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2024To Top

Harrison, Rebecca (2024). I Won’t Look: Refusing to Engage with Gender-Based Violence in Women-Led Screen Media. In: Berridge, Susan and Boyle, Karen eds. Routledge Companion to Gender, Media and Violence. London: Routledge, (In Press).

2023To Top

Johnson, David; Nieftagodien, Noor and Van der Walt, Lucien eds. (2023). Labour Struggles in Southern Africa, 1919-1949: New Perspectives on the Industrial and Commercial Workers’ Union (ICU). Johannesburg, South Africa: HSRC Press.

Allan, William and Swift, Laura (2023). Euripides: Bacchae. Cambridge: Cambridge University Press (In Press).

Barker, Elton; Konstantinidou, Kyriaki; Kiesling, Brady and Foka, Anna (2023). Journeying through Space and Time with Pausanias’s Description of Greece. Literary Geographies, 9(1) pp. 124–160.

Barnes, A. J. (2023). Revolutionary Heroes in Chinese Propaganda Posters. In: Allison, S. T.; Beggan, J. K. and Goethals, G. R. eds. Encyclopedia of Heroism Studies. Springer (In Press).

Brown, Richard Danson (2023). Anger, Complaint, and Poetic Form in the Tristram episode and The Faerie Queene, Book VI. Studies in English Literature 1500-1900 (SEL), 63(1) (In Press).

Brunet, Luc-André (2023). Introduction: The Strategic Defence Initiative and the Atlantic Alliance in the 1980s. In: Brunet, Luc-André ed. NATO and the Strategic Defence Initiative: A Transatlantic History of the Star Wars Programme. Cold War History. London: Routledge, pp. 1–11.

Brunet, Luc-André (2023). Canada’s "Polite No" to the SDI: A Question of Sovereignty? In: Brunet, Luc-André ed. NATO and the Strategic Defence Initiative: A Transatlantic History of the Star Wars Programme. Cold War History. London: Routledge, pp. 129–145.

Cathcart, Charles (2023). John Marston’s Stationers, 1607–1633. The Review of English Studies (Early Access).

Doloughan, Fiona J. (2023). Radical Realism, Autofictional Narratives and the Reinvention of the Novel. Anthem Frontiers of Global Political Economy and Development. London: Anthem Press.

Dooley, James (2023). GRAZpatterns. James Dooley.

Foka, Anna; Barker, Elton; Konstantinidou, Kyriaki; Mostofian, Nasrin; Kiesling, Brady; Talatas, Linda; Cenk Demiroglu, O. and Palm, Kajsa (2023). A Digital Periegesis: Implementing Spatial Research Infrastructures for Classical History and Archaeology. In: Petrulevich, Alexandra and Skovgaard Boeck, Simon eds. Digital Spatial Infrastructures and Worldviews in Pre-Modern Societies. Collection Development, Cultural Heritage, and Digital Humanities - ARC. Leeds: ARC Humanities Press, pp. 205–223.

Golding, Rosemary (2023). [Book Review] Choral Treatises and Singing Societies in the Romantic Age. Journal of Historical Research in Music Education, 44(2) pp. 279–280.

Green, Richard and Michael-Fox, Bethan (2023). Mortality, moral regulation, and (im)moral entrepreneurship in My Favorite Murder. Continuum: Journal of Media and Cultural Studies (Early access).

Griffiths, Andrew (2023). War Correspondents. In: Demoor, Marysa; Van Dijck, Cedric and Van Puymbroek, Birgit eds. The Edinburgh Companion to First World War Periodicals. Edinburgh Companions to Literature and the Humanities. Edinburgh: Edinburgh University Press, pp. 175–189.

Gustar, Andrew (2023). Eurovision voting: a game of two halves. Significance, 20(2) pp. 6–10.

Murray, Andrew and Van den Maagdenberg, Joannes, eds. Communes and Conflict: Urban Rebellion in Late Medieval Flanders. By Jelle Haemers and Jan Dumolyn (2023). Leiden, Brill (2023).

Hamer, Laura and Minors, Helen Julia (2023). Introducing WMLON: The Women’s Musical Leadership Online Network. In: Cimardi, Linda and Nenić, Iva eds. Women’s Leadership in Music: Modes, Legacies, Alliances. Bielefeld: Transcript Verlag, pp. 141–152.

Hind, Heather (2023). Giving the Gift of a Lock of Hair in Elizabeth Barrett Browning’s “I never gave a lock of hair away” and “The soul’s Rialto hath its merchandise”. In: Casanova, Elena; Hölzlhammer, Lilli and Moll, Helen eds. Gegenständliche Poetiken des Haares [Representational Poetics of Hair]. De Gruyter, pp. 227–241.

Hobden, Fiona (2023). [Book Review] Xenophon and the Athenian Democracy: The Education of an Elite Citizenry, written by Matthew R. Christ. Polis: The Journal for Ancient Greek and Roman Political Thought, 40(1) pp. 175–178.

Johnson, David (2023). The Romance and the Tragedy of the ICU. In: Johnson, David; Nieftagodien, Noor and Van der Walt, Lucien eds. Labour Struggles in Southern Africa, 1919-1949. New Perspectives on the Industrial and Commercial Workers’ Union (ICU). Johannesburg, South Africa: HSRC Press, pp. 181–194.

Johnson, David; Nieftagodien, Noor and Van der Walt, Lucien (2023). Introduction. In: Johnson, David; Nieftagodien, Noor and Van der Walt, Lucien eds. Labour Struggles in Southern Africa, 1919-1949. New Perspectives on the Industrial and Commercial Workers’ Union (ICU). Johannesburg, South Africa: HSRC Press, viii-xix.

Kawabata, Maiko (2023). The New “Yellow Peril” in “Western” European Symphony Orchestras. In: Bull, Anna and Scharff, Christina eds. Voices for Change in the Classical Music Profession: New Ideas for Tackling Inequalities and Exclusions. Oxford: Oxford University Press, pp. 159–171.

King, Edmund G. C. (2023). Networks. In: Demoor, Marysa; van Dijck, Cedric and Van Puymbroeck, Birgit eds. The Edinburgh Companion to First World War Periodicals. Edinburgh Companions to Literature and the Humanities. Edinburgh: Edinburgh University Press, pp. 32–50.

King, Helen (2023). Being Flesh: Bodies, History and LLF. Modern Believing, 64(1) pp. 36–43.

King, Helen (2023). From print to wool: Vesalius and the ‘knit your own womb’ movement. In: Représenter le sexe féminin [Uncovering the Female Sexual Anatomy] (Cazes, Hélène ed.), University of Victoria Libraries Press, Victoria, British Columbia, (In Press).

Kynan-Wilson, William (2023). Master Gregory [Magister Gregorius]. Oxford Dictionary of National Biography, Oxford University Press.

Lalot, Fanny; Abrams, Dominic; Heering, Maria S.; Babaian, Jacinta; Ozkececi, Hilal; Peitz, Linus; Davies Hayon, Kaya and Broadwood, Jo (2023). Distrustful Complacency and the COVID ‐19 Vaccine: How Concern and Political Trust Interact to Affect Vaccine Hesitancy. Political Psychology (Early Access).

Langley, Chris R. (2023). Clerical old age and the forming of rites of passage in early modern Scotland. Studies in Church History, 59 (In Press).

Lymberopoulou, Angeliki (2023). Maniera Greca and Renaissance Europe: More than Meets the Eye. In: Brubaker, Leslie; Darley, Rebecca and Reynolds, Reynolds eds. Global Byzantium: Papers from the Fiftieth Spring Symposium of Byzantine Studies. Society for the Promotion of Byzantine Studies, 24. London and New York: Routledge, pp. 155–171.

Miller, Malcolm and Hansen, Jutta Raab (2023). Introduction. Music and Exile: From 1933 to the Present Day. In: Miller, Malcolm and Hansen, Jutta Raab eds. Music and Exile. Yearbook of the Research Centre for German and Austrian Exile Studies, 22. Leiden, The Netherlands.: Koninklijke Brill NV, pp. 1–9.

Murray, Andrew (2023). Tragedy and Pathosformeln: The Political Emotions of Huizinga’s Autumntide of the Middle Ages. Journal of the Northern Renaissance (in press).

Murray, Andrew (2023). Speculation. In: Winkenweder, Brian and Tunali, Tijen eds. The Routledge Companion to Marxist Art History. Abingdon: Routledge, (In press).

Wright, Patrick (2023). Exit Strategy : and Ekphrasis Through The Lens Of The Abstract And The Formless. PhD thesis The Open University.

Yamagata, N. (2023). Thetis and the Shield of Achilles – Reading the Iliad with Auden. In: Paprocki, M; Vos, G. P. and Wright, D. J. eds. The Staying Power of Thetis: Allusion, Interaction, and Reception from Homer to the 21st Century. De Gruyter, pp. 395–410.

2022To Top

Golding, Rosemary ed. (2022). Music in Nineteenth-Century Britain. Routledge Historical Resources. UK: Routledge.

Herbert, Trevor; Clarke, Martin V. and Barlow, Helen eds. (2022). A History of Welsh Music. Cambridge: Cambridge University Press.

Johnson, David and Dee, Henry eds. (2022). 'I See You': The Industrial and Commercial Workers' Union of Africa, 1919-1930. Southern African Historical Documents, 3 (4). Cape Town: Historical Publications Southern Africa.

Swift, Laura ed. (2022). A Companion to Greek Lyric. Blackwell Companions to the Ancient World. Wiley-Blackwell.

Anderson, Stephen; Maclennan, Keith and Yamagata, Naoko (2022). Reading Homer: Iliad Books 16 and 18. The Joint Association of Classical Teachers' Greek Course: Reading Greek. Cambridge: Cambridge University Press.

Antonini, Alessio and Benatti, Francesca (2022). Cultural Challenges of DH Reflecting on DH Waves. In: Digital Humanities Congress 2022, 8-11 Sep 2022, Sheffield, UK.

Barker, Elton; Foka, Anna; Konstantinidou, Kyriaki; Mostofian, Nasrin; Talatas, Linda; Kiesling, John Brady; Demiroglu, Cenk; Palm, Kajsa; McMeekin, David and Vekselius, Johan (2022). Heritage metadata: a digital Periegesis. In: Koraljka, Golub and Ying-Hsang, Liu eds. Information and Knowledge Organisation in Digital Humanities. London: Routledge, pp. 227–242.

Barlow, Helen and Clarke, Martin V. (2022). Singing Welshness: Sport, Music and the Crowd. In: Herbert, Trevor; Clarke, Martin V. and Barlow, Helen eds. A History of Welsh Music. Cambridge: Cambridge University Press, pp. 332–354.

Beardmore, Carol (2022). Editorial. Family & Community History, 25(1) pp. 1–2.

Blackburn, Manuella and Harkins, Paul (2022). Finding the Female Users: A Feminist Historiography of the Fairlight CMI. In: Rethinking the History of Technology-based Music, 9 Jun 2022, University of Huddersfield.

Blackburn-Daniels, Sally and G. C. King, Edmund (2022). Bookshelves, Social Media and Gaming. English Studies, 103(5) pp. 653–659.

Brooker, Sam; Antonini, Alessio; Benatti, Francesca and Ohge, Christopher (2022). Missed Connections: Hypertext and Book History. In: DH+BH: An Interdisciplinary Conference on Digital Humanities and Book History, 22-24 Sep 2022, Virtual.

Brown, Richard Danson (2022). Literature and Form in the Renaissance. In: Rabinowitz, Paula and Hadfield, Andrew eds. Oxford Research Encyclopedia of Literature. Oxfordre.com. Oxford & New York: Oxford University Press.

Butcher, John and Clarke, Anactoria (2022). ‘Part-time mature students and (the unexpected benefits of?) access to the arts’. In: Broadhead, Samantha ed. Access and Widening Participation in Arts Higher Education: Current Practice and Research. The Arts in Higher Education. Switzerland: Springer Nature - Palgrave Macmillan, pp. 119–139.

Chambers, Helen (2022). The Torrens as a Space of Writing, Reading, and Performance. In: Liebich, Susann and Publicover, Laurence eds. Shipboard Literary Cultures: Reading, Writing, and Performing at Sea. Maritime Literature and Culture. Cham: Palgrave Macmillan, pp. 185–210.

Clark, Leah (2022). Merchant-banker, Diplomat, Courtier or Agent? Intermediaries and Collecting Art in the Renaissance Courts. In: Reist, Inge ed. When Michelangelo Was Modern: The Art Market and Collecting in Italy, 1450-1650. Studies in the History of Collecting & Art Markets, 14. Leiden: Brill, pp. 34–50.

Clark, Leah R. and Campbell, Caroline (2022). Exhibition and Display. In: Campbell, Erin J. and Miller, Stephanie R. eds. A Cultural History of Furniture in the Middle Ages and Renaissance. A Cultural History of Furniture, 2. London: Bloomsbury.

Clarke, Martin V. (2022). A Brief History of Congregational Song: Shaping Theology through Hymn Compilations. In: Hawn, C. Michael ed. Sing with Understanding (Third Edition). Chicago: GIA, pp. 77–112.

Clarke, Martin V. (2022). Nonconformists and Their Music. In: Herbert, Trevor; Clarke, Martin V. and Barlow, Helen eds. A History of Welsh Music. Cambridge: Cambridge University Press, pp. 218–242.

Clarke, Martin V. and Hawn, C. Michael (2022). An Introduction to the Study of Congregational Song. In: Hawn, C. Michael ed. Sing with Understanding (Third Edition). Chicago: GIA, pp. 441–474.

Clarke, Martin V. and Howard, Beverly A. (2022). How Does a Hymn Mean? In: Hawn, C. Michael ed. Sing with Understanding - Third Edition. Chicago: GIA, pp. 49–76.

Clarke, Martin V. and Moore, Geoffrey C. (2022). "God in Three Persons, Blessed Trinity": Singing the Trinity. In: Hawn, C. Michael ed. Sing with Understanding (Third Edition). Chicago: GIA, pp. 277–286.

Coffey, Helen (2022). Music in Medieval Towns and Cities. Oxford University Press.

Donald, Stephanie Hemelryk and Davies Hayon, Kaya (2022). Green Hell: Detention, art, and activism in an English landscape. Rural Landscapes: Society, Environment, History, 9(1), article no. 2.

Drott, Eric and Thompson, Marie (2022). "Is your baby getting enough music?" Musical interventions into gestational labor. Women and Music: a Journal of Gender and Culture, 26 pp. 125–147.

Foka, Anna; Demiroglu, Osman Cenk; Barker, Elton; Mostofian, Nasrin; Konstantinidou, Kyriaki; Kiesling, Brady; Talatas, Linda and Palm, Kajsa (2022). Visualizing Pausanias’s Description of Greece with contemporary GIS. Digital Scholarship in the Humanities, 37(3) pp. 716–724.

Fryers, Mark (2022). Children’s Maritime Television in Britain: Environment, Representation and Identity. In: Olson, Debbie and Schober, Adrian eds. Children, Youth and International Television. Abingdon: Routledge, pp. 91–110.

Gale, Michael (2022). [Book Review] Music, Dance, and Drama in Early Modern English Schools. Journal of Historical Research in Music Education, 44(1) pp. 122–124.

Graham, Emma-Jayne (2022). The haptic production of religious knowledge among the Vestal Virgins: A hands-on approach to Roman ritual. In: Abigail, Graham and Blanka, Misic eds. Senses, Cognition, and Ritual Experience in the Roman World. Ancient Religion and Cognition. Cambridge: Cambridge University Press, (In Press).

Griffiths, Andrew (2022). Edmund O'Donovan in Asia and Africa: Literary Journalism at the Edge of Empire. The Routledge Companion to World Literary Journalism pp. 239–252.

Gustar, Andrew J (2022). 'Words by F M Hueffer': A Survey of Song Settings of Ford's Poems. Last Post: A literary journal from the Ford Madox Ford Society, 1(6&7) pp. 30–69.

Hack, Karl (2022). Grand Strategy and Its Layers: Britain and Southeast Asia, 1946–1954. In: Farrell, Brian P.; Long, S.R. Joey and Ulbrich, David J. eds. From Far East to Asia Pacific: Great Powers and Grand Strategy 1900-1954. De Gruyter Studies in Military History, 4. Berlin/Boston: De Gruyter Oldenbourg, pp. 183–214.

Haslam, Sara (2022). Losing and Finding Balance: Food as Fordian Diagnostic. Last Post: A literary journal from the Ford Madox Ford Society, 1(5) pp. 47–58.

Haslam, Sara (2022). Biography of a wartime 'miracle': women's literary caregiving 1914 to 1918. In: 3rd Joint GOTH-Health & Wellbeing NetWorkshop, 3 Feb 2022, Online.

Hawn, C. Michael; Clarke, Martin V. and Howard, Beverly A. (2022). Christian Hymn: A Proposed Definition. In: Hawn, C. Michael ed. Sing with Understanding - Third Edition. Chicago: GIA, pp. 41–48.

Hazareesingh, Sandip (2022). Food Heritage for Sustainable Futures: Women's Cultures and Knowledge as Hidden Pillars of Alternative Foodways. In: Cross, Charlotte and Giblin, John D. eds. Critical Approaches to Heritage for Development. Rethinking Development. London: Routledge, pp. 108–123.

Jones, Richard J (2022). ‘The pamphlet on the table’: The Life and Adventures of Sir Launcelot Greaves. In: Poplawski, Paul ed. Studying English Literature in Context. Cambridge: Cambridge University Press, pp. 183–198.

King, Edmund G.C. (2022). From Common Reader to Canon: Memorialising the Shakespeare-Reading British Soldier during the First World War. In: King, Edmund G.C. and Smialkowska, Monika eds. Memorialising Shakespeare: Commemoration and Collective Identity, 1916-2016. Palgrave Shakespeare Studies. Basingstoke: Palgrave Macmillan, pp. 35–64.

Kolassa, Alexander (2022). ‘A crazy clutter of the mediaeval, medical mind’: Ken Russell, Peter Maxwell Davies, and Modernist Medievalism in The Devils. Journal of the Royal Musical Association, 147(1) pp. 135–170.

Kolassa, Alexander (2022). The medievalist origins of (British) modernist music. In: Falconieri, Tommaso di Carpegna; Savy, Pierre and Yawn, Lila eds. Middle Ages without Borders: an international conversation on medievalism. Rome: École française de Rome.

Lee, Peggy Kyoungwon; Oliveira, Pedro; Osman, Shanti Suki and Thompson, Marie (2022). A Conversation on Race, Sound, and the Im/possibility of Decolonised Listening. In: Ismaiel-Wendt, Johannes Salim and Schoon, Andi eds. Postcolonial Repercussions: On Sound Ontologies and Decolonised Listening. Sound Studies, 6. Bielefeld: transcript Verlag, pp. 45–58.

Lora-Wainwright, Anna; Wainwright, Leon and Loong, Shona (2022). British Chinese or British ESEA? Articulating creativity and care across scales and disciplines. British Journal of Chinese Studies, 12(1) pp. 138–142.

Lymberopoulou, Angeliki (2022). Heavenly Beings: Icons of the Orthodox Christian World. Auckland Art Gallery Toi O Tamaki, Auckland Art Gallery Toi O Tamaki.

McPherson, Elaine; Clarke, Anactoria; Gallen, Anne-Marie; Keys, Mary and Wolf, Petra (2022). Improving gender balance through a Combined STEM degree. In: 15th Annual International Conference of Education, Research and Innovation, 7-9 Nov 2022, Seville, Spain.

Michael-Fox, Bethan (2022). [Book Review] Mediated Death by Johanna Sumiala, Cambridge, Polity Press, 2022. Mortality, 27(4) pp. 519–520.

Michael-Fox, Bethan (2022). Practising Creative and Autobiographical Writing: Writing, Death and the Self. In: Richard, Povall and Mat, Osmond eds. Borrowed Time: on death, dying & change. Dartington: Art.Earth, pp. 325–338.

Michael-Fox, Bethan and Visser, Renske (2022). Death for Young Adult Audiences: Complexity, Complicity and Critique in Pretty Little Liars. Revenant: Critical and Creative Studies of the Supernatural(8) pp. 20–46.

Michael-Fox, Bethan and Visser, Renske (2022). Death and the Screen [Special Issue]. Revenant Journal: Issue 8.

Mombauer, Annika (2022). Statesman of Europe: A Life of Sir Edward Grey [Book review]. Diplomacy & Statecraft, 33(2) pp. 406–407.

Murray, Andrew (2022). A Field of Invention: Fictive Frames in Van Eyck’s Portraits. In: Lecuppre-Desjardin, Elodie and Nils, Bock eds. Innovation and Medieval Communities (1200-1500). Turnhout: Brepols, (In press).

Norrick-Rühl, Corinna and Towheed, Shafquat (2022). Introduction. In: Norrick-Rühl, Corinna and Towheed, Shafquat eds. Bookshelves in the Age of the COVID-19 Pandemic. New Directions in Book History. Cham: Palgrave Macmillan, pp. 1–27.

Plassart, Anna (2022). ‘The Scheme which Began the Calamities of Europe’: Scottish Writers on the First Polish Partition. In: Clure, Graham ed. Rousseau, Poland and Europe. Brill, (In press).

Plassart, Anna (2022). Montesquieu, Smith and Burke on the "labouring poor": an eighteenth-century debate. In: O'Flaherty, Niall and Mills, R. W. eds. Ideas of Poverty. Manchester: Manchester University Press (In Press).

Probert, Thomas (2022). Psychiatric casualties and the British counter-insurgency in Malaya. Small Wars & Insurgencies, 33(3) pp. 528–549.

Reeve, Michael (2022). [Book Review] Beyond Trawlertown: memory, life and legacy in the wake of the Cod Wars by Jo Byrne. International Journal of Regional and Local History, 17(2) pp. 115–116.

Richardson, Heather (2022). 'The Mermaid's Curse': Case Study of a Multimodal Work-in-Progress. Writing in Practice, 7 pp. 18–29.

Robinson, Joel (2022). The City on Display: Architecture Festivals and the Urban Commons. Routledge Research in Architecture Series. London: Routledge.

Robson, James (2022). Aristophanes: Lysistrata. Bloomsbury Ancient Comedy Companions. London: Bloomsbury Publishing.

Rowland, David (2022). Further Light on Clementi's 1807 Contract with Beethoven. In: Miller, Malcolm and Kinderman, William eds. Beethoven the European: Transcultural Contexts of Performance, Interpretation and Reception. Speculum Musicae (48). Turnhout: Brepols, pp. 203–216.

Shail, Andrew and Harrison, Rebecca (2022). Editorial. Early Popular Visual Culture, 20(4) pp. 291–292.

Thofner, Margit (2022). Why Giants? In: Verberckmoes, Johan ed. Zwierige Reuzen in de 18e eeuw en de Lierse ommegang van 1722. Lier: Gezellen van 't Groot Volk, pp. 18–35.

Towheed, Shafquat (2022). An Examination of Bookshelves in the Age of the COVID-19 Pandemic as a “Liminal Space”. In: Norrick-Rühl, Corinna and Towheed, Shafquat eds. Bookshelves in the Age of the COVID-19 Pandemic. New Directions in Book History. Cham: Palgrave Macmillan, pp. 31–47.

Trott, Vincent (2022). The Poetic Marketplace. In: Potter, Jane ed. A History of World War One Poetry. Cambridge: Cambridge University Press, pp. 19–34.

Wainwright, Leon (2022). A New Paradigm, Moving on from Bakhtin. Journal of Festival Culture Inquiry and Analysis, 1(1) pp. 28–32.

Wainwright, Leon (2022). A suitable distance? Revisiting a millennial approach to curating art in the Caribbean. Art Journal, 81(3) pp. 39–52.

Younger, Neil (2022). Religion and politics in Elizabethan England: The life of Sir Christopher Hatton. Politics, Culture and Society in Early Modern Britain. Manchester: Manchester University Press.

2021To Top

Hamer, Laura ed. (2021). The Cambridge Companion to Women in Music since 1900. Cambridge Companions. Cambridge: Cambridge University Press.

King, Edmund G.C. and Smialkowska, Monika eds. (2021). Memorialising Shakespeare: Commemoration and Collective Identity, 1916-2016. Palgrave Shakespeare Studies (PASHST). Basingstoke: Palgrave Macmillan.

Kynan-Wilson, William; Fonnesberg-Schmidt, Iben; Opitz-Trotman, Gesine and Lauge Christensen, Emil eds. (2021). The Papacy and Communication in the Central Middle Ages. London: Routledge.

Kynan-Wilson, William and Munns, J. M. eds. (2021). Henry of Blois: New Interpretations. Woodbridge: Boydell & Brewer.

Langley, Chris R.; McMillan, Catherine E. and Newton, Russell eds. (2021). The Clergy in Early Modern Scotland. St Andrews Studies in Scottish History, 9. Woodbridge: Boydell Press.

Wood, Paul; Wainwright, Leon and Harrison, Charles eds. (2021). Art in Theory: The West in the World - An Anthology of Changing Ideas. Art in Theory -- An Anthology of Changing Ideas. United States: Wiley-Blackwell.

Antonini, Alessio; Benatti, Francesca; Watson, Nicola; King, Edmund and Gibson, Jonathan (2021). Death and Transmediations: Manuscripts in the Age of Hypertext. In: HT '21: Proceedings of the 32nd ACM Conference on Hypertext and Social Media, Association for Computing Machinery, New York, NY, USA, pp. 17–26.

Antonini, Alessio; Suárez-Figueroa, Mari Carmen; Adamou, Alessandro; Benatti, Francesca; Vignale, François; Gravier, Guillaume and Lupi, Lucia (2021). Understanding the phenomenology of reading through modelling. Semantic Web Journal, 12(2) pp. 191–217.

Arts & Ideas Podcast (2021). New Thinking: Diverse Classical Music. BBC Radio 3.

Baker-Bates, Piers (2021). Portraying the Ideal Spanish Tridentine Prelate. In: Baker-Bates, Piers and Brooke, Irene eds. Portrait Cultures of the Early Modern Cardinal. Visual and Material Culture, 1300-1700. Amsterdam: Amsterdam University Press, pp. 343–370.

Baker-Bates, Piers (2021). Spanish Painting: Recreating a Perceived ‘Golden Age’. In: Potter, Matthew C. ed. Representing the Past in the Art of the Long Nineteenth Century. Routledge, pp. 106–123.

Baker-Bates, Piers and Brooke, Irene (2021). Portraying the Princes of the Church. In: Baker-Bates, Piers and Brooke, Irene eds. Portrait Cultures of the Early Modern Cardinal. Visual and Material Culture, 1300–1700. Amsterdam: Amsterdam University Press, pp. 21–42.

Barker, Elton (2021). Geography. In: Baron, Christopher ed. The Herodotus Encyclopedia. John Wiley & Sons.

Barker, Elton and Christensen, Joel (2021). An epic Heracles. In: Ogden, Daniel ed. The Oxford Handbook of Heracles. Oxford Handbooks Online. Oxford: Oxford University Press, pp. 283–300.

Barker, Elton; Isaksen, Leif and O'Doherty, Marianne (2021). Introduction to the Pelagios special issue. International Journal of Humanities and Arts Computing, 15(1-2) pp. 1–4.

Barker, Naomi J (2021). Frescobaldi at the Ospedale di Santo Spirito: a portfolio career in seventeenth-century Rome. Early Music, 49(3) pp. 395–412.

Blackburn, Manuella (2021). In Her Own Words: Practitioner Contribution 3. In: Laura, Hamer ed. The Cambridge Companion to Women in Music since 1900. Cambridge Companions. Cambridge University Press, pp. 228–234.

Bridges, Emma and Stead, Henry (2021). [Subject Review] Reception. Greece and Rome, 68(2) pp. 348–352.

Burrows, Donald (2021). Handel’s singers from the London choirs. Early Music, 49(2) pp. 173–183.

Calver, Kay and Michael-Fox, Bethan (2021). Constructing the university student in British documentary television. In: Brooks, Rachel and O'Shea, Sarah eds. Reimagining the Higher Education Student: Constructing and Contesting Identities. London: Routledge, pp. 151–168.

Campbell, Siobhan (2021). New Poetry | Filíocht Nua. New Hibernia Review, 25(2) pp. 76–88.

Cathcart, Charles (2021). A Source for the Satirised Vocabulary in Poetaster. Notes and Queries, 68(1) pp. 136–138.

Cathcart, Charles (2021). John Day and Edward Sharpham at the Black and White Friars. Medieval & Renaissance Drama in England, 34 pp. 19–40.

Charnley, Kim (2021). Sociopolitical Aesthetics: Art, Crisis and Neoliberalism. Radical Aesthetics-Radical Art. London: Bloomsbury Publishing.

Clarke, Anactoria (2021). Manti kakon: The Uncanny Prophecies of Calchas in the Iliad and Beyond. Preternature: Critical and Historical Studies on the Preternatural, 10(1) pp. 11–33.

Clarke, Martin V. (2021). Music. In: Barbeau, Jeffrey W. ed. The Cambridge Companion to British Romanticism and Religion. Cambridge Companions. Cambridge: Cambridge University Press, pp. 293–310.

Coffey, Helen (2021). Life as an Emperor's Musician. Musikleben des Spätmittelalters in der Region Österreich.

Conway, David and Williams, Chris (2021). The role of trade unions in promoting wellbeing. In: Mental Health and Wellbeing Conference, 1-2 Dec 2021, The Open University, Milton Keynes, United Kingdom.

Cui, Feng and Tickell, Alex (2021). Han Suyin: The little voice of decolonizing Asia. Journal of Postcolonial Writing, 57(2) pp. 147–153.

da Sousa Correa, Delia (2021). ‘Fragmented Music, Fragmented Minds: Janet Frame's Faces in the Water (1961)’. In: Bernhart, Walter and Englund, Axel eds. Arts of Incompletion: Fragments in Words and Music. Word and Music Studies (18). Amsterdam: Brill.

Doloughan, Fiona (2021). Literary Translingualism and Fiction. In: Kellman, Steven G. and Lvovich, Natasha eds. Routledge Handbook of Literary Translingualism. Routledge Literature Handbooks. Routledge, pp. 31–42.

Dooley, James and Hall, Simon (2021). MYtrOmbone: exploring gesture controlled live electronics in solo trombone performance. In: Proceedings of the International Computer Music Conference 2021 (Cádiz, Rodrigo F. ed.), International Computer Music Association, Inc., San Francisco, CA, pp. 23–26.

Fallas, Rebecca (2021). ‘Infertile’ and ‘sub-fertile’ semen in the Hippocratic Corpus and the biological works of Aristotle. In: Bradley, Mark; Leonard, Victoria and Totelin, Laurence eds. Bodily Fluids in Antiquity. Routledge, pp. 120–133.

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Golding, Rosemary (2021). Music and Moral Management in the Nineteenth-Century English Lunatic Asylum. Mental Health in Historical Perspective, 1. Cham, Switzerland: Palgrave Macmillan.

Graham, Emma-Jayne (2021). Interactional sensibilities: bringing ancient disability studies to its archaeological senses. In: Adams, Ellen ed. The Forgotten Other: Disability Studies and the Classical Body. Studies in Ancient Disabilities. Abingdon: Routledge, pp. 165–191.

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Kahn, Rebecca; Isaksen, Leif; Barker, Elton; Simon, Rainer; de Soto, Pau and Vitale, Valeria (2021). Pelagios – Connecting Histories of Place. Part II: From Community to Association. International Journal of Humanities and Arts Computing, 15(1-2) pp. 85–100.

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King, Helen (2021). ‘Treating the Patient, Not Just the Disease’: Reading Ancient Medicine in Modern Holistic Medicine. In: Thumiger, Chiara ed. Holism in Ancient Medicine and its Reception. Leiden: Brill, pp. 402–424.

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Michael-Fox, Bethan and Coward-Gibbs, Matt (2021). Sexual Encounters Between the Living and the (Un) dead in Popular Culture. In: Gibson, Rebecca and Vanderveen, James M. eds. Gender, Supernatural Beings, and the Liminality of Death Monstrous Males/Fatal Females. New York: Rowman and Littlefield.

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Murray, Andrew (2021). Philip the Bold’s Tomb (1412): Creative Agency, Courtly Patronage and Labour History. In: Cordez, Philippe ed. Mittelalter und Mittelalterbild / Le Moyen Âge et son image. Heidelberg: Heidelberg University Publishing.

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Paul, Joanna (2021). Afterword. In: Potter, Amanda and Gardner, Hunter eds. Ancient Epic in Film and Television. Edinburgh: Edinburgh University Press, pp. 233–239.

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Plassart, Anna (2021). [Book Review] Parliamentarism: From Burke to Weber. European Journal of Political Theory, 21(4) pp. 836–846.

Plassart, Anna (2021). “Sovereign of the Sea”: Adam Ferguson on Britain’s Empire. In: Brown, Michael and Hill, Jack A. eds. Adam Ferguson Unfurled. Aberdeen: Aberdeen University Press (In Press).

Plassart, Anna and Mosher, Michael (2021). Introduction: A Cultural History of Democracy in the Age of Enlightenment. In: Plassart, Anna and Mosher, Michael eds. A Cultural History of Democracy in the Age of Enlightenment. London: Bloomsbury, pp. 1–16.

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Reeve, Michael (2021). 'Something-to-smoke, at the right time, is a godsend': Voluntary Action and the Provision of Cigarettes to Soldiers during the First World War. In: Linch, Kevin and Lord, Matthew eds. Redcoats to Tommies: The Experience of the British Soldier from the Eighteenth Century. Boydell and Brewer.

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Tickell, Alex (2021). Han Suyin’s Cold War fictions: Life-writing, intimacy, and decolonization. Journal of Postcolonial Writing, 57(2) pp. 241–254.

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2020To Top

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Katritzky, M. A. and Drábek, Pavel eds. (2020). Transnational Connections in Early Modern Theatre. Manchester: Manchester University Press.

Langley, Chris R. ed. (2020). The National Covenant in Scotland, 1638-1689. Studies in Early Modern Cultural, Political and Social History, 37. Woodbridge: Boydell Press.

Lymberopoulou, Angeliki ed. (2020). Hell in the Byzantine World. A History of Art and Religion in Venetian Crete and the Eastern Mediterranean. Volume 1 Essays. Hell in the Byzantine World A History of Art and Religion in Venetian Crete and the Eastern Mediterranean, 1. Cambridge: Cambridge University Press.

Lymberopoulou, Angeliki ed. (2020). Hell in the Byzantine World. A History of Art and Religion in Venetian Crete and the Eastern Mediterranean (Volume 1 & 2). Hell in the Byzantine World A History of Art and Religion in Venetian Crete and the Eastern Mediterranean. Cambridge: Cambridge University Press.

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Katritzky, M. A. (2020). Shakespeare’s picture of ‘We Three’ An image for illiterates? In: Duits, Rembrandt ed. The Art of the Poor: The Aesthetic Material Culture of the Lower Classes in Europe, 1300–1600. London: Bloomsbury, pp. 185–198.

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Katritzky, M. A. (2020). Margaret Cavendish’s Female Fairground Performers. In: Sewell, Jan and Smout, Clare eds. The Palgrave Handbook of the History of Women on Stage. Palgrave Macmillan, pp. 151–175.

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King, Helen (2020). Hippocrates Now: The 'Father of Medicine' in the Internet Age. Bloomsbury Studies in Classical Reception. London: Bloomsbury.

King, Helen (2020). The body beyond Laqueur: Hippocratic sex and its rediscovery. In: Höfele, Andreas and Kellner, Beate eds. Natur-Geschlecht-Politik: Denkmuster und Repräsentationsformen vom Alten Testament bis in die Neuzeit. Wilhelm Fink Verlag, pp. 199–216.

King, Helen (2020). Hippocratic whispers: telling the story of the life of Hippocrates on the internet. In: Totelin, Laurence and Flemming, Rebecca eds. Medicine and Markets: Essays on Ancient Medicine in honour of Vivian Nutton. Classical Press of Wales, pp. 143–160.

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Langley, Chris R. (2020). Reading John Knox in the Scottish Revolution, 1638-42. In: Langley, Chris R. ed. The National Covenant in Scotland, 1638–1689. Studies in Early Modern Cultural, Political and Social History, 37. Woodbridge: Boydell Press, pp. 89–104.

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Archibald, Zosia and Haywood, Jan eds. (2019). The Power of Individual and Community in Ancient Athens and Beyond. Swansea: The Classical Press of Wales.

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Plassart, Anna, ed. Letters of Crito. By John Millar (1796). History of European Ideas 45:2, 148-190 (2019).

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2018To Top

Allan, William and Swift, Laura eds. (2018). Moralizing Strategies in Early Greek Poetry. Mouseion, 15 (1). Toronto: University of Toronto Press.

Attfield, Nicholas and Winters, Ben eds. (2018). Music, Modern Culture, and the Critical Ear. Abingdon: Routledge.

Caldari, Valentina and Wolfson, Sara J. eds. (2018). Stuart Marriage Diplomacy. Dynastic Politics in their European Context, 1604-1630. Studies in Early Modern Cultural, Political and Social History, 31. Woodbridge: Boydell and Brewer.

Christian, Kathleen and de Divitiis, Bianca eds. (2018). Local antiquities, local identities: Art, literature and antiquarianism in Europe, c. 1400-1700. Manchester: Manchester University Press.

Cook, James; Kolassa, Alexander and Whittaker, Adam eds. (2018). Recomposing the Past: Representations of Early Music on Stage and Screen. Ashgate Screen Music Series. Abingdon and New York: Routledge.

De Renzi, Silvia; Bresadola, Marco and Conforti, Maria eds. (2018). Pathology in Practice: Diseases and Dissections in Early Modern Europe. The History of Medicine in Context. London: Routledge.

Griffiths, Andrew; Alves, Audrey and Trindade, Alice eds. (2018). Literary Journalism and Africa's Wars: Colonial, Decolonial and Postcolonial Perspectives. ReportAGES. Nancy, France: Presses Universitaires de Nancy.

Gupta, Suman and Virdee, Satnam eds. (2018). Race and Crisis. Ethnic & Racial Studies. London: Routledge.

Harvey, Graham and Hughes, Jessica eds. (2018). Sensual Religion: Religion and the Five Senses. Religion and the Senses. Sheffield: Equinox.

Haslam, Sara; Colombino, Laura and O'Malley, Seamus eds. (2018). The Routledge Research Companion to Ford Madox Ford. Routledge Research Companions. London and New York: Routledge.

Herbert, Trevor; Myers, Arnold and Wallace, John eds. (2018). The Cambridge Encyclopedia of Brass Instruments. Cambridge: Cambridge University Press.

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Hoppe, C.; Goldbeck, M. and Kawabata, M. eds. (2018). Exploring Virtuosities: Heinrich Wilhelm Ernst, Nineteenth-Century Musical Practices and Beyond. Göttingen Studies in Musicology, 10. Olms.

Lymberopoulou, Angeliki ed. (2018). Cross-Cultural Interaction between Byzantium and the West, 1204-1669. Whose Mediterranean is it anyway? Society for the Promotion of Byzantine Studies, 22. London: Routledge.

Shaw, Samuel; Shaw, Sarah and Carle, Naomi eds. (2018). Edwardian Culture: Beyond the Garden Party. Among the Victorians and Modernists. London: Routledge.

Althoff, Gerd; Fonnesberg-Schmidt, Iben and Kynan-Wilson, William (2018). Framing papal communication in the central Middle Ages. Journal of Medieval History, 44(3) pp. 251–260.

Barker, Naomi J. (2018). Learning the trade: What did Froberger do in Rome? In: Vejvar, Andreas and Grassl, Markus eds. "Avec discrétion": Rethinking Froberger. Wiener Veröffentlichungen zur Musikgeschichte (14). Vienna: Böhlau Verlag, pp. 205–221.

Barlow, Helen (2018). The British Army and the music profession: the impact of regimental bands on the status and identity of professional musicians. In: Golding, Rosemary ed. The Music Profession in Britain, 1780-1920: New Perspectives on Status and Identity. Music in Nineteenth-Century Britain. London: Routledge, pp. 72–89.

Barnes, Amy Jane (2018). Representing the China Dream: A case study in revolutionary cultural heritage. In: Watson, Sheila; Barnes, Amy Jane and Bunning, Katy eds. A Museum Studies Approach to Heritage. Leicester Readers in Museum Studies. Abingdon: Routledge, pp. 797–813.

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Barnes, Amy Jane (2018). Introduction to Part I. In: Watson, Sheila; Barnes, Amy Jane and Bunning, Katy eds. A Museum Studies Approach to Heritage. Leicester Readers in Museum Studies. Abingdon: Routledge, pp. 9–13.

Benatti, Francesca and King, David (2018). One Year After. A Question of Style: individual voices and corporate identity in the Edinburgh Review, 1814-1820. In: RSVP/VSAWC 2018 The Body and the Page in Victorian Culture, 26-28 Jul 2018, University of Victoria, British Columbia, Canada.

Benton, Tim (2018). E-1027 and the «drôle de guerre». Rassegna di architettura e urbanistica(153) pp. 46–61.

Benzan, Carla (2018). Alone at the Summit: Solitude and the Ascetic Imagination at the Sacro Monte of Varallo. In: Enenkel, Karl A.E. and Göttler, Christine eds. Solitudo: Spaces, Places, and Times of Solitude in Late Medieval and Early Modern Cultures. Intersections: Interdisciplinary Studies in Early Modern Culture (56). Leiden and Boston: Brill, pp. 336–363.

Brunet, Luc-André (2018). Jean Monnet et l'organisation des économies alliées pour la guerre (1939-1940). In: Bossuat, Gérard ed. Jean Monnet et l'économie. Euroclio. Bruxelles: Peter Lang.

Brunet, Luc-André (2018). The Role of Algeria in Debates over Post-War Europe within the French Resistance. In: Davis, Muriam Haleh and Serres, Thomas eds. North Africa and the Making of Europe: Governance, Institutions and Culture. London: Bloomsbury, pp. 23–42.

Caldari, V.; Questier, M. and Wolfson, S. (2018). Introduction. In: Caldari, Valentina and Wolfson, Sara eds. Stuart Marriage Diplomacy. Dynastic Politics in their European Context, 1604-1630. Boydell and Brewer.

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2016To Top

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Donington, Katie; Hanley, Ryan and Moody, Jessica eds. (2016). Britain’s History and Memory of Transatlantic Slavery: Local Nuances of a ‘National Sin’. Studies in International Slavery. Liverpool: Liverpool University Press.

Draycott, Jane and Graham, Emma-Jayne eds. (2016). Bodies of Evidence: Ancient Anatomical Votives Past, Present and Future. Medicine and the Body in Antiquity. London: Routledge.

Gupta, Suman; Habjan, Jernej and Tutek, Hrvoje eds. (2016). Academic Labour, Unemployment and Global Higher Education: Neoliberal Policies of Funding and Management. Palgrave Critical University Studies. London: Palgrave Macmillan.

Holder, Julian and McKellar, Elizabeth eds. (2016). Neo-Georgian Architecture 1880-1970: a reappraisal. Swindon, UK: Historic England.

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Dueck, Byron (2016). Song, Participation, and Intimacy at Truth and Reconciliation Gatherings. In: Robinson, Dylan and Martin, Keavy eds. Arts of Engagement: Taking Aesthetic Action In and Beyond the Truth and Reconciliation Commission of Canada. Waterloo, ON, Canada: Wilfrid Laurier University Press, pp. 267–281.

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Hazareesingh, Sandip (2016). 'Your Foreign Plants are Very Delicate': Peasant Crop Ecologies and the Subversion of Colonial Cotton Designs in Dharwar, western India, 1830-1880. In: Hazareesingh, Sandip and Maat, Harro eds. Local Subversions of Colonial Cultures: Commodities and Anti-Commodities in Global History. Cambridge Imperial and Post-Colonial Studies. London, UK: Palgrave Macmillan.

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Herbert, Trevor (2016). Trumpets, drums and the sources for their symbolic authority in Britain. Music in Art: International Journal for Music Iconography,, 41(1-2) pp. 65–81.

Herbert, Trevor (2016). Adolphe Sax, his saxhorns and their international influence. Revue belge de musicologie/Belgisch tijdschrift voor muziekwetenschap, 70 pp. 65–76.

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Hobden, Fiona (2016). Between media and genres: Pompeii and the construction of historical knowledge on British television today. In: Sabban, Annette and Jaki, Sylvia eds. Wissenformate in den Medien: Analysen aus Medienlinguistik und Medienwissenschaft. Kulturen – Kommunikation – Kontakte (25). Berlin: Frank & Timme, pp. 119–138.

Hughes, Jessica (2016). Fractured Narratives: Writing the Biography of a Votive Offering. In: Weinryb, Ittai ed. Ex Voto: Votive Giving Across Cultures. Bard Graduate Center - Cultural Histories of the Material World. Chicago: University of Chicago Press, pp. 23–48.

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2015To Top

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Green, Owen; Williams, Sean and Murray-Rust, Dave (2015). Concert with Aleks Kolkowski and Grey Area. Edinburgh College of Art.

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Gupta, Suman (2015). Crisis of the Novel and the Novel of Crisis. Canadian Review of Comparative Literature, 42(4) pp. 454–467.

Gupta, Suman (2015). On Mapping Genre: Literary Fiction/Genre Fiction and Globalization Processes. In: Habjan, Jernej and Imlinger, Fabienne eds. Globalizing Literary Genres: Literature, History, Modernity. Interdisciplinary Perspectives on Literature. New York: Routledge, pp. 213–227.

Gupta, Suman; Allen, Richard; Chattarji, Subarno and Chaudhuri, Supriya (2015). Reconsidering English Studies in Indian Higher Education. Routledge Research in Higher Education. Abingdon: Routledge.

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Hack, Karl (2015). The Malayan Emergency: British Counterinsurgency Phases and the Triumph of Geo-demographic Control, 1948-60. In: Fremont-Barnes, Gregory ed. A History of Counterinsurgency: From South Africa to Algeria, 1900 to 1954. Santa Barbara, California: ABC-Clio, pp. 125–176.

Hack, Karl (2015). Tropical transitions in colonial counter-insurgency: From Malayan Emergency to post-colonial partnership. In: Johnson, Robert and Clack, Timothy eds. At the End of Military Intervention: Historical, Theoretical, and Applied Approaches to Transition, Handover, and Withdrawal. Oxford: Oxford University Press, pp. 61–85.

Haslam, Sara (2015). Ford and gender. In: Chantler, Ashley and Hawkes, Rob eds. An Introduction to Ford Madox Ford. Farnham: Ashgate, pp. 163–176.

Haslam, Sara (2015). Dowell and Dopamine: Information, Pleasure and Plot. In: Haslam, Sara and Saunders, Max eds. Ford Madox Ford's The Good Soldier: Centenary Essays. Leiden and Boston: Brill, pp. 117–132.

Hope, Valerie (2015). Bodies on the Battlefield: the spectacle of Rome's fallen soldiers. In: Hope, Valerie and Bakogiannia, Anastasia eds. War as Spectacle. Ancient and Modern Perspectives on the Display of Armed Conflict. London: Bloomsbury, pp. 157–178.

Hughes, Jessica (2015). 'No retreat, even when broken': classical architecture in the Presepe Napoletano. In: Hughes, Jessica and Buongiovanni, Claudio eds. Remembering Parthenope: Receptions of Classical Naples from Antiquity to the Present. Classical Presences. Oxford: Oxford University Press, pp. 284–309.

Hughes, Jessica and Graham, Emma-Jayne (2015). The votives project. Material Religion, 11(1) pp. 129–131.

Hughes, Lotte and Fouere, Marie-Aude (2015). Heritage and memory in East Africa today: a review of recent developments in cultural heritage research and memory studies. Azania: Archaeological Research in Africa, 50(4) pp. 542–558.

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Johnson, David (2015). Clements Kadalie, the ICU, and the Language of Freedom. English in Africa, 42(3) pp. 43–69.

Johnson, David (2015). Print culture and imagining the Union of South Africa. In: Davis, Caroline and Johnson, David eds. The Book in Africa: Critical Debates. New Direction in Book History. Basingstoke: Palgrave Macmillan, pp. 105–127.

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Katritzky, M. A. (2015). Lucas van Leyden's 'Toothdrawer', 1523: Passion play merchant scenes and the religious origins of quack depictions. In: Mueller, Juergen and Muench, Birgit Ulrike eds. Peiraikos' Erben: Die Genese der Genremalerei bis 1550. Trierer Beitraege zu den historischen Kulturwissenschaften (14). Wiesbaden: Reichert Verlag, pp. 125–148.

King, Edmund G. C. (2015). A Captive Audience? The Reading Lives of Australian Prisoners of War, 1914–1918. In: Towheed, Shafquat and King, Edmund G. C. eds. Reading and the First World War: Readers, Texts, Archives. New Directions in Book History. Basingstoke: Palgrave Macmillan, pp. 153–167.

King, Helen (2015). Between male and female in ancient medicine. In: Boschung, Dietrich; Shapiro, Alan and Waschek, Frank eds. Bodies in Transition: Dissolving the Boundaries of Embodied Knowledge. Morphomata (23). Paderborn: Fink Verlag, pp. 249–264.

Laney, Robin; Samuels, Robert and Capulet, Emilie (2015). Cross entropy as a measure of musical contrast. In: Mathematics and Computation in Music (Collins, Tom; Meredith, David and Volk, Anja eds.), Lecture Notes in Computer Science, Springer International Publishing, Cham, Switzerland, pp. 193–198.

Lymberopoulou, Angeliki (2015). 'El Greco: A Cretan painter?'. In: El Greco (Moreno, Ana and de Cos, Leticia eds.), Museo Thyssen-Bornemisza, 2015, pp. 21–35.

Neale, Derek, Butt, Maggie, Whitehead, Harry and Brayfield, Celia (eds.) (2016) Writing in Practice: The Journal of Creative Writing Research. (Vol. 1) National Association of Writers in Education.

Paul, Joanna (2015). ‘‘Time is only a mode of thought, you know’: Ancient History, Empire, and Imagination in E. Nesbit’s Stories for Children’. In: Maurice, Lisa ed. The Reception of Ancient Greece and Rome in Children’s Literature: Eagles and Heroes. Metaforms (6). Leiden: Brill, pp. 30–55.

Perry, Gill (2015). 'A lady on the stage and an actress off it’: Performance and femininity in images of Elizabeth Farren, Countess of Derby. In: Lloyd, Stephen ed. Art, Animals and Politics: Knowsley and the Earls of Derby. London: Unicorn Press, pp. 61–80.

Plassart, Anna (2015). The Scottish Enlightenment and the French Revolution. Ideas in Context, 3. Cambridge: Cambridge University Press.

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Richards, Fiona (2015). ‘so insistently literary’: the Englishness of Randolph Stow. Journal of the Association for the Study of Australian Literature, 14(5), article no. 8.

Richards, Fiona (2015). Strange Territories: John Ireland and Arthur Machen. Faunus: The Journal of the Friends of Arthur Machen, 32 pp. 29–41.

Richardson, Heather (2015). Waving at soldiers. European Journal of Life Writing, 4 C7-C18.

Richardson, Heather (2015). Outbound/Inbound. Australian Association of Writing Programmes, Australia.

Robson, James (2015). Fantastic sex: fantasies of sexual assault in Aristophanes. In: Masterson, Mark; Rabinowitz, Nancy Sorkin and Robson, James eds. Sex in Antiquity: Exploring Gender and Sexuality in the Ancient World. Rewriting Antiquity. Abingdon: Routledge, pp. 315–331.

Rodgers, Michael (2015). A Theory of Genre Formation in the Twentieth Century. CLCWeb: Comparative Literature and Culture, 17(4), article no. 2.

Rowland, David (2015). Pianists and the European music trade c. 1790-1820. In: Sala, Massimiliano ed. Piano culture in 19th-century Paris. Turnhout: Brepols, pp. 17–26.

Simones, Lilian; Schroeder, Franziska and Rodger, Matthew (2015). Categorizations of physical gesture in piano teaching: A preliminary enquiry. Psychology of Music, 43(1) pp. 103–121.

Slight, John (2015). The British Empire and the Hajj, 1865-1956. Cambridge, MA: Harvard University Press.

Swift, Laura (2015). Lyric visions of epic combat: the spectacle of war in archaic personal song. In: Bakogianni, Anastasia and Hope, Valerie eds. War as Spectacle: Ancient and Modern Perspectives on the Display of Armed Conflict. London: Bloomsbury Academic, pp. 93–109.

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2014To Top

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