbury Academic.

Hobden, Fiona (2020). Making leaders great again? Xenophon on leadership. Omnibus, 79

Hobden, Fiona and Potter, Amanda (2020). Redirecting the gaze: the woman and the gladiator on television in the twenty-first century. New Voices in Classical Reception Studies. Conference Proceedings Volume Two, article no. 3.

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Hope, Valerie (2020). Octavia: a Roman mother in mourning. In: Sharrock, Alison and Keith, Alison eds. Maternal conceptions in classical literature and philosophy. University of Toronto Press.

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Johnson, David (2020). Stuart Hood’s search for community: Novels beyond the nation. In: Hutchison, David and Johnson, David eds. Stuart Hood, Twentieth-Century Partisan. Newcastle: Cambridge Scholars, pp. 207–224.

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Katritzky, M. A. (2020). London and The Hague, 1638: Performing quacks at court. In: Katritzky, M. A. and Drábek, Pavel eds. Transnational Connections in Early Modern Theatre. Manchester: Manchester University Press, pp. 114–138.

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King, Helen (2020). Hippocrates Now: The 'Father of Medicine' in the Internet Age. Bloomsbury Studies in Classical Reception. London: Bloomsbury.

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Kolassa, Alexander (2020). Hail the Nightmare: Music, Sound, and Materiality in Bloodborne. The Soundtrack, 11(1-2) pp. 23–38.

Langley, Chris R. (2020). Cultures of Care: Domestic Welfare, Discipline and the Church of Scotland, c. 1600–1689. St Andrews Studies in Reformation History. Leiden: Brill.

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Lymberopoulou, Angeliki (2020). The five senses in Hell. Material religion, 16(3) pp. 364–367.

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2019To Top

Archibald, Zosia and Haywood, Jan eds. (2019). The Power of Individual and Community in Ancient Athens and Beyond. Swansea: The Classical Press of Wales.

Katritzky, M. A. and Drábek, Pavel eds. (2019). Transnational Connections in Early Modern Theatre. Manchester: Manchester University Press.

Tickell, Alex ed. (2019). The Novel in South and South East Asia since 1945. The Oxford History of the Novel in English, 10. Oxford: Oxford University Press.

Adamou, Alessandro; Brown, Simon; Barlow, Helen; Allocca, Carlo and d’Aquin, Mathieu (2019). Crowdsourcing Linked Data on listening experiences through reuse and enhancement of library data. International Journal on Digital Libraries, 20(1) pp. 61–79.

Allen, Gemma (2019). The Rise of the Ambassadress: English Ambassadorial Wives and Early Modern Diplomatic Culture. The Historical Journal, 62(3) pp. 617–638.

Antonini, Alessio; Benatti, Francesca; King, Edmund; François, Vignale and Guillaume, Gravier (2019). Modelling Changes in Diaries, Correspondence and Authors’ Libraries to support research on reading: the READ-IT approach. In: Open Data and Ontologies for Cultural Heritage (ODOCH'19), 3 - Jun -2019, Rome, Italy.

Archibald, Zosia and Haywood, Jan (2019). Preface. In: Archibald, Zosia and Haywood, Jan eds. The Power of Individual and Community in Ancient Athens and Beyond. Swansea: The Classical Press of Wales, ix-xxvii.

Baker-Bates, Piers (2019). Establishing Spanish Cultural Identities at Rome (1516–1598). Hispanic Research Journal, 19(5) pp. 461–480.

Barker, Elton; Simon, Rainer; Vitale, Valeria; Kahn, Rebecca and Isaksen, Leif (2019). Revisiting Linking Early Geospatial Documents with Recogito. e-Perimetron, 14(3) pp. 150–163.

Barker, Naomi J. (2019). The Italian Keyboard Toccata c. 1615-1650: A Repository for Oral Compositional Practices. Royal Musical Association Research Chronicle, 50(1) pp. 1–28.

Barker, Naomi J. (2019). Mottos and Metaphors: Towards an Interpretation of the Emblems in Frescobaldi’s Primo libro d’arie musicali. Journal of Seventeenth-Century Music, 25(1)

Barlow, Helen (2019). Progress and tradition: listening to the singing of the Welsh c.1870 to c.1920. In: Barlow, Helen and Rowland, David eds. The experience of listening to music: methodologies, identities, histories. The Open University.

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Barnes, Amy Jane (2019). Producing a Pop-Up Exhibition: Part 2 – selecting images and writing accessible text. EAMENA.

Barnes, Amy Jane (2019). ‘Knock Down the Gang of Four!’: caricatures in the British Library’s collection of post-1949 Chinese posters. In The Language of Authoritarian Regimes University of Sheffield; Birkbeck University.

Benatti, Francesca (2019). Young Ireland and the Superannuated Bard: Rewriting Thomas Moore in The Nation. In: McCleave, Sarah and O'Hanlon, Triona eds. The Reputations of Thomas Moore: Poetry, Music, and Politics. Poetry and Song in the Age of Revolution. New York and London: Routledge, pp. 214–234.

Benatti, Francesca (2019). Superhero comics and the digital communications circuit: a case study of Strong Female Protagonist. Journal of Graphic Novels and Comics, 10(3) pp. 306–319.

Benatti, Francesca; Gooding, Paul and Sillence, Matthew (2019). Developing a Community of Practice: The CHASE Model for Digital Humanities Researcher Training. In: Digital Humanities Conference 2019: Complexities, 9-12 Jul 2019, Utrecht, the Netherlands.

Benzan, Carla (2019). Coming to Life at the Sacro Monte of Varallo: the sacred image al vivo in post-Tridentine Italy. In: Balfe, Thomas; Woodall, Joanna and Zittel, Claus eds. Ad Vivum: visual materials and the vocabulary of life-likeness in Europe before 1800. Intersections: Interdisciplinary studies in early modern culture (61). Leiden: Brill, pp. 224–246.

Blackburn, Manuella (2019). Editorial: Borrowing, quotation, sampling and plundering. Organised Sound, 24(02) pp. 115–120.

Blackburn, Manuella (2019). The Terminology of Borrowing. Organised Sound, 24(02) pp. 139–156.

Brock, Michelle D. and Langley, Chris R. (2019). Mapping the Scottish Reformation: Tracing Careers of the Scottish Clergy, 1560-1689. International Review of Scottish Studies, 44 pp. 27–34.

Brown, Richard Danson (2019). The art of The Faerie Queene. The Manchester Spenser. Manchester: Manchester University Press.

Brown, Richard Danson (2019). Three Poems in Spenserian Poetry: 'Merlin's Mirror', 'Faerie Queene Palimpsest', 'Figures of Speech'. Spenser Review, 49(3), article no. 2.

Brown, Richard Danson (2019). Caring to turn back: overhearing Spenser in Donne. In: Ryzhik, Yulia ed. Spenser and Donne: Thinking Poets. The Manchester Spenser, 1. Manchester: Manchester University Press, pp. 13–31.

Brown, Richard Danson (2019). Wise wights in privy places: rhyme and stanza form in Spenser and Chaucer. In: Stenner, Rachel; Badcoe, Tamsin and Griffith, Gareth eds. Rereading Chaucer and Spenser: Dan Geffrey with the New Poete. The Manchester Spenser. Manchester: Manchester University Press, pp. 113–136.

Brown, Richard Danson; Berry, Craig A.; Hadfield, Andrew and Grogan, Jane (2019). Editorial Introduction: Creative Responses to Spenser; Spenserian Poetry. Spenser Review, 49(3), article no. 1.

Brunet, Luc-André (2019). Unhelpful Fixer? Canada, the Euromissile Crisis, and Pierre Trudeau’s Peace Initiative, 1983-84. International History Review, 41(6) pp. 1145–1167.

Bullock, Emily (2019). Portfolio of short stories: 2015-2019. (Various Publishers).

Butcher, John; Clarke, Anactoria; Wood, Carlton; McPherson, Elaine and Fowle, Wendy (2019). How does a STEM Access module prepare adult learners to succeed in undergraduate science? Journal of Further and Higher Education, 43(9) pp. 1271–1283.

Campbell, Siobhan (2019). ‘Bygone canon, bygone spleen’: Richard Murphy as a conflict poet in The Battle of Aughrim. In: Keatinge, Benjamin ed. Making Integral: Critical essays on Richard Murphy. Cork, ROI: Cork University Press, pp. 111–126.

Campbell, Siobhan (2019). ‘Bygone canon, bygone spleen’: Richard Murphy as a conflict poet in The Battle of Aughrim. In: Keatinge, Benjamin ed. Making Integral: Critical essays on Richard Murphy. Cork University Press, pp. 111–126.

Carter, Warren (2019). The Slow Fuse of the Revolutionary Mural: Diego Rivera, Historical Revisionism and Poststructuralism. Acta Academiae Artium Vilnensis, 94 pp. 39–59.

Cathcart, Charles (2019). Alexander Grosart, ‘The First True Gentleman That Ever Breathed’, and the Independent Scholar. English: Journal of the English Association, 68(262) pp. 264–282.

Cathcart, Charles (2019). ‘Heavens Tones’ and ‘Tones of Heaven’ in Antonio’s Revenge and What You Will. Notes and Queries, 66(3) pp. 469–473.

Cathcart, Charles (2019). Du Bartas’ Semaines and John Marston’s The Malcontent. Notes and Queries, 66(4) pp. 515–519.

Cathcart, Charles (2019). The Insatiate Countess, William Barksted’s Hiren, the Fair Greek, and the Children of the King’s Revels. Early Theatre, 22(1) pp. 119–140.

Clark, Leah R. (2019). Artefacts. In: Buono, Amy and Dupré, Sven eds. A Cultural History of Color in the Renaissance. A Cultural History of Color, vol. 3. London: Bloomsbury.

Clark, Leah R. (2019). The Politics of Acquisition: Venetian Objects in Italian Courtly Collections, ca. 1475-1525. In: Cordez, Philippe and Schnitz-Esser, Romedio eds. Typical Venice? Venetian Commodities, 13th-16th Centuries. Turnhout: Brepols.

Clark, Leah R. (2019). Representing the World: Collecting and Display in the Renaissance and Today. In: Galdy, Andrea ed. Collecting and Museology. Cambridge: Cambridge Scholars Publishing.

Clarke, Anactoria (2019). The Jewel of Seven Stars - Bram Stoker. In The Literary Encyclopaedia The Literary Dictionary Company Limited.

Clarke, Martin V. (2019). [Book Review] Wesley Hymns. Wesley and Methodist Studies, 11(2) pp. 222–224.

Clarke, Martin V. (2019). ‘O Lord, open thou our lips’: listeners’ experiences of BBC Radio 3’s Choral Evensong on The New Radio 3 Forum. In: Barlow, Helen and Rowland, David eds. The Experience of Listening to Music: Methodologies, Identities, Histories. Milton Keynes: The Open University.

Clarke, Martin V. (2019). “Come, all you people”: Lutheran Influences on the Spread of Global Hymnody. In: Schildt, Maria; Lundberg, Mattias and Lundblad, Jonas eds. Celebrating Lutheran Music: Scholarly Perspectives at the Quincentenary. Studia musicologica Upsaliensia. Uppsala: Acta Universitatis Upsaliensis, pp. 337–350.

Coffey, Helen (2019). Music and ceremony in Maximilian's Innsbruck. Musikleben des Spätmittelalters in der Region Österreich.

Cradduck, Lucinda (2019). Spirituality in the Music of Edmund Rubbra. Doctor of Philosophy (PhD) thesis The Open University.

Di Donato, Balandino; Dooley, James and Coccioli, Lamberto (2019). HarpCI, Empowering Performers to Control and Transform Harp Sounds in Live Performance. Contemporary Music Review, 38(6) pp. 667–686.

Dohmen, Renate (2019). Counter-Epistemologies of the Global South: Indian Floor Drawings Re-envisaged. South Asian Popular Culture, 16(2-3) pp. 235–244.

Doloughan, Fiona (2019). The problematics and performance of self-translation: The case of Xiaolu Guo. In: Bennett, Karen and Queiroz de Barros, Rita eds. Hybrid Englishes and the challenge of and for translation: Identity, mobility and language change. Routledge Advances in Translation and Interpreting, 1. New York: Routledge, pp. 21–36.

Donington, Katie (2019). The bonds of family: Slavery, commerce and culture in the British Atlantic. Studies in Imperialism. Manchester: Manchester University Press.

Donington, Katie (2019). Relics of empire: Colonialism and culture wars. In: Ward, Stuart and Rasch, Astrid eds. Embers of Empire in Brexit Britain. London: Bloomsbury, pp. 121–132.

Donnachie, Ian (2019). ‘We must give them an education, large, liberal and comprehensive’. Catherine Vale Whitwell: teacher, artist, author, feminist and Owenite communitarian. Women's History Review, 28(4) pp. 552–565.

Donnachie, Ian (2019). Catherine Vale Whitwell (1789-1873), educationist and communitarian. In Oxford Dictionary of National Biography Oxford Dictionary of National Biography, OUP.

Dueck, Byron (2019). Powwow and Indigenous Modernities: Traditional Music, Public Education, and Child Welfare. In: Levine, Victoria Lindsay and Robinson, Dylan eds. Music and Modernity Among First Peoples of North America. Wesleyan University Press, pp. 158–173.

Emsley, Clive (2019). British Police in Postwar Vienna: Chasing the Real Harry Lime. History Today, 69(2) pp. 40–53.

Faire, Lucy and McHugh, Denise (2019). Twelve shades of grey: encountering urban colour in the street in British provincial towns, c. 1945–1970. Urban History, 46(2) pp. 288–308.

Garrard, Nicholas James Havelock (2019). An Exploration of Four Sixteenth-Century Artefacts from St Helen's Ranworth: Conformity, Decency, Moderation and Memory in the Post-Reformation era. Doctor of Philosophy (PhD) thesis The Open University.

Golding, Rosemary (2019). Music and Mass Education: Cultivation or Control? In: Collins, Sarah ed. Music and Victorian Liberalism: Composing the Liberal Subject. Cambridge University Press, pp. 60–80.

Goodrich, Amanda (2019). Henry Redhead Yorke, Colonial Radical: Politics and Identity in the Atlantic World, 1772-1813. The Enlightenment World, 33. London and New York: Taylor & Francis, Routledge.

Graham, Emma-Jayne (2019). Pilgrimage, mobile behaviours and the creation of religious place in early Roman Latium. In: Kuuliala, Jenni and Rantala, Jussi eds. Travel, Pilgrimage and Social Interaction from Antiquity to the Middle Ages. Routledge, pp. 15–36.

Griffiths, Andrew (2019). An Anglo-American Encounter in Africa: Henry M. Stanley in Abyssinia, 1868. In: Griffiths, Andrew; Alves, Audrey and Trindade, Alice eds. Literary Journalism and Africa's Wars: Colonial, Decolonial and Postcolonial Perspectives. ReportAGES. Nancy, France: Presses Universitaires de Nancy.

Gupta, Suman (2019). Indian student protests and the nationalist–neoliberal nexus. Postcolonial Studies, 22(1) pp. 1–15.

Gupta, Suman (2019). Creative writing programmes and patronage. British Journal of Educational Studies, 67(3) pp. 321–336.

Gupta, Suman and Chattarji, Subarno (2019). Protests, Repression, Restructuring: Contemplating Indian Higher Education in 2018. Postcolonial Studies, 22(1) pp. 117–130.

Hack, Karl (2019). Unfinished Decolonisation and Globalisation. Journal of Imperial and Commonwealth History, 47(5) pp. 818–850.

Hack, Karl (2019). We Meet Again: Britain and Singapore 1945-1946. In: Koh, Tommy and Wightman, Scott eds. 200 years of Singapore and the United Kingdom. Singapore: Straits Times Press, pp. 118–125.

Hamer, Laura (2019). Women on the Podium: Issues and Strategies of Women Orchestral Conductors. Estudios bandísticos, 3(1) pp. 21–39.

Hamer, Laura (2019). Critiquing the Canon: The Role of Criticism in Canon Formation. In: Dingle, Christopher ed. The Cambridge History of Music Criticism. The Cambridge History of Music. Cambridge University Press, pp. 231–248.

Hamer, Laura (2019). The Gender Paradox: Criticism of Women and Women as Critics. In: Dingle, Christopher ed. The Cambridge History of Music Criticism. The Cambridge History of Music. Cambridge University Press, pp. 272–290.

Hamer, Laura (2019). A Cultural Formation: Paul Dukas and Elsa Barraine. In: Minors, Helen Julia and Watson, Laura eds. Paul Dukas: Legacies of a French Musician. Abingdon and New York: Routledge, pp. 131–149.

Harlow, Nicky (2019). When I am Laid in Earth: a novel, and critical commentary investigating ‘Evocations of the Gothic: Creating “The Great Wrong Place’ and Material Evidence in Contemporary Crime Fiction. Doctor of Philosophy (PhD) thesis The Open University.

Harrison, Jill (2019). Fresh Perspectives on Hugo van der Goes’ Portrait of Margaret of Denmark and the Trinity Altarpiece. The Court Historian, 24(2) pp. 120–137.

Haslam, Sara (2019). Ford Studies in the Twenty-first Century: Bibliography, Criticism and the Gaps on the Map. In: Haslam, Sara; Colombino, Laura and O'Malley, Seamus eds. The Routledge Companion to Ford Madox Ford. Routledge, pp. 1–22.

Haslam, Sara and Saunders, Max (2019). Ford's Letters. In: Haslam, Sara; Colombino, Laura and O'Malley, Seamus eds. The Routledge Research Companion to Ford Madox Ford. Routledge, pp. 25–38.

Haslam, Sara; Saunders, Max and Skinner, Paul (2019). Editing Ford. In: Haslam, Sara; Colombino, Laura and O'Malley, Seamus eds. The Routledge Research Companion to Ford Madox Ford. Routledge, pp. 441–460.

Herbert, Trevor (2019). Solo and ensemble brass instrument recordings. Early Music, 47(2) pp. 277–280.

Hobden, Fiona (2019). Spartacus: Blood and Sand (STARZ, 2010): a necessary fiction? In: van Helden, Daniël and Witcher, Robert eds. Researching the Archaeological Past through Imagined Narratives: A Necessary Fiction. Routledge Studies in Archaeology. Abingdon, Oxon: Routledge, pp. 238–254.

Hope, Valerie M. (2019). An Emperor's Tears: the significance of the mourning of the Julio-Claudian emperors. Thersites: Journal for Transcultural Presences and Diachronic identities from antiquity to date, 9 pp. 117–146.

Hughes, Jessica (2019). Tiny and Fragmented Votive Offerings from Classical Antiquity. In: Martin, S. Rebecca and Langin-Hooper, Stephanie M. eds. The Tiny and the Fragmented : Miniature, Broken, or Otherwise Incomplete Objects in the Ancient World. Oxford: Oxford University Press, pp. 48–71.

Jensen, Meg and Campbell, Siobhan (2019). Negotiated Truths and Iterative Practice: The Women in Conflict Expressive Life Writing Project. In: Douglas, Kate and Barnwell, Ashley eds. Research Methods for Auto/Biography Studies. Routledge Auto/Biography Studies. Routledge, pp. 115–129.

Johnson, David (2019). An Interview with Ania Loomba and Suvir Kaul. Wasafiri, 34(1) pp. 52–57.

Johnson, David (2019). Dreaming of Freedom in South Africa: Literature between Critique and Utopia. Edinburgh: Edinburgh University Press.

Johnson, Liz; Dooley, James; Hurst, Dane and McNeill, Jack (2019). Scintilla for dancer, clarinet and live electronics. Sound and Music.

Moohan, Elaine and Elliott, Kenneth, eds. Complete Works (Musica Scotica vol. 8). By Robert Johnson . Glasgow, Musica Scotica (2019).

Jones, Richard J. (2019). The eighteenth-century review journal as allegory: Smollett’s Critical Review and the work of criticism. The Eighteenth Century: Theory and Interpretation, 60(1) pp. 45–63.

Katritzky, M. A. (2019). Stefanelo Botarga and Zan Ganassa: Textual and visual records of a musical commedia dell’arte duo, in and beyond early modern Iberia. Music in Art, 44 pp. 83–104.

King, Catherine (2019). The Special Value of Precarious Patrons: Lucrezia Agliardi and the Tradition of Italian Laywomen Church Builders. Early Modern Women: An Interdisciplinary Journal, 13(2)

King, Edmund G. C. (2019). [Book Review] John Kerrigan, Shakespeare's Originality. Spenser Review, 49(3), article no. 13.

King, Edmund G. C.; Parmar, Maya and Towheed, Shafquat (2019). Reusing Historical Questionnaire Data and Using Newly Commissioned Oral History Interviews as Evidence in the History of Reading. Participations: Journal of Audience & Reception Studies, 16(1) pp. 530–553.

King, Helen (2019). Reflection: Phrontis: The Patient Meets the Text. In: Adamson, Peter ed. Health: A History. Oxford University Press, pp. 95–102.

Kynan-Wilson, William (2019). Play and performance in Ottoman costume albums. In: Boyar, Ebru and Fleet, Kate eds. Entertainment among the Ottomans. Leiden: Brill, pp. 62–89.

Kynan-Wilson, William (2019). The Origins of Orientalism: A Plurality of Orients and Occidents (c.1500-1800). In: Greenwood, William and de Guise, Lucien eds. Inspired by the East: How the Islamic World Influenced Western Art. London: British Museum, pp. 32–43.

Kynan-Wilson, William (2019). Looking East catalogue entries. In: Greenwood, William and de Guise, Lucien eds. Inspired by the East: How the Islamic World Influenced Western Art. London: British Museum, pp. 112–135.

Lawrence, Paul (2019). Historical Criminology and the Explanatory Power of the Past. Criminology and Criminal Justice, 19(4) pp. 493–511.

Lee, Catherine and Logan, Anne (2019). Women’s agency, activism and organisation. Women's History Review, 28(6) pp. 831–834.

Lloyd, Mair E. and Robson, James (2019). Staying the distance: transforming Latin pedagogy at the Open University. Journal of Latin Linguistics, 18(1-2) pp. 101–128.

Lymberopoulou, Angeliki (2019). Domenikos Theotokopoulos and Ancient Greek Art. In: Assimakopoulou, Ianthi ed. Echoes of Antiquity in the Oeuvre of Domenikos Theotokopoulos. Heraklion: Municipality of Heraklion, pp. 15–36.

Lymberopoulou, Angeliki (2019). Palaiologan art from regional Crete: Artistic decline or social progress? In: Late Byzantium Reconsidered The Arts of the Palaiologan Era in the Mediterranean (Mattiello, Andrea and Rossi, Maria Alessia eds.), Routledge (Taylor & Francis Group), London and New York, pp. 132–155.

Marsden, Richard (2019). National histories and national identities: Brexit and devolution, past and future. OpenTALKS History Lecture, Open University.

McBride, Terence (2019). Scottishness and ‘foreigners’: the role of a developing Scottish ‘machinery of government’ before 1939. Historical Research, 92(256) pp. 410–431.

McEneaney, Sinead (2019). Home Sweet Home? Housing Activism and Political Commemoration in Sixties Ireland. History Workshop Journal, 87(1) pp. 5–26.

McKellar, Elizabeth (2019). All roof, no wall: Peter Boston, A-frames, and the Primitive Hut in Twentieth-century British Architecture c. 1890-1970. Architectural History, 62 pp. 237–269.

Michael, Bethan (2019). The Return of the Dead: Fears and Anxieties Surrounding the Return of the Dead in Late Postmodern Culture. In: Michael-Fox, Bethan; Dixon, Izabela and Doran, Selina E.M. eds. There's More to Fear than Fear Itself: Fears and Anxieties in the 21st Century. Oxford and Leiden: Inter-Disciplinary Press and Brill, pp. 31–45.

Michael-Fox, Bethan (2019). [Book Review] Death, the Dead and Popular Culture, by Ruth Penfold-Mounce. Mortality, 24(4) pp. 488–489.

Michael-Fox, Bethan and Jarrett-Kerr, Adele (2019). Breastfeeding Beyond Infancy: An Autoethnographic Dialogue Between Two Women. CULTIVATE The Feminist Journal of the Centre for Women's Studies(2) pp. 31–42.

Murray, Andrew (2019). The Montpellier Parchment and the Signature of Iustitia. Acta Academiae Artium Vilnensis, 94 pp. 301–323.

Murray, Andrew and Dumolyn, Jan (2019). Artist. Kunst und Politik. Jahrbuch der Guernica-Gesellschaft, 21 pp. 21–27.

Neale, Derek (2019). Writing, research and paradox. Writing in Education(77) pp. 4–5.

Neale, Derek (2019). New directory and forthcoming election. Writing in Education(78) p. 5.

Neale, Derek (2019). Bright beginnings, end of term. Writing in Education(79) pp. 9–11.

Neale, Derek (2019). Practice research, a new terminology. Writing in Education(79) pp. 48–49.

Neale, Derek (2019). Introduction. Writing in Practice, 5

Neale, Derek, Etter, Carrie, Cashdan, Liz and Melrose, Andrew (eds.) (2019) Writing in Practice: The Journal of Creative Writing Research. (Vol. 5) National Association of Writers in Education.

Paul, Joanna (2019). Drones Over Pompeii: Cinematic Perspectives on Antiquity in the Digital Era. Classical Receptions Journal, 11(3) pp. 274–295.

Paul, Joanna (2019). Archaeology, historical fiction and Classical Reception Studies. In: Witcher, Robert and van Helden, Daniël P. eds. Researching the Archaeological Past through Imagined Narratives: A Necessary Fiction. Routledge Studies in Archaeology. Routledge, pp. 255–262.

Phillips, Claire (2019). Child Abandonment in England, 1741–1834: The Case of the London Foundling Hospital. Genealogy, 3(3) p. 35.

Plassart, Anna (2019). Letters of Crito. History of European Ideas, 45(2) pp. 148–190.

Plassart, Anna (2019). Letters of Sidney. History of European Ideas, 45(2) pp. 191–231.

Plassart, Anna (2019). James Mill, the Scottish Enlightenment and the Problem of Civil Religion. Modern Intellectual History, 16(3) pp. 679–711.

Plassart, Anna (2019). Introduction: Millar and his Circle. History of European Ideas, 45(2) pp. 128–147.

Plastow, Christine (2019). Doctors in Attic Forensic Oratory. Greek, Roman, and Byzantine Studies, 59(4) pp. 575–595.

Plastow, Christine (2019). Use and Abuse of Law in the Athenian Courts. Mnemosyne supplements. History and archaeology of classical antiquity, 419. Bryn Mawr Classical Review, 2019(10), article no. 10.

Plastow, Christine (2019). The Devil's in the Detail: Including 'irrelevant' details in homicide narratives. In: Edwards, Mike and Spatharas, Dimos eds. Forensic Narratives in Athenian Courts. Routledge, pp. 40–54.

Plastow, Christine (2019). Space, place, and identity in Antiphon 'On the Murder of Herodes'. In: Filonik, Jakub; Griffith-Williams, Brenda and Kucharski, Janek eds. The Making of Identities in Athenian Oratory. Routledge, pp. 191–205.

Robson, James and Lloyd, Mair (2019). Making IT Count: Measuring Student Engagement with Online Resources at the Open University. In: Natoli, Bartolo and Hunt, Steven eds. Teaching Classics with Technology. London: Bloomsbury, pp. 39–52.

Rothe, Ursula (2019). The Toga and Roman Identity. London: Bloomsbury Academic.

Rowland, David (2019). The listening experiences of John Yeoman (1748 – 1824). In: Barlow, Helen and Rowland, David eds. The experience of listening to music: methodologies, identities, histories. Milton Keynes: The Open University.

Rowland, David (2019). Music Publishing in Britain ca. 1840-1900. In: Sala, Massimiliano ed. Music and the Second Industrial Revolution. Music, Science & Technology (2). Turnhout: Brepols.

Simones, Lilian (2019). Understanding the Meaningfulness of Vocal and Instrumental Music Teachers' Hand Gestures Through the Teacher Behavior and Gesture Framework. Frontiers in Education, 4, article no. 141.

Simones, Lilian Lima (2019). A framework for studying teachers’ hand gestures in instrumental and vocal music contexts. Musicae Scientiae, 23(2) pp. 231–249.

Slight, John (2019). Reactions to the Ottoman Jihad fatwa in the British Empire, 1914-1918. In: Johnson, Robert and Kitchen, James E. eds. The Great War in the Middle East. Routledge.

Stewart, Lindsey (2019). ‘A New and Fierce Disorder’s Raging’: Monomania in Mary Barton (1848). Journal of Victorian Culture, 24(4) pp. 492–506.

Swift, Laura (2019). Archilochus: The Poems: Introduction, Text, Translation, and Commentary. Oxford University Press.

Swift, Laura (2019). Ajax the Hero. In: Stuttard, David ed. Looking at Ajax. Bloomsbury Academic, pp. 29–41.

Thompson, Marie (2019). Spinoza and musical power. Textual Practice, 33(5) pp. 803–820.

Tickell, Alex (2019). Introduction. In: Tickell, Alex ed. The Oxford History of the Novel in English Volume 10: The Novel in South and South East Asia since 1945. The Oxford History of the Novel in English, 10. Oxford: Oxford University Press, xvii-xxxiv.

Tickell, Alex (2019). Life-Writing, Testimony and Biographical Fiction. In: Tickell, Alex ed. The Oxford History of the Novel in English: The Novel in South and South East Asia since 1945, Volume 10. Oxford: Oxford University Press, pp. 428–442.

Tickell, Alex and Gabriel, Sharmani (2019). History, Memory, and Cultural Identity in the Novel of South East Asia. In: Tickell, Alex ed. The Novel in South and South East Asia since 1945. The Oxford History of the Novel in English, 10. Oxford: Oxford University Press, pp. 398–413.

Towheed, Shafquat (2019). Publishing the South and South East Asian Novel in the Global Market. In: Tickell, Alex ed. The Oxford History of the Novel in English, Volume 10: The Novel in South and South East Asia since 1945, Volume 10. Oxford: Oxford University Press, pp. 595–609.

Towheed, Shafquat; Nash, Andrew and Squires, Claire (2019). Reading and Ownership. In: Nash, Andrew; Squires, Claire and Willison, I.R. eds. The Cambridge History of the Book in Britain, Volume 7: The Twentieth Century and Beyond. Cambridge History of the Book in Britain, 7. Cambridge: Cambridge University Press, pp. 231–276.

Trott, Vincent (2019). [Book Review] Words and the First World War: language, memory, vocabulary, by Julian Walker. First World War Studies, 10(1) pp. 160–161.

Vignale, François; Benatti, Francesca and Antonini, Alessio (2019). Reading in Europe - Challenge and Case Studies of READ-IT Project. In: Digital Humanities Conference 2019, 9-12 Jul 2019, Utrecht, Netherland.

Vincent, David (2019). ‘The Modern History of Literacy'. In: Rury, John L. and Tamura, Eileen eds. The Oxford Handbook of the History of Education. Oxford: Oxford University Press, pp. 507–522.

Wainwright, Leon (2019). [Book Review] Creole in the Archive: Imagery, Presence and the Location of the Caribbean Figure, by Roshini Kempadoo. The New West Indian Guide/Nieuwe West-Indische Gids, 93(3-4) pp. 345–346.

Wainwright, Leon (2019). Frank Bowling at Tate Britain: Provincialism, Transnationalism, and the Atlantic Divide. ASAP Journal Open-access platform of the Association for the Study of the Art of the Present (United States)

Wainwright, Leon (2019). Mona Hatoum’s Roadworks and Measures of Distance’. In: Aitken, Nick and Robles, Elizabeth eds. The Place is Here: Black Art in 1980s Britain. The Van Abbemuseum and Nottingham Contemporary: Sternberg Press, pp. 307–320.

Walker, Steve; Olney, Tom; Wood, Carlton; Clarke, Anactoria and Dunworth, Moira (2019). How do tutors use data to support their students? Open Learning: The Journal of Open, Distance and e-Learning, 34(1) pp. 118–133.

Williams, Sean (2019). The EMS Synthi 100: Rare, expensive and not actually very good. In: Sustainable Sounds: Interrogating the Materials of Music Making Technologies, 11 May 2019, University of Edinburgh.

Williams, Sean (2019). New composition strategies and the EMS Synthi 100. In: Music and Sonic Art conference 2019, 31 Jun - 2 Jul 2019, Karlsruhe, Germany.

Winters, Ben (2019). New Opportunities in Film: Korngold and Warner Bros. In: Goldmark, Daniel and Karnes, Kevin C eds. Korngold and His World. Princeton: Princeton University Press, pp. 111–130.

Wright, Patrick (2019). A hybrid form? The ekphrastic prose poem. In: Prose Poetry Symposium, 13 Jul 2019, Leeds Trinity University.

Wright, Patrick (2019). Seeing Darkly: Ekphrasis of the formless or with impaired vision. In: Great Writing Conference, 06-07 Jul 2019, Imperial College London.

Wright, Patrick (2019). Not trusting our eyes: The ekphrasis of abstract and monochromatic painting. In: 2019 AHRC DTP Conference on Trust and Truth, 18-20 Sep 2019, University of Cambridge.

Wright, Patrick (2019). A critique of contemporary ekphrasis. Agenda 53: 1-2.

Yamagata, Naoko (2019). 第六章　ホメロスの英雄像—アキレウスとヘクトル、サルぺドン、パトロクロス— [Chapter 6 Images of Homeric heroes – Achilles, Hector, Sarpedon and Patroclus]. In: 川島重成、古澤ゆう子、小林薫編 [Kawashima, S.; Furusawa, Y. and Kobayashi, K. eds.] 『ホメロス『イリアス』への招待』 [An Invitation to Homer’s Iliad]. Tokyo: Pinakes, pp. 163–189.

Yeh, Jane (2019). Discipline. Manchester, UK: Carcanet Press.

2018To Top

Allan, William and Swift, Laura eds. (2018). Moralizing Strategies in Early Greek Poetry. Mouseion, 15 (1). Toronto: University of Toronto Press.

Attfield, Nicholas and Winters, Ben eds. (2018). Music, Modern Culture, and the Critical Ear. Abingdon: Routledge.

Burrows, Donald; Coffey, Helen; Greenacombe, John and Hicks, Anthony eds. (2018). George Frideric Handel: Collected Documents. Volume 3. 1734–1742. Cambridge University Press.

Caldari, Valentina and Wolfson, Sara J. eds. (2018). Stuart Marriage Diplomacy. Dynastic Politics in their European Context, 1604-1630. Studies in Early Modern Cultural, Political and Social History, 31. Woodbridge: Boydell and Brewer.

Christian, Kathleen and de Divitiis, Bianca eds. (2018). Local antiquities, local identities: Art, literature and antiquarianism in Europe, c. 1400-1700. Manchester: Manchester University Press.

Cook, James; Kolassa, Alexander and Whittaker, Adam eds. (2018). Recomposing the Past: Representations of Early Music on Stage and Screen. Ashgate Screen Music Series. Abingdon and New York: Routledge.

De Renzi, Silvia; Bresadola, Marco and Conforti, Maria eds. (2018). Pathology in Practice: Diseases and Dissections in Early Modern Europe. The History of Medicine in Context. London: Routledge.

Golding, Rosemary ed. (2018). The Music Profession in Britain, 1780-1920: New Perspectives on Status and Identity. Music in Nineteenth-Century Britain. Routledge.

Grell, Ole Peter; Cunningham, Andrew and Arrizabalaga, Jon eds. (2018). It All Depends on the Dose: Poisons and Medicines in European History. Routledge.

Griffiths, Andrew; Alves, Audrey and Trindade, Alice eds. (2018). Literary Journalism and Africa's Wars: Colonial, Decolonial and Postcolonial Perspectives. ReportAGES. Nancy, France: Presses Universitaires de Nancy.

Gupta, Suman and Virdee, Satnam eds. (2018). Race and Crisis. Ethnic & Racial Studies. London: Routledge.

Harvey, Graham and Hughes, Jessica eds. (2018). Sensual Religion: Religion and the Five Senses. Religion and the Senses. Sheffield: Equinox.

Haslam, Sara; Colombino, Laura and O'Malley, Seamus eds. (2018). The Routledge Research Companion to Ford Madox Ford. Routledge Research Companions. London and New York: Routledge.

Herbert, Trevor; Myers, Arnold and Wallace, John eds. (2018). The Cambridge Encyclopedia of Brass Instruments. Cambridge: Cambridge University Press.

Hobden, Fiona and Wrigley, Amanda eds. (2018). Ancient Greece on British Television. Screening Antiquity. Edinburgh: Edinburgh University Press.

Hoppe, C.; Goldbeck, M. and Kawabata, M. eds. (2018). Exploring Virtuosities: Heinrich Wilhelm Ernst, Nineteenth-Century Musical Practices and Beyond. Göttingen Studies in Musicology, 10. Olms.

Lymberopoulou, Angeliki ed. (2018). Cross-Cultural Interaction between Byzantium and the West, 1204-1669. Whose Mediterranean is it anyway? Society for the Promotion of Byzantine Studies, 22. London: Routledge.

Shaw, Samuel; Shaw, Sarah and Carle, Naomi eds. (2018). Edwardian Culture: Beyond the Garden Party. Among the Victorians and Modernists. London: Routledge.

Althoff, Gerd; Fonnesberg-Schmidt, Iben and Kynan-Wilson, William (2018). Framing papal communication in the central Middle Ages. Journal of Medieval History, 44(3) pp. 251–260.

Bakogianni, Anastasia and James, Paula (2018). Classical Drama at a Distance: Teaching Performance Reception in an Online Environment. Classical World, 112(1) pp. 707–725.

Barker, Naomi J. (2018). Learning the trade: What did Froberger do in Rome? In: Vejvar, Andreas and Grassl, Markus eds. "Avec discrétion": Rethinking Froberger. Wiener Veröffentlichungen zur Musikgeschichte (14). Vienna: Böhlau Verlag, pp. 205–221.

Barlow, Helen (2018). The British Army and the music profession: the impact of regimental bands on the status and identity of professional musicians. In: Golding, Rosemary ed. The Music Profession in Britain, 1780-1920: New Perspectives on Status and Identity. Music in Nineteenth-Century Britain. London: Routledge, pp. 72–89.

Barnes, Amy Jane (2018). 大英图书馆收藏的中国革命年画研究 [‘Research on Chinese Revolutionary New Year Paintings Collected by the British Library’]. 年画研究2018 [‘Nianhua Journal 2018’] pp. 27–29.

Barnes, Amy Jane (2018). Representing the China Dream: A case study in revolutionary cultural heritage. In: Watson, Sheila; Barnes, Amy Jane and Bunning, Katy eds. A Museum Studies Approach to Heritage. Leicester Readers in Museum Studies. Abingdon: Routledge, pp. 797–813.

Watson, Sheila; Barnes, Amy Jane and Bunning, Katy eds. (2018). A Museum Studies Approach to Heritage. Leicester Readers in Museum Studies. Abingdon: Routledge.

Barnes, Amy Jane (2018). Introduction to Part I. In: Watson, Sheila; Barnes, Amy Jane and Bunning, Katy eds. A Museum Studies Approach to Heritage. Leicester Readers in Museum Studies. Abingdon: Routledge, pp. 9–13.

Bell, Simon; Benatti, Francesca; Edwards, Neil R.; Laney, Robin; Morse, David R.; Piccolo, Lara and Zanetti, Oliver (2018). Smart Cities and M3: Rapid Research, Meaningful Metrics and Co-Design. Systemic Practice and Action Research, 31(1) pp. 27–53.

Benatti, Francesca and King, David (2018). One Year After. A Question of Style: individual voices and corporate identity in the Edinburgh Review, 1814-1820. In: RSVP/VSAWC 2018 The Body and the Page in Victorian Culture, 26-28 Jul 2018, University of Victoria, British Columbia, Canada.

Benatti, Francesca and King, David (2018). A Question of Style: corpus building and stylistic analysis of the Edinburgh Review and Quarterly Review, 1814-1820. In: DHC (Digital Humanities Congress) 2018, 06-08 Sep 2018, University of Sheffield.

Benton, Tim (2018). E-1027 and the «drôle de guerre». Rassegna di architettura e urbanistica(153) pp. 46–61.

Benzan, Carla (2018). Alone at the Summit: Solitude and the Ascetic Imagination at the Sacro Monte of Varallo. In: Enenkel, Karl A.E. and Göttler, Christine eds. Solitudo: Spaces, Places, and Times of Solitude in Late Medieval and Early Modern Cultures. Intersections: Interdisciplinary Studies in Early Modern Culture (56). Leiden and Boston: Brill, pp. 336–363.

Betts, Eleanor (2018). [Review] Grieco, Anthony. Shepherds in the Cave. London: The RAI, 2016. Journal of the Royal Anthropological Institute, 24(2) pp. 401–402.

Betts, Eleanor (2018). [Book Reviews] J. Toner (Ed.), A Cultural History Of The Senses In Antiquity (A Cultural History of the Senses 1). London: Bloomsbury Academic, 2014. - M. Squire (Ed.), Sight And The Ancient Senses (The Senses in Antiquity). London/New York: Routledge, 2016. The Journal of Roman Studies, 108 pp. 215–217.

Bloxham, John (2018). Willmoore Kendall’s ‘McCarthyite’ Socrates in conservative free speech debates of the 1950s and 1960s. International Journal of the Classical Tradition, 25(1) pp. 72–88.

Brown, Richard Danson (2018). “And dearest loue”: Virgilian half-lines in Spenser’s Faerie Queene. Proceedings of the Virgil Society, 29 pp. 49–74.

Brown, Richard Danson (2018). Trevor Joyce, Fastness: a Translation from the English of Edmund Spenser. Spenser Review, 48(1), article no. 14.

Brown, Richard Danson (2018). [Book Review] Catherine Bates, ed., A Companion to Renaissance Poetry. The Spenser Review, 48(3)

Brunet, Luc-André (2018). The creation of the Monnet Plan, 1945-46: a critical re-evaluation. Contemporary European History, 27(1) pp. 23–41.

Brunet, Luc-André (2018). [Book Review] A Vision of Europe: Franco-German Relations During the Great Depression, 1929–1932, by Conan Fischer. The English Historical Review, 133(565) pp. 1651–1652.

Brunet, Luc-André (2018). Jean Monnet et l'organisation des économies alliées pour la guerre (1939-1940). In: Bossuat, Gérard ed. Jean Monnet et l'économie. Euroclio. Bruxelles: Peter Lang.

Brunet, Luc-André (2018). The Role of Algeria in Debates over Post-War Europe within the French Resistance. In: Davis, Muriam Haleh and Serres, Thomas eds. North Africa and the Making of Europe: Governance, Institutions and Culture. London: Bloomsbury, pp. 23–42.

Caldari, Valentina; Questier, Michael and Wolfson, Sara J. (2018). Introduction. In: Caldari, Valentina and Wolfson, Sara J. eds. Stuart Marriage Diplomacy. Dynastic Politics in their European Context, 1604-1630. Studies in Early Modern Cultural, Political and Social History (31). Boydell and Brewer.

Carter, Warren (2018). Mexican Muralism Reconsidered. In: Carter, Warren ed. Art after Empire: From Colonialism to Globalisation. Manchester: Manchester University Press in association with the OU, pp. 59–97.

Cathcart, Charles (2018). Thomas Brewer and his Associates: Hayman, Taylor, Heywood. Notes and Queries, 65(2) pp. 198–201.

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Chambers, Helen (2018). Conrad's Reading: Space, Time, Networks. New Directions in Book History (NDBH). London: Palgrave Macmillan, Cham.

Christian, Kathleen (2018). Roma caput mundi: Rome's local antiquities as symbol and source. In: Christian, Kathleen and de Divitiis, Bianca eds. Local antiquities, local identities: Art, literature and antiquarianism in Europe, c. 1400-1700. Manchester: Manchester University Press, pp. 57–78.

Clark, Leah (2018). Collecting Art in the Italian Renaissance Court: Objects and Exchanges. Cambridge: Cambridge University Press.

Clark, Leah R. (2018). Objects of Exchange: Diplomatic Entanglements in Fifteenth-century Naples. Predella, 43-44 pp. 129–154.

Clark, Leah R. (2018). From Naples to Ferrara. The Collections of Duchess Eleonora d’Aragona. In: Ippoliti, Alessandro ed. Atti del convegno internazionale: Biagio Rossetti e il suo tempo. Rome: Ginevra Bentivoglio Editoria, pp. 255–265.

Clarke, Martin V. (2018). 'Above all sing spiritually': musical reform and revival in Methodism. In: Fourteenth Institute of Methodist Theological Studies, 2018, Oxford Institute, Oxford.

Clarke, Martin V. (2018). Church musicians in nineteenth-century Durham. In: Golding, Rosemary ed. The Music Profession in Britain, 1780-1920: New Perspectives on Status and Identity. Music in Nineteenth-Century Britain. Abingdon: Routledge, pp. 90–109.

Cook, James; Kolassa, Alexander and Whittaker, Adam (2018). [Introduction] Understanding the present through the past and the past through the present. In: Kolassa, Alexander; Cook, James and Whittaker, Adam eds. Recomposing the Past: Representations of Early Music on Stage and Screen. Ashgate Screen Music Series. Abingdon: Routledge, pp. 1–14.

Cook, James; Kolassa, Alexander and Whittaker, Adam (2018). Music in fantasy pasts: neomedievalism and Game of Thrones. In: Kolassa, Alexander; Cook, James and Whittaker, Adam eds. Recomposing the Past: Representations of Early Music on Stage and Screen. Ashgate Screen Music Series. Abingdon: Routledge, pp. 229–250.

Crone, Rosalind (2018). Educating the labouring poor in nineteenth-century Suffolk. Social History, 43(2) pp. 161–185.

Crone, Rosalind; Hoskins, Lesley and Preston, Rebecca (2018). Guide to the Criminal Prisons of Nineteenth-Century England. London Publishing Partnership.

Davis, Caroline and Trott, Vincent (2018). Introduction. Logos, 29(2-3) pp. 6–8.

De Renzi, Silvia (2018). Seats and series: dissecting diseases in the seventeenth century. In: De Renzi, Silvia; Bresadola, Marco and Conforti, Maria eds. Pathology in Practice: Diseases and Dissections in Early Modern Europe. The History of Medicine in Context. London: Routledge, pp. 96–115.

De Renzi, Silvia (2018). Family resemblance in the Old Regime. In: Hopwood, Nick; Flemming, Rebecca and Kassell, Lauren eds. Reproduction. Antiquity to the Present Day. Cambridge: Cambridge University Press, pp. 241–252.

De Renzi, Silvia; Bresadola, Marco and Conforti, Maria (2018). Pathological dissections in early modern Europe: practice and knowledge. In: De Renzi, Silvia; Bresadola, Marco and Conforti, Maria eds. Pathology in Practice: Diseases and Dissections in Early Modern Europe. The History of Medicine in Context. London: Routledge, pp. 3–19.

Dobinson, Colin; Ferraby, Rose; Lucas, Jason; Millett, Martin and Wallace, Lacey (2018). Archaeological Field Survey in the Environs of Aldborough (Isurium Brigantum). Yorkshire Archaeological Journal, 90(1) pp. 29–58.

Dohmen, Renate (2018). The Global, the Post-Abyssal and the Cosmopolitical: Casting a Creative Post-Underdeveloped, Post-Peripheral, Tropical Eye. In: Di Paola, Modesta ed. Cosmopolitics and Biopolitics. Ethics and Aesthetics in Contemporary Art. Art, Globalization, Interculturality. Barcelona: Barcelona University Press, pp. 77–94.

Dooley, James (2018). rive (moog). Royal Birmingham Conservatoire, Birmingham, UK. [Performance]. (Unpublished)

Dooley, James (2018). colligation (Moog): exploring the confluence of gesture, light and the Moog System 55 analogue synthesiser. Not Set. (Unpublished)

Dueck, Byron (2018). North American Indigenous song, the sacred and the senses. Body and Religion, 2(2) pp. 206–223.

Dueck, Byron (2018). North American Indigenous Song, the Sacred and the Senses. In: Harvey, Graham and Hughes, Jessica eds. Sensual Religion: Religion and the Five Senses. Equinox Publishing Ltd., pp. 170–188.

Emsley, Clive (2018). A Police Officer and a Gentleman: A.F. 'Michael' Wilcox. London: Blue Lamp Books.

Emsley, Clive (2018). ‘Du concept à l’institution: Les spécifités du mot “police” en langue anglaise’. In: Cicchini, Marco and Denis, Vincent eds. Le Nœud gordien. Police et justice: des Lumières à l’État libéral (1750-1850). Chêne-Bourg, Switzerland: Georg, pp. 47–69.

Forbes, Suzanne (2018). A 'Lost' Quaker-Baptist Pamphlet Debate between William Penn and John Plimpton in 1698. Eighteenth-Century Ireland, 32 pp. 44–64.

Forbes, Suzanne (2018). Print and Party Politics in Ireland, 1689-1714. Palgrave Macmillan.

Gibson, Jonathan (2018). Miscellanies in manuscript and print. In: Bates, Catherine ed. A Companion to Renaissance Poetry. Chichester: Wiley-Blackwell, pp. 103–114.

Gibson, Jonathan (2018). Textual Introduction. In: Clarke, Elizabeth; Norbrook, David and Stevenson, Jane eds. The Works of Lucy Hutchinson, Volume 2: Theological Writings and Translations. Oxford: Oxford University Press, pp. 49–58.

Gibson, Jonathan (2018). Textual Introduction. In: Clarke, Elizabeth; Norbrook, David and Stevenson, Jane eds. The Works of Lucy Hutchinson, Volume 2: Theological Writings and Translations. Oxford: Oxford University Press, pp. 181–187.

Golding, Rosemary (2018). Introduction. In: Golding, Rosemary ed. The Music Profession in Britain, 1780-1920: New Perspectives on Status and Identity. Routledge, pp. 1–11.

Golding, Rosemary (2018). Music teaching in the late-nineteenth century: a professional occupation? In: Golding, Rosemary ed. The Music Profession in Britain, 1780-1920: New Perspectives on Status and Identity. Music in Nineteenth-Century Britain. Routledge, pp. 128–148.

Golding, Rosemary (2018). Finding Musicology in nineteenth-century Britain: contexts and conflicts. In: Wald-Fuhrmann, Melanie and Keym, Stefan eds. Wege zur Musikwissenschaft / Paths to Musicology. Bärenreiter Verlag.

Graham, Emma-Jayne; Sulosky Weaver, Carrie L. and Chamberlain, Andrew T. (2018). "Pars Pro Toto" and Personhood in Roman Cremation Ritual: New Bioarchaeological Evidence for the Rite of "Os Resectum". Bioarchaeology International, 2(4) pp. 240–254.

Graham, Emma-Jayne (2018). ‘There Buds the Laurel’: Nature, Temporality and the Making of Place in the Cemeteries of Roman Italy. Theoretical Roman Archaeology Journal (TRAJ), 1(1), article no. 3.

Grell, Ole Peter (2018). Martin Luther on the poison of sexual abstinence and the poison of the pox From Galen to Paracelsus. In: Grell, Ole Peter; Cunningham, Andrew and Arrizabalaga, Jon eds. It All Depends on the Dose: Poisons and Medicines in European History. Routledge, pp. 103–116.

Griffiths, Andrew (2018). Seeking the Sources of Heart of Darkness: the African Narratives of late-Victorian Explorers and Journalists. Continents manuscrits(11)

Gupta, Suman (2018). [Book Review] On race: 34 conversations in a time of crisis. Ethnic and Racial Studies, 42(3) pp. 472–475.

Gupta, Suman and Allen, Richard (2018). “Liderazgo académico” y las condiciones del trabajo académico. Literatura: teoría, historia, crítica, 20(2) pp. 293–319.

Gupta, Suman and Virdee, Satnam (2018). Introduction: European crises: contemporary nationalisms and the language of “race”. Ethnic and Racial Studies, 41(10) pp. 1747–1764.

Hack, Karl (2018). ‘Devils that suck the blood of the Malayan People’: The Case for Post-Revisionist Analysis of Counter-insurgency Violence. War in History, 25(2) pp. 202–226.

Hamer, Laura (2018). 'Every impulse and spring of art seems to have died in me, except for music': Gerard Manley Hopkins as composer. The Musical Times, 159(1945) pp. 27–41.

Hamer, Laura (2018). Female Composers, Conductors, Performers: Musiciennes of Interwar France, 1919-1939. Abingdon: Routledge.

Hamer, Laura (2018). Beyond neoclassicism: symphonic form, catharsis, and political commentary in Barraine’s Deuxième symphonie (1938). In: Mawer, Deborah ed. Historical Interplay in French Music and Culture 1860 - 1960. Abingdon and New York: Routledge, pp. 121–138.

Hardwick, Lorna (2018). The poetics of cultural memory: WWI refractions of ancient peace. Classical Receptions Journal, 10(4) pp. 393–414.

Haslam, Sara (2018). Ford Madox Ford's Last Library: Details, Dedications, and Remaining Mysteries in the Berg Collection, New York. Last Post: A literary journal from the Ford Madox Ford Society, 1(1) pp. 1–23.

Haslam, Sara (2018). No more Parades End: Ford Madox Ford’s last library and what it tells us about ‘the Tietjens saga’. Times Literary Supplement(6010)

Haywood, Jan (2018). From Croesus to Pausanias: Tragic Individuals in Early Greek Historiography. In: Archibald, Z. and Haywood, J. eds. The Power of the Individual in Ancient Athens: Essays in Honour of John K. Davies. Swansea: Classical Press of Wales.

Haywood, Jan and Mac Sweeney, Naoise (2018). Homer's Iliad and the Trojan War: Dialogues on Tradition. Bloomsbury Studies in Classical Reception (1). London: Bloomsbury.

Herbert, Trevor (2018). Cornetti e tromboni in the high Renaissance and Baroque. Early Music, 46(2) pp. 343–345.

Herbert, Trevor (2018). Cornett. In: Lawson, Colin and Stowell, Robin eds. The Cambridge Encyclopedia of Historical Performance in Music. Cambridge: Cambridge University Press, pp. 151–152.

Herbert, Trevor (2018). Military music. In: Lawson, Colin and Stowell, Robin eds. The Cambridge Encyclopedia of Historical Performance in Music. Cambridge: Cambridge University Press, pp. 409–411.

Herbert, Trevor (2018). Musica Reservata. In: Lawson, Colin and Stowell, Robin eds. The Cambridge Encyclopedia of Historical Performance in Music. Cambridge: Cambridge University Press, p. 427.

Herbert, Trevor (2018). Serpent. In: Lawson, Colin and Stowell, Robin eds. The Cambridge Encyclopedia of Historical Performance in Music. Cambridge: Cambridge University Press, pp. 572–573.

Herbert, Trevor (2018). Trombone. In: Lawson, Colin and Stowell, Robin eds. The Cambridge Encyclopedia of Historical Performance in Music. Cambridge: Cambridge University Press, pp. 630–632.

Herbert, Trevor (2018). Tuba and ophicleide. In: Lawson, Colin and Stowell, Robin eds. The Cambridge Encyclopedia of Historical Performance in Music. Cambridge: Cambridge University Press, pp. 636–638.

Herbert, Trevor (2018). Foreword: amateur bands, their localities, and their challenges – the lessons of history. In: Reily, Suzel A. and Brucher, Katherine eds. The Routledge Companion to the Study of Local Musicking. Routledge Music Companions. Abingdon: Routledge, xv-xxv.

Hewings, Ann and Prescott, Lynda (2018). Digital Futures. In: Eaglestone, Robert and Marshall, Gail eds. English: Shared Futures. The English Association: Essays and Studies. Cambridge: Boydell & Brewer Ltd, pp. 100–108.

Hills, Laura; Clarke, Anactoria; Hughes, Jonathan; Butcher, John; Shelton, Isobel and McPherson, Elaine (2018). Chinese whispers? Investigating the consistency of the language of assessment between a distance education institution, its tutors and students. Open Learning: The Journal of Open, Distance and e-Learning, 33(3) pp. 238–349.

Hobden, Fiona (2018). Augustus and the politics of the past today in television documentaries. In: Goodman, Penelope ed. Afterlives of Augustus, AD 14 - 2014. Cambridge: Cambridge University Press, pp. 294–321.

Hobden, Fiona (2018). Are We the Greeks? Understanding Antiquity and Ourselves in Television Documentaries. In: Hobden, Fiona and Wrigley, Amanda eds. Ancient Greece on British Television. Screening Antiquity. Edinburgh: Edinburgh University Press, pp. 24–43.

Hobden, Fiona and Wrigley, Amanda (2018). Broadcasting Greece: an introduction to Greek antiquity on the small screen. In: Hobden, Fiona and Wrigley, Amanda eds. Ancient Greece on British Television. Screening Antiquity. Edinburgh: Edinburgh University Press, pp. 1–23.

Hogan, Edward (2018). The Electric: a novel and critical commentary investigating narrative disruption in sign language, cinemagoing, and trauma. Doctor of Philosophy (PhD) thesis The Open University.

Hope, Valerie (2018). Vocal expression in Roman mourning. In: Butler, Shane and Nooter, Sarah eds. Sound and the Ancient Senses. The Senses in Antiquity. London and New York: Routledge, pp. 61–76.

Hope, Valerie (2018). Funerary practice in the city of Rome. In: Holleran, Claire and Claridge, Amanda eds. A Companion to the City of Rome. Blackwell Companions to the Ancient World. Wiley Blackwell, pp. 383–401.

Hope, Valerie (2018). Dead people's clothes: Materialising mourning and memory in ancient Rome. In: Newby, Zahra and Toulson, Ruth eds. The Materiality of Mourning: Cross-disciplinary Perspectives. London: Routledge, pp. 23–39.

Hope, Valerie Margaret (2018). 'Dulce et decorum est pro patria mori': the practical and symbolic treatment of the Roman war dead. Mortality: Promoting the interdisciplinary study of death and dying, 23(1) pp. 35–49.

Hughes, Jessica (2018). The texture of the gift: religious touching in the Greco-Roman world. Body and Religion, 2(1) pp. 88–112.

Hughes, Jessica (2018). Phallic Fertility in Pompeii. In: Hopwood, Nick; Flemming, Rebecca and Kassell, Lauren eds. Reproduction: Antiquity to the Present Day. Cambridge: CUP.

Hughes, Jessica and Flemming, Rebecca (2018). Exhibit 40 - The Room of the Ribbons. In: Hopwood, Nick; Flemming, Rebecca and Kassell, Lauren eds. Reproduction: Antiquity to the Present Day. Cambridge: Cambridge University Press, p. 672.

Hunt, Steven; Letchford, Clive; Lloyd, Mair; Manning, Laura and Plummer, Rachel (2018). The Virtue of Variety: Opening the Doors to Wider Pedagogical Practices in UK Schools and Universities. Journal of Classics Teaching, 19(38) pp. 53–60.

Huskinson, Janet (2018). Early Christian Art and Archaeology in Sixteenth and Seventeenth Century Rome. In: Jensen, Robin M. and Ellison, Mark D. eds. The Routledge Handbook of Early Christian Art. Routledge, pp. 364–379.

Johnson, David (2018). The limits of African nationalism: from anti-apartheid resistance to postcolonial critique. In: Deckard, Sharae and Varma, Rashmi eds. Marxism, Postcolonial Theory and the Future of Critique: Critical Engagements with Benita Parry. Routledge Research in Postcolonial Literatures. New York: Routledge, pp. 191–212.

Jones, Richard J. (2018). Continued Continuations of Complete Histories: Tobias Smollett and the Work of History. Journal for Eighteenth-Century Studies, 41(3) pp. 391–406.

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Katritzky, M. A. (2018). Stefanelo Botarga and Pickelhering: Fishy Italian and English Stage Clowns in Spain and Germany. In: Kuepper, Joachim and Pawlita, Leonie eds. Theatre Cultures within Globalising Empires: Looking at Early Modern England and Spain. Berlin/Boston: Walter de Gruyter, pp. 15–39.

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Katritzky, M. A. (2018). Les représentations du charlatan pendant la première modernité et leur origine dans la scène du marchand du théâtre religieux. In: Dhraief, Beya; Negrel, Eric and Ruimi, Jennifer eds. Théâtre et charlatans dans l'Europe moderne. Registres collection des etudes théâtrales. Paris: Presses Sorbonne Nouvelle, pp. 99–116.

Katritzky, M. A. (2018). Commedia dell’arte related glass: early modern Venice. In: Ferrone, S. ed. Commedia dell’arte . Nuova Serie, Volume 1. Polistampa, pp. 11–31.

King, David and Benatti, Francesca (2018). A (Data) Tale Of Two Faculties. In: Data Conversations, 26 Nov 2018, The Open University, UK.

King, Helen (2018). 'First behead your viper’: acquiring knowledge in Galen’s poison stories. In: Grell, Ole Peter; Cunningham, Andrew and Arrizabalaga, Jon eds. "It All Depends on the Dose": Poisons and Medicines in European History. Abingdon: Routledge, pp. 25–42.

King, Helen (2018). Women and Doctors in Ancient Greece. In: Hopwood, Nick; Flemming, Rebecca and Kassell, Lauren eds. Reproduction: Antiquity to the Present Day. Cambridge University Press, pp. 39–52.

King, Helen and Green, Monica H (2018). On the misuses of medical history. Lancet, 391(10128) pp. 1354–1355.

King, Helen and Zuccolin, Gabriella (2018). Rethinking nosebleeds: gendering spontaneous bleedings in medieval and early modern medicine. In: Johnson, Bonnie Lander and DeCamp, Eleanor eds. Blood Matters. Studies in European Literature and Thought, 1400-1700. Philadelphia, PA: University of Pennsylvania Press, pp. 79–91.

Kolassa, Alexander (2018). Presentness and the past in contemporary British opera. In: Cook, James; Kolassa, Alexander and Whittaker, Adam eds. Recomposing the Past: Representations of Early Music on Stage and Screen. Ashgate Screen Music Series. Abingdon and New York: Routledge, pp. 155–173.

Kolassa, Alexander (2018). The Past is a Different Planet: Sounding Medievalism in Aleksei German’s Hard to Be a God. In: Fugelso, Karl ed. Studies in Medievalism XXVII: Authenticity, Medievalism, Music. Studies in Medievalism, XXVII. Cambridge: D.S.Brewer, pp. 227–250.

Kolassa, Alexander (2018). Introduction to Part III. In: Fugelso, Karl ed. Authenticity, Medievalism, Music. Studies in Medievalism (27). Cambridge: Boydell & Brewer, pp. 181–182.

Kraamer, Malika and Barnes, Amy Jane (2018). Un-placed heritage: Making identity through fashion. In: Watson, Sheila; Barnes, Amy Jane and Bunning, Katy eds. A Museum Studies Approach to Heritage. Leicester Readers in Museum Studies. Abingdon: Routledge, pp. 598–618.

Kynan-Wilson, William (2018). Subverting a Papal Message? Master Gregory’s use of the Mirabilia urbis Romae. Journal of Medieval History, 44(3) pp. 347–364.

Kynan-Wilson, William and Fonnesberg-Schmidt, Iben (2018). Smiling, Laughing and Joking in Papal Rome: Thomas of Marlborough and Gerald of Wales at the Court of Pope Innocent III (1198-1216). Papers of the British School at Rome, 86 pp. 153–181.

Langley, Chris R. (2018). “In the execution of his office”: lay officials and the exercise of ecclesiastical discipline in Scotland, c. 1600-1660. The Seventeenth Century, 33(5) pp. 497–512.

Langley, Chris R. (2018). ‘So necessarie and charitable a worke’: welfare, identity and Scottish prisoners of war in England, 1650–55. In: Appleby, David and Hopper, Andrew eds. Battle-scarred: Mortality, medical care and military welfare in the British Civil Wars. Manchester: Manchester University Press, pp. 211–229.

Layton-Jones, Katy (2018). How to Lay Out a Very Large Garden Indeed: Edward Kemp’s Liverpool Parks, their History and Legacy. Garden History, 46(Suppl. 1) pp. 72–82.

Layton-Jones, Katy (2018). Manufactured landscapes: Victorian public parks and the industrial imagination. In: Dick, Malcolm and Mitchell, Elaine eds. Gardens and Green Spaces in the West Midlands since 1700. Hatfield: University of Hertfordshire Press, pp. 120–137.

Lee, Catherine (2018). ‘Giddy Girls’, ‘Scandalous Statements’ and a ‘Burst Bubble’: the war babies panic of 1914–1915. Women's History Review, 27(4) pp. 565–578.

Lloyd, Mair E. and Robson, James (2018). A Survey of Beginner's Language Teaching in UK Classics Departments: Latin. Council of University Classical Departments Bulletin, 47

Loftus, Donna (2018). Markets and culture. In: Handley, Sasha; McWilliam, Rohan and Noakes, Lucy eds. New Directions in Social and Cultural History. London: Bloomsbury, pp. 109–128.

Lymberopoulou, Angeliki (2018). Sight and the Byzantine Icon. Body and Religion, 2(1) pp. 46–67.

Lymberopoulou, Angeliki (2018). Sight and the Byzantine Icon. In: Harvey, Graham and Hughes, Jessica eds. Sensual Religion. Religion and the Five Senses. Sheffield: Equinox Publishingh Ltd, pp. 109–130.

Lymberopoulou, Angeliki (2018). Introduction. In: Lymberopoulou, Angeliki ed. Cross-Cultural interaction between Byzantium and the West, 1204-1669. Whose Mediterranean is it anyway? Society for the Promotion of Byzantine Studies (22). London: Routledge, pp. 1–18.

Lymberopoulou, Angeliki (2018). The Fogg Triptych: Testimony of a case study to the society and artistic production of Venetian Crete. In: Cross-cultural interaction between Byzantium and the West, 1204-1669. Whose Mediterranean is it anyway? (Lymberopoulou, Angeliki ed.), Society for the Promotion of Byzantine Studies, Routledge, London, pp. 59–73.

Marsden, Richard (2018). Brexit and the mythologies of nationalism: a warning for Wales. In History and Policy History and Policy.

Marsden, Richard (2018). Scottish parliamentary record scholarship in the devolution era. Parliaments, Estates and Representations, 39(1) pp. 113–132.

Marsden, Richard (2018). Henry Tudor: a Welsh hero...? OpenLearn, The Open University, Milton Keynes.

Marsden, Richard (2018). Game of Thrones: imagined world combines romantic and grotesque visions of Middle Ages. In The Conversation The Conversation.

Marsden, Richard A. (2018). Medievalism: New discipline or scholarly no-man’s land? History Compass, 16(2), article no. e12439.

McEneaney, Sinead (2018). Sex and the radical imagination in the Berkeley Barb and the San Francisco Oracle. Radical Americas, 3(1)

Michael-Fox, Bethan and Hayden, Nikita (2018). Transforming the Community, Transforming the Self: Young People, Social Action and community Leadership. The Sheffield Student Journal for Sociology(2), article no. 7.

Michailidis, Tychonas; Dooley, James; Granieri, Niccolò and Di Donato, Balandino (2018). Improvising through the senses: a performance approach with the indirect use of technology. Digital Creativity, 29(2-3) pp. 149–164.

Neale, Derek (2018). World writing and radio drama. Writing in Education(76) pp. 8–9.

Neale, Derek (2018). Introduction: Critical and creative reflections on process. Writing in Practice, 4, article no. 1.

Neale, Derek, Spencer, Amy, Howitt-Dring, Holly and Cable, Liz (eds.) (2018) Writing in Practice: The Journal of Creative Writing Research. (Vol. 4) National Association of Writers in Education.

Neale, Derek with Greenberg, Susan, Holloway, Simon and Melrose, Andrew (2018) Creative Writing Research Benchmark Statement. National Association of Writers in Education, UK.

Neville, Patricia Jean (2018). A World of Reading:An Intertextual Study of Janet Frame's Novels. Doctor of Philosophy (PhD) thesis The Open University.

Norman, Diana (2018). Siena and the Angevins (1300-1350): Art, Diplomacy and Dynastic Ambition. Beguinage of Turnhout, Belgium: Brepols Publishers.

Plastow, Christine (2018). Conversations with Iphigenia: two roundtable discussions with the playwrights of 'The Iphigenia Quartet'. Practitioners' Voices in Classical Reception Studies, 9

Plastow, Christine (2018). Staff-Student partnerships in pedagogy and research-based education: lessons for Classics. Council of University Classical Departments Bulletin 47.

Plastow, Christine (2018). Ancient Greek Law in the 21st Century. Ashley and Peter Larkin Endowment in Greek and Roman Culture. Bryn Mawr Classical Review, 2018(10), article no. 49.

Raudnitz, Sophie (2018). Tracing the Establishment of Political Society: Remembering and Forgetting in Ancient Greek Literature. Doctor of Philosophy (PhD) thesis The Open University.

Reeve, Michael (2018). [Book Review] Star shell reflections 1914-1916: the illustrated Great War diaries of Jim Maultsaid. First World War Studies, 9(3) pp. 367–368.

Reeve, Michael (2018). Smoking and Cigarette Consumption. In: Daniel, Ute; Gatrell, Peter; Janz, Oliver; Jones, Heather; Keene, Jennifer; Kramer, Alan and Nasson, Bill eds. 1914-1918-online. International Encyclopedia of the First World War. Berlin: Freie Universität Berlin.

Rennie, Claire Marie (2018). The education of children in London’s foundling hospital, c. 1800–1825. Childhood in the Past, 11(1) pp. 8–20.

Richards, Fiona (2018). Max & Mick: the partnership of Peter Maxwell Davies and Randolph Stow. The Musical Times, 159(1943) pp. 25–38.

Richards, Fiona (2018). Australasia. In: Herbert, Trevor; Myers, Arnold and Wallace, John eds. The Cambridge Encyclopedia of Brass Instruments. Cambridge University Press, pp. 41–44.

Richardson, Heather (2018). A dress for Kathleen. Review of Irish Studies in Europe, 2(1) pp. 279–294.

Robson, James (2018). Whoring, Gaping and Hiding Meat: The Humour of Male-on-Male Sexual Insults in Aristophanes' Knights. Archimède: Archéologie et Histoire Ancienne, 5 pp. 24–34.

Robson, James and Graham, Emma-Jayne (2018). Classics online at the Open University: teaching and learning with interactive resources. In: Holmes-Henderson, Arlene; Hunt, Steven and Musié, Mai eds. Forward with Classics: Classical Languages in Schools and Communities. London: Bloomsbury, pp. 217–299.

Robson, James and Lloyd, Mair E. (2018). A Survey of Beginner's Language Teaching in UK Classics Departments: Ancient Greek. Council of University Classical Departments Bulletin, 47

Rodgers, Michael (2018). Nabokov and Nietzsche: Problems and Perspectives. Bloomsbury.

Rothe, Ursula (2018). Veiling in Pannonia. In: Ivleva, Tatiana; De Bruin, Jasper and Driessen, Mark eds. Embracing the Provinces: Society and Material Culture of the Roman Frontier Regions. Oxford: Oxbow Books, pp. 93–100.

Rothe, Ursula (2018). The Roman Villa: Definitions And Variations. In: Marzano, Annalisa and Métraux, Guy P. R. eds. The Roman Villa in the Mediterranean Basin: Late Republic to Late Antiquity. Cambridge: Cambridge University Press, pp. 42–58.

Rothe, Ursula; Kenkel, Frauke and Zerbini, Andrea (2018). Excavations in Area III on Tall Zar‘ā. Annual of the Department of Antiquities of Jordan, 58 pp. 257–273.

Rowland, David (2018). Composers and publishers in Clementi's London. In: Golding, Rosemary ed. The Music Profession in Britain, 1780-1920: New Perspectives on Status and Identity. Music in Nineteenth-Century Britain. London and New York: Routledge, pp. 32–52.

Rowland, David (2018). Clementi's Introduction in European musical life, 1801-1830. In: Sala, Luca Lévi and Stewart-MacDonald, Rohan H. eds. Muzio Clementi and British Musical Culture: Sources, Performance Practice and Style. Abingdon: Routledge, pp. 69–83.

Saunders, Elaine (2018). 'Men of good Character, strong, decent and active': Hertfordshire's Petty Constables, 1730-1799. Doctor of Philosophy (PhD) thesis The Open University.

Shaw, Samuel (2018). Weighing Down the Landscape: The Quarry as a Site of Rural Modernity. In: Bluemel, Kristin and McCluskey, Michael eds. Rural Modernity in Britain: A Critical Intervention. Edinburgh: Edinburgh University Press, pp. 69–83.

Shaw, Samuel (2018). Aliens at Prayer: Representing Jewish Life in the East End of London, c.1905. In: Shaw, Samuel; Shaw, Sarah and Carle, Naomi eds. Edwardian Culture: Beyond the Garden Party. Among the Victorians and Modernists. London: Routledge, pp. 133–153.

Shaw, Samuel and Plumb, Christopher (2018). Zebra. Animal Series. London: Reaktion Books.

Slight, John (2018). Global War and its impact on the Gulf States of Kuwait and Bahrain, 1914-1918. War and Society, 37(1) pp. 21–37.

Slight, John (2018). Anglo-French connections and co-operation against ‘Islamic’ resistance, 1914-1917. In: Fichter, James R. ed. British and French Colonialism in Africa, Asia and the Middle East: Connected Empires across the Eighteenth to the Twentieth Centuries. Cambridge Imperial and Post-Colonial Studies Series. Palgrave Macmillan.

Stewart, Lindsey (2018). Monomania: The Life and Death of a Psychiatric Idea in Nineteenth-Century Fiction 1836-1860. Doctor of Philosophy (PhD) thesis The Open University.

Swift, Laura (2018). Thinking with Brothers in Sappho and Beyond. Mouseion: Journal of the Classical Association of Canada, 15(1) pp. 71–87.

Swift, Laura (2018). Competing generic narratives in Aeschylus' Oresteia. In: Andujar, Rosa; Hadjimichael, Theodora and Coward, Thomas eds. Paths of Song: The Lyric Dimension of Greek Tragedy. De Gruyter, pp. 119–136.

Taylor, Clare (2018). [Book Review] Designing the French interior: the modern home and mass media. Cultural and Social History, 15(4) pp. 618–620.

Taylor, Clare (2018). The Design, Production and Reception of Eighteenth-century Wallpaper in Britain. The Histories of Material Culture and Collecting, 1700-1950, ed. Stacey J. Pierson. Abingdon, Oxon and New York: Routledge.

Thompson, Marie (2018). Gendered sound. In: Bull, Michael ed. The Routledge Companion to Sound Studies. Routledge Media and Cultural Studies Companions. Abingdon: Routledge, pp. 108–117.

Tickell, Alex (2018). Writing in the Necropolis: Arundhati Roy's The Ministry of Utmost Happiness. Moving Worlds: A Journal of Transcultural Studies, 18(1) pp. 100–112.

Tickell, Alex (2018). ‘Writing the City and Indian English Fiction: Planning, Violence and Aesthetics’. In: Boehmer, Elleke and Davies, Dominic eds. Planned Violence: Post/colonial Urban Infrastructure, Literature & Culture. Cham: Palgrave Macmillan, pp. 195–211.

Tickell, Alex and Ranasinha, Ruvani (2018). Delhi: New writings on the megacity. Journal of Postcolonial Writing, 54(3) pp. 297–306.

Towheed, Shafquat (2018). [Book Review] Alaistair Fowler, The Mind of the Book: Pictorial Title Pages. The Spenser Review, 48(2), article no. 3.

Vincent, David (2018). [Book Review] The Littlehampton Libels: A Miscarriage of Justice and a Mystery about Words in 1920s England, by Christopher Hilliard. The English Historical Review, 133(565) pp. 1647–1649.

Vincent, David (2018). ‘Social Reform’. In: Patten, Robert L.; Jordan, John O. and Waters, Catherine eds. The Oxford Handbook of Charles Dickens. Oxford University Press, pp. 420–435.

Wainwright, Leon (2018). Sonia Khurana: The Contemporary Art of Relationality. Wasafiri, 33(3) pp. 30–38.

Wainwright, Leon (2018). Entwining Caribbean, British and American Art Histories: Trouble at the Turn to the "Transnational" and "Provincial". In Post: Notes on Contemporary Art around the Globe Post: Notes on Contemporary Art around the Globe. Museum of Modern Art (MoMA), New York.

Wainwright, Leon (2018). Visualising Figures of Caribbean Slavery through Modernism. In: Meecham, Pam ed. A Companion to Modern Art. Blackwell Companions to Art History. Chichester: Wiley-Blackwell, pp. 411–424.

Wainwright, Leon (2018). Materialities and Mobilities: A Note on the Political Geography of Contemporary Caribbean Art. In: Ueckmann, Natascha; Brüske, Anne and Bandau, Anja eds. Reshaping (g)local dynamics of the Caribbean: Relaciones y Deconexiones – Relations et Déconnexions – Relations and Disconnections. Heidelberg: Heidelberger Universitätsverlag HeiUp, pp. 143–157.

Walder, Dennis (2018). The Climb. In: Adeaga, Tomi and Udoh-Grossfurthner, Sarah eds. Payback and Other Stories: An Anthology of African and African Diaspora Short Stories. Vienna African Languages & Literatures (1). Vienna/Zurich: LITVerlag, pp. 156–163.

Watson, Nicola J. (2018). [Book Review] Transatlantic Literature and Author Love in the Nineteenth Century, edited by Paul Westover and Ann Wierda Rowland. Victorian Studies, 60(4) pp. 666–668.

Watson, Sheila; Barnes, Amy Jane and Bunning, Katy (2018). Introduction. In: Watson, Sheila; Barnes, Amy Jane and Bunning, Katy eds. A Museum Studies Approach to Heritage. Leicester Readers in Museum Studies. Abingdon: Routledge, pp. 1–5.

Wilding, Alexandra (2018). Review of Berti, Irene, Katharina Bolle, Fanny Opdenhoff and Fabian Stroth (eds), Writing Matters: Presenting and Perceiving Monumental Inscriptions in Antiquity and the Middle Ages. Materiale Textkulturen, 14. Berlin; Boston: De Gruyter, 2017. Bryn Mawr Classical Review

Williams, Sean (2018). Architecture for musical performance: backstage at the West German spherical pavilion at Expo 70, Osaka. In: Performance Studies Network 2018, 5-8 Jul 2018, Norwegian Academy of Music, Oslo.

Williams, Sean and Green, Owen (2018). Negotiating sonic space for group electronics. In: Doğantan-Dack, Mine and Dack, John eds. Music and Sonic Art: Theories and Practices. Cambridge Scholars Publishing, pp. 200–217.

Wolfson, Sara J. (2018). Practical proselytising: the impact of counter-Reformation Catholicism at the Caroline court, 1625-1626. In: Caldari, Valentina and Wolfson, Sara J. eds. Stuart Marriage Diplomacy. Dynastic Politics in their European Context, 1604-1630. Studies in Early Modern Cultural, Political and Social History. Boydell and Brewer.

Woods, Kim (2018). [Book Review] The Materiality of Devotion in Late Medieval Northern Europe: Images, Objects and Practices. Material Religion, 14(2) pp. 271–272.

Woods, Kim (2018). Cut in Alabaster: a Material of Sculpture and its European Traditions 1330-1530. Brepolis.

Wright, Patrick (2018). Seeing flatly: Towards a New Approach to Ekphrasis. Writing in Education(77) pp. 44–50.

Wright, Patrick (2018). Seeing like a Martian: Ekphrasis with evenly-hovering attention. In: National Association of Writers in Education Conference, 09-11 Nov 2018, York.

Younger, Neil (2018). How Protestant was the Elizabethan Regime? The English Historical Review, 133(564) pp. 1060–1092.

2017To Top

Barlow, Helen and Rowland, David eds. (2017). Listening to music: people, practices and experiences. The Open University.

Betts, Eleanor ed. (2017). Senses of the Empire: Multisensory Approaches to Roman Culture. Abingdon, UK: Routledge.

Griffiths, Andrew; Prieto, Sara and Zehle, Soenke eds. (2017). Literary Journalism and World War I: Marginal Voices. ReportAGES. Nancy, France: Presses Universitaires de Nancy.

Mera, Miguel; Sadoff, Ronald and Winters, Ben eds. (2017). The Routledge Companion to Screen Music and Sound. New York: Routledge.

Papaioannou, Tao and Gupta, Suman eds. (2017). Media Representations of Anti-Austerity Protests in the EU: Grievances, Identities and Agency. Routledge Research in Cultural and Media Studies. London: Routledge.

Richards, Fiona ed. (2017). The soundscapes of Australia: music, place and spirituality. Aldershot, UK: Routledge.

Wainwright, Leon ed. (2017). Disturbing pasts: memories, controversies and creativity. Manchester: Manchester University Press.

Wainwright, Leon and Zijlmans, Kitty eds. (2017). Sustainable art communities: Contemporary creativity and policy in the transnational Caribbean. Manchester University Press.

Attfield, Nicholas and Winters, Ben (2017). Introduction. In: Attfield, Nicholas and Winters, Ben eds. Music, Modern Culture, and the Critical Ear. Abingdon: Routledge, pp. 1–12.

Barker, Emma (2017). 'No Picture more Charming’: The Family Portrait in Eighteenth-Century France. Art History, 40(3) pp. 526–553.

Barlow, Helen (2017). “Human voices are alone themselves sufficient”: Protestant and Catholic currents in the listening experiences of an Anglo-Prussian marriage. In: Barlow, Helen and Rowland, David eds. Listening to Music: People, Practices and Experiences. The Open University.

Barnes, Amy Jane (2017). Introduction to Part III. In: Dudley, Sandra; Barnes, Amy Jane; Binnie, Jennifer; Petrov, Julia and Walklate, Jennifer eds. The Thing about Museums Objects and Experience, Representation and Contestation. Abingdon: Routledge, pp. 217–218.

Bates, Lis (2017). Honour-based Abuse in England and Wales: Who Does What to Whom? Doctor of Philosophy (PhD) thesis University of Bristol.

Benatti, Francesca and King, David (2017). A Question of Style: individual voices and corporate identity in the Edinburgh Review, 1814-1820. In: 49th Annual Conference of The Research Society for Victorian Periodicals: Borders and Border Crossings, 27-29 Jul 2017, University of Freiburg, Germany.

Benatti, Francesca and King, David (2017). Algorithmic criticism, Distant Reading and the Edinburgh Review. In: BARS (British Association for Romantic Studies) 2017 Romantic Improvement, 27-30 Jul 2017, University of York, UK.

Benatti, Francesca and King, David (2017). Hidden Authors and Reading Machines: Investigating 19th-century authorship with 21st-century technologies. In: SHARP 2017: Technologies of the book, 9-12 Jul 2017, University of Victoria, Canada.

Benatti, Francesca and King, David (2017). A Question of Style: individual voices and corporate identity in the Edinburgh Review, 1814-1820. In: DHSI 2017 Colloquium, 6-15 Jun 2017, University of Victoria, Canada.

Benton, Tim (2017). E-1027 and the Drôle De Guerre. In: Weaver, Thomas ed. AA Files, Volume 74. Architectural Association, pp. 123–143.

Benzan, Carla (2017). Atomic Atopic: Piero Manzoni’s space-age subtext and the ‘ins and outs’ of the modern intellectual. In: Guilbaut, Serge and O'Brian, John eds. Breathless Days: 1959–1960. Durham, NC: Duke University Press, pp. 275–312.

Betts, Eleanor (2017). [Book Review] García Morcillo (M.), Richardson (J.H.), Santangelo (F.) (edd.) Ruin or Renewal? Places and the Transformation of Memory in the City of Rome. Rome: Edizioni Quasar, 2016. The Classical Review, 67(2) pp. 514–516.

Betts, Eleanor (2017). Introduction: Senses of empire. In: Betts, Eleanor ed. Senses of the Empire: Multisensory Approaches to Roman Culture. London: Routledge, pp. 1–12.

Betts, Eleanor (2017). The multivalency of sensory artefacts in the city of Rome. In: Betts, Eleanor ed. Senses of the Empire: Multisensory Approaches to Roman Culture. Abingdon: Routledge, pp. 23–38.

Betts, Eleanor (2017). Afterword: Towards a methodology for Roman sensory studies. In: Betts, Eleanor ed. Senses of the Empire: Multisensory Approaches to Roman Culture. Abingdon: Routledge, pp. 193–199.

Brunet, Luc-André (2017). Forging Europe: Industrial Organisation in France, 1940-1952. Security, Conflict and Cooperation in the Contemporary World. Basingstoke: Palgrave Macmillan.

Brunet, Luc-André (2017). Patrons Résistants? French industrialists during the Second World War. French History, 31(4) pp. 512–534.

Brunet, Luc-André (2017). [Book Review] Fernando Guirao and Frances M.B. Lynch (eds), Alan S. Milward and Contemporary European History. Collected Academic Reviews. Journal of Contemporary History, 52(3) pp. 797–799.

Campbell, Siobhan (2017). Heat Signature. Bridgend, Wales: Seren Press.

Campbell, Siobhan (2017). Crossing the Lines: Borders, Transgressions, and a Spot of Smuggling. New Hibernia Review, 21(4) pp. 11–19.

Campbell, Siobhan (2017). Eavan Boland and the development of a poetics: ‘It may be beauty/but it isn’t truth’. In: Campbell, Siobhan and O'Mahony, Nessa eds. Eavan Boland: Inside History. Arlen House, pp. 155–176.

Campbell, Siobhan and O'Mahony, Nessa (2017). Eavan Boland: Inside History. London, Dublin and New York: Arlen House.

Cathcart, Charles (2017). “Swell, swell, my joys”: Ben Jonson, Quotation, and A Help to Memory and Discourse. Ben Jonson Journal, 24(2) pp. 187–204.

Cathcart, Charles (2017). Robert Daborne's Irish critic. Medieval and Renaissance Drama in England, 30 pp. 36–51.

Chambers, Helen (2017). “The first mate is a Polish count, a very quiet fellow”: Some New Torrens Documents. The Conradian, 42(2) pp. 69–87.

Charlesworth, Amy (2017). On Absence and Saturation in Chantal Akerman's De l’autre côté (From the Other Side). Oxford Art Journal, 40(2) pp. 287–305.

Charlesworth, Amy (2017). From Representation to the Biopolitical? A Review of Gender, artWork and the global imperative: A materialist feminist critique by Angela Dimitrakaki. Historical Materialism, 25(4) 201 -214.

Charlesworth, Amy (2017). Voice in Ursual Biemann's Performing the Border. Dissect(3) pp. 277–291.

Christian, Kathleen (2017). Architecture and Antique Sculpture in Early Modern Rome. In: Mallgrave, Harry Francis and Payne, Alina eds. Companions to the History of Architecture: Volume I, Renaissance and Baroque Architecture. John Wiley & Sons, pp. 73–103.

Clark, Leah R (2017). Dispersal, Exchange and the Culture of Things in Fifteenth-century Italy. In: Jurkowlaniec, Grażyna; Matyjaszkiewicz, Ika and Sarnecka, Zuzanna eds. The Agency of Things in Medieval and Early Modern Art: Materials, Power and Manipulation. London: Routledge, pp. 91–102.

Clarke, Anna (2017). "Lost in Translation"? - Identity, Migration and (Trans)Nationalism in Anita Desai’s Bye-Bye Blackbird. Texture: A Journal of Humanities and Social Sciences, 1(1)

Clarke, Anactoria (2017). Artemidorus. In The Literary Encyclopaedia The Literary Encyclopaedia.

Clarke, Martin (2017). Listening to a singing people: accounts of Methodist hymn-singing. In: Barlow, Helen and Rowland, David eds. Listening to music: people, practices and experiences. The Open University.

Clarke, Martin V. (2017). British Methodist Hymnody: Theology, Heritage, and Experience. Routledge Methodist Studies. Abingdon: Routledge.

Clarke, Martin V. (2017). The Whole Church Sings: Congregational Singing in Luther’s Wittenberg, Robin A. Leaver (Grand Rapids, MI: Eerdmans, 2017), 206 pp, £17.99, pbk. Holiness, 3(2) pp. 329–330.

Coffey, Helen (2017). City life and music for secular entertainment during the reign of Maximilian I. In: Biddle, Ian and Gibson, Kirsten eds. Cultural Histories of Noise, Sound and Listening in Europe, 1300–1918. Routledge, pp. 171–185.

Coffey, Helen (2017). Opera for the House of Brunswick-Lüneburg: Italian Singers at the Hanover Court. In: Kaufold, Claudia; Strohmann, Nicole K. and Timms, Colin eds. Agostino Steffani: European Composer, Hanoverian Diplomat and Bishop in the Age of Leibniz. Goettingen: Vandenhoeck & Ruprecht, pp. 107–122.

Crone, Rosalind (2017). Popular education in the British Isles during the nineteenth century. Revue d'histoire du XIXe siècle, 55 pp. 139–142.

Doloughan, Fiona (2017). Translation as a Motor of Critique and Invention in Contemporary Literature: The Case of Xiaolu Guo. In: Gilmour, Rachael and Steinitz, Tamar eds. Multilingual Currents in Literature, Translation and Culture. Routledge Interdisciplinary Perspectives on Literature. New York and London: Routledge, pp. 150–167.

Dooley, James (2017). rive: splitting sound and light. ZKM_Cube. Center for Art and Media, Karlsruhe, Germany.

Dooley, James (2017). arK1a. Self-published.

Dueck, Byron (2017). Imagining identifications: how musicians align their practices with publics. In: MacDonald, Raymond; Hargreaves, David J. and Miell, Dorothy eds. Handbook of Musical Identities. Oxford: Oxford University Press, pp. 383–402.

Emsley, Clive (2017). Exporting British Policing during the Second World War: Policing Soldiers and Civilians. London: Bloomsbury Academic.

Fiore, Antonio David (2017). ‘In defence of the decorator’ : Giulio Rosso (1897-1976) in Italy in the interwar period. Doctor of Philosophy (PhD) thesis The Open University.

Golding, Rosemary (2017). The Society of Arts and the Challenge of Professional Music Education in 1860s Britain. Journal of Historical Research in Music Education, 38(2) pp. 128–150.

Graham, Emma-Jayne (2017). [Book Review] Reviving Roman Religion: Sacred Trees in the Roman World. Material Religion, 13(4) pp. 532–534.

Graham, Emma-Jayne (2017). Babes in arms? Sensory dissonance and the ambiguities of votive objects. In: Betts, Eleanor ed. Senses of the Empire: Multisensory Approaches to Roman Culture. Abingdon, Oxon: Routledge, pp. 120–136.

Graham, Emma-Jayne (2017). Partible humans and permeable gods: enacting human-divine personhood in the sanctuaries of Hellenistic Italy. In: Draycott, Jane and Graham, Emma-Jayne eds. Bodies of Evidence: Ancient Anatomical Votives Past, Present and Future. Medicine and the Body in Antiquity. London and New York: Routledge, pp. 45–62.

Graham, Emma-Jayne and Draycott, Jane (2017). Introduction: Debating the anatomical votive. In: Draycott, Jane and Graham, Emma-Jayne eds. Bodies of Evidence: Ancient Anatomical Votives Past, Present and Future. Medicine and the Body in Antiquity. London and New York: Routledge, pp. 1–19.

Griffin, Julian Marc (2017). Out of Johnson's Shadow: James Boswell as Travel Writer. Doctor of Philosophy (PhD) thesis The Open University.

Griffiths, Andrew (2017). Literary Journalism and Empire: George Warrington Steevens in Africa, 1898–1900. Literary Journalism Studies, 9(1) pp. 60–81.

Griffiths, Andrew (2017). Strategic Fictions? John Buchan, The Times and the Ypres Salient. In: Griffiths, Andrew; Prieto, Sara and Zehle, Soenke eds. Literary Journalism and World War I: Marginal Voices. ReportAGES. Nancy, France: Presses Universitaires de Nancy, pp. 55–75.

Gupta, Suman (2017). Disciplinary departures and discipline formation: The institutional rationale. TEXT Journal of Writing and Writing Courses, 21(2)

Gupta, Suman (2017). A Perspectiva Da Pensativa Traça De Livro Quanto À Pesquisa Literária e Linguística [The Thinking Bookworm’s View Of Literary And Linguistic Research]. Revista da Anpoll, 43 pp. 175–192.

Gupta, Suman (2017). Media-Framing Analysis, One-Word Framing and ‘Austerity’. In: Papaioannou, Tao and Gupta, Suman eds. Media Representations of Anti-Austerity Protests in the EU: Grievances, Identities and Agency. Routledge.

Gupta, Suman; Katsarska, Milena; Spyros, Theodoros A. and Hajimichael, Mike (2017). Usurping Suicide: The Political Resonances of Individual Deaths. London: Zed.

Gupta, Suman; Search, Alexander; Durao, Fabio A. and McDonough, Terrence (2017). Entrepreneurial Literary Theory: A Debate on Research and the Future of Academia. London: Shot in the Dark.

Hack, Karl (2017). The Art of Counterinsurgency: Phase Analysis with Primary Reference to Malaya (1948-60), and Secondary Reference to Kenya (1952-60). In: Thomas, Martin and Curless, Gareth eds. Decolonization and Conflict: Colonial Comparisons and Legacies. London: Bloomsbury, pp. 177–196.

Hancock-Jones, Robert; Renshaw, James and Swift, Laura (2017). Greek Theatre and Imperial Image: OCR Classical Civilisation AS and A Level Components 21 and 22. Bloomsbury Academic.

Hayes, Tracy L. (2017). "Only the rames of a man": Investigating Masculinities in the Novels of Thomas Hardy. Doctor of Philosophy (PhD) thesis The Open University.

Hazareesingh, Sandip (2017). The creation of a conflictual border: India-Pakistan. Open University, Milton Keynes.

Hazareesingh, Sandip and Patent, Volker (2017). Peace movements in contemporary India and Pakistan. Open University, Milton Keynes.

Hobden, Fiona (2017). Ancient world documentaries. In: Pomeroy, Arthur ed. A Companion to Ancient Greece and Rome on Screen. Blackwell Companions to the Ancient World. Oxford: Wiley-Blackwell, pp. 491–514.

Holmes, Janice (2017). John Bunyan's The Pilgrim's Progress in Nineteenth-Century Ulster. In: Gudmundsson, David; Maurits, Alexander and Nykvist, Martin eds. Classics in Northern European Church History over 500 Years: essays in honour of Anders Jarlert. Frankfurt am Main: Peter Lang, pp. 61–84.

Holmes, Janice (2017). The "Absence" of Family in 19th-Century Irish Presbyterian Clerical Biographies. In: Spiritual and Ecclesiastical Biographies. Research, Results, and Reading (Jarlert, Anders ed.), Konferenser (Conferences), Kungl. Vitterhets Historie och Antikvitets Akademien (Royal Swedish Academy of Letters, History and Antiquities), Stockholm, pp. 105–120.

Holmes, Janice (2017). Methodists and Holiness. In: Larsen, Timothy and Ledger-Lomas, Michael eds. The Oxford History of Protestant Dissenting Traditions Volume III: The Nineteenth Century. Oxford: Oxford University Press, pp. 124–149.

Hope, Valerie (2017). Living without the dead: finding solace in ancient Rome. In: Tappenden, Frederick S. and Daniel-Hughes, Carly eds. Coming Back to Life: The Permeability of Past and Present, Mortality and Immortality, Death and Life in the Ancient Mediterranean. Montreal, Quebec: McGill Scholarly Publishing, pp. 39–70.

Hope, Valerie M. (2017). A sense of grief: the role of the senses in the performance of Roman mourning. In: Betts, Eleanor ed. Senses of the Empire. Multisensory Approaches to Roman Culture. Abingdon: Routledge, pp. 86–103.

Hughes, Jessica (2017). Votive Body Parts in Greek and Roman Religion. Cambridge Classical Studies. Cambridge: Cambridge University Press.

Hughes, Jessica (2017). 'Souvenirs of the Self': Personal Belongings as Votive Offerings in Ancient Religion. Religion in the Roman Empire, 3(2) pp. 181–201.

Hughes, Jessica (2017). Studying Votives Across Cultures. Material Religion, 13(1) pp. 104–106.

Jensen, Meg and Campbell, Siobhan M. (2017). The Expressive Life-Writing Handbook. London and Edinburgh: Beyond Borders Scotland in association with The Stabilisation and Recovery Network.

Johnson, David (2017). Anti-apartheid people's histories and post-apartheid nationalist biographies. In: Choudry, Aziz and Vally, Salim eds. Reflections on Knowledge, Learning and Social Movements: History's Schools. London and New York: Routledge, pp. 88–103.

Katritzky, M. A. (2017). The Bal des Ardents (1393), Thomas of Woodstock (1397) and Richard II (1400): Three Medieval Conspiracy Rumours and the Scots’ Mine Play (1608). European Medieval Drama, 20 pp. 105–139.

Katritzky, M. A. (2017). Virtuous needleworkers, vicious apes: the embroideries of Mary Queen of Scots and Bess of Hardwick. In: Münch, Birgit Ulrike; Tacke, Andreas; Herzog, Markwart and Heudecker, Sylvia eds. Künstlerinnen: neue Perspektiven auf ein Forschungsfeld der Vormoderne. Kunsthistorisches Forum Irsee, 4. Petersberg: Michael Imhof Verlag, pp. 48–61.

King, Edmund G. C. (2017). [Book Review] The British Soldier and His Libraries, c. 1822–1901. Library & Information History, 33(4) pp. 279–280.

King, Edmund G. C. (2017). Discovering Shakespeare’s Personal Style: Editing and Connoisseurship in the Eighteenth Century. In: Depledge, Emma and Kirwan, Peter eds. Canonising Shakespeare: Stationers and the Book Trade, 1640–1740. Cambridge: Cambridge University Press, pp. 130–142.

Kynan-Wilson, William (2017). The Ottoman Imagery of Jacopo Ligozzi. In: Arfioli, Maurizio and Caroscio, Marta eds. The Grand Ducal Medici and the Levant: Material Culture, Diplomacy, and Imagery in the Early Modern Mediterranean. The Medici Archive Project (3). Turnhout: Brepolis, pp. 101–111.

Kynan-Wilson, William (2017). ‘Painted by the Turcks themselves’: Reading Peter Mundy’s Ottoman Costume Album in Context. In: Babaie, Sussan and Gibson, Melanie eds. The Mercantile Effect: On Art and Exchange in the Islamicate World. London: Gingko Library, pp. 38–50.

Kynan-Wilson, William (2017). Roman Identity in William of Malmesbury’s Historical Writings. In: Thomson, R. M.; Dolmans, E. and Winkler, E. eds. Discovering William of Malmesbury. Woodbridge: Boydell & Brewer, pp. 81–91.

Langley, Chris R. (2017). Caring for Soldiers, Veterans and Families in Scotland, 1638-1651. History, 102(349) pp. 5–23.

Langley, Chris R. (2017). Sheltering under the Covenant: The National Covenant, Orthodoxy and the Irish Rebellion, 1638–1644. The Scottish Historical Review, 96(2) pp. 137–160.

Langley, Chris R. (2017). Lying Sick to Die: Dying, Informal Care and Authority in Scotland, ca. 1600–1660. Sixteenth Century Journal, 48(1) pp. 27–46.

Lawrence, Paul (2017). The Vagrancy Act (1824) and the Persistence of Pre-emptive Policing in England since 1750. British Journal of Criminology, 57(3) pp. 513–531.

Loftus, Donna (2017). Time, history and the making of the industrial middle class: the story of Samuel Smith. Social History, 42(1) pp. 29–51.

Marsden, Richard and Bestic, Penni (2017). The Weakness of European Wales. Planet: the Welsh Internationalist, 225 pp. 29–36.

Mcbride, Terence (2017). Migrants and the Public World in Scotland, 1885–1939: A Way Forward for Comparative Research. Journal of Migration History, 3(1) pp. 54–77.

Mckie, Stuart (2017). The Social Significance of Curse Tablets in the North-Western Provinces of the Roman Empire. Doctor of Philosophy (PhD) thesis The Open University.

Mera, Miguel; Sadoff, Ronald and Winters, Ben (2017). Introduction: Framing Screen Music and Sound. In: Mera, Miguel; Sadoff, Ronald and Winters, Ben eds. The Routledge Companion to Screen Music and Sound. New York: Routledge, pp. 1–14.

Midorikawa, Emily and Sweeney, Emma Claire (2017). A Secret Sisterhood: The Hidden Friendships of Austen, Bronte, Eliot and Woolf. Aurum Press.

Mombauer, Annika (2017). The German centenary of the First World War. War & Society, 36(4) pp. 276–288.

Mooney, James; Green, Owen and Williams, Sean (2017). Performing Hugh Davies’s Live Electronic Music. In: Performing Indeterminacy, 30 Jun - 2 Jul 2017, University of Leeds.

Morris, Robert M. (2017). What the Met brought to the party - reinforcement, colonization, specialization and fusion. In: Stevenson, K; Cox, D. J. and Channing, I eds. LEADING THE POLICE: A HISTORY OF CHIEF CONSTABLES 1835-2017. Routledge SOLON Explorations in Crime and Criminal Justice Histories. Abingdon: Routledge, pp. 158–173.

Neale, Derek (2017). Split digraphs, fronted adverbials and the problems of later creative writing study. Writing in Education, 72(6) pp. 6–7.

Neale, Derek (2017). Creativity and Research in the 21st Century. Writing in Education, 73(3) pp. 2–4.

Neale, Derek (2017). Creative Writing Higher Education News. Writing in Education, 71 pp. 6–7.

Neale, Derek (2017). Creative Writing and social entrepreneurship. Writing in Education, 75 pp. 4–6.

Norman, Diana (2017). Icona, Immaginis . . . cum Variis Miraculis: Preserving the Memory of the Blessed Andrea Gallerani in Siena. In: Cardarelli, Sandra and Fenelli, Laura eds. Saints, Miracles and the Image: Healing Saints and Miraculous Images in the Renaissance. Beguinage of Turnhout, Belgium: Brepols Publishers, pp. 53–73.

O'Shea, Helen (2017). Book Review of Kalypso Nicolaidis, Berny Sèbe, Gabrielle Maas (eds.), Echoes of Empire: Memory, Identity and Colonial
Legacies (London, 2015) in Political Studies Review, Vol. 51, Issue 1 (2017). Political Studies Review, 15(1)

Paul, Joanna (2017). The Half-Blood Hero: Percy Jackson and Mythmaking in the Twenty-First Century. In: Zajko, Vanda and Hoyle, Helena eds. A Handbook to the Reception of Classical Mythology. Wiley-Blackwell, pp. 231–242.

Perkins, Phil (2017). DNA and Etruscan identity. In: Naso, Alessandro ed. Etruscology. Berlin: De Gruyter, pp. 109–118.

Perkins, Phil (2017). The landscape and environment of Etruria. In: Naso, Alessandro ed. Etruscology. Berlin: De Gruyter, pp. 1239–1250.

Plassart, Anna and White, Rebekah C. (2017). Théodore Flournoy on synesthetic personification. Journal of the History of the Neurosciences: Basic and Clinical Perspectives, 26(1) pp. 1–14.

Reeve, Michael (2017). [Book Review] Brad Beaven, Karl Bell and Robert James (eds.), Port Towns and Urban Cultures: International Histories of the Waterfront, c. 1700–2000. London: Palgrave Macmillan, 2016. Urban History, 44(2) pp. 347–349.

Reeve, Michael (2017). “The Darkest Town in England”: Patriotism and Anti-German Sentiment in Hull, 1914–19. International Journal of Regional and Local History, 12(1) pp. 42–63.

Reeve, Michael and McTominey, Andrew (2017). Grim up North?: Northern Identity, History, and Heritage. International Journal of Regional and Local History, 12(2) pp. 65–76.

RÊVE (2017). RÊVE: Romantic Europe: The Virtual Exhibition. European Romanticisms in Association.

Richards, Fiona (2017). Sensibility and listening in England before and after the Great War. In: Barlow, Helen and Rowland, David eds. Listening to Music: People, Practices and Experiences. The Open University.

Richardson, Heather (2017). This is not a memoir: case study of a memoir-in-progress. New Writing: The International Journal For the Practice and Theory of Creative Writing, 14(2) pp. 160–166.

Richardson, Heather (2017). Doubting Thomas. Glasgow: Vagabond Voices.

Richardson, Heather (2017). It's Mr Otello... In Meniscus Literary Journal Australian Association of Writing Programmes, Australia.

Richardson, Heather (2017). Shake Hole. In Meniscus Literary Journal Australian Association of Writing Programmes, Australia.

Richardson, Heather (2017). All the rules we could ask for. In: Anderson, Linda and Sherratt-Bado, Dawn Miranda eds. Female Lines: New Writing by Women from Northern Ireland. Dublin: New Island.

Robson, James (2017). Aristophanes. In: Burgess, J.; Kneebone, E.; Liapis, V. and Swift, L. eds. The Literary Encyclopedia, Volume 1.1.1: Archaic, Classical, Hellenistic and Imperial Greek Writing and Culture, 800-100 B.C.E., Volume 1.1.1. The Literary Encyclopedia.

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2016To Top

Barker, Elton; Bouzarovski, Stefan; Isaksen, Leif and Pelling, Chris eds. (2016). New Worlds from Old Texts: Revisiting Ancient Space and Place. Oxford: Oxford University Press.

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Donington, Katie; Hanley, Ryan and Moody, Jessica eds. (2016). Britain’s History and Memory of Transatlantic Slavery: Local Nuances of a ‘National Sin’. Studies in International Slavery. Liverpool: Liverpool University Press.

Draycott, Jane and Graham, Emma-Jayne eds. (2016). Bodies of Evidence: Ancient Anatomical Votives Past, Present and Future. Medicine and the Body in Antiquity. London: Routledge.

Grell, Ole Peter and Cunningham, Andrew eds. (2016). Medicine, Natural Philosophy and Religion in Post-Reformation Scandinavia. The History of Medicine in Context. London/New York: Routledge.

Gupta, Suman; Habjan, Jernej and Tutek, Hrvoje eds. (2016). Academic Labour, Unemployment and Global Higher Education: Neoliberal Policies of Funding and Management. Palgrave Critical University Studies. London: Palgrave Macmillan.

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Holder, Julian and McKellar, Elizabeth eds. (2016). Neo-Georgian Architecture 1880-1970: a reappraisal. Swindon, UK: Historic England.

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Maat, Haaro and Hazareesingh, Sandip eds. (2016). Local Subversions of Colonial Cultures. Commodities and Anti-Commodities in Global History. Palgrave Macmillan.

Rodgers, Michael and Sweeney, Susan Elizabeth eds. (2016). Nabokov and the Question of Morality: Aesthetics, Metaphysics, and the Ethics of Fiction. New York: Palgrave Macmillan.

Swift, Laura and Carey, Chris eds. (2016). Iambus and Elegy: New Approaches. Oxford: Oxford University Press.

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Allen, Gemma (2016). Women as counsellors in sixteenth-century England: The letters of Lady Anne Bacon and Lady Elizabeth Russell. In: Daybell, James and Gordon, Andrew eds. Women and Epistolary Agency in Early Modern Culture, 1450-1690. Women and Gender in the Early Modern World. Abingdon: Routledge, pp. 81–95.

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Barker, Elton and Bouzarovski, Stefan (2016). Between east and west: movements and transformations in Herodotean topology. In: Barker, Elton; Bouzarovski, Stefan; Isaksen, Leif and Pelling, Chris eds. New Worlds from Old Texts: Revisiting Ancient Space and Place. Oxford: Oxford University Press, pp. 155–180.

Barker, Elton; Bouzarovski, Stefan and Isaksen, Leif (2016). Introduction: Creating new worlds out of old texts. In: Barker, Elton; Bouzarovski, Stefan; Isaksen, Leif and Pelling, Chris eds. New Worlds from Old Texts: Revisiting Ancient Space and Place. Oxford: Oxford University Press, pp. 1–21.

Barker, Elton; Isaksen, Leif and Ogden, Jessica (2016). Telling stories with maps: digital experiments with Herodotean geography. In: Barker, Elton; Bouzarovski, Stefan; Isaksen, Leif and Pelling, Chris eds. New Worlds from Old Texts: Revisiting Ancient Space and Place. Oxford: Oxford University Press, pp. 181–224.

Barker, Elton and Pelling, Chris (2016). Space-Travelling in Herodotus 5. In: Barker, Elton; Bouzarovski, Stefan; Isaksen, Leif and Pelling, Chris eds. New Worlds from Old Texts: Revisiting Ancient Space and Place. Oxford: Oxford University Press, pp. 225–251.

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Barker, Elton and Terras, Melissa (2016). Greek Literature, the Digital Humanities, and the Shifting Technologies of Reading. In Oxford Handbooks Online: Scholarly Research Reviews Oxford University Press, Oxford.

Barker, Elton T. E. and Christensen, Joel P. (2016). Odysseus’s nostos and the Odyssey’s nostoi: rivalry within the epic cycle. Philologia Antiqua, 7 pp. 85–110.

Barker, Emma (2016). Ghosts and Heroes: Girodet and the Ossianic Mode in Post-Revolutionary French Art. In: Padiyar, Satish; Shaw, Philip and Simpson, Philippa eds. Visual Culture and the Revolutionary and Napoleonic Wars. London and New York: Routledge, pp. 102–119.

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Benatti, Francesca and King, David (2016). In Search of the Voice of the Edinburgh Review. In: Romantic Voices, 22-23 Jun 2016, The Oxford Research Centre in the Humanities, Oxford, UK, British Association for Romantic Studies.

Benatti, Francesca and King, David (2016). A Question of Style: individual voices and corporate identity in the Edinburgh Review, 1814-1820. In: Digital Humanities Congress 2016, 8-10 Sep 2016, University of Sheffield, UK.

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Clark, Leah and Um, Nancy (2016). Co-edited special volume of the Journal of Early Modern History, ‘The Art of Embassy: Objects and Images of Early Modern Diplomacy’. Koninklijke Brill NV, Leiden.

Clark, Leah and Um, Nancy (2016). Introduction: The Art of Embassy: Situating Objects and Images in the Early Modern Diplomatic Encounter. Journal of Early Modern History, 20 pp. 1–16.

Clark, Leah R. (2016). Collecting and replicating antiquities: casts, substitutions, and the culture of the copy in the Quattrocento. Journal of the History of Collections, 28(1) pp. 1–13.

Clarke, Martin (2016). "And can it be": analysing the words, music and contexts of an iconic Methodist hymn. Yale Journal of Music and Religion, 2(1), article no. 2.

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Crone, Rosalind (2016). Education in the working-class home: modes of learning as revealed by nineteenth-century criminal records. In: de Bellaigue, Christina ed. Home Education in Historical Perspective: Domestic pedagogies in England and Wales, 1750-1900. Routledge.

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den Hollander, A.A. and Grell, Ole Peter (2016). Bibles in the Dutch and Scandinavian vernaculars to c. 1750. In: Cameron, Euan ed. The New Cambridge History of the Bible from 1450 to 1750. The New Cambridge History of the Bible, 3. Cambridge: Cambridge University Press, pp. 239–262.

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Dohmen, Renate (2016). Material (Re)collections of the ‘Shiny East’: A Late Nineteenth-Century Travel Account by a Young British Woman in India. In: Henes, Mary and Murray, Brian H. eds. Travel Writing, Visual Culture and Form, 1760–1900. Palgrave Studies in Nineteenth-Century Writing and Culture. Basingstoke: Palgrave Macmillan, pp. 42–64.

Dohmen, Renate (2016). A fraught challenge to the status quo: The 1883-4 Calcutta International Exhibition, conceptions of art and industry, and the politics of world fairs. In: Nichols, Kate; Wade, Rebecca and Williams, Gabriel eds. Art versus Industry? New Perspectives on Visual and Industrial Cultures in Nineteenth-Century Britain. Studies in Design and Material Culture. Manchester: Manchester University Press, pp. 199–216.

Doloughan, Fiona (2016). Translation, Storytelling and Multimodality. Interférences littéraires/Literaire interferenties, 19 pp. 107–122.

Donington, Katie (2016). Local roots/global routes: slavery, memory and identity in Hackney. In: Donington, Katie; Hanley, Ryan and Moody, Jessica eds. Britain’s History and Memory of Transatlantic Slavery: Local Nuances of a ‘National Sin’. Liverpool Studies in International Slavery. Liverpool: Liverpool University Press, pp. 186–208.

Donington, Katie; Hanley, Ryan and Moody, Jessica (2016). Introduction. In: Donington, Katie; Hanley, Ryan and Moody, Jessica eds. Britain’s History and Memory of Transatlantic Slavery: Local Nuances of a ‘National Sin’. Studies in International Slavery. Liverpool: Liverpool University Press, pp. 15–32.

Donnachie, Ian (2016). Landscape, Industry and the Reforming Vision of David Dale and Robert Owen: Visitors to the Falls of Clyde and New Lanark in the later 18th and early 19th centuries. The Pleasaunce: ‘Falls of Clyde’ special issue pp. 10–17.

Donnachie, Ian (2016). 'Anything You Want It to Mean'? Scotland's Changing Heritage Landscape. In: Hooper, Glenn ed. Heritage and Tourism in Britain and Ireland. London: Palgrave Macmillan, pp. 145–160.

Dooley, James (2016). formuls: audiovisual performance at SPECTRA Festival, Malaysia. Not Set.

Dooley, James (2016). formuls: performance at sonADA Festival. Not Set.

Dooley, James (2016). formuls: performance at Electric Nights Festival, Athens, Greece. Not Set.

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Dooley, James and Di Donato, Balandino (2016). Equinode II. Integra Lab, Birmingham.

Drábek, Pavel and Katritzky, M. A. (2016). Shakespearean players in early modern Europe. In: Smith, Bruce R. ed. The Cambridge Guide to the Worlds of Shakespeare, Volume 2. Cambridge: Cambridge University Press, pp. 1527–1533.

Dueck, Byron (2016). Song, Participation, and Intimacy at Truth and Reconciliation Gatherings. In: Robinson, Dylan and Martin, Keavy eds. Arts of Engagement: Taking Aesthetic Action In and Beyond the Truth and Reconciliation Commission of Canada. Waterloo, ON, Canada: Wilfrid Laurier University Press, pp. 267–281.

Emsley, Clive (2016). Crime and Policing in Wartime. In: Knepper, Paul and Johansen, Anja eds. The Oxford Handbook of the History of Crime and Criminal Justice. Oxford: Oxford University Press, pp. 519–536.

Fear, Trevor (2016). New Voices in Classical Reception Studies Vol. 11 (2016). The Open University.

Fentress, Elizabeth and Perkins, Phil (2016). Cosa and the Ager Cosanus. In: Cooley, Alison E. ed. A Companion to Roman Italy. Chichester: Wiley-Blackwell, pp. 378–400.

Gibson, Jonathan (2016). From Palatino to Cresci: Italian Writing Books and the Italian Scripts of Early Modern English Letters. In: Daybell, James and Gordon, Andrew eds. Cultures of Correspondence in Early Modern Britain. Material Texts. Philadelphia: University of Pennsylvania Press, pp. 29–47.

Golding, Rosemary (2016). Seeking a Philosophy of Music in Higher Education: The Case of Mid-nineteenth Century Edinburgh. Philosophy of Music Education Review, 24(2) pp. 191–212.

Graham, Emma-Jayne (2016). Wombs and Tombs in the Roman World. Material Religion, 12(1) pp. 251–254.

Graham, Emma-Jayne (2016). Mobility impairment in the sanctuaries of early Roman Italy. In: Laes, Christian ed. Disability in Antiquity. Rewriting Antiquity. London and New York: Routledge, pp. 248–266.

Graham, Emma-Jayne and Hope, Valerie M. (2016). Funerary practices. In: Cooley, Alison E. ed. A Companion to Roman Italy. Blackwell Companions to the Ancient World. Oxford: Wiley-Blackwell, pp. 159–180.

Grell, Ole Peter (2016). Three seventeenth-century manuals on how and where to study medicine. In: Grell, Ole Peter and Cunningham, Andrew eds. Medicine, Natural Philosophy and Religion in Post-Reformation Scandinavia. London/ New York: Routledge, pp. 136–152.

Grell, Ole Peter (2016). The Creation of a Calvinist identity in the Reformation Period. In: Ingesman, Per ed. Religion as an Agent of Change. Brill's Series in Church History and Religious Culture (72). Leiden: Brill, pp. 149–165.

Grell, Ole Peter (2016). The Dutch and the English in the Baltic, the North Sea and Arctic. In: Kouri, E. I. and Olesen, Jens E. eds. The Cambridge History of Scandinavia, Volume 2. Cambridge: Cambridge University Press, pp. 229–245.

Grell, Ole Peter (2016). Religious and Social Regimentation. In: Kouri, E. I. and Olesen, Jens E. eds. The Cambridge History of Scandinavia, Volume 2. Cambridge: Cambridge University Press, pp. 416–437.

Grell, Ole Peter (2016). The Reformation in Denmark, Norway and Iceland. In: Kouri, E.I. and Olesen, Jens E. eds. Cambridge History of Scandinavia, Volume 2. Cambridge: Cambridge University Press, pp. 44–59.

Gupta, Suman (2016). Philology of the Contemporary World: On Storying the Financial Crisis. Philology, 2016(2) pp. 275–296.

Hamer, Laura (2016). [Book Review] La Grande Guerre en musique, Vie et création musicales en France pendant la Première Guerre mondiale by Florence Doé de Maindreville and Stephan Etcharry (eds.). H-France Review, 16(43)

Hamer, Laura (2016). [Review-Article] 'Paths to the Podium' Review-Article of The Musical Work of Nadia Boulanger: Performing Past and Future Between the Wars by Jeanice Brooks. Journal of the Royal Musical Association, 141(2) pp. 495–504.

Haywood, Jan (2016). Divine Narratives in Xenophon's Anabasis. Histos, 10 pp. 85–110.

Haywood, Jan (2016). Character and Motivation in Aeschylus' Persae. Syllecta Classica, 27 pp. 29–63.

Hazareesingh, Sandip (2016). 'Your Foreign Plants are Very Delicate': Peasant Crop Ecologies and the Subversion of Colonial Cotton Designs in Dharwar, western India, 1830-1880. In: Hazareesingh, Sandip and Maat, Harro eds. Local Subversions of Colonial Cultures: Commodities and Anti-Commodities in Global History. Cambridge Imperial and Post-Colonial Studies. London, UK: Palgrave Macmillan.

Herbert, T. (2016). A Tudor manuscript granting livery to the King’s ‘Shakbots’. Historic Brass Society Journal, 28 pp. 191–198.

Herbert, T. (2016). Carl Florian Mandel and the production, consumption and status of "military" brass-wind instruments in the nineteenth century. In: Libin, L. ed. Instrumental Odyssey: A Tribute to Herbert Heyde. Bucina: The Historic Brass Society Series (9). New York: Pendragon Press.

Herbert, Trevor (2016). Trumpets, drums and the sources for their symbolic authority in Britain. Music in Art: International Journal for Music Iconography,, 41(1-2) pp. 65–81.

Herbert, Trevor (2016). Adolphe Sax, his saxhorns and their international influence. Revue belge de musicologie/Belgisch tijdschrift voor muziekwetenschap, 70 pp. 65–76.

Hobden, Fiona (2016). From philosophy to psychotherapy: retelling the story in Jeanette Winterson's Weight: The Myth of Atlas and Heracles (2005). New Voices in Classical Reception Studies(11) pp. 16–31.

Hobden, Fiona (2016). Xenophon's Oeconomicus. In: Flower, Michael A. ed. The Cambridge Companion to Xenophon. Cambridge: Cambridge University Press, pp. 152–173.

Hobden, Fiona (2016). Between media and genres: Pompeii and the construction of historical knowledge on British television today. In: Sabban, Annette and Jaki, Sylvia eds. Wissenformate in den Medien: Analysen aus Medienlinguistik und Medienwissenschaft. Kulturen – Kommunikation – Kontakte (25). Berlin: Frank & Timme, pp. 119–138.

Hughes, Jessica (2016). Fractured Narratives: Writing the Biography of a Votive Offering. In: Weinryb, Ittai ed. Ex Voto: Votive Giving Across Cultures. Bard Graduate Center - Cultural Histories of the Material World. Chicago: University of Chicago Press, pp. 23–48.

Hyde, Colin and Barnes, Amy Jane (2016). Displaying Ghost Signs Online. In: Schutt, Stefan; Roberts, Sam and White, Leanne eds. Advertising and Public Memory: Social, Cultural and Historical Perspectives on Ghost Signs. Routledge Research in Cultural and Media Studies. Routledge.

Katritzky, M. A. (2016). The theatrical impact of St Francis Xavier's canonization: Pietro Della Valle's account of the 1624 Jesuit festivities in Goa. Ludica. Annali di storia e civiltà del gioco, 2013-2014(19-20) pp. 24–38.

Katritzky, M. A. (2016). Maik Goth, Monsters and the Poetic Imagination in The Faerie Queene, and Tara Pedersen, Mermaids and the Production of Knowledge in Early Modern England. Spenser Review, 46(1), article no. 6.

Katritzky, M. A. (2016). German Patrons of Venetian Carnival Art: Archduke Ferdinand II of Tyrol’s Ambras Collections and the 1579 Travel Journal of Prince Ferdinand of Bavaria. In: Münch, Birgit Ulrike; Tacke, Andreas; Herzog, Markwart and Heudecker, Sylvia eds. Von kurzer Dauer? Fallbeispiele zu temporären Kunstzentren der Vormoderne. Kunsthistorisches Forum Irsee (3). Petersberg, Germany: Michael Imhof Verlag, pp. 126–142.

Katritzky, M. A. (2016). Die Ikonografie der Commedia dell'arte bis 1750. In: Sommer-Mathis, Andrea; Franke, Daniela and Risatti, Rudi eds. Spettacolo barocco! Triumph des Theaters. Vienna: KHM-Museumsband, Theatermuseum Wien & Michael Imhoff Verlag, pp. 82–97.

King, Edmund G. C. (2016). Radicalism in the Margins: The Politics of Reading Wilfrid Scawen Blunt in 1920. Journal of British Studies, 55(3) pp. 501–518.

King, Edmund G. C. (2016). Editors. In: Smith, Emma ed. The Cambridge Companion to Shakespeare's First Folio. Cambridge: Cambridge University Press, pp. 121–136.

Kynan-Wilson, William (2016). Stories and Storytellers: The Naming of Textiles in West Africa. From Traditional to Contemporary Aesthetic Practices in West Africa, Benin and Togo. The Art Histories and Aesthetic Practices Blog, Medium.

Langley, Chris R. (2016). ‘A Sweet Love-Token betwixt Christ and His Church’: Kirk, Communion and the Search for Further Reformation, 1646–1658. In: McCallum, John ed. Scotland's Long Reformation: New Perspectives on Scottish Religion, c. 1500–1660. St Andrews Studies in Reformation History. Leiden: Brill, pp. 87–111.

Lawrence, Paul (2016). The Historiography of Crime and Criminal Justice. In: Knepper, Paul and Johansen, Anja eds. The Oxford Handbook of the History of Crime and Criminal Justice. The Oxford Handbooks in Criminology and Criminal Justice. Oxford: Oxford University Press, pp. 17–37.

Layton-Jones, Katy (2016). Beyond the metropolis: the changing nature of urban Britain, 1780-1880. Manchester University Press.

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2015To Top

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Hope, Valerie and Bakogianni, Anastasia eds. (2015). War as Spectacle: Ancient and Modern Perspectives on the Display of Armed Conflict. London: Bloomsbury.

Hughes, Jessica and Buongiovanni, Claudio eds. (2015). Remembering Parthenope: The Reception of Classical Naples from Antiquity to the Present. Classical Presences. Oxford: Oxford University Press.

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da Sousa Correa, Delia (2015). Katherine Mansfield’s Germany: “these pine trees provide most suitable accompaniment for a trombone!”. In: Kaščáková, Janka and Kimber, Gerri eds. Katherine Mansfield and Continental Europe: Connections and Influences. Basingstoke: Palgrave Macmillan, pp. 99–113.

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Graham, Emma-Jayne (2015). Embodying death in archaeology. In: Devlin, Zoe and Graham, Emma-Jayne eds. Death Embodied: Archaeological Approaches to the Treatment of the Corpse. Studies in Funerary Archaeology 9. Oxford: Oxbow Books, pp. 1–17.

Green, Owen; Williams, Sean and Murray-Rust, Dave (2015). Concert with Aleks Kolkowski and Grey Area. Edinburgh College of Art.

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Gupta, Suman (2015). Consumable Texts in Contemporary India: Uncultured Books and Bibliographical Sociology. New Directions in Book History. Basingstoke: Palgrave Macmillan.

Gupta, Suman (2015). Pixação and Tourist Appraisal. Wasafiri: International Contemporary Writing, 30(2) pp. 40–46.

Gupta, Suman (2015). Crisis and Representation: Notes on Media and Media Studies. Cyprus Review, 27(1) pp. 293–310.

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Gupta, Suman (2015). On Mapping Genre: Literary Fiction/Genre Fiction and Globalization Processes. In: Habjan, Jernej and Imlinger, Fabienne eds. Globalizing Literary Genres: Literature, History, Modernity. Interdisciplinary Perspectives on Literature. New York: Routledge, pp. 213–227.

Gupta, Suman; Allen, Richard; Chattarji, Subarno and Chaudhuri, Supriya (2015). Reconsidering English Studies in Indian Higher Education. Routledge Research in Higher Education. Abingdon: Routledge.

Hack, Karl (2015). Detention, Deportation and Resettlement: British Counterinsurgency and Malaya’s Rural Chinese, 1948–60. Journal of Imperial and Commonwealth History, 43(5) pp. 611–640.

Hack, Karl (2015). The Malayan Emergency: British Counterinsurgency Phases and the Triumph of Geo-demographic Control, 1948-60. In: Fremont-Barnes, Gregory ed. A History of Counterinsurgency: From South Africa to Algeria, 1900 to 1954. Santa Barbara, California: ABC-Clio, pp. 125–176.

Hack, Karl (2015). Tropical transitions in colonial counter-insurgency: From Malayan Emergency to post-colonial partnership. In: Johnson, Robert and Clack, Timothy eds. At the End of Military Intervention: Historical, Theoretical, and Applied Approaches to Transition, Handover, and Withdrawal. Oxford: Oxford University Press, pp. 61–85.

Hamer, Laura (2015). [Book Review] Perspectives on the Performance of French Piano Music by Scott McCarrey and Lesley A. Wright (eds.). Music & Letters, 96(1) pp. 133–135.

Haslam, Sara (2015). Contested Ground: alcohol, attachment, and the hut habit at war [Podcast]. University College, Dublin. Humanities Institute.

Haslam, Sara (2015). Ford and gender. In: Chantler, Ashley and Hawkes, Rob eds. An Introduction to Ford Madox Ford. Farnham: Ashgate, pp. 163–176.

Haslam, Sara (2015). Dowell and Dopamine: Information, Pleasure and Plot. In: Haslam, Sara and Saunders, Max eds. Ford Madox Ford's The Good Soldier: Centenary Essays. Leiden and Boston: Brill, pp. 117–132.

Hope, Valerie (2015). Bodies on the Battlefield: the spectacle of Rome's fallen soldiers. In: Hope, Valerie and Bakogiannia, Anastasia eds. War as Spectacle. Ancient and Modern Perspectives on the Display of Armed Conflict. London: Bloomsbury, pp. 157–178.

Hughes, Jessica (2015). 'No retreat, even when broken': classical architecture in the Presepe Napoletano. In: Hughes, Jessica and Buongiovanni, Claudio eds. Remembering Parthenope: Receptions of Classical Naples from Antiquity to the Present. Classical Presences. Oxford: Oxford University Press, pp. 284–309.

Hughes, Jessica and Graham, Emma-Jayne (2015). The votives project. Material Religion, 11(1) pp. 129–131.

James, Paula (2015). Hercules as a Symbol of Labour: A Nineteenth-century Class-conflicted Hero. In: Stead, Henry and Hall, Edith eds. Greek and Roman classics in the British struggle for social reform. Bloomsbury Studies in Classical Reception. London, New York: Bloomsbury Academic, pp. 138–154.

Johnson, David (2015). Clements Kadalie, the ICU, and the Language of Freedom. English in Africa, 42(3) pp. 43–69.

Johnson, David (2015). Print culture and imagining the Union of South Africa. In: Davis, Caroline and Johnson, David eds. The Book in Africa: Critical Debates. New Direction in Book History. Basingstoke: Palgrave Macmillan, pp. 105–127.

Johnson, David (2015). Coriolanus in South Africa. In: Smith, Bruce R. ed. The World's Shakespeare, 1660-Present. The Cambridge Guide to the Worlds of Shakespeare, 2. Cambridge, UK: Cambridge University Press, pp. 1235–1241.

Katritzky, M. A. (2015). Lucas van Leyden's 'Toothdrawer', 1523: Passion play merchant scenes and the religious origins of quack depictions. In: Mueller, Juergen and Muench, Birgit Ulrike eds. Peiraikos' Erben: Die Genese der Genremalerei bis 1550. Trierer Beitraege zu den historischen Kulturwissenschaften (14). Wiesbaden: Reichert Verlag, pp. 125–148.

Kawabata, Maiko (2015). Playing the “Unplayable”: Schoenberg, Heifetz, and the Violin Concerto, Op. 36. Journal of Musicological Research, 34(1) pp. 31–50.

Kenkel, Frauke and Rothe, Ursula (2015). Tall Zar‘ā, Jordanien: Landwirtschaftlicher Komplex, ländliche Villa im orientalischen Stil oder Klosteranlage? Die Ausgrabungen im Areal III: Die Arbeiten des Jahres 2014. e-Forschungsberichte des Deutschen Archäologischen Instituts, 2 pp. 23–27.

King, Edmund G. C. (2015). A Captive Audience? The Reading Lives of Australian Prisoners of War, 1914–1918. In: Towheed, Shafquat and King, Edmund G. C. eds. Reading and the First World War: Readers, Texts, Archives. New Directions in Book History. Basingstoke: Palgrave Macmillan, pp. 153–167.

King, Helen (2015). Between male and female in ancient medicine. In: Boschung, Dietrich; Shapiro, Alan and Waschek, Frank eds. Bodies in Transition: Dissolving the Boundaries of Embodied Knowledge. Morphomata (23). Paderborn: Fink Verlag, pp. 249–264.

Kolassa, Alexander (2015). Composing for the Memory Dealer: New Paradigms for the Immersive Soundtrack. Journal of Sonic Studies, 9

Laney, Robin; Samuels, Robert and Capulet, Emilie (2015). Cross entropy as a measure of musical contrast. In: Mathematics and Computation in Music (Collins, Tom; Meredith, David and Volk, Anja eds.), Lecture Notes in Computer Science, Springer International Publishing, Cham, Switzerland, pp. 193–198.

Langley, Chris R. (2015). Worship, Civil War and Community, 1638–1660. London: Routledge.

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Marsden, Richard (2015). [Book Review] Remembering the Past in Nineteenth-Century Scotland: Commemoration, Nationality and Memory. Journal of Scottish Historical Studies, 35(2) pp. 247–249.

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2014To Top

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Hamer, Laura and Dingle, Christopher (2014). 'False Memories and Dissonant Truths: Digital Newspaper Archives as a Catalyst for a New Approach to Music Reception Studies'. Studies in the Digital Humanities

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Hope, Valerie (2014). Inscriptions and Identity. In: Millet, Martin; Revell, Louise and Moore, Alison eds. The Oxford Handbook of Roman Britain. Oxford: Oxford University Press.

Hughes, Jessica (2014). Memory and the Roman viewer: looking at the Arch of Constantine. In: Galinsky, Karl ed. Memoria Romana: Memory in Rome and Rome in Memory. Supplements to the Memoirs of the American Academy in Rome (10). Ann Arbor, MI: University of Michigan Press, pp. 103–116.

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Katritzky, M. A. (2014). “A plague o’ these pickle herring”: from London drinkers to European stage clown. In: Renaissance Shakespeare/Shakespeare Renaissances: Proceedings of the Ninth World Shakespeare Congress, World Shakespeare Congress Proceedings, University of Delaware Press; copublished with Rowman & Littlefield, pp. 159–168.

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Katritzky, M. A. (2014). Literary anthropologies and Pedro González, the “Wild Man” of Tenerife. In: Slater, John; Pardo-Tomás, José and López-Terrada, Maríaluz eds. Medical Cultures of the Early Modern Spanish Empire. New Hispanisms: Cultural and Literary Studies. Farnham: Ashgate, pp. 107–128.

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Yamagata, Naoko, ed. A New Interpretation of Sophocles’ Oedipus Tyrannus: In the Light and Darkness of Apollo. By Shigenari Kawashima (2014). Edwin Mellen Press (2014). Translated from Japanese [日本語]

Kimber, Gerri; Todd, Martin; da Sousa Correa, Delia; Kelly, Alice and Maddison, Isabel (2014). Katherine Mansfield Studies 6: Katherine Mansfield and the First World War. Edinburgh University Press, Edinburgh.

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King, Helen and Brown, Jo (2014). Thucydides and the plague. In: Morley, Neville and Lee, Christine eds. A Handbook to the Reception of Thucydides. Chichester: Wiley, pp. 447–473.

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2013To Top

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Dueck, Byron (2013). Musical Intimacies and Indigenous Imaginaries: Aboriginal Music and Dance in Public Performance in Manitoba. New York: Oxford University Press.

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Dueck, Byron (2013). Rhythm and role recruitment in Manitoban aboriginal music. In: Clayton, Martin; Dueck, Byron and Leante, Laura eds. Experience and Meaning in Music Performance. Oxford: Oxford University Press.

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Nasta, Susheila (2013). An unexpected encounter with Sam Selvon at the National Portrait Gallery. Wasafiri, 28(2) pp. 33–35.

O'Shea, Helen (2013). "Cyprus on the Brain": Irish Identity, the Imperial Imagination and the Beginnings of British Cyprus. In: Georgis, Giorgos and Kazamias, Georgios eds. Ireland-Cyprus: Parallel Journeys. Common Aspirations. Nicosia: En tipis Publications, pp. 212–245.

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Paul, Joanna (2013). Film and the Classical Epic Tradition. Classical Presences. Oxford: Oxford University Press.

Paul, Joanna (2013). The Democratic Turn in (and through) pedagogy: a case study of the Cambridge Latin Course. In: Hardwick, Lorna and Harrison, Stephen eds. Classics in the Modern World: A 'Democratic Turn'? Oxford: Oxford University Press, pp. 143–156.

Paul, Joanna (2013). Madonna and whore: the many faces of Penelope in Camerini’s Ulysses. In: Nikoloutsos, Konstantinos P. ed. Ancient Greek Women in Film. Oxford: Oxford University Press, pp. 139–162.

Perry, Gill (2013). Playing at Home: The House in Contemporary Art. Art Since the '80s. London: Reaktion books Ltd.

Perry, Gill; Retford, Kate and Vibert, Jordan (2013). Introduction. Placing Faces in the Country House. In: Perry, Gill; Retford, Kate and Vibert, Jordan eds. Placing Faces: the portrait and the English country house in the long eighteenth century. Manchester: Manchester University Press.

Plassart, Anna (2013). "Scientific Whigs"? Scottish historians on the French Revolution. Journal of the History of Ideas, 74(1) pp. 93–114.

Prescott, Lynda (2013). ‘Hard Times and history’. The English Review, 23(4) pp. 6–9.

Ravenhill-Johnson, Annie and James, Paula (2013). The Art and Ideology of the Trade Union Emblem, 1850-1925. London: Anthem Press.

Richards, Fiona (2013). Islands in the works of Randolph Stow (1935-2010). Southerly, 72(3) pp. 103–118.

Richards, Fiona (2013). Sound and music in the works of Randolph Stow. Antipodes, 27(2) pp. 177–183.

Robson, James (2013). Sex and Sexuality in Classical Athens. Debates and Documents. Edinburgh: Edinburgh University Press.

Robson, James (2013). Beauty and sex appeal in Aristophanes. EuGeStA: Journal on Gender Studies in Antiquity, 3 pp. 43–66.

Robson, James (2013). The language(s) of love in Aristophanes. In: Sanders, Ed.; Thumiger, Chiara; Carey, Christopher and Lowe, Nick eds. Eros in Ancient Greece. Oxford: Oxford University Press, pp. 251–266.

Rodgers, Michael (2013). The Original of Laura and Nietzsche: A Zarathustran Tool? In: Leving, Yuri ed. Shades of Laura: Vladimir Nabokov's Last Novel, The Original of Laura. McGill-Queen's University Press, pp. 114–128.

Rothe, Ursula (2013). Whose fashion? Men, women and Roman culture as reflected in dress in the cities of the Roman north-west. In: Hemelrijk, Emily and Woolf, Greg eds. Women and the Roman City in the Latin West. Mnemosyne Supplements, History and Archaeology of Classical Antiquity (360). Leiden: Brill, pp. 243–268.

Rothe, Ursula (2013). Die norisch-pannonische Tracht: gab es sie wirklich? In: Grabherr, G.; Kainarth, B. and Schierl, T. eds. Relations Abroad? Brooches and Other Elements of Dress as Sources for Reconstructing Interregional Movement and Group Boundaries from the Punic Wars to the Decline of the Western Empire. Ikarus. Innsbruck: Innsbruck University Press, pp. 33–48.

Rothe, Ursula (2013). Das norische Frauengewand. In: Tellenbach, Michael; Schulz, Regine and Wieczorek, Alfried eds. Die Macht der Toga: Dresscode im römischen Weltreich. Mannheim: Schnell und Steiner, pp. 189–193.

Rowland, David (2013). Haydn's music and Clementi's publishing circle. In: Chesser, Richard and Wyn Jones, David eds. The Land of Opportunity: Joseph Haydn and Britain. London: British Library Publishing, pp. 92–111.

Scannell, Paul (2013). The development of British military professionalism through early-modern European warfare (c.1572-1637) viewed through soldiers' published literature. Doctor of Philosophy (PhD) thesis The Open University.

Sciampacone, Amanda (2013). Matter Pictured In Its Place: Cholera and the Slums of London. Dandelion: Postgraduate Arts Journal and Research Network, 4(1)

Seargeant, Philip and Greenwell, Bill (2013). From Language to Creative Writing: An Introduction. London: Bloomsbury Publishing.

Slight, John (2013). The Hajj and the Raj: From Thomas Cook to Bombay's Protector of Pilgrims. In: Porter, Venetia and Saif, Liana eds. The Hajj: Collected Essays. Research Publication (193). The British Museum Press, pp. 115–121.

Stadtler, Florian (2013). Fiction, Film, and Indian Popular Cinema: Salman Rushdie's Novels and the Cinematic Imagination. Routledge Research in Postcolonial Literatures. Abingdon: Routledge.

Williams, Sean, ed. Elektronische Studie II. By Karlheinz Stockhausen (1954). Universal Editions (2013).

Swift, Laura (2013). Conflicting identities in the Euripidean chorus. In: Gagné, Renaud and Hopman, Marianne eds. Choral mediations in Greek tragedy. Cambridge: Cambridge University Press, pp. 130–154.

Tickell, Alex (2013). The Perils of Certain English Prisoners: Charles Dickens, Wilkie Collins and the limits of colonial government. Nineteenth-Century Literature, 67(4) pp. 457–489.

Tickell, Alex (2013). Review Essay: 'Elementary My Dear Hameed': Postcolonial Crime Fiction; Nels Pearson and Marc Singer, ed Detective Fiction in a Postcolonial and Transnational World; Ibne Safi The Laughing Corpse; Ibne Safi Dr Dread; M C Dutton The Singhing Detective. Wasafiri(75) pp. 73–76.

Towheed, Shafquat (2013). The science of musical memory: Vernon Lee and the remembrance of sounds past. In: Ellis, Katharine and Weliver, Phyllis eds. Words and Notes in the Long Nineteenth-Century. Woodbridge, Suffolk: Boydell & Brewer, pp. 104–122.

Trott, Vincent Andrew (2013). Remembering War, Resisting Myth: Veteran Autobiographies and the Great War in the Twenty-first Century. Journal of War & Culture Studies, 6(4) pp. 328–342.

Wainwright, Leon (2013). Transatlantic movement and the taste for ethnicity: art and ‘exchange’ between Suriname and the Netherlands. Etnofoor, 24(2) pp. 13–40.

Wainwright, Leon (2013). Americocentrism and art of the Caribbean: contours of a time-space logic. Journal of American Studies, 47(2) pp. 417–438.

Walder, Dennis (2013). Hysterical nostalgia in the postcolony: from Coming Home to District 9. Consumption Markets & Culture, 17(2) pp. 143–157.

Watson, Nicola (2013). American Travel-writing and the invention of 'Story-book England'. In: de Sousa, Alcinda Pinheiro; Flora, Luísa and Malafaia, Teresa eds. From Brazil to Macao: Travel Writing and Diasporic Spaces. Lisbon: University of Lisbon Centre for English Studies, pp. 57–74.

Watson, Nicola J. (2013). Exhibiting Literature. Austen Exhibited. In: Kroucheva, Katerina and Schaff, Barbara eds. Kafkas Gabel: Uberlegungen zum Ausstellen von Literatur. Bielefeld: transcript Verlag, pp. 227–250.

West, Susie (2013). An architectural typology for the early modern country house library, 1660-1720. Library, 14(4) pp. 441–464.

West, Susie (2013). ‘Life in the library’. In: Retford, Kate; Perry, Gillian and Vibert, Jordan eds. Placing Faces, the Portrait and the English Country House in the Long Eighteenth Century. Manchester: Manchester University Press, pp. 63–95.

Williams, Sean (2013). Making and Writing about Music: Spotlight on Practice-led Research. In Royal Musical Association Student Blog, Royal Musical Association Student Blog The Royal Musical Association, London.

Williams, Sean (2013). From centimetres to seconds: sound design’s shift from technical serialism to musically informed performance practice in the 1950s WDR Studio, Cologne. In: What is Sound Design?, 27-29 Nov 2013, Edinburgh, United Kingdom.

Williams, Sean (2013). Performing shapes. In: Researching music as process: methods and approaches, 22 Nov 2013, Oxford, United Kingdom.

Williams, Sean (2013). Noise and Fidelity. Syndicate.

Williams, Sean (2013). Stockhausen meets King Tubby's: the stepped filter and its influence as a musical instrument on two different styles of music. In: Weium, Frode and Boon, Tim eds. Material Culture and Electronic Sound. Artefacts: Studies in the History of Science and Technology, 8. Smithsonian Institution Scholarly Press, pp. 163–188.

Williams, Sean; Currie, Colin; Hodges, Nicolas and Stockhausen, Karlheinz (2013). Kontakte with piano and percussion. Glasgow Life.

Williams, Sean; Stockhausen, Karlheinz; Smith, Simon and Ligeti, György (2013). Ligeti and Stockhausen: A concert of piano and electronics works from the 195. In A concert of piano and electronics works from the 1950s Edinburgh College of Art.

Willis, Martin; Waddington, Keir and Marsden, Richard (2013). Off Sick Project Online Exhibition. University of South Wales.

Wood, Paul (2013). Western Art and the Wider World. Oxford: Wiley-Blackwell.

Woods, Kim (2013). Sculpture from the Elsloo Group in England. In: A Masterly Hand: Interdisciplinary Research on the Late-Medieval Sculptor Master of Elsloo in an International Perspective, Scientia Artis, Royal Institute for Cultural Heritage, pp. 148–161.

Woods, Kim (2013). Encountering icons: Byzantine art in the Netherlands, Bohemia and Spain during the 14th and 15th centuries. In: Lymberopoulou, Angeliki and Duits, Rembrandt eds. Byzantine art and Renaissance Europe. Ashgate, pp. 135–157.

Wright, Patrick (2013). Fallen Pictures. Oneiros Books.

2012To Top

Clarke, Martin ed. (2012). Music and Theology in Nineteenth-Century Britain. Music in Ninteenth-Century Britain. Farnham: Ashgate.

Haslam, Sara and O'Malley, Seamus eds. (2012). Ford Madox Ford and America. International Ford Madox Ford Studies, 11. Amsterdam: Rodopi.

Haslam, Sara and Asbee, Sue eds. (2012). The Twentieth Century. Reading and Studying Literature, 3. London: Bloomsbury Academic.

Hobden, Fiona and Tuplin, Christopher eds. (2012). Xenophon: Ethical Principles and Historical Inquiry. Mnemosyne, Supplements, History and Archaeology of Classical Antiquity, 348. Leiden: Brill.

Horstmansoff, Manfred; King, Helen and Zittel, Claus eds. (2012). Blood, Sweat and Tears – The Changing Concepts of Physiology from Antiquity into Early Modern Europe. Intersections: Interdisciplinary Studies in Early Modern Culture, 25. Leiden: Brill.

Lymberopoulou, Angeliki; Bracewell-Homer, Pamela and Robinson, Joel eds. (2012). Art and Visual Culture: A Reader. London: Tate.

Nasta, Susheila ed. (2012). India in Britain: South Asian Networks and Connections, 1858-1950. Basingstoke: Palgrave.

Ranasinha, Ruvani; Ahmed, Rehana; Mukherjee, Sumita and Stadtler, Florian eds. (2012). South Asians and the Shaping of Britain, 1870−1950: A Sourcebook. Manchester: Manchester University Press.

Allen, Richard (2012). Raja Rao and world literature. Summerhill: Journal of the Indian Institute for Advanced Study, 18(2)

Alzola Romero, Aaron (2012). One laptop per college student? Exploring the links between access to IT hardware and academic performance in higher education e-learning programs. Journal of Distance Education, 26(1)

Bainbridge, Emma and Stadtler, Florian (2012). Calling from London, talking to India: South Asian networks at the BBC and the case of G.V. Desani. In: Nasta, Susheila ed. India in Britain: South Asian Networks and Connections, 1858-1950. Basingstoke: Palgrave Macmillan, pp. 164–178.

Barker, Elton; Bissell, Christopher; Hardwick, Lorna; Jones, Allan; Ridge, Mia and Wolffe, John (2012). Digital technologies: help or hindrance for the humanities? Arts and Humanities in Higher Education, 11(1-2) pp. 185–200.

Barker, Emma (2012). Reading the Greuze Girl: the daughter's seduction. Representations, 117 pp. 86–119.

Barlow, Helen (2012). The military band images of George Scharf. Music in Art, XXXVII(1-2) pp. 9–24.

Barnes, Amy Jane (2012). A Trojan Horse? An icon of the anti-establishment at the Victoria & Albert Museum. Museum and Society, 10(2) pp. 69–80.

Barnes, Amy Jane (2012). Introduction to Part III. In: Dudley, Sandra; Barnes, Amy Jane; Binnie, Jennifer; Petrov, Julia and Walklate, Jennifer eds. Narrating objects, collecting stories: essays in honour of Professor Susan M. Pearce. London and New York: Routledge, pp. 121–124.

Dudley, Sandra H.; Barnes, Amy Jane; Binnie, Jennifer; Petrov, Julia and Walklate, Jennifer eds. (2012). Narrating Objects, Collecting Stories. Abingdon: Routledge.

Benton, Tim (2012). Art Deco and Japonisme. In: Brown, Kendall H. ed. Deco Japan: Shaping Modern Culture 1920-1945. Alexandria, VA, USA: Art Services International, pp. 25–34.

Benton, Tim (2012). The miracle of Le Corbusier's roof terrace. In: Gargiani, Roberto ed. L'Architrave, le Plancher, la Plate-forme: Nouvelle Histoire de la Construction. Lausanne: Presses Polytechniques et Universitaires Romandes, pp. 710–718.

Benton, Tim (2012). La rhétorique de la vérité: Le Corbusier à Alger. In: Bonillo, Jean-Lucien ed. Le Corbusier, Visions d'Alger. Les Rencontres de la Fondation Le Corbusier. Paris: Editions de La Villette, pp. 172–187.

Benton, Tim (2012). Le Corbusier's secret photographs. In: Herschdorfer, Natalie and Umstatter, Lada eds. Le Corbusier and the Power of Photography. London: Thames and Hudson, pp. 30–55.

Benton, Tim (2012). La maison La Roche et les ateliers d’artistes de Le Corbusier. In: Torres, Jorge ed. Le Corbusier Mise au Point. Memorias culturales. Valencia: General de Ediciones de la Arquitectura, pp. 10–35.

Benton, Tim (2012). Funktionnel. In: Torres, Jorge ed. Le Corbusier Mise au Point. Memorias Culturales. Valencia: General de Ediciones de Arquitectura, pp. 253–268.

Benton, Tim (2012). La maison La Roche et les ateliers d'artistes de Le Corbusier. In: Torres Cueco, Jorge ed. Le Corbusier Mise au Point. Valencia: Memorias Culturales, pp. 8–33.

Benton, Tim (2012). Funktionnel (HO). In: Torres Cueco, Jorge ed. Le Corbusier Mise au Point. Memorias Culturales, pp. 227–242.

Brown, Richard Danson (2012). Review of Richard A. McCabe, ed. The Oxford Handbook of Edmund Spenser. Modern Language Review, 107(1) pp. 271–272.

Burrows, Donald (2012). Handel. New York: Oxford University Press.

Carter, Warren (2012). [Book Review] Meyer Schapiro Abroad: Letters to Lillian and Travel Notebooks. Studies in Travel Writing, 16(1) pp. 87–91.

Carter, Warren (2012). The Artist as Worker: Radical Responses to the New Deal Federal Art Projects. In: Moss, Avigail and Stakemeier, Kerstin eds. Painting: The Implicit Horizon. Maastricht: The Jan van Eyck Academie, pp. 23–38.

Cathcart, Charles (2012). "Sir Giles Goosecap, Knight": George Chapman; "Poetaster"; and the Children of the Chapel. Medieval & Renaissance Drama in England, 25 pp. 42–61.

Christian, Kathleen (2012). For the Delight of Friends, Citizens, and Strangers: Maarten van Heemskerck’s Drawings of Antiquities Collections. In: Bartsch, Tatjana and Seiler, Peter eds. Rom zeichnen. Maarten van Heemskerck 1532-1536/37. Humboldt-Schriften zur Kunst- und Bildgeschichte (8). Berlin: Gebr. Mann Verlag, pp. 129–156.

Clarke, Martin (2012). 'Meet and Right it is to Sing': nineteenth-century hymnals and the reasons for singing. In: Clarke, Martin ed. Music and Theology in Nineteenth-Century Britain. Music in Ninteenth-Century Britain. Farnham: Ashgate, pp. 21–36.

Clarke, Martin V. (2012). Introduction. In: Clarke, Martin V. ed. Music and Theology in Nineteenth-Century Britain. Music in Nineteenth-Century Britain. Farnham: Ashgate, pp. 1–4.

Crone, Rosalind (2012). The great ‘Reading’ experiment: an examination of the role of education in the nineteenth-century gaol. Crime, History and Societies, 16(1) pp. 47–72.

Crone, Rosalind (2012). Publishing courtroom drama for the masses, 1820-1855. In: Lemmings, David ed. Courtrooms and the Public Sphere in Britain, 1730-1840. Farnham, United Kingdom: Ashgate, pp. 193–216.

Crone, Rosalind (2012). Violent Victorians: Popular entertainment in nineteenth-century London. Manchester: Manchester University Press.

Crone, Rosalind and Halsey, Katie (2012). On collecting, cataloguing and collating the evidence of reading: the "RED Movement" and its implications for digital scholarship'. In: Weller, Toni ed. History in the Digital Age. London: Routledge, pp. 95–110.

da Sousa Correa, Delia (2012). George Eliot and the 'Expressiveness of Opera'. Forum for Modern Language Studies, 48(2) pp. 164–177.

da Sousa Correa, Delia (2012). Musical performativity in the fiction of Katherine Mansfield. In: Bernhart, Walter and Halliwell, Michael eds. Word and Music Studies: Essays on Performativity and on Surveying the Field. Word and Music Studies (12). Amsterdam: Rodopi, pp. 71–86.

da Sousa Correa, Delia; Kimber, Gerri; Reid, Susan and Walker, Gina (2012). Katherine Mansfield Studies 4: Katherine Mansfield and the Fantastic. Edinburgh University Press, Edinburgh.

Dohmen, Renate (2012). Memsahibs and the “Sunny East”: Representations of British India by Millicent Douglas Pilkington and Beryl White. Victorian Literature and Culture, 40(1) pp. 153–177.

Doloughan, Fiona (2012). Transforming texts: learning to become a (creative) writer through reading. New Writing: The International Journal For the Practice and Theory of Creative Writing, 9(2) pp. 182–203.

Donnachie, Ian (2012). Robert Owen: towards a new moral world. History Today, 62(2) pp. 42–48.

Donnachie, Ian (2012). Local history in Scotland. In: Kammen, Carol and Wilson, Amy eds. Encyclopedia of Local History. American Association for State and Local History Book Series. Lanham, Maryland: AltaMira Press, pp. 497–499.

Dueck, Byron (2012). 'No heartaches in Heaven': a response to aboriginal suicide. In: Hoefnagels, Anna and Diamond, Beverley eds. Aboriginal Music in Contemporary Canada: Echoes and Exchanges. McGill-Queen's Native and Northern Series (66). Montreal: McGill-Queen's University Press.

Dumont D'Ayot, Catherine and Benton, Tim (2012). Le Corbusier's Pavilion for Zurich: Model and Prototype of an Ideal Exhibition Space. Ennetbaden: Lars Muller Verlag.

Edwards, Stephen (2012). Martha Rosler, The Bowery in two inadequate descriptive systems. London: Afterall (Forthcoming).

Edwards, Stephen (2012). Una 'polemic recurrent': John Thompson, William James Stillman i els enllustradors de sabates. In: Ribalta, Jorge ed. Per Què La Fotografia Es Avui Més Important Com A Document Que Mai. Barcelona: The Private Space Books, pp. 71–103.

Emsley, Clive (2012). Crucifying Tommy: punishment in the First World War. History Today, 62(11) pp. 29–35.

Emsley, Clive (2012). Marketing the brand: exporting British police models 1829-1950. Policing: A Journal of Policy and Practice, 6(1) pp. 43–54.

Fear, Trevor (2012). Ah pereant, si quos ianua clausa iuvat: Propertius 2.23 and the revision of the elegiac code. Classica et Mediaevalia, 63

Fear, Trevor (2012). New Voices in Classical Reception Studies Vol. 7 (2012). The Open University.

Fraser, Robert (2012). Surrealists in the Storm: David Gascoyne, Spain and Mass Observation. Times Literary Supplement(5679) 14 -15.

Fraser, Robert (2012). Kariba's last stand. In: Cairnie, Julie and Pucherova, Dobrota eds. Moving Spirit: The Legacy of Dambudzo Marechera in the 21st Century. Zurich: Lit Verlag, pp. 39–50.

Fraser, Robert (2012). Night Thoughts: The Surreal Life of the Poet David Gascoyne. Oxford, UK: Oxford University Press.

Gibson, Jonathan (2012). Synchrony and process: editing manuscript miscellanies. Studies in English Literature 1500-1900 (SEL), 52(1) pp. 85–100.

Gibson, Jonathan (2012). Anne Cook Bacon. In: Sullivan, jr., Garrett A. and Stewart, Alan eds. The Encyclopedia of English Renaissance Literature, Volume 1. Chichester: Wiley-Blackwell, pp. 29–30.

Golding, Rosemary (2012). (Re)-configuring the idea of the Conservatoire in late-nineteenth-century London. In: Sirch, Licia; Sità, Maria Grazia and Vaccarini, Marina eds. L´insegnamento dei conservatori, la composizione e la vita musicale nell´Europa dell´Ottocento. Strumenti della Ricerca Musicale (19). Lucca: Libreria Musicale Italiana.

Green, Helen (2012). Wind instrumentalists in the churches of Maximilian I’s Augsburg. Historic Brass Society Journal, 24 pp. 25–35.

Gupta, Suman (2012). Indian ‘commercial’ fiction in English, the publishing industry, and youth culture. Economic and Political Weekly, 46(5) pp. 46–53.

Gupta, Suman (2012). On the Indian readers of Hitler's Mein Kampf. Economic & Political Weekly, 47(46) pp. 51–58.

Hack, Karl (2012). Everyone lived in fear: Malaya and the British way of counter-insurgency'. Small Wars & Insurgencies, 23(4-5) pp. 671–699.

Hack, Karl (2012). Decolonization and violence in Southeast Asia: crises of authority and identity. In: Bogaerts, Els and Raben, Remco eds. Beyond Empire and Nation: Decolonizing Societies in Africa and Asia, 1930s-1970s. Leiden: KITLV, pp. 137–166.

Hack, Karl (2012). Framing Singapore's History. In: Tarling, Nicholas ed. Studying Singapore's Past: C.M. Turnbull and the History of Modern Singapore. Singapore: NUS Press, pp. 17–64.

Hack, Karl and Blackburn, Kevin (2012). War Memory and the Making of Modern Malaysia and Singapore. Singapore: NUS Press.

Hack, Karl; Brocheux, Pierre; El Mechat, Samia; Frey, Marc; Nanta, Arnaud; Randrianja, Solofo and Regnault, Jean-Marc (2012). Les Décolonisations au XX Siècle: La Fin des Empires Européens et Japonais. Paris: Armand Colin.

Hamer, Laura (2012). Negating Gender Politics and Challenging the Establishment: Women and the Prix de Rome, 1919-1939’. Women’s History, 70(Autumn) pp. 4–12.

Hamer, Laura (2012). [Book Review] Olivier Messiaen, Journalism, 1935-1939 by Stephen Broad. Ars Lyrica, 21 pp. 223–227.

Hamer, Laura (2012). Armande de Polignac: An Aristocratic Compositrice in Fin-de-siècle Paris. In: Fryer, Paul ed. Women in the Arts in the Belle Époque: Essays on Influential Artists, Writers and Performers. Jefferson, North Carolina and London: McFarland, pp. 165–185.

Hamer, Laura (2012). Entre Satie et Stravinsky: les modèles néoclassiques de Germaine Tailleferre. In: Terrien, Pascal ed. Musique française : esthétique et identité en mutation 1892-1992. Paris: Delatour France, pp. 89–96.

Harrison, Jill (2012). Being Florentine : a question of identity in the Arte della Lana, Florence. In: Cardarelli, Sandra; Anderson, Emily Jane and Richards, John eds. Art and Identity: Visual Culture, Politics and Religion in the Middle Ages and the Renaissance. Newcastle upon Tyne: Cambridge Scholars Publishing, pp. 127–148.

Haslam, Sara (2012). Introduction: "Dreaming Territory". In: Haslam, Sara and O'Malley, Seamus eds. Ford Madox Ford and America. International Ford Madox Ford Studies (11). Amsterdam: Rodopi, pp. 17–44.

Haslam, Sara (2012). “The moaning of the world” and the “words that bring me peace”: Modernism and the First World War. In: Piette, Adam and Rawlinson, Mark eds. The Edinburgh Companion to British and American War Literature. Edinburgh: Edinburgh University Press, pp. 47–57.

Hazareesingh, Sandip (2012). Cotton, climate and colonialism in Dharwar, western India, 1840-1880. Journal of Historical Geography, 38(1) pp. 1–17.

Herbert, Trevor (2012). Music in Words: A Guide to Researching and Writing about music. London: ABRSM Publishing.

Herbert, T. and Barlow, H. (2012). The British military as a musical institution, c.1780-c.1860. In: Rodmell, P. ed. Music and Institutions in Nineteenth-Century Britain. Music in Nineteenth-Century Britain. Farnham, UK: Ashgate, pp. 247–266.

Herbert, Trevor (2012). Music in words: a guide to researching and writing about music (2nd edition). London: Associated Board of the Royal Schools of Music.

Hobden, Fiona and Tuplin, Christopher (2012). Introduction. In: Hobden, Fiona and Tuplin, Christopher eds. Xenophon: Ethical Principles and Historical Enquiry. Mnemosyne, Supplements, History and Archaeology of Classical Antiquity, 348. Leiden: Brill, pp. 1–41.

Isaksen, Leif; Barker, Elton; Kansa, Eric C. and Byrne, Kate (2012). GAP: a neogeo approach to classical resources. Leonardo, 45(1) pp. 82–83.

Johnson, David (2012). Representations of Cape Slavery in South African Literature. History Compass, 10(8) pp. 549–561.

Johnson, David (2012). Literary and Cultural Criticism in South Africa. In: Attwell, David and Attridge, Derek eds. The Cambridge History of South African Literature. Cambridge: Cambridge University Press, pp. 818–837.

Katritzky, M.A. (2012). Healing, performance and ceremony in the writings of three early modern physicians: Hippolytus Guarinonius and the brothers Felix and Thomas Platter. The history of medicine in context. Ashgate.

Katritzky, M. A. (2012). “‘The picture of “We three”’: a transnational visual and verbal formula before, during and after the lifetime of Shakespeare. In: Filatkina, Natalia; Muench, Birgit Ulrike and Kleine-Engel, Ane eds. Formelhaftigkeit in Text und Bild. Trierer Beitraege zu den historischen Kulturwissenschaften (2). Wiesbaden: Reichert Verlag, pp. 223–244.

King, Helen (2012). Introduction. In: Horstmanshoff, Manfred; King, Helen and Zittel, Claus eds. Blood, Sweat and Tears – The Changing Concepts of Physiology from Antiquity into Early Modern Europe. Intersections Interdisciplinary Studies in Early Modern Culture (25). Leiden: Brill, pp. 1–17.

King, Edmund (2012). Cardenio and the Eighteenth-century Shakespeare Canon. In: Carnegie, David and Taylor, Gary eds. The Quest for Cardenio: Shakespeare, Fletcher, Cervantes and the Lost Play. Oxford: Oxford University Press, pp. 81–94.

King, Helen (2012). History without historians? Medical history and the internet. Social History of Medicine, 25(1) pp. 212–221.

King, Helen (2012). Response to Shelton. Social History of Medicine, 25(1) pp. 232–238.

King, Helen (2012). Inside and outside, cavities and containers: the organs of generation in seventeenth-century English medicine. In: Baker, Patricia A.; Nijdam, Han and van 't Land, Karine eds. Medicine and Space: Body, Surroundings and Borders in Antiquity and the Middle Ages. Visualising the Middle Ages (4). Leiden: Brill, pp. 37–60.

King, Helen (2012). Midwifery, 1700-1800: the man-midwife as competitor. In: Borsay, Anne and Hunter, Billie eds. Nursing and Midwifery in Britain Since 1700. Basingstoke: Palgrave Macmillan, pp. 107–127.

King, Helen (2012). Knowing the body: renaissance medicine and the classics. In: Olmos, Paula ed. Greek Science in the Long Run: Essays on the Greek Scientific Tradition (4th c. BCE – 16th c. CE). Newcastle-upon-Tyne: Cambridge Scholars Publishing, pp. 281–300.

Kynan-Wilson, William (2012). Mira Romanorum artifitia: William of Malmesbury and the Romano-British Remains at Carlisle. Essays in Medieval Studies, 28 pp. 35–49.

Lavery, Hannah (2012). Breaking down barriers with tablet technology for teaching. Educause Review Online

Lawrence, Paul (2012). History, Criminology and the 'Use' of the Past. Theoretical Criminology, 16(3) p. 313.

Lawrence, Paul (2012). « They have an admirable police at Paris, but they pay for it dear enough ». La police européenne vue d’Angleterre au XIXe siècle. In: Denys, Catherine ed. Circulations policières, 1750-1914. Lille: Presses Universitaires du Septentrion, pp. 103–118.

Loftus, Donna (2012). Entrepreneurialism or gentlemanly capitalism. In: Hewitt, Martin ed. The Victorian World. Routledge Worlds. Abingdon, UK: Routledge.

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2011To Top

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Emsley, Clive ed. (2011). Theories and Origins of the Modern Police. The History of Policing, 1. Farnham: Ashgate.

Fraser, Robert ed. (2011). La Rama Dorada: Magia y religion. Seccion de Obras de Antropologica. Mexico: Fondo de Cultura Economica.

Hales, Shelley and Paul, Joanna eds. (2011). Pompeii in the Public Imagination from its Rediscovery to Today. Classical Presences. Oxford: Oxford University Press.

Haslam, Sara ed. (2011). A Man Could Stand Up- by Ford Madox Ford. Parade's End, 3. Manchester: Carcanet.

Hope, Valerie M. and Huskinson, Janet eds. (2011). Memory and Mourning: Studies on Roman Death. Oxford: Oxbow Books.

Lawrence, Paul ed. (2011). The New Police in the Nineteenth Century. The History of Police, 2. Farnham, U.K.: Ashgate.

Lymberopoulou, Angeliki ed. (2011). Images of the Byzantine World: Visions, Messages and Meanings: Studies Presented to Leslie Brubaker. Farnham, UK: Ashgate.

Towheed, Shafquat and Owens, W. R. eds. (2011). The History of Reading, Volume 1: International Perspectives, c.1500-1990. Basingstoke, UK: Palgrave Macmillan.

Toynbee, Jason and Dueck, Byron eds. (2011). Migrating Music. CRESC. Abingdon: Routledge.

Watson, Nicola J. and Towheed, Shafquat eds. (2011). Romantics and Victorians. Reading and Studying Literature, 2. London: Bloomsbury Academic.

Williams, Chris A. ed. (2011). Police and Policing in the Twentieth Century. The History of Policing, 3. Farnham: Ashgate.

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da Sousa Correa, Delia (2011). Performativity in words: musical performance in Katherine Mansfield's stories. Katherine Mansfield Studies, 3 pp. 84–98.

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De Renzi, Silvia (2011). A career in manuscripts: genres and purposes of a physician's writing in Rome, 1600-1630. Italian Studies, 66(2) pp. 234–248.

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Emsley, Clive and Sinclair, Georgina (2011). Bobbies Abroad. History Today, 61(10) pp. 49–51.

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Fraser, Robert (2011). Riddling soul: John Donne, Theatrical Performer of His Various Selves and Maker of an Oddly Modern Music. Times Literary Supplement(5653) pp. 3–4.

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Graham, Emma-Jayne (2011). Memory and materiality: re-embodying the Roman funeral. In: Hope, Valerie and Huskinson, Janet eds. Memory and Mourning: Studies on Roman Death. Oxford: Oxbow, pp. 21–39.

Green, Helen (2011). Defining the city “trumpeter”: German civic identity and the employment of brass instrumentalists, c.1500. Journal of the Royal Musical Association, 136(1) pp. 1–31.

Grell, Ole Peter (2011). Brethren in Christ. A Calvinist Network in Reformation Europe. Cambridge: Cambridge University Press.

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Gupta, Suman (2011). Imagining Iraq: Literature in English and the Iraq Invasion. Basingstoke: Palgrave Macmillan.

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Hobden, Fiona (2011). Enter The Divine: Sympotic Performance And Religious Experience. In: Lardinois, André; Blok, Josine and Van Der Poel, Marc eds. Sacred Words: Orality, Literacy and Religion. Orality and Literature in the Ancient World, vol. 8. Mnemosyne, Supplements., 332. Leiden: Brill, pp. 37–58.

Hope, Valerie (2011). Remembering to mourn: personal mementos of the dead in ancient Rome. In: Hope, Valerie and Huskinson, Janet eds. Memory and Mourning: Studies on Roman Death. Oxford: Oxbow Books, pp. 176–195.

Hope, Valerie (2011). Livia's tears: the presentation of Roman mourning. In: Whittaker, Helène ed. In Memoriam: Commemoration, Communal Memory and Gender Values in the Ancient Graeco-Roman World. Newcastle upon Tyne: Cambridge Scholars Press, pp. 91–125.

Hope, Valerie M. (2011). Introduction. In: Hope, Valerie M. and Huskinson, Janet eds. Memory and Mourning: Studies on Roman Death. Oxford: Oxbow Books, xi-xxiv.

Howell, Anthony (2011). Southey and itinerancy. Wordsworth Circle, 42(1) pp. 68–72.

Howell, Anthony (2011). Room to speak? A green voice for romanticism in John Clare's "Swordy Well". In: Heffernan, Nick and Wragg, David A. eds. Culture, Environment and Ecopolitics. Newcastle upon Tyne: Cambridge Scholars Publishing, pp. 137–155.

Hughes, Jessica (2011). The myth of return: restoration as reception in eighteenth-century Rome. Classical Receptions Journal, 3(1) pp. 1–28.

Hutchison, Yvette and Walder, Dennis (2011). Editorial. Contemporary Theatre Review, 21(1) pp. 3–7.

James, Paula (2011). Ovid's Myth of Pygmalion on Screen: In Pursuit of the Perfect Woman. Continuum Studies in Classical Reception. London: Continuum.

Johnson, David (2011). Imagining the Cape Colony. History, Literature and the South African Nation. Edinburgh: Edinburgh University Press.

Johnson, David (2011). Introduction to Samuel Eusebius Hudson's The Virtuoso (c. 1790). English in Africa, 38(1) pp. 9–15.

Jones, Richard J. (2011). Tobias Smollett in the Enlightenment: Travels through France, Italy and Scotland. Transits: Literature, Thought & Culture 1650-1850. Lewisburg: Bucknell University Press.

Katritzky, M. A. (2011). Images of “monsters” and performers: J A Comenius's Orbis pictus and Aristotle's Masterpiece. In: Kümper, Hiram and Simić, Vladimir eds. Practicing new editions: transformation and transfer of the early modern book, 1450-1800. Bibliothemata (26). Nordhausen: Bautz, pp. 77–118.

King, Edmund C. G. (2011). Man of science, man of religion: the reading of a medical missionary in Uganda, 1896-1918. In: SHARP 2011: The Book in Art and Science, 14-17 Jul 2011, Washington, D.C., USA.

King, Helen (2011). Galen and the widow: towards a history of therapeutic masturbation in ancient gynaecology. EuGeStA: Journal on Gender Studies in Antiquity, 1 pp. 205–235.

King, Edmund (2011). A captive audience? The reading lives of Australian prisoners of war, 1914–18. In: Open University Book History and Bibliography Research Group Seminars: Reading and the First World War, 12 Feb 2011, London, UK.

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Lavery, Hannah (2011). Social and political satire in the impotency poems of Rémy Belleau and Thomas Nashe. Early Modern Literary Studies, 15(3), article no. 3.

Lawrence, Paul (2011). The Police and Vagrants in France and England during the Nineteenth Century. In: Antonielli, Livio ed. Polizia, ordine pubblico e crimine tra città e campagna: un confronto comparative. Stato, esercito controllo del territorio. Manelli: Rubbettino, pp. 49–60.

Loftus, Donna (2011). Investigating work in late nineteenth-century London. History Workshop Journal, 71(1) pp. 173–193.

Loftus, Donna (2011). Self-made men and the civic: time, space and narrative in late nineteenth-century autobiography. In: Baggerman, Arianne; Dekker, Rudolph and Mascuch, Michael eds. Controlling Time and Shaping the Self. Developments in Autobiographical Writing since the Sixteenth Century. Egodocuments and History (3). Leiden: Brill.

Lymberopoulou, Angeliki; Harrison, Lynne and Ambers, Janet (2011). The Noli Me Tangere icon at the British Museum: vision, message and reality. In: Lymberopoulou, Angeliki ed. Images of the Byzantine World: Visions, Messages and Meanings: Studies presented to Leslie Brubaker. Farnham, UK: Ashgate, pp. 185–214.

Marsden, Richard (2011). [Book Review] National Museums: New Studies from Around the World. Conservation and Management of Archaeological Sites, 13(1) pp. 84–85.

Marsden, Richard (2011). Gerald of Wales and Competing Interpretations of the Welsh Middle Ages c. 1870-1910. Welsh History Review, 25(3) pp. 314–345.

Marsden, Richard (2011). Book Review: Alex Benchimol, Intellectual Politics and Cultural Conflicts in the Romantic Period (2010); Richard J. Hill, Picturing Scotland through the Waverley Novels (2012). Romantic Textualities: Literature and Print Culture 1780-1840, 20 pp. 74–78.

Marsden, Richard (2011). Gerald of Wales: patriotic Welshman or arrogant agent of English imperialism? Trinity Mirror.

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McKellar, Elizabeth (2011). Charles and Marjorie Quennell. Oxford University.

McKellar, Elizabeth (2011). The villa: ideal type or vernacular variant? In: Guillery, Peter ed. Built from Below: British Architecture and the Vernacular. Abingdon: Routledge, pp. 49–72.

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Nasta, Susheila (2011). Editorship of Wasafiri General Issue No. 67 (Summer 2011). Wasafiri, 26(3), Abingdon.

Nasta, Susheila (2011). Negotiating a ‘New World Order’: Mulk Raj Anand as a public intellectual at the heart of Empire (1925-1945). In: Ahmed, Rehana and Mukherjee, Sumita eds. South Asian Resistances in Britain, 1858-1947. London: Continuum, pp. 140–161.

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Neale, Derek (2011). Tributes and Testimonies: Carver and the short story. Writing in Education(53) pp. 14–15.

Neale, Derek (2011). Adaptation and Montage. Writing in Education(53) pp. 33–37.

Paul, Joanna (2011). Pompeii, the Holocaust, and World War Two. In: Hales, Shelley and Paul, Joanna eds. Pompeii in the Public Imagination from its Rediscovery to Today. Classical Presences. Oxford: Oxford University Press.

Perkins, P. (2011). The Etruscans, their DNA and the Orient. In: Duistermaat, Kim and Regulski, Ilona eds. Intercultural Contacts in the Ancient Mediterranean: Proceedings of the International Conference at the Netherlands-Flemish Institute in Cairo, 25th to 29th October 2008. Orientalia Lovaniensia Analecta (202). Leuven: Peeters, pp. 171–180.

Perry, Gillian (2011). Crystal World: Introduction. The Royal Society, The Royal Society.

Perry, Gillian; Roach, Joseph and West, Shearer (2011). The First Actresses: Nell Gwyn to Sarah Siddons. London: National Portrait Gallery and University of Michigan Press.

Plassart, Anna (2011). Adam Ferguson: An Essay on the History of Civil Society. Neuilly-sur-Seine, FR: Atlande.

Richards, Fiona (2011). John Ireland's personal world. In: Foreman, Lewis ed. The John Ireland Companion. Woodbridge: Boydell & Brewer, pp. 42–53.

Richards, Fiona (2011). Helen Perkin: pianist, composer and muse of John Ireland. In: Foreman, Lewis ed. The John Ireland Companion. Woodbridge: Boydell & Brewer, pp. 132–146.

Richardson, Carol (2011). Andrea Pozzo e il Venerabile Collegio Inglese a Roma. In: Bösel, Richard and Salviucci Insolera, Lydia eds. Artifizi della Metafora: Saggi su Andrea Pozzo. Rome: Editoriale Artemide s.r.l., pp. 116–125.

Richardson, Carol (2011). Andrea Pozzo and the Venerable English College, Rome. In: Marshall, David R.; Russell, Susan and Wolfe, Karen eds. Roma Britannica: Art Patronage and Cultural Exchange in Eighteenth-Century Rome. London, U.K.: The British School at Rome, pp. 25–37.

Richardson, Heather (2011). The plot thickens. Writing in Education(53) pp. 26–29.

Rodgers, Michael (2011). Lolita's Nietzchean Morality. Philosophy and Literature, 35(1) pp. 104–120.

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Rowland, David (2011). Clementi's music business. In: Kassler, Michael ed. The Music Trade in Georgian England. Farnham, Surrey and Burlington, VT: Ashgate, pp. 125–157.

Rowland, David (2011). Clementi as publisher. In: Kassler, Michael ed. The Music Trade in Georgian England. Farnham, Surrey and Burlington, VT: Ashgate, pp. 159–191.

Samuels, Robert (2011). Narrative form and Mahler’s musical thinking. Nineteenth-Century Music Review, 8(2) pp. 237–254.

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Sciampacone, Amanda (2011). Urban Ruin: James Baillie Fraser's Representation of the Black Hole Memorial of Calcutta. Third Text, 25(6) pp. 751–762.

Sciampacone, Amanda (2011). Material Value and Immaterial Vision: The Role of Real and Represented Gems in the Gospels of Saint-Médard of Soissons. Comitatus: A Journal of Medieval and Renaissance Studies, 42 pp. 1–35.

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Stadtler, Florian (2011). ‘Nobody from Bombay should be without a basic film vocabulary’: Midnight’s Children and the visual culture of Indian popular cinema. In: Mendes, Ana Cristina ed. Salman Rushdie and Visual Culture: Celebrating Impurity, Disrupting Borders. Routledge Studies in Twentieth-Century Literature. New York: Routledge, pp. 123–138.

Swift, Laura A. (2011). Epinician and tragic worlds: the case of Sophocles' Trachiniae. In: Athanassaki, Lucia and Bowie, Ewen eds. Archaic and Classical Choral Song: Performance, Politics and Dissemination. Trends in Classics: Supplementary Volumes (10). Berlin: Walter de Gruyter, pp. 391–413.

Taylor, Clare (2011). Eckhardts & Co and the supply of wall decorations for Shugborough. The Georgian Group Journal, XIX pp. 145–150.

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Towheed, Shafquat (2011). Locating the reader, or what do we do with the man in the hat? Methodological perspectives and evidence from the United Kingdom Reading Experience Database, 1450-1945 (UK RED). Primerjalna knizevnost (Comparative Literature), 34(2) pp. 173–186.

Towheed, Shafquat (2011). Introduction. In: Crone, Rosalind and Towheed, Shafquat eds. The History of Reading, Volume 3: Methods, Strategies, Tactics. Basingstoke, UK: Palgrave Macmillan, pp. 1–12.

Towheed, Shafquat (2011). Negotiating the list: launching Macmillan's Colonial Library and author contracts. In: Spiers, John ed. The Culture of the Publisher's Series: Nationalisms and the National Canon, Volume 2. Basingstoke: Palgrave Macmillan.

Towheed, Shafquat (2011). Arthur Conan Doyle, The Sign of Four. In: Watson, Nicola J. and Towheed, Shafquat eds. Romantics and Victorians. Reading and Studying Literature (2). London: Bloomsbury Academic, pp. 411–437.

Towheed, Shafquat (2011). Robert Louis Stevenson, 'The Beach of Falesá'. In: Watson, Nicola J. and Towheed, Shafquat eds. Romantics and Victorians. Reading and Studying Literature (2). London: Bloomsbury Academic, pp. 439–464.

Towheed, Shafquat and Owens, W. R. (2011). Introduction. In: Towheed, Shafquat and Owens, W. R. eds. The History of Reading, Volume 1: International Perspectives, c.1500-1990. Basingstoke, UK: Palgrave Macmillan, pp. 1–12.

Toynbee, Jason and Dueck, Byron (2011). Migrating music. In: Toynbee, Jason and Dueck, Byron eds. Migrating Music. CRESC. Abingdon, U.K and New York, NY, U.S.: Routledge, pp. 1–18.

Vincent, David (2011). The end of literacy: the growth and measurement of British public education since the early nineteenth century. In: Bayly, C. A.; Rao, Vijayendra; Szreter, Simon and Woolcock, Michael eds. History, Historians and Development Policy: A Necessary Dialogue. Manchester: Manchester University Press, pp. 177–192.

Vincent, David (2011). Government and the management of information 1844-2009. In: Gunn, Simon and Vernon, James eds. The Peculiarities of Liberal Modernity in Imperial Britain. Berkeley Series in British Studies. Berkeley and Los Angeles, CA, USA and London, UK: University of California Press, pp. 165–181.

Wainwright, Leon (2011). Timed Out: Art and the Transnational Caribbean. Rethinking Art's Histories. Manchester: Manchester University Press.

Wainwright, Leon (2011). Alien nation: contemporary art and black Britain. In: Brunt, Rosalind and Cere, Rinella eds. Postcolonial Media Culture in Britain. Basingstoke: Palgrave Macmillan, pp. 27–40.

Walder, Dennis (2011). Postcolonial Nostalgias: Writing, Representation, and Memory. Routledge Research in Postcolonial Literatures. Abingdon: Routledge.

Walder, Dennis (2011). "There is no first reading": (re)-reading nineteenth-century realist novels and their critics. Synthesis, 3 pp. 55–68.

Walsh, Linda (2011). Deconstructing and Reconstructing the Self: Sofia Coppola's 'Marie Antoinette' and Three Portraits. Invited paper.

Watson, Nicola (2011). Fandom mapped: Rousseau, Scott and Byron on the itinerary of Lady Frances Shelley. Romantic Circles Praxis Series: Romantic Fandom, article no. , article 2.

Watson, Nicola (2011). Sir Walter Scott: the bard of Abbotsford and the Laird of Avon. In: Holland, Peter and Poole, Adrian eds. Great Shakespeareans Set II. Great Shakespeareans. Cambridge: Continuum.

Williams, Chris A. (2011). Police governance – community, policing, and justice in the modern UK. Taiwan in Comparative Perspective, 3 pp. 50–65.

Winters, Ben (2011). Silencing the truth: music and identity in The Unforgiven. In: Kalinak, Kathryn ed. Music in the Western: Notes from the Frontier. Routledge Music and Screen Media Series. Abingdon, UK: Routledge, pp. 77–93.

Wood, Paul (2011). Moving the goalposts: modernism and 'World art history'. Third Text, 25(5) pp. 503–513.

Yamagata, Naoko (2011). Male and female spaces in Homer and in Heike monogatari. Japan Studies in Classical Antiquity, 1 pp. 27–41.

Yamagata, Naoko (2011). Penelope and early recognition: Vlahos, Harsh, and Eustathius. College Literature, 38(2) pp. 122–130.

2010To Top

Christian, Kathleen Wren and Drogin, David J. eds. (2010). Patronage and Italian Renaissance Sculpture. Farnham: Ashgate.

da Sousa Correa, Delia and Owens, W. R. eds. (2010). The Handbook to Literary Research. Abingdon: Routledge.

Gupta, Suman and Katsarska, Milena eds. (2010). English Studies On This Side: Post-2007 Reckonings. Plovdiv, Bulgaria: University of Plovdiv Press.

Hack, Karl and Margolin, Jean-Louis eds. (2010). Singapore from Temasek to the 21st Century: Reinventing the Global City. Singapore: National University of Singapore Publishing.

Rebay-Salisbury, Katharina; Sorensen, Marie Louise Stig and Hughes, Jessica eds. (2010). Body Parts and Bodies Whole. Changing Relations and Meanings. Oxford: Oxbow.

Rowland, David ed. (2010). The Correspondence of Muzio Clementi. Muzio Clementi Opera Omnia. Critical Edition, 14. Bologna: Ut Orpheus Edizioni.

Towheed, Shafquat; Crone, Rosalind and Halsey, Katie eds. (2010). The History of Reading. Routledge Literature Readers. London: Routledge.

Allen, Gemma (2010). "a briefe and plaine declaration": Lady Anne Bacon’s 1564 Translation of the Apologia Ecclesiae Anglicanae. In: Lawrence-Mathers, Anne. and Hardman, Phillipa eds. Women and Writing, c.1340-c.1650: The Domestication of Print Culture. Manuscript Culture in the British Isles. Woodbridge: Boydell & Brewer, pp. 62–76.

Allen, Richard (2010). Heritage and nationalism. In: Harrison, Rodney ed. Understanding the Politics of Heritage. Understanding global heritage. Manchester: Manchester University Press, pp. 197–233.

Barker, Elton; Bouzarovski, Stefan; Pelling, Chris and Isaksen, Leif (2010). Mapping an ancient historian in a digital age: the Herodotus Encoded Space-Text-Image Archive (HESTIA). Leeds International Classical Studies, 9(2010) article no. 1.

Barker, Emma (2010). From Charity to Bienfaisance: Picturing Good Deeds in Late Eighteenth-Century France. Journal for Eighteenth-Century Studies, 33(3) pp. 285–311.

Benatti, Francesca (2010). Postgraduate education. Research & Resources in a Digital Age: UCD Irish Virtual Research Library and Archive, 1(1)

Benton, Tim (2010). Review: Pride in modesty: modernist architecture and the vernacular tradition in Italy by Michelangelo Sabatino. Harvard Design Magazine, 33 pp. 141–144.

Benton, Tim (2010). Le Corbusier e il vernacolare: Le Sextant a Les Mathes 1935. In: Canziani, Andrea ed. Le Case per artisti sull'Isola Comacina. Quaderni fondation montandon. Como: NodoLibri, pp. 22–43.

Benton, Tim (2010). Il concorso per il palazzo del Littorio, 1934-1937. In: Reichlin, Bruno and Tedeschi, Letizia eds. Luigi Moretti Razionalismo e trasgressività tra barocco e informale. Milan: Electa.

Benton, Tim and Watson, Nicola (2010). Museum practice and heritage. In: West, Susie ed. Understanding Heritage in Practice. Manchester: Manchester University Press, pp. 127–165.

Brown, Richard Danson (2010). “Modern Bondage” or reading for rhyme. The English Review, 20(4) pp. 2–5.

Brown, Richard Danson (2010). C Day-Lewis: A Life. The Modern Language Review, 105(4) pp. 859–860.

Brown, Richard Danson (2010). Book review: Edmund Spenser, Selected Letters and Other Papers, Christopher Burlinson and Andrew Zurcher (eds). The Modern Language Review, 105(3) pp. 832–834.

Brown, Richard Danson (2010). Book Review: Gerald Dawe (ed) 'Earth Voices Whispering: An Anthology of Irish War Poetry 1914-1945'. Wasafiri, 25(2) pp. 85–87.

Brown, Richard Danson (2010). ‘I would abate the sternenesse of my stile’: diction and poetic subversion in Two Cantos of Mutabilitie’. In: Grogan, Jane ed. Celebrating Mutabilitie: Essays on Edmund Spenser’s Mutabilitie Cantos. Manchester Spenser. Manchester: Manchester University Press, pp. 275–294.

Burrows, Donald (2010). Bringing Europe to Britain: Handel’s first decade in London. Händel-Jahrbuch, 56 pp. 65–77.

Burrows, Donald (2010). What we know – and what we don’t know – about Handel’s career in Rome. In: Ehrmann-Herfort, Sabine and Schnettger, Matthias eds. Georg Friedrich Händel in Rom. Analecta Musicologica (44). Barenreiter, pp. 97–108.

Burrows, Donald (2010). Lists of Musicians for Performances of Handel’s Messiah at the Foundling Hospital, 1754-1777. Royal Musical Association Research Chronicle, 43 pp. 85–109.

Cathcart, Charles (2010). John Davies of Hereford, Marston, and Hall. Ben Jonson Journal, 17(2) pp. 242–248.

Cathcart, Charles (2010). Romeo at the Rose in 1598. Early Theatre, 13(2) pp. 149–162.

Christian, Kathleen Wren (2010). Empire without End: Antiquities Collections in Renaissance Rome, c. 1350-1527. New Haven, CT: Yale University Press.

Clarke, Anna (2010). Spectral Selves and Fragmented Freedoms in Attia Hosain’s Sunlight on a Broken Column. The Journal of Contemporary Literature, 1(2) pp. 215–220.

Clarke, Martin (2010). The Illingworth Moor Singers' Book: a snapshot of Methodist music in the early ninteenth century. Nineteenth-Century Music Review, 7(1) pp. 81–103.

Clarke, Martin (2010). John Frederick Lampe's Hymns on the Great Festivals and Other Occasions. In: Temperley, Nicholas and Banfield, Stephen eds. Music and the Wesleys. Urbana: University of Illinois Press, pp. 52–62.

Towheed, Shafquat, ed. The Sign of Four. By Arthur Conan Doyle (1890). Peterborough, Ontario, Canada, Broadview Press (2010).

Crone, Rosalind (2010). From Sawney Beane to Sweeney Todd: Murder machines in the mid-nineteenth century metropolis. Cultural and Social History, 7(1) pp. 59–85.

Crone, Rosalind (2010). Reappraising Victorian literacy through prison records. Journal of Victorian Culture, 15(1) pp. 3–37.

da Sousa Correa, Delia (2010). Literary research and other media. In: Da Sousa Correa, Delia and Owens, W. R. eds. The Handbook to Literary Research. Abingdon: Routledge, pp. 148–166.

da Sousa Correa, Delia; Kimber, Gerri and Reid, Susan (2010). Katherine Mansfield Studies 2. In Katherine Mansfield Studies Edinburgh University Press.

da Sousa Correa, Delia; Kimber, Gerri and Reid, Susan (2010). Introduction. Katherine Mansfield Studies, 2(1) pp. 1–3.

Day, Gail; Edwards, Steve and Mabb, David (2010). ‘What keeps mankind alive?’: the Eleventh International Istanbul Biennial. Once More on Aesthetics and Politics. Historical Materialism, 18(4) pp. 135–171.

De Renzi, Silvia (2010). The risks of childbirth: physicians, finance, and women's deaths in the law courts of seventeenth-century rome. Bulletin of the History of Medicine, 84(4) pp. 549–577.

Doloughan, Fiona (2010). Bottling the Imagination: writing as metamorphosis in Ali Smith's Girl Meets Boy. New Writing: The International Journal for the Practice and Theory of Creative Writing, 7(3) pp. 241–251.

Doloughan, Fiona J. (2010). Multimodal storytelling: performance and inscription in the narration of art history. In: Page, Ruth ed. New Perspectives on Narrative and Multimodality. Routledge Studies in Multimodality (1). New York and Abingdon, Oxon.: Routledge, pp. 14–30.

Donnachie, Ian (2010). Studying local and regional history in Britain and Ireland: The Open University MA in History. Scottish Local History Journal, 78 pp. 24–28.

Emsley, Clive (2010). A legacy of conflict? The ‘brutalised veteran’ and violence in Europe after the Great War. In: Avdela, Efi; D'Cruze, Shani and Rowbotham, Judith eds. Problems of Crime and Violence in Europe, 1780-2000: Essays in Criminal Justice. UK: Edwin Mellen Press, pp. 43–64.

Fear, Trevor (2010). Interdictiones domo et ingenio: Timagenes and Propertius: a reading in the dynamics of Augustan exclusion. Arethusa, 43(3) pp. 429–438.

Fraser, Robert (2010). Fiction and the other reader: the reception of imperial adventure romance in Africa. Angles on the English-Speaking World, 10, 99 -107.

Fraser, Robert (2010). Bugger the skylarks: Lawrence and Mansfield at war: a battle in ten scenes. Katherine Mansfield Studies, 2(1) pp. 100–163.

Fraser, Robert (2010). Far removed. Times Literary Supplement(5614) p. 29.

Gaiger, Jason (2010). Aesthetic judgment. In: West, Susie ed. Understanding Heritage in Practice. Manchester: Manchester University Press.

Gibson, Jonathan (2010). Casting off blanks: hidden structures in early modern paper books. In: Daybell, James and Hinds, Peter eds. Material Readings of Early Modern Culture: Texts and Social Practices, 1580-1730. Early Modern Literature in History. Basingstoke: Palgrave Macmillan, pp. 208–228.

Gibson, Jonathan (2010). Letters. In: Hattaway, Michael ed. A New Companion to English Renaissance Literature and Culture. Blackwell Companions to Literature and Culture, 2. Chichester: Blackwell, pp. 453–460.

Green, Peter Geoffrey (2010). 'All Job's stock of asses': The fiction of Laurence Sterne and the theodicy debate. Doctor of Philosophy (PhD) thesis The Open University.

Grell, Ole (2010). "Like the bees, who neither suck nor generate their honey from one flower": the significance of the peregrinatio academica for Danish medical students of the late sixteenth and early seventeenth centuries. In: Grell, Ole Peter; Cunningham, Andrew and Arrizabalaga, Jon eds. Centres of Medical Excellence? Medical Travel and Education in Europe 1500-1789. History of Medicine in Context. Aldershot: Ashgate, pp. 171–189.

Grell, Ole Peter; Cunningham, Andrew and Arriabalaga, Jon eds. (2010). Centres of Medical Excellence? Medical Travel and Education in Europe 1500-1789. History of Medicine in Context. Aldershot: Ashgate.

Gupta, Suman (2010). Conceptualising the art of communist times. Third Text, 24(5) pp. 571–582.

Gupta, Suman (2010). Critical practice in the English Studies classroom: observations in Bulgaria. English Studies, 91(3) pp. 328–343.

Gupta, Suman (2010). Conceptualising classroom observations for a project on higher education English studies in non-Anglophone contexts. American, British and Canadian Studies, 14 pp. 151–167.

Gupta, Suman (2010). Looking for something. In: Elkins, James; Valiavicharska, Zhivka and Kim, Alice eds. Art and Globalization. The Stone Art Theory Institutes (1). University Park, Pennsylvania: Pennsylvania State University Press, pp. 229–236.

Gupta, Suman and Katsarska, Milena (2010). The official record and the receptive field: Zlatyu Boyadzhiev in Communist times. Konsthistorisk Tidskrift/Journal of Arts History, 79(1) pp. 1–17.

Gupta, Suman and Katsarska, Milena (2010). Introduction: on English studies and philology, and on collaboration and contributions. In: Gupta, Suman and Katsarska, Milena eds. English Studies on This Side: Post-2007 Reckonings. Plovdiv, Bulgaria: University of Plovdiv Press, pp. 17–44.

Gupta, Suman and Schneider, Ana-Karina (2010). American, British and Canadian Studies. Vol. 14: Special Issue, English Studies in Romania. The Academic Anglophone Society of Romania, Lucian Blaga University, Sibiu, Romania.

Hack, Karl (2010). The Malayan trajectory in Singapore's history. In: Hack, Karl; Margolin, Jean-Louis and Delaye, Karine eds. Singapore from Temasek to the 21st Century. Singapore: National University of Singapire Press, pp. 243–291.

Hack, Karl (2010). Remaking Singapore 1990-2004: from disciplinarian development to bureaucratic proxy democracy. In: Hack, Karl; Margolin, Jean-Louis and Delaye, Karine eds. Singapore from Temasek to the 21st Century. Singapore: National University of singpaore Publishing, pp. 345–383.

Hack, Karl and Margolin, Jean-Louis (2010). Singapore: reinventing the global city. In: Hack, Karl; Margolin, Jean-Louis and Delaye, Karine eds. Singapore fromTemasek to the 21st Century. Singapore: National University of Singapore Press, pp. 3–36.

Hamer, Laura (2010). Germaine Tailleferre and Hlne Perdriat's Le Marchand d'oiseaux (1923): French feminist ballet? Studies in Musical Theatre, 4(1) pp. 113–120.

Hardwick, Lorna (2010). Negotiating Translation for the Stage. In: Hall, Edith and Harrop, Stephe eds. Theorising Performance: Greek drama, cultural history and critical practice. London: Duckworth, pp. 192–207.

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Haslam, Sara ed. (2010). The Good Soldier by Ford Madox Ford. Ware, Hertfordshire: Wordsworth Editions.

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Herbert, Trevor and Myers, Arnold (2010). Music for the multitude: accounts of bands entering Enderby Jackson's Crystal Palace contests in the 1860s. Early Music, 38(4) pp. 571–584.

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Knowles, Susan Anne (2010). "A Certain Portion of the Whole." Inspectors, Guardians and Anatomists in East Anglia : 1832-1908. Doctor of Philosophy (PhD) thesis The Open University.

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Liddle, Dryden Grant (2010). Power and Finance at the Court of Charles V: Francisco De Los Cobos, Royal Secretary of Charles V. Doctor of Philosophy (PhD) thesis The Open University.

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Marsden, Richard (2010). Book Review: Slaves and Warriors in Early Medieval Britain and Ireland, 800-1200 by Dr. David Wyatt. The Kelvingrove Review, 5, article no. 9.

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Nasta, Susheila; Ahmed, Rehana; Stadtler, Florian; Mukherjee, Sumita; Boehmer, Elleke and Ranasinha, Ruvani (2010). Making Britain: discover how South Asians shaped the nation, 1870-1950. The Open University.

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Norman, Diana (2010). Sanctity, kingship and succession: art and dynastic politics in the lower church at Assisi. Zeitschrift für Kunstgeschichte, 73 pp. 297–334.

Norman, Diana (2010). Politics and piety: locating Simone Martini's Saint Louis of Toulouse altarpiece. Art History, 33(4) pp. 597–619.

Owens, W. R. (2010). Master's-level study in Literature at The Open University: pedagogic challenges and solutions. In: Kayalis, Takis and Natsina, Anastasia eds. Teaching Literature at a Distance: Open, Online and Blended Learning. London: Continuum, pp. 33–43.

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Pledger, Trew Richard Stretton (2010). The social significance of passenger-carrying paddle steamer operations in Britain in the first half of the nineteenth century. Doctor of Philosophy (PhD) thesis The Open University.

Prescott, Lynda (2010). How to read a short story. The English Review, 20(4) pp. 32–34.

Richardson, Carol and Hollingsworth, Mary eds. (2010). The Possessions of a Cardinal: Art, Piety, and Politics, 1450–1700. University Park, PA: Penn State University Press.

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Robson, James (2010). Friends and foes: the people of Lysistrata. In: Stuttard, David ed. Looking at Lysistrata. London: Duckworth, pp. 49–60.

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Rowland, David (2010). Clementi & Co. in international markets. In: Illiano, Roberto and Sala, Luca eds. Instrumental Music and the Industrial Revolution. Ad Parnassum Studies (5). Bologna: Ut Orpheus Edizioni, pp. 525–542.

Rowland, David (2010). Chopin and early nineteenth century piano schools. In: Szklener, Artur ed. The Sources Of Chopin’s Creative Style: Inspirations And Contexts. Warsaw: Narodowy Instytut Fryderyka Chopina, pp. 83–96.

Samuels, Robert (2010). The Double Articulation of Schubert: Reflections on Der Doppelgänger. The Musical Quarterly, 93(2) pp. 192–233.

Samuels, Robert (2010). Mahler within Mahler: allusion as quotation, self-reference, and metareference. In: Bernhart, Walter and Wolf, Werner eds. Self-Reference in Literature and Other Media. Word and Music Studies (11). Amsterdam: Rodopi, pp. 33–50.

Slight, John (2010). British Perceptions and Responses to Sultan Ali Dinar of Darfur, 1915–16. Journal of Imperial and Commonwealth History, 38(2) pp. 237–260.

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Towheed, Shafquat (2010). Reading in the digital archive. Journal of Victorian Culture, 15(1) pp. 139–143.

Towheed, Shafquat (2010). ‘Music is not merely for musicians’: Vernon Lee's musical reading and response. Yearbook of English Studies, 40(1-2) pp. 273–294.

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Towheed, Shafquat; Crone, Rosalind and Halsey, Katie (2010). Examining the evidence of reading: three examples from the Reading Experience Database, 1450-1945. In: Gunzenhauser, Bonnie ed. Reading in History: New Methodologies from the Anglo-American Tradition. The History of the Book. London: Pickering and Chatto, pp. 29–45.

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Winters, Ben (2010). The non-diegetic fallacy: film, music, and narrative space. Music & Letters, 91(2) pp. 224–244.

Woods, Kim (2010). The supply of alabaster in Northern and Mediterranean Europe in the Later Middle Ages. In: Kirby, Jo; Nash, Susie and Cannon, Joanna eds. Trade in Artists' Materials: Markets and Commerce in Europe to 1700. London, UK: Archeype Publications, pp. 86–93.

Wright, Patrick (2010). A Timeless Sublime? reading the feminine sublime in the discourse of the sacred. Angelaki, 15(2) pp. 85–100.

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2009To Top

Burrows, Donald ed. (2009). Georg Friedrich Händel, ‘Messiah’. Documenta Musicologica, Zweite Reihe, Handschriften, xl. Kassel, Germany: Barenreiter.

Burrows, Donald ed. (2009). Handel's Will: Facsimiles and Commentary. London: Gerald Coke Handel Foundation.

Gupta, Suman; Basu, Tapan and Chattarji, Subarno eds. (2009). Globalization in India: Contents and Discontents. Delhi: Pearson Education.

Laurence, Anne; Maltby, Josephine and Rutterford, Janette eds. (2009). Women and their money 1700-1950: Essays on women and finance. London: Routledge.

Mateer, David, ed. The Gyffard Partbooks II. By . London, Stainer & Bell (2009).

Montgomery, Heather and Watson, Nicola eds. (2009). Children's literature: Classic texts and contemporary trends. Houndmills, Basingstoke: Palgrave Macmillan.

Neale, Derek ed. (2009). A creative writing handbook: developing dramatic technique, individual style and voice. London: A&C Black.

Swaddling, Judith and Perkins, Philip eds. (2009). Etruscan by Definition: The Cultural, Regional and Personal Identity of the Etruscans. The British Museum Research Publications (173). London: The British Museum Press.

Watson, Nicola J. ed. (2009). Literary Tourism and Nineteenth-Century Culture. Houndmills, Basingstoke: Palgrave Macmillan.

Watson, Nicola J. and Maybin, Janet eds. (2009). Children's Literature: Approaches and Territories. Basingstoke, England: Palgrave Macmillan in association with The Open University.

Anderson, Linda (2009). Film technique in fiction. In: Neale, Derek ed. A Creative Writing Handbook. London: A & C Black/The Open University, pp. 149–163.

Anderson, Linda and Neale, Derek (2009). Writing fiction. Abingdon: Routledge.

Asbee, Sue (2009). "To Write a Great Story": Margiad Evans' Illness Narratives. In: Bartoszko, Aleksandra and Vaccarella, Maria eds. The Patient: Probing Interdisciplinary Boundaries. Inter-Disciplinary Press, pp. 55–64.

Bakogianni, Anastasia (2009). The taming of a tragic heroine: Electra in eighteenth-century art. International Journal of the Classical Tradition, 16(1) pp. 19–57.

Bakogianni, Anastasia (2009). Voices of resistance: Michael Cacoyannis’ The Trojan Women (1971). The Bulletin of the Institute of Classical Studies, 52(1) pp. 45–68.

Bakogianni, Anastasia (2009). Electra in Sylvia Plath’s poetry: a case of identification. In: Harrison, Stephen J. ed. Living Classics: Greece and Rome in Contemporary Poetry in English. Oxford: OUP, pp. 194–217.

Barker, Emma (2009). Imaging childhood in eighteenth-century France: Greuze's Little Girl with a Dog. Art Bulletin, 91(4) pp. 426–445.

Barker, Elton (2009). Entering the Agon: Dissent and authority in Homer, historiography and tragedy. Oxford, UK: Oxford University Press.

Barker, Emma (2009). Rehabilitating the Rococo. Oxford Art Journal, 32(2) pp. 306–313.

Benatti, Francesca (2009). Irish patriots and Scottish adventurers: the Irish Penny Journal, 1840-1841. Canadian Journal of Irish Studies, 35(2) pp. 36–41.

Benatti, Francesca (2009). Charles Gavan Duffy. In: Brake, Laurel and Demoor, Marysa eds. Dictionary of Nineteenth-Century Journalism in Great Britain and Ireland. Gent and London: Academia Press and British Library, p. 184.

Benatti, Francesca (2009). John Mitchel. In: Brake, Laurel and Demoor, Marysa eds. Dictionary of Nineteenth-Century Journalism in Great Britain and Ireland. Gent and London: Academia Press and British Library, pp. 419–420.

Benatti, Francesca (2009). Philip Dixon Hardy. In: Brake, Laurel and Demoor, Marysa eds. Dictionary of Nineteenth-Century Journalism in Great Britain and Ireland. Gent and London: Academia Press and British Library.

Benatti, Francesca (2009). Samuel Lover. In: Brake, Laurel and Demoor, Marysa eds. Dictionary of Nineteenth-Century Journalism in Great Britain and Ireland. Gent and London: Academia Press and British Library, pp. 380–381.

Benatti, Francesca (2009). The Shamrock, 1866-1919? In: Brake, Laurel and Demoor, Marysa eds. Dictionary of Nineteenth-Century Journalism in Great Britain and Ireland. Gent and London: Academia Press and British Library, p. 569.

Benatti, Francesca (2009). The Ulsterman (1852-1858); later the Irishman (1858-1885). In: Brake, Laurel and Demoor, Marysa eds. Dictionary of Nineteenth-Century Journalism in Great Britain and Ireland. Gent and London: Academia Press and British Library.

Benatti, Francesca (2009). William Carleton, 1794-1869. In: Brake, Laurel and Demoor, Marysa eds. Dictionary of Nineteenth-Century Journalism in Great Britain and Ireland. Gent and London: Academia Press and British Library.

Benatti, Francesca (2009). William Curry Jnr., d.1870. In: Brake, Laurel and Demoor, Marysa eds. Dictionary of Nineteenth-Century Journalism in Great Britain and Ireland. Gent and London: Academia Press and British Library.

Benton, Tim (2009). The Rhetoric of Modernism: Le Corbusier as Lecturer. Basel: Birkhäuser Publications.

Benton, Tim (2009). New books on Le Corbusier. Journal of Design History, 22(3) pp. 271–284.

Benton, Tim (2009). The art of the well-tempered lecture: Reyner Banham and Le Corbusier. In: Aynsley, Jeremy and Atkinson, Harriet eds. The Banham Lectures: Essays on Designing the Future. Oxford, UK and New York, USA: Berg, pp. 11–32.

Brown, Richard Danson (2009). Louis MacNeice and the Poetry of the 1930s. Writers and their Work. Tavistock, UK: Northcote House Publishers Ltd.

Brown, Richard Danson (2009). Book review: Andrew Zurcher, Spenser's Legal Language: Law and Poetry in Early Modern England. The Modern Language Review, 104(2) pp. 546–548.

Burrows, Donald (2009). Händel: Arienalbum, Frauenrollen für hohe Stimme aus Händels opern. Bärenreiter, Kassel.

Burrows, Donald (2009). G. F. Handel, Ode for St Cecilia's Day - the New Novello Choral edition. Novello & Company.

Burrows, Donald (2009). The Royal Music Library and its Handel collection. The Electronic British Library Journal, 2009, article no. 2.

Burrows, Donald (2009). A Sacred Oratorio for the Theatre: an Experiment that nearly failed. Händel-Jahrbuch, 55 pp. 135–144.

Burrows, Donald (2009). Didn’t Handel go to Oxford in 1749? Musical Times, 150(1909) pp. 31–38.

Burrows, Donald (2009). Die Kastratenrollen in Händels Londoner Opern. In: Jacobshagen, Arnold and Mucke, Panja eds. Handels Opern. Das Handbuch. Das Händel-Handbuch (2). Laaber, pp. 143–163.

Burrows, Donald (2009). Who does what, when? On the instrumentation of the basso continuo and the use of the organ in Handel’s English oratorios. In: King, Richard G. ed. Handel Studies: a Gedenkschrift for Howard Serwer. Hillsdale, NY: Pendragon, pp. 107–126.

Cathcart, Charles (2009). Lampatho's 'Delicious Sweet' in Marston's What You Will. Notes and Queries, 56(4) pp. 610–612.

Cathcart, Charles (2009). How a Man may Choose A Good Wife from a Bad and The Taming of the Shrew. Notes and Queries, 56(4) pp. 612–615.

Cathcart, Charles (2009). Old Plays and the General Reader: an Essay in Praise of the Regents Renaissance Drama Series. Early Modern Literary Studies, 14(3), article no. 5.

Clarke, Martin (2009). John Wesley’s “Directions for Singing”: Methodist Hymnody as an Expression of Methodist Beliefs in Thought and Practice. Methodist History, 47(4) pp. 196–209.

Clayton, Martin (2009). Crossing boundaries and bridging gaps: Thoughts on relationships between ethnomusicology and music psychology. Empirical Musicology Review, 4(2) pp. 75–77.

Clayton, Martin (2009). Local practice, global network: The guitar in India as a case study. In: Wolf, Richard ed. Theorizing the local: Music, practice and experience in South Asia and beyond. New York: Oxford University Press, pp. 65–78.

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Colclough, Stephen and Vincent, David (2009). Reading. In: McKitterick, David ed. The Cambridge History of the Book in Britain Vol. VI. Cambridge: Cambridge University Press, pp. 281–323.

Crone, Rosalind (2009). Crime–and its fabrication: A review of new digital resources in the history of crime. Journal of Victorian Culture, 14(1) pp. 125–133.

Cross, Myra Lesley (2009). The depiction of Germans in British films: How it changes, how far such changes reflect government policy and public opinion. Doctor of Philosophy (PhD) thesis The Open University.

da Sousa Correa, Delia (2009). Introduction. Katherine Mansfield Studies, 1(1) pp. 1–3.

da Sousa Correa, Delia; Chornik, Katia and Samuels, Robert (2009). Literature and music: Interdisciplinary research and teaching at the Open University. Working With English: Medieval and Modern Language, Literature and Drama, 5 pp. 50–61.

Desmond, Adrian and Moore, James A. (2009). Darwin's Sacred Cause: Race, Slavery And The Quest For Human Origins. London: Houghton Miffin Harcourt Publishing Company.

Doloughan, Fiona J. (2009). Text design and acts of translation: the art of textual remaking and generic transformation. Translation and Interpreting Studies, 4(1) pp. 101–115.

Donnachie, Ian (2009). World heritage. In: Harrison, Rodney ed. Understanding the Politics of Heritage. Understanding Global Heritage. Manchester: Manchester University Press, pp. 115–153.

Donnachie, Ian (2009). A New Moral World? International Dimensions of Owenism 1815-1830. In: Russell, Elizabeth ed. Transforming Utopia. Looking Forward to the End, Volume vol 1. Oxford: Peter Lang AG, pp. 185–193.

Donnachie, Ian (2009). Land transport. Roads, 1600-1900. In: Veitch, Kenneth ed. Scottish Life and Society: Transport and Communications. A Compendium of Scottish Ethnology, 8. Edinburgh: John Donald / The European Ethnological Research Centre, pp. 314–338.

Edwards, Stephen (2009). Commons and crowds: figuring photography from above and below. Third Text, 23(4) pp. 447–464.

Edwards, Steve (2009). Apocalyptic Sublime: On the Brighton Photo-Biennial. Historical Materialism, 17(2) pp. 84–102.

Emsley, Clive (2009). The Great British Bobby: A History of British Policing from the 18th Century to the Present. London: Quercus.

Fraser, Robert (2009). Mere Idle Calumnies: How Sir James Frazer's anthopological open-mindedness was misappropriated to support a Blood Libel - and how he responded. Times Literary Supplement pp. 13–15.

Fraser, Robert (2009). The Tiger That Pounced; The African Writers Series (1962-2003) and the Online Reader. In: Satpathy, Sumanyu ed. Southern Postcolonialisms. Delhi, India: Routledge, 30 -49.

Gaiger, Jason (2009). Dismantling the Frame: Site-Specific Art and Aesthetic Autonomy. British Journal of Aesthetics, 49(1) pp. 43–58.

Gaiger, Jason (2009). Incidental and Integral Beauty: Duchamp, Danto and the Intractable Avant-Garde. In: Beech, Dave ed. Beauty. Documents of Contemporary Art. London and Cambridge ,Massachusetts: Whitechapel Gallery and the MIT Press, pp. 119–125.

Gibson, Jonathan (2009). Tragical histories, tragical tales. In: Pincombe, Mike and Shrank, Cathy eds. Oxford Handbook of Tudor Literature, 1485-1603. Oxford: Oxford University Press, pp. 521–536.

Gibson, Jonathan and Wright, Gillian (2009). Editing Perdita: texts, theories, readers. In: Hurley, Ann Hollinshead and Goodblatt, Chanita eds. Women Editing/Editing Women: Early Modern Women Writers and the New Textualism. Newcastle upon Tyne: Cambridge Scholars Publishing, pp. 155–173.

Golding, Rosemary (2009). Musical Chairs: the Construction of ‘Music’ in Nineteenth-Century British Universities. Nineteenth-Century Music Review, 6(2) pp. 19–39.

Graham, Emma-Jayne (2009). Becoming persons, becoming ancestors: personhood, memory and the corpse in Roman rituals of social remembrance. Archaeological Dialogues, 16(1) pp. 51–74.

Green, Helen (2009). Meetings of City and Court: Music and Ceremony in the Imperial Cities of Maximilian I. In: Hartmann, Sieglinde and Müller, Ulrich eds. Kaiser Maximilian I. (1459 bis 1519) und die Hofkultur seiner Zeit. Jahrbuch Der Oswald Von Wolkenstein Gesellschaft, 17. Reichert, pp. 261–274.

Greenwell, Bill (2009). 156 satirical poems 1998-2002. New Statesman.

Greenwell, Bill (2009). Vision and revision. In: Neale, Derek; Anderson, Linda and Greenwell, Thomas eds. A Creative Writing Handbook: Developing Dramatic Technique, Individual Style and Voice. London: A & C Black, pp. 28–40.

Greenwell, Bill (2009). Conflict and contrast. In: Neale, Derek; Greenwell, Bill and Anderson, Lindsay eds. A Creative Writing Handbook: Developing Dramatic Technique, Individual Style and Voice. London: A & C Black, pp. 14–27.

Greenwell, Bill (2009). Rhetoric and style. In: Neale, Derek; Greenwell, Bill and Anderson, Lindsay eds. A Creative Writing Handbook: Developing Dramatic Technique, Individual Style and Voice. London: A & C Black, pp. 196–209.

Greenwell, Bill (2009). Using analogy. In: Neale, Derek; Greenwell, Bill and Anderson, Lindsay eds. A Creative Writing Handbook: Developing Dramatic Technique, Individual Style and Voice. London: A & C Black, pp. 210–227.

Greenwell, Bill (2009). Poetry: the freedom of form. In: Neale, Derek; Greenwell, Bill and Anderson, Lindsay eds. A Creative Writing Handbook: Developing Dramatic Technique, Individual Style and Voice. London: A & C Black, pp. 196–209.

Greenwell, Bill (2009). Time and timing. In: Neale, Derek; Greenwell, Bill and Anderson, Lindsay eds. A Creative Writing Handbook: Developing Dramatic Technique, Individual Style and Voice. London: A & C Black, pp. 249–261.

Greenwell, Bill (2009). Theme and sequence. In: Neale, Derek; Greenwell, Bill and Anderson, Lindsay eds. A Creative Writing Handbook: Developing Dramatic Technique, Individual Style and Voice. London: A & C Black, pp. 262–276.

Grell, Ole Peter (2009). The creation of a transnational, Calvinist network and it's significance for Calvinist identity and interaction in early modern Europe. European Review of History, 16(5) pp. 619–634.

Grell, Ole Peter (2009). Social crisis and spiritual renewal: The reformation and attempts to solve the growing problems of poverty, migration and vagrancy in the Sixteenth Century. In: Dahlerup, Troels and Ingesman, Per eds. New Approaches to the History of late medieval and early modern history. Historisk-Filosofiske Meddelelser (104). Copenhagen: The Royal Danish Academy of Sciences and Letters, pp. 416–444.

Gupta, Suman (2009). From crowds to transnational massing: presence and representation. Storia della Storiografia, 55 pp. 128–143.

Gupta, Suman (2009). Re-Reading Harry Potter (2nd Edn). Houndmills: Palgrave Macmillan.

Gupta, Suman (2009). Globalization and Literature. Cambridge: Polity.

Gupta, Suman (2009). Institutional histories of literary disciplines. In: Da Sousa Correa, Delia and Owens, W. R. eds. The Handbook to Literary Research. London: Routledge, pp. 89–108.

Gupta, Suman (2009). The place of theory in literary disciplines. In: Da Sousa Correa, Delia and Owens, W. R. eds. The Handbook to Literary Research. London: Routledge, pp. 109–130.

Gupta, Suman (2009). The origins and impact of outsourcing: reconfiguring the post-colonial city. In: Gupta, Suman; Basu, Tapan and Chattarji, Subarno eds. Globalization in India: Contents and Discontents. Delhi: Pearson, pp. 18–33.

Gupta, Suman (2009). Harry Potter Goes to China. In: Maybin, Janet and Watson, Nicola J. eds. Children’s Literature: Approaches and Territories. Basingstoke: Palgrave Macmillan, pp. 338–352.

Hack, Karl (2009). The origins of the Asian Cold War: Malaya 1948. Journal of Southeast Asian Studies, 40(3) pp. 471–496.

Hack, Karl (2009). The Malayan Emergency as counter-insurgency paradigm. Journal of Strategic Studies, 32(3) pp. 383–414.

Hack, Karl (2009). Extracting counterinsurgency lessons: The Malayan Emergency and Afghanistan. History on Rusi.org, Expand

Hack, Karl and Wade, Geoff (2009). The origins of the Southeast Asian Cold War. Journal of Southeast Asian Studies, 40(3) pp. 441–448.

Hall, Mark M. and Hamer, Laura A. (2009). Der Einfluss der Eisenbahn auf das Konzertwesen des 19. Jahrhunderts. In: Angewandte Geoinformatik 2009 - Beiträge zum 21. AGIT-Symposium Salzburg, 8-10 Jul 2009, Salzburg Universität, Austria.

Hardwick, Lorna (2009). Book Review: Heretical Hellenism: Women Writers, Ancient Greece and the Victorian Popular Imagination (Shanyn Fiske). Romanticism and Victorianism on the Net, 55,

Hardwick, Lorna (2009). Is 'the Frail Silken Line' worth more than 'a Fart in a Bearskin'? or, how translation practice matters in poetry and drama. In: Harrison, S. J. ed. Living Classics: Greece and Rome in Contemporary Poetry in English. Classical presences. Oxford: Oxford University Press, pp. 172–193.

Hardwick, Lorna (2009). Can (modern) poets do classical drama? The case of Ted Hughes. In: Rees, Roger ed. Ted Hughes and the Classics. Classical Presences. Oxford, UK: Oxford University Press, pp. 39–61.

Haslam, Sara (2009). 'To Cook, or to Paint, in Paris? Ford in Colour'. In: Colombino, Laura ed. Ford Madox Ford and Visual Culture. International Ford Madox Ford Studies, 8. Amsterdam; New York: Rodopi, pp. 85–97.

Haslam, Sara (2009). Wessex, literary pilgrims and Thomas Hardy. In: Watson, Nicola ed. Literary Tourism and Nineteenth-Century Culture. Basingstoke: Palgrave Macmillan, pp. 164–175.

Haslam, Sara and Neale, Derek (2009). Life writing. Abingdon: Routledge.

Hazareesingh, Sandip (2009). Interconnected synchronicities: the production of Bombay and Glasgow as modern global ports c.1850–1880. Journal of Global History, 4(1) pp. 7–31.

Hazareesingh, Sandip and Curry-Machado, Jonathan (2009). Commodities, Empires, and Global History (Guest Editorial, Special Issue of the Journal of Global History). Journal of Global History, 4(1) pp. 1–5.

Herbert, Trevor (2009). Music in Words: A Guide to Researching and Writing about Music. UK: Oxford University Press.

Herbert, Trevor (2009). Trombone idiom in the twentieth century: classical, jazz, and hybrid influences. In: Weiner, Howard T. ed. Early Twentieth-Century Brass Idioms: Art, Jazz, and Other Popular Traditions. Studies in Jazz. Lanham, MD, USA: Scarecrow Press.

Herbert, Trevor (2009). Introduction: Brass playing in the early twentieth century: idioms and cultures of performance. In: Weiner, Howard T. ed. Early Twentieth-Century Brass Idioms: Art, Jazz, and Other Popular Traditions. Studies in Jazz (58). Lanham, MD: Scarecrow Press, xi-xvii.

Hobden, Fiona (2009). History meets fiction in Doctor Who, 'The Fires of Pompeii': a BBC reception of ancient Rome on screen and online. Greece & Rome, 56(2) pp. 147–163.

Hobden, Fiona (2009). The Politics of the Sumposion. In: Graziosi, Barbara; Vasunia, Phiroze and Boys-Stones, George eds. The Oxford Handbook of Hellenic Studies. Oxford: Oxford University Press, pp. 271–280.

Hobden, Fiona (2009). Symposion and the rhetorics of commensality in Demosthenes 19, On the False Embassy. In: Mann, Christian; Haake, Matthias and von den Hoff, Ralf eds. Rollenbilder in der athenischen Demokratie: Medien, Gruppen, Räume im politischen und sozialen System. Wiesbaden: Reichert Verlagen, pp. 71–87.

Hope, Valerie (2009). Roman death: the dying and the dead in Ancient Rome. London: Continuum.

Hope, Valerie (2009). At home with the dead: Roman funeral traditions and Trimalchio's tomb. In: Prag, Jonathan R. W. and Repath, Ian D. eds. Petronius: a Handbook. Chichester: John Wiley and Sons Ltd, pp. 140–160.

Hughes, Jessica (2009). Personifications and the Ancient Viewer: The Case of the Hadrianeum 'Nations'. Art History, 32(1) pp. 1–20.

Hultgren, Anna Kristina (2009). Linguistic Regulation and Interactional Reality: A Sociolinguistic Study of Call Centre Service Transactions. Doctor of Philosophy (PhD) thesis University of Oxford.

James, Paula (2009). Paideia at Play: Learning and Wit in Apuleius - Reviewed by Paula James. Ancient Narrative, 8, pp. 167–179.

James, Paula (2009). Crossing classical thresholds: Gods, monsters and Hell dimensions in the Whedon universe. In: Lowe, Dunstan and Shahabudin, Kim eds. Classics for All: Reworking Antiquity in Mass Culture. Cambridge, UK: Cambridge Scholars Publishing, pp. 237–260.

Johnson, David (2009). Remembering the Khoikhoi victory over Dom Francisco Almeida at the Cape in 1510. Postcolonial Studies, 12(1) pp. 107–130.

Katritzky, M. A. (2009). Book review: From Physick to Pharmacology: Five Hundred Years of British Drug Retailing. The Sixteenth Century Journal, 40(4) pp. 1167–1169.

Katritzky, M.A. (2009). Quacksalber in den Schriften Christian Weises und Johann Kuhnaus: Der Politische Quacksalber (1693) und Der Musicalische Qvack=salber (1700). In: Hesse, Peter ed. Poet und Praeceptor Christian Weise (1642 - 1708) zum 300. Todestag; Tagungsband. Dresden: Neisse Verlag, pp. 319–340.

King, Edmund (2009). Lewis Theobald, Double Falshood, and the 1733 Works of Shakespeare. In: International Cardenio Colloquium, 22-24 May 2009, Victoria University of Wellington, New Zealand.

King, Helen (2009). Medicine. In: Erskine, Andrew ed. A Companion to Ancient History. London: Wiley-Blackwell, pp. 403–413.

Laurence, Anne (2009). Using buildings to understand social history: Britain and Ireland in the seventeenth century. In: Harvey, Karen ed. History and Material Culture. Routledge Guides to Using Historical Sources. London, UK: Routledge, pp. 103–122.

Laurence, Anne (2009). Women, banks and the securities market in early eighteenth century England. In: Laurence, Anne; Maltby, Josephine and Rutterford, Janette eds. Women and their Money 1700-1950: Essays on Women and Finance. Routledge International Studies in Business History. London: Routledge, pp. 46–58.

Laurence, A.; Maltby, J. and Rutterford, J. (2009). Introduction. In: Laurence, A.; Maltby, J and Rutterford, J. eds. Women and Their Money 1700-1950: Essays on Women in Finance. Routledge.

Laurence, Anne (2009). Women and the Transmission of Property: Inheritance in the British Isles in the 17th Century. Dix-septième siècle, 244(3) pp. 435–450.

Leante, Laura (2009). The Lotus and the King: Imagery, Gesture and Meaning in a Hindustani Rāg. Ethnomusicology Forum, 18(2) pp. 185–206.

Llewellyn-Jones, Lloyd and Robson, James (2009). Ctesias' History of Persia: Tales of the Orient. Routledge Classical Translations. Abingdon, Oxon: Routledge.

Loftus, Donna (2009). Limited liability, market democracy, and the social organization of production in mid-nineteenth century Britain. In: Henry, Nancy and Schmitt, Cannon eds. Victorian Investments: New Perspectives on Finance and Culture. Bloomington: Indiana University Press, pp. 79–97.

Marsden, Richard (2009). Scottish Burgh Record Scholarship c. 1830-1880. In: McNair, Aimee and Ryder, Jacqueline eds. Further from the Frontiers: Crosscurrents in Irish and Scottish Studies. Aberdeen: AHRC Centre for Scottish and Irish Studies, pp. 75–87.

McKellar, Elizabeth (2009). The suburban villa tradition in seventeenth and eighteenth-century London. In: Arciszewska, Barbara ed. The Baroque Villa: Suburban and Country Residencies c.1600-1800. Warsaw: Wilanow Palace Museum, pp. 197–208.

Moore, James (2009). Darwin's Cambridge [essay]. Cambridge University Press, Cambridge, UK.

Moore, James (2009). Religion and Science. In: Bowler, Peter J. and Pickstone, John V. eds. Modern Biological and Earth Sciences. The Cambridge History of Science, 6. Cambridge: Cambridge University Press, pp. 541–562.

Moore, James (2009). Myth 16. That evolution destroyed Charles Darwin’s faith in christianity—until he reconverted on his deathbed. In: Numbers, Ronald L. ed. Galileo goes to jail and other myths about science and religion. Cambridge, Mass: Harvard University Press, pp. 142–151.

Nasta, Susheila (2009). "Beyond the frame": Writing a life and Jamaica Kincaid's family album. Contemporary Women's Writing, 3(1) pp. 64–86.

Nasta, Susheila (2009). Everything to declare. Wasafiri, 24(3) pp. 1–3.

Neale, Derek (2009). CASE STUDY 3: Literature and Film - Reading Film: An Angel at My Table. In: Da Sousa Correa, Delia and Owens, W. R. eds. The Handbook to Literary Research 2nd Edition. Abingdon: Routledge, pp. 162–165.

Neale, Derek (2009). Writing stage plays. In: Neale, Derek ed. A Creative Writing Handbook: developing dramatic technique, individual style and voice. London: A&C Black, pp. 41–92.

Neale, Derek (2009). Writing radio drama. In: Neale, Derek ed. A Creative Writing Handbook: developing dramatic technique, individual style and voice. London: A&C Black, pp. 93–112.

Neale, Derek (2009). Writing films. In: Neale, Derek ed. A Creative Writing Handbook: developing dramatic technique, individual style and voice. London: A&C Black, pp. 113–133.

Neale, Derek (2009). Playing with genre. In: Neale, Derek ed. A Creative Writing Handbook: developing dramatic technique, individual style and voice. London: A&C Black, pp. 1–13.

Neale, Derek (2009). Splicing the strands. In: Neale, Derek ed. A Creative Writing Handbook: developing dramatic technique, individual style and voice. London: A&C Black, pp. 164–180.

Neale, Derek (2009). Revealing secrets. In: Neale, Derek ed. A Creative Writing Handbook. London: A&C Black, pp. 58–72.

Neale, Derek (2009). Staging stories. In: Neale, Derek ed. A Creative Writing Handbook: developing dramatic technique, individual style and voice. London: A&C Black, pp. 73–92.

Neale, Derek (2009). Film structure. In: Neale, Derek ed. A Creative Writing Handbook: developing dramatic technique, individual style and voice. London: A&C Black, pp. 134–148.

Neale, Derek (2009). Voices in fiction. In: Neale, Derek ed. A Creative Writing Handbook: developing dramatic technique, individual style and voice. London: A&C Black, pp. 181–195.

Norman, Diana (2009). The prince and the bishop: A new hypothesis for Tabernacle 35 in Siena’s Pinacoteca Nazionale. Studies in Iconography, 30 pp. 96–125.

Norman, Diana (2009). Cardinal of Naples and Cardinal in Rome: The Patronage of Oliviero Carafa. In: Hollingsworth, Mary and Richardson, Carol M. eds. The Possessions of a Cardinal: Politics, Piety, and Art, 1450-1700. University Park, Pennsylvania: The Pennsylvania State University Press, pp. 77–91.

Owens, W. R. (2009). The Canon and the curriculum. In: Gupta, Suman and Katsarska, Milena eds. English Studies On This Side: Post-2007 Reckonings. Plovdiv, Bulgaria: Plovdiv University Press, pp. 47–59.

Paul, Joanna (2009). Oliver Stone’s Alexander and the cinematic epic tradition. In: Cartledge, Paul and Greenland, Fiona Rose eds. Responses to Oliver Stone’s Alexander: Film, History and Culture Studies. Madison, Wisconsin, USA: University of Wisconsin Press, pp. 15–35.

Paul, Joanna (2009). 'I fear it's potentially like Pompeii’: disaster, mass media and the ancient city. In: Lowe, Dunstan and Shahabudin, Kim eds. Classics for All: Reworking Antiquity in Mass Culture. Newcastle-upon-Tyne, UK: Cambridge Scholars Publishing, pp. 91–108.

Paul, Joanna (2009). Fellini-Satyricon: Petronius and Film. In: Prag, Jonathan R. W. and Repath, Ian D. eds. Petronius: A Handbook. Oxford, UK: Wiley - Blackwell, pp. 198–217.

Perkins, Phil (2009). Sicily. In: Gagarin, Michael ed. The Oxford Encyclopedia of Ancient Greece and Rome. New York, USA: Oxford University Press.

Perkins, Phil and Schafer, Sally (2009). The Villa Pigneto Sacchetti excavation: a new interpretation. Papers of the British School at Rome, 77(2009) pp. 273–290.

Perkins, Philip (2009). DNA and Etruscan Identity. In: Perkins, Philip and Swaddling, Judith eds. Etruscan by Definition: Papers in Honour of Sybille Haynes. The British Museum Research Publications (173). London, UK: The British Museum Press, pp. 95–111.

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Perry, Gill (2009). Watery Weather: Roni Horn in Iceland. Art History, 32(1) pp. 177–182.

Plassart, Anna (2009). ‘Un impérialiste libéral’? Jean-Baptiste Say on colonies and the extra-european world. French Historical Studies, 32(2) pp. 223–250.

Richardson, Carol M. (2009). Reclaiming Rome: Cardinals in the Fifteenth Century. Studies in Intellectual History, 173. Leiden: Brill.

Richardson, Carol M. (2009). The English College Church in the 1580s: Durante Alberti's altarpiece and Niccolo Circignani's frescoes. In: O'Connor, Murphy; Violins, Paul; Riotta, Claudio; Broggi, Angelo; Headon, Andrew; Champ, Judith; Duffy, Eamon; Marascialli, Sara; Hudson, Nicholas and Richardson, Carol M. eds. The Church of the English College in Rome: Its History, its Restoration. Rome: Gangemi Editore, pp. 34–51.

Richardson, Carol M. (2009). The Churches of the Venerable English College. In: O'Connor, Murphy; Violins, Paul; Riotta, Claudio; Broggi, Angelo; Headon, Andrew; Champ, Judith; Duffy, Eamon; Marascialli, Sara; Hudson, Nicholas and Richardson, Carol M. eds. The Church of the English College in Rome: Its History, its Restoration. Rome: Gangemi Editore, pp. 68–85.

Robson, James (2009). Aristophanes: An Introduction. London: Duckworth.

Rothe, Ursula (2009). Dress and Cultural Identity in the Rhine-Moselle Region of the Roman Empire. British Archaeological Reports, 2009 (S2038). Oxford: Archaeopress.

Rowland, David (2009). Piano businesses in England and France. In: Getreau, Florence ed. Le pianoforte en France 1780-1820. Musique Images Instruments (11). Paris: CNRS Editions, pp. 127–135.

Nasta, Susheila, ed. Moses Migrating: A Novel (new edition). By Samuel Selvon (1983). Boulder, Colorado, Lynne Reiner (2009).

Stadtler, Florian (2009). Terror, globalization and the individual in Salman Rushdie's Shalimar the Clown. Journal of Postcolonial Writing, 45(2) pp. 191–199.

Swift, L. A. (2009). The symbolism of space in Euripidean choral fantasy (Hipp. 732-85, Med. 824-65, Bacch. 370-433). Classical Quarterly, 59(2) pp. 364–382.

Swift, L. A. (2009). Sexual and familial distortion in Euripides' Phoenissae. Transactions of the American Philological Association, 139(1) pp. 53–87.

Swift, Laura (2009). How to make a goddess angry: making sense of the Demeter Ode in Euripides' Helen. Classical Philology, 104(4) pp. 418–438.

Taylor, Clare (2009). Chinese papers and English imitations in 18th Century Britain. In: Stavenow-Hidemark, Elisabet ed. New Discoveries New Research: Papers from the International wallpaper conference held at the Nordiska Museet, Stockholm, 2007. Stockholm: Nordiska Museets Forlag, pp. 36–53.

Tickell, Alex (2009). Cawnpore, Kipling and Charivari: 1857 and the politics of commemoration. Literature and History, 18(2) pp. 1–19.

Tickell, Alex (2009). Kipling's famine-romance: masculinity, gender and colonial biopolitics in “William the Conqueror”. Journal of Postcolonial Writing, 45(3) pp. 251–263.

Towheed, Shafquat (2009). Tools and techniques for literary research: Using online and printed sources. In: Da Sousa Correa, Delia and Owens, W. R. eds. The Handbook to Literary Research (Second Edition). Abingdon: Routledge, pp. 9–35.

Towheed, Shafquat (2009). Territory, space, modernity: Elizabeth Bowen's 'The Demon Lover and Other Stories' and wartime London. In: Osborn, Susan ed. Elizabeth Bowen: New Critical Perspectives. Cork: Cork University Press, pp. 113–131.

Towheed, Shafquat (2009). Reading History and Nation: Robert Louis Stevenson's Reading of William Forbes-Mitchell's Reminiscences of the Great Mutiny 1857-9. Nineteenth-Century Contexts, 31(1) pp. 3–17.

Van de Noort, Robert; Whitehouse, David; Becker, Marshall; Blagg, Thomas; Burnett, Douglas; Caruso, Ida; Claridge, Amanda; Clark, Gill; Costantini, Loredana; Costantini, Lorenzo; Hall Burke, Belinda; Lyttelton, Margaret; Napolitani, Gilberto; Patterson, Helen; Perkins, Philip; Rovelli, Alessia and Sutherland, Sheila (2009). Excavations at Le Mura di Santo Stefano, Anguillara Sabazia. Papers of the British School at Rome, 77(2009) pp. 159–223.

Vincent, David (2009). “History must be written imperfectly”: closure and disclosure in British Public Records 1838-2006. In: Flynn, Andrew and Jones, Harriet eds. Freedom of Information. Open Access, Empty Archives? London and New York: Routledge, pp. 9–22.

Wainwright, Leon (2009). Labelling and assembling: histories and challenges for an Asia Triennial. In: Mitha, Alnoor; Khan, Fareda and Rangasamy, Jacques eds. Asia Triennial Manchester 08. Manchester: Shisha.

Wainwright, Leon (2009). Mutual ground: post-empire canons of art in Britain and the Caribbean. In: Rahim, Jennifer and Lalla, Barbara eds. Beyond Borders: Cross-Culturalism and the Caribbean Canon. Mona, Kingston, Jamaica: University of the West Indies Press, pp. 116–148.

Wainwright, Leon (2009). Aubrey Williams: a painter in the aftermath of painting. Wasafiri, 24(3) pp. 65–79.

Wainwright, Leon (2009). On being unique: world art and its British institutions. Visual Culture in Britain, 10(1) pp. 87–101.

Wainwright, Leon (2009). New provincialisms: curating art of the African diaspora. Radical History Review(103) pp. 203–213.

Wainwright, Leon (2009). At Northern Intersections forever: art and the time trap. In: Ajji, Tejpal S. and Soske, John eds. South-South: Interruptions & Encounters. Toronto: Justina M. Barnicke Gallery and South Asian Visual Arts Centre, University of Toronto, pp. 73–76.

Walder, Dennis (2009). Writing, representation, and postcolonial nostalgia. Textual Practice, 23(6) pp. 935–946.

Walder, Dennis (2009). Remembering the Bushmen; nostalgia and postcolonial spiritualities. In: Brown, Duncan ed. Religion and Spirituality in South Africa: New Perspectives. Scottsville, South Africa: University of KwaZulu-Natal Press, pp. 205–218.

Walsh, Linda (2009). Finding a middle way: the search for a language of expression in mid-eighteenth-century French genre painting. In: Figuren des Ausdrucks Conference, Jan 2009, Berlin.

Watson, Nicola (2009). Rambles in Literary London. In: Watson, Nicola ed. Literary Tourism and Nineteenth-Century Culture. Houndmills, Basingstoke: Palgrave Macmillan, pp. 139–149.

West, Susie (2009). The English Country House Chapel: Building a Protestant Tradition, by Annabel Ricketts. The Journal of British Studies, 48(3) pp. 753–754.

Williams, Chris A.; Patterson, James and Taylor, James (2009). Police filming English streets in 1935: the limits of mediated identification. Surveillance and Society, 6(1) pp. 3–9.

Winters, Ben (2009). ‘There have been developments’: Frankenstein’s Monster finds a (Mahlerian) voice. Interdisciplinary Humanities, 26(2) pp. 116–127.

Winters, Ben and Mera, Miguel (2009). Screen Music Sources in the UK and Ireland. Brio, 46(2) pp. 37–65.

Wood, Paul (2009). Truth and beauty. In: Beech, David ed. Beauty. Documents of Contemporary Art. London: Whitechapel Gallery/MIT, pp. 183–188.

Woodall, Susan (2009). William Horsley: music master at Miss Black’s boarding-school for young ladies, 1828-1840. History of Education, 38(2) pp. 169–189.

Wright, Patrick (2009). Marguerite Porete's Mirror of Simple Souls and the Subject of Annihilation. Mystics Quarterly, 35(3/4) pp. 63–98.

2008To Top

Fraser, Robert and Hammond, Mary eds. (2008). Books Without Borders, Volume 1: The Cross-national Dimension in Print Culture. Houndmills, Basingstoke, U.K.: Palgrave Macmillan.

Fraser, Robert and Hammond, Mary eds. (2008). Books Without Borders, Volume 2: Perspectives from South Asia. Basingstoke: Palgrave.

Hack, Karl and Blackburn, Kevin eds. (2008). Forgotten Captives in Japanese-Occupied Asia. Routledge Studies in the Modern History of Asia, 48. Abingdon: Routledge.

Prescott, Lynda ed. (2008). A World of Difference - An Anthology of Short Stories from Five Continents. US: Palgrave Macmillan.

Alzola Romero, Aaron (2008). Los sitios de cada cosa: propuesta intercontextual para el estudio de las interacciones sociales en la protohistoria de la Cataluña Meridional. In: Miñarro Casas, Marta and Valenzuela-Lamas, Silvia eds. Actes del I Congrés de Joves Investigadors en Arqueologia dels Països Catalans: La Protohistòria als Països Catalans. Arqueomediterrània (10). Barcelona: Universidad de Barcelona, pp. 205–214.

Baker-Bates, Piers (2008). A portrait of Cardinal Pompeo Colonna, rival and imitator of the papal Caesars. Papers of the British School at Rome, 76 pp. 183–199.

Baker-Bates, Piers (2008). The bishop and the artist: the quest for patronage in high renaissance rome. In: Burke, Jill and Bury, Michael eds. Art and Identity in Early Modern Rome. Aldershot, UK: Ashgate, pp. 45–58.

Bakogianni, Anastasia (2008). All is well that ends tragically: filming Greek tragedy in modern Greece. Bulletin of the Institute of Classical Studies, 51 pp. 119–167.

Barker, Elton T. E. (2008). Momos advises Zeus: changing representations of ‘Cypria’ fragment 1. In: Cingano, Ettore and Milano, Lucio eds. Papers on Ancient Literatures: Greece, Rome and the Near East: Proceedings of the “Advanced Seminar in the Humanities”, Venice International University 2004-2005. Padova: S.A.R.G.O.N. Editrice e Libreria, pp. 33–73.

Barker, Elton T. E. and Christensen, Joel P. (2008). Oedipus of many pains: Strategies of contest in Homeric poetry. Leeds International Classical Studies, 7/2008(2) article no. 7.2.

Barnes, Amy Jane; Chrusciel, Anna; Houlberg Rung, Mette; Lee, Jeong-eun; Lleras, Christina; Ottevanger, Jeremy and Woodham, Anna (2008). Museological Review, 13. In Museological Review School of Museum Studies, University of Leicester, Leicester.

Bauer, Kaarina-Nancy (2008). Heinrich Wölfflin's ideas and historiographical discourse. Doctor of Philosophy (PhD) thesis The Open University.

Benatti, Francesca (2008). Land and landscape in the Dublin Penny Journal, 1832-1833. In: Hooper, Glenn and Ní Bhroiméil, Úna eds. Land and Landscape in Nineteenth-Century Ireland. Nineteenth-Century Ireland Series. Dublin: Four Courts Press, pp. 13–24.

Benton, Tim (2008). The complexities and contradicitions of modernism. Positions pp. 16–21.

Benton, Tim; Cohen, Jean-Louis and Phaidon Editors (2008). Le Corbusier le Grand. London: Phaidon.

Brown, Richard Danson (2008). W.S. Graham: I Leave This At Your Ear. The English Review, 19(2) pp. 9–12.

Brown, Richard Danson (2008). Book review: Richard Chamberlain, 'Radical Spenser: Pastoral, Politics and the New Aestheticism'. Yearbook of English Studies, 38(1 & 2) pp. 268–269.

Brown, Richard Danson (2008). Andrew Hadfield, ‘Shakespeare and Renaissance Politics’, and ‘Shakespeare, Spenser and the Matter of Britain’. Yearbook of English Studies, 38(1 & 2) pp. 269–271.

Brown, Richard Danson (2008). Book review: John Stubbs, 'Donne: The Reformed Soul'. Yearbook of English Studies, 38(1 & 2) pp. 272–274.

Brown, Richard Danson (2008). Book review: Louis MacNeice, ‘Collected Poems’, Peter McDonald (ed). The Modern Language Review, 103(1) pp. 213–214.

Brunton, Deborah (2008). The Politics of Vaccination: Practice and Policy in England, Wales, Ireland and Scotland, 1800-1874. Rochester, New York: Rochester University Press.

Burrows, Donald (2008). Handel and the English Chapel Royal (revised paperback edition). Oxford Studies in British Church Music. Oxford: Oxford University Press.

Burrows, Donald (2008). ‘The composition of three arias in Handel’s Ariodante’. Händel-Jahrbuch, 54 pp. 131–149.

Burrows, Donald (2008). John Walsh and his Handel editions. In: Myers, Robin; Harris, Michael and Mandelbrote, Giles eds. Music and the Book Trade from the Sixteenth to the Twentieth Century. London: The British Library, pp. 69–104.

Cathcart, Charles (2008). Marston, Rivalry, Rapprochement, and Jonson. Aldershot: Ashgate.

Christian, Kathleen (2008). Landscapes of ruin and the imagination in the antiquarian gardens of renaissance Rome. In: Conan, Michel ed. Gardens and Imagination: Cultural History and Agency. Dumbarton Oaks Colloquium Series in the History of Landscape Architecture (30). Washington DC: Dumbarton Oaks Research Library and Collection (Distributed by Harvard University Press), pp. 116–137.

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Clarke, Anna (2008). “Hoist with his own petard”: The Indian English Novel. In: The Novel and Its Borders International Conference, 08-10 Jul 2008, Aberdeen, Scotland.

Clarke, Martin (2008). Spirituality and Practicality: John Wesley’s visit to America and Moravian Influences on Methodist Music and Worship. Lumen: Selected Proceedings from the Canadian Society for Eighteenth-Century Studies, 27 pp. 13–26.

Clayton, Martin (2008). Time in Indian Music: Rhythm, Metre, and Form in North Indian Rag Performance. Oxford Monographs on Music. New York: Oxford University Press.

Clayton, Martin (2008). The social and personal functions of music in cross-cultural perspective. In: Hallam, Susan; Cross, Ian and Thaut, Michael eds. The Oxford Handbook of Music Psychology. Oxford, UK: Oxford University Press, pp. 35–44.

Clayton, Martin (2008). Toward an ethnomusicology of sound experience. In: Stobart, Henry ed. The New (Ethno)musicologies. Lanham, MA: Scarecrow Press, pp. 135–169.

Cohen, Jean-Louis and Benton, Tim (2008). Le Corbusier the Great. London/New York: Phaidon.

Crone, Rosalind (2008). Comprendre la Grande-Bretagne du XIXe siècle à travers le prisme changeant de l’histoire culturelle. Revue d'histoire du dixneuvieme siècle, 37 pp. 37–54.

De Renzi, Silvia (2008). Per una biografia di Paolo Zacchia: nuovi documenti e ipotesi di ricerca. In: Pastore, Alessandro and Rossi, Giovanni eds. Paolo Zacchia. Alle Origini della Medicina Legale 1584-1659. Milan: FrancoAngeli, pp. 50–73.

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Owens, W. R., ed. Daniel Defoe, The Life and Strange Surprizing Adventures of Robinson Crusoe. By Daniel Defoe (1719). London, Pickering & Chatto (2008).

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Desmond, Adrian and Moore, James (2008). Darwin. Amsterdam: Nieuw Amsterdam.

Desmond, Adrian; Moore, James and Browne, Janet (2008). Charles Darwin : - Kurz und bündig[German ed]. Heidelberg: Spektrum.

Donovan, Pamela and Lawrence, Paul (2008). Road traffic offending and an inner-London magistrates’ court (1913-1963). Crime, History and Societies, 12(2) pp. 119–140.

Emsley, Clive (2008). Violent crime in England in 1919: post-war anxieties and press narratives. Continuity and Change, 23(1) pp. 173–195.

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Fraser, Robert (2008). Book History Through Postcolonial Eyes: Rewriting the Script. London, UK: Routledge.

Fraser, Robert (2008). School readers in the Empire and the creation of postcolonial taste. In: Fraser, Robert and Hammond, Mary eds. Books Without Borders, Volume 1. Basingstoke: Palgrave, pp. 89–107.

Fraser, Robert (2008). War and the Colonial Book Trade: The Case of OUP India. In: Hammond, Mary and Fraser, Robert eds. Books Books Without Borders, Volume 2. London: Palgrave Macmillan, pp. 137–150.

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Heal, Bridget and Grell, Ole eds. (2008). The Impact of the European Reformation: Princes, Clergy and people. St. Andrews Studies in reformation History. Aldershot: Ashgate.

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Grell, Ole Peter (2008). In search of true knowledge: Ole Worm (1588-1654) and the New Philosophy. In: Smith, Pamela H. and Schmidt, Benjamin eds. Making Knowledge in Early Modern Europe: Practices, Objects and Texts 1400-1800. Chicago, USA: Chicago University Press, pp. 214–232.

Gupta, Suman (2008). Editorial: Writing China. Wasafiri, 23(3) pp. 1–4.

Gupta, Suman (2008). Li Rui, Mo Yan, Yan Lianke and Lin Bai: four contemporary Chinese writers interviewed. Wasafiri, 23(3) pp. 28–36.

Gupta, Suman (2008). Xenophobia and the academic disposition of migration studies. In: Ivanov, Zhivko and Katsarska, Milena eds. Migration, Modern Nationalism, and Nostalgia for the Homeland. Plovdiv: Plovdiv University Press, pp. 59–78.

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Herbert, Trevor (2008). Reviews - Sigmund Romberg, William A. Everett; Jerome Kern, Stephen Banfield. Studies in Musical Theatre, 2(3) pp. 295–297.

Herbert, Trevor (2008). The Robert Minter collection: a handlist of seventeenth and eighteenth century trumpet repertory. The Open University. https://doi.org/10.21954/ou.rd.7258499.v1

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Katritzky, M. A. (2008). English troupes in early modern Germany: the women. In: Henke, Robert and Nicholson, Eric eds. Transnational exchange in early modern theater. Studies in performance and early modern drama. Aldershot, UK: Ashgate, pp. 35–46.

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Katritzky, M. A. (2008). Guarinonius' lazzi: English comedians, Italian charlatans, and German quacks in a medical treatise of 1610. In: Amann, Klaus and Siller, Max eds. Hippolytus Guarinonius. Akten des 5. Symposiums der Sterzinger Osterspiele (5.-7. 4. 2004) "Die Greuel der Verwüstung menschlichen Geschlechts." Zur 350. Wiederkehr des Todesjahres von Hippolytus Guarinonius (1571-1654). Schlern-Schriften (340). Innsbruck: Universitätsverlag Wagner, pp. 107–137.

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King, Helen (2008). Barbes, sang et genre: afficher la différence dans le monde antique. In: Wilgaux, Jérôme and Dasen, Véronique eds. Languages et Métaphores du Corps dans le Monde Antique. Rennes: Presses universitaires de Rennes, pp. 153–168.

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King, Edmund (2008). Jacob’s Sons in the South Pacific: The Geoeschatology of Edwin Fairburn’s "Ships of Tarshish". In: Flogging a Dead Horse: Are National Literatures Finished? A Stout Research Centre in the Humanities Conference, 10-13 Dec 2008, Victoria University of Wellington, New Zealand.

King, Edmund (2008). The Shakespearean Book in the Colonial Antipodes: The Case of Alexander Turnbull. In: Bibliographical Society of Australia and New Zealand Conference, 2008, 2-3 Oct 2008, University of Sydney, Australia.

King, Edmund (2008). "Fragments minutely broken": text, paratext, and authorship in the eighteenth-century Shakespeare edition. In: Australia and New Zealand Shakespeare Association Conference, 2008, 6-9 Feb 2008, University of Otago, Dunedin, New Zealand.

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Laurence, Anne (2008). The emergence of a private clientele for banks in the early eighteenth century: Hoare's Bank and some women customers. Economic History Review, 61(3) pp. 565–586.

Lawrence, Paul; Williams, Chris and Godfrey, Barry (2008). History and Crime. Key Approaches to Criminology. London: Sage.

Layton-Jones, Katy (2008). Visual Quotations: Referencing Visual Sources as Historical Evidence. Visual Resources, 24(2) pp. 189–199.

Layton-Jones, Katy (2008). The Synthesis of Town and Trade: Visualising Provincial Urban Identity 1800-1851. Urban History, 35(1) pp. 72–95.

Layton-Jones, Katy (2008). Introduction: Visual Collections as Historical Evidence. Visual Resources, 24(2) pp. 105–107.

Layton-Jones, Katy and Lee, Robert (2008). Places of Health and Amusement: Liverpool’s Historic Parks and Gardens. Informed Conservation. Swindon: English Heritage.

Li, Hua (2008). 'Chinese Architecture' + 'Western Architecture': A False Dichotomy. Doctor of Philosophy (PhD) thesis The Open University.

Mackie, Robin (2008). 'To provide for the settlement of my affairs': inheritance and ownership in family firms during the transition to limited liability. In: Fellman, Susanna; Vaara, Eero and Kuusterèa, Antti eds. Historical Perspectives on Corporate Governance: Reflections on Ownership Participation and Different Modes of Organizing. Commentationes Scientiarum Socialium (72). Helsinki, Finland: Finnish Society of Science and Letters, pp. 157–171.

Mackie, Robin (2008). Chemical societies and the demarcation of the British chemical community, 1870-1914. In: Kildebaek Nielsen, A and Strbanova, S eds. Creating Networks in Chemistry. The Founding and Early History of Chemical Societies in Europe. Cambridge: Royal Society of Chemistry, pp. 140–161.

Mackie, Robin and Roberts, Gerrylynn (2008). Chemical Careers in Postwar Britain: Centrifugal Discipline / Centripetal Profession? In: Bertomeu-Sánchez, José Ramón; Burns, Duncan Thorburn and Van Tiggelen, Brigitte eds. Neighbours and Territories: The Evolving Identity of Chemistry. Louvain-la-neuve, Belgium: Mémosciences asbl, pp. 565–573.

Mateer, David (2008). New sightings of Christopher Marlowe in London. Early Theatre, 11(2) pp. 13–38.

Moore, James (2008). Wallace in Wonderland. In: Smith, Charles. H. and Beccaloni, George eds. Natural Selection and Beyond: The Intellectual Legacy of Alfred Russel Wallace. Oxford, UK: Oxford University Press, pp. 351–367.

Nasta, Susheila (2008). Between Bloomsbury and Gandhi? The background to the publication and reception of Mulk Raj Anand's Untouchable. In: Fraser, Robert and Hammond, Mary eds. Books Without Borders. Volume 2. Perspectives from South Asia, Volume 2. Basingstoke, UK: Macmillan, pp. 151–170.

Newall, Diana (2008). Appreciating Art. London: A&C Black / Herbert Press Ltd.

Nixon, Mark (2008). The Construction of Closure and Cadence in Gustav Mahler's Ninth Symphony and Das Lied von der Erde. Doctor of Philosophy (PhD) thesis The Open University.

Norman, Diana (2008). The chapel of Saint Catherine in San Domenico: A studyof cultural relations between Renaissance Siena and Rome. In: Ascheri, Mario; Mazzoni, Gianni and Nevola, Fabrizio eds. L'ultimo secolo della Repubblica di Siena. Arti, cultura e societàe. Atti del Convegno Internazionale. Siena, Italy: Accademia Senese degli Intronati, pp. 405–419.

O'Day, Rosemary (2008). Family Galleries: Women and Art in the Seventeenth and Eighteenth Centuries. Huntington Library Quarterly, 71(2) pp. 323–349.

Paul, Jo (2008). Homer and Cinema: Translation and Adaptation in Le Mépris. In: Lianeri, Alekandra and Zajko, Vanda eds. Translation & The Classic: Identity as Change in the History of Culture. Classical Presences. Oxford, UK: Oxford University Press, pp. 148–165.

Paul, Joanna (2008). Rome ruined and fragmented: the cinematic city in Fellini-Satyricon and Roma. In: Wrigley, Richard ed. Cinematic Rome. Leicester, UK: Troubadour Publishing Ltd, pp. 109–120.

Perry, Gill (2008). Installations and exploding homes. In: Bindman, David and Stephens, Chris eds. The History of British Art: 1870-Now. The History of British Art (3). London: Tate, pp. 227–228.

Plassart, Anna (2008). James Mill’s treatment of religion and the History of British India. History of European Ideas, 34 pp. 526–534.

Pooke, Grant and Newall, Diana (2008). Art History: the Basics. The Basics. Abingdon: Routledge.

Prescott, Lynda (2008). Pat Barker's Regeneration trilogy: fiction and history. The English Review, 19(2) pp. 17–20.

Prescott, Lynda (2008). Greene, Waugh, and the Lure of Travel. In: Hammond, Mary and Fraser, Robert eds. Books Without Borders: The Cross-national Dimension in Print Culture, Volume 1. UK: Palgrave Macmillan, pp. 147–158.

Richardson, Carol M. (2008). 'Ruined, untended and derelict’: Fifteenth-century papal tombs in St Peter’s. In: Burke, Jill and Bury, Michael eds. Art and Identity in Early Modern Rome. Aldershot, UK: Ashgate, pp. 191–207.

Russell, Bruce (2008). International Law at Sea, Economic Warfare, and Britain's Response to the German U-boat Campaign during the First World War. Doctor of Philosophy (PhD) thesis The Open University.

Samuels, Robert (2008). Entendez-vous la musique? Review of Peter Dayan: Music Writing Literature, from Sand via Debussy to Derrida. Aldershot: Ashgate, 2006. Intégral: The Journal of Applied Musical Thought, Volume

Swift, Laura (2008). Euripides: Ion. Duckworth Companions to Greek and Roman Drama. London: Duckworth.

Taylor, Clare (2008). Reading the cards: discovering the British eighteenth-century wallpaper trade. The Wallpaper History Review pp. 29–32.

Towheed, Shafquat (2008). Two paradigms of literary production: the production, circulation and legal status of Rudyard Kipling's Departmental Ditties and Indian Railway Library Texts. In: Fraser, Robert and Hammond, Mary eds. Books Without Borders, Volume 2: Perspec. Basingstoke: Palgrave, pp. 125–136.

Wainwright, Leon (2008). Frank Bowling and the appetite for British pop. Third Text, 22(2) pp. 195–208.

Wainwright, Leon (2008). Solving Caribbean mysteries: art, embodiment and an eye for the Tropics. Small Axe(25) pp. 133–144.

Walder, Dennis (2008). "Alone in a landscape": Lessing's African stories remembered. Journal of Commonwealth Literature, 43(2) pp. 99–115.

Walsh, Linda (2008). The 'Hard Form' of sculpture: marble, matter and spirit in European sculpture from the Enlightenment through Romanticism. Modern Intellectual History, 5(3) pp. 455–486.

Walsh, Linda (2008). Art History at the Open University. In: Theory and Practice, Jan 2008, Open University, Milton Keynes.

West, Susie (2008). Hardwick Old Hall. London: English Heritage.

Williams, Chris A. (2008). Constables for hire: the history of private 'public' policing in the UK. Policing and Society, 18(2) pp. 190–205.

Williams, Chris A. (2008). Ideologies, structures and contingencies: writing the history of British criminal justice since 1975. Revue Francaise de Civilisation Britannique, 14(4) pp. 59–84.

Winters, Ben (2008). Corporeality, musical heartbeats, and cinematic emotion. Music, Sound, and the Moving Image, 2(1) pp. 3–26.

Wood, Paul (2008). Between God and the Saucepan: some aspects of art education in England from the mid-nineteenth century until today. In: Stephens, Chris ed. History of British Art: 1870 - now, Volume 3. London: Tate Publishing, pp. 162–187.

Wright, Patrick (2008). Coleridge’s Translucence: A Failed Transcendence? Romanticism and Victorianism on the Net(50)

2007To Top

Clayton, Martin ed. (2007). Music, words, and voice: A reader. Manchester: Manchester University Press.

Clayton, Martin and Zon, Bennett eds. (2007). Music and Orientalism in the British Empire, 1780s to 1940s: Portrayal of the East. Music in 19th-Century Britain. Aldershot, UK: Ashgate.

Crone, Rosalind; Gange, David and Jones, Katy eds. (2007). New Perspectives in British Cultural History. Newcastle: Cambridge Scholars Publishing.

Emlyn-Jones, Chris ed. (2007). Plato, Republic 1-2.368c4. Aris and Phillips Classical Commenatries Series. Oxford, UK: Oxbow Books.

Grell, Ole Peter and Cunningham, Andrew eds. (2007). Medicine and Religion in Enlightenment Europe. History of medicine in context. Aldershot, UK: Ashgate Publishing Ltd.

Gupta, Suman and Omoniyi, Tope eds. (2007). The cultures of economic migration: international perspectives. Studies in Migration and Diaspora. Aldershot, UK: Ashgate.

Hammond, Mary and Towheed, Shafquat eds. (2007). Publishing in the First World War: Essays in Book History. Basingstoke, UK: Palgrave Macmillan.

Hardwick, Lorna and Gillespie, Carol eds. (2007). Classics in Post-Colonial Worlds. Classical Presences. Oxford, UK: Oxford University Press.

Hardwick, Lorna and Stray, Christopher eds. (2007). A Companion to Classical Receptions. Oxford, UK: Wiley - Blackwell.

Mateer, David, ed. The Gyffard Partbooks, I. By . London, UK, Stainer & Bell (for the British Academy) (2007).

Owens, W. R. and Sim, Stuart eds. (2007). Reception, Appropriation, Recollection: Bunyan's Pilgrim's Progress. Religions and Discourse, 33. Bern, Switzerland: Peter Lang.

Towheed, Shafquat ed. (2007). The Correspondence of Edith Wharton and Macmillan, 1901-1930. Basingstoke, UK: Palgrave Macmillan.

Towheed, Shafquat ed. (2007). New Readings in the Literature of British India, c.1780-1947. Studies in English Literatures, Koray Melikoglu (ed.), 9. Stuttgart, Germany: Ibidem Verlag.

Woods, Kim W.; Richardson, Carol M. and Lymberopoulou, Angeliki eds. (2007). Viewing Renaissance Art. Yale University Press.

Bakogianni, Anastasia (2007). An eighteenth-century jealous woman and a twentieth-century hysterical diva: the case of Mozart's Idomeneo (1781) and Strauss' Elektra (1909). New Voices in Classical Reception Studies, 2 pp. 1–32.

Baldwin, Michael; Harrison, Charles and Ramsden, Mel (2007). A Place to Work. Museum International, 59(3) pp. 31–40.

Baldwin, Michael; Harrison, Charles and Ramsden, Mel (2007). Emergency Conditionals. In: Goldie, Peter and Schellekens, Elisabeth eds. Philosophy and Conceptual Art. Oxford: Oxford University Press, pp. 257–266.

Barker, Emma (2007). Mme Geoffrin, painting and galanterie: Carle Van Loo’s Conversation espagnole and Lecture espagnole. Eighteenth-Century Studies, 40(4) pp. 587–614.

Barker, Emma (2007). Putting the viewer in the frame: Greuze as sentimentalist. In: Conisbee, Philip ed. French Genre Painting in the Eighteenth Century. Studies in the History of Art, National Gallery of Art, Washington, DC, 72. New Haven, US: Yale University Press, pp. 105–127.

Barker, Naomi (2007). Un-discarded images: illustrations of antique musical instruments in 17th- and 18th-century books, their sources and transmission. Early Music, 35(2) pp. 191–212.

Benton, Tim (2007). The Villas of Le Corbusier and Pierre Jeanneret 1920-1930. Basel, Switzerland: Birkhauser.

Benton, Tim (2007). Le Corbusier conférencier. Paris, France: Editions Le Moniteur.

Brown, Richard Danson (2007). Everyman’s progresses: Louis MacNeice’s dialogues with Bunyan. In: Owens, W. R. and Sim, Stuart eds. Reception, Appropriation, Recollection: Bunyan's Pilgrim's Progress. Religions and discourse (33). Oxford, UK: Peter Lang, pp. 147–163.

Budelmann, Felix (2007). The reception of Sophocles' representation of physical pain. American Journal of Philology, 128(4) pp. 443–467.

Budelmann, Felix (2007). Trojan Women in Yorubaland: Femi Osofisan's Women of Owu. In: Hardwick, Lorna and Gillespie, Carol eds. Classics in Post-Colonial Worlds. Oxford: Oxford University Press, pp. 15–39.

Burrows, D. (2007). Perhaps Handel was right after all: some thoughts on editing 'Ariodante'. The Musical Times, 148(1898) pp. 35–48.

Cathcart, Charles (2007). Guilpin, Shakespeare, and 'A Scourge of Wire'. Notes and Queries, 54(3) pp. 307–310.

Cathcart, Charles (2007). Poetaster and the Prince of Love. Ben Jonson Journal, 14(2) pp. 206–217.

Clarke, Anna (2007). Language, Hybridity and Dialogism in The God of Small Things. In: Tickell, Alex ed. Arundhati Roy’s The God of Small Things: A Routledge Study Guide. Routledge Guides to Literature. Oxon, UK and New York, USA: Routledge, pp. 132–141.

Clarke, Martin V. (2007). [Book review] A Thorough Insight into Methodist Worship. Expository Times, 119(3) p. 147.

Clayton, Martin (2007). Music, time and place: Essays in comparative musicology. Delhi, India: B. R. Rhythms.

Clayton, Martin (2007). Time, gesture and attention in a khyāl performance. Asian Music, 38(2) pp. 71–96.

Clayton, Martin R. L. (2007). Observing entrainment in music performance: Video-based observational analysis of Indian musicians’ tanpura playing and beat marking. Musicae Scientiae, 11(1) pp. 27–59.

Clayton, Martin (2007). Musical Renaissance and its margins in England and India, 1874–1914. In: Clayton, Martin and Zon, Bennett eds. Music and Orientalism in the British Empire, 1780s to 1940s: Portrayal of the East. Music in 19th-Century Britain. Aldershot, UK: Ashgate, pp. 71–93.

Crone, Rosalind (2007). Cries of Murder and Sounds of Bloodshed: The practice of reading cheap fiction in working-class communities in early Victorian London. In: Crone, Rosalind; Gange, David and Jones, Katy eds. New Perspectives in British Cultural History. UK: Cambridge Scholars Publishing, pp. 203–213.

da Sousa Correa, Delia (2007). Victorian Soundscapes and the potential for interdisciplinary exchange. In: Hewitt, Martin and Cowgill, Rachel eds. Victorian Soundscapes Revisited. Leeds Working Papers in Victorian Studies, 9. Leeds: Leeds Centre for Victorian Studies, pp. 9–36.

De Renzi, Silvia (2007). Medical Expertise, Bodies, and the Law in Early Modern Courts. Isis, 98(2) pp. 315–322.

De Renzi, Silvia (2007). Medical competence, anatomy and the polity in seventeenth-century Rome. Renaissance Studies, 21(4) pp. 551–567.

De Renzi, Silvia (2007). Un linceo alla Sapienza: la natura del fuoco e dei metalli in un’orazione di Johannes Faber. In: Battistini, Andrea; De Angelis, Gilberto and Olmi, Giuseppe eds. All'origine della scienza moderna: Federico Cesi e l'Accademia dei Lincei. Bologna: Il Mulino, pp. 271–316.

De Renzi, Silvia (2007). Resemblance, paternity and imagination in early modern courts. In: Mueller-Wille, Staffan and Rheinberger, Hans-Jorg eds. Heredity produced: at the crossroads of biology, politics, and culture, 1500-1870. Transformations: Studies in the History of Science and Technology. Cambridge, Ma, USA: The MIT Press, pp. 61–83.

De Renzi, Silvia and Sparti, Donatella Livia (2007). Mancini, Giulio. In: ed. Dizionario Biografico degli Italiani, Volume LXVIII .. Rome, Italy: Istituto dell'Enciclopedia Italiana, pp. 500–509.

Owens, W. R., ed. Daniel Defoe, The Compleat English Gentleman and Of Royal Education. By Daniel Defoe (1729). London, UK, Pickering & Chatto (2007).

Owens, W. R., ed. Daniel Defoe, The Farther Adventures of Robinson Crusoe. By Daniel Defoe (1719). London, Pickering & Chatto (2007).

Desmond, Adrian; Moore, James and Browne, Janet (2007). Charles Darwin. Very Interesting People. Oxford, UK: Oxford University Press.

Donnachie, Ian (2007). Utopian designs: the Owenite communities. Spaces of Utopia: an electronic journal, 2007(6) pp. 19–34.

Donnachie, Ian and Hewitt, George (2007). The Birlinn companion to Scottish history. Edinburgh, UK: Birlinn Limited.

Donnachie, Ian and Mooney, Gerry (2007). From Owenite Socialism to Blairite Social-ism: Utopia and Dystopia in Robert Owen and New Labour. Critique: Journal of Socialist Theory, 35(2) pp. 275–291.

Dueck, Byron (2007). Public and intimate sociability in first nations and Métis fiddling. Ethnomusicology, 51(1) pp. 30–63.

Edwards, Stephen (2007). Jeff Wall: introduction. Oxford Art Journal, 30(1) pp. 1–15.

Edwards, Stephen (2007). Special Issue of Oxford Art Journal: Jeff Wall. In Oxford Art Journal Oxford University Press, UK.

Edwards, Steve (2007). ‘Poor Ass!’ (A Donkey in Blackpool, 1999). Oxford Art Journal, 30(1) pp. 39–54.

Edwards, Steve (2007). Un 'paia en el mundo del arte': Richter marcha artas. In: Green, David ed. ¿Que ha sisdo de la fotografia? Barcelona: Gustavo Gili, pp. 30–48.

Edwards, Steve (2007). Allegorical photography. In: Hannavay, John ed. Encyclopedia of Nineteenth-Century Photography, Volume 1. London: Routledge, pp. 27–29.

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2005To Top

Anderson, Linda ed. (2005). Creative writing: A workbook with readings. Abingdon, UK: Routledge and The Open University.

Decroupet, Pascal and Samuels, Robert [trans.] eds. (2005). Pierre Boulez. Le marteau sans maître: facsimile of the draft score and the first fair copy of the full score. Publications from the Paul Sacher Foundation. Mainz; London: Schott.

Emsley, Clive ed. (2005). The Persistent Prison: Problems, Images and Alternatives. London: Francis Boutle.

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Haslam, Sara ed. (2005). Ford Madox Ford and the city. International Ford Madox Ford Studies, 4. Amsterdam, Netherlands: Rodopi.

Hooper, Glenn ed. (2005). Landscape and Empire, 1770-2000. Aldershot, UK: Ashgate.

Munro, Gordon; Campbell, Stuart; Hair, Greta-Mary; MacKay, Margaret A.; Moohan, Elaine and Hair, Graham eds. (2005). Notis Musycall: Essays on Music and Scottish Culture in Honour of Kenneth Elliott. Historical studies of Scottish music. Glasgow, UK: Musica Scotica Trust.

Nasta, Susheila ed. (2005). Africa 05. London, UK: Wasafiri.

Poddar, Prem and Johnson, David eds. (2005). A Historical Companion to Postcolonial Literatures in English. Edinburgh, UK: Edinburgh University Press.

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Tickell, Alex and Morey, Peter eds. (2005). Alternative Indias: Writing, Nation and Communalism. Cross Cultures Readings in Post/Colonial Literatures in English. Amsterdam: Rodopi.

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Edwards, Steve (2005). Location, location, location: the place of provenance. In: Sheffield Hallam University and Showroom Cinema eds. Transmission: Speaking and Listening, Volume 4. Sheffield: Site Gallery, pp. 85–91.

Emsley, Clive (2005). Hard Men: Violence in England since 1750. London, UK: Hambledon Press.

Emsley, Clive (2005). Filling in, adding up, moving on; Criminal Justice History in contemporary Britain. Crime, History and Societies, 9(1) pp. 117–138.

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Emsley, Clive (2005). Sergeant Goddard: the story of a rotten apple or a diseased orchard? In: Srebnik, Amy Gilman and Levy, Rene eds. Crime and culture: an historical perspective. Advances in Criminology. Aldershot, UK: Ashgate, pp. 85–104.

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Gibson, Jonathan (2005). Jane Seager's translations of the ten sibyls' prophecies of the birth of Christ. In: Seal Millman, JIll and Wright, Gillian eds. Early Modern Women's Manuscript Poetry. Manchester: Manchester University Press, pp. 15–19.

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Godfrey, Barry and Lawrence, Paul (2005). Crime and justice 1750-1950. Cullompton, Devon, UK: Willan Publishing.

Goodrich, Amanda (2005). Debating England's Aristocracy in the 1790s: Pamphlets, Polemics and Political Ideas. The Royal Historical Society Studies in History. Woodbridge, U.K.: The Boydell Press.

Graham, Emma-Jayne (2005). Dining al fresco with the living and the dead in Roman Italy. In: Carroll, Maureen; Hadley, D. M. and Willmott, Hugh eds. Consuming Passions: Dining from Antiquity to the Eighteenth Century. Revealing history. Stroud: Tempus, pp. 49–65.

Graham, Emma-Jayne (2005). The quick and the dead in the extra-urban landscape: the Roman cemetery at Ostia/Portus as a lived environment. In: Bruhn, James; Croxford, Ben and Grigoropoulos, Dimitris eds. TRAC 2004: Proceedings of the Fourteenth Annual Theoretical Roman Archaeology Conference, Durham 2004. Oxford: Oxbow Books, pp. 133–143.

Grell, Ole (2005). The Reformation in Norway: a political and religious takeover. Nordost-Archiv. Zeitschrift fuer Regionalgeschichte, 8(2004) pp. 121–134.

Grell, Ole Peter (2005). A journey of body and soul: the significance of the hospitals in southern, Catholic Europe for John Howard's views of health care and the creation of the utopian hospital. In: Grell, Ole Peter; Cunningham, Andrew and Roeck, Bernd eds. Health care and poor relief in 18th and 19th Century Southern Europe. History of medicine in context. Aldershot, UK: Ashgate, pp. 289–318.

Gupta, Suman (2005). Sociological speculations on the professions of children’s literature. The Lion and the Unicorn, 29(3) pp. 299–323.

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Hardwick, Lorna (2005). The comic in the tragic: parody and critique in modern productions of Euripides’ Hecuba. Documenta (Special issue: The Performance of the Comic - eds Kolk, M. and Decreus, F.)), 23(3) pp. 306–315.

Hardwick, Lorna (2005). Refiguring Classical Texts: Aspects of the Postcolonial Condition. In: Goff, Barbara ed. Classics and Colonialism. London, UK: Duckworth, pp. 107–117.

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Harrison, Charles (2005). Saving pictures. In: Alexander, Darsie ed. Slideshow: projected images in contemporary art. Pennsylvania: Pennsylvania State University Press and Baltimore Museum of Art, pp. 32–48.

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2004To Top

Burke, Victoria E. and Gibson, Jonathan eds. (2004). Early Modern Women's Manuscript Writing: Selected Papers from the Trinity/Trent Colloquium. Aldershot: Ashgate.

Chin, C. C. and Hack, Karl eds. (2004). Dialogues with Chin Peng: New light on the Malayan communist party. Singapore: Singapore University Press.

Emsley, Clive; Johnson, Eric and Spierenburg, Pieter eds. (2004). Social Control in Europe 1800-2000. Columbus, OH,: Ohio State University Press.

Lavin, Carmen and Donnachie, Ian eds. (2004). From Enlightenment to Romanticism: Anthology II. Manchester, UK: Manchester University Press.

Moore, James and Desmond, Adrian eds. (2004). The Descent of Man, and Selection in Relation to Sex by Charles Darwin. London: Penguin Classics.

Nasta, Susheila ed. (2004). Writing across worlds: contemporary writers talk. Abingdon, UK: Routledge.

Perry, Gill ed. (2004). Difference and Excess In Contemporary Art: The Visibility of Women's Practice. Art History Special Issues. Oxford, UK: Blackwells.

Perry, Gill and Wood, Paul eds. (2004). Themes in Contemporary Art. London and New Haven: Yale University Press.

Williams, Chris ed. (2004). Giving the past a future: preserving the heritage of the UK's Criminal Justice System. London, UK: Francis Boutle.

Arciszewska, Barbara and McKellar, Elizabeth (2004). Articulating British classicism: New approaches in Eighteenth Century architecture. Reinterpreting classicism: culture, reaction and appropriation. Aldershot, UK: Ashgate.

Asbee, Sue (2004). Margiad Evans's The Wooden Doctor: Illness and Sexuality. In: Brown, Tony ed. Welsh Writing in English, Volume 9. University of Wales Press, pp. 33–49.

Barker, Elton (2004). Between a rock and a safe place: the chorus becoming citizens in Sophocles’ Ajax. In: Sófocles el hombre, Sófocles el poeta: Actas del Congreso Internacional con motivo del XXV Centenario del nacimiento de Sófocles (Pérez Jiménez, Aurelio; Alcalde Martín, Carlos and Caballero, Raúl eds.), Charta Antiqua, Malaga pp. 259–272.

Barker, Elton (2004). Achilles' last stand: Institutionalising dissent in Homer's Iliad. Proceedings of the Cambridge Philological Society pp. 92–120.

Barker, Elton (2004). The fall-out from dissent: hero and audience in Sophocles' Ajax. Greece & Rome, 51(1) pp. 1–20.

Boulez, Pierre and Samuels, Robert [trans.] (2004). The musician writes: for the eyes of the deaf? In: Ashby, Arved ed. The Pleasure of Modernist Music: Listening, Meaning, Intention, Ideology. Eastman Studies in Music. Rochester, NY: University of Rochester Press, pp. 197–222.

Budelmann, Felix (2004). Greek tragedies in West African adaptations. Proceedings of the Cambridge Philological Society, 50 pp. 1–28.

Burke, Victoria E. and Gibson, Jonathan (2004). Introduction. In: Burke, Victoria E. and Gibson, Jonathan eds. Early Modern Women's Manuscript Writing: Selected Papers from the Trinity/Trent Colloquium. Aldershot: Ashgate, pp. 1–7.

Burrows, Donald (2004). Orchestras in the new Cathedral. In: Keene, Derek; Burns, Arthur and Saint, Andrew eds. St Paul’s: The Cathedral Church of London, 604-2004. London: Yale University Press.

Burrows, Donald (2004). Musicians and music copyists in mid-eighteenth-century Oxford. In: Wollenberg, Susan and McVeigh, Simon eds. Concert Life in Eighteenth-Century Britain. Aldershot: Ashgate, pp. 115–140.

Mateer, David, ed. Songs of sundrie natures. By William Byrd (1589). London, UK, Stainer & Bell (2004).

Christian, Kathleen Wren (2004). Raphael's 'Philemon' and the collecting of antiquities in Rome. The Burlington Magazine, 146(1220) pp. 760–763.

Clarke, Anna (2004). Hybridity and Syncretism in Arundhati Roy’s The God of Small Things. In: New Hybridities: Societies and Cultures in Transition Conference, 22-24 Jul 2004, Kloster Seeon, Germany.

Desmond, Adrian; Moore, James and Browne, Janet (2004). Charles Robert Darwin. In: Matthew, Colin and Harrison, Brian eds. The Oxford Dictionary of National Biography, Volume 15. Oxford, UK: Oxford University Press, pp. 177–202.

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Donnachie, Ian (2004). Thomas Percival. In: Rutherford, Donald ed. The Biographical Dictionary of British Economists, Volume 2. Bristol: Thoemmes Continuum, pp. 923–925.

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Donnachie, Ian (2004). Alexander Webster. In: Rutherford, Donald; Backhouse, Roger; Brewer, Anthony; Capie, Forrest; Clarkson, Leslie; Eltis, Walter; Gilbert, Geoffrey; Groenewegen, Peter; Harcourt, G. C.; Littlechild, Stephen; Lloyd, T. H.; Maas, Harro; Thompson, Noel and Waterman, A. M. C. eds. The Biographical Dictionary of British Economists, Volume 2. Bristol: Thoemmes Continuum, pp. 1265–1266.

Edwards, Steve (2004). The colonisation of Utopia. In: Mabb, David ed. William Morris. Manchester: Whitworth Art Gallery, pp. 12–40.

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Emsley, Clive (2004). The Police. In: Bogdanor, Vernon ed. The British Constitution in the Twentieth Century. UK: Oxford University Press/British Academy, pp. 557–583.

Emsley, Clive (2004). Control and legitimacy: the police in comparative perspective since circa 1800. In: Emsley, Clive; Johnson, Eric and Spierenburg, Pieter eds. Social Control in Europe, Volume 2 1800-2000. History of crime and criminal justice series. Columbus OH: Ohio State University Press, pp. 193–209.

Emsley, Clive (2004). The Second World War and the police in England and Wales. In: Fijnaut, Cyrille ed. The Impact of World War II on Policing in North West Europe. Samenleving Criminaliteit en Strafrechtspleging (27). Leuven: Leuven University Press, pp. 151–172.

Feldherr, Andrew and James, Paula (2004). Making the most of Marsyas. Arethusa, 37(1) pp. 75–104.

Fentress, Elizabeth; Fontana, Sergio; Hitchner, R. Bruce and Perkins, Philip (2004). Accounting for ARS: fineware and sites in Sicily and Africa. In: Alcock, Susan E. and Cherry, John F. eds. Side-by-side survey: comparative regional studies in the Mediterranean world. Oxford, UK: Oxbow Books, pp. 147–162.

Fraser, Robert (2004). Write disobediently. The London Magazine(August-Sep) pp. 116–120.

Fraser, Robert (2004). "Have fair fallen": Gerard Manley Hopkins and Henry Purcell. The London Magazine(April-May) pp. 58–66.

Fraser, Robert (2004). Proust's Cup of Tea: Homoeroticism and Victorian Culture. Victorian Studies, 46(2 [Winter]) pp. 370–372.

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Fraser, Robert (2004). Marina Warner with Robert Fraser. In: Nasta, Susheila ed. Writing Across Worlds: Contemporary Writers Talk. London and New York: Routledge, pp. 365–376.

Fraser, Robert (2004). Nineteenth-century adventure and fantasy: James Morier, George Meredith, Lewis Carroll and Robert Louis Stevenson. In: Saunders, Corrine ed. A Companion to Romance: from Classical to Contemporary. Blackwell Companions to Literature and Culture. Oxford, UK: Blackwell, pp. 389–406.

Gaiger, Jason (2004). Expressionism and the crisis of subjectivity. In: Edwards, Stephen and Wood, Paul eds. Art and the Avant-Gardes. London: Yale University Press, pp. 13–61.

Gaiger, Jason (2004). Approaches to Cubism. In: Edwards, Steve and Wood, Paul eds. Art of the Avant-Gardes. London: Yale University Press, pp. 135–155.

Gaiger, Jason (2004). Post conceptual painting: Gerhard Richter's Extended Leave-taking in themes in contemporary art. In: Perry, Gillian and Wood, Paul eds. Themes in Contemporary Art. London: Yale University Press, pp. 89–135.

Gibson, Jonathan (2004). The legal context of Spenser's Daphnaïda. The Review of English Studies, 55(218) pp. 24–44.

Gibson, Jonathan (2004). Katherine Parr, Princess Elizabeth and the crucified Christ. In: Burke, Victoria E. and Gibson, Jonathan eds. Early Modern Women's Manuscript Writing: Selected Papers from the Trinity/Trent Colloquium. Aldershot: Ashgate, pp. 33–50.

Grell, Ole (2004). Dirick Hoste. In: Matthew, H.C.G. and Harrison, Brian eds. Dictionary of National Biography. Oxford, UK: Oxford University Press in association with the British Academy.

Grell, Ole Peter (2004). Cesar Calandrini. In: Matthew, H.C.G. and Harrison, Brian eds. Oxford Dictionary of National Biography. Oxford, UK: Oxford University Press in association with the British Academy.

Grell, Ole Peter (2004). Jacob Cool (Ortelianus). In: Matthew, H.C.G. and Harrison, Brian eds. Oxford Dictionary of Biography. Oxford, UK: Oxford University Press in association with the British Academy.

Grell, Ole Peter (2004). Raphael Thorius. In: Matthew, H.C.G. and Harrison, Brian eds. Oxford Dictionary of Biography. Oxford, UK: Oxford University Press in association with the British Academy.

Hack, Karl (2004). Communist Policy and Support: 1948-57. In: Hack, Karl and Chin, C. C. eds. Dialogues with Chin Peng: New Light on the Malayan Communist Party. Singapore: Singapore University Press, pp. 295–301.

Hack, Karl (2004). From Baling to Merdeka: 1955-60. In: Hack, Karl and Chin, C. C. eds. Dialogues with Chin Peng: New Light on the Malayan Communist Party. Singapore: Singapore University Press, pp. 306–316.

Hack, Karl and Chin, C. C. (2004). The Malayan Emergency. In: Hack, Karl and Chin, C. C. eds. Dialogues with Chin Peng: New Light on the Malayan Communist Party. Singapore: Singapore University Press, pp. 3–37.

Hammond, Mary (2004). Hall Caine and the Melodrama on page, stage and screen. Nineteenth Century Theatre and Film, 31(1) pp. 39–57.

Hammond, Mary (2004). Monsters and metaphors: 'Buffy the Vampire Slayer' and the Old World. In: Gwenllian-Jones, Sarah and Pearson, Roberta E. eds. Cult Television. Minneapolis, Minneapolis, USA: Minnesota University Press.

Hardwick, Lorna (2004). Sophocles’ Oedipus and conflicts of identity in post-colonial contexts. Documenta, 22(4) pp. 376–386.

Hardwick, Lorna (2004). Translating words, Translating Cultures. Classical Inter/Faces. London, U.K.: Duckworth.

Hardwick, Lorna (2004). Shards and suckers: modern receptions of homer. In: Fowler, Robert ed. The Cambridge companion to homer. The Cambridge Companion. Cambridge: Cambridge University Press, pp. 344–362.

Hardwick, Lorna (2004). Greek drama and anti-colonialism: de-colonising classics. In: Hall, E.; Macintosh, F. and Wrigley, A. eds. Dionysus since 69: Greek tragedy at the dawn of the third millennium. Oxford, UK: Oxford University Press, pp. 219–242.

Harrison, Charles (2004). Gute Grunde: die Arbeit von Gerry Schum/Grounds for optimism: the work of Gerry Schum. In: Groos, Ulricke; Hess, Barbara and Wevers, Ursula eds. Fernsehgalerie Ready Gerry Schum to videogalerie Shoot schum. Dusseldorf and Cologne: Snoeck, pp. 48–57.

Herbert, Trevor (2004). Selling brass instruments: the commercial imaging of brass instruments (1830-1930) and its cultural messages. Music in Art, XXIX(1-2) pp. 213–226.

Hobden, Fiona (2004). How to be a good symposiast and other lessons from Xenophon's Symposium. Proceedings of the Cambridge Philological Society, 50 pp. 121–140.

James, Paula (2004). What lies beneath: fluid subtexts in Ovid's Metamorphoses. In: Zimmerman, Maaike and Van der Paardt, Rudi eds. Metamorphic Reflections: essays presented to Ben Hijmans on his 75th birthday. Leuwen: Peeters, pp. 1–19.

Katritzky, M. A. (2004). Book reviews: Performance and Literature in the commedia dell'arte (Robert Henke); Music and Women of the commedia dell'arte in the Late Sixteenth Century (Anne MacNeil); Das Spiel mit Gattungen bei Isabella Canali Andreini: Band 1, zum Verhältnis von Improvisation und Schriftkultur in der Commedia dell'arte, Band II, Lettere (1607) (Britta Brandt); La Mirtilla: a pastoral (Isabella Andreini); Improvisation in the Arts of the Middle Ages and Renaissance (Timothy J. McGee); Theater am Hof und für das Volk. Beiträge zur vergleichenden Theater und Kulturgeschichte. Festschrift für Otto G Schindler zum 60. Geburtstag (Brigitte Marschall). Theatre Research International, 29(1) pp. 78–81.

Katritzky, M.A. (2004). The autobiographical writings of Felix and Thomas II Platter: court festivals and commedia dell'arte. In: Eversmann, Peter; van Gaal, Rob and van der Zalm, Rob eds. Theaterwetenschap spelenderwijs: theatre studies at play. Amsterdam: Pallas Publications, pp. 34–56.

Katritzky, M.A. (2004). What did Vigil Raber's stage really look like? Questions of authenticity and integrity in medieval theatre iconography. In: Gebhardt, Michael and Siller, Max eds. Vigil Raber: zur 450. Wiederkehr seines Todesjahres. Schlern-Schriften, 326. Innsbruck: Universitaetsverlag Wagner.

Kawabata, Maiko (2004). The Concerto that Wasn't: Paganini, Urhan and Harold in Italy. Nineteenth-Century Music Review, 1(1) pp. 67–114.

Kawabata, Maiko (2004). Virtuoso Codes of Violin Performance: Power, Military Heroism, and Gender (1789-1830). 19th-Century Music, 28(2) pp. 89–107.

King, Helen (2004). The Disease of Virgins: Green Sickness, Chlorosis and the Problems of Puberty. London: Routledge.

King, Helen (2004). Illness and other personal crises in Greek and Roman religions. In: Johnston, Sarah Iles ed. Religions of the ancient world: A guide. Harvard: Harvard University Press, pp. 464–467.

King, Edmund (2004). “Small-scale copyrights”?: Quotation marks in theory and in practice. Papers of the Bibliographical Society of America, 98(1) pp. 39–53.

King, Helen (2004). Chamberlen, Hugh, the elder (b. 1630x34, d. after 1720). Oxford University Press, Oxford, UK.

King, Helen (2004). Chamberlen, Peter (1601–1683). Oxford University Press, Oxford, UK.

King, Helen (2004). Cellier, Elizabeth (fl. 1668–1688). In: Matthews, Henry Colin Gray and Harrison, Brian Howard eds. Oxford Dictionary of National Biography, Volume 10. Oxford, UK: Oxford University Press, pp. 807–808.

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Morris, Robert Matthew (2004). The Metropolitan police and government, 1860-1920. Doctor of Philosophy (PhD) thesis The Open University.

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Clayton, Martin; Herbert, Trevor and Middleton, Richard eds. (2003). The Cultural study of music: A critical introduction. Abingdon, UK,: Routledge.

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Godfrey, Barry; Emsley, Clive and Dunstall, Graeme eds. (2003). Comparative Histories of Crime. UK: Willan Publishing.

Mombauer, Annika and Deist, Wilhelm eds. (2003). The Kaiser. New Research on Wilhelm II's role in Imperial Germany. Cambridge, UK: Cambridge University Press.

Sandwell, Isabella and Huskinson, Janet eds. (2003). Culture and Society in late Roman Antioch. Oxford, UK: Oxbow.

Walder, Dennis ed. (2003). Literature in the modern world: critical essays and documents. 2nd edition. Oxford, UK: Oxford University Press.

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Barnes, Amy Jane (2003). China in Britain: The representation of twentieth century Chinese art and culture in contemporary British museums. Museological Review(9) pp. 1–15.

Benton, Tim (2003). Art Deco architecture. Victoria and Albert Museum, London, UK.

Benton, Tim (2003). Italian architecture and design. In: Benton, Charlotte; Benton, Tim and Woods, Ghislaine eds. Art Deco 1910-1939. London, UK: Victoria and Albert Museum, pp. 218–229.

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Benton, Tim and Benton, Charlotte (2003). Decline and revival. In: Benton, Charlotte; Benton, Tim and Woods, Ghislaine eds. Art Deco 1910-1939. London, UK: Victoria and Albert Museum, pp. 426–429.

Benton, Tim and Benton, Charlotte (2003). The Style and the Age. In: Benton, Tim; Benton, Charlotte and Woods, Ghislaine eds. Art Deco 1910-1939. London, UK: Victoria and Albert Museum, pp. 12–27.

Best, Terence (2003). An edition with preface of G.F. Handel, Serse, HWV 40. Bärenreiter, Kassel, Germany.

Betts, Eleanor (2003). The sacred landscape of Picenum (900-100 BC): towards a phenomenology of cult places. In: Wilkins, John B. and Herring, Edward eds. Inhabiting Symbols: symbol and image in the ancient Mediterranean. Accordia Specialist Studies on the Mediterranean (5). London: Accordia Research Institute, University of London, pp. 101–120.

Brunton, Deborah (2003). The Idea of a germ: [Essay review of] 'Spreading germs: disease theories and medical practice in Britain, 1865–1900' by Michael Worboys. Studies in History and Philosophy of Science Part C: Studies in History and Philosophy of Biological and Biomedical Sciences, 34(2) pp. 367–373.

Cathcart, Charles (2003). Lodge, Marston, and the Family of Love. Notes and Queries, 50(1) pp. 68–70.

Cathcart, Charles (2003). The Insatiate Countess: Date, Topicality, and Company Appropriation. Medieval & Renaissance Drama in England, 16 pp. 81–100.

Cathcart, Charles (2003). Histriomastix, Hamlet, and the "quintessence of Duckes". Notes and Queries, 50(4) pp. 427–430.

Cathcart, Charles (2003). Club Law, The Family of Love, and the Familist Sect. Notes and Queries, 50(1) pp. 65–68.

Cathcart, Charles (2003). Borrowings and the Authorial Domain: Gostanzo, Polonius, and Marston's Gonzago. Comparative Drama, 37(2) pp. 159–174.

Christian, Kathleen Wren (2003). The Della Valle Sculpture Court Rediscovered. The Burlington Magazine, 145(1209) pp. 847–850.

Clarke, Anna (2003). Arundhati Roy’s The God of Small Things. In: Inter-University Post-Colonial Studies Seminar Series, Feb - 2003, The Institute of English Studies, London, UK.

Clarke, Anna (2003). [Book Review] Babu Fictions: Alienation in Contemporary Indian English Novels by Tabish Khair. Wasafiri, 18(39) pp. 71–72.

Clayton, Martin (2003). Comparing music, comparing musicology. In: Clayton, Martin; Herbert, Trevor and Middleton, Richard eds. The Cultural Study of Music: A Critical Introduction. New York: Routledge, pp. 57–68.

da Sousa Correa, Delia (2003). George Eliot, music and Victorian culture. Basingstoke, UK: Palgrave Macmillan.

Smith, Richard, ed. Rodrigue et Chimène. By Claude Debussy (1783). Paris, France, Éditions Durand (2003). Translated from French [français]

Owens, W. R., ed. The true-born Englishman and other poems. By Daniel Defoe . London, Pickering & Chatto (2003).

Donnachie, I (2003). William Maclure: Science, Pestalozziansim and Reform in Europe and the United States. Not Set, London, UK.

Donnachie, Ian (2003). Education in Robert Owen's New Society: The New Lanark Institute and Schools. Not Set, London, UK.

Edwards, Stephen (2003). A 'pariah in the world of art': Richter in Reverse Gear. In: Green, D.; Lowry, J. and Campany, D. eds. Where is the Photograph? Brighton, UK: Photoforum, pp. 31–46.

Edwards, Steve (2003). An interview with Martha Rosler. In: Campany, David ed. Art and Photography. London: Phaidon, p. 250.

Emsley, Clive (2003). Napoleon: Conquest, Reform and Reorganisation. UK: Longman.

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Emsley, Clive (2003). Crime, police and penal policy. In: Wrigley, Chris ed. A Companion to Early Twentieth-Century Britain. Oxford: Blackwell, pp. 438–452.

Haslam, Sara, ed. England and the English. By Madox Ford Ford (1905). Manchester, UK, Carcanet Press (2003).

Fraser, Robert (2003). Mapping the Mind: Borders, Migration and Myth. Wasafiri(39) pp. 47–54.

Fraser, Robert (2003). "Whatever is, is right": Handel's penultimate oratorio and the pity of war. Times Literary Supplement(5207) pp. 13–14.

Fraser, Robert (2003). Songs of a Tadpole. Times Literary Supplement p. 20.

Fraser, Robert (2003). The Lamp of Truth: Proust and George Eliot. In: Bloom, Harold ed. Marcel Proust. Modern Critical Views. Philadelphia, USA: Chelsea House Publishers, pp. 37–62.

Fraser, Robert (2003). New York. In: Speake, Jennifer ed. Literature of Travel and Exploration, Volume ii. New York and London: Fitzroy Dearbourn/Routledge, pp. 846–848.

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Fraser, Robert (2003). Sahel. In: Speake, Jennifer ed. Literature of Travel and Exploration, Volume iii. New York and London: Fitzroy Dearbourn/Routledge, pp. 1044–1046.

Fraser, Robert (2003). Timbuctoo. In: Speake, Jennifer ed. LIterature of Travel and Exploration, Volume iii. New York and London: Fitzroy Dearbourn/Routledge, pp. 1181–1183.

Gibson, Jonathan (2003). Civil War in 1614: Lucan, Gorges and Prince Henry. In: Clucas, Stephen and Davies, Rosalind eds. The Crisis of 1614 and The Addled Parliament: Literary and Historical Perspectives. Aldershot: Ashgate, pp. 161–176.

Grell, Ole (2003). John La Motte. In: Matthew, H.C.G. and Harrison, Brian eds. Dictionary of National Biography. Oxford, UK: Oxford University Press in association with the British Academy.

Grell, Ole Peter (2003). John Cruso. In: Matthew, H.C.G. and Harrison, Brian eds. Oxford Dictionary of National Biography. Oxford, UK: Oxford University Press is association with the British Academy.

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Gupta, Suman (2003). Re-reading Harry Potter. Basingstoke, UK: Palgrave Macmillan.

Gupta, Suman (2003). In search of genius: T.S. Eliot as publisher. Journal of Modern Literature, 27(1-2) pp. 26–35.

Hack, Karl (2003). Theories and approaches to British decolonization in southeast Asia. In: Frey, Marc; Preussen, Ronald W and Tan, Tai Yong eds. The Transformation of Southeast Asia. New York, NY U.S.: M.E. Sharpe, pp. 105–126.

Hardwick, Lorna (2003). Reception Studies. Greece and Rome: New Surveys in the Classics (33). Oxford, U.K.: Oxford University Press.

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Hope, Valerie M. (2003). Trophies and tombstones: commemorating the Roman soldier. World Archaeology, 35(1) pp. 79–97.

Hope, Valerie M. (2003). Remembering Rome: memory, funerary monuments and the Roman soldier. In: Williams, Howard ed. Archaeologies of remembrance: death and memory in past societies. New York, USA: Kluwer Academic/Plenum Publishers, pp. 113–140.

Huskinson, Janet (2003). Theatre, performance and theatricality in some mosaic pavements from Antioch. Bulletin of the Institute of Classical Studies, 46 pp. 131–165.

Huskinson, Janet (2003). Surveying the scene: Antioch mosaic pavements as a source of historical evidence. In: Sandwell, Isabella and Huskinson, Janet eds. Culture and Society in Late Roman Antioch. Oxford, UK: Oxbow Publications, pp. 134–152.

James, Paula (2003). She's All That: Ovid's ivory statue and the legacy of Pygmalion on film. Classical Bulletin, 79(1) pp. 63–91.

Johnson, David (2003). Theorizing the Loss of Land: Griqua Land Claims in Southern Africa, 1874-1998. In: Eng, David L. and Kazanjian, David eds. Loss: the politics of mourning. Berkeley, US: University of California Press, pp. 278–299.

Johnson, David (2003). Land, identity and social conflict: the World Bank and South Africa's post-apartheid land reform. In: Gupta, Suman; Basu, Tapan and Chattarji, Subarno eds. India in the age of globalization : contemporary discourses and texts. New Delhi, India: Nehru Memorial Museum and Library, pp. 275–298.

Jones, Nicholas (2003). Luminous, but with shadows: the music of Anthony Powers. The Musical Times, 144(1884 (Autu) pp. 26–35.

Katritzky, M.A. (2003). What did medieval stages look like? Times Higher Education Supplement(1570) p. 13.

Katritzky, M.A. (2003). The mountebank: a case study in early modern theater iconography. In: Twining, William and Hampsher-Monk, Ian eds. Evidence and inference in history and law: interdisciplinary dialogues. Evanston, U.S.A.: Northwestern University Press, pp. 231–286.

Laurence, Anne (2003). Women using building in seventeenth-century England: a question of sources? Royal Historical Society Transactions, 13 pp. 293–303.

Laurence, Anne (2003). Space, status and gender in English topographical paintings c.1660-c.1740. Architectural History, 46 pp. 81–94.

Lawrence, Paul (2003). The Paris police and the regulation of the poor in late-nineteenth-century Paris. Proceedings of the Western Society for French History, 29 pp. 176–185.

Lawrence, Paul (2003). 'Scoundrels and scallywags, and some honest men ...': Memoirs and the self-image of French and English policemen c.1870-1939. In: Godfrey, Barry; Emsley, Clive and Dunstall, Graeme eds. Comparative Histories of Crime. Willan Publishing, pp. 125–144.

Lymberopoulou, Angeliki (2003). A Winged Saint John the Baptist icon in the British Museum. Apollo, CLVIII(500) pp. 19–24.

Lymberopoulou, Angeliki (2003). The Madre della Consolazione icon in the British Museum: Post-Byzantine Painting, Painters, and Society on Crete. Jahrbuch der Österreichischen Byzantinistik, 53 pp. 239–257.

Mackie, Robin and Roberts, Gerrylynn (2003). La professionalizzazione della chimica. In: Petruccioli, Sandro ed. La Scienza dell '800. Storia della Scienza, vol. VII (sez E). Rome, Italy: Istituto dell Enciclopedia Italiana fondata da Giovanni Treccani, pp. 520–526.

Martin, Claire J. L. (2003). Controversy and division in post-restoration Quakerism : the Hat, Wilkinson-Story and Keithian controversies and comparisons with the internal divisions of other seventeenth-century non-conformist groups. Doctor of Philosophy (PhD) thesis The Open University.

Nicolson, Margaret and Donnachie, Ian (2003). The New Lanark Highlanders: migration, community, and language 1785-c.1850. Family & Community History, 6(1) pp. 19–32.

Norman, Diana (2003). Painting in late medieval and Renaissance Siena (1260-1555). New Haven, USA: Yale University Press.

Owens, W.R. ed. (2003). John Bunyan,'The Pilgrim's Progress'. Oxford World's Classics. Oxford, UK: Oxford University Press.

Perry, Gill (2003). Ambiguity and desire in late eighteenth century portraits of the actress. In: Asleson, Robyn ed. Notorious muse: the actress in British art and culture 1776-1812. Studies in British Art. London, UK: Yale University Press, pp. 57–80.

Philip, Robert (2003). Historical recordings of orchestras. In: Lawson, Colin ed. The Cambridge companion to the orchestra. Cambridge companions to music. Cambridge, UK: Cambridge University Press, pp. 203–217.

Philip, Robert (2003). Brahms's musical world: balancing the evidence. In: Musgrave, Michael and Sherman, Bernard D. eds. Performing Brahms: early evidence of performance style. Musical performance and reception. Cambridge, UK: Cambridge University Press, pp. 349–372.

Prescott, Lynda (2003). Anthropology. In: Poplawski, Paul ed. Encyclopedia of Literary Modernism. USA and UK: Greenwood Press, pp. 11–13.

Prescott, Lynda (2003). Colonialism and Postcolonialism. In: Poplawski, Paul ed. Encyclopedia of Literary Modernism. USA & UK: Greenwood Press, pp. 49–51.

Prescott, Lynda (2003). The Masses. In: Poplawski, Paul ed. Encyclopedia of Literary Modernism. USA and UK: Gfreenwood Press, pp. 261–262.

Prescott, Lynda (2003). The Indian Connection in J.G.Farrell's 'Troubles'. Irish Studies Review, 11(2) pp. 165–173.

Prescott, Lynda (2003). Joseph Conrad. In: Poplawski, Paul ed. Encyclopedia of Literary Modernism. Westport, Connecticut and London: Greenwood Press, pp. 51–58.

Richardson, Carol M. (2003). The Housing opportunities of a Renaissance cardinal. Renaissance Studies, 17(4) pp. 607–627.

Tickell, Alex (2003). The God of Small Things: Arundhati Roy's Postcolonial Cosmopolitanism. Journal of Commonwealth Literature, 38(1) pp. 73–89.

Tickell, Alex (2003). Terrorism and the Informative Romance: Two Early South-Asian Novels in English. Kunapipi, 25(1) pp. 73–82.

Vincent, D.M. (2003). The Progress of Literacy. Victorian Studies, 45(3) pp. 405–431.

Vincent, David (2003). Literacy Literacy. Interchange, 34(2-3) pp. 341–357.

Wainwright, Leon (2003). ‘British Art of the South Asian Diaspora’. South Asian Diaspora Literature and Arts Archive, SALIDAA.

Walder, Dennis (2003). Athol Fugard. Writers and their work. Tavistock, UK: Northcote House.

Walder, Dennis (2003). ‘How is it going, Mr Naipaul?’ Identity, Memory and the Ethics of Post-Colonial Literatures. Journal of Commonwealth Literature, 38(3) pp. 5–18.

Walder, Dennis (2003). Literature, memory and nation. In: ed. War, Culture and Memory. Milton Keynes, UK: The Open University, pp. 69–102.

Walsh, Linda (2003). "Crushing infamy": the Revoulutionary Sculpture & Joseph Chihard. British Journal for Eighteenth-Century Studies, 26(1) pp. 109–128.

Ward Jones, Peter and Burrows, Donald (2003). An Inventory of Mid-Eighteenth-Century Oxford Musical Hands. Royal Musical Association Research Chronicle(35) pp. 61–139.

West, Susie (2003). An overlooked inventory for Blickling Hall, Norfolk. Library History, 19(2) pp. 143–145.

Whitfield, James (2003). The Metropolitan Police: alienation, culture, and relations with London's Caribbean community 1950-1970. Crime, History and Societies, 7(2) pp. 23–39.

Wilkinson, Anne (2003). The Development of Gardening as a Leisure Activity in Nineteenth Century Britain and the Establishment of Horticultural Periodicals. Doctor of Philosophy (PhD) thesis The Open University.

Williams, Chris (2003). Britain’s police forces: forever removed from democratic control? History and Policy

Williams, Chris A. (2003). Police surveillance and the emergence of CCTV in the 1960s. Crime Prevention and Community Safety, 5(3) pp. 27–37.

Williams, Chris A. (2003). Catégorisation et stigmatisation policières á Sheffield au milieu du XIXe siècle [Numbering crimes and measuring space: policing Sheffield in the mid-nineteenth century]. Revue d'Histoire Moderne et Contemporaine, 50(1) pp. 104–125.

Woods, Kim W. (2003). Questions d'attribution stylistique: retables inedits en Angleterre. In: Guillot de Suduiraut, Sophie ed. Retables brabançons des XVe et XVIe siècles. Paris, France: Musee du Louvre, pp. 345–376.

Yamagata, Naoko (2003). Locating power: spatial signs of social ranking in Homer and the Tale of the Heike. Scholia, 12 pp. 34–44.

Yamagata, Naoko (2003). Hesiod: the cosmology of a farmer-poet. In: Kawashima, S and Takada, Y eds. Ennepe Mousa: an invitation to the Ancient Greek Literature. Tokyo: Sanriku Publishing, pp. 63–78.

2002To Top

Gaiger, Jason ed. (2002). Sculpture: Some observations on Shape and Form from Pygmalion's Creative Dream by Johann Gottfried Herder. Chicago, Illinois, USA: University of Chicago Press.

Grell, Ole Peter; Cunningham, Andrew and Jütte, Robert eds. (2002). Health care and poor relief in 18th and 19th Century Northern Europe. The History of medicine in context. Aldershot, UK: Ashgate.

Hooper, Glenn and Graham, Colin eds. (2002). Irish and postcolonial writing: history, theory, practice. Basingstoke, UK: Palgrave.

Wood, Paul and Harrison, Charles eds. (2002). Art in Theory 1900-2000. Oxford: Blackwell.

Scott, Rosemary; Barnes, Amy Jane; Nikles, Estelle; Teo, Catherine and Pierson, Stacey eds. (2002). Qingbai Ware: Chinese Porcelain of the Song and Yuan Dynasties. London: Percival David Foundation of Chinese Art.

Best, Terence (2002). An edition with preface of G.F. Handel, Orgelkonzerte I, Sechs Konzerte für Orgel und Orchester Opus 4, HWV 289-294, Konzert für Harfe und Orchester, HWV 294. Bärenreiter, Kassel, Germany.

Brown, Richard Danson (2002). 'Your thoughts make shape like snow': Louis MacNeice on Stephen Spender. Twentieth-Century Literature, 48(3) pp. 292–323.

Brunton, Deborah (2002). Power, policy and practice: the public response to public health in the Scottish city. In: Sturdy, Steven ed. Medicine, health and and the public sphere in Britain, 1600-2000. Routledge Studies in the Social History of Medicine. UK: Routledge, pp. 171–188.

Burrows, Donald (2002). An edition with preface of G. F. Handel, Imeneo, HWV 41. Bärenreiter, Kassel, Germany.

Burrows, Donald and Dunhill, Rosemary (2002). Music and theatre in Handel's world : the family papers of James Harris 1732-1780. Oxford, UK: Oxford University Press.

Cathcart, Charles (2002). John Weever and the Jonson-Marston Rivalry. Ben Jonson Journal, 9(1) pp. 235–247.

Cathcart, Charles (2002). John Fletcher in 1600-1601: Two Early Poems, an Involvement in the "Poets' War," and a Network of Literary Connections. Philological Quarterly, 81(1) pp. 33–51.

Christian, Kathleen (2002). From ancestral cults to art: the Santacroce Collection of antiquities. Annali della Scuola normale superiore di Pisa. Classe di lettere e filosofia, 14 pp. 255–272.

Christian, Kathleen Wren (2002). The de' Rossi Collection of Ancient Sculptures, Leo X, and Raphael'. Journal of the Warburg and Courtauld Institutes, 65 pp. 132–200.

Clayton, Martin (2002). Teaching Indian music at a distance: A perspective from the UK. Journal of the Indian Musicological Society, 33 pp. 36–41.

De Renzi, Silvia (2002). Witnesses of the body: medico-legal cases in seventeenth-century Rome. Studies in History and Philosophy of Science Part A, 33(2) pp. 219–242.

Dobson, Michael and Watson, Nicola (2002). Shakespeare en Elizabeth: Een liefdesgeschiedenis. Feit und Fictie, 5(3) pp. 62–81.

Dobson, Michael and Watson, Nicola J. (2002). England's Elizabeth: an afterlife in fame and fantasy. Oxford, UK: Oxford University Press.

Doloughan, Fiona J. (2002). Translating the self: Ariel Dorfman's bilingual journey. Language and Intercultural Communication, 2(2) pp. 147–152.

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Barker, Hannah and Vincent, David eds. (2001). Language, print and electoral politics, 1790-1832. Parliamentary History Record Series. UK: The Boydell Press/The Parliamentary History Yearbook Trust.

Herbert, Trevor and Stead, Peter eds. (2001). Hymns and Arias: Great Welsh Voices. Cardiff: University of Wales Press.

Hooper, Glenn ed. (2001). Letters from Ireland: Harriet Martineau. Dublin, Ireland: Irish Academic Press.

Marwick, Arthur; Emsley, Clive and Simpson, Wendy eds. (2001). Total War and Historical Change: Europe 1914-1955. Buckinghamshire: Open University Press.

Richardson, Carol and Smith, Graham eds. (2001). Brittania, Germania, Italia: Taste and travel in the 19th Century. Occasional papers (1). Edinburgh, UK: VARIE, pp. 125–142.

Allen, Richard (2001). Mary Shelley as editor of Percy Shelley. In: Bellamy, Joan; Laurence, Anne and Perry, Gillian eds. Women, Scholarship and Criticism: Gender & knowledge c.1790-1900. Manchester: Manchester University Press, pp. 77–90.

Benton, Tim (2001). Humanism and fascism. Comparative Criticism: An Annual Journal, 23 pp. 69–115.

Best, Terence (2001). An edition with preface of G.F. Handel, Deidamia, HWV 42. Bärenreiter, Kassel, Germany.

Budelmann, Felix (2001). Sound and text: the rhythm and metre of archaic and classical Greek poetry in ancient and Byzantine scholarship. In: Budelmann, Felix and Michelakis, Pantelis eds. Homer, tragedy and beyond: studies in honour of P. E. Easterling. London, UK: Society for the Promotion of Hellenic Studies, pp. 209–240.

Cathcart, C. (2001). Hamlet: Date and Early Afterlife. The Review of English Studies, 52(207) pp. 341–359.

Cathcart, Charles (2001). "Lust's Dominion"; or, the "Lascivious Queen": Authorship, Date, and Revision. The Review of English Studies, 52(207) pp. 360–375.

Christian, Kathleen (2001). Petrarch's Triumph of Chastity in Leonardo's Lady with an Ermine. In: Jones, Lars and Matthew, Louisa eds. Coming About ... A Festschrift for John Shearman. Cambridge MA: Harvard University Art Museums, pp. 33–40.

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da Sousa Correa, Delia (2001). The Portrait of a Lady and the “house of fiction”. In: Walder, Dennis ed. The Nineteenth-Century Novel: Identities. The Nineteenth-Century novel. UK: Routledge, pp. 95–156.

da Sousa Correa, Delia (2001). The Portrait of a Lady: identity and gender. In: Walder, Dennis ed. The Nineteenth-Century Novel: Identities. The Nineteenth-Century Novel. UK: Routledge, pp. 116–136.

da Sousa Correa, Delia (2001). The Portrait of a Lady: Henry James as critic. In: Walder, Dennis ed. The Nineteenth-Century Novel: Identities. The Nineteenth-Century Novel. UK: Routledge, pp. 137–156.

De Renzi, Silvia (2001). La natura in tribunale: conoscenze e pratiche medico-legali a Roma nel XVII secolo. Quaderni Storici, 108(3) pp. 799–822.

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Fraser, Robert (2001). The chameleon poet: a life of George Barker. London, UK: Jonathan Cape.

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Fraser, Robert (2001). Lonely Londoners 1890's style: Joseph Casely-Hayford's Ethiopia Unbound. Wasafiri, 34 52 -55.

Fraser, Robert (2001). Postcolonial Cities: Michael Ondaatje's Toronto and Yvonne Vera's Bulawayo. Studies in Canadian Literature/ Etudes en litterature canadienne, 26(2) pp. 40–48.

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Gupta, Suman (2001). Corporate capitalism and political philosophy. London, UK: Pluto.

Hack, Karl (2001). Defence and decolonisation in southeast Asia: Britain, Malaya and Singapore, 1941-1968. Richmond, UK: Curzon.

Hardwick, Lorna (2001). Who owns the plays?: Issues in the translation and performance of Greek drama on the modern stage. Eirene (Studia Graeca et Latina, Theatralia)(XXXVll, Th) pp. 23–29.

Hardwick, Lorna (2001). The Reception of the texts and images of ancient Greece in late twentieth-century drama and poetry in English. Not Set, Milton Keynes, UK.

Harrison, Charles (2001). Conceptual art and painting: further essays on Art & Language. Cambridge, USA: The MIT Press.

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Holmes, Janice (2001). Religious revivals in Britain and Ireland, 1859-1905. Dublin, Ireland: Irish Academic Press.

Hope, Valerie M. (2001). Constructing identity: the Roman funerary monuments of Aquileia, Mainz and Nimes. British Archaeological Reports, International Series (960). Oxford, UK: Archaeopress.

James, Paula (2001). Kicking the Habit:the Significance of Consuetudo in interpreting the Fable of Cupid and Psyche. Ramus, 30(2) pp. 152–168.

James, Paula (2001). From prologue to story: metaphor and narrative construction in the opening of the Metamorphoses. In: Kahane, Ahuvia and Laird, Andrew eds. Companion to the prologue to Apuleius' Metamorphoses. Oxford: Oxford University press, pp. 256–266.

Johnson, David (2001). Literatures of nation and migration: Charles Mungoshi, Nadine Gordimer, and the postcolonial. Alternation, 8(2) pp. 36–54.

Johnson, David (2001). Editorial: Travellers' tales: alternative traditions. Wasafiri(34) pp. 1–2.

Johnson, David; Pete, Steve and Du Plessis, Max (2001). Jurisprudence: a South African perspective. Durban, South Africa: Butterworths.

Katritzky, M. A. (2001). Gendering tooth-drawers on the stage. Ludica, annali di storia e civilta del gioco, 5-6 (2000) pp. 144–181.

Katritzky, M.A. (2001). Marketing medicine: the image of the early modern mountebank. Renaissance Studies, 15(2) pp. 121–153.

Katritzky, M.A. (2001). Franco Bertelli's "Carnevale Italiano Mascherato" of 1642 and other printed influences on theatrical pictures in alba amicorum. In: Pelc, Milan ed. Klovicev Zbornik: minijatura - crtez - grafika 1450. - 1700. Zagreb, Croatia: Hrvatska akademiha znanosti i umjetnosti - Institut za povijest umjetnosti, pp. 217–229.

Katritzky, M.A. (2001). Aby Warburg and the Florentine intermedi of 1589: extending the boundaries of art history. In: Woodfield, Richard ed. Art history as cultural history: Warburg's projects. Amsterdam: G+B Arts International, pp. 209–258.

King, Helen (2001). Recovering hysteria from history: Herodotus and “the first case of shell shock”. In: Halligan, Peter; Bass, Christopher and Marshall, John eds. Contemporary Approaches to the Science of Hysteria: Clinical and Theoretical Perspectives. Oxford University Press, pp. 36–48.

Laurence, Anne (2001). 'Begging pardon for all mistakes in this writeing I being a woman and doeing itt myselfe': family narratives in some early eighteenth-century letters. In: Daybell, James ed. Early modern women’s letter writing, 1450-1700. Basingstoke, UK: Palgrave Macmillan, pp. 194–206.

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Lawrence, Paul; Baycroft, Timothy and Grohmann, Carolyn (2001). 'Degrees of foreignness' and the construction of identity in French border regions during the inter-war period. Contemporary European History, 10(1) pp. 51–71.

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Mateer, David (2001). Hugh Davis's Commonplace Book: A New Source of Seventeenth-Century Song. Royal Musical Association Research Chronicle, 32 pp. 63–87.

Mombauer, Annika (2001). Helmuth von Moltke and the origins of the First World War. New Studies in European History. Cambridge, UK: Cambridge University Press.

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Richardson, Carol M. (2001). 'Glorious hopes and designs': the Pugins in Rome. In: Richardson, Carol and Smith, Graham eds. Britannia Italia Germania: taste and travel in the Nineteenth Century. Occasional papers (1). Edinburgh: VARIE, pp. 125–142.

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Tickell, Alex (2001). "How many Pakistans?" questions of space and identity in the writing of partition. Ariel: A Review of International English Literature, 32(3) pp. 155–179.

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Wood, Helen Kathleen (2001). Interacting with television : morning talk-TV and its communicative relationship with women viewers. Doctor of Philosophy (PhD) thesis The Open University.

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Bessel, Richard and Emsley, Clive eds. (2000). Patterns of Provocation: Police and Public Disorder. UK: Berghahn Books.

da Sousa Correa, Delia ed. (2000). The Nineteenth-Century Novel: Realisms. Routledge.

Harrison, Charles; Wood, Paul J. and Gaiger, Jason eds. (2000). Art in Theory 1648-1815: An Anthology of Changing Ideas. Oxford: Blackwell.

Herbert, Trevor ed. (2000). The British Brass Band: a Musical and Social History. Oxford: Oxford University Press.

Laurence, Anne; Bellamy, Joan and Perry, Gillian eds. (2000). Women, Scholarship and Criticism: Gender and Knowledge, c.1790-1900. Manchester: Manchester University Press.

Nasta, Susheila ed. (2000). Reading the New Literatures in a Postcolonial Era. Essays and Studies, 53. Cambridge: Boydell & Brewer.

Barker, Naomi Joy (2000). ‘Diverse Passions’: Mode, Interval and Affect in Poussin’s Paintings. Music in Art, 25(1-2) pp. 5–24.

Carter, Warren (2000). The Public (Mis)use of Art: Radical Artists, Reformist States, and the Politics of Mural Painting in 1930s and 1940s America and Mexico. Oxford Art Journal, 23(2) pp. 163–171.

Cathcart, Charles (2000). Twelfth Night and John Weever. Notes and Queries, 47(1) pp. 79–81.

Cathcart, Charles (2000). Plural Authorship, Attribution, and the Children of the King’s Revels. Renaissance Forum, 4(2) pp. 1–36.

Cathcart, Charles (2000). Ben Jonson and the Dedication of Antonio and Mellida. Notes and Queries, 47(1) pp. 100–103.

Cunningham, Andrew and Grell, Ole (2000). The Four Horsemen of the Apocalypse : Religion, War, Famine and Death in reformation Europe. Cambridge: Cambridge University Press.

da Sousa Correa, Delia (2000). 'The music vibrating in her still': Music and memory in George Eliot's the mill on the floss and Daniel Deronda. Nineteenth-Century Contexts, 21(4) pp. 541–563.

da Sousa Correa, Delia (2000). Jane Eyre and Genre. In: Da Sousa Correa, Delia ed. The Nineteenth-Century Novel: Realisms, Volume 1. Routledge, pp. 87–116.

da Sousa Correa, Delia (2000). Jane Eyre: inside and out. In: Da Sousa Correa, Delia ed. The Nineteenth-Century Novel: Realisms, Volume 1. Routledge, pp. 117–135.

De Renzi, Silvia (2000). Instruments in Print: Books from the Whipple Collection. Cambridge, U.K.: Whipple Museum for the History of Science.

De Renzi, Silvia (2000). Writing and talking of exotic animals. In: Frasca-Spada, Marina and Jardine, Nick eds. Books and the Sciences in History. Cambridge: Cambridge University Press, pp. 151–170.

De Renzi, Silvia (2000). Accademia dei Lincei; Academia del Cimento. In: Hessenbruch, Arne ed. Reader's Guide to the History of Science. London: Fitzroy Dearborn Publishers, pp. 2–5.

Emsley, Clive (2000). Britain and the French Revolution. UK: Longman.

Emsley, Clive (2000). The Policeman as worker: a comparative survey c. 1800-1940. International Review of Social History, 45(1) pp. 89–110.

Emsley, Clive (2000). The Pop-Gun Plot, 1794. In: Davis, Michael T. ed. Radicalism and Revolution in Britain, 1775-1848: Essays in Honour of Malcolm I. Thomis. London: Macmillan, pp. 56–68.

Emsley, Clive (2000). The best way to keep the peace in a country : Napoleon's gendarmes and their legacy. In: Laven, David and Riall, Lucy eds. Napoleon's Legacy: Problems of Government in Restoration Europe. Oxford: Berg, pp. 257–274.

Emsley, Clive; Levy, Rene and Rousseaux, Xavier (2000). The theory and practice of justice: laws, norms, deviance. In: Proceedings of the 19th International Congress of Historical Sciences, University of Oslo, Oslo, pp. 155–166.

Furbank, P. N. and Owens, W. R. (2000). Defoe, the De la Faye letters and Mercurius Politicus. British Journal for Eighteenth-Century Studies, 23(1) pp. 13–19.

Gaiger, Jason (2000). Art as made sensuous: Hegel, Danto and the 'end of art'. Bulletin of Hegel Society of Great Britain, 41 /42, pp. 104–119.

Gaiger, Jason (2000). The true judge of beauty and the paradox of taste. European Journal of Philosophy, 8(1) pp. 1–19.

Gaiger, Jason (2000). Schiller's theory of landscape depiction. Journal of the History of Ideas, 61(3) pp. 115–132.

Gibson, Jonathan (2000). Letters. In: Hattaway, Michael ed. A Companion to English Renaissance Literature and Culture. Blackwell Companions to Literature and Culture. Oxford: Blackwell, pp. 615–619.

Hardwick, Lorna (2000). Theatres of the mind: Greek tragedy in women's writings in English in the nineteenth century. In: Hardwick, Lorna; Easterling, P.E.; Ireland, S.; Lowe, N. and Macintosh, F. eds. Theatre Ancient and Modern. Milton Keynes, U.K.: Dept of Classical Studies, The Open University, pp. 68–81.

Haslam, Sara (2000). A question of knowledge: James, Ford, "The Beast in the Jungle" and A Call. The Henry James Review, 21(1) pp. 72–82.

Haslam, Sara (2000). Modern Knowledge and Ford's Modern Novel. Precursors and Aftermaths: Literature in English 1914-1945, 1(1) pp. 49–63.

Hazareesingh, Sandip (2000). The Quest for Urban Citizenship: Civic Rights, Public Opinion, and Colonial Resistance in Early Twentieth-Century Bombay. Modern Asian Studies, 34(4) pp. 797–829.

Herbert, Trevor (2000). Hammered Brass. Linn.

Herbert, Trevor (2000). Popular nationalism: Griffith Rhys Jones (‘Caradog’) and the Welsh choral tradition. In: Bashford, Christina and Langley, Leanne eds. Music and British Culture, 1785-1914: Essays in Honour of Cyril Ehrlich. Oxford: Oxford University Press, pp. 255–274.

Herbert, Trevor (2000). Nineteenth-century bands: making a movement. In: Herbert, Trevor ed. The British Brass Band: a Musical and Social History. Oxford: Oxford University Press, pp. 10–67.

Herbert, Trevor (2000). God's perfect minstrels: the bands of the Salvation Army. In: Herbert, Trevor ed. The British Brass Band: a Musical and Social History. Oxford: Oxford University Press, pp. 187–216.

Herbert, Trevor (2000). Introduction. In: Herbert, Trevor ed. The British Brass Band: a Musical and Social History. Oxford: Oxford University Press, pp. 1–9.

Herbert, Trevor (2000). Trombones and the English court, c. 1480-c.1680. In: Lustig, Monika and Weiner, Howard T. eds. Posaunen und Trompeten: Geschichte, Akustik, Spieltechnik: 19. Musikinstrumentenbau-Symposium in Michaelstein, 20. bis 22. November 1998. Michaelsteiner Konferenzberichte (60). Blankenburg: Stiftung Kloster Michaelstein, pp. 31–38.

Herbert, Trevor and Wallace, John (2000). Aspects of performance practices: the brass band and its influence on other brass-playing styles. In: Herbert, Trevor ed. The British Brass Band: a Musical and Social History. Oxford: Oxford University Press, pp. 278–305.

Humphrey, Judith Ann (2000). Liberating images: A feminist analysis of the girls' school-story. Doctor of Philosophy (PhD) thesis The Open University.

Issitt, John (2000). The life and works of Jeremiah Joyce. Doctor of Philosophy (PhD) thesis The Open University.

Johnson, David (2000). Violence and philosophy: Nathaniel Merriman, A. W. Schlegel and Jack Cade. In: Joughin, John J. ed. Philosophical Shakespeares. London: Routledge, pp. 68–85.

Johnson, David (2000). 'The first rainbow nation? The Griqua in Post-apartheid South Africa'. In: Poddar, Prem ed. Translating Nations. Dolphin (30). Aarhus: Aarhus University Press, pp. 115–128.

Katritzky, M. A. (2000). Comic stage routines in Guarinonius's medical treatise of 1610. Theatre Research International, 25(3) pp. 217–232.

Katritzky, M. A. (2000). Carnival and comedy in Georg Straub of St Gallen's printed album amicorum of 1600. In: Laufhuette, Hartmut ed. Kuenste und Natur in Diskursen der Fruehen Neuzeit. Wolfenbuetteler ARbeiten zur Barockforschung (35). Wiesbaden: Harrassowitz Verlag, pp. 603–633.

Kawabata, Maiko (2000). The narrating voice in Rimsky-Korsakov's Shekherazade. Women and Music, 4 pp. 18–39.

Laurence, Anne (2000). Women historians and documentary research. In: Laurence, Anne; Bellamy, Joan and Perry, Gillian eds. Women, Scholarship and Criticism: Gender and Knowledge c. 1790-1900. Manchester: Manchester University Press, pp. 125–141.

Loftus, D. (2000). The self-made man: businessmen and their autobiographies in nineteenth century Britain. Business Archives, 80 pp. 12–30.

Loftus, Donna (2000). Industrial conciliation, class co-operation and the urban landscape in mid-Victorian England. In: Morris, Robert J. and Trainor, Richard H. eds. Urban Governance: Britain and Beyond Since 1750. Historical Urban Studies Series. Aldershot: Ashgate, pp. 182–198.

Mackie, Robin (2000). 'But What is a Chemical Engineer?': Profiling the Membership of the British Institution of Chemical Engineers, 1922-1956. Minerva, XXXVIII(2) pp. 171–199.

Mombauer, Annika (2000). Helmuth von Moltke: a general in crisis? In: Hughes, Mathew and Seligmann, Matthew S. eds. Leadership in Conflict 1914-1918. Barnsley, UK: Pen and Sword, pp. 95–116.

Nasta, Susheila (2000). Beyond the millennium: Black women's writing. Women: A Cultural Review, 11(1-2) pp. 71–76.

Nasta, Susheila (2000). Homes without walls: new South Asian voices in Britain. In: Crane, Ralph and Mohanran, Radhika eds. Shifting Continents/Colliding Cultures:Diaspora Writing of the Indian Subcontinent. Amsterdam: Rodopi Press, pp. 18–27.

Nasta, Susheila (2000). Stepping out: reading the new literatures in a postcolonial era. In: Nasta, Susheila ed. Reading the New Literatures in a Postcolonial Era. Essays and Studies. Cambridge: Boydell & Brewer, pp. 2–16.

O'Day, Rosemary (2000). The professions in Early Modern England, 1450-1800: servants of the commonweal. Themes In British Social History. London: Longman / Pearson Education.

O'Day, Rosemary (2000). The Professions in Early Modern Britain 1500-1750, Servants of the Commonwealth. Themes in British Social History. Harlow: Longman.

O'Day, Rosemary (2000). Women and 19th century education. In: Bellamy, Joan ed. Women, scholarship and criticism : gender and knowledge c.1750-1900. Manchester: Manchester University Press, pp. 91–109.

Owens, W. R. (2000). John Bunyan and English Millenarianism. In: Gay, D.; Randall, J. G. and Zinck, A. eds. Awakening Words: John Bunyan and the Language of Community. Newark: University of Delaware Press and Associated University Presses, pp. 81–96.

Owens, W. R. and Furbank, P. N. eds. (2000). Social Reform. Political and Economic Writings of Daniel Defoe, 8. London: Pickering and Chatto.

Owens, W. R. and Furbank, P. N. eds. (2000). The Works of Daniel Defoe. London: Pickering and Chatto.

Owens, W. R. and Furbank, P. N. eds. (2000). Dissent. Political and Economic Writings of Daniel Defoe, 3. London: Pickering and Chatto.

Tickell, Alex (2000). The road less travelled: Pather Panchali in translation. Journal of Commonwealth Literature, 35(1) pp. 147–162.

Tickell, Alex (2000). Miraculous Realities: Postcolonial Identity and the Limits of Form in the Work of Salman Rushdie and Intizar Husain. In: Damodaran, Vinita and Unnitahn-Kumar, Maya eds. Postcolonial India: History, Politics, Culture. New Delhi: Manohar, pp. 325–339.

Williams, Chris (2000). Counting crimes or counting people: some implications of mid-nineteenth century British police returns. Crime, History and Societies, 4(2) pp. 77–93.

Williams, Chris (2000). Expediency, authority and duplicity: reforming Sheffield’s police 1832-1840. In: Morris, Robert J. and Trainor, Richard H. eds. Urban Governance: Britain and Beyond since 1750. Historical Urban Studies. Aldershot, UK: Ashgate, pp. 115–127.

Yamagata, Naoko (2000). Linear B. In: Speake, G ed. Encyclopedia of Greece and the Hellenic Tradition. Fitzroy Dearborn Publishers, pp. 950–952.

1999To Top

Perry, Gillian ed. (1999). Gender and Art. Yale University Press.

Perry, Gillian and Cunningham, Colin eds. (1999). Academies, Museums and Canons of Art. Yale University Press.

Tarlow, Sarah and West, Susie eds. (1999). The Familiar Past? Archaeologies of Later Historical Britain. London and New York: Routledge.

Barclay, Robert Leslie (1999). A Critical Analysis Of Actions Taken Upon Historic Musical Instruments Through The Period Of The Early Music Revival From The Beginning Of The 20th Century To The 1990s. Doctor of Philosophy (PhD) thesis The Open University.

Brunton, Deborah (1999). The problems of implementation: the failure and success of public vaccination against smallpox in Ireland, 1840-1873. In: Jones, Greta and Malcolm, Elizabeth eds. Medicine, Disease and the State in Ireland 1650-1940. Cork: Cork University Press, pp. 138–157.

Cathcart, Charles (1999). Marston, Montaigne, and Lady Politic Would-be. English Language Notes, 36(1) pp. 4–8.

Cathcart, Charles (1999). "You will crown him King that slew your King": "Lust's Dominion" and Oliver Cromwell. Medieval & Renaissance Drama in England, 11 pp. 264–274.

Clayton, Martin (1999). A. H. Fox Strangways and the music of Hindostan: Revisiting historical field recordings. Journal of the Royal Musical Association, 124 pp. 86–118.

da Sousa Correa, Delia (1999). Goddesses of Instruction and Desire: Ruskin and Music. In: Birch, Dinah ed. Ruskin and the Dawn of the Modern. Oxford: Oxford University Press, pp. 111–130.

De Renzi, Silvia (1999). 'A fountain for the thirsty' and a bank for the Pope: charity, conflicts, and medical careers at the Hospital of Santo Spirito in 17th Century. In: Grell, Ole Peter; Cunningham, Andrew and Arrizabalaga, Jon eds. Health Care and Poor Relief in Counter-Reformation Europe. London: Routledge, pp. 99–130.

Edwards, Steve (1999). Art & language's doubt. In: Harrison, Charles ed. Art & Language in Practice,, Volume 2. Barcelona: Fundacio Antonio Tapie, pp. 101–107.

Emsley, Clive (1999). Gendarmes and the State in Nineteenth-Century Europe. UK: Oxford University Press.

Emsley, Clive (1999). A typology of nineteenth-century police. Crime, History and Societies, 3(1) pp. 29–44.

Emsley, Clive (1999). The origins of the modern police. History Today, 49(4) pp. 8–14.

Emsley, Clive (1999). P.C. Dixon and Commissaire Maigret: some myths and realities in the development of English and continental police. In: Howell, David W. and Morgan, Kenneth O. eds. Crime, Protest and Police in Modern British Society: essays in memory of David J. V. Jones. Cardiff: University of Wales Press, pp. 97–117.

Emsley, Clive (1999). La historia de la delincuencia y la justicia penal (1750-1914): una relexion sobre los estudios actuales. In: Paniagua, J; Piqueras, J.A. and Sanz, V eds. Cultura social y politica en el mundo del trabajo. Biblioteca Historia Social (3). Valencia: Fundación Instituto de Historia Social, pp. 85–103.

Emsley, Clive (1999). Law reform and penal reform in England in the age of the French Revolution. In: Rousseaux, Xavier; Bouchat, Marie-Sylvie Dupont and Vael, Claude eds. Revolutions et justice penale. Modeles francais et traditions nationales. Paris: L'Harmattan, pp. 319–331.

Emsley, Clive and Phillips, Sabine (1999). The Habsburg gendarmerie: a research agenda. German History, 17(2) pp. 241–250.

Forsyth, Michael (1999). Julia Kavanagh In Her Times: Novelist And Biographer, 1824-1877. Doctor of Philosophy (PhD) thesis The Open University.

Gaiger, Jason (1999). Constraints and conventions: Kant and Greenberg on aesthetic judgment. British Journal of Aesthetics, 39(4) pp. 376–391.

Gibson, Jonathan (1999). King Lear and the patronage system. The Seventeenth Century, 14(2) pp. 95–114.

Gray, Robert and Loftus, Donna (1999). Industrial regulation, urban space and the boundaries of the workplace: mid-Victorian Nottingham. Urban History, 26(2) pp. 211–229.

Hack, Karl (1999). Iron claws on Malaya: the historiography of the Malayan emergency. Journal of Southeast Asian Stdies, 30(1) pp. 99–125.

Hardwick, Lorna (1999). Placing Prometheus. In: Hardwick, Lorna ed. Tony Harrison's Poetry, Drama and Film: The Classical Dimension. Milton Keynes, U.K.: Dept of Classical Studies, the Open University, pp. 1–15.

Hazel, Ruth Mary (1999). The mediation in late twentieth-century English theatres of selected ancient Greek tragedy texts and themes concerned with women and power. Doctor of Philosophy (PhD) thesis The Open University.

Heck, Thomas F.; Erenstein, Robert; Katritzky, M. A.; Peeters, Frank; Smith, William A. and de Vries, Lyckle (1999). Picturing Performance: The Iconography of the Performing Arts in Concept and Practice. Rochester, NY: University of Rochester Press.

Herbert, Trevor (1999). Military music articles in the Farmer Collection. In: Cowl, Carl and Craik, Sheila M. eds. Henry George Farmer: A Bibliography. Glasgow: Glasgow University Library, xvii-xxi.

Herbert, Trevor (1999). Volunteers, salvationists and committees: consensus versus regulation in amateur Victorian brass bands. In: Chastagner, Claude ed. La musique populaire des Iles Britanniques, 1835-1915. Cahiers Victoriens et Édouardiens (50). Montpellier: Centre d'Études et de Recherches Victoriennes et Édouardiennes de l'Université Paul-Valéry, pp. 105–121.

Herbert, Trevor (1999). The practice and context of a private Victorian brass band. In: Zon, Bennett ed. Nineteenth-Century British Music Studies, Volume 1. Aldershot: Ashgate, pp. 105–118.

Katritzky, M. A. and Heck, Thomas F. (1999). Selected iconographic research resources. In: Heck, Thomas F. ed. Picturing Performance: The Iconography of the Performing Arts in Concept and Practice. Rochester, NY: University of Rochester Press, pp. 163–186.

Katritzky, M.A. (1999). Performing-arts iconography: tradition, techniques, and trends. In: Heck, Thomas F. ed. Picturing Performance: The Iconography of the Performing Arts in Concept and Practice. Rochester, NY: University of Rochester Press, pp. 68–90.

Katritzky, M. A. (1999). Aby Warburg's 'Costumi teatrali' (1895) and the art historical foundations of theatre iconography. Theatre Research International, 24(2) pp. 160–167.

Katritzky, M. A. (1999). Hippolytus Guarinonius's descriptions of commedia dell'arte lazzi in Padua, 1594-97. Quaderni Veneti, 30, pp. 61–126.

Katritzky, M. A. (1999). Mountebanks, mummers and masqueraders in Thomas Platter's diary (1595-1600). In: Cairns, Christopher ed. The Renaissance Theatre: Texts, Performance, Design. Aldershot: Ashgate, pp. 12–29.

King, Helen (1999). Comparative perspectives on medicine and religion in the ancient world. In: Hinnells, John R. and Porter, Roy eds. Religion, Health and Suffering: a Cross-Cultural Study of Attitudes to Suffering and the Implications for Medicine in a Multi-Religious Society. London: Kegan Paul International, pp. 276–294.

King, Helen (1999). Chronic pain and the creation of narrative. In: Porter, James I. ed. Constructions of the Classical Body. Michigan: University of Michigan Press, pp. 269–286.

King, Helen (1999). Hippocratic gynaecological therapy in the sixteenth and seventeenth centuries. In: Aspetti della Terapia nel Corpus Hippocraticum (Atti del IXe Colloque hippocratique), 25-29 Sep 1996, Pisa, Italy.

Laurence, Anne (1999). This sad and deplorable condition: an attempt towards recovering an account of the sufferings of northern clergy families in the 1640s and 1650s. In: Wood, Diana ed. Life and Thought in the Northern Church c. 1100-c. 1700: Essays in honour of Claire Cross. Woodbridge: Boydell & Brewer, pp. 465–488.

McKellar, Elizabeth (1999). The birth of modern London: The development and design of the city 1660-1720. Manchester, UK: Manchester University Press.

McKellar, Elizabeth (1999). Peripheral Visions: Alternative aspects and rural presences in mid-eighteenth-century London. Art History, 22(4) pp. 495–513.

McKellar, Elizabeth (1999). Peripheral Visions: Alternative aspects and rural presences in mid-eighteenth century London. In: Arnold, Dana ed. The Metropolis and its images: Constructing Identities for London, c. 1750-1950. Oxford, UK: Blackwell, pp. 29–47.

Mombauer, Annika (1999). A reluctant military leader? Helmuth von Moltke and the July crisis of 1914. War in History, 6(4) pp. 417–446.

Norman, Diana (1999). Siena and the Virgin: Art and Politics in a Late-Medieval City State. London and New Haven, USA: Yale University Press.

O'Day, Rosemary (1999). A bishop, a patron and some preachers; a problem of presentation. In: Wood, Diana ed. Life and Thought in the Northern Church c. 1100-c 1700. Woodbridge: Boydell & Brewer, pp. 421–434.

Perkins, Phil (1999). Etruscan Settlement, Society and Material Culture in Central Coastal Etruria. British Archaeological Reports International Series (788). Oxford: J. and E. Hedges.

Perry, Gill (1999). Exhibiting 'les Indépendants': Gauguin and the Café Volpini show. In: Wood, Paul ed. The Challenge of the Avant-Garde. Art and its Histories (4). New Haven: Yale University Press, pp. 164–181.

Perry, Gill and King, Catherine (1999). Introduction. In: King, Catherine ed. Views of Difference: Different Views of Art. Art and its Histories (5). New: Yale University Press, pp. 7–22.

Simpson, Ormond; Asbee, Sue and Woodall, Sue (1999). Student-student mentoring in distance education. Journal of Access and Credit Studies, 2(2) pp. 220–232.

Walsh, Linda (1999). Charles Le Brun, 'art dictator of France'. In: Perry, Gillian and Cunningham, Colin eds. Academies, Museums and Canons of Art. Art and Its Histories. London, U.K. and New Haven, CT, U.S.: Yale University Press, pp. 86–123.

Wilkin, Felicity Susan (1999). The application of emerging new technologies by Portsmouth Dockyard 1790-1815. Doctor of Philosophy (PhD) thesis The Open University.

1998To Top

Cooke, Anthony; Donnachie, Ian; MacSween, Ann and Wahtley, Christopher A. eds. (1998). Major Documents. Modern Scottish History: 1707 to the Present, 5. East Linton, East Lothian: Tuckwell Press.

Cooke, Anthony; Donnachie, Ian; MacSween, Ann and Whatley, Christopher A. eds. (1998). The Transformation of Scotland, 1707-1850. Modern Scottish History: 1707 to the Present, 1. East Linton, East Lothian: Tuckwell Press.

Cooke, Anthony; Donnachie, Ian; MacSween, Ann and Whatley, Christopher A. eds. (1998). The Modernisation of Scotland, 1850 to the Present. Modern Scottish History: 1707 to the Present, 2. East Linton, East Lothian: Tuckwell Press.

Eliot, Simon and Owens, W.R. eds. (1998). A Handbook to Literary Research. London: Routledge.

Harrison, Charles; Wood, Paul W. and Gaiger, Jason eds. (1998). Art in Theory 1815-1900: An Anthology of Changing Ideas. Oxford: Blackwell.

Owens, W.R. and Johnson, Hamish eds. (1998). Romantic Writings: An Anthology. Milton Keynes, U.K.: The Open University.

Atkinson, Susan D. (1998). A living life, a living death: a study of Bessie Head's writings as a survival strategy. Doctor of Philosophy (PhD) thesis The Open University.

Claus, Peter Mark (1998). 'Real Liberals' and Conservatives in the City of London, 1848-1886. Doctor of Philosophy (PhD) thesis The Open University.

Clayton, Martin (1998). “You can't fuse yourself”: contemporary British-Asian music and the musical expression of identity. East European Meetings in Ethnomusicology, 5(1998) pp. 73–87.

De Renzi, Silvia (1998). Between the market and the Academy: Robert S Whipple (1871-1953) as a collector of science books. In: Myers, Robin and Harris, Michael eds. Medicine, Mortality and the Book Trade. Publishing pathways. Winchester: St. Paul Bibliographies, pp. 87–108.

Donnachie, Ian (1998). Following the flag: Scottish brewers and beers in imperial and international markets, 1850-1939. In: Wilson, R. G. and Gourvish, T. R. eds. The Dynamics of the International Brewing Industry since 1800. Routledge International Studies in Buisness History (3). London: Routledge, pp. 123–141.

Donnachie, Ian (1998). Robert Owen's Welsh childhood: kin, culture and environment 1771 - c. 1781. Montgomeryshire Collections, 86 pp. 81–96.

Emsley, Clive (1998). Les gendarmes et les paysans: vers une histoire institutionnelle et sociale comparée. In: Chauvaud, Frédéric and Petit, Jacques-Guy eds. L'histoire comtemporaine et les usages des archives judiciaires (1800-1939). Histoire et Archives, revue semestrielle de la Société des Amis des Archives de France (2). Paris: Honoré Champion, pp. 305–315.

Furbank, P. N. and Owens, W. R. (1998). A Critical Bibliography of Daniel Defoe. London: Pickering and Chatto.

Furbank, P. N. and Owens, W. R. (1998). Defoe and the sham Flying-Post. Publishing History, 43 pp. 5–15.

Herbert, Trevor (1998). Victorian brass bands: class, taste and space. In: Leyshon, Andrew; Matless, David and Revill, George eds. The Place of Music. New York: The Guilford Press, pp. 104–128.

Johnson, David (1998). De Mist, Race and Nation. Alternation, 5(1) pp. 85–97.

Johnson, David (1998). From the colonial to the post-colonial: Shakespeare and education in Africa. In: Loomba, Ania and Orkin, Martin eds. Post-colonial Shakespeares. London: Routledge, pp. 218–234.

Katritzky, M. A. (1998). The Commedia dell'arte: An introduction. Theatre Research International, 23(2) pp. 99–103.

Katritzky, M. A. (1998). Was Commedia dell'arte performed by mountebanks? Album amicorum illustrations and Thomas Platter's description of 1598. Theatre Research International, 23(2) pp. 104–125.

Katritzky, M. A. (1998). A court festival set in the garden of an Italian villa. Trinity Fine Art, London.

Katritzky, M. A. (1998). Special Issue of Theatre Research International: The Commedia dell'Arte. Cambridge University Press.

Katritzky, M. A. (1998). Harlekin demaskerad - en upptackt av Agne Beijer [Harlequin revealed: a discovery by Agne Beijer]. In: Lundgren, Eva ed. Drottningholms Slottsteater: Program 1998. Strangnas: Expo Print AB, pp. 92–103.

King, Helen (1998). Hippocrates' Woman: Reading the Female Body in Ancient Greece. London: Routledge.

Mackie, R. L. (1998). Industry in Kirkcaldy: Mapping the Structure of Business in Twentieth-Century Scotland. Scottish Economic and Social History, 18(1) pp. 61–84.

McGregor, John Alexander (1998). The West Highland Railway : the politics of promotion in late nineteenth century Scotland. Doctor of Philosophy (PhD) thesis The Open University.

Miller, Vivien Mary Louise (1998). Violent crime, sexual deviancy and executive clemency in Florida, 1889-1918. Doctor of Philosophy (PhD) thesis The Open University.

Neville, Peter Edmund John (1998). The diplomacy of Sir Nevile Henderson 1937-9. Doctor of Philosophy (PhD) thesis The Open University.

Owens, W. R. and Furbank, P. N. (1998). New light on John Pierce, Defoe's agent in Scotland. Edinburgh Bibliographical Society Transactions, 6(4) pp. 134–143.

Pacheco, Anita (1998). Rape and the female subject in Aphra Behn's The Rover. ELH, 65(2) pp. 323–345.

Simpson, Ormond and Asbee, Sue (1998). Partners, Families and Friends: Student support of the closest kind. Open Learning, 13(3) pp. 56–59.

Walsh, Linda (1998). Subjects, society, style: changing evaluations of Watteau and his art. In: Barker, Emma; Webb, Nick and Woods, Kim eds. The Changing Status of the Artist. Art and Its Histories (2). London, U.K and New Haven, U.S.: Yale University Press, pp. 220–248.

1997To Top

Brewer, Derek and Gibson, Jonathan eds. (1997). A companion to the Gawain-poet. Arthurian Studies, 38. Cambridge: D.S. Brewer.

Herbert, Trevor and Wallace, John eds. (1997). The Cambridge Companion to Brass Instruments. Cambridge Companions to Music. Cambridge: Cambridge University Press.

Barker, Emma (1997). Painting and Reform in Eighteenth-Century France: Greuze's L'Accordé de Village. Oxford Art Journal, 20(2) pp. 42–52.

Clayton, Martin (1997). Le mètre et le tâl dans la musique de l'Inde du Nord (Metre and tal in North Indian music). Cahiers de Musiques Traditionelles, 10 pp. 169–189.

da Sousa Correa, Delia (1997). George Eliot and the Germanic 'Musical Magus'. In: Rignall, John ed. George Eliot and Europe. Warwick Studies in the European Humanities. Scolar Press, pp. 98–112.

Furbank, Philip Nicholas and Owens, W. R., eds. The True-Born Englishman and Other Writings. By Daniel Defoe . London, Penguin Books (1997).

Dudgeon, Ralph T.; Eastop, Phillip; Herbert, Trevor and Wallace, John (1997). Playing, learning and teaching brass. In: Herbert, Trevor and Wallace, John eds. The Cambridge Companion to Brass Instruments. Cambridge Companions to Music. Cambridge: Cambridge University Press, pp. 193–206.

Emsley, Clive (1997). The regulation of motor traffic in Britain. In: Kellens, Georges and Perez Dias, Claudine eds. Le Contrôle de la Circulation Routière dans les Pays de la CEE. Logiques sociales. Paris: L'Harmattan, pp. 77–89.

Emsley, Clive (1997). Political police and the European nation-state in the nineteenth century. In: Mazower, Mark ed. The Policing of Politics in the Twentieth Century: Historical Perspectives. Providence, RI: Berghahn Books, pp. 1–25.

Emsley, Clive (1997). The nation-state, the law and the peasant in nineteenth-century Europe. In: Rousseaux, Xavier and Lévy, René eds. Le pénal dans tous ses États: justice, États et sociétés en Europe (XIe-XXe siècles). Publications des Facultés universitaires Saint-Louis (74). Brussels: Facultés universitaires Saint-Louis, pp. 153–178.

Furbank, P N and Owens, W R (1997). The Defoe that never was: a tale of de-attribution. The American Scholar, 66(2) pp. 276–284.

Furbank, P. N. and Owens, W. R. (1997). The dating of Defoe's "Atlantis Major". Notes and Queries, 242(2) pp. 189–190.

Furbank, P. N. and Owens, W. R. (1997). Whence the Defoe Canon? Eighteenth-Century Fiction, 9(2) pp. 223–225.

Furbank, P. N. and Owens, W. R. (1997). The lost continuation of Defoe's Roxana. Eighteenth-Century Fiction, 9(3) pp. 229–308.

Furbank, P. N. and Owens, W. R. (1997). The Myth of Defoe as 'Applebee's Man'. Review of English Studies, 48(190) pp. 198–204.

Gaiger, Jason (1997). Art after beauty: Retrieving aesthetic judgement. Art History, 20(4) pp. 611–615.

Gibson, Jonathan (1997). Significant space in manuscript letters. The Seventeenth Century, 12(1) pp. 1–10.

Herbert, Trevor (1997). Virtuosi: Ian Bousfield. EMI.

Herbert, Trevor (1997). Reconstruction of nineteenth-century band repertory: towards a protocol. In: Carter, Stewart ed. Persepctives in Brass Scholarship: Proceedings of the International Historic Brass Society Symposium, Amherst, 1995. Bucina: The Historic Brass Society Series (2). Stuyvesant, NY: Pendragon Press, pp. 185–213.

Herbert, Trevor (1997). ‘Sackbut’: the early trombone. In: Herbert, Trevor and Wallace, John eds. The Cambridge Companion to Brass Instruments. Cambridge Companions to Music. Cambridge: Cambridge University Press, pp. 68–83.

Herbert, Trevor (1997). Brass bands and other vernacular brass traditions. In: Herbert, Trevor and Wallace, John eds. The Cambridge Companion to Brass Instruments. Cambridge Companions to Music. Cambridge: Cambridge University Press, pp. 177–192.

Herbert, Trevor and Sarkissian, Margaret (1997). Victorian bands and their dissemination in the colonies. Popular Music, 16(2) pp. 165–179.

Katritzky, M. A. (1997). A German description of the Florentine intermedi of 1565. Italian Studies, 52(1) pp. 63–93.

Katritzky, M. A. (1997). Harlequin in renaissance pictures. Renaissance Studies, 11(4) pp. 381–419.

McGowan, John (1997). The emergence of modern civil police in Scotland: a case study of the police and systems of police in Edinburghshire 1800-1833. Doctor of Philosophy (PhD) thesis The Open University.

O'Day, Rosemary (1997). Police and social inquiry in late-Victorian London. In: Steele, Jess ed. The Streets of London: the Booth Notebooks. South East. London: Deptford Forum.

Perry, Gill (1997). Suzanne Valadon, Emilie Charmy, Paula Modersohn-Becker, Marie Laurencin, Jacqueline Marvel, Marevna. In: Gaze, Delia ed. The Dictionary of Women Artists, Volume 2. London, U.K.: Fitzroy Dearborn, pp. 919–921.

Perry, Gillian (1997). Artistic training and Modernism: women artists in France 1900-1930. In: Gaze, Delia ed. The Dictionary of Women Artists, Volume 1. London: Fitzroy Dearborn, pp. 92–95.

Robson, James (1997). Bestiality and Bestial Rape in Greek Myth. In: Deacy, S and Pearce, K eds. Rape in Antiquity: Sexual Violence in the Greek and Roman Worlds. London: Duckworth, pp. 65–96.

Yamagata, Naoko (1997). Anax and basileus in Homer. Classical Quarterly, 47(1) pp. 1–14.

Yamagata, Naoko (1997). Classics for multilingual Europe. Kleos(2) pp. 275–284.

1996To Top

Donnachie, Ian ed. (1996). Studying Scottish History, Literature & Culture. Edinburgh: The Open University in Scotland.

Emsley, Clive and Knafla, Louis A. eds. (1996). Crime Histories and Histories of Crime: Studies in the Historiography of Crime and Criminal Justice in Modern History. Westport, Conn.: Greenwood Press.

Owens, W. R. and Goodman, Lizbeth eds. (1996). Shakespeare, Aphra Behn and the Canon. London, U.K. and New York, NY, U.S.: Routledge.

Barker, Naomi (1996). Parody and Provocation: Parade and the Dada Psyche. Repertoire International d'Iconographie Musicale / Research Center for Musical Iconography Newsletter, 21(1) pp. 29–31.

Clayton, Martin (1996). Ethnographic wax cylinders at the British Library National Sound Archive: A brief history and description of the collection. British Journal of Ethnomusicology, 5 pp. 67–92.

Clayton, Martin R. L. (1996). Free rhythm: ethnomusicology and the study of music without metre. Bulletin of the School of Oriental and African Studies, 59(2) pp. 323–332.

De Renzi, Silvia (1996). Courts and conversions: Intellectual battles and natural knowledge in counter-reformation Rome. Studies in History and Philosophy of Science Part A, 27(4) pp. 429–449.

Emsley, Clive (1996). Albion's fatal attractions: Reflections upon the history of crime in England. In: Emsley, Clive and Knafla, Louis A eds. Crime History and Histories of Crime: Studies in the Historiography of Crime and Criminal Justice in Modern History. Westport, Conn.: Greenwood Press, pp. 67–85.

Fraser, Robert (1996). The loneliness of the long-distance cyclist: cyclic form in Frazer and Proust. Yearbook of English Studies, 26 pp. 163–172.

Furbank, P. N. and Owens, W. R. (1996). On the attribution of periodicals and newspapers to Daniel Defoe. Publishing History, 40 pp. 83–98.

Herbert, Trevor (1996). Late Victorian Welsh bands: taste, viruosity and Cymmrodorion attitudes. Welsh Music History, 1 pp. 92–102.

Herbert, Trevor (1996). The Origin of the Species: The Cyfarthfa Repertory on Period Instruments. Nimbus.

Herbert, Trevor (1996). The Victorian Christmas. JVC.

Johnson, David (1996). Shakespeare and South Africa. Oxford: Clarendon Press.

Katritzky, M. A. (1996). The Florentine entrata of Joanna of Austria and other entrate described in a German diary. Journal of the Warburg and Courtauld Institutes, 59 pp. 148–173.

Katritzky, M. A. (1996). Orlando di Lasso and the commedia dell'arte. In: Schmid, Bernhold ed. Orlando di Lasso in der Musikgeschichte. Bericht über das Symposium der Bayerischen Akademie der Wissenschaften München, 4-6. Juli 1994. Bayerischen Akademie der Wissenschaften, Philosophisch-Historische Klasse, Abhandlungen, Neue Folge (111). München, Germany: Verlag der Bayerischen Akademie der Wissenschaften / C. H. Beck Verlag, pp. 133–155.

Katritzky, M. A. (1996). Eight portraits of Gelosi actors in 1589? Theatre Research International, 21(2) pp. 108–120.

Katritzky, M. A. (1996). Scenery, setting and stages in late renaissance commedia dell'arte performances: some pictorial evidence. In: Cairns, Christopher ed. Scenery, set and staging in the Italian renaissance: studies in the practice of theatre. Lewiston, New York: Edwin Mellen Press, pp. 209–288.

McKellar, Elizabeth (1996). 'Architectural History: The Invisible Subject' in The Architecture Journal. Journal of Architecture, 1(22) pp. 159–164.

McKellar, Elizabeth (1996). The city and the country: the London vernacular in the late seventeenth and early eighteenth century. In: Burton, Neil ed. Georgian Vernacular. London: The Georgian Group, pp. 10–18.

Nasta, Susheila (1996). Githa Hariharan talks to Susheila Nasta. Wasafiri, 12(24) pp. 22–25.

Nasta, Susheila (1996). Wasafiri: history, politics and post-colonial literature. In: Maes-Jelinek, Hena; Collier, Gordon and Davis, Geoffrey V. eds. A Talent(ed) Digger: Creations, Cameos, and Essays in Honour of Anna Rutherford. Amsterdam: Rodopi, pp. 127–133.

Nasta, Susheila (1996). The story of motherlands. In: Newell, Stephanie ed. Images of African and Caribbean Women: Migration, Displacement, Diaspora. Stirling: University of Stirling, pp. 52–62.

O'Day, Rosemary (1996). An educated society. In: Morrill, John ed. The Oxford Illustrated History of Tudor and Stuart Britain. Oxford: Oxford University Press, pp. 119–138.

Owens, W. R. (1996). Research Techniques and the Use of Libraries. In: Eliot, Simon and Owens, W. R. eds. A Handbook to Literary Research. London, U.K. and New York, NY, U.S.: Routledge, pp. 13–18.

Owens, W. R. (1996). Shakespeare: Theatre Poet. In: Owens, W. R. and Goodman, Lizbeth eds. Shakespeare, Aphra Behn and the Canon. London, U.K. and New York, NY, U.S.: Routledge, pp. 21–33.

Owens, W. R. (1996). Remaking the Canon: Aphra Behn's The Rover. In: Owens, W. R. and Goodman, Lizbeth eds. Shakespeare, Aphra Behn and the Canon. London, U.K. and New York, NY, U.S.: Routledge, pp. 131–175.

Owens, W. R. (1996). Aphra Ben, The Rover, in Shakespeare, Aphra Behn and the Canon. In: Owens, W. R. and Goodman, Lizbeth eds. Shakespeare, Aphra Behn and the Canon. London, U.K. and New York, NY, U.S.: Routledge, pp. 261–334.

Tomlinson, Nora (1996). The achievement of Ford Madox Ford as editor. Doctor of Philosophy (PhD) thesis The Open University.

Walsh, Linda (1996). The expressive face: manifestations of sensibility in eighteenth-century French art. Art History, 19(4) pp. 523–550.

1995To Top

Herbert, Trevor and Jones, Gareth Elwyn eds. (1995). Post-War Wales. Welsh History and its Sources. Cardiff: University of Wales Press.

Nasta, Susheila and Rutherford, Anna eds. (1995). Tiger's Triumph: Celebrating Sam Selvon. Sydney: Dangaroo Press.

Bailey, Keith Alan (1995). The metamorphosis of Battersea, 1800-1914: a building history. Doctor of Philosophy (PhD) thesis The Open University.

Bretas, Marcos Luiz (1995). You can't! The daily exercise of police authority in Rio de Janeiro : 1907-1930. Doctor of Philosophy (PhD) thesis The Open University.

Clericuzio, Antonio and De Renzi, Silvia (1995). Arcanarum Sagacissimi Indagatores Scientiarum; medicine, chemistry and alchemy in the early Accademia dei Lincei. In: Chambers, David and Quivigier, Francois eds. Italian Academies of the Sixteenth Century. Warburg Institute Colloquia (1). London: The Warburg Institute, pp. 175–194.

Donnachie, Ian (1995). 'The darker side': a speculative survey of Scottish crime during the first half of the nineteenth century. Scottish Economic and Social History, 15(1) pp. 5–24.

Emsley, Clive (1995). The archives of the English and Welsh police forces: a survey. In: Knafla, Louis A. and Binne, Susan W.S. eds. Law, Society and the State: Essays in Modern Legal History. Toronto: University of Toronto Press, pp. 465–476.

Furbank, P. N. and Owens, W. R. (1995). Daniel Defoe and A Letter from a Gentleman at the Court of St Germains (1710). Etudes Anglaises, 48 pp. 61–66.

Ille, Maureen Lilian Westmoreland (1995). Jocus : a personification of folly and play and an attribute of carnal love in Renaissance art. Doctor of Philosophy (PhD) thesis The Open University.

King, Helen (1995). 'As if none understood the art that cannot understand Greek': the education of midwives in seventeenth century England. In: Nutton, Vivian and Porter, Roy eds. The History of Medical Education in Britain. Clio Medica: Perspectives in Medical Humanities (30). Atlanta, GA: Editions Rodopi B. V., pp. 184–198.

King, Helen (1995). Conversion disorder and hysteria. In: Berrios, G. E. and Porter, Roy eds. History of Clinical Psychiatry: the Origin and History of Psychiatric Disorders. London: Athlone Press, pp. 442–450.

King, Helen (1995). Half-human creatures. In: Cherry, John ed. Mythical Beasts. London: British Museum Press, pp. 138–166.

King, Helen (1995). Medical texts as a source for women's history. In: Powell, Anton ed. The Greek World. Routledge Worlds. London: Routledge, pp. 199–218.

King, Helen (1995). Food and blood in Hippokratic gynaecology. In: Wilkins, John; Harvey, David and Dobson, Michael J. eds. Food in Antiquity. Exeter: University of Exeter Press, pp. 351–358.

Nasta, Susheila (1995). Setting up home in the City of Words: Sam Selvon's London novels. In: Lee, R ed. Other Britain, other British : contemporary multicultural fiction. London: Pluto Press, pp. 48–69.

O'Day, Rosemary (1995). The Longman Companion to the Tudor Age. Longman companions to history. London: Longman.

O'Day, Rosemary (1995). Women and social investigation: Clara Collet and Beatrice Potter. In: Englander, David and O'Day, Rosemary eds. Retrieved Riches: Social Investigation in Britain 1840-1914. Aldershot: Scolar Press, pp. 165–200.

Owens, W. R. and Furbank, P. N. (1995). Sir Alexander Cumming and Defoe's Mercator. Notes and Queries, 42(4) pp. 454–455.

Perry, Gillian (1995). Women Artists and the Parisian Avant-Garde: Modernism and 'feminine' art 1900-1920s. Manchester: Manchester University Press.

Samuels, Robert (1995). Mahler's Sixth Symphony: a Study in Musical Semiotics. Cambridge Studies in Music Theory and Analysis, 6. Cambridge: Cambridge University Press.

Whitelock, Denise; Holland, Simon and Howard, Patricia (1995). Understanding harmony and technology in music education. In: Proceedings of the ICTE 1995: the 12th International Conference on Technology and Education (Sechrest, T.; Thomas, M. and Estes, N. eds.), University of Texas, Texas, pp. 382–384.

Yamagata, Naoko (1995). Ritual offerings in Homer and in Linear B. Studi Micenei ed Egeo-Anatolici(35) pp. 57–68.

Yamagata, Naoko (1995). Why Classics today - and tomorrow? Scholia(4) pp. 108–109.

1994To Top

Favret, Mary A. and Watson, Nicola eds. (1994). At the Limits of Romanticism: Essays in Cultural, Feminist, and Materialist Criticism. Bloomington, Indiana: Indiana University Press.

Perry, Gillian and Rossington, Michael eds. (1994). Femininity and Masculinity in Eighteenth-century Art and Culture. Manchester: Manchester University Press.

Owens, W. R., ed. The Miscellaneous Works of John Bunyan: Volume XII. By John Bunyan . Oxford, Clarendon Press (1994).

Owens, W. R., ed. The Miscellaneous Works of John Bunyan, Vol.13. By John Bunyan (1692). Oxford, Clarendon Press (1994).

Donnachie, Ian (1994). A tour of the works: early Scottish industry observed 1790-1825. In: Cummings, A. J. G. and Devine, T. M. eds. Industry, Business and Society in Scotland since 1700: Essays Presented to Professor John Butt. Edinburgh: John Donald Publishers Ltd, pp. 43–57.

Furbank, P. N. and Owens, W. R. (1994). Defoe De-Attributions: A Critique of J. R. Moore's 'Checklist'. London and Rio Grande: The Hambledon Press.

Furbank, P. N. and Owens, W. R. (1994). "A True Account of the Proceedings at Perth": The impact of an historical novel. Eighteenth-Century Fiction, 6(3) pp. 233–242.

Furbank, P. N. and Owens, W. R. (1994). Defoe and 'Sir Andrew Politick'. British Journal for Eighteenth-Century Studies, 17(1) pp. 27–39.

Johnson, David (1994). Literature for the rainbow nation: The case of sol Plaatje's Mhudi. Journal of Literary Studies, 10(3-4) pp. 345–358.

Johnson, David (1994). Importing metropolitan Post-colonials. Current Writing, 6(1) pp. 73–85.

Johnson, David (1994). South African Criticism. In: Benson, Eugene and Conolly, L. W. eds. The Routledge Encyclopaedia of Post-colonial Literatures in English, Volume 1. Routledge, pp. 306–309.

King, Helen (1994). Producing woman: Hippocratic gynaecology. In: Archer, Leonie; Fischler, Susan and Wyke, Maria eds. Women in Ancient Societies: an Illusion of the Night:. New York: Macmillan, pp. 102–114.

King, Helen (1994). Sowing the field: Greek and Roman sexology. In: Porter, Roy and Teich, Mikulas eds. Sexual Knowledge, Sexual Science: the History of Attitudes to Sexuality. Cambridge: Cambridge University Press, pp. 29–46.

Pacheco, Anita (1994). Royalism and Honor in Aphra Behn's Oroonoko. Studies in English Literature 1500-1900, 34(3) pp. 491–506.

Perry, Gillian (1994). Expressionism. In: Crystal, David ed. Cambridge Biographical Encylopedia. Cambridge University Press, pp. 1130–1132.

Samuels, Robert (1994). Music as text: Mahler, Schumann and issues in analysis. In: Pople, Anthony ed. Theory, Analysis and Meaning in Music. Cambridge: Cambridge University Press, pp. 152–163.

Walsh, Linda (1994). Arms to be kissed a thousands times: reservations about lust in Diderot's art criticism. In: Perry, Gillian and Rossington, M eds. Femininity and Masculinity in Eighteenth-Century Art and Culture. Manchester: Manchester University Press, pp. 162–183.

Watson, Nicola (1994). Revolution and the Form of the British Novel 1790-1825: Intercepted Letters, Interrupted Seductions. Oxford: Clarendon Press.

Watson, Nicola (1994). Trans-figuring Byronic Identity. In: Favret, Mary A and Watson, Nicola eds. At the Limits of Romanticism: Essays in Cultural, Feminist, and Materialist Criticism. Bloomington, Indiana: Indiana University Press, pp. 185–206.

Yamagata, Naoko (1994). Homeric Morality. Mnemosyne, Bibliotheca Classica Batava Supplementum. Brill Academic Publishers.

1993To Top

Nattiez, Jean-Jacques and Samuels, Robert [trans.] eds. (1993). The Boulez-Cage Correspondence. Cambridge: Cambridge University Press.

Perry, Gillian; Frascina, Francis and Harrison, Charles eds. (1993). Primitivism, Cubism, Abstraction: The Early Twentieth Century. Yale University Press.

Clayton, Martin (1993). Two gat forms for the sitār: A case study in the rhythmic analysis of North Indian music. British Journal of Ethnomusicology, 2 pp. 75–98.

Cranstoun, James G. M. (1993). The impact of the Great War on a local community: the case of East Lothian. Doctor of Philosophy (PhD) thesis The Open University.

Donnachie, Ian and Hewitt, George (1993). Historic New Lanark: the Dale and Owen Industrial Community since 1785. Edinburgh: Edinburgh University Press.

Donnachie, Ian (1993). History Bibliography: Industrial Archaeology. Curriculum support series, 16 (3). Dundee: Scottish Consultative Council on the Curriculum.

Frascina, Francis; Garb, Tamar; Blake, Nigel; Fer, Briony and Harrison, Charles (1993). Modernity and modernism: French painting in the nineteenth century. Modern art: practices and debates. New Haven, USA: Yale University Press.

Furbank, P. N. and Owens, W. R. (1993). Defoe, Trent, and the 'Defection'. Review of English Studies, 44(173) pp. 70–76.

Furbank, P. N. and Owens, W. R. (1993). Defoe and A Curious Little Oration Deliver'd by Father Andrew. Notes and Queries, 238(3) p. 328.

Furbank, P. N. and Owens, W. R. (1993). Defoe and the 'Tippony Ale'. Scottish Historical Review, 72(1) pp. 86–89.

Furbank, P.N. and Owens, W. R. (1993). Defoe, William Hendley, and Charity Still a Christian Virtue (1719). Huntington Library Quarterly, 56(3) pp. 327–330.

Herbert, Trevor (1993). The sackbut and pre-Reformation English church music. Historic Brass Society Journal, 5 pp. 146–158.

Johnson, David (1993). Aspects of a Liberal Education: Late Nineteenth-Century Attitudes to Race, from Cambridge to the Cape Colony. History Workshop Journal, 36(1) pp. 162–182.

Johnson, David (1993). Starting Positions: the Social Function of Literature in the Cape. Journal of Southern African Studies, 19(4) pp. 615–633.

King, Helen (1993). The politick midwife: models of midwifery in the work of Elizabeth Cellier. In: Marland, Hilary ed. The Art of Midwifery: Early Modern Midwives in Europe. Wellcome Institute Series in the History of Medicine. London: Routledge, pp. 115–130.

Nasta, Susheila (1993). Motherlands, mothercultures, mothertongues: women's writing from the Caribbean. In: Barfoot, C and D'Haen, Theo eds. Shades of Empire in Colonial and Postcolonial Literatures. DQR Studies in Literature (11). Amsterdam/Atlanta: Rodolphi, pp. 24–36.

Owens, W. R. and Furbank, P. N. (1993). Defoe as secret agent: three unpublished letters. The Scriblerian, 25(2) pp. 145–153.

Perry, Gill (1993). 'The ascent to nature' - some metaphors of 'Nature' in early expressionist art'. In: Behr, Shulamith; Fanning, David and Jarman, Douglas eds. Expressionism Reassessed. Manchester: Manchester University Press, pp. 53–64.

Yamagata, Naoko (1993). Young and Old in Homer and in 'Heike Monogatari'. Greece & Rome, 40(1) pp. 1–10.

1992To Top

Donnachie, Ian and Whatley, Christopher eds. (1992). The Manufacture of Scottish History. Determinations. Edinburgh: Polygon.

Nasta, Susheila ed. (1992). Highway in the Sun. Leeds: Peepal Tree Press.

Barker, Naomi (1992). In Search of Mannerism: A New Approach to an Old Problem. South African Journal of Musicology, 12 pp. 11–19.

Desmond, Adrian and Moore, James (1992). Darwin. London: Penguin.

Donnachie, Ian (1992). 'Utterly irreclaimable': Scottish convict women and Australia 1787-1852. In: Swan, Philip and Foster, David eds. Essays in Regional and Local History: in Honour of Eric M. Sigsworth. Beverley: Hutton Press, pp. 99–116.

Donnachie, Ian L. (1992). The making of 'Scots on the Make': Scottish settlement and enterprise in Australia, 1830-1900. In: Devine, T. M. ed. Scottish Emigration and Scottish Society. Edinburgh: John Donald Publishers Ltd, pp. 135–153.

Furbank, P. N. and Owens, W. R. (1992). The Lost Property Office: some Defoe attributions reconsidered. Papers of the Bibliographical Society of America, 86 pp. 245–267.

Furbank, P. N. and Owens, W. R. (1992). Defoe and Francis Noble. Eighteenth-Century Fiction, 4(4) pp. 301–313.

Herbert, Trevor (1992). Victorian brass bands: the establishment of a ‘working class musical tradition’. Historic Brass Society Journal, 4 pp. 1–11.

Herbert, Trevor (1992). A softening influence: R. T. Crawshay and the Cyfarthfa Band. In: Holley, T. F. ed. Merthyr Historian, Volume 5. Merthyr Tydfil: Merthyr Tydfil Historical Society, pp. 35–42.

Katritzky, M. A. (1992). The diaries of Prince Ferdinand of Bavaria: commedia dell'arte at the wedding festivals of Florence (1565) and Munich (1568). In: Mulryne, J. R. and Shewring, Margaret eds. Italian renaissance festivals and their European influence. Studies in Italian Theatre and Commedia dell'Arte (3). Lewiston / Queenston / Lampeter: Edwin Mellen Press, pp. 143–172.

Moore, James (1992). Geologists and Interpreters of Genesis in the Nineteenth Century. In: Lindberg, David and Numbers, Ronald L. eds. God and Nature: Historical Essays on the Encounter between Christianity and Science. University of California Press.

Nasta, Susheila (1992). An Annotated Bibliography of Novelists from Africa, the Caribbean and South Asia. London, UK: British Council Publications.

Nasta, Susheila (1992). The English-speaking Caribbean. In: Buck, Claire ed. The Bloomsbury Guide to Women's Literature. New York: Prentice Hall General Reference, pp. 155–163.

1991To Top

Herbert, Trevor ed. (1991). Bands: the Brass Band Movement in the 19th and 20th Centuries. Popular Music in Britain. Buckingham: Open University Press.

Nasta, Susheila ed. (1991). Motherlands: Black Women's Writing from the Caribbean, Africa and South Asia. Rutgers University Press.

Burrows, Donald (1991). Handel's Messiah (Korean edition). Cambridge music handbooks. Seoul: Imprima Korean Agency.

Furbank, P. N.; Owens, W. R. and Coulson, A. J., eds. A Tour Through the Whole Island of Great Britain. By Daniel Defoe (1724). New Haven, Yale University Press (1991).

Emsley, Clive (1991). The English Police: A Political and Social History. London: Harvester Wheatsheaf.

Furbank, P. N. and Owens, W. R. (1991). Dangerous Relations. The Scriblerian, 23 pp. 242–244.

Gough-Yates, Kevin (1991). The European Filmmaker in Exile in Britain 1933-1945. Doctor of Philosophy (PhD) thesis The Open University.

Herbert, Trevor (1991). A lament for Sam Hughes: the last Ophicleidist. Planet: the Welsh Internationalist, 87 pp. 66–75.

Jones, Edmund Eric (1991). The effect of international law and international institutions on the place of war in society in the 20th century. Doctor of Philosophy (PhD) thesis The Open University.

Katritzky, M. A. (1991). How did the Commedia dell'arte cross the Alps to Bavaria? Theatre Research International, 16(3) pp. 201–215.

Morton, Vanessa (1991). Quaker politics and industrial change c.1800-1850. Doctor of Philosophy (PhD) thesis The Open University.

Warnaby, John Surtees (1991). The Music Of Peter Maxwell Davies Based On The Writings Of George Mackay Brown. Doctor of Philosophy (PhD) thesis The Open University.

Watson, Nicola (1991). Kemble, Scott, and the Mantle of the Bard. In: Marsden, Jean I. ed. The Appropriation of Shakespeare: Post-Renaissance Reconstructions of the Works and the Myth. New York, London etc.: Harvester Wheatsheaf, pp. 73–92.

Yamagata, Naoko (1991). Phoenix's speech - Is Achilles punished? Classical Quarterly, 41(1) pp. 1–15.

1990To Top

Englander, David; Norman, Diana; O'Day, Rosemary and Owens, William eds. (1990). Culture and Belief in Europe 1450-1600: An Anthology of Sources. Oxford, U.K.: John Wiley and Sons Ltd.

Laurence, Anne; Owens, W. R. and Sim, Stuart eds. (1990). John Bunyan and his England 1628-88. London: The Hambledon Press.

Gladstone, Helen Crawford (1990). Building An Identity : Two Noblewomen In England 1566-1666. Doctor of Philosophy (PhD) thesis The Open University.

Herbert, Trevor (1990). The repertory of a Victorian provincial brass band. Popular Music, 9(1) pp. 117–132.

Herbert, Trevor (1990). The sackbut in England in the 17th and 18th centuries. Early Music, 18(4) pp. 609–616.

Herbert, Trevor and Myers, Arnold (1990). Catalogue of the European Wind and Percussion Instruments in the Cyfarthfa Castle Museum Collection. Merthyr Tydfil: Cyfarthfa Castle Museum and Art Gallery.

McGilvary, George Kirk (1990). East India patronage and the political management of Scotland 1720-1774. Doctor of Philosophy (PhD) thesis The Open University.

Owens, W. R. (1990). Antichrist must be pulled down: Bunyan and the millennium. In: Laurence, Anne; Owens, W. R. and Sim, Stuart eds. John Bunyan and his England 1628-1688. London: The Hambledon Press, pp. 77–104.

Owens, W. R. (1990). The reception of The Pilgrim's Progress in England. In: Os van, M and Schute, G. J. eds. Bunyan in England and Abroad. Amsterdam: VU University Press, pp. 91–104.

Yamagata, Naoko (1990). Aisima pareipon - A moral judgement by the poet? Parola del Passato, 45 pp. 420–430.

1989To Top

Donnachie, Ian; Harvie, Christopher and Wood, Ian S. eds. (1989). Foward! Labour Politics in Scotland 1888-1988. Determinations. Edinburgh: Polygon.

Ramchand, Kenneth and Nasta, Susheila eds. (1989). Foreday Morning: Selected Prose 1946-1986. Longman Caribbean writers. Harlow: Longman.

Barker-Read, Mary (1989). The treatment of the aged poor in five selected West Kent parishes from Settlement to Speenhamland (1662-1797). Doctor of Philosophy (PhD) thesis The Open University.

Donnachie, Ian and Hewitt, George (1989). A Companion to Scottish History from the Reformation to the Present. London: B.T.Batsford Ltd.

Gerschel, Liz and Nasta, Susheila (1989). There's no such thing as only literature : English teaching in an anti-racist and multicultural context. In: Brooker, Peter and Humm, Peter eds. Dialogue and Difference: English into the Nineties. New Accents. London: Routledge, pp. 132–148.

Harrison, Andrew John (1989). Scientific naturalists and the government of the Royal Society 1850-1900. Doctor of Philosophy (PhD) thesis The Open University.

Herbert, Trevor (1989). The trombone in 19th-century Italian opera. Welsh National Opera.

Humphreys, Valerie (1989). An examination of the Halifax textile industry in a period of intense technological change, 1700 to 1850. Doctor of Philosophy (PhD) thesis The Open University.

Katritzky, M. A. (1989). [Book Review] Commedia dell'arte: a guide to the primary and secondary literature by Thomas F Heck. Garland. 1988. Theatre Notebook, 43 pp. 94–95.

Katritzky, M. A. (1989). The Recueil Fossard 1928-88: a review and three reconstructions. In: Cairns, Christopher ed. The commedia dell'arte from the renaissance to Dario Fo. The Italian origins of European theatre (VI). Lewiston/Queenston/Lampeter: Edwin Mellen Press, pp. 99–116.

Samuels, Robert (1989). Derrida and Snarrenberg. In Theory Only, 11(1-2) pp. 45–58.

Sondheim, Stephen and Herbert, Trevor (1989). Sondheim's technique. Contemporary Music Review, 5(1) pp. 199–214.

Welford, John Anthony (1989). Nominal record linkage: the development of computer strategies to achieve the family-based record linkage of nineteenth century demographic data. Doctor of Philosophy (PhD) thesis The Open University.

Yamagata, Naoko (1989). The apostrophe in Homer as part of the oral technique. Bulletin of the Institute of Classical Studies, 36(1) pp. 91–103.

1988To Top

Herbert, Trevor and Jones, Gareth Elwyn eds. (1988). Tudor Wales. Welsh History and its Sources. Cardiff: University of Wales Press.

Herbert, Trevor and Jones, Gareth Elwyn eds. (1988). Wales 1880-1914. Welsh History adnd its Sources. Cardiff: University of Wales Press.

Herbert, Trevor and Jones, Gareth Elwyn eds. (1988). People and Protest: Wales 1815-1880. Welsh History and its Sources. Cardiff: University of Wales Press.

Herbert, Trevor and Jones, Gareth Elwyn eds. (1988). Wales Between the Wars. Welsh History and its Sources. Cardiff: University of Wales Press.

Herbert, Trevor and Jones, Gareth Elwyn eds. (1988). The Remaking of Wales in the Eighteenth Century. Welsh History and its Sources. Cardiff: University of Wales Press.

Herbert, Trevor and Jones, Gareth Elwyn eds. (1988). Edward I and Wales. Welsh History and its Sources. Cardiff: University of Wales Press.

Martin, Graham and Owens, W. R. eds. (1988). Literature and Liberation: Selected Essays. Manchester, U.K.: Manchester University Press.

Nasta, Susheila ed. (1988). Critical Perspectives on Sam Selvon: A Collection of Essays, Reviews, Articles and Dialogues. Washington: Three Continents Press.

Nasta, Susheila ed. (1988). El Dorado West One. Leeds: Peepal Tree Press.

Donnachie, Ian; Graves, Adrian; Howe, Alexia and Richards, Eric (1988). That Land of Exiles: Scots in Australia. Edinburgh: Her Majesty's Stationery Office.

Etherington, James Edward (1988). The sociology of recurrent ceremonial drama: Lewes Guy Fawkes Night, 1800-1913. Doctor of Philosophy (PhD) thesis The Open University.

Furbank, P. N. and Owens, W. R. (1988). The Canonisation of Daniel Defoe. New Haven and London: Yale University Press.

Furbank, P. N. and Owens, W. R. (1988). William Lee of Sheffield: Sanitary Reformer and Defoe Bibliographer. The Book Collector, 37(2) pp. 185–206.

Furbank, P. N. and Owens, W. R. (1988). The Defoe canon again. Papers of the Bibliographical Society of America, 82 pp. 95–98.

Herbert, Trevor (1988). The virtuosi of Merthyr. Llafur: the Journal of the Society for the Study of Welsh Labour History, 5(1) pp. 60–69.

Herbert, Trevor and Myers, Arnold (1988). Instruments of the Cyfarthfa Band. Galpin Society Journal, 41 pp. 2–10.

Herbert, Trevor and Wallace, John (1988). Divertimento in D: (Trumpet and Piano) by Josef Fiala. Faber Music, London.

Katritzky, M. A. (1988). A renaissance commedia dell'arte performance: towards a definitive sequence of Sieur Fossard's woodcuts? Nationalmuseum Bulletin, 12(1) pp. 37–53.

Katritzky, M.A. (1988). Commedia dell'arte och kvinnornas debut pa teaterscenen. Astra, 70(9) pp. 24–27.

Nasta, Susheila (1988). Teaching the lonely Londoners. In: Dabydeen, David ed. A Handbook for the Teaching of Caribbean Literature. Heinemann, pp. 25–35.

Owens, W.R. (1988). Bunyan, John 1628-88. In: Ousby, Ian ed. The Cambridge Guide to Literature in English. Cambridge: Cambridge University Press, pp. 140–142.

Owens, W.R. (1988). Pilgrim's progress, The: from this world to that which is to come. In: Ousby, Ian ed. The Cambridge Guide to Literature in English. Cambridge: Cambridge University Press, pp. 780–781.

Tatton, Derek (1988). The tension between political commitment and academic neutrality in the W.E.A. Doctor of Philosophy (PhD) thesis The Open University.

1987To Top

Owens, W., ed. Grace Abounding to the Chief of Sinners. By John Bunyan (1666). Harmondsworth, Penguin Books (1987).

Donnachie, Ian (1987). The textile industry in south west Scotland 1750-1914. In: Butt, John and Ponting, Kenneth eds. Scottish Textile History. Aberdeen: Aberdeen University Press, pp. 19–36.

Erskine, Fiona (1987). Darwin in context: the London years, 1837-1842. Doctor of Philosophy (PhD) thesis The Open University.

Katritzky, M. A. (1987). Lodewyk Toeput: Some pictures related to the commedia dell'arte. Renaissance Studies, 1(1) pp. 71–125.

Katritzky, M. A. (1987). Italian comedians in renaissance prints. The Print Quarterly, 4(3) pp. 236–254.

Kekewich, Margaret Lucille (1987). Books of advice for princes in fifteenth century England with particular reference to the period 1450-1485. Doctor of Philosophy (PhD) thesis The Open University.

Spackman, I. J.; Owens, W. R. and Furbank, P. N. (1987). A KWIC Concordance to Daniel Defoe's 'Robinson Crusoe'. New York and London: Garland Publishing.

1986To Top

Donnachie, Ian (1986). Distance teaching of history: a comparison of Open University and Deakin University approaches. Open Campus(12) pp. 47–57.

Donnachie, Ian (1986). The convicts of 1830: Scottish criminals transported to New South Wales. Scottish Historical Review, 65(1) pp. 34–47.

Donnachie, Ian (1986). Economy and society in the seventeenth century in the Highlands. In: Maclean, Loraine ed. The Seventeenth Century in the Highlands. Inverness: Inverness Field Club, pp. 52–59.

Furbank, P. N. and Owens, W. R. (1986). Defoe and the 'improvisatory' sentence. English Studies, 67(2) pp. 157–166.

Furbank, P. N. and Owens, W. R. (1986). What if Defoe did not write the "History of the Wars of Charles XII"? Papers of the Bibliographical Society of America, 80 pp. 333–347.

Hunt, William Michael (1986). The role of Sir Joseph Banks, K.B., P.R.S., in the promotion and development of Lincolnshire canals and navigations. Doctor of Philosophy (PhD) thesis The Open University.

Owens, W. R. (1986). The date of Bunyan's "Treatise of Antichrist". The Seventeenth Century, 1(2) pp. 153–157.

Owens, W. R. and Furbank, P. N. (1986). Defoe and the Dutch Alliance: some attributions examined. British Journal for Eighteenth-Century Studies, 9(1) pp. 169–182.

Owens, W. R. and Furbank, P. N. (1986). Defoe and imprisonment for debt: Some attributions reviewed. Review of English Studies, 37(148) pp. 495–502.

Pollard, Phyllis; Nasta, Susheila; Guptara, Prabhu; Thieme, John and Hoeppner, Kenneth (1986). African, Caribbean, Indian, Australian, and Canadian literatures in English. The Year's Work in English Studies, 67 pp. 701–775.

Summers, Anne (1986). Women as voluntary and professional military nurses in Great Britain, 1854-1914. Doctor of Philosophy (PhD) thesis The Open University.

1985To Top

Owens, W. R. and Furbank, P. N. (1985). A KWIC Concordance to Daniel Defoe's 'Moll Flanders'. Garland Reference Library of the Humanities. New York and London: Garland.

Pollard, Phyllis; Nasta, Susheila; Thieme, John; Steele, Charles R. and Guptara, Prabhu S. (1985). African, Caribbean, Australian, Canadian, and Indian Literatures in English. The Year's Work in English Studies, 66 pp. 646–725.

1984To Top

Booth, James; Nasta, Susheila; Guptara, Prabhu; Thieme, John and Steele, Charles (1984). African, Caribbean, Indian, Australian, and Canadian Literature in English. The Year's Work in English Studies, 65(1) pp. 665–761.

Donnachie, Ian (1984). Scottish criminals and transportation to Australia 1786-1852. Scottish Economic and Social History, 4 pp. 21–38.

Edwards, S. L. (1984). Playful Platonist : The development of ideas in the novels of Iris Murdoch. Doctor of Philosophy (PhD) thesis The Open University.

Furbank, P. N. and Owens, W. R. (1984). "A Vindication of the Press" (1718): Not by Defoe? Papers of the Bibliographical Society of America, 78(3) pp. 355–360.

Smales, M. B. (1984). Class, estate and status in Czechoslovakia, 1918-1938. Doctor of Philosophy (PhD) thesis The Open University.

1983To Top

Booth, James; Nasta, Susheila; Steele, Charles R.; Pollard, Arthur and Guptara, Prabhu (1983). African, Caribbean, Canadian, Indian, and Australian Literature in English. The Year's Work in English Studies, 64(1) pp. 531–586.

Henry, John Christopher (1983). Matter in motion: The problem of activity in seventeenth-century English matter theory. Doctor of Philosophy (PhD) thesis The Open University.

Nasta, Susheila (1983). Samuel Selvon: a preliminary bibliography. Journal of Commonwealth Literature, 18(1) pp. 131–143.

Owens, W. R. (1983). Jane Barker, Aphra Behn, Elizabeth Cary Viscountess Falkland, Mary Cary, Anne Collins, Elizabeth Colville Lady Collville of Culross, Lady Eleanor Douglas, Anne Dowriche, Elizabeth Grymeston, Susanna Hopton, Anne Killigrew, Emilia Lanier, Jane Lead, Katherine Philips, Elizabeth Polwhele, Mary Sidney Countess of Pembroke, Anna Trapnel, Margaret Tyler, Elizabeth Warren, Anne Wentworth, Anne Wharton, Lady Mary Wroth. In: Crawford, Anne; Hayter, Tony; Hughes, Ann; Prochaska, Frank; Stafford, Pauline and Vallance, Elizabeth eds. The Europa Biographical Dictionary of British Women: Over 1000 notable women from Britain's past. London, U.K.: Europa Publications Limited.

Smith, Paul (1983). The landed estate as patron of scientific innovation: Horticulture at Woburn Abbey, 1802-1839. Doctor of Philosophy (PhD) thesis The Open University.

1982To Top

Booth, James; Nasta, Susheila and Knowles, Owen (1982). African, Caribbean, and Canadian literature. The Year's Work in English Studies, 63(1) pp. 462–491.

Donnachie, Ian (1982). World War One and the drink question. State control of the drink trade. Scottish Labour History, 17 pp. 19–26.

Medlicott, Ian Raoul (1982). The Landed Interest and the Development of the South Yorkshire Coalfield 1750 to 1830. Master of Philosophy (MPhil) thesis The Open University.

Owens, W.R. (1982). Arnold Kettle: a select bibliography 1939-1981. In: Jefferson, Douglas and Martin, Graham eds. The Uses of Fiction: Essays on the Modern Novel in Honour of Arnold Kettle. Milton Keynes: Open University Press, pp. 287–296.

1980To Top

Owens, W. R. ed. (1980). Seventeenth Century England: A Changing Culture Vol 2 Modern Studies. London, U.K.: Ward Lock Educational.

Stanley, Michael (1980). The chemical work of Thomas Graham. Doctor of Philosophy (PhD) thesis The Open University.

1979To Top

Butt, John and Donnachie, Ian (1979). Industrial Archaeology in the British Isles. London: Paul Elek Ltd.

Donnachie, Ian (1979). Drink and society 1750-1850. Some aspects of the Scottish experience. Scottish Labour History, 13 pp. 5–22.

Donnachie, Ian (1979). A History of the Brewing Industry in Scotland. Edinburgh: John Donald Publishers Ltd.

Hewitt, George R. (1979). The regency and administration of James Douglas, fourth earl of Morton. Doctor of Philosophy (PhD) thesis The Open University.

O'Day, Rosemary and Berlatsky, Joel (1979). The letter book of Bishop Thomas Bentham 1560-1561. Camden Fourth Series, 22, pp. 113–238.

Perry, Gillian (1979). Paula Modersohn-Becker: Her life and work. Women's Press Ltd.

1977To Top

Donnachie, I. (1977). Sources of capital and capitalisation in the Scottish brewing industry c1750-1830. Economic History Review, 30(2) pp. 269–283.

Farr, Alfred Derek (1977). Medical Developments and Religious Belief with Special Reference to Europe in the 18th and 19th Centuries. Doctor of Philosophy (PhD) thesis The Open University.

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