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2025To Top

Hamer, Laura and Minors, Helen Julia eds. (2025). The Routledge Companion to Women and Musical Leadership: The Nineteenth Century and Beyond. Routledge Music Companions. New York, USA and Oxon, UK: Routledge.

Baird, Kenneth and Hamer, Laura (2025). Lilian Baylis: The Visionary Impresario. In: Hamer, Laura and Minors, Helen Julia eds. The Routledge Companion to Women and Musical Leadership: The Nineteenth Century and Beyond. New York: Routledge, pp. 127–140.

Baird, Kenneth and Hamer, Laura (2025). Lilian Baylis: The Visionary Impresario. In: Hamer, Laura and Minors, Helen Julia eds. The Routledge Companion to Women and Musical Leadership: The Nineteenth Century and Beyond. Routledge Music Companions. New York, USA and Oxon, UK: Routledge, pp. 127–140.

Brown, Richard Danson (2025). Anger, Complaint, and Poetic Form in the Tristram Episode and The Faerie Queene, Book 6. Studies in English Literature 1500-1900 (SEL), 63(1) (In Press).

Brown, Richard Danson (2025). Fie Upon “But Yet”: Stanza Lead Words and Adversative Conjunctions in The Faerie Queene. In: Goeglein, Tamara A. and Vaught, Jennifer C. eds. Textual Respect: Essays in Honor of Judith H. Anderson. Kalamazoo, USA and Berlin, Germany: Medieval Institute Publications and De Gruyter (In Press).

Grindley, Ann (2025). Sites of Empowerment: Fin-de-Siècle Salon Culture and the Music of Cécile Chaminade. In: Hamer, Laura and Minors, Helen Julia eds. The Routledge Companion to Women and Musical Leadership: The Nineteenth Century and Beyond. New York: Routledge, pp. 65–78.

Hamer, Laura (2025). 'Une Belle Manifestation Féministe': The Formation of the Union des Femmes Professeurs et Compositeurs de Musique. In: Hamer, Laura and Minors, Helen Julia eds. The Routledge Companion to Women and Musical Leadership: The Nineteenth Century and Beyond. New York: Routledge, pp. 79–91.

Hamer, Laura (2025). ‘Une belle manifestation féministe’: The Formation of the Union des Femmes Professeurs et Compositeurs de Musique. In: Hamer, Laura and Minors, Helen Julia eds. The Routledge Companion to Women and Musical Leadership: The Nineteenth Century and Beyond. Routledge Music Companions. New York and Oxon: Routledge, pp. 79–91.

Hamer, Laura and Minors, Helen Julia eds. (2025). The Routledge Companion to Women and Musical Leadership: The Nineteenth Century and Beyond. New York: Routledge.

Hamer, Laura and Minors, Helen Julia (2025). Defining, Surveying and Interrogating Women in Musical Leadership. In: Hamer, Laura and Minors, Helen Julia eds. The Routledge Companion to Women and Musical Leadership: The Nineteenth Century and Beyond. New York: Routledge, pp. 1–12.

Hamer, Laura; Minors, Helen Julia; Farnham, Alice; Hamilton, Katy; Haughton, Emma; McCabe, Jessy; MacDonald, Sarah; Vencatasamy, Davina and Wilson, Eleanor (2025). Women's Musical Leadership in Music Industries and Education. In: Hamer, Laura and Minors, Helen Julia eds. The Routledge Companion to Women and Musical Leadership: The Nineteenth Century and Beyond. New York: Routledge, pp. 335–357.

Murray, Andrew (2025). Speculation. In: Winkenweder, Brian and Tunali, Tijen eds. The Routledge Companion to Marxisms in Art History. Routledge Art History and Visual Studies Companions. Abingdon, UK: Routledge (In Press).

Robson, James (2025). An Enviable Life or Worse than Death? Reconstructing Women's Experience of Marriage and Sex in Classical Athens. In: Clark, Anna and Williams, Elizabeth W. eds. Sources and Methods in the History of Sexuality. Routledge Guides to Using Historical Sources. London and New York: Routledge, pp. 102–118.

Watson, Nicola J. (2025). Manuscript in the Writer's House Museum. In: Sommer, Tim ed. Cultural Heritage and the Literary Archive: Objects, Institutions, and Practices between the Analogue and the Digital. New York: Routledge, pp. 131–149.

2024To Top

Bullen, David and Plastow, Christine eds. (2024). Greek Tragedy, Education, and Theatre Practices in the UK Classics Ecology. Classics In and Out of the Academy. London, UK: Routledge.

Coleclough, Sharon; Michael-Fox, Bethan and Visser, Renske eds. (2024). Difficult Death, Dying and the Dead in Media and Culture. Palgrave Macmillan, Cham.

Cook, James; Kolassa, Alexander; Robinson, Alexander and Whittaker, Adam eds. (2024). History as Fantasy in Music, Sound, Image and Media. Music and Visual Culture. New York, USA and Oxon, UK: Routledge.

Gilles, Greg; Frank, Karolina; Plastow, Christine and Webb, Lewis eds. (2024). Female Agency in the Ancient Mediterranean World. Women in Ancient Cultures - Ancient History & Classics. Liverpool, UK: Liverpool University Press.

Johnson, David; Finkelstein, David and Davis, Caroline eds. (2024). The Edinburgh Companion to British Colonial Periodicals. Edinburgh Companions to Literature and the Humanities. Edinburgh: Edinburgh University Press.

Rowland, David ed. (2024). Clementi Correspondence and Other Documents. Muzio Clementi Opera Omnia, CCE 5. Bologna: Ut Orpheus Edizioni.

Allan, William and Swift, Laura (2024). Euripides: Bacchae. Cambridge Greek and Latin Classics. Cambridge: Cambridge University Press.

Attah, Tom; Cavett, Esther; Dueck, Byron; Miller, Sue and Redhead, Lauren (2024). Teaching music theory in UK higher education today: contexts and commentaries. Music Education Research (Early access).

Baker‐Bates, Piers (2024). All roads lead from Rome: the transcultural career of Francisco de Reynoso. Renaissance Studies (Early Access).

Barker, Elton (2024). The Hero in Homer. In: Allison, Scott; Beggan, James and Goethals, George eds. Encyclopedia of Heroism Studies. Cham: Springer, pp. 1–7.

Barker, Elton; Palladino, Chiara and Gordin, Shai (2024). Digital approaches to investigating space and place in Classical Studies. The Classical Review (Early access).

Barker, Naomi (2024). [Book Review] Annette Richards, The Temple of Fame & Friendship: Portraits, music, and history in the C.P.E. Bach Circle. Chicago, University of Chicago Press, 2022. Journal of the History of Collections, 36(1) pp. 200–201.

Barker, Naomi J. (2024). Music, Medicine and Religion at the Ospedale di Santo Spirito in Rome 1550–1750. Music in Society and Culture, 12. Woodbridge: Boydell Press.

Barnes, A. J. (2024). Revolutionary Heroes in Chinese Propaganda Posters. In: Allison, S. T.; Beggan, J. K. and Goethals, G. R. eds. Encyclopedia of Heroism Studies. Cham: Springer, pp. 1–7.

Benatti, Francesca (2024). Innovations in Digital Comics: A Popular Revolution. Elements in Publishing and Book Culture. Cambridge, UK: Cambridge University Press.

Benatti, Francesca; Berube, Linda and Priego, Ernesto (2024). Webcomics 2024: Creativity in Small Spaces [Web/Comics]. In: Proceedings of the 35th ACM Conference on Hypertext and Social Media, ACM, 4 pp. 386–387.

Benatti, Francesca; Towheed, Shafquat; Blackburn-Daniels, Sally and Antonini, Alessio (2024). @TellMeWhatUReadingbot: the Multi-modal Strategy of the READ-IT Project for Collecting Experiences of Reading. In: Proceedings of the 35th ACM Conference on Hypertext and Social Media, HT '24, Association for Computing Machinery, New York, NY, USA, pp. 217–222.

Bloxham, J. A. (2024). [Book Review] A Genius for Confusion: Joseph R. McCarthy and the Politics of Deceit. Journal of American History, 111(1) pp. 187–188.

Brown, Richard Danson (2024). Spenser with Bruegel: Authority and Punishment in The Faerie Queene, Book V. Spenser Studies, 38 pp. 1–29.

Brown, Richard Danson (2024). [Book Review] Rebecca M. Rush, The Fetters of Rhyme: Liberty and Poetic Form in Early Modern England. Ben Jonson Journal, 31(1) pp. 117–122.

Brown, Richard Danson (2024). [Book Review] Lucy Wooding, Tudor England: A History New Haven: Yale University Press, 2022. Sidney Journal, 42(1)

Brown, Richard Danson (2024). Scorned little creatures?: insects and genre in Complaints (1591). In: Stenner, Rachel and Shinn, Abigail eds. Edmund Spenser and Animal Life. Palgrave Studies in Animals and Literature. London: Palgrave, pp. 139–158.

Brown, Richard Danson and Hadfield, Andrew (2024). Bad Spenser? A Dialogue. The Spenser Review, 54(1) pp. 1–14.

Brown, Richard Danson; Hadfield, Andrew and Wadowski, Andrew (2024). The Spenser Review, Vol 54, Issue 1. Special Issue: Spenser and Bad Poetry. International Spenser Society.

Brownhill, Charlotte (2024). Wentworth’s ‘eye of the Court’: Sir George Radcliffe’s management of the Irish parliaments of Charles I’s reign. Parliamentary History (In Press).

Campbell, Siobhan and Jensen, Meg (2024). Expressive writing and telling and participatory action research: developing a relational ethics of practice for story-based interventions in crisis settings. Journal of Poetry Therapy (Early access).

Carter, Warren (2024). Different Marxist Histories of Art Post-1968: T.J. Clark and O.K. Werckmeister. In: Tunali, Tijen and Winkenweder, Brian eds. The Routledge Companion to Marxisms in Art History. Abingdon: Routledge, (In press).

Cathcart, Charles (2024). The Devil of the Vault and John Hanson’s Time is a Turncoat. Notes and Queries, 71(1) pp. 70–73.

Cathcart, Charles (2024). Isabella’s silence and Philocalia’s absence. The Explicator (early access).

Chambers, Helen (2024). The Sea Voyages Revisited. In: Baldwin, Debra Romanick ed. The Routledge Companion to Joseph Conrad. London, UK: Routledge, pp. 9–21.

Clarke, Martin (2024). [Book Review] Guy L. Beck. Musicology of Religion: Theories, Methods, and Directions (SUNY Series in Religious Studies.) Albany: State University of New York Press, 2023. Notes, 80(4) pp. 700–703.

Clarke, Martin V. (2024). Music and Charles Wesley’s Legacy. The Journal of Religious History, Literature and Culture (In Press).

Clarke, Martin V. (2024). Music and Spirituality in Communal Song: Methodists and Welsh Sporting Crowds. In: Corbett, George and Moerman, Sarah eds. Music and Spirituality: Theological Approaches, Empirical Methods, and Christian Worship. Cambridge, UK: Open Book Publishers, pp. 371–388.

Clarke, Martin V. (2024). 1780 Collection of Hymns. In: Norris, Clive Murray and Cunningham, Joseph W eds. The Routledge Companion to John Wesley. Routledge Religion Companions. Abingdon: Routledge, pp. 114–125.

Cook, James; Kolassa, Alexander; Robinson, Alexander and Whittaker, Adam (2024). Introduction: Beyond authenticity in music, history, and fantasy. In: Cook, James; Kolassa, Alexander; Robinson, Alexander and Whittaker, Adam eds. History as Fantasy in Music, Sound, Image and Media. Music and Visual Culture. New York, USA and Oxon, UK: Routledge.

Crisp, Lindsay Polly (2024). Objects and bodies in Michael Landy's Shelf Life. In: Mohan, Urmila ed. The Efficacy of Intimacy and Belief in Worldmaking Practices. Routledge, pp. 58–72.

da Sousa Correa, Delia and Golding, Rosemary (2024). [Book Review] Allan W. Atlas, ed., A Wilkie Collins Songbook Middleton, WI: A-R Editions, 2023. Nineteenth-Century Music Review (early access).

Dohmen, Renate (2024). ‘What’s In a Photo?’ Frederick Douglass and Ram Singh II, Maharaj of Jaipur. Or: Lateral Art History and The Postindian Trickster, An Experiment in Method. In: Burns, Emily and Price, Alice M. Rudy eds. Routledge Companion to Art and Empire: Imperialism and Aesthetic Practices. Routledge (In press).

Dohmen, Renate and Korporaal, Astrid (2024). Interlude 2: Trickster Abrakadabra: The Art of Hosting or Declaring Yourself a Guest. Third Text

Doloughan, Fiona J. (2024). [Book Review] Paul Dawson, The Story of Fictional Truth: Realism from the Death to the Rise of the Novel (Theory and Interpretation of Narrativ), Columbus, OH: Ohio State University Press. Anglia, 142(2) pp. 397–401.

Faire, Lucy; McHugh, Denise and Williams, Chris A. (2024). Making manifestos for urban history: creative collaboration in a conference workshop. Urban History (Early access).

Gilles, Greg; Frank, Karolina; Plastow, Christine and Webb, Lewis (2024). Introduction. In: Gilles, Greg; Frank, Karolina; Plastow, Christine and Webb, Lewis eds. Female Agency in the Ancient Mediterranean World. Women in Ancient Cultures - Ancient History & Classics. Liverpool, UK: Liverpool University Press.

Golding, Rosemary (2024). Classical Music in British Children’s Television: Narrative, Communication, and Cultural Meaning. Music, Sound, and the Moving Image (In press).

Golding, Rosemary (2024). Concerts and Cures at the Crichton Royal Institution, 1840-1860. Music and Letters (In Press).

Golding, Rosemary (2024). Musical samplers in the museum of musical works: the nature, status and value of nineteenth-century Oxford degree exercises. Journal of the Royal Musical Association (In Press).

Graham, Emma-Jayne (2024). [Book Review] Jane Draycott, Prosthetics and assistive technology in Ancient Greece and Rome. Cambridge: Cambridge University Press, 2023. Journal of Roman Studies (Early access).

Graham, Emma-Jayne (2024). The haptic production of religious knowledge among the Vestal Virgins: A hands-on approach to Roman ritual. In: Abigail, Graham and Blanka, Misic eds. Senses, Cognition, and Ritual Experience in the Roman World. Ancient Religion and Cognition. Cambridge: Cambridge University Press, pp. 59–88.

Graham, Emma-Jayne (2024). Death's ritual symbolic performance. In: Erasmo, Mario ed. A Cultural History of Death in Antiquity. The Cultural Histories Series, 1. London, UK: Bloomsbury Publishing, pp. 67–82.

Graham, Emma-Jayne (2024). Fluid places and the sensory transposition of place in the production of Roman pilgrimage narratives. Accordia Research Papers, 16 pp. 199–215.

Griffiths, Andrew (2024). 25. The Anglo-Zulu War in the Friend of India: Mediation, Meaning and Authority. In: Finkelstein, David; Johnson, David and Davis, Caroline eds. Edinburgh Companion to Colonial Periodicals. Edinburgh Companions to Literature and the Humanities. Edinburgh, UK: Edinburgh University Press, pp. 390–403.

Gupta, Suman and Tu, Peter H. (2024). The Practical Philosophy of AI-Assistants: An Engineering-Humanities Conversation. World Scientific.

Hardy, Emma (2024). A Modern but Useful Art: William Morris, Jeffrey and Co. and the Morris & Co. Wallpapers 1864-c.1928. PhD thesis The Open University.

Haslam, Sara; Miller, Jesse and Cantwell-Jurkovic, Laureen (2024). The Flow of Comfort: Bibliotherapy, the History of Literary Caregiving, and the Academic Library Today. In: Cantwell-Jurkovic, Laureen P. ed. Intersections in Healing: Academic Libraries and the Health Humanities. Medical Library Association Books. Lanham, Maryland, US: Rowman & Littlefield, pp. 63–82.

Hobden, Fiona (2024). The trouble with Xenophon: marching with the Ten Thousand in 21st-century fiction. In: Farrell, C and Gish, D eds. Brill's Companion to the Reception of Xenophon. Brill (In press).

Holton, Stephanie (2024). Prognosis and psyche: the medical dream before Aristotle. In: ONEIRATA: Sleep, Dreams, and Divination in Aristotle and his Predecessors, 22-23 May 2024, University of Durham, Durham, UK.

Hope, Valerie M. (2024). Dead and Dying Bodies. In: Erasmo, Mario ed. A Cultural History of Death in Antiquity. A Cultural History of Death. London: Bloomsbury, pp. 15–31.

Houghton, Frances (2024). Towards a More Inclusive Modern British History? Reflecting on Barriers, Challenges, and Opportunities in Twenty-First Century UK Higher Education. Modern British History, 35(1) pp. 50–54.

Houghton, Frances (2024). Hunting the Royal Navy’s Medical ‘Snark’: Diagnosis, Prevention and Treatment of Tropical Neurosis in British Sailors, 1943-45. Social History of Medicine (early access).

Houghton, Frances; John, Kesewa; Moss, Eloise; Sanders, Michael; Strange, Julie-Marie and White, Benjamin Thomas (2024). [Book Review] Social History Book Club: Lyonel Trouillot, Antoine of Gommiers. Social History, 49(3) pp. 397–409.

Kanter, Dawn (2024). Collecting and connecting portrait sittings: a re-evaluation of portrait-sitting accounts in enhancing knowledge and understanding of British portraiture 1900-1960. PhD thesis The Open University.

King, Helen (2024). [Book Review] Lesley Dean-Jones (ed, trans), Historia Animalium Book X: Aristotle’s Endoxon, Topos and Dialectic on On Failure to Reproduce. Social History of Medicine (Early access).

King, Helen (2024). Immaculate Forms: Uncovering the History of Women's Bodies. Wellcome Collection. London, UK: Profile Books Ltd..

Knight, Lania (2024). Write a Novel in Twelve Easy Steps. In: Moore, Marshall and Meekings, Sam eds. The Scholarship of Creative Writing Practice: Beyond Craft, Pedagogy, and the Academy. Bloomsbury, pp. 63–76.

Kolassa, Alexander (2024). Haunted by the Past: Music and Folk Horror in Children of the Stones. In: Cook, James; Kolassa, Alexander; Robinson, Alexander and Whittaker, Adam eds. History as Fantasy in Music, Sound, Image and Media. Music and Visual Culture. Routledge.

Kolassa, Alexander (2024). Beyond nostalgia: hearing anachronism in Westworld and television's new golden age. In: Halfyard, Janet K. and Reyland, Nicholas eds. Palgrave Handbook of Music and Sound in Peak TV. Springer International Publishing AG (In Press).

Langley, Chris R. (2024). Ecclesiastical record books and political legitimacy in mid-seventeenth century Scotland. The Journal of Ecclesiastical History (In Press).

Lloyd, Mair E. and Robson, James (2024). The Battle for Latin in UK Universities: A Statistical analysis of factors driving student success and failure in beginners’ Latin modules. Language Learning Journal, 52(3) pp. 349–365.

Loftus, Donna (2024). The “Futility of Thrift” and the Moral Economy of Nineteenth-Century Britain. Global Perspectives, 5(1), article no. 117591.

Mac Cathmhaoill, Dónall (2024). [Book Review] Culture, Democracy and the Right to Make Art. Drama Research, 15

Mac Cathmhaoill, Dónall (2024). Aesthetics and Efficacy in Applied and Community Theater. In: Bradford, Richard; Gonzalez, Madelena and De Ornellas, Kevin eds. A Companion to Literary Evaluation. Blackwell Companions to Literature and Culture. Chichester, UK: John Wiley & Sons Ltd, pp. 226–242.

MacCathmhaoill, Dónall (2024). [Review] Stephen Kelly. Margaret Thatcher, the Conservative Party and the Northern Ireland Conflict, 1975-1990. (London: Bloomsbury Academic, 2022), 408 pp., ISBN: 9781350115378. Review of Irish Studies in Europe, 7(1) pp. 128–130.

Marsden, Richard (2024). What does knowledge exchange look like for a historian? [Blogpost]. Project Match.

McKellar, Elizabeth (2024). Beyond the Walls: Traversing the Boundaries of Architectural History. In: Arnold, Dana ed. Women and Architectural History: The Monstrous Regiment Then and Now. London, UK: Routledge, pp. 171–186.

Michael-Fox, Beth (2024). The future is ash: Climate emergency and human responsibility in The Fades. In: Bacon, Simon ed. Zombie Futures in Literature, Media and Culture: Pandemics, Society and the Evolution of the Undead in the 21st Century. London, UK: Bloomsbury Publishing (In Press), pp. 178–190.

Michael-Fox, Bethan (2024). [Book Review] Hauntology: Ghosts of Futures Past by Merlin Coverley. Mortality, 29(2) pp. 361–362.

Michael-Fox, Bethan (2024). My favourite fictional academic. Times Higher Education.

Michael-Fox, Bethan (2024). Exploiting Opportunities and Exposing Inequalities: Telling Covid-19 Stories in Host (2020), Mythic Quest (2020–) and For Life (2020-2021). In: Bernardi, Verena; Giammanco, Amanda D. and Mißler, Heike eds. Covid-19 in film and television: watching the pandemic. Routledge Research in Cultural and Media Studies. Abingdon, UK: Routledge.

Michael-Fox, Bethan (2024). Troubling Entanglements: Death, Loss and the Dead in and on Television. In: Peterson, Jesse D.; Dekker, Natashe Lemos and Olson, Philip R. eds. Death's Social and Material Meaning Beyond the Human. Death and Culture. Bristol University Press.

Michael-Fox, Bethan and Visser, Renske (2024). Mrs Death Misses Death (Salena Godden, 2021) – Death as a Black Woman. In: Bronk-Bacon, Katarzyna and Bacon, Simon eds. Death in the 21st Century: A Companion. Genre Fiction and Film Companions, 12. Oxford, UK: Peter Lang Group AG, pp. 215–222.

Mombauer, Annika (2024). The Causes of the First World War: The Long Blame Game. Making History. Abingdon, UK: Routledge.

Mombauer, Annika and Stibbe, Matthew (2024). [Nekrolog] John C. G. Röhl (1938-2023). Historische Zeitschrift, 319(1) pp. 110–122.

Morales Tirado, Alba; Carvalho, Jason; Ratta, Marco; Uwasomba, Chukwudi; Mulholland, Paul; Barlow, Helen; Herbert, Trevor and Daga, Enrico (2024). Musical Meetups Knowledge Graph (MMKG): a collection of evidence for historical social network analysis. In: The Semantic Web. ESWC 2024. Lecture Notes in Computer Science, vol 14665 (Meroño Peñuela, Albert; Dimou, Anastasia; Troncy, Raphael; Hartig, Olaf; Acosta, Maribel; Alam, Mehwish; Paulheim, Heiko and Lisena, Pasquale eds.), Springer, Cham.

Moss, Eloise; Houghton, Frances; John, Kesewa; Kalayil, Sheena; Pooley, William; Sanders, Michael and White, Benjamin Thomas (2024). Social History Book Club: Zadie Smith, The Fraud. Social History, 49(2) pp. 225–239.

Murray, Andrew and Bradshaw, Alan (2024). Could commodities themselves speak? An Introduction to the Agnotology of the Spectacle. Environment and Planning D: Society and Space, 42(2) pp. 275–293.

Naja, Iman; Divin, Natalie; Coward, Sarah; Campbell, Siobhan; Benatti, Francesca and Antonini, Alessio (2024). Conversational Media for Inclusive Access to Mental Health Interventions for Schoolchildren. In: Proceedings of the 35th ACM Conference on Hypertext and Social Media, Association for Computing Machinery, New York, NY, USA, pp. 29–34.

O'Shea, Helen (2024). Politics of the Heart: In Conversation with Porty Pride. Scottish Affairs, 33(1) pp. 36–46.

O'Shea, Helen and Barker, Kim (2024). Guest Editorial. Scottish Affairs, 33(1) pp. 1–3.

Plassart, Anna (2024). Montesquieu, Smith and Burke on the ‘labouring poor’: An eighteenth-century debate. In: O'Flaherty, Niall and Mills, R.J.W. eds. Ideas of poverty in the Age of Enlightenment. Studies in early modern European history. Manchester, UK: Manchester University Press, pp. 128–147.

Plastow, Christine (2024). Towards Co-creation: Roles of Classics Academics in Modern Productions of Greek Tragedy. In: Bullen, David and Plastow, Christine eds. Greek Tragedy, Education, and Theatre Practices in the UK Classics Ecology. Classics In and Out of the Academy. London, UK: Routledge.

Plastow, Christine and Bullen, David (2024). Introducing the Classics Ecology. In: Bullen, David and Plastow, Christine eds. Greek Tragedy, Education, and Theatre Practices in the UK Classics Ecology. Classics In and Out of the Academy. London, UK: Routledge.

Probert, Thomas (2024). Convalescence and diversional therapy at the British Military Hospital in the Cameron Highlands. BMJ Military Health (Early access).

Robson, James (2024). Sex in Athens in the Fifth and Fourth Centuries BCE. In: Wiesner-Hanks, M. E. and Kuefler, M. eds. Sites of Knowledge and Practice. The Cambridge World History of Sexualities, 3. Cambridge: Cambridge University Press, pp. 1–26.

Rowland, David (2024). Performing simultaneous triplets and dotted rhythms in Schubert's piano music. In: Gardiner, Matthew and Martin, Christine eds. Schubert's Piano. Cambridge: Cambridge University Press (In Press), pp. 116–135.

Shaw, Samuel (2024). Art, Identity and Cosmopolitanism: William Rothenstein and the British Art World, c.1880–1935. Oxford, UK: Peter Lang Verlag.

Slight, John (2024). [Book Reviews] Journey in the Grand Sahara of Africa.. Middle Eastern Studies, 60(3) pp. 519–520.

Slight, John (2024). The Hajj and Colonial South Asia. In: Khan, Qaisra M. and Nassar, Nahla eds. Hajj and the Arts of Pilgrimage: Essays in Honour of Nasser David Khalili, Volume 2. London: GINGKO, pp. 283–306.

Sullivan, Emma (2024). [Book Review] Stand-up Comedy and Contemporary Feminisms, Sexism, Stereotypes and Structural Inequalities, by Ellie Tomsett. London: Bloomsbury, 2023, 261 pp. Comedy Studies (early access).

Sullivan, Emma (2024). Tim Renkow’s Jerk: Cringe Comedy, Disability and Political Correctness. Open Library of Humanities, 10(2)

Taylor, Clare (2024). Old blocks and modern papers: the enduring appeal of eighteenth-century wallpaper patterns. The Wallpaper History Review, 2024 (In press).

Taylor, Clare (2024). Musical instrument covers and their makers in eighteenth and nineteenth century Britain and Ireland. Galpin Society Journal, 77 pp. 138–142.

Taylor, Clare (2024). An authentic material? Gilt leather imitations in late nineteenth-century Britain. In: Post-prints of the 12th Interim Meeting of the ICOM-CC Leather and Related Materials Working Group, Cultural Heritage Agency of the Netherlands.

Thompson, Marie (2024). Mapping tinnitus. The Senses and Society (Early Access).

Thompson, Marie (2024). Introduction: The aesthetics of tinnitus. The Senses and Society (early access).

Tickell, Alex (2024). [Book review] Dominic Davies, The broken promise of infrastructure. London, Lawrence Wishart, 2023. Journal of Postcolonial Writing (Early access).

Tickell, Alex and Wetherilt, Anne (2024). Non-Alignment and Maoist China: Eastern Horizon in the Era of Decolonisation, 1960-1981. In: Finkelstein, David; Johnson, David and Davis, Caroline eds. The Edinburgh Companion to British Colonial Periodicals. Edinburgh Companions to Literature and the Humanities. Edinburgh, UK: Edinburgh University Press, pp. 446–462.

Tsoumpra, Natalia (2024). Knights: Political Satire. In: Farmer, Matthew C. and Lefkowitz, Jeremy B. eds. A Companion to Aristophanes. Wiley, pp. 107–126.

Wadowski, Andrew; Hadfield, Andrew and Brown, Richard Danson (2024). "Bad Intro": Letter from the Editors. The Spenser Review, 54(1)

Watson, Róisín (2024). [Review of Exhibitions] Albrecht Dürer's Material World (Manchester, Whitworth Art Gallery, 30 June 2023–10 March 2024). Catalogue by Edward H. Wouk and Jennifer Spinks (eds.). Manchester: Manchester University Press, 2023. Renaissance Studies, 38(2) pp. 309–313.

Wells, Elizabeth (2024). ‘Ready to Fight Everybody’: The Rise and Fall of Pupil Insurgency in England’s Public Schools: 1768-1868. PhD thesis The Open University.

Wood, Carlton; Cook, Lynda and Clarke, Anactoria (2024). Supporting students effectively in an online teaching environment at the beginning of their student journey. Widening Participation and Lifelong Learning, 26(2) pp. 115–137.

Wright, Patrick (2024). I research the therapeutic qualities of writing about art - here are three steps for trying it yourself. The Conversation.

2023To Top

Antonini, Alessio and Benatti, Francesca eds. (2023). HT '23: Proceedings of the 34th ACM Conference on Hypertext and Social Media. Hypertext Conference Proceedings. New York: Association for Computing Machinery.

Brunet, Luc-André ed. (2023). NATO and the Strategic Defence Initiative: A Transatlantic History of the Star Wars Programme. Cold War History. Abingdon: Routledge.

Filonik, Jakub; Plastow, Christine and Zelnick-Abramovitz, Rachel eds. (2023). Citizenship in Antiquity: Civic Communities in the Ancient Mediterranean. Rewriting Antiquity. London: Routledge.

Johnson, David; Nieftagodien, Noor and Van der Walt, Lucien eds. (2023). Labour Struggles in Southern Africa, 1919-1949: New Perspectives on the Industrial and Commercial Workers’ Union (ICU). Johannesburg, South Africa: HSRC Press.

Jones, Richard J ed. (2023). Tobias Smollett after 300 years: life, writing, reputation. Eighteenth-Century Moments. US and UK: Clemson University Press in association with Liverpool University Press (In Press).

Umachandran, Mathura and Ward, Marchella eds. (2023). Critical Ancient World Studies: The Case for Forgetting Classics. Abingdon, UK: Routledge.

Wallis, Robert J. ed. (2023). The Art and Archaeology of Human Engagements with Birds of Prey: From Prehistory to the Present. London: Bloomsbury Publishing.

Antonini, Alessio; Adamou, Alessandro; Suarez Figueroa, Mari Carmen and Benatti, Francesca (2023). Experiential Observations: an Ontology Pattern-based Study on Capturing the Potential Content within Evidences of Experiences. Journal on Computing and Cultural Heritage, 16(3), article no. 58.

Antonini, Alessio; Bushnell, Megan; Ohge, Christopher; Benatti, Francesca; Adamou, Alessandro and Brooker, Sam (2023). Hypertext as Method: Reflections on Hypertext as Design Logic. In: HT '23: Proceedings of the 34th ACM Conference on Hypertext and Social Media, ACM, article no. 45.

Baker-Bates, Piers (2023). Constructing Sebastiano del Piombo: Pietro Aretino and the artistic landscape of Clementine Rome. Renaissance Studies (Early Access).

Barker, Elton; Konstantinidou, Kyriaki; Kiesling, Brady and Foka, Anna (2023). Journeying through Space and Time with Pausanias’s Description of Greece. Literary Geographies, 9(1) pp. 124–160.

Barker, Emma (2023). Woman in a Turban: Domenichino’s Sibyl, Staël’s Corinne and the Image of Female Genius. Word and Image, 39(2) pp. 235–259.

Barker, Emma (2023). The Virtuous Widow in Late Eighteenth-Century Art. In: Proceedings of the international conference: Figures of widows in the modern era (17th and 18th centuries): Images of an accepted, hidden, claimed social status? (Fesneau, Florence and Tauziède-Espariat, Maël eds.), Éditions du GRHAM, Paris, pp. 108–123.

Benatti, Francesca; Berube, Linda and Priego, Ernesto (2023). Web/Comics 2023: Webcomics and/as Hypertext. In: HT '23: Proceedings of the 34th ACM Conference on Hypertext and Social Media, ACM, article no. 49.

Benatti, Francesca; Vignale, François; Antonini, Alessio and King, Edmund (2023). Reading in Europe—Challenges and lessons learned from the case studies of the READ-IT project. Digital Scholarship in the Humanities, 38(2) pp. 477–481.

Benton, Tim (2023). Eileen Gray and Jean Badovici at Vézelay. Journal of Design History, 36(4) pp. 340–360.

Benton, Tim (2023). The painter Le Corbusier; Eileen Gray's villa E1027 and le Cabanon. Berlin: Birkhauser.

Blackburn, Manuella (2023). The representation of diversity in sample packs. In: NoiseFloor 2023, 12 May 2023, Staffordshire University.

Bridges, Emma (2023). Warriors' Wives: Ancient Greek Myth and Modern Experience. Oxford: Oxford University Press.

Brown, Richard Danson and Chaghafi, Elisabeth (2023). “Looke backe, who list”: Reassessing the 1611 Folio Text of Complaints. Spenser Review, 53(2)

Brunet, Luc-André (2023). Introduction: The Strategic Defence Initiative and the Atlantic Alliance in the 1980s. In: Brunet, Luc-André ed. NATO and the Strategic Defence Initiative: A Transatlantic History of the Star Wars Programme. Cold War History. London: Routledge, pp. 1–11.

Brunet, Luc-André (2023). Canada’s "Polite No" to SDI: A Question of Sovereignty? In: Brunet, Luc-André ed. NATO and the Strategic Defence Initiative: A Transatlantic History of the Star Wars Programme. Cold War History. London: Routledge, pp. 129–145.

Burrows, Donald (2023). Correcting the ‘grossest faults’: Charles Jennens and the Composition of Handel’s Messiah. Music & Letters, 104(4) pp. 533–566.

Burrows, Donald (2023). King George III and the ‘Smith Collection’ of Handel manuscripts. Early Music, 51(2) pp. 217–233.

Burton, Natalie (2023). Re-'Cycling' Poetry: Structure in the Twentieth-Century English Song Cycle. PhD thesis The Open University.

Cathcart, Charles (2023). John Marston’s Stationers, 1607–1633. The Review of English Studies, 74 pp. 274–289.

Cathcart, Charles (2023). Late Thomas Heywood and “insidiate”: Authorial Agency and The Second Part of the Theatre of God’s Judgements. The Papers of the Bibliographical Society of America, 117(2) pp. 173–213.

Cathcart, Charles (2023). Textual Transmission and the Enterprising Plagiarist: George Powell, The Treacherous Brothers, and The Dumb Knight. Renaissance Drama, 51(1) pp. 89–108.

Chaplin, Elayne and Chaplin, Melissa (2023). Unresolved – Narrative Strategies in an Unsolved True Crime: Depictions of the JonBenét Ramsey killing. In: Larke-Walsh, George S. ed. True Crime in American Media. Routledge Research in Cultural and Media Studies. Abingdon, Oxon: Routledge, pp. 83–97.

Charnley, Kim (2023). Introduction: Emancipatory technique, the Avant-Garde and 'Alter-Realism'. In: Roberts, John ed. Art and Emancipation. Historical Materialism (301). Leiden - Boston: Brill, pp. 1–22.

Clarke, Martin V. (2023). [Book review] Eftychia Papanikolaou and Markus Rathey, eds, Sacred and Secular Intersections in Music of the Long Nineteenth Century: Church, Stage, and Concert Hall (Lanham: Lexington Books, 2022). Nineteenth-Century Music Review, 20(2) pp. 438–442.

Coffey, Helen (2023). Civic and courtly dancing. Musikleben des Spätmittelalters in der Region Österreich, University of Vienna.

Daniel, Alistair (2023). Montreal, a novel and critical commentary exploring voice in fictional autobiography. PhD thesis The Open University.

De Ornellas, Kevin and Mac Cathmhaoill, Dónall (2023). “You’ll Get Old Sitting There”: Contempt for Aged Males in Three “Shakespearean” Works by Edward Bond. In: Kurdi, Mária ed. Negotiating Age: Aging and Ageism in Contemporary Literature and Theatre. Debrecen University Press and Sciendo, pp. 26–47.

Dohmen, Renate (2023). Urban Earthdivers and the Immodest Messiah as Decolonial Worldmakers. The Art of Kent Monkman. Archivo Papers. Journal of Photography and Visual Culture, 3(2) pp. 31–50.

Dohmen, Renate (2023). Miss Chief and the art of Decolonial Tease: The Mixedblood Urban Earthdiver and the Flâneur. Third Text

Doloughan, Fiona (2023). Radical Realism and Fictionality Modes in Contemporary Auto/Biographical Literature. In: Gibbons, Alison and King, Elizabeth eds. Reading the Contemporary Author: Narrative, Authority, Fictionality. Frontiers of Narrative. Lincoln, Nebraska: University of Nebraska Press, pp. 131–153.

Doloughan, Fiona J. (2023). Radical Realism, Autofictional Narratives and the Reinvention of the Novel. Anthem Frontiers of Global Political Economy and Development. London: Anthem Press.

Donington, Katie (2023). Whose Heritage? Slavery, Country Houses, and the “Culture Wars” in England. In: Conerman, Stephan; Rauhut, Claudia; Schneider, Ulrike and Zeuske, Michael eds. Cultural Heritage and Slavery: Perspectives from Europe. Dependency and Slavery Studies, 10. Berlin: De Grutyer, pp. 139–166.

Donington, Katie (2023). Cultivating the world: English country house gardens, 'exotic' plants and elite women collectors, c.1690-1800. In: Stobart, Jon ed. Global Goods and the Country House: Comparative Perspectives, 1650-1800. London: UCL Press, pp. 381–404.

Dooley, James (2023). GRAZpatterns. James Dooley.

Emmett, Bonnie (2023). Housing for Single Working Women in Inter-War London, 1919-1939. PhD thesis The Open University.

Filonik, Jakub; Plastow, Christine and Zelnick-Abramovitz, Rachel (2023). Citizenship in antiquity: current perspectives and challenges. In: Filonik, Jakub; Plastow, Christine and Zelnick-Abramovitz, Rachel eds. Citizenship in Antiquity: Civic Communities in the Ancient Mediterranean. Rewriting Antiquity. London: Routledge, pp. 1–22.

Foka, Anna; Barker, Elton; Konstantinidou, Kyriaki; Mostofian, Nasrin; Kiesling, Brady; Talatas, Linda; Cenk Demiroglu, O. and Palm, Kajsa (2023). A Digital Periegesis: Implementing Spatial Research Infrastructures for Classical History and Archaeology. In: Petrulevich, Alexandra and Skovgaard Boeck, Simon eds. Digital Spatial Infrastructures and Worldviews in Pre-Modern Societies. Collection Development, Cultural Heritage, and Digital Humanities - ARC. Leeds: ARC Humanities Press, pp. 205–223.

Fonnesberg-Schmidt, Iben; Kjaer, Lars and Kynan-Wilson, William (2023). In dialogue: responses to papal communication. Journal of Medieval History, 49(3) pp. 291–305.

Gibson, Jonathan (2023). Making the Memoirs: missing leaves in the manuscript of Lucy Hutchinson’s life of John Hutchinson. The Seventeenth Century, 38(3) pp. 403–412.

Golding, Rosemary (2023). [Book Review] Choral Treatises and Singing Societies in the Romantic Age. Journal of Historical Research in Music Education, 44(2) pp. 279–280.

Golding, Rosemary (2023). On the edges of society: the hidden musical cultures of nineteenth-century British lunatic asylums. In: Cortizo, Maria Encina and Nommick, Yvan eds. Between Centres and Peripheries: Music in Europe from the French Revolution to WWI. Turnhout: Brepols, pp. 323–342.

Green, Richard and Michael-Fox, Bethan (2023). Mortality, moral regulation, and (im)moral entrepreneurship in My Favorite Murder. Continuum: Journal of Media & Cultural Studies, 37(2) pp. 237–247.

Griffiths, Andrew (2023). [Book Review] Chris Dubbs, An Unladylike Profession: American Women War Correspondents in World War I. First World War Studies, 14(2-3) pp. 396–398.

Griffiths, Andrew (2023). War Correspondents. In: Demoor, Marysa; Van Dijck, Cedric and Van Puymbroek, Birgit eds. The Edinburgh Companion to First World War Periodicals. Edinburgh Companions to Literature and the Humanities. Edinburgh: Edinburgh University Press, pp. 175–189.

Murray, Andrew and Van den Maagdenberg, Joannes, eds. Communes and Conflict: Urban Rebellion in Late Medieval Flanders. By Jelle Haemers and Jan Dumolyn (2023). Leiden, Brill (2023).

Hamer, Laura and Minors, Helen Julia (2023). Introducing WMLON: The Women’s Musical Leadership Online Network. In: Cimardi, Linda and Nenić, Iva eds. Women’s Leadership in Music: Modes, Legacies, Alliances. Bielefeld: Transcript Verlag, pp. 141–152.

Harkcom, Tristan (2023). Wagnerian Wounds: Trauma and Wagner’s post-1849 Works. PhD thesis The Open University.

Haslam, Sara (2023). A New Era: Magic, Meaning, Memory and Modernism in Ford Madox Ford's Letters. In: Ford Madox Ford: at the dawn of an era, 9-10 Nov 2023, School of Arts and Humanities, University of Lisbon.

Haslam, Sara (2023). Ford Madox Ford. In: Schwartz, Carol A. ed. Twentieth-Century Literary Criticism. Twentieth-Century Literary Criticism, 434. Farmington Hills, MI, US: Gale, pp. 1–152.

Hazareesingh, S and Maat, H. (2023). Anti-commodities revisited: Food, culture, and resistance. In: Curry-Machado, J.; Stubbs, J.; Clarence-Smith, W. G. and Vos, J. eds. The Oxford Handbook of Commodity History. Oxford University Press, pp. 65–84.

Herbert, Trevor (2023). Military Musical Instruments and the Culture of Perfection in the Long 19th Century. In: Cottrell, Stephen ed. Shaping Sound and Society: The Cultural Study of Musical Instruments. London, UK: Routledge, pp. 230–248.

Hobden, Fiona (2023). [Book Review] Xenophon and the Athenian Democracy: The Education of an Elite Citizenry, written by Matthew R. Christ. Polis: The Journal for Ancient Greek and Roman Political Thought, 40(1) pp. 175–178.

Hogan, Edward (2023). Home Work. Manchester International Fiction Prize.

Hogan, Edward (2023). ‘Becky and the Rockettes: Attrition, Affect(ion), and (Ex)Change in the Fieldwork Relationship by Hannah Hernandez Gould, Independent Academic.’. In: European Network of Short Fiction Research Conference, Landscape and Temporality, 23-25 Oct 2023, University of Manchester, Machester, UK.

Hogan, Edward (2023). War Work. In: Melia, Joe ed. Bristol Short Story Prize Anthology. Bristol Short Story Prize Anthology, 16. Bristol: Tangent Books, pp. 97–105.

Houghton, Frances (2023). Under the ‘Best Possible Protection’? Violence and Medical Care in British Warships and Hospital Ships during the Second World War. Humanity: An International Journal of Human Rights, Humanitarianism, and Development, 14(3) pp. 420–434.

Hughes, Jessica (2023). Review of Salvatore Sorrentino, Nel silenzio il sussurro di una voce: L’itinerario spirituale di Bartolo Longo. Maria : A Journal of Marian Studies, 3(1) pp. 1–3.

Jack, Gillian (2023). Prostitution, repentance, and civic welfare in Renaissance Florence. In: Fehler, Timothy G. and Thomley, Jared B. eds. Do good unto all: Charity and poor relief across Christian Europe, 1400–1800. Studies in Early Modern European History. Manchester, UK: Manchester University Press, pp. 231–249.

Johnson, David (2023). The Romance and the Tragedy of the ICU. In: Johnson, David; Nieftagodien, Noor and Van der Walt, Lucien eds. Labour Struggles in Southern Africa, 1919-1949. New Perspectives on the Industrial and Commercial Workers’ Union (ICU). Johannesburg, South Africa: HSRC Press, pp. 181–194.

Johnson, David; Nieftagodien, Noor and Van der Walt, Lucien (2023). Introduction. In: Johnson, David; Nieftagodien, Noor and Van der Walt, Lucien eds. Labour Struggles in Southern Africa, 1919-1949. New Perspectives on the Industrial and Commercial Workers’ Union (ICU). Johannesburg, South Africa: HSRC Press, viii-xix.

Jones, Richard J (2023). Introduction [to Tobias Smollett after 300 years: life, writing, reputation]. In: Jones, Richard J ed. Tobias Smollett after 300 years: life, writing, reputation. US and UK: Clemson University Press in association with Liverpool University Press, pp. 1–17.

Jones, Richard J (2023). The life and adventures of Tobias Smollett. In: Jones, Richard J ed. Tobias Smollett after 300 years: life, writing, reputation. US and UK: Clemson University Press in association with Liverpool University Press, pp. 209–221.

Katritzky, M A (2023). The 'English Comedy' in Early Modern Europe: Migration, Emigration, Integration. In: Meerzon, Yana and Wilmer, S.E. eds. The Palgrave Handbook of Theatre and Migration. Palgrave Macmillan Cham, pp. 255–266.

Katritzky, M A and Drábek, Pavel (2023). ‘Aktorzy angielscy w Rzeczypospolitej w 1. połowie XVII w.’. In: Żukowski, Jacek ed. Triumfalna Harmonia. Teatr Władysława IV – eseje. Warsaw: The Royal Castle in Warsaw-Museum, pp. 286–315.

Katritzky, M. A. (2023). Shackshoone: the disabled non-European performative body in 17th-century London. In: Hengerer, Mark ed. Der Körper in der Frühen Neuzeit: Praktiken, Rituale, Performanz. Wolfenbütteler Arbeiten zur Barockforschung. Wiesbaden, Germany: Harrassowitz Verlag, pp. 323–344.

Katritzky, M. A. (2023). Don Quixote in 18th Century British Book Culture: Tobias Smollett and Francis Hayman. In: Jones, Richard J ed. Tobias Smollett After 300 Years: Life, Writing, Reputation. Eighteenth-Century Moments. Clemson SC: Clemson University Press, pp. 59–76.

Kawabata, Maiko (2023). The New “Yellow Peril” in “Western” European Symphony Orchestras. In: Bull, Anna and Scharff, Christina eds. Voices for Change in the Classical Music Profession: New Ideas for Tackling Inequalities and Exclusions. Oxford: Oxford University Press, pp. 159–171.

King, Edmund G. C. (2023). Networks. In: Demoor, Marysa; van Dijck, Cedric and Van Puymbroeck, Birgit eds. The Edinburgh Companion to First World War Periodicals. Edinburgh Companions to Literature and the Humanities. Edinburgh: Edinburgh University Press, pp. 32–50.

King, Helen (2023). Being Flesh: Bodies, History and LLF. Modern Believing, 64(1) pp. 36–43.

King, Helen (2023). From print to wool: Vesalius and the ‘knit your own womb’ movement. In: Représenter le sexe féminin [Uncovering the Female Sexual Anatomy] (Cazes, Hélène ed.), University of Victoria Libraries Press, Victoria, British Columbia, (In Press).

Kynan-Wilson, William (2023). Master Gregory [Magister Gregorius]. In Oxford Dictionary of National Biography Oxford Dictionary of National Biography, Oxford University Press.

Kynan-Wilson, William (2023). [Book Review] Peter J. A. Jones, Laughter and Power in the Twelfth Century (Oxford: Oxford University Press, 2019). Speculum, 98(2) pp. 608–609.

Landeschi, Giacomo and Betts, Eleanor (2023). Capturing the Senses: Digital Methods for Sensory Archaeologies. Quantitative Methods in the Humanities and Social Sciences. Cham, Switzerland: Springer.

Langley, Chris R. (2023). Clerical old age and the forming of rites of passage in early modern Scotland. Studies in Church History, 59 pp. 244–264.

Lawrence, Paul (2023). A Global History of Crime and Punishment in the Modern Age. In: Emsley, Clive and McDougall, Sara eds. A Global History of Crime and Punishment, Volume 6. London: Bloomsbury Academic.

Lawrence, Paul (2023). Crime and its Control in the Twentieth Century. In: Lawrence, Paul ed. A Global History of Crime and Punishment in the Modern age. Global History of Crime and Punishment, 6. London and New York: Bloomsbury Academic, pp. 1–22.

Lloyd, Mair and Robson, James (2023). Battling for Latin: Instructors and Students on the Challenges of Teaching and Learning Beginners’ Latin in UK Universities. Classical World, 116(2) pp. 195–223.

Loftus, Donna (2023). [Book Review] Vagabonds: Life on the Streets of Nineteenth-Century London by Oskar Jensen. The London Journal, 49(2) pp. 221–223.

Lymberopoulou, Angeliki (2023). Post-Byzantine Cretan Icon Painting: Demand and Supply Revisited. Arts, 12(4), article no. 139.

Lymberopoulou, Angeliki (2023). Maniera Greca and Renaissance Europe: More than Meets the Eye. In: Brubaker, Leslie; Darley, Rebecca and Reynolds, Reynolds eds. Global Byzantium: Papers from the Fiftieth Spring Symposium of Byzantine Studies. Society for the Promotion of Byzantine Studies, 24. London and New York: Routledge, pp. 155–171.

Marsden, Richard (2023). Heritage, identity and the creative arts in the South Wales Valleys. National Identities (Early Access).

Marsden, Richard (2023). Wales REACH Evaluation Report (Development Phase). The Open University.

Michael-Fox, Bethan (2023). (Un)Dead Together: Hospitality, Hauntology and the ‘Happily Ever After’ in American Horror Story. In: Hand, Richard and O'Thomas, Mark eds. American Horror Story and Cult Television: Narratives, Histories and Discourses. Anthem Series on Television Studies. London: Anthem Press, pp. 129–142.

Michael-Fox, Bethan and Calver, Kay (2023). Dark Comedies/Dark Universities: Negotiating the Neoliberal Institution in British Satirical Comedies The History Man (1981), A Very Peculiar Practice (1986-1988) and Campus (2011). In: Harmes, Marcus K. and Scully, Richard eds. Academia and Higher Learning in Popular Culture. Palgrave Studies in Science and Popular Culture (PSSPC). Palgrave Macmillan, pp. 197–214.

Michael-Fox, Bethan; Coleclough, Sharon and Visser, Renske (2023). Introduction to Difficult Death, Dying and the Dead in Media and Culture. In: Coleclough, Sharon; Michael-Fox, Bethan and Visser, Renske eds. Difficult Death, Dying and the Dead in Media and Culture. Palgrave Macmillan, Cham, pp. 1–22.

Miller, Malcolm (2023). ‘A Place of Refuge in Your Arms’: Reizenstein’s Anna Kraus as Holocaust Opera. In: Miller, Malcolm and Hansen, Jutta Raab eds. Music and Exile. Yearbook of the Research Centre for German and Austrian Exile Studies, 22. Leiden, The Netherlands: Koninklijke Brill NV, pp. 168–191.

Miller, Malcolm and Hansen, Jutta Raab (2023). Introduction. Music and Exile: From 1933 to the Present Day. In: Miller, Malcolm and Hansen, Jutta Raab eds. Music and Exile. Yearbook of the Research Centre for German and Austrian Exile Studies, 22. Leiden, The Netherlands.: Koninklijke Brill NV, pp. 1–9.

Mulholland, Paul; Stoneman, Adam; Barker, Naomi; Maguire, Mark; Carvalho, Jason; Daga, Enrico and Warren, Paul (2023). The Sound of Paintings: Using Citizen Curation to Explore the Cross-Modal Personalization of Museum Experiences. In: UMAP '23 Adjunct: Adjunct Proceedings of the 31st ACM Conference on User Modeling, Adaptation and Personalization, ACM, pp. 408–418.

Murray, Andrew (2023). Tragedy and Pathosformeln: The Political Emotions of Huizinga’s Autumntide of the Middle Ages. Journal of the Northern Renaissance, 14

O'Shea, Helen (2023). Η Ιρλανδία και το Τέλος της Βρετανικής Αυτοκρατορίας. Η Ιρλανδική Ανάμειξη στον Αγώνα της ΕΟΚΑ. Nicosia: Aigaion.

O’Connor, Wanda (2023). Renovating the Open Field: Innovative Women Poets Reclaiming an Erasure History. In: Morris, Daniel ed. The Cambridge Companion to American Poetry and Politics since 1900. Cambridge Companions to Literature. Cambridge, UK: Cambridge University Press, pp. 242–260.

Parsons, Isabelle (2023). Flowers, Champagne, and Amputation in "The Men Who Saved the World," a War Story by Edith Wharton. Edith Wharton Review, 39(2) pp. 128–142.

Phillips, Claire (2023). “So They May be Usefull to Themselves”: Work and Apprenticeship in the Ackworth Branch Foundling Hospital, 1757–1773. Family & Community History, 25(3) pp. 219–233.

Plastow, Christine (2023). Places of citizenship in Athenian forensic oratory. In: Filonik, Jakub; Plastow, Christine and Zelnick-Abramovitz, Rachel eds. Citizenship in Antiquity: Civic Communities in the Ancient Mediterranean. Rewriting Antiquity. London: Routledge, pp. 355–368.

Pratt, Kim Emmerson (2023). Monster and Hero?: Rethinking Polyphemos and Odysseus in Homer’s Odyssey. Limina: A Journal of Historical and Cultural Studies, 28(2) pp. 31–42.

Pratt, Kim Emmerson (2023). Polyphemos’ Lament. Limina: A Journal of Historical and Cultural Studies, 28(2) pp. 67–68.

Reeve, Michael (2023). [Book review] Brothers in the Great War: siblings, masculinity and emotions, by Linda Maynard. First World War Studies, 14(1) pp. 189–191.

Richardson, Heather (2023). Stitching a Divided City. TEXTILE: Cloth and Culture, 21(1) pp. 90–95.

Richardson, Heather (2023). A Dress for Kathleen. Norwich: Story Machine.

Roberts, Barbara (2023). Amuletic Objects in Late Antique Italy and Sicily. PhD thesis The Open University.

Robinson, Joel (2023). The City on Display: Architecture Festivals and the Urban Commons. Routledge Research in Architecture Series. London: Routledge.

Robinson, Joel (2023). Biennial commoning: opening, reusing and sharing the city at the architecture festival. The Journal of Architecture, 28(1) pp. 75–100.

Robson, James (2023). Aristophanes: Lysistrata. Bloomsbury Ancient Comedy Companions. London: Bloomsbury Publishing.

Rothe, Ursula; Hamelink, Anique and Delferrière, Nicolas (2023). Roman Clavus Decoration on Gallic Dress: A Reevaluation Based on New Discoveries. American Journal of Archaeology, 127(4) pp. 545–562.

Ryland-Epton, Louise (2023). Parliament and the English County Magistrate: The Parliamentary Aspirations of Sir George Onesiphorus Paul 1780–1810. Parliamentary History, 42(2) pp. 213–233.

Sciampacone, Amanda (2023). "Invisible Destroyers": Cholera and COVID in British Visual Culture. In: Morton, Marsha and Akehurst, Ann-Marie eds. Visual Culture and Pandemic Disease since 1750: Capturing Contagion. Science and the Arts since 1750. New York: Routledge, pp. 137–156.

Seth, Catriona and Watson, Nicola J. eds. (2023) Materialising Romanticism. Romanticism on the Net # 80-91 (Spring-Fall 2023)

Sharon, Coleclough; Michael-Fox, Bethan and Renske, Visser (2023). Conclusion to Difficult Death, Dying, and the Dead in Media and Culture. In: Michael-Fox, Bethan; Sharon, Coleclough and Renske, Visser eds. Difficult Death, Dying and the Dead in Media and Culture. Palgrave Macmillan, pp. 265–275.

Thøfner, Margit (2023). Tasting God’s Wisdom: Music and Art in the Early Modern Lutheran Church. In: Mahler Kraaz, Sarah and De Mille, Charlotte eds. The Bloomsbury Handbook of Music and Art. Bloomsbury, pp. 9–24.

Tickell, Alex (2023). The Work of Art in the Age of Transnational Reproduction: Form and Intertextuality in Xiaolu Guo’s A Concise Chinese-English Dictionary for Lovers and A Lover’s Discourse. Studies in the Novel, 55(1) pp. 76–92.

Trott, V. (2023). Battles. In: Demoor, M.; Van Dijck, C. and Van Puymbroeck, B. eds. Edinburgh Companion To First World War Periodicals. Edinburgh Companions to Literature and the Humanities. Edinburgh: Edinburgh University Press, pp. 227–243.

Trott, Vincent (2023). [Book Review] A history of American literature and culture of the First World War. First World War Studies, 14(1) pp. 213–215.

Wainwright, Leon (2023). Arte e aceitabilidade: alguns problemas suscitados pela visualização da escravidão caribenha através do modernismo. Africanidades. Online Journal of the Museo Afro-Brasileiro da Universidade Federal da Bahia (Mafro), 3

Wainwright, Leon (2023). Art et acceptabilité: Modernisme et difficultés de représentation de l'esclavage dans les Caraïbes. Africanidades. Online Journal of the Museo Afro-Brasileiro da Universidade Federal da Bahia (Mafro), 3

Wainwright, Leon (2023). Art and Acceptability: Some Problems of Visualising Caribbean Slavery through Modernism. Africanidades, 2(2) pp. 160–176.

Wainwright, Leon and Asquith, Wendy (2023). ‘Enfin le moment de célébrer? L’art des Caraïbes à la Biennale de Venise’
[A Moment to Celebrate? Art of the Caribbean at the Venice Biennale]. Faire Monde(s), 3 pp. 40–68.

Wakefield, Donna; McEvoy, Mel; Blackburn-Daniels, Sally and Campbell, Siobhan (2023). Tackling the NHS mental health crisis of working through the COVID-19 pandemic; pilot creative writing programme has potential to support wellbeing of recovering healthcare workers. Journal of the Royal College of Physicians of Edinburgh, 53(1) pp. 81–82.

Wallis, Robert J. (2023). Introduction - The Art and Archaeology of Human Engagements with Birds or Prey: From Prehistory to the Present. In: Wallis, Robert J. ed. The Art and Archaeology of Human Engagements with Birds or Prey: From Prehistory to the Present. London: Bloomsbury Publishing, pp. 1–10.

Wallis, Robert J. (2023). Relating to Raptors: The ‘upper part of a hawk’s head and beak’ in a Chalcolithic/Early Bronze Age ‘Beaker’ Grave, Driffield, East Yorkshire. In: Wallis, Robert J. ed. The Art and Archaeology of Human Engagements with Birds of Prey: From Prehistory to the Present. London: Bloomsbury Publishing, pp. 119–135.

Ward, Marchella (2023). Blindness and Spectatorship in Ancient and Modern Theatres: Towards New Ways of Looking and Looking Back. Classics after Antiquity. Cambridge, UK: Cambridge University Press.

Williams, Chris A (2023). Counting and Experiencing Crime in the Twentieth Century. In: Lawrence, Paul ed. A Global History of Crime and Punishment in the Modern Age. A Global History of Crime and Punishment, 6. London: Bloomsbury, pp. 23–45.

Woodall, Susan (2023). Material Setting and Reform Experience in English Institutions for Fallen Women, 1838-1910. Genders and Sexualities in History. Palgrave Macmillan.

Wright, Patrick (2023). Exit Strategy : Ekphrasis Through The Lens Of The Abstract And The Formless. PhD thesis The Open University.

Wright, Patrick (2023). Making Use of Reproductions for Creative Writing at a Distance. Writing in Education(89) pp. 49–52.

Wright, Patrick (2023). Form, formlessness and the lyric: Art as a lens for re-presenting loss. In: Great Writing Conference, 15-16 Jul 2023, University College London.

Wright, Patrick (2023). Making use of digital technologies for creative writing in lockdown. In: National Association of Writers in Education Conference: Living as a Writer, 12-13 Mar 2023, Online.

Yamagata, N. (2023). Thetis and the Shield of Achilles – Reading the Iliad with Auden. In: Paprocki, M; Vos, G. P. and Wright, D. J. eds. The Staying Power of Thetis: Allusion, Interaction, and Reception from Homer to the 21st Century. De Gruyter, pp. 395–410.

Yamagata, Naoko (2023). Thetis and the Shield of Achilles — Reading the Iliad with Auden: Allusion, Interaction, and Reception from Homer to the 21st Century. In: Paprocki, Maciej; Vos, Gary Patrick and Wright, David John eds. The Staying Power of Thetis. Trends in Classics, 140. De Gruyter, pp. 395–410.

2022To Top

Golding, Rosemary ed. (2022). Music in Nineteenth-Century Britain. Routledge Historical Resources. UK: Routledge.

Herbert, Trevor; Clarke, Martin V. and Barlow, Helen eds. (2022). A History of Welsh Music. Cambridge: Cambridge University Press.

Johnson, David and Dee, Henry eds. (2022). 'I See You': The Industrial and Commercial Workers' Union of Africa, 1919-1930. Southern African Historical Documents, 3 (4). Cape Town: Historical Publications Southern Africa.

Swift, Laura ed. (2022). A Companion to Greek Lyric. Blackwell Companions to the Ancient World. Wiley-Blackwell.

Anderson, Stephen; Maclennan, Keith and Yamagata, Naoko (2022). Reading Homer: Iliad Books 16 and 18. The Joint Association of Classical Teachers' Greek Course: Reading Greek. Cambridge: Cambridge University Press.

Antonini, Alessio and Benatti, Francesca (2022). Cultural Challenges of DH Reflecting on DH Waves. In: Digital Humanities Congress 2022, 8-11 Sep 2022, Sheffield, UK.

Baker-Bates, Piers (2022). Spanish Painting: Recreating a Perceived ‘Golden Age’. In: Potter, Matthew C. ed. Representing the Past in the Art of the Long Nineteenth Century: Historicism, Postmodernism, and Internationalism. Routledge Research in Art History. Routledge, pp. 106–123.

Barker, Elton (2022). Die Another Day: Sarpedon, Aristodemos, and Homeric Intertextuality in Herodotus. Histos, Supplement(14) pp. 161–210.

Barlow, Helen (2022). The Celtic Revival. In: Herbert, Trevor; Clarke, Martin V. and Barlow, Helen eds. A History of Welsh Music. Cambridge: Cambridge University Press, pp. 171–194.

Barlow, Helen and Clarke, Martin V. (2022). Singing Welshness: Sport, Music and the Crowd. In: Herbert, Trevor; Clarke, Martin V. and Barlow, Helen eds. A History of Welsh Music. Cambridge: Cambridge University Press, pp. 332–354.

Beardmore, Carol (2022). Editorial. Family & Community History, 25(1) pp. 1–2.

Beardmore, Carol (2022). ‘This Man is Really an Intolerable Pest’: Perceptions and Treatment of the Disabled in the Workhouse, 1834–1900. Family & Community History, 25(2) pp. 121–139.

Beardmore, Carol Anne (2022). Death, Grief and the Victorian GP: A Case Study of Edward Wrench of Baslow, Derbyshire, 1862 - 1898. Midland History, 47(3) pp. 313–330.

Blackburn, Manuella (2022). Instruments INDIA sample pack. Loopmasters, UK.

Blackburn, Manuella; Coutinho, Kevin and Suviste, Hayley (2022). The Equality, Diversity and Inclusion Engagement Fellowship Pilot AHRC Funding Scheme Report 2020 - 2022. The Open University.

Blackburn, Manuella and Harkins, Paul (2022). Finding the Female Users: A Feminist Historiography of the Fairlight CMI. In: Rethinking the History of Technology-based Music, 9 Jun 2022, University of Huddersfield.

Blackburn-Daniels, Sally and G. C. King, Edmund (2022). Bookshelves, Social Media and Gaming. English Studies, 103(5) pp. 653–659.

Brooker, Sam; Antonini, Alessio; Benatti, Francesca and Ohge, Christopher (2022). Missed Connections: Hypertext and Book History. In: DH+BH: An Interdisciplinary Conference on Digital Humanities and Book History, 22-24 Sep 2022, Virtual.

Brown, Richard Danson (2022). Literature and Form in the Renaissance. In: Rabinowitz, Paula and Hadfield, Andrew eds. Oxford Research Encyclopedia of Literature. Oxfordre.com. Oxford & New York: Oxford University Press.

Butcher, John and Clarke, Anactoria (2022). ‘Part-time mature students and (the unexpected benefits of?) access to the arts’. In: Broadhead, Samantha ed. Access and Widening Participation in Arts Higher Education: Current Practice and Research. The Arts in Higher Education. Switzerland: Springer Nature - Palgrave Macmillan, pp. 119–139.

Carlin, Brendon Nikolas (2022). Non-typological Architecture: Deterritorialising Interiors in Contemporary Japan. PhD thesis The Open University.

Chambers, Helen (2022). The Torrens as a Space of Writing, Reading, and Performance. In: Liebich, Susann and Publicover, Laurence eds. Shipboard Literary Cultures: Reading, Writing, and Performing at Sea. Maritime Literature and Culture. Cham: Palgrave Macmillan, pp. 185–210.

Clark, Leah (2022). Merchant-banker, Diplomat, Courtier or Agent? Intermediaries and Collecting Art in the Renaissance Courts. In: Reist, Inge ed. When Michelangelo Was Modern: The Art Market and Collecting in Italy, 1450-1650. Studies in the History of Collecting & Art Markets, 14. Leiden: Brill, pp. 34–50.

Clark, Leah R. and Campbell, Caroline (2022). Exhibition and Display. In: Campbell, Erin J. and Miller, Stephanie R. eds. A Cultural History of Furniture in the Middle Ages and Renaissance. A Cultural History of Furniture, 2. London: Bloomsbury.

Clarke, Martin V. (2022). Moravian Soundscapes: A Sonic History of the Moravian Missions in Early Pennsylvania. By Sarah Justina Eyerly. Reading Religion Newsletter, 7(3-4)

Clarke, Martin V. (2022). A Brief History of Congregational Song: Shaping Theology through Hymn Compilations. In: Hawn, C. Michael ed. Sing with Understanding (Third Edition). Chicago: GIA, pp. 77–112.

Clarke, Martin V. (2022). Nonconformists and Their Music. In: Herbert, Trevor; Clarke, Martin V. and Barlow, Helen eds. A History of Welsh Music. Cambridge: Cambridge University Press, pp. 218–242.

Clarke, Martin V. and Hawn, C. Michael (2022). An Introduction to the Study of Congregational Song. In: Hawn, C. Michael ed. Sing with Understanding (Third Edition). Chicago: GIA, pp. 441–474.

Clarke, Martin V. and Howard, Beverly A. (2022). How Does a Hymn Mean? In: Hawn, C. Michael ed. Sing with Understanding - Third Edition. Chicago: GIA, pp. 49–76.

Clarke, Martin V. and Moore, Geoffrey C. (2022). "God in Three Persons, Blessed Trinity": Singing the Trinity. In: Hawn, C. Michael ed. Sing with Understanding (Third Edition). Chicago: GIA, pp. 277–286.

Coffey, Helen (2022). Music in Medieval Towns and Cities. Oxford University Press.

Crone, Rosalind (2022). Illiterate Inmates: Educating Criminals in Nineteenth-Century England. Oxford: Oxford University Press.

de Valk, Eva (2022). Acts of Terror: Representations of Terrorism on the Early Modern Stage. PhD thesis The Open University.

Doloughan, Fiona (2022). Literary Translingualism and Fiction. In: Kellman, Steven G. and Lvovich, Natasha eds. Routledge Handbook of Literary Translingualism. Routledge Literature Handbooks. Routledge, pp. 31–42.

Donington, Katie (2022). [Book Review] Blood Legacy: Reckoning with a Family’s History of Slavery by Alex Renton. Slavery & Abolition, 43(3) pp. 671–673.

Drott, Eric and Thompson, Marie (2022). "Is your baby getting enough music?" Musical interventions into gestational labor. Women and Music: a Journal of Gender and Culture, 26 pp. 125–147.

Dueck, Byron and Essele Essele, Kisito (2022). Authority, Deference, and Disregard in Catholic Liturgical Music in Central Cameroon. Ethnomusicology, 66(1) pp. 21–50.

Foka, Anna; Demiroglu, Osman Cenk; Barker, Elton; Mostofian, Nasrin; Konstantinidou, Kyriaki; Kiesling, Brady; Talatas, Linda and Palm, Kajsa (2022). Visualizing Pausanias’s Description of Greece with contemporary GIS. Digital Scholarship in the Humanities, 37(3) pp. 716–724.

Foka, Anna; Konstantinidou, Kyriaki; Talatas, Linda; Mostofian, Nasrin; Kiesling, John Brady; Barker, Elton; Demiroglu, Cenk O.; Palm, Kajsa; McMeekin, David and Vekselius, Johan (2022). Heritage metadata: a digital Periegesis. In: Koraljka, Golub and Ying-Hsang, Liu eds. Information and Knowledge Organisation in Digital Humanities: Global Perspectives. Routledge Research in Arts and Humanities. London: Routledge, pp. 227–242.

Gale, Michael (2022). [Book Review] Music, Dance, and Drama in Early Modern English Schools. Journal of Historical Research in Music Education, 44(1) pp. 122–124.

Garrett, Natalee (2022). ‘Albion's Queen by All Admir'd’: Reassessing the Public Reputation of Queen Charlotte, 1761‐1818. Journal for Eighteenth-Century Studies, 45(3) pp. 351–370.

Garrett, Natalee (2022). Royalty, Celebrity, and the Press in Georgian Britain, 1770-1820. Royal Studies Journal, 9(2) pp. 99–115.

Golding, Rosemary (2022). Music as Therapy for the "exceptionally wealthy" at the Nineteenth-Century Ticehurst Asylum. Royal Musical Association Research Chronicle, 53 pp. 51–72.

Golding, Rosemary (2022). Sounding the Archival Silence: Searching for Music in the Nineteenth-Century English Asylum. Social History of Medicine, 35(4) pp. 1223–1246.

Golding, Rosemary (2022). [Book review] The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century. Victorian Studies, 64(2) pp. 340–342.

Griffiths, Andrew (2022). Edmund O'Donovan in Asia and Africa: Literary Journalism at the Edge of Empire. The Routledge Companion to World Literary Journalism pp. 239–252.

Gupta, Suman (2022). Political Catchphrases and Contemporary History: A Critique of New Normals. Oxford: Oxford University Press.

Gupta, Suman and Gupta, Ayan-Yue (2022). “Resilience” as a policy keyword: Arts Council England and austerity. Policy Studies, 43(2) pp. 279–295.

Hack, Karl (2022). Grand Strategy and Its Layers: Britain and Southeast Asia, 1946–1954. In: Farrell, Brian P.; Long, S.R. Joey and Ulbrich, David J. eds. From Far East to Asia Pacific: Great Powers and Grand Strategy 1900-1954. De Gruyter Studies in Military History, 4. Berlin/Boston: De Gruyter Oldenbourg, pp. 183–214.

Hamer, Laura (2022). [Book Review] Review of Jeanice Brooks (ed.), Nadia Boulanger and Her World (Chicago: University of Chicago Press, 2020). Twentieth-Century Music, 19(1) pp. 159–165.

Haslam, Sara (2022). Losing and Finding Balance: Food as Fordian Diagnostic. Last Post: A literary journal from the Ford Madox Ford Society, 1(5) pp. 47–58.

Haslam, Sara (2022). Biography of a wartime 'miracle': women's literary caregiving 1914 to 1918. In: 3rd Joint GOTH-Health & Wellbeing NetWorkshop, 3 Feb 2022, Online.

Haslam, Sara (2022). The Hueffers and the Conrads in 1899. The Conradian, 47(1) pp. 66–75.

Haslam, Sara (2022). The Case of the Missing Cromwell: Ford Madox Ford, Art, Life and Letters in 1899. Last Post: A literary journal from the Ford Madox Ford Society, 1(8 & 9) pp. 57–85.

Hawn, C. Michael; Clarke, Martin V. and Howard, Beverly A. (2022). Christian Hymn: A Proposed Definition. In: Hawn, C. Michael ed. Sing with Understanding - Third Edition. Chicago: GIA, pp. 41–48.

Haywood, Jan and Post, Doris (2022). The downfall of Croesus and Oedipus: Tracing affinities between Herodotus’ Histories and Sophocles’ Oedipus Tyrannus. Classical World, 115(3) pp. 225–259.

Hazareesingh, Sandip (2022). Food Heritage for Sustainable Futures: Women's Cultures and Knowledge as Hidden Pillars of Alternative Foodways. In: Cross, Charlotte and Giblin, John D. eds. Critical Approaches to Heritage for Development. Rethinking Development. Abingdon, Oxon: Routledge, pp. 108–123.

Hogan, Edward (2022). Single Sit. In: Royle, Nicholas ed. Best British Short Stories 2022. Cromer, UK: Salt Publishing.

Holton, Stephanie (2022). Sleep and Dreams in Early Greek Thought: Presocratic and Hippocratic Approaches. Medicine and the Body in Antiquity. Abingdon, UK: Routledge.

Houghton, Frances (2022). ‘Alien Seamen’ or ‘Imperial Family’? Race, Belonging and British Sailors of Colour in the Royal Navy, 1939–47. The English Historical Review, 137(588) pp. 1429–1461.

Johnson, David (2022). ‘With the Abyssinian Armies, in Defence of Africa’s Only Native State’: Varieties of South African Anti-Fascism, 1930s–1960s. South African Historical Journal, 74(1) pp. 55–74.

Jones, Richard J (2022). ‘The pamphlet on the table’: The Life and Adventures of Sir Launcelot Greaves. In: Poplawski, Paul ed. Studying English Literature in Context. Cambridge: Cambridge University Press, pp. 183–198.

King, Edmund G. C. (2022). Unpacking the “Red Flag” Bookshelf: Negotiating Literary Value on Twitter. English Studies, 103(5) pp. 706–731.

King, Edmund G.C. (2022). From Common Reader to Canon: Memorialising the Shakespeare-Reading British Soldier during the First World War. In: King, Edmund G.C. and Smialkowska, Monika eds. Memorialising Shakespeare: Commemoration and Collective Identity, 1916-2016. Palgrave Shakespeare Studies. Basingstoke: Palgrave Macmillan, pp. 35–64.

King, Helen (2022). The body and botany: “the first step toward the brothel”. In: Santos Pinheiro, Cristina; Silva, Gabriel A. F.; Fonseca, Rui Carlos; Mota, Bernardo Machado and Pinheiro, Joaquim eds. Gynecia: Studies on Gynaecology in Ancient, Medieval and Early-modern Texts. Porto: Edições Afrontamento, pp. 11–26.

Kolassa, Alexander (2022). ‘A crazy clutter of the mediaeval, medical mind’: Ken Russell, Peter Maxwell Davies, and Modernist Medievalism in The Devils. Journal of the Royal Musical Association, 147(1) pp. 135–170.

Kolassa, Alexander (2022). The medievalist origins of (British) modernist music. In: Falconieri, Tommaso di Carpegna; Savy, Pierre and Yawn, Lila eds. Middle Ages without Borders: an international conversation on medievalism. Rome: École française de Rome.

Kynan-Wilson, William (2022). [Book Review] Eivor Andersen Oftestad, The Lateran Church in Rome and the Ark of the Covenant: Housing the Holy Relics of Jerusalem. With an Edition and Translation of the Descriptio Lateranensis Ecclesiae (BAV Reg. Lat. 712). Woodbridge: Boydell & Brewer, 2019. Crusades, 21(1) pp. 178–179.

Langley, Chris R. (2022). Clergy widows in early modern Scotland. Scottish Church History, 51(2) pp. 111–132.

Lee, Peggy Kyoungwon; Oliveira, Pedro; Osman, Shanti Suki and Thompson, Marie (2022). A Conversation on Race, Sound, and the Im/possibility of Decolonised Listening. In: Ismaiel-Wendt, Johannes Salim and Schoon, Andi eds. Postcolonial Repercussions: On Sound Ontologies and Decolonised Listening. Sound Studies, 6. Bielefeld: transcript Verlag, pp. 45–58.

Lora-Wainwright, Anna; Wainwright, Leon and Loong, Shona (2022). British Chinese or British ESEA? Articulating creativity and care across scales and disciplines. British Journal of Chinese Studies, 12(1) pp. 138–142.

Lymberopoulou, Angeliki (2022). Heavenly Beings: Icons of the Orthodox Christian World. Auckland Art Gallery Toi O Tamaki, Auckland Art Gallery Toi O Tamaki.

Mac Cathmhaoill, Dónall (2022). Boundaries: Respecting Authenticating Limits in the Production of a Play on Trans Marginality. Platform: Journal of Theatre and Performing Arts, 16(1) pp. 111–117.

Mackie, Robin (2022). Succession and inheritance in Scottish business families, c.1875-1935. Business History, 64(1) pp. 55–74.

McPherson, Elaine; Clarke, Anactoria; Gallen, Anne-Marie; Keys, Mary and Wolf, Petra (2022). Improving gender balance through a Combined STEM degree. In: 15th Annual International Conference of Education, Research and Innovation, 7-9 Nov 2022, Seville, Spain.

Michael-Fox, Bethan (2022). [Book Review] Navigating miscarriage: social, medical and conceptual perspectives edited by Susie Kilshaw and Katie Berg. Mortality, 27(1) pp. 126–127.

Michael-Fox, Bethan (2022). [Book Review] Mediated Death by Johanna Sumiala, Cambridge, Polity Press, 2022. Mortality, 27(4) pp. 519–520.

Michael-Fox, Bethan (2022). Michael-Fox on Caswell, 'Dying Alone: Challenging Assumptions'. In H-Death, H-Net Reviews H-Death, H-Net Reviews.

Michael-Fox, Bethan (2022). [Book Review] Death in Contemporary Popular Culture edited by Adriana Teodorescu and Michael Hviid Jacobsen. Revenant: Critical and Creative Studies of the Supernatural, 8 pp. 422–424.

Michael-Fox, Bethan (2022). [Review] HEAR ME… Voices from a Care Home during the Covid 19 Pandemic by Anna Mankee-Williams and Ruth Heholt. The Revenant, 8 pp. 425–429.

Michael-Fox, Bethan (2022). [Book Review] Man-Eating Monsters: Anthropocentrism and Popular Culture by Dina Khapaeva (Editor). Revenant: Critical and Creative Studies of the Supernatural(8) pp. 430–432.

Michael-Fox, Bethan (2022). Practising Creative and Autobiographical Writing: Writing, Death and the Self. In: Richard, Povall and Mat, Osmond eds. Borrowed Time: on death, dying & change. Dartington: Art.Earth, pp. 325–338.

Michael-Fox, Bethan and Visser, Renske (2022). Death and the Screen: Editors’ Introduction. Revenant: Critical and Creative Studies of the Supernatural(8) pp. 7–19.

Michael-Fox, Bethan and Visser, Renske (2022). Death for Young Adult Audiences: Complexity, Complicity and Critique in Pretty Little Liars. Revenant: Critical and Creative Studies of the Supernatural(8) pp. 20–46.

Michael-Fox, Bethan and Visser, Renske (2022). Death and the Screen [Special Issue]. In Michael-Fox, Bethan and Visser, Renske eds. Revenant: Critical and Creative Studies of the Supernatural. Issue 8: Death and the Screen Revenant Journal: Issue 8.

Middle, Sarah (2022). Investigating Linked Data Usability for Ancient World Research. PhD thesis The Open University.

Mombauer, Annika (2022). Statesman of Europe: A Life of Sir Edward Grey [Book review]. Diplomacy & Statecraft, 33(2) pp. 406–407.

Mooney, James; Green, Owen and Williams, Sean (2022). Instrumental, Hermeneutic, and Ontological Indeterminacy in Hugh Davies’s Live Electronic Music. Contemporary Music Review, 41(2-3) pp. 193–215.

Murray, Andrew (2022). A Field of Invention: Fictive Frames in Van Eyck’s Portraits. In: Lecuppre-Desjardin, Elodie and Nils, Bock eds. Innovation and Medieval Communities (1200-1500). Turnhout: Brepols (In Press).

Murray, Andrew (2022). Mourning and Non-Ordered Religious Behaviour in the Tombs of Philip the Bold, John the Fearless and Margaret of Bavaria. Netherlands Yearbook for History of Art / Nederlands Kunsthistorisch Jaarboek, 72

Norrick-Rühl, Corinna and Towheed, Shafquat (2022). Introduction. In: Norrick-Rühl, Corinna and Towheed, Shafquat eds. Bookshelves in the Age of the COVID-19 Pandemic. New Directions in Book History. Cham: Palgrave Macmillan, pp. 1–27.

O'Shea, Helen (2022). Cultural histories, reproductive rights and collective remembering: Contemporary Ireland and Scotland in a post-Roe v. Wade world. Scottish Affairs, 31(4) pp. 473–479.

Plassart, Anna (2022). ‘The Scheme which Began the Calamities of Europe’: Scottish Writers on the First Polish Partition. In: Clure, Graham ed. Rousseau, Poland and Europe. Brill (In Press).

Plassart, Anna and Bonin, Hugo (2022). Democratic struggle or national uprising? The Canadian rebellions in British political thought, 1835–1840. Global Intellectual History, 7(1) pp. 28–46.

Plastow, Christine (2022). ASPECTS OF ATHENIAN COURT RHETORIC - (A.) Glazebrook Sexual Labor in the Athenian Courts. Pp. xviii + 246, ills, maps. Austin: University of Texas Press, 2021. Cased, US\$55. ISBN: 978-1-4773-2440-0. The Classical Review pp. 1–3.

Probert, Thomas (2022). Psychiatric casualties and the British counter-insurgency in Malaya. Small Wars & Insurgencies, 33(3) pp. 528–549.

Reeve, Michael (2022). Managing risk in the ‘danger zone’: Defensive infrastructure and public safety discourses on the north-east coast of England during the First World War. Coastal Studies & Society, 1(2-4) pp. 180–208.

Reeve, Michael (2022). [Book Review] Beyond Trawlertown: memory, life and legacy in the wake of the Cod Wars by Jo Byrne. International Journal of Regional and Local History, 17(2) pp. 115–116.

Richardson, Heather (2022). 'The Mermaid's Curse': Case Study of a Multimodal Work-in-Progress. Writing in Practice, 7 pp. 18–29.

Rowland, David (2022). Further Light on Clementi's 1807 Contract with Beethoven. In: Miller, Malcolm and Kinderman, William eds. Beethoven the European: Transcultural Contexts of Performance, Interpretation and Reception. Speculum Musicae (48). Turnhout: Brepols, pp. 203–216.

Sciampacone, Amanda (2022). The ‘Scourge of Modern Times’: Cholera, Race, and Empire in Early Nineteenth-Century British Illustrated Print Culture. Journal of Victorian Culture, 27(2) pp. 356–369.

Stevens, Amanda (2022). ‘Home on the Rails’: The design, fitting and decoration of train interiors in Britain c. 1920-1955. PhD thesis The Open University.

Sutton-Vane, Angie (2022). Debate: The preservation of police force records for future research—Why it is important, what is failing and lessons that can be learned. Public Money & Management, 42(1) pp. 8–9.

Swift, Laura (2022). Dramatic Lyric. In: Swift, Laura ed. A Companion to Greek Lyric. Wiley, pp. 377–388.

Thøfner, Margit (2022). Chalk and Cheese. Art History, 45(2) pp. 404–410.

Thøfner, Margit (2022). Why Giants? In: Verberckmoes, Johan ed. Zwierige Reuzen in de 18e eeuw en de Lierse ommegang van 1722. Lier: Gezellen van 't Groot Volk, pp. 18–35.

Tickell, Alex (2022). 1962’s Sino-Indian border war lasted four weeks – internment of India’s Chinese community lasted years. The Conversation.

Towheed, Shafquat (2022). An Examination of Bookshelves in the Age of the COVID-19 Pandemic as a “Liminal Space”. In: Norrick-Rühl, Corinna and Towheed, Shafquat eds. Bookshelves in the Age of the COVID-19 Pandemic. New Directions in Book History. Cham: Palgrave Macmillan, pp. 31–47.

Towheed, Shafquat; Antonini, Alessio; Benatti, Francesca and Brooker, Sam (2022). Reading Transmedia: Re-contextualising the Written Word in Popular Web-native Genres. In: SHARP 2022 – Power of the Written Word, 11-15 Jul 2022, Amsterdam, NL.

Trott, Vincent (2022). The Poetic Marketplace. In: Potter, Jane ed. A History of World War One Poetry. Cambridge: Cambridge University Press, pp. 19–34.

Vincent, David (2022). [Book Review] Katie Hindmarch-Watson. Serving a Wired World. London’s Telecommunications Workers and the Making of an Information Capital. The American Historical Review, 127(1) pp. 543–544.

Wainwright, Leon (2022). A New Paradigm, Moving on from Bakhtin. Journal of Festival Culture Inquiry and Analysis, 1(1) pp. 28–32.

Wainwright, Leon (2022). Taste and geographical movement in contemporary art of the Caribbean. Caribbean Intransit, 3(6) pp. 36–47.

Wainwright, Leon (2022). A suitable distance? Revisiting a millennial approach to curating art in the Caribbean. Art Journal, 81(3) pp. 39–52.

Wilding, Alexandra (2022). Reinventing the Amphiareion at Oropos. Mnemosyne Supplements, 445. Leiden: Brill.

Wright, Patrick (2022). Exploded form: Cornelia Parker's Cold Dark Matter. In: Contemporary Cultures of Writing, 15 Nov 2022, Online.

Wright, Patrick (2022). Framing Catastrophe: The Ekphrastic Prose Poem. In: Caldwell, Anne and Hardwick, Paul eds. Prose Poetry in Theory and Practice. London: Routledge, pp. 156–170.

Yamagata, Naoko (2022). Socrates the Homer-lover as portrayed in Plato, Xenophon and Aristophanes. Synthesis, 29(1), article no. e118.

Younger, Neil (2022). New Light on Henry Lanman, Owner of the Curtain. Early Theatre, 25(1) pp. 117–125.

Younger, Neil (2022). Religion and politics in Elizabethan England: The life of Sir Christopher Hatton. Politics, Culture and Society in Early Modern Britain. Manchester: Manchester University Press.

Ziegler, Molly (2022). [Book review]: Sandra Young, Shakespeare in the Global South: Stories of Oceans Crossed in Contemporary Adaptation. Scottish Journal of Performance, 7(1) pp. 99–103.

2021To Top

Hamer, Laura ed. (2021). The Cambridge Companion to Women in Music since 1900. Cambridge Companions. Cambridge: Cambridge University Press.

Hughes, Jessica ed. (2021). Material Religion in Pompeii. Open University: Open Arts Journal.

King, Edmund G.C. and Smialkowska, Monika eds. (2021). Memorialising Shakespeare: Commemoration and Collective Identity, 1916-2016. Palgrave Shakespeare Studies (PASHST). Basingstoke: Palgrave Macmillan.

Kynan-Wilson, William; Fonnesberg-Schmidt, Iben; Opitz-Trotman, Gesine and Lauge Christensen, Emil eds. (2021). The Papacy and Communication in the Central Middle Ages. London: Routledge.

Kynan-Wilson, William and Munns, J. M. eds. (2021). Henry of Blois: New Interpretations. Woodbridge: Boydell & Brewer.

Langley, Chris R.; McMillan, Catherine E. and Newton, Russell eds. (2021). The Clergy in Early Modern Scotland. St Andrews Studies in Scottish History, 9. Woodbridge: Boydell Press.

Wood, Paul; Wainwright, Leon and Harrison, Charles eds. (2021). Art in Theory: The West in the World - An Anthology of Changing Ideas. Art in Theory -- An Anthology of Changing Ideas. United States: Wiley-Blackwell.

Antonini, Alessio; Benatti, Francesca; Watson, Nicola; King, Edmund and Gibson, Jonathan (2021). Death and Transmediations: Manuscripts in the Age of Hypertext. In: HT '21: Proceedings of the 32nd ACM Conference on Hypertext and Social Media, Association for Computing Machinery, New York, NY, USA, pp. 17–26.

Antonini, Alessio; Suárez-Figueroa, Mari Carmen; Adamou, Alessandro; Benatti, Francesca; Vignale, François; Gravier, Guillaume and Lupi, Lucia (2021). Understanding the phenomenology of reading through modelling. Semantic Web Journal, 12(2) pp. 191–217.

Arts & Ideas Podcast (2021). New Thinking: Diverse Classical Music. BBC Radio 3.

Axioti, Eleni (2021). Architecture as an Apparatus of Governance: (British) Architecture from the Welfare State to the State of Neoliberal Workfare. PhD thesis The Open University.

Baker-Bates, Piers (2021). Portraying the Ideal Spanish Tridentine Prelate. In: Baker-Bates, Piers and Brooke, Irene eds. Portrait Cultures of the Early Modern Cardinal. Visual and Material Culture, 1300-1700. Amsterdam: Amsterdam University Press, pp. 343–370.

Baker-Bates, Piers and Brooke, Irene (2021). Portraying the Princes of the Church. In: Baker-Bates, Piers and Brooke, Irene eds. Portrait Cultures of the Early Modern Cardinal. Visual and Material Culture, 1300–1700. Amsterdam: Amsterdam University Press, pp. 21–42.

Barker, Elton (2021). On Space, Place, and Form in Herodotus’ Histories. Histos, 15 pp. 88–130.

Barker, Elton (2021). Geography. In: Baron, Christopher ed. The Herodotus Encyclopedia. John Wiley & Sons.

Barker, Elton and Christensen, Joel (2021). An epic Heracles. In: Ogden, Daniel ed. The Oxford Handbook of Heracles. Oxford Handbooks Online. Oxford: Oxford University Press, pp. 283–300.

Barker, Elton; Isaksen, Leif and O'Doherty, Marianne (2021). Introduction to the Pelagios special issue. International Journal of Humanities and Arts Computing, 15(1-2) pp. 1–4.

Barker, Naomi J (2021). Frescobaldi at the Ospedale di Santo Spirito: a portfolio career in seventeenth-century Rome. Early Music, 49(3) pp. 395–412.

Benatti, Francesca and Antonini, Alessio (2021). Into the Macroscope: Systematic integration of micro- and macro-scale study of digital reading. In: The 17th IGEL Conference, 23 Jun - 26 Jun 2021, University of Liverpool (Remote).

Benatti, Francesca; Gooding, Paul and Sillence, Matthew (2021). Learning Digital Humanities in a Community of Practice: the DEAR model of Postgraduate Research Training. Digital Humanities Quarterly, 15(3)

Benatti, Francesca; Norrick-Rühl, Corinna and Antonini, Alessio (2021). Reading Popular Culture Offline and Online: Outlining a Comparative Study of Reading Experiences Between Webcomics and Twenty-First Century Book Club Choices. In: 2nd International Conference of the European Association for Digital Humanities, 21-25 Sep 2021, Russia.

Benton, Tim (2021). Milieu, spirit, flesh and fusion in Le Corbusier’s life and work. ZARCH(17) pp. 12–41.

Betts, Eleanor (2021). [Book Review] Greg Woolf. The Life and Death of Ancient Cities: A Natural History (Oxford: Oxford University Press, 2020). European Journal of Archaeology, 24(4) pp. 559–562.

Blackburn, Manuella (2021). In Her Own Words: Practitioner Contribution 3. In: Laura, Hamer ed. The Cambridge Companion to Women in Music since 1900. Cambridge Companions. Cambridge University Press, pp. 228–234.

Bridges, Emma (2021). Small grants, big impact: The Institute of Classical Studies’ seed funding scheme for public engagement. Research for All, 5(2) pp. 290–301.

Bridges, Emma and Stead, Henry (2021). [Subject Review] Reception. Greece and Rome, 68(2) pp. 348–352.

Brunet, Luc-André (2021). [Book review] Mohammed Lakhdar Ghettas. Algeria and the Cold War: International Relations and the Struggle for Autonomy. The American Historical Review, 126(1) pp. 427–429.

Brunton, Deborah (2021). [Book Review] Michael Bennett, War Against Smallpox. Edward Jenner and the Global Spread of Vaccination. Social History of Medicine, 34(1) pp. 331–332.

Bullock, Emily (2021). Human Terrain. Reflex Fiction.

Burrows, Donald (2021). Handel’s singers from the London choirs. Early Music, 49(2) pp. 173–183.

Butcher, John and Clarke, Anactoria (2021). Widening HE participation in the arts: Impacts of an access module on learner preparedness. Arts and Humanities in Higher Education, 20(4) pp. 403–425.

Butler, Sarah (2021). Writing Home: An Exploration of The Writing of Jack and Bet (A Novel) And A Consideration of What the Novel – As A Space and A Practice – Might Offer to Our Understanding of The Concept of Home, And What A Consideration of Home Might Offer to Our Understanding of The Novel. PhD thesis The Open University.

Calver, Kay and Michael-Fox, Bethan (2021). Under pressure: representations of student suicide in British documentary television. Mortality, 26(4) pp. 376–393.

Calver, Kay and Michael-Fox, Bethan (2021). Constructing the university student in British documentary television. In: Brooks, Rachel and O'Shea, Sarah eds. Reimagining the Higher Education Student: Constructing and Contesting Identities. London: Routledge, pp. 151–168.

Campbell, Siobhan (2021). New Poetry | Filíocht Nua. New Hibernia Review, 25(2) pp. 76–88.

Cathcart, Charles (2021). A Source for the Satirised Vocabulary in Poetaster. Notes and Queries, 68(1) pp. 136–138.

Cathcart, Charles (2021). John Day and Edward Sharpham at the Black and White Friars. Medieval & Renaissance Drama in England, 34 pp. 19–40.

Charnley, Kim (2021). Sociopolitical Aesthetics: Art, Crisis and Neoliberalism. Radical Aesthetics-Radical Art. London: Bloomsbury Publishing.

Clarke, Anactoria (2021). Manti kakon: The Uncanny Prophecies of Calchas in the Iliad and Beyond. Preternature: Critical and Historical Studies on the Preternatural, 10(1) pp. 11–33.

Clarke, Martin V. (2021). Charles Wesley, Methodism and new art music in the long eighteenth century. Eighteenth-Century Music, 18(2) pp. 271–293.

Clarke, Martin V. (2021). Music. In: Barbeau, Jeffrey W. ed. The Cambridge Companion to British Romanticism and Religion. Cambridge Companions. Cambridge: Cambridge University Press, pp. 293–310.

Coffey, Helen (2021). Life as an Emperor's Musician. In Musikleben des Spätmittelalters in der Region Österreich Musikleben des Spätmittelalters in der Region Österreich.

Conway, David and Williams, Chris (2021). The role of trade unions in promoting wellbeing. In: Mental Health and Wellbeing Conference, 1-2 Dec 2021, The Open University, Milton Keynes, United Kingdom.

Crisp, Lindsay P. (2021). Breaking Down Colston: Destruction and transformation in London and Bristol. The Jugaad Project

Cui, Feng and Tickell, Alex (2021). Han Suyin: The little voice of decolonizing Asia. Journal of Postcolonial Writing, 57(2) pp. 147–153.

da Sousa Correa, Delia (2021). ‘Fragmented Music, Fragmented Minds: Janet Frame's Faces in the Water (1961)’. In: Bernhart, Walter and Englund, Axel eds. Arts of Incompletion: Fragments in Words and Music. Word and Music Studies (18). Amsterdam: Brill.

De Ornellas, Kevin and Mac Cathmhaoill, Dónall (2021). Addressing the legacy of inter-communal violence through drama: mainstream theatre and community drama. Glencree Journal, 2021 pp. 164–174.

Dee, Ashley (2021). “A System of Maltreatment”: Marital Cruelty in Victorian Glasgow. PhD thesis The Open University.

Dooley, James and Hall, Simon (2021). MYtrOmbone: exploring gesture controlled live electronics in solo trombone performance. In: Proceedings of the International Computer Music Conference 2021 (Cádiz, Rodrigo F. ed.), International Computer Music Association, Inc., San Francisco, CA, pp. 23–26.

Fallas, Rebecca (2021). ‘Infertile’ and ‘sub-fertile’ semen in the Hippocratic Corpus and the biological works of Aristotle. In: Bradley, Mark; Leonard, Victoria and Totelin, Laurence eds. Bodily Fluids in Antiquity. Routledge, pp. 120–133.

Foka, Anna; McMeekin, David A.; Konstantinidou, Kyriaki; Mostofian, Nasrin; Barker, Elton; Demiroglu, O. Cenk; Chiew, Ethan; Kiesling, Brady and Talatas, Linda (2021). Mapping Ancient Heritage Narratives with Digital Tools. In: Champion, E. M. ed. Virtual Heritage: A Guide. London: Ubiquity Press, pp. 55–65.

Goh, Annie and Thompson, Marie (2021). Sonic Cyberfeminisms: Introduction. Feminist Review, 127(1) pp. 1–12.

Golding, Rosemary (2021). Music and Moral Management in the Nineteenth-Century English Lunatic Asylum. Mental Health in Historical Perspective, 1. Cham, Switzerland: Palgrave Macmillan.

Goodrich, Amanda (2021). [Book review] Ryan Hanley. Beyond Slavery and Abolition: Black British Writing, c. 1770–1830. The American Historical Review, 126(1) pp. 381–382.

Graham, Emma-Jayne (2021). At home with the Lares: lived religion rematerialised at Pompeii. Open Arts Journal, 10(2) pp. 33–50.

Graham, Emma-Jayne (2021). Interactional sensibilities: bringing ancient disability studies to its archaeological senses. In: Adams, Ellen ed. The Forgotten Other: Disability Studies and the Classical Body. Studies in Ancient Disabilities. Abingdon: Routledge, pp. 165–191.

Granieri, Niccolò; Dooley, James and Michailidis, Tychonas (2021). Retaining pianistic virtuosity in #MIs: Exploring pre-existing gestural nuances for live sound modulation through a comparative study. In: Hepworth-Sawyer, Russ; Paterson, Justin and Toulson, Rob eds. Innovation in Music: Future Opportunities. Abingdon, UK: Routledge.

Grell, Ole Peter (2021). [Book Review] Northern European Reformations: Transnational Perspectives. Edited by James E. Kelly, Henning Laugerud, and Salvador Ryan. Church History, 90(2) pp. 444–446.

Griffiths, Andrew (2021). Masculinity, Madness and Empire in Kipling’s ‘Thrown Away’ and ‘The Madness of Private Ortheris’. Journal of Victorian Culture, 26(4) pp. 552–567.

Gupta, Suman (2021). Procedural Democracy and Electronic Agents. AI Magazine, 42(1) pp. 30–38.

Gupta, Suman (2021). The University as a Political Site: 1968 and Now. European Review, 29(6) pp. 725–737.

Gupta, Suman and GRAF (2021). Brazil: the real dystopia project. Disjunctures, pandemics, and politics under Bolsonaro. Digithum(27) pp. 1–11.

Hack, Karl (2021). [Book Review] A Global History of Relocation in Counterinsurgency Warfare by Edward J. Erickson (ed.). Journal of Contemporary History, 56(4) pp. 1203–1205.

Hack, Karl (2021). The Malayan Emergency: Revolution and Counterinsurgency at the End of Empire. Cambridge Military Histories. Cambridge: Cambridge University Press.

Hamer, Laura (2021). 'Preface'. In: Hamer, Laura ed. The Cambridge Companion to Women in Music since 1900. Cambridge: Cambridge University Press, xxi-xxix.

Hamer, Laura (2021). 'On the Podium: Women Conductors'. In: Hamer, Laura ed. The Cambridge Companion to Women in Music since 1900. Cambridge: Cambridge University Press, pp. 64–79.

Haslam, Sara and King, Edmund G. C. (2021). “Medicinable Literature”: Bibliotherapy, Literary Caregiving, and the First World War. Literature and Medicine, 39(2) pp. 296–318.

Haywood, Jan (2021). The use(s) of inscriptions in Herodotus’ Histories. American Journal of Philology, 142(2) pp. 217–257.

Haywood, Jan (2021). Lade. In: Baron, Christopher ed. The Herodotus Encyclopedia. Wiley-Blackwell.

Hazareesingh, Sandip (2021). 'Our grandmother used to sing whilst weeding': Oral histories, millet food culture, and farming rituals among women smallholders in Ramanagara district, Karnataka. Modern Asian Studies, 55(3) pp. 938–972.

Hazareesingh, Sandip (2021). [Book review] Flachs, Andrew. Cultivating Knowledge: Biotechnology, Sustainability, and the Human Cost of Cotton Capitalism in India. The AAG Review of Books, 9(4) pp. 12–14.

Hobden, Fiona (2021). Travels with Odysseus and the Odyssey in twenty-first-century television documentaries. In: Potter, Amanda and Gardner, Hunter eds. Ancient Epic in Film and Television. Screening Antiquity. Edinburgh: Edinburgh University Press, pp. 135–151.

Hogan, Edward (2021). A Guide to Household Infestations. In O'Connor, Rebecca ed. The Moth The Moth, Milltown, IRL.

Howard, Patricia (2021). Guadagni in Handel’s London: the formation of a voice. Early Music, 49(2) pp. 195–210.

Hughes, Jessica (2021). Material religion and Pompeii: introduction. Open Arts Journal(10) pp. 3–12.

Kahn, Rebecca; Isaksen, Leif; Barker, Elton; Simon, Rainer; de Soto, Pau and Vitale, Valeria (2021). Pelagios – Connecting Histories of Place. Part II: From Community to Association. International Journal of Humanities and Arts Computing, 15(1-2) pp. 85–100.

Katritzky, M A (2021). William Hogarth and Book Illustration: Visualizing “Otherness” in pre-Victorian images of Shakespeare’s Caliban. In: Pietrini, Sandra ed. Shakespearean Characters Transposed: Iconography, Adaptations, Cultural Exchanges and Staging. L’immaginario teatrale, 1. Alessandria: Edizioni dell’Orso, 65-83 & 237-241.

Katritzky, M. A. (2021). William Hogarth (1697–1764) and book illustration I: Hudibras, Quixote and the Littlecote House murals. Theatralia, 24(1) pp. 313–356.

Katritzky, M. A. (2021). Unreliable Memories: Documenting the Scenography of the 1589 Florentine intermedi. European Medieval Drama, 25 pp. 239–281.

Katritzky, M. A. (2021). Generisches und spezifisches Anderssein: Shackshoone (1665–1680), Antonio Martinelli (1718–1740) und frühneuzeitliche Darstellungen von menschlichen Doppelfehlbildungen. In: Stolberg, Michael ed. Körper-Bilder in der Frühen Neuzeit: Kunst-, medizin- und mediengeschichtliche Perspektiven. Schriften des Historischen Kollegs Herausgegeben von Hartmut Leppin Kolloquien 107. Berlin/Boston: Walter de Gruyter GmbH, pp. 199–228.

King, Edmund and Smialkowska, Monika (2021). Introduction: Memorialising Shakespeare, Memorialising Ourselves. In: King, Edmund and Smialkowska, Monika eds. Memorialising Shakespeare: Commemoration and Collective Identity, 1916-2016. Palgrave Shakespeare Studies (PASHST). Basingstoke: Palgrave Macmillan, pp. 1–32.

King, Edmund G. C. (2021). [Book Review] Book Traces: Nineteenth-Century Readers and the Future of the Library, by Andrew M. Stauffer. Library & Information History, 37(2) pp. 186–187.

King, Helen (2021). Seeing the bigger picture: what is gynaecology for? Ágora: Estudos Clássicos em Debate, 23(1) pp. 17–48.

King, Helen (2021). A history of our own?: Using Classics in disability histories. In: Adams, Ellen ed. Disability Studies and the Classical Body: The Forgotten Other. Routledge Studies in Ancient Disabilities. London: Routledge, pp. 237–263.

King, Helen (2021). Opening the body of fluids: Taking in and pouring out in Renaissance readings of Classical women. In: Bradley, Mark; Leonard, Victoria and Totelin, Laurence eds. Bodily Fluids in Antiquity. London: Routledge, pp. 381–398.

King, Helen (2021). ‘Treating the Patient, Not Just the Disease’: Reading Ancient Medicine in Modern Holistic Medicine. In: Thumiger, Chiara ed. Holism in Ancient Medicine and its Reception. Leiden: Brill, pp. 402–424.

Kolassa, Alexander (2021). [Book Review] The Oxford Handbook of Music and Medievalism. Ed. by Stephen C. Meyer and Kirsten Yri. Music and Letters, 102(1) pp. 143–145.

Kolassa, Alexander (2021). Intertextuality and (modernist) medievalism in British post-war music. In: Kostka, Violetta; Castro, Paulo Ferreira de and Everett, William eds. Intertextuality in Music: Dialogic Composition. London: Routledge, pp. 114–128.

Kynan-Wilson, William (2021). Henry of Blois and the construction of Roman identity. In: Kynan-Wilson, William and Munns, J. M. eds. Henry of Blois: New Interpretations. Woodbridge: Boydell & Brewer, pp. 185–208.

Kynan-Wilson, William and Munns, J. M. (2021). Introduction: Approaches to Henry of Blois. In: Kynan-Wilson, William and Munns, J. M. eds. Henry of Blois: New Interpretations. Woodbridge: Boydell & Brewer, pp. 1–25.

Kyratsou, Chrysi; McNulty Burrows, Cathrinea; Nguyen, Hoa; Barry, Heather E. and Simones, Lilian (2021). [Editorial] Introducing the IMPACT Journal and its First Issue. International Modern Perspectives in Academia and Community Today(1)

Langley, Chris R. (2021). Parish Politics and Godly Agitation in Late Interregnum Scotland. Church History, 90(3) pp. 557–578.

Langley, Chris R. (2021). Anticlericalism in Early Modern Scotland? In: Langley, Chris R.; McMillan, Catherine E. and Newton, Russell eds. The Clergy in Early Modern Scotland. St Andrews Studies in Scottish History, 9. Woodbridge: Boydell Press, pp. 89–110.

Layton-Jones, Katy (2021). [Book Review] Greening the City: Nature in French Towns from the 17th Century. By Charles-François Mathis and Émilie-Anne Pepy. Urban History, 48(4) pp. 754–756.

Mackie, Robin (2021). [Book review] Müller (ed.), Scotland and Arbroath 1320–2020. 700 years of Fighting for Freedom, Sovereignty, and Independence. The Scottish Historical Review, 100(1) pp. 152–155.

Marsden, Richard (2021). Blaenau Gwent REACH Summary Report. Open University in Wales, Cardiff.

Marsden, Richard (2021). [Book Review] The First Scottish Enlightenment: Rebels, Priests and History. By Kelsey Jackson Williams. Scottish Historical Review, 100(2) pp. 293–295.

Marsden, Richard and Ford, Elizabeth (2021). Blaenau Gwent REACH Online Exhibition. The OU in Wales, Cardiff.

McEneaney, Sinead (2021). “Not picketing in front of bra factories...”: Marxism, feminism, and the Weather Underground. In: Phelps, Christopher and Vandome, Robin eds. Marxism and America: New Appraisals. Manchester: Manchester University Press.

Michael-Fox, Bethan and Coward-Gibbs, Matt (2021). Sexual Encounters Between the Living and the (Un) dead in Popular Culture. In: Gibson, Rebecca and Vanderveen, James M. eds. Gender, Supernatural Beings, and the Liminality of Death Monstrous Males/Fatal Females. New York: Rowman and Littlefield.

Michael-Fox, Bethan and Visser, Renske (2021). The Death Studies Podcast [Podcast]. The Death Studies Podcast.

Michell, Sophie (2021). Historical Infanticide Through An Interdisciplinary Lens. Postgraduate Research Poster Competition, The Open University.

Murray, Andrew (2021). Burgundian Sword Ritual: Charismatic and Regnal Authority at the Funeral of Philip the Good in Bruges, 1467. The Court Historian - The International Journal of Court Studies, 26(1) pp. 11–28.

Murray, Andrew (2021). Philip the Bold’s Tomb (1412): Creative Agency, Courtly Patronage and Labour History. In: Cordez, Philippe ed. Mittelalter und Mittelalterbild / Le Moyen Âge et son image. Heidelberg: Heidelberg University Publishing.

Olney, Tom; Walker, Steve; Wood, Carlton and Clarke, Anactoria (2021). Are We Living in LA (P)LA Land? Reporting on the Practice of 30 STEM Tutors in Their Use of a Learning Analytics Implementation at The Open University. Journal of Learning Analytics, 8(3) pp. 45–59.

Parsons, Isabelle (2021). "You just stood there and watched": The Transformative Power of a Woman’s Withholding in Edith Wharton’s Sanctuary. Edith Wharton Review, 37(2) pp. 151–167.

Paul, Joanna (2021). In Search of the Lost City: The Enduring Absence of Pompeii. In: Geue, Tom and Giusti, Elena eds. Unspoken Rome: Absence in Latin Literature and its Reception. Cambridge: Cambridge University Press, pp. 250–269.

Paul, Joanna (2021). Afterword. In: Potter, Amanda and Gardner, Hunter eds. Ancient Epic in Film and Television. Edinburgh: Edinburgh University Press, pp. 233–239.

Perceval, Anna (2021). How might the study of the Brady Photographic Archive contribute to the understanding of the changing reception and use of vernacular photography in art history? Student dissertation for The Open University module A844 MA Art History part 2.

Perkins, Phil (2021). The Etruscan pithos revolution. In: Gleba, Margarita; Marín-Aguilera, Beatriz and Dimova, Bela eds. Making cities: Economies of production and urbanization in Mediterranean Europe, 1000–500 BC. McDonald Institute Conversations. Cambridge, UK: McDonald Institute for Archaeological Research, pp. 231–258.

Plassart, Anna (2021). [Book Review] Parliamentarism: From Burke to Weber. European Journal of Political Theory, 21(4) pp. 836–846.

Plassart, Anna (2021). “Sovereign of the Sea”: Adam Ferguson on Britain’s Empire. In: Brown, Michael and Hill, Jack A. eds. Adam Ferguson Unfurled: re-imagining the moral imperium. Aberdeen: Aberdeen University Press (In Press).

Plassart, Anna and Forbes, Suzanne (2021). La « nationalité » dans les discours parlementaires britanniques au XIXe siècle. Mots: Les langages du politique, 121 pp. 15–36.

Plassart, Anna and Mosher, Michael (2021). Introduction: A Cultural History of Democracy in the Age of Enlightenment. In: Plassart, Anna and Mosher, Michael eds. A Cultural History of Democracy in the Age of Enlightenment. London: Bloomsbury, pp. 1–16.

Plastow, Christine (2021). [Book review] Democratic Law in Classical Athens, written by Michael Gagarin. Polis: The Journal for Ancient Greek and Roman Political Thought, 38(2) pp. 332–335.

Post, Doris (2021). [Book Review] D. Kovacs Sophocles Oedipus the King: A New Verse Translation. Oxford: Oxford University Press, 2020. The Journal of Hellenic Studies, 141 pp. 251–252.

Post, Doris (2021). [Book Review] P.J. Finglass Sophocles (Greece and Rome New Surveys in the Classics 44). Cambridge: Cambridge University Press, 2019. The Journal of Hellenic Studies, 141 pp. 250–251.

Prescott, Lynda (2021). [Book review] Sarah Wasserman, The Death of Things: Ephemera and the American Novel. Literature & History, 30(1) pp. 97–99.

Reeve, Michael (2021). Bombardment, Public Safety and Resilience in English Coastal Communities during the First World War. Cham: Palgrave Macmillan.

Reeve, Michael (2021). ‘An Empire Dock’: Place Promotion and the Local Acculturation of Imperial Discourse in ‘Britain’s Third Port’. Northern History, 58(1) pp. 129–150.

Reeve, Michael (2021). ‘Are we downhearted? NO!’: representing war damage and destruction following bombardment on the First World War ‘home front’. Critical Military Studies, 7(4) pp. 397–417.

Reeve, Michael (2021). 'Something-to-smoke, at the right time, is a godsend': Voluntary Action and the Provision of Cigarettes to Soldiers during the First World War. In: Linch, Kevin and Lord, Matthew eds. Redcoats to Tommies: The Experience of the British Soldier from the Eighteenth Century. Boydell and Brewer.

Shaw, Samuel (2021). The Graphic’s ‘Heads of the People’ (1875-1883): Further Influences and Legacies. The Burlington Magazine, 163(1420) pp. 516–523.

Simones, Lilian (2021). Certificate for Music Educators Guidebook: Teaching Children and Young People. Routledge.

Steele, Matthew George (2021). The Conservation and Adaptation of Historic Anglican Churches in England for Secular Community Use and Continued Worship, Post‐1945. PhD thesis The Open University.

Sutton-Vane, Angela (2021). Investigating the Murder File: A Biographical Analysis of Creation, Survival and Impact. PhD thesis The Open University.

Swift, Laura (2021). Sappho and the Gods. In: Finglass, Patrick and Kelly, Adrian eds. The Cambridge Companion to Sappho. Cambridge Companions to Literature. Cambridge: Cambridge University Press, pp. 209–222.

Swift, Laura (2021). Negotiating hegemony in early Greek Poetry. In: Zucchetti, Emilio and Cimino, Anna Maria eds. Antonio Gramsci and the Ancient World. Routledge Monographs in Classical Studies. London: Routledge, pp. 44–62.

Tabony, Aiman (2021). The Ecological Superblock - Computational Ecology Principles in Urban Systems Design. PhD thesis The Open University.

Taylor, Clare and Richardson, Heather (2021). The Creative Interactions Project. Writing in Education, 84 pp. 58–62.

Taylor, Jack (2021). Against his will? Recovering male on male sexual violence in London, 1761-1861. PhD thesis The Open University.

Thompson, Marie (2021). ‘Your Womb, the Perfect Classroom’: Prenatal Sound Systems and Uterine Audiophilia. Feminist Review, 127(1) pp. 73–89.

Thøfner, Margit (2021). [Book Review] Northern European reformations. Transnational perspectives. Edited by James E. Kelly, Henning Laugerud and Salvador Ryan. Cham: Palgrave Macmillan, 2020. The Journal of Ecclesiastical History, 72(4) pp. 885–888.

Tickell, Alex (2021). Han Suyin’s Cold War fictions: Life-writing, intimacy, and decolonization. Journal of Postcolonial Writing, 57(2) pp. 241–254.

Vitale, Valeria; de Soto, Pau; Simon, Rainer; Barker, Elton; Isaksen, Leif and Kahn, Rebecca (2021). Pelagios – Connecting Histories of Place. Part I: Methods and Tools. International Journal of Humanities and Arts Computing, 15(1-2) pp. 5–32.

Wainwright, Leon (2021). The Parallax Effect. In: Westgeest, Helen and Zijlmans, Kitty eds. Mix and Stir: New Outlooks on Contemporary Art from Global Perspectives. Amsterdam: Valiz, with support of Mondriaan Fonds, Academy of Creative and Performing Arts (ACPA), University of the Arts, The Hague / Faculty of Humanities, Leiden University, pp. 347–352.

Wallis, Robert (2021). [Book review] The rock art landscapes of Rombalds Moor, West Yorkshire, by Vivien Deacon. Time and Mind, 14(4) pp. 547–548.

Wallis, Robert (2021). Reproduction, Simulation and the Hyperreal: A Case Study of 'Lascaux III'. In: Rozwadowski, Anrzej and Hampson, Jamie eds. Visual Culture and Identity: Using Rock Art to Reconnect Past and Present. Oxford: Archaeopress.

Wallis, Robert J. (2021). Hunters and shamans, sex and death: relational ontologies and the materiality of the Lascaux 'shaft-scene'. In: Moro Abadía, Oscar and Porr, Martin eds. Ontologies of Rock Art: Images, Relational Approaches and Indigenous Knowledge. Abingdon: Routledge, pp. 319–334.

Wallis, Robert J. and Carocci, Max (2021). Introduction to the Special Issue Art, Shamanism and Animism. Religions, 12(10), article no. e853.

Watson, Róisín (2021). Shells and Grottoes in Modern Germany. In: Bass, Marisa Anne; Goldgar, Anne; Grootenboer, Hanneke and Swan, Claudia eds. Conchophilia: Shells, Art, and Curiosity in Early Modern Europe. New Jersey, USA: Princeton University Press, pp. 127–154.

Wetherilt, Anne (2021). Emergency politics and the middlebrow novel: A comparative analysis of Han Suyin’s … and the Rain my Drink and Mary McMinnies’s The Flying Fox. Journal of Postcolonial Writing, 57(2) pp. 255–268.

Wilding, Alexandra (2021). [Book Review] Visual Approaches to the Gods of the Greeks - (E.) Simon The Gods of the Greeks. Translated by Jakob Zeyl. Edited by Alan Shapiro with a Foreword by Fritz Graf. Pp. xxviii + 440, ills, maps. Madison, WI and London: The University of Wisconsin Press, 2021 (originally published as Die Götter der Griechen, 1969). The Classical Review, 71(2) pp. 532–534.

Wilkinson, Louise J. and Wolfson, Sara J. (2021). Introduction: premodern queenship and diplomacy. Women's History Review, 30(5) pp. 713–722.

Winters, Ben (2021). 'Magic Fire': a Wagner Film with a Difference. The Wagner Journal, 15(3) pp. 11–22.

Winters, Ben (2021). Historical sound-film presentation and the closed-curtain roadshow overture. In: Cenciarelli, Carlo ed. The Oxford Handbook of Cinematic Listening. Oxford Handbooks. Oxford University Press.

Wright, Patrick (2021). The Ethics of Life Writing: Full Sight of Her. Writing in Education(83) pp. 73–75.

Wright, Patrick (2021). Ethics in life writing. In: National Association of Writers in Education Conference: What Next? Writing in Education and Communities in 2021 and Beyond, 12-13 Mar 2021, Online.

Yamagata, Naoko (2021). [Book Review] R. Gagné) and M. Herrero de Jáuregui (eds) Les dieux d’Homère 2: anthropo-morphismes (Kernos Supplement 33). Liège: Presses Universitaires de Liège, 2019. The Journal of Hellenic Studies, 141 pp. 243–244.

Ziegler, Molly (2021). ‘For Fear to Be Infect’: Reading the Female Body in Early Modern Revenge Drama. Journal of Early Modern Studies, 10 pp. 249–268.

2020To Top

Burrows, Donald; Coffey, Helen; Greenacombe, John and Hicks, Anthony eds. (2020). George Frideric Handel: Collected Documents, Volume 4. 1742-1750. Cambridge University Press.

Canova-Green, Marie-Claude and Wolfson, Sara eds. (2020). The wedding of Charles I and Henrietta Maria, 1625. Celebrations and controversy. European Festival Studies: 1450-1700 (EFS). Brepols Publishers.

da Sousa Correa, Delia ed. (2020). The Edinburgh Companion to Literature and Music. Edinburgh Companions to Literature and the Humanities. Edinburgh University Press.

Hutchison, David and Johnson, David eds. (2020). Stuart Hood: Twentieth-Century Partisan. Newcastle: Cambridge Scholars.

Langley, Chris R. ed. (2020). The National Covenant in Scotland, 1638-1689. Studies in Early Modern Cultural, Political and Social History, 37. Woodbridge: Boydell Press.

Lymberopoulou, Angeliki ed. (2020). Hell in the Byzantine World. A History of Art and Religion in Venetian Crete and the Eastern Mediterranean. Volume 1 Essays. Hell in the Byzantine World A History of Art and Religion in Venetian Crete and the Eastern Mediterranean, 1. Cambridge: Cambridge University Press.

Neale, Derek ed. (2020). Writing Talk: Interviews with writers about the creative process. London: Routledge.

Tickell, Alex and Ranasinha, Ruvani eds. (2020). Delhi: New Literatures of the Megacity. Abingdon: Routledge.

Alexiou, Katerina; Zamenopoulos, Theodore; Hale, Vera; West, Susie and de Sousa, Sophia (2020). Empowering design practices: exploring relations between architecture, faith, society and community. Open Arts Journal(9), article no. 5.

Antonini, Alessio; Benatti, Francesca and Blackburn-Daniels, Sally (2020). On Links To Be: Exercises in Style #2. In: 31st ACM Conference on Hypertext and Social Media (HT’20), 13-15 Jul 2020, Online, pp. 27–36.

Antonini, Alessio and Benatti, Francesca (2020). *ing the Written Word: Digital Humanities Methods for Book History. In: SHARP 2020: Power of the Written Word, 11-15 Jul 2020, Amsterdam.

Antonini, Alessio; Benatti, Francesca and King, Edmund (2020). Restoration and Repurposing of DH legacy projects: the UK-RED case. In: Book of Abstracts of DH2020.

Antonini, Alessio; Brooker, Sam and Benatti, Francesca (2020). Circuits, Cycles, Configurations: an Interaction Model of Web Comics. In: The 13th International Conference on Interactive Digital Storytelling, 3-6 Nov 2020, Bournemouth, UK.

Asquith, Wendy and Wainwright, Leon (2020). A moment to celebrate? Art of the Caribbean at the Venice Biennale. Journal of Curatorial Studies, 9(1) pp. 40–68.

Aylett, Samuel Paul Tobias (2020). The Museum of London 1976-2007: Reimagining Metropolitan Narratives in Postcolonial London. PhD thesis The Open University.

Barker, Elton (2020). What would Indy do? Resisting post-truth through the practice of annotation. In: Roosevelt, Chris ed. Spatial Webs: Mapping Anatolian Pasts for Research and the Public. ANAMEDD: Research Center for Anatolian Civilizations. Istanbul: Koç University Research Centre for Anatolian Civilizations, pp. 5–31.

Barker, Elton; Foka, Anna and Konstantinidou, Kyriaki (2020). Coding for the Many, Transforming Knowledge for All: Annotating Digital Documents. Publications of the Modern Language Association, 135(1) pp. 195–202.

Barker, Elton T. E. and Christensen, Joel P. (2020). Homer’s Thebes: Epic Rivalries and the Appropriation of Mythical Pasts. Hellenic Studies, 84. Harvard University Press.

Barker, Emma (2020). Envisioning Blindness in Eighteenth-Century Paris. Oxford Art Journal, 43(1) pp. 91–116.

Barlow, Helen (2020). ‘Praise the Lord! We are a musical nation’: the Welsh working classes and religious singing. Nineteenth-Century Music Review, 17(3) pp. 445–472.

Barlow, Helen and Herbert, Trevor (2020). Introduction - Listeners in music history: studying the evidence. Nineteenth-Century Music Review, 17(3) pp. 343–357.

Barlow, Helen and Herbert, Trevor eds. (2020) Nineteenth-Century Music Review (17) Special Issue 3: The Experience of Listening to Music in the Nineteenth Century, Cambridge University Press.

Barnes, Amy Jane (2020). Chinese Propaganda Posters at the British Library. Visual Resources, 36(2) pp. 124–147.

Barnes, Amy Jane (2020). 'Do the Chinese always smile?' Exhibiting the Cultural Revolution in Britain. In The Contemporary China Centre Blog Contemporary China Centre, University of Westminster.

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da Sousa Correa, Delia (2020). From 'the great Handel chorus' to 'wild passion and fancy': Listening to Handel and Purcell in The Mill on the Floss. 19: Interdisciplinary Studies in the Long Nineteenth Century(29), article no. 1934.

da Sousa Correa, Delia (2020). George Eliot, Schubert and the Cosmopolitan Music of Daniel Deronda. In: da Sousa Correa, Delia ed. The Edinburgh Companion to Literature and Music. Edinburgh: Edinburgh University Press, pp. 437–446.

da Sousa Correa, Delia (2020). Introduction: Part IV: Literature and Music in the Nineteenth Century. In: da Sousa Correa, Delia ed. The Edinburgh Companion to Literature and Music. Edinburgh University Press, pp. 383–394.

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Drábek, Pavel and Katritzky, M. A. (2020). Introduction. In: Katritzky, M. A. and Drábek, Pavel eds. Transnational Connections in Early Modern Theatre. Manchester: Manchester University Press, pp. 1–19.

Fear, Trevor (2020). The Role of Quintus Dellius in the meeting of Antony and Cleopatra at Tarsus. Phoenix, 74(1-2) pp. 91–99.

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Gibson, Jonathan (2020). The Development of William Cecil's Italic Handwriting. Etudes Anglaises, 73(3) pp. 329–346.

Gibson, Jonathan and Coatalen, Guillaume (2020). Robert Cecil's Handwriting Advice to his Son. Etudes Anglaises, 73(3) pp. 313–328.

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Gupta, Suman; Allen, Richard; Schuller, Sebastian; Tu, Peter; Basu, Maitrayee; Gupta, Ayan-Yue; Durao, Fabio Akcelrud and Katsarska, Milena (2020). Social Analysis and the COVID-19 Crisis: A Collective Journal. Delhi and London: Routledge.

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Johnson, David (2020). Stuart Hood’s search for community: Novels beyond the nation. In: Hutchison, David and Johnson, David eds. Stuart Hood, Twentieth-Century Partisan. Newcastle: Cambridge Scholars, pp. 207–224.

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Katritzky, M. A. (2020). Shakespeare’s picture of ‘We Three’ An image for illiterates? In: Duits, Rembrandt ed. The Art of the Poor: The Aesthetic Material Culture of the Lower Classes in Europe, 1300–1600. London: Bloomsbury, pp. 185–198.

Katritzky, M. A. (2020). London and The Hague, 1638: Performing quacks at court. In: Katritzky, M. A. and Drábek, Pavel eds. Transnational Connections in Early Modern Theatre. Manchester: Manchester University Press, pp. 114–138.

Katritzky, M. A. (2020). Margaret Cavendish’s Female Fairground Performers. In: Sewell, Jan and Smout, Clare eds. The Palgrave Handbook of the History of Women on Stage. Palgrave Macmillan, pp. 151–175.

Katritzky, M. A. (2020). The itinerant healer as a stage role: its origins in religious drama. In: von Contzen, Eva and Goodblatt, Chanita eds. Enacting the Bible in medieval and early modern drama. Manchester Medieval Literature and Culture. Manchester: Manchester University Press, pp. 81–103.

King, Helen (2020). Hippocrates Now: The 'Father of Medicine' in the Internet Age. Bloomsbury Studies in Classical Reception. London: Bloomsbury.

King, Helen (2020). The body beyond Laqueur: Hippocratic sex and its rediscovery. In: Höfele, Andreas and Kellner, Beate eds. Natur-Geschlecht-Politik: Denkmuster und Repräsentationsformen vom Alten Testament bis in die Neuzeit. Wilhelm Fink Verlag, pp. 199–216.

King, Helen (2020). Hippocratic whispers: telling the story of the life of Hippocrates on the internet. In: Totelin, Laurence and Flemming, Rebecca eds. Medicine and Markets: Essays on Ancient Medicine in honour of Vivian Nutton. Classical Press of Wales, pp. 143–160.

Kolassa, Alexander (2020). Hail the Nightmare: Music, Sound, and Materiality in Bloodborne. The Soundtrack, 11(1-2) pp. 23–38.

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Lymberopoulou, Angeliki (2020). ‘…κέ παντός του λαου τοῡ χορίου τ(ης) Μάζας…’ Communal Patronage of Church Decoration in Rural Venetian Crete. In: The Art of the Poor The Aestehtic Material Culture of the Lower Classes in Europe 1300-1600 (Duits, Rembrandt ed.), Bloomsbury, London, pp. 53–63.

Lymberopoulou, Angeliki (2020). The five senses in Hell. Material religion, 16(3) pp. 364–367.

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O'Shea, Helen (2020). Ireland and the End of the British Empire: The Republic and its Role in the Cyprus Emergency. London: Bloomsbury.

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Prescott, Lynda (2020). Small Presses and Little Magazines: a Print Culture Perspective on Modernism. In: Poplawski, Paul ed. Yearbook of English Studies, Volume 50. Modern Humanities Research Association, pp. 13–28.

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Tickell, Alex (2020). Postcolonial Fiction and the Question of Influence: Arundhati Roy, The God of Small Things and Rumer Godden. Postcolonial Text, 15(1)

Tickell, Alex and Ranasinha, Ruvani (2020). Introduction: Delhi: New writings on the megacity. In: Tickell, Alex and Ruvani, Ranasinha eds. Delhi: New Literatures of the Megacity. Abingdon: Routledge, pp. 3–13.

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2019To Top

Archibald, Zosia and Haywood, Jan eds. (2019). The Power of Individual and Community in Ancient Athens and Beyond. Swansea: The Classical Press of Wales.

Katritzky, M. A. and Drábek, Pavel eds. (2019). Transnational Connections in Early Modern Theatre. Manchester: Manchester University Press.

Tickell, Alex ed. (2019). The Novel in South and South East Asia since 1945. The Oxford History of the Novel in English, 10. Oxford: Oxford University Press.

Adamou, Alessandro; Brown, Simon; Barlow, Helen; Allocca, Carlo and d’Aquin, Mathieu (2019). Crowdsourcing Linked Data on listening experiences through reuse and enhancement of library data. International Journal on Digital Libraries, 20(1) pp. 61–79.

Allen, Gemma (2019). The Rise of the Ambassadress: English Ambassadorial Wives and Early Modern Diplomatic Culture. The Historical Journal, 62(3) pp. 617–638.

Antonini, Alessio; Benatti, Francesca; King, Edmund; François, Vignale and Guillaume, Gravier (2019). Modelling Changes in Diaries, Correspondence and Authors’ Libraries to support research on reading: the READ-IT approach. In: Open Data and Ontologies for Cultural Heritage (ODOCH'19), 3 - Jun -2019, Rome, Italy.

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Baker-Bates, Piers (2019). Establishing Spanish Cultural Identities at Rome (1516–1598). Hispanic Research Journal, 19(5) pp. 461–480.

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King, Edmund G. C.; Parmar, Maya and Towheed, Shafquat (2019). Reusing Historical Questionnaire Data and Using Newly Commissioned Oral History Interviews as Evidence in the History of Reading. Participations: Journal of Audience & Reception Studies, 16(1) pp. 530–553.

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Williams, Sean (2019). The EMS Synthi 100: Rare, expensive and not actually very good. In: Sustainable Sounds: Interrogating the Materials of Music Making Technologies, 11 May 2019, University of Edinburgh.

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Winters, Ben (2019). New Opportunities in Film: Korngold and Warner Bros. In: Goldmark, Daniel and Karnes, Kevin C eds. Korngold and His World. Princeton: Princeton University Press, pp. 111–130.

Wright, Patrick (2019). A hybrid form? The ekphrastic prose poem. In: Prose Poetry Symposium, 13 Jul 2019, Leeds Trinity University.

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Wright, Patrick (2019). Not trusting our eyes: The ekphrasis of abstract and monochromatic painting. In: 2019 AHRC DTP Conference on Trust and Truth, 18-20 Sep 2019, University of Cambridge.

Wright, Patrick (2019). A critique of contemporary ekphrasis. Agenda 53: 1-2.

Yamagata, Naoko (2019). 第六章　ホメロスの英雄像—アキレウスとヘクトル、サルぺドン、パトロクロス— [Chapter 6 Images of Homeric heroes – Achilles, Hector, Sarpedon and Patroclus]. In: 川島重成、古澤ゆう子、小林薫編 [Kawashima, S.; Furusawa, Y. and Kobayashi, K. eds.] 『ホメロス『イリアス』への招待』 [An Invitation to Homer’s Iliad]. Tokyo: Pinakes, pp. 163–189.

Yeh, Jane (2019). Discipline. Manchester, UK: Carcanet Press.

2018To Top

Allan, William and Swift, Laura eds. (2018). Moralizing Strategies in Early Greek Poetry. Mouseion, 15 (1). Toronto: University of Toronto Press.

Attfield, Nicholas and Winters, Ben eds. (2018). Music, Modern Culture, and the Critical Ear. Abingdon: Routledge.

Burrows, Donald; Coffey, Helen; Greenacombe, John and Hicks, Anthony eds. (2018). George Frideric Handel: Collected Documents. Volume 3. 1734–1742. Cambridge University Press.

Caldari, Valentina and Wolfson, Sara J. eds. (2018). Stuart Marriage Diplomacy. Dynastic Politics in their European Context, 1604-1630. Studies in Early Modern Cultural, Political and Social History, 31. Woodbridge: Boydell and Brewer.

Christian, Kathleen and de Divitiis, Bianca eds. (2018). Local antiquities, local identities: Art, literature and antiquarianism in Europe, c. 1400-1700. Manchester: Manchester University Press.

Cook, James; Kolassa, Alexander and Whittaker, Adam eds. (2018). Recomposing the Past: Representations of Early Music on Stage and Screen. Ashgate Screen Music Series. Abingdon and New York: Routledge.

De Renzi, Silvia; Bresadola, Marco and Conforti, Maria eds. (2018). Pathology in Practice: Diseases and Dissections in Early Modern Europe. The History of Medicine in Context. London: Routledge.

Golding, Rosemary ed. (2018). The Music Profession in Britain, 1780-1920: New Perspectives on Status and Identity. Music in Nineteenth-Century Britain. Routledge.

Grell, Ole Peter; Cunningham, Andrew and Arrizabalaga, Jon eds. (2018). It All Depends on the Dose: Poisons and Medicines in European History. Routledge.

Griffiths, Andrew; Alves, Audrey and Trindade, Alice eds. (2018). Literary Journalism and Africa's Wars: Colonial, Decolonial and Postcolonial Perspectives. ReportAGES. Nancy, France: Presses Universitaires de Nancy.

Gupta, Suman and Virdee, Satnam eds. (2018). Race and Crisis. Ethnic & Racial Studies. London: Routledge.

Harvey, Graham and Hughes, Jessica eds. (2018). Sensual Religion: Religion and the Five Senses. Religion and the Senses. Sheffield: Equinox.

Haslam, Sara; Colombino, Laura and O'Malley, Seamus eds. (2018). The Routledge Research Companion to Ford Madox Ford. Routledge Research Companions. London and New York: Routledge.

Herbert, Trevor; Myers, Arnold and Wallace, John eds. (2018). The Cambridge Encyclopedia of Brass Instruments. Cambridge: Cambridge University Press.

Hobden, Fiona and Wrigley, Amanda eds. (2018). Ancient Greece on British Television. Screening Antiquity. Edinburgh: Edinburgh University Press.

Hoppe, C.; Goldbeck, M. and Kawabata, M. eds. (2018). Exploring Virtuosities: Heinrich Wilhelm Ernst, Nineteenth-Century Musical Practices and Beyond. Göttingen Studies in Musicology, 10. Olms.

Lymberopoulou, Angeliki ed. (2018). Cross-Cultural Interaction between Byzantium and the West, 1204-1669. Whose Mediterranean is it anyway? Society for the Promotion of Byzantine Studies, 22. London: Routledge.

Shaw, Samuel; Shaw, Sarah and Carle, Naomi eds. (2018). Edwardian Culture: Beyond the Garden Party. Among the Victorians and Modernists. London: Routledge.

Althoff, Gerd; Fonnesberg-Schmidt, Iben and Kynan-Wilson, William (2018). Framing papal communication in the central Middle Ages. Journal of Medieval History, 44(3) pp. 251–260.

Bakogianni, Anastasia and James, Paula (2018). Classical Drama at a Distance: Teaching Performance Reception in an Online Environment. Classical World, 112(1) pp. 707–725.

Barker, Naomi J. (2018). Learning the trade: What did Froberger do in Rome? In: Vejvar, Andreas and Grassl, Markus eds. "Avec discrétion": Rethinking Froberger. Wiener Veröffentlichungen zur Musikgeschichte (14). Vienna: Böhlau Verlag, pp. 205–221.

Barlow, Helen (2018). The British Army and the music profession: the impact of regimental bands on the status and identity of professional musicians. In: Golding, Rosemary ed. The Music Profession in Britain, 1780-1920: New Perspectives on Status and Identity. Music in Nineteenth-Century Britain. London: Routledge, pp. 72–89.

Barnes, Amy Jane (2018). 大英图书馆收藏的中国革命年画研究 [‘Research on Chinese Revolutionary New Year Paintings Collected by the British Library’]. 年画研究2018 [‘Nianhua Journal 2018’] pp. 27–29.

Barnes, Amy Jane (2018). Representing the China Dream: A case study in revolutionary cultural heritage. In: Watson, Sheila; Barnes, Amy Jane and Bunning, Katy eds. A Museum Studies Approach to Heritage. Leicester Readers in Museum Studies. Abingdon: Routledge, pp. 797–813.

Watson, Sheila; Barnes, Amy Jane and Bunning, Katy eds. (2018). A Museum Studies Approach to Heritage. Leicester Readers in Museum Studies. Abingdon: Routledge.

Barnes, Amy Jane (2018). Introduction to Part I. In: Watson, Sheila; Barnes, Amy Jane and Bunning, Katy eds. A Museum Studies Approach to Heritage. Leicester Readers in Museum Studies. Abingdon: Routledge, pp. 9–13.

Bell, Simon; Benatti, Francesca; Edwards, Neil R.; Laney, Robin; Morse, David R.; Piccolo, Lara and Zanetti, Oliver (2018). Smart Cities and M3: Rapid Research, Meaningful Metrics and Co-Design. Systemic Practice and Action Research, 31(1) pp. 27–53.

Benatti, Francesca and King, David (2018). One Year After. A Question of Style: individual voices and corporate identity in the Edinburgh Review, 1814-1820. In: RSVP/VSAWC 2018 The Body and the Page in Victorian Culture, 26-28 Jul 2018, University of Victoria, British Columbia, Canada.

Benatti, Francesca and King, David (2018). A Question of Style: corpus building and stylistic analysis of the Edinburgh Review and Quarterly Review, 1814-1820. In: DHC (Digital Humanities Congress) 2018, 06-08 Sep 2018, University of Sheffield.

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Benzan, Carla (2018). Alone at the Summit: Solitude and the Ascetic Imagination at the Sacro Monte of Varallo. In: Enenkel, Karl A.E. and Göttler, Christine eds. Solitudo: Spaces, Places, and Times of Solitude in Late Medieval and Early Modern Cultures. Intersections: Interdisciplinary Studies in Early Modern Culture (56). Leiden and Boston: Brill, pp. 336–363.

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Bloxham, John (2018). Willmoore Kendall’s ‘McCarthyite’ Socrates in conservative free speech debates of the 1950s and 1960s. International Journal of the Classical Tradition, 25(1) pp. 72–88.

Brown, Richard Danson (2018). “And dearest loue”: Virgilian half-lines in Spenser’s Faerie Queene. Proceedings of the Virgil Society, 29 pp. 49–74.

Brown, Richard Danson (2018). Trevor Joyce, Fastness: a Translation from the English of Edmund Spenser. Spenser Review, 48(1), article no. 14.

Brown, Richard Danson (2018). [Book Review] Catherine Bates, ed., A Companion to Renaissance Poetry. The Spenser Review, 48(3)

Brunet, Luc-André (2018). The creation of the Monnet Plan, 1945-46: a critical re-evaluation. Contemporary European History, 27(1) pp. 23–41.

Brunet, Luc-André (2018). [Book Review] A Vision of Europe: Franco-German Relations During the Great Depression, 1929–1932, by Conan Fischer. The English Historical Review, 133(565) pp. 1651–1652.

Brunet, Luc-André (2018). Jean Monnet et l'organisation des économies alliées pour la guerre (1939-1940). In: Bossuat, Gérard ed. Jean Monnet et l'économie. Euroclio. Bruxelles: Peter Lang.

Brunet, Luc-André (2018). The Role of Algeria in Debates over Post-War Europe within the French Resistance. In: Davis, Muriam Haleh and Serres, Thomas eds. North Africa and the Making of Europe: Governance, Institutions and Culture. London: Bloomsbury, pp. 23–42.

Caldari, Valentina; Questier, Michael and Wolfson, Sara J. (2018). Introduction. In: Caldari, Valentina and Wolfson, Sara J. eds. Stuart Marriage Diplomacy. Dynastic Politics in their European Context, 1604-1630. Studies in Early Modern Cultural, Political and Social History (31). Boydell and Brewer.

Carter, Warren (2018). Mexican Muralism Reconsidered. In: Carter, Warren ed. Art after Empire: From Colonialism to Globalisation. Manchester: Manchester University Press in association with the OU, pp. 59–97.

Cathcart, Charles (2018). Thomas Brewer and his Associates: Hayman, Taylor, Heywood. Notes and Queries, 65(2) pp. 198–201.

Cathcart, Charles (2018). Leonard Becket, Stationer, and A help to discourse. The Library, 19(3) pp. 301–324.

Chambers, Helen (2018). Conrad's Reading: Space, Time, Networks. New Directions in Book History (NDBH). London: Palgrave Macmillan, Cham.

Christian, Kathleen (2018). Roma caput mundi: Rome's local antiquities as symbol and source. In: Christian, Kathleen and de Divitiis, Bianca eds. Local antiquities, local identities: Art, literature and antiquarianism in Europe, c. 1400-1700. Manchester: Manchester University Press, pp. 57–78.

Clark, Leah (2018). Collecting Art in the Italian Renaissance Court: Objects and Exchanges. Cambridge: Cambridge University Press.

Clark, Leah R. (2018). Objects of Exchange: Diplomatic Entanglements in Fifteenth-century Naples. Predella, 43-44 pp. 129–154.

Clark, Leah R. (2018). From Naples to Ferrara. The Collections of Duchess Eleonora d’Aragona. In: Ippoliti, Alessandro ed. Atti del convegno internazionale: Biagio Rossetti e il suo tempo. Rome: Ginevra Bentivoglio Editoria, pp. 255–265.

Clarke, Martin V. (2018). 'Above all sing spiritually': musical reform and revival in Methodism. In: Fourteenth Institute of Methodist Theological Studies, 2018, Oxford Institute, Oxford.

Clarke, Martin V. (2018). Church musicians in nineteenth-century Durham. In: Golding, Rosemary ed. The Music Profession in Britain, 1780-1920: New Perspectives on Status and Identity. Music in Nineteenth-Century Britain. Abingdon: Routledge, pp. 90–109.

Cook, James; Kolassa, Alexander and Whittaker, Adam (2018). [Introduction] Understanding the present through the past and the past through the present. In: Kolassa, Alexander; Cook, James and Whittaker, Adam eds. Recomposing the Past: Representations of Early Music on Stage and Screen. Ashgate Screen Music Series. Abingdon: Routledge, pp. 1–14.

Cook, James; Kolassa, Alexander and Whittaker, Adam (2018). Music in fantasy pasts: neomedievalism and Game of Thrones. In: Kolassa, Alexander; Cook, James and Whittaker, Adam eds. Recomposing the Past: Representations of Early Music on Stage and Screen. Ashgate Screen Music Series. Abingdon: Routledge, pp. 229–250.

Crone, Rosalind (2018). Educating the labouring poor in nineteenth-century Suffolk. Social History, 43(2) pp. 161–185.

Crone, Rosalind; Hoskins, Lesley and Preston, Rebecca (2018). Guide to the Criminal Prisons of Nineteenth-Century England. London Publishing Partnership.

Davis, Caroline and Trott, Vincent (2018). Introduction. Logos, 29(2-3) pp. 6–8.

De Renzi, Silvia (2018). Seats and series: dissecting diseases in the seventeenth century. In: De Renzi, Silvia; Bresadola, Marco and Conforti, Maria eds. Pathology in Practice: Diseases and Dissections in Early Modern Europe. The History of Medicine in Context. London: Routledge, pp. 96–115.

De Renzi, Silvia (2018). Family resemblance in the Old Regime. In: Hopwood, Nick; Flemming, Rebecca and Kassell, Lauren eds. Reproduction. Antiquity to the Present Day. Cambridge: Cambridge University Press, pp. 241–252.

De Renzi, Silvia; Bresadola, Marco and Conforti, Maria (2018). Pathological dissections in early modern Europe: practice and knowledge. In: De Renzi, Silvia; Bresadola, Marco and Conforti, Maria eds. Pathology in Practice: Diseases and Dissections in Early Modern Europe. The History of Medicine in Context. London: Routledge, pp. 3–19.

Dobinson, Colin; Ferraby, Rose; Lucas, Jason; Millett, Martin and Wallace, Lacey (2018). Archaeological Field Survey in the Environs of Aldborough (Isurium Brigantum). Yorkshire Archaeological Journal, 90(1) pp. 29–58.

Dohmen, Renate (2018). The Global, the Post-Abyssal and the Cosmopolitical: Casting a Creative Post-Underdeveloped, Post-Peripheral, Tropical Eye. In: Di Paola, Modesta ed. Cosmopolitics and Biopolitics. Ethics and Aesthetics in Contemporary Art. Art, Globalization, Interculturality. Barcelona: Barcelona University Press, pp. 77–94.

Dooley, James (2018). rive (moog). Royal Birmingham Conservatoire, Birmingham, UK. [Performance]. (Unpublished)

Dooley, James (2018). colligation (Moog): exploring the confluence of gesture, light and the Moog System 55 analogue synthesiser. [Performance] (Unpublished)

Droy, Laurence; Hughes, Lotte; Lamont, Mark; Nguura, Peter; Parsitau, Damaris and Wamue Ngare, Grace (2018). Alternative Rites of Passage in FGM/C Abandonment Campaigns in Africa: A research opportunity. In LIAS Working Paper Series LIAS Working Paper Series, Vol. 1, University of Leicester.

Dueck, Byron (2018). North American Indigenous song, the sacred and the senses. Body and Religion, 2(2) pp. 206–223.

Dueck, Byron (2018). North American Indigenous Song, the Sacred and the Senses. In: Harvey, Graham and Hughes, Jessica eds. Sensual Religion: Religion and the Five Senses. Equinox Publishing Ltd., pp. 170–188.

Emsley, Clive (2018). A Police Officer and a Gentleman: A.F. 'Michael' Wilcox. London: Blue Lamp Books.

Emsley, Clive (2018). ‘Du concept à l’institution: Les spécifités du mot “police” en langue anglaise’. In: Cicchini, Marco and Denis, Vincent eds. Le Nœud gordien. Police et justice: des Lumières à l’État libéral (1750-1850). Chêne-Bourg, Switzerland: Georg, pp. 47–69.

Forbes, Suzanne (2018). A 'Lost' Quaker-Baptist Pamphlet Debate between William Penn and John Plimpton in 1698. Eighteenth-Century Ireland, 32 pp. 44–64.

Forbes, Suzanne (2018). Print and Party Politics in Ireland, 1689-1714. Palgrave Macmillan.

Gibson, Jonathan (2018). Miscellanies in manuscript and print. In: Bates, Catherine ed. A Companion to Renaissance Poetry. Chichester: Wiley-Blackwell, pp. 103–114.

Gibson, Jonathan (2018). Textual Introduction. In: Clarke, Elizabeth; Norbrook, David and Stevenson, Jane eds. The Works of Lucy Hutchinson, Volume 2: Theological Writings and Translations. Oxford: Oxford University Press, pp. 49–58.

Gibson, Jonathan (2018). Textual Introduction. In: Clarke, Elizabeth; Norbrook, David and Stevenson, Jane eds. The Works of Lucy Hutchinson, Volume 2: Theological Writings and Translations. Oxford: Oxford University Press, pp. 181–187.

Golding, Rosemary (2018). Introduction. In: Golding, Rosemary ed. The Music Profession in Britain, 1780-1920: New Perspectives on Status and Identity. Routledge, pp. 1–11.

Golding, Rosemary (2018). Music teaching in the late-nineteenth century: a professional occupation? In: Golding, Rosemary ed. The Music Profession in Britain, 1780-1920: New Perspectives on Status and Identity. Music in Nineteenth-Century Britain. Routledge, pp. 128–148.

Golding, Rosemary (2018). Finding Musicology in nineteenth-century Britain: contexts and conflicts. In: Wald-Fuhrmann, Melanie and Keym, Stefan eds. Wege zur Musikwissenschaft / Paths to Musicology. Bärenreiter Verlag.

Graham, Emma-Jayne (2018). ‘There Buds the Laurel’: Nature, Temporality and the Making of Place in the Cemeteries of Roman Italy. Theoretical Roman Archaeology Journal (TRAJ), 1(1), article no. 3.

Graham, Emma-Jayne; Sulosky Weaver, Carrie L. and Chamberlain, Andrew T. (2018). "Pars Pro Toto" and Personhood in Roman Cremation Ritual: New Bioarchaeological Evidence for the Rite of "Os Resectum". Bioarchaeology International, 2(4) pp. 240–254.

Grell, Ole Peter (2018). Martin Luther on the poison of sexual abstinence and the poison of the pox From Galen to Paracelsus. In: Grell, Ole Peter; Cunningham, Andrew and Arrizabalaga, Jon eds. It All Depends on the Dose: Poisons and Medicines in European History. Routledge, pp. 103–116.

Griffiths, Andrew (2018). Seeking the Sources of Heart of Darkness: the African Narratives of late-Victorian Explorers and Journalists. Continents manuscrits(11)

Gupta, Suman (2018). [Book Review] On race: 34 conversations in a time of crisis. Ethnic and Racial Studies, 42(3) pp. 472–475.

Gupta, Suman and Allen, Richard (2018). “Liderazgo académico” y las condiciones del trabajo académico. Literatura: teoría, historia, crítica, 20(2) pp. 293–319.

Gupta, Suman and Virdee, Satnam (2018). Introduction: European crises: contemporary nationalisms and the language of “race”. Ethnic and Racial Studies, 41(10) pp. 1747–1764.

Hack, Karl (2018). ‘Devils that suck the blood of the Malayan People’: The Case for Post-Revisionist Analysis of Counter-insurgency Violence. War in History, 25(2) pp. 202–226.

Hamer, Laura (2018). 'Every impulse and spring of art seems to have died in me, except for music': Gerard Manley Hopkins as composer. The Musical Times, 159(1945) pp. 27–41.

Hamer, Laura (2018). Female Composers, Conductors, Performers: Musiciennes of Interwar France, 1919-1939. Abingdon: Routledge.

Hamer, Laura (2018). Beyond neoclassicism: symphonic form, catharsis, and political commentary in Barraine’s Deuxième symphonie (1938). In: Mawer, Deborah ed. Historical Interplay in French Music and Culture 1860 - 1960. Abingdon and New York: Routledge, pp. 121–138.

Hardwick, Lorna (2018). The poetics of cultural memory: WWI refractions of ancient peace. Classical Receptions Journal, 10(4) pp. 393–414.

Haslam, Sara (2018). Ford Madox Ford's Last Library: Details, Dedications, and Remaining Mysteries in the Berg Collection, New York. Last Post: A literary journal from the Ford Madox Ford Society, 1(1) pp. 1–23.

Haslam, Sara (2018). No more Parades End: Ford Madox Ford’s last library and what it tells us about ‘the Tietjens saga’. Times Literary Supplement(6010)

Haywood, Jan (2018). From Croesus to Pausanias: Tragic Individuals in Early Greek Historiography. In: Archibald, Z. and Haywood, J. eds. The Power of the Individual in Ancient Athens: Essays in Honour of John K. Davies. Swansea: Classical Press of Wales.

Haywood, Jan and Mac Sweeney, Naoise (2018). Homer's Iliad and the Trojan War: Dialogues on Tradition. Bloomsbury Studies in Classical Reception (1). London: Bloomsbury.

Herbert, Trevor (2018). Cornetti e tromboni in the high Renaissance and Baroque. Early Music, 46(2) pp. 343–345.

Herbert, Trevor (2018). Cornett. In: Lawson, Colin and Stowell, Robin eds. The Cambridge Encyclopedia of Historical Performance in Music. Cambridge: Cambridge University Press, pp. 151–152.

Herbert, Trevor (2018). Military music. In: Lawson, Colin and Stowell, Robin eds. The Cambridge Encyclopedia of Historical Performance in Music. Cambridge: Cambridge University Press, pp. 409–411.

Herbert, Trevor (2018). Musica Reservata. In: Lawson, Colin and Stowell, Robin eds. The Cambridge Encyclopedia of Historical Performance in Music. Cambridge: Cambridge University Press, p. 427.

Herbert, Trevor (2018). Serpent. In: Lawson, Colin and Stowell, Robin eds. The Cambridge Encyclopedia of Historical Performance in Music. Cambridge: Cambridge University Press, pp. 572–573.

Herbert, Trevor (2018). Trombone. In: Lawson, Colin and Stowell, Robin eds. The Cambridge Encyclopedia of Historical Performance in Music. Cambridge: Cambridge University Press, pp. 630–632.

Herbert, Trevor (2018). Tuba and ophicleide. In: Lawson, Colin and Stowell, Robin eds. The Cambridge Encyclopedia of Historical Performance in Music. Cambridge: Cambridge University Press, pp. 636–638.

Herbert, Trevor (2018). Foreword: amateur bands, their localities, and their challenges – the lessons of history. In: Reily, Suzel A. and Brucher, Katherine eds. The Routledge Companion to the Study of Local Musicking. Routledge Music Companions. Abingdon: Routledge, xv-xxv.

Hewings, Ann and Prescott, Lynda (2018). Digital Futures. In: Eaglestone, Robert and Marshall, Gail eds. English: Shared Futures. The English Association: Essays and Studies. Cambridge: Boydell & Brewer Ltd, pp. 100–108.

Hills, Laura; Clarke, Anactoria; Hughes, Jonathan; Butcher, John; Shelton, Isobel and McPherson, Elaine (2018). Chinese whispers? Investigating the consistency of the language of assessment between a distance education institution, its tutors and students. Open Learning: The Journal of Open, Distance and e-Learning, 33(3) pp. 238–349.

Hobden, Fiona (2018). Augustus and the politics of the past today in television documentaries. In: Goodman, Penelope ed. Afterlives of Augustus, AD 14 - 2014. Cambridge: Cambridge University Press, pp. 294–321.

Hobden, Fiona (2018). Are We the Greeks? Understanding Antiquity and Ourselves in Television Documentaries. In: Hobden, Fiona and Wrigley, Amanda eds. Ancient Greece on British Television. Screening Antiquity. Edinburgh: Edinburgh University Press, pp. 24–43.

Hobden, Fiona and Wrigley, Amanda (2018). Broadcasting Greece: an introduction to Greek antiquity on the small screen. In: Hobden, Fiona and Wrigley, Amanda eds. Ancient Greece on British Television. Screening Antiquity. Edinburgh: Edinburgh University Press, pp. 1–23.

Hogan, Edward (2018). The Electric: a novel and critical commentary investigating narrative disruption in sign language, cinemagoing, and trauma. PhD thesis The Open University.

Hope, Valerie (2018). Vocal expression in Roman mourning. In: Butler, Shane and Nooter, Sarah eds. Sound and the Ancient Senses. The Senses in Antiquity. London and New York: Routledge, pp. 61–76.

Hope, Valerie (2018). Funerary practice in the city of Rome. In: Holleran, Claire and Claridge, Amanda eds. A Companion to the City of Rome. Blackwell Companions to the Ancient World. Wiley Blackwell, pp. 383–401.

Hope, Valerie (2018). Dead people's clothes: Materialising mourning and memory in ancient Rome. In: Newby, Zahra and Toulson, Ruth eds. The Materiality of Mourning: Cross-disciplinary Perspectives. London: Routledge, pp. 23–39.

Hope, Valerie Margaret (2018). 'Dulce et decorum est pro patria mori': the practical and symbolic treatment of the Roman war dead. Mortality: Promoting the interdisciplinary study of death and dying, 23(1) pp. 35–49.

Hughes, Jessica (2018). The texture of the gift: religious touching in the Greco-Roman world. Body and Religion, 2(1) pp. 88–112.

Hughes, Jessica (2018). Phallic Fertility in Pompeii. In: Hopwood, Nick; Flemming, Rebecca and Kassell, Lauren eds. Reproduction: Antiquity to the Present Day. Cambridge: CUP.

Hughes, Jessica and Flemming, Rebecca (2018). Exhibit 40 - The Room of the Ribbons. In: Hopwood, Nick; Flemming, Rebecca and Kassell, Lauren eds. Reproduction: Antiquity to the Present Day. Cambridge: Cambridge University Press, p. 672.

Hughes, Lotte (2018). Alternative Rites of Passage: Faith, rights, and performance in FGM/C abandonment campaigns in Kenya. African Studies, 77(2) pp. 274–292.

Hughes, Lotte; Akoth, Steve Ouma and Nyamweru, Celia (2018). The Politics of Culture in Kenya since 2010: Implications for pluralism. In: Ghai, Yash Pal and Ghai, Jill C. eds. Pluralism in Kenya. The Katiba Institute and the Global Institute for Pluralism.

Hughes, Lotte and Lamont, Mark (2018). Introduction: Cultural rights and constitutional change. African Studies, 77(2) pp. 159–170.

Hunt, Steven; Letchford, Clive; Lloyd, Mair; Manning, Laura and Plummer, Rachel (2018). The Virtue of Variety: Opening the Doors to Wider Pedagogical Practices in UK Schools and Universities. Journal of Classics Teaching, 19(38) pp. 53–60.

Huskinson, Janet (2018). Early Christian Art and Archaeology in Sixteenth and Seventeenth Century Rome. In: Jensen, Robin M. and Ellison, Mark D. eds. The Routledge Handbook of Early Christian Art. Routledge, pp. 364–379.

Johnson, David (2018). The limits of African nationalism: from anti-apartheid resistance to postcolonial critique. In: Deckard, Sharae and Varma, Rashmi eds. Marxism, Postcolonial Theory and the Future of Critique: Critical Engagements with Benita Parry. Routledge Research in Postcolonial Literatures. New York: Routledge, pp. 191–212.

Jones, Richard J. (2018). Continued Continuations of Complete Histories: Tobias Smollett and the Work of History. Journal for Eighteenth-Century Studies, 41(3) pp. 391–406.

Jones, Richard J. (2018). Tobias Smollett and the work of writing. Literature Compass, 15(8), article no. e12485.

Katritzky, M. A. (2018). Stefanelo Botarga and Pickelhering: Fishy Italian and English Stage Clowns in Spain and Germany. In: Kuepper, Joachim and Pawlita, Leonie eds. Theatre Cultures within Globalising Empires: Looking at Early Modern England and Spain. Berlin/Boston: Walter de Gruyter, pp. 15–39.

Katritzky, M. A. (2018). German-Speaking Countries. In: Balme, Christopher B.; Vescovo, Piermario and Vianello, Daniele eds. Commedia dell'Arte in Context. Cambridge: Cambridge University Press, pp. 98–105.

Katritzky, M. A. (2018). Les représentations du charlatan pendant la première modernité et leur origine dans la scène du marchand du théâtre religieux. In: Dhraief, Beya; Negrel, Eric and Ruimi, Jennifer eds. Théâtre et charlatans dans l'Europe moderne. Registres collection des etudes théâtrales. Paris: Presses Sorbonne Nouvelle, pp. 99–116.

Katritzky, M. A. (2018). Commedia dell’arte related glass: early modern Venice. In: Ferrone, S. ed. Commedia dell’arte . Nuova Serie, Volume 1. Polistampa, pp. 11–31.

King, David and Benatti, Francesca (2018). A (Data) Tale Of Two Faculties. In: Data Conversations, 26 Nov 2018, The Open University, UK.

King, Helen (2018). 'First behead your viper’: acquiring knowledge in Galen’s poison stories. In: Grell, Ole Peter; Cunningham, Andrew and Arrizabalaga, Jon eds. "It All Depends on the Dose": Poisons and Medicines in European History. Abingdon: Routledge, pp. 25–42.

King, Helen (2018). Women and Doctors in Ancient Greece. In: Hopwood, Nick; Flemming, Rebecca and Kassell, Lauren eds. Reproduction: Antiquity to the Present Day. Cambridge University Press, pp. 39–52.

King, Helen and Green, Monica H (2018). On the misuses of medical history. Lancet, 391(10128) pp. 1354–1355.

King, Helen and Zuccolin, Gabriella (2018). Rethinking nosebleeds: gendering spontaneous bleedings in medieval and early modern medicine. In: Johnson, Bonnie Lander and DeCamp, Eleanor eds. Blood Matters. Studies in European Literature and Thought, 1400-1700. Philadelphia, PA: University of Pennsylvania Press, pp. 79–91.

Kolassa, Alexander (2018). Presentness and the past in contemporary British opera. In: Cook, James; Kolassa, Alexander and Whittaker, Adam eds. Recomposing the Past: Representations of Early Music on Stage and Screen. Ashgate Screen Music Series. Abingdon and New York: Routledge, pp. 155–173.

Kolassa, Alexander (2018). The Past is a Different Planet: Sounding Medievalism in Aleksei German’s Hard to Be a God. In: Fugelso, Karl ed. Studies in Medievalism XXVII: Authenticity, Medievalism, Music. Studies in Medievalism, XXVII. Cambridge: D.S.Brewer, pp. 227–250.

Kolassa, Alexander (2018). Introduction to Part III. In: Fugelso, Karl ed. Authenticity, Medievalism, Music. Studies in Medievalism (27). Cambridge: Boydell & Brewer, pp. 181–182.

Kraamer, Malika and Barnes, Amy Jane (2018). Un-placed heritage: Making identity through fashion. In: Watson, Sheila; Barnes, Amy Jane and Bunning, Katy eds. A Museum Studies Approach to Heritage. Leicester Readers in Museum Studies. Abingdon: Routledge, pp. 598–618.

Kynan-Wilson, William (2018). Subverting a Papal Message? Master Gregory’s use of the Mirabilia urbis Romae. Journal of Medieval History, 44(3) pp. 347–364.

Kynan-Wilson, William and Fonnesberg-Schmidt, Iben (2018). Smiling, Laughing and Joking in Papal Rome: Thomas of Marlborough and Gerald of Wales at the Court of Pope Innocent III (1198-1216). Papers of the British School at Rome, 86 pp. 153–181.

Langley, Chris R. (2018). “In the execution of his office”: lay officials and the exercise of ecclesiastical discipline in Scotland, c. 1600-1660. The Seventeenth Century, 33(5) pp. 497–512.

Langley, Chris R. (2018). ‘So necessarie and charitable a worke’: welfare, identity and Scottish prisoners of war in England, 1650–55. In: Appleby, David and Hopper, Andrew eds. Battle-scarred: Mortality, medical care and military welfare in the British Civil Wars. Manchester: Manchester University Press, pp. 211–229.

Layton-Jones, Katy (2018). How to Lay Out a Very Large Garden Indeed: Edward Kemp’s Liverpool Parks, their History and Legacy. Garden History, 46(Suppl. 1) pp. 72–82.

Layton-Jones, Katy (2018). Manufactured landscapes: Victorian public parks and the industrial imagination. In: Dick, Malcolm and Mitchell, Elaine eds. Gardens and Green Spaces in the West Midlands since 1700. Hatfield: University of Hertfordshire Press, pp. 120–137.

Lee, Catherine (2018). ‘Giddy Girls’, ‘Scandalous Statements’ and a ‘Burst Bubble’: the war babies panic of 1914–1915. Women's History Review, 27(4) pp. 565–578.

Lloyd, Mair E. and Robson, James (2018). A Survey of Beginner's Language Teaching in UK Classics Departments: Latin. Council of University Classical Departments Bulletin, 47

Loftus, Donna (2018). Markets and culture. In: Handley, Sasha; McWilliam, Rohan and Noakes, Lucy eds. New Directions in Social and Cultural History. London: Bloomsbury, pp. 109–128.

Lymberopoulou, Angeliki (2018). Sight and the Byzantine Icon. Body and Religion, 2(1) pp. 46–67.

Lymberopoulou, Angeliki (2018). Sight and the Byzantine Icon. In: Harvey, Graham and Hughes, Jessica eds. Sensual Religion. Religion and the Five Senses. Sheffield: Equinox Publishingh Ltd, pp. 109–130.

Lymberopoulou, Angeliki (2018). Introduction. In: Lymberopoulou, Angeliki ed. Cross-Cultural interaction between Byzantium and the West, 1204-1669. Whose Mediterranean is it anyway? Society for the Promotion of Byzantine Studies (22). London: Routledge, pp. 1–18.

Lymberopoulou, Angeliki (2018). The Fogg Triptych: Testimony of a case study to the society and artistic production of Venetian Crete. In: Cross-cultural interaction between Byzantium and the West, 1204-1669. Whose Mediterranean is it anyway? (Lymberopoulou, Angeliki ed.), Society for the Promotion of Byzantine Studies, Routledge, London, pp. 59–73.

Marsden, Richard (2018). Brexit and the mythologies of nationalism: a warning for Wales. In History and Policy History and Policy.

Marsden, Richard (2018). Scottish parliamentary record scholarship in the devolution era. Parliaments, Estates and Representations, 39(1) pp. 113–132.

Marsden, Richard (2018). Henry Tudor: a Welsh hero...? OpenLearn, The Open University, Milton Keynes.

Marsden, Richard (2018). Game of Thrones: imagined world combines romantic and grotesque visions of Middle Ages. In The Conversation The Conversation.

Marsden, Richard A. (2018). Medievalism: New discipline or scholarly no-man’s land? History Compass, 16(2), article no. e12439.

McEneaney, Sinead (2018). Sex and the radical imagination in the Berkeley Barb and the San Francisco Oracle. Radical Americas, 3(1)

Michael-Fox, Bethan and Hayden, Nikita (2018). Transforming the Community, Transforming the Self: Young People, Social Action and community Leadership. The Sheffield Student Journal for Sociology(2), article no. 7.

Michailidis, Tychonas; Dooley, James; Granieri, Niccolò and Di Donato, Balandino (2018). Improvising through the senses: a performance approach with the indirect use of technology. Digital Creativity, 29(2-3) pp. 149–164.

Neale, Derek (2018). World writing and radio drama. Writing in Education(76) pp. 8–9.

Neale, Derek (2018). Introduction: Critical and creative reflections on process. Writing in Practice, 4, article no. 1.

Neale, Derek, Spencer, Amy, Howitt-Dring, Holly and Cable, Liz (eds.) (2018) Writing in Practice: The Journal of Creative Writing Research. (Vol. 4) National Association of Writers in Education.

Neale, Derek with Greenberg, Susan, Holloway, Simon and Melrose, Andrew (2018) Creative Writing Research Benchmark Statement. National Association of Writers in Education, UK.

Neville, Patricia Jean (2018). A World of Reading:An Intertextual Study of Janet Frame's Novels. PhD thesis The Open University.

Norman, Diana (2018). Siena and the Angevins (1300-1350): Art, Diplomacy and Dynastic Ambition. Beguinage of Turnhout, Belgium: Brepols Publishers.

Plastow, Christine (2018). Conversations with Iphigenia: two roundtable discussions with the playwrights of 'The Iphigenia Quartet'. Practitioners' Voices in Classical Reception Studies, 9

Plastow, Christine (2018). Staff-Student partnerships in pedagogy and research-based education: lessons for Classics. Council of University Classical Departments Bulletin 47.

Plastow, Christine (2018). Ancient Greek Law in the 21st Century. Ashley and Peter Larkin Endowment in Greek and Roman Culture. Bryn Mawr Classical Review, 2018(10), article no. 49.

Raudnitz, Sophie (2018). Tracing the Establishment of Political Society: Remembering and Forgetting in Ancient Greek Literature. PhD thesis The Open University.

Reeve, Michael (2018). [Book Review] Star shell reflections 1914-1916: the illustrated Great War diaries of Jim Maultsaid. First World War Studies, 9(3) pp. 367–368.

Reeve, Michael (2018). Smoking and Cigarette Consumption. In: Daniel, Ute; Gatrell, Peter; Janz, Oliver; Jones, Heather; Keene, Jennifer; Kramer, Alan and Nasson, Bill eds. 1914-1918-online. International Encyclopedia of the First World War. Berlin: Freie Universität Berlin.

Rennie, Claire Marie (2018). The education of children in London’s foundling hospital, c. 1800–1825. Childhood in the Past, 11(1) pp. 8–20.

Richards, Fiona (2018). Max & Mick: the partnership of Peter Maxwell Davies and Randolph Stow. The Musical Times, 159(1943) pp. 25–38.

Richards, Fiona (2018). Australasia. In: Herbert, Trevor; Myers, Arnold and Wallace, John eds. The Cambridge Encyclopedia of Brass Instruments. Cambridge University Press, pp. 41–44.

Richardson, Heather (2018). A dress for Kathleen. Review of Irish Studies in Europe, 2(1) pp. 279–294.

Robson, James (2018). Whoring, Gaping and Hiding Meat: The Humour of Male-on-Male Sexual Insults in Aristophanes' Knights. Archimède: Archéologie et Histoire Ancienne, 5 pp. 24–34.

Robson, James and Graham, Emma-Jayne (2018). Classics online at the Open University: teaching and learning with interactive resources. In: Holmes-Henderson, Arlene; Hunt, Steven and Musié, Mai eds. Forward with Classics: Classical Languages in Schools and Communities. London: Bloomsbury, pp. 217–299.

Robson, James and Lloyd, Mair E. (2018). A Survey of Beginner's Language Teaching in UK Classics Departments: Ancient Greek. Council of University Classical Departments Bulletin, 47

Rodgers, Michael (2018). Nabokov and Nietzsche: Problems and Perspectives. Bloomsbury.

Rothe, Ursula (2018). Veiling in Pannonia. In: Ivleva, Tatiana; De Bruin, Jasper and Driessen, Mark eds. Embracing the Provinces: Society and Material Culture of the Roman Frontier Regions. Oxford: Oxbow Books, pp. 93–100.

Rothe, Ursula (2018). The Roman Villa: Definitions And Variations. In: Marzano, Annalisa and Métraux, Guy P. R. eds. The Roman Villa in the Mediterranean Basin: Late Republic to Late Antiquity. Cambridge: Cambridge University Press, pp. 42–58.

Rothe, Ursula; Kenkel, Frauke and Zerbini, Andrea (2018). Excavations in Area III on Tall Zar‘ā. Annual of the Department of Antiquities of Jordan, 58 pp. 257–273.

Rowland, David (2018). Composers and publishers in Clementi's London. In: Golding, Rosemary ed. The Music Profession in Britain, 1780-1920: New Perspectives on Status and Identity. Music in Nineteenth-Century Britain. London and New York: Routledge, pp. 32–52.

Rowland, David (2018). Clementi's Introduction in European musical life, 1801-1830. In: Sala, Luca Lévi and Stewart-MacDonald, Rohan H. eds. Muzio Clementi and British Musical Culture: Sources, Performance Practice and Style. Abingdon: Routledge, pp. 69–83.

Saunders, Elaine (2018). 'Men of good Character, strong, decent and active': Hertfordshire's Petty Constables, 1730-1799. PhD thesis The Open University.

Shaw, Samuel (2018). Weighing Down the Landscape: The Quarry as a Site of Rural Modernity. In: Bluemel, Kristin and McCluskey, Michael eds. Rural Modernity in Britain: A Critical Intervention. Edinburgh: Edinburgh University Press, pp. 69–83.

Shaw, Samuel (2018). Aliens at Prayer: Representing Jewish Life in the East End of London, c.1905. In: Shaw, Samuel; Shaw, Sarah and Carle, Naomi eds. Edwardian Culture: Beyond the Garden Party. Among the Victorians and Modernists. London: Routledge, pp. 133–153.

Shaw, Samuel and Plumb, Christopher (2018). Zebra. Animal Series. London: Reaktion Books.

Slight, John (2018). Global War and its impact on the Gulf States of Kuwait and Bahrain, 1914-1918. War and Society, 37(1) pp. 21–37.

Slight, John (2018). Anglo-French connections and co-operation against ‘Islamic’ resistance, 1914-1917. In: Fichter, James R. ed. British and French Colonialism in Africa, Asia and the Middle East: Connected Empires across the Eighteenth to the Twentieth Centuries. Cambridge Imperial and Post-Colonial Studies Series. Palgrave Macmillan.

Stewart, Lindsey (2018). Monomania: The Life and Death of a Psychiatric Idea in Nineteenth-Century Fiction 1836-1860. PhD thesis The Open University.

Swift, Laura (2018). Thinking with Brothers in Sappho and Beyond. Mouseion: Journal of the Classical Association of Canada, 15(1) pp. 71–87.

Swift, Laura (2018). Competing generic narratives in Aeschylus' Oresteia. In: Andujar, Rosa; Hadjimichael, Theodora and Coward, Thomas eds. Paths of Song: The Lyric Dimension of Greek Tragedy. De Gruyter, pp. 119–136.

Taylor, Clare (2018). [Book Review] Designing the French interior: the modern home and mass media. Cultural and Social History, 15(4) pp. 618–620.

Taylor, Clare (2018). The Design, Production and Reception of Eighteenth-century Wallpaper in Britain. The Histories of Material Culture and Collecting, 1700-1950, ed. Stacey J. Pierson. Abingdon, Oxon and New York: Routledge.

Thompson, Marie (2018). Gendered sound. In: Bull, Michael ed. The Routledge Companion to Sound Studies. Routledge Media and Cultural Studies Companions. Abingdon: Routledge, pp. 108–117.

Tickell, Alex (2018). Writing in the Necropolis: Arundhati Roy's The Ministry of Utmost Happiness. Moving Worlds: A Journal of Transcultural Studies, 18(1) pp. 100–112.

Tickell, Alex (2018). ‘Writing the City and Indian English Fiction: Planning, Violence and Aesthetics’. In: Boehmer, Elleke and Davies, Dominic eds. Planned Violence: Post/colonial Urban Infrastructure, Literature & Culture. Cham: Palgrave Macmillan, pp. 195–211.

Tickell, Alex and Ranasinha, Ruvani (2018). Delhi: New writings on the megacity. Journal of Postcolonial Writing, 54(3) pp. 297–306.

Towheed, Shafquat (2018). [Book Review] Alaistair Fowler, The Mind of the Book: Pictorial Title Pages. The Spenser Review, 48(2), article no. 3.

Vincent, David (2018). [Book Review] The Littlehampton Libels: A Miscarriage of Justice and a Mystery about Words in 1920s England, by Christopher Hilliard. The English Historical Review, 133(565) pp. 1647–1649.

Vincent, David (2018). ‘Social Reform’. In: Patten, Robert L.; Jordan, John O. and Waters, Catherine eds. The Oxford Handbook of Charles Dickens. Oxford University Press, pp. 420–435.

Wainwright, Leon (2018). Sonia Khurana: The Contemporary Art of Relationality. Wasafiri, 33(3) pp. 30–38.

Wainwright, Leon (2018). Entwining Caribbean, British and American Art Histories: Trouble at the Turn to the "Transnational" and "Provincial". In Post: Notes on Contemporary Art around the Globe Post: Notes on Contemporary Art around the Globe. Museum of Modern Art (MoMA), New York.

Wainwright, Leon (2018). Visualising Figures of Caribbean Slavery through Modernism. In: Meecham, Pam ed. A Companion to Modern Art. Blackwell Companions to Art History. Chichester: Wiley-Blackwell, pp. 411–424.

Wainwright, Leon (2018). Materialities and Mobilities: A Note on the Political Geography of Contemporary Caribbean Art. In: Ueckmann, Natascha; Brüske, Anne and Bandau, Anja eds. Reshaping (g)local dynamics of the Caribbean: Relaciones y Deconexiones – Relations et Déconnexions – Relations and Disconnections. Heidelberg: Heidelberger Universitätsverlag HeiUp, pp. 143–157.

Walder, Dennis (2018). The Climb. In: Adeaga, Tomi and Udoh-Grossfurthner, Sarah eds. Payback and Other Stories: An Anthology of African and African Diaspora Short Stories. Vienna African Languages & Literatures (1). Vienna/Zurich: LITVerlag, pp. 156–163.

Watson, Nicola J. (2018). [Book Review] Transatlantic Literature and Author Love in the Nineteenth Century, edited by Paul Westover and Ann Wierda Rowland. Victorian Studies, 60(4) pp. 666–668.

Watson, Sheila; Barnes, Amy Jane and Bunning, Katy (2018). Introduction. In: Watson, Sheila; Barnes, Amy Jane and Bunning, Katy eds. A Museum Studies Approach to Heritage. Leicester Readers in Museum Studies. Abingdon: Routledge, pp. 1–5.

Wilding, Alexandra (2018). Review of Berti, Irene, Katharina Bolle, Fanny Opdenhoff and Fabian Stroth (eds), Writing Matters: Presenting and Perceiving Monumental Inscriptions in Antiquity and the Middle Ages. Materiale Textkulturen, 14. Berlin; Boston: De Gruyter, 2017. Bryn Mawr Classical Review

Williams, Sean (2018). Architecture for musical performance: backstage at the West German spherical pavilion at Expo 70, Osaka. In: Performance Studies Network 2018, 5-8 Jul 2018, Norwegian Academy of Music, Oslo.

Williams, Sean and Green, Owen (2018). Negotiating sonic space for group electronics. In: Doğantan-Dack, Mine and Dack, John eds. Music and Sonic Art: Theories and Practices. Cambridge Scholars Publishing, pp. 200–217.

Wolfson, Sara J. (2018). Practical proselytising: the impact of counter-Reformation Catholicism at the Caroline court, 1625-1626. In: Caldari, Valentina and Wolfson, Sara J. eds. Stuart Marriage Diplomacy. Dynastic Politics in their European Context, 1604-1630. Studies in Early Modern Cultural, Political and Social History. Boydell and Brewer.

Woods, Kim (2018). [Book Review] The Materiality of Devotion in Late Medieval Northern Europe: Images, Objects and Practices. Material Religion, 14(2) pp. 271–272.

Woods, Kim (2018). Cut in Alabaster: a Material of Sculpture and its European Traditions 1330-1530. Brepolis.

Wright, Patrick (2018). Seeing flatly: Towards a New Approach to Ekphrasis. Writing in Education(77) pp. 44–50.

Wright, Patrick (2018). Seeing like a Martian: Ekphrasis with evenly-hovering attention. In: National Association of Writers in Education Conference, 09-11 Nov 2018, York.

Younger, Neil (2018). How Protestant was the Elizabethan Regime? The English Historical Review, 133(564) pp. 1060–1092.

2017To Top

Barlow, Helen and Rowland, David eds. (2017). Listening to music: people, practices and experiences. The Open University.

Betts, Eleanor ed. (2017). Senses of the Empire: Multisensory Approaches to Roman Culture. Abingdon, UK: Routledge.

Griffiths, Andrew; Prieto, Sara and Zehle, Soenke eds. (2017). Literary Journalism and World War I: Marginal Voices. ReportAGES. Nancy, France: Presses Universitaires de Nancy.

Mera, Miguel; Sadoff, Ronald and Winters, Ben eds. (2017). The Routledge Companion to Screen Music and Sound. New York: Routledge.

Papaioannou, Tao and Gupta, Suman eds. (2017). Media Representations of Anti-Austerity Protests in the EU: Grievances, Identities and Agency. Routledge Research in Cultural and Media Studies. London: Routledge.

Richards, Fiona ed. (2017). The soundscapes of Australia: music, place and spirituality. Aldershot, UK: Routledge.

Wainwright, Leon ed. (2017). Disturbing pasts: memories, controversies and creativity. Manchester: Manchester University Press.

Wainwright, Leon and Zijlmans, Kitty eds. (2017). Sustainable art communities: Contemporary creativity and policy in the transnational Caribbean. Manchester University Press.

Attfield, Nicholas and Winters, Ben (2017). Introduction. In: Attfield, Nicholas and Winters, Ben eds. Music, Modern Culture, and the Critical Ear. Abingdon: Routledge, pp. 1–12.

Barker, Emma (2017). 'No Picture more Charming’: The Family Portrait in Eighteenth-Century France. Art History, 40(3) pp. 526–553.

Barlow, Helen (2017). “Human voices are alone themselves sufficient”: Protestant and Catholic currents in the listening experiences of an Anglo-Prussian marriage. In: Barlow, Helen and Rowland, David eds. Listening to Music: People, Practices and Experiences. The Open University.

Barnes, Amy Jane (2017). Introduction to Part III. In: Dudley, Sandra; Barnes, Amy Jane; Binnie, Jennifer; Petrov, Julia and Walklate, Jennifer eds. The Thing about Museums Objects and Experience, Representation and Contestation. Abingdon: Routledge, pp. 217–218.

Bates, Lis (2017). Honour-based Abuse in England and Wales: Who Does What to Whom? PhD thesis University of Bristol.

Benatti, Francesca and King, David (2017). A Question of Style: individual voices and corporate identity in the Edinburgh Review, 1814-1820. In: 49th Annual Conference of The Research Society for Victorian Periodicals: Borders and Border Crossings, 27-29 Jul 2017, University of Freiburg, Germany.

Benatti, Francesca and King, David (2017). Algorithmic criticism, Distant Reading and the Edinburgh Review. In: BARS (British Association for Romantic Studies) 2017 Romantic Improvement, 27-30 Jul 2017, University of York, UK.

Benatti, Francesca and King, David (2017). Hidden Authors and Reading Machines: Investigating 19th-century authorship with 21st-century technologies. In: SHARP 2017: Technologies of the book, 9-12 Jul 2017, University of Victoria, Canada.

Benatti, Francesca and King, David (2017). A Question of Style: individual voices and corporate identity in the Edinburgh Review, 1814-1820. In: DHSI 2017 Colloquium, 6-15 Jun 2017, University of Victoria, Canada.

Benton, Tim (2017). E-1027 and the Drôle De Guerre. In: Weaver, Thomas ed. AA Files, Volume 74. Architectural Association, pp. 123–143.

Benzan, Carla (2017). Atomic Atopic: Piero Manzoni’s space-age subtext and the ‘ins and outs’ of the modern intellectual. In: Guilbaut, Serge and O'Brian, John eds. Breathless Days: 1959–1960. Durham, NC: Duke University Press, pp. 275–312.

Betts, Eleanor (2017). [Book Review] García Morcillo (M.), Richardson (J.H.), Santangelo (F.) (edd.) Ruin or Renewal? Places and the Transformation of Memory in the City of Rome. Rome: Edizioni Quasar, 2016. The Classical Review, 67(2) pp. 514–516.

Betts, Eleanor (2017). Introduction: Senses of empire. In: Betts, Eleanor ed. Senses of the Empire: Multisensory Approaches to Roman Culture. London: Routledge, pp. 1–12.

Betts, Eleanor (2017). The multivalency of sensory artefacts in the city of Rome. In: Betts, Eleanor ed. Senses of the Empire: Multisensory Approaches to Roman Culture. Abingdon: Routledge, pp. 23–38.

Betts, Eleanor (2017). Afterword: Towards a methodology for Roman sensory studies. In: Betts, Eleanor ed. Senses of the Empire: Multisensory Approaches to Roman Culture. Abingdon: Routledge, pp. 193–199.

Brunet, Luc-André (2017). Forging Europe: Industrial Organisation in France, 1940-1952. Security, Conflict and Cooperation in the Contemporary World. Basingstoke: Palgrave Macmillan.

Brunet, Luc-André (2017). Patrons Résistants? French industrialists during the Second World War. French History, 31(4) pp. 512–534.

Brunet, Luc-André (2017). [Book Review] Fernando Guirao and Frances M.B. Lynch (eds), Alan S. Milward and Contemporary European History. Collected Academic Reviews. Journal of Contemporary History, 52(3) pp. 797–799.

Campbell, Siobhan (2017). Heat Signature. Bridgend, Wales: Seren Press.

Campbell, Siobhan (2017). Crossing the Lines: Borders, Transgressions, and a Spot of Smuggling. New Hibernia Review, 21(4) pp. 11–19.

Campbell, Siobhan (2017). Eavan Boland and the development of a poetics: ‘It may be beauty/but it isn’t truth’. In: Campbell, Siobhan and O'Mahony, Nessa eds. Eavan Boland: Inside History. Arlen House, pp. 155–176.

Campbell, Siobhan and O'Mahony, Nessa (2017). Eavan Boland: Inside History. London, Dublin and New York: Arlen House.

Cathcart, Charles (2017). “Swell, swell, my joys”: Ben Jonson, Quotation, and A Help to Memory and Discourse. Ben Jonson Journal, 24(2) pp. 187–204.

Cathcart, Charles (2017). Robert Daborne's Irish critic. Medieval and Renaissance Drama in England, 30 pp. 36–51.

Chambers, Helen (2017). “The first mate is a Polish count, a very quiet fellow”: Some New Torrens Documents. The Conradian, 42(2) pp. 69–87.

Charlesworth, Amy (2017). On Absence and Saturation in Chantal Akerman's De l’autre côté (From the Other Side). Oxford Art Journal, 40(2) pp. 287–305.

Charlesworth, Amy (2017). From Representation to the Biopolitical? A Review of Gender, artWork and the global imperative: A materialist feminist critique by Angela Dimitrakaki. Historical Materialism, 25(4) 201 -214.

Charlesworth, Amy (2017). Voice in Ursual Biemann's Performing the Border. Dissect(3) pp. 277–291.

Christian, Kathleen (2017). Architecture and Antique Sculpture in Early Modern Rome. In: Mallgrave, Harry Francis and Payne, Alina eds. Companions to the History of Architecture: Volume I, Renaissance and Baroque Architecture. John Wiley & Sons, pp. 73–103.

Clark, Leah R (2017). Dispersal, Exchange and the Culture of Things in Fifteenth-century Italy. In: Jurkowlaniec, Grażyna; Matyjaszkiewicz, Ika and Sarnecka, Zuzanna eds. The Agency of Things in Medieval and Early Modern Art: Materials, Power and Manipulation. London: Routledge, pp. 91–102.

Clarke, Anactoria (2017). Artemidorus. In The Literary Encyclopaedia The Literary Encyclopaedia.

Clarke, Martin (2017). Listening to a singing people: accounts of Methodist hymn-singing. In: Barlow, Helen and Rowland, David eds. Listening to music: people, practices and experiences. The Open University.

Clarke, Martin V. (2017). British Methodist Hymnody: Theology, Heritage, and Experience. Routledge Methodist Studies. Abingdon: Routledge.

Clarke, Martin V. (2017). The Whole Church Sings: Congregational Singing in Luther’s Wittenberg, Robin A. Leaver (Grand Rapids, MI: Eerdmans, 2017), 206 pp, £17.99, pbk. Holiness, 3(2) pp. 329–330.

Coffey, Helen (2017). City life and music for secular entertainment during the reign of Maximilian I. In: Biddle, Ian and Gibson, Kirsten eds. Cultural Histories of Noise, Sound and Listening in Europe, 1300–1918. Routledge, pp. 171–185.

Coffey, Helen (2017). Opera for the House of Brunswick-Lüneburg: Italian Singers at the Hanover Court. In: Kaufold, Claudia; Strohmann, Nicole K. and Timms, Colin eds. Agostino Steffani: European Composer, Hanoverian Diplomat and Bishop in the Age of Leibniz. Goettingen: Vandenhoeck & Ruprecht, pp. 107–122.

Crone, Rosalind (2017). Popular education in the British Isles during the nineteenth century. Revue d'histoire du XIXe siècle, 55 pp. 139–142.

Doloughan, Fiona (2017). Translation as a Motor of Critique and Invention in Contemporary Literature: The Case of Xiaolu Guo. In: Gilmour, Rachael and Steinitz, Tamar eds. Multilingual Currents in Literature, Translation and Culture. Routledge Interdisciplinary Perspectives on Literature. New York and London: Routledge, pp. 150–167.

Dooley, James (2017). rive: splitting sound and light. ZKM_Cube. Center for Art and Media, Karlsruhe, Germany.

Dooley, James (2017). arK1a. Self-published.

Dueck, Byron (2017). Imagining identifications: how musicians align their practices with publics. In: MacDonald, Raymond; Hargreaves, David J. and Miell, Dorothy eds. Handbook of Musical Identities. Oxford: Oxford University Press, pp. 383–402.

Emsley, Clive (2017). Exporting British Policing during the Second World War: Policing Soldiers and Civilians. London: Bloomsbury Academic.

Fiore, Antonio David (2017). ‘In defence of the decorator’ : Giulio Rosso (1897-1976) in Italy in the interwar period. PhD thesis The Open University.

Golding, Rosemary (2017). The Society of Arts and the Challenge of Professional Music Education in 1860s Britain. Journal of Historical Research in Music Education, 38(2) pp. 128–150.

Graham, Emma-Jayne (2017). [Book Review] Reviving Roman Religion: Sacred Trees in the Roman World. Material Religion, 13(4) pp. 532–534.

Graham, Emma-Jayne (2017). Babes in arms? Sensory dissonance and the ambiguities of votive objects. In: Betts, Eleanor ed. Senses of the Empire: Multisensory Approaches to Roman Culture. Abingdon, Oxon: Routledge, pp. 120–136.

Graham, Emma-Jayne (2017). Partible humans and permeable gods: enacting human-divine personhood in the sanctuaries of Hellenistic Italy. In: Draycott, Jane and Graham, Emma-Jayne eds. Bodies of Evidence: Ancient Anatomical Votives Past, Present and Future. Medicine and the Body in Antiquity. London and New York: Routledge, pp. 45–62.

Graham, Emma-Jayne and Draycott, Jane (2017). Introduction: Debating the anatomical votive. In: Draycott, Jane and Graham, Emma-Jayne eds. Bodies of Evidence: Ancient Anatomical Votives Past, Present and Future. Medicine and the Body in Antiquity. London and New York: Routledge, pp. 1–19.

Griffin, Julian Marc (2017). Out of Johnson's Shadow: James Boswell as Travel Writer. PhD thesis The Open University.

Griffiths, Andrew (2017). Literary Journalism and Empire: George Warrington Steevens in Africa, 1898–1900. Literary Journalism Studies, 9(1) pp. 60–81.

Griffiths, Andrew (2017). Strategic Fictions? John Buchan, The Times and the Ypres Salient. In: Griffiths, Andrew; Prieto, Sara and Zehle, Soenke eds. Literary Journalism and World War I: Marginal Voices. ReportAGES. Nancy, France: Presses Universitaires de Nancy, pp. 55–75.

Gupta, Suman (2017). Disciplinary departures and discipline formation: The institutional rationale. TEXT Journal of Writing and Writing Courses, 21(2)

Gupta, Suman (2017). A Perspectiva Da Pensativa Traça De Livro Quanto À Pesquisa Literária e Linguística [The Thinking Bookworm’s View Of Literary And Linguistic Research]. Revista da Anpoll, 43 pp. 175–192.

Gupta, Suman (2017). Media-Framing Analysis, One-Word Framing and ‘Austerity’. In: Papaioannou, Tao and Gupta, Suman eds. Media Representations of Anti-Austerity Protests in the EU: Grievances, Identities and Agency. Routledge.

Gupta, Suman; Katsarska, Milena; Spyros, Theodoros A. and Hajimichael, Mike (2017). Usurping Suicide: The Political Resonances of Individual Deaths. London: Zed.

Gupta, Suman; Search, Alexander; Durao, Fabio A. and McDonough, Terrence (2017). Entrepreneurial Literary Theory: A Debate on Research and the Future of Academia. London: Shot in the Dark.

Hack, Karl (2017). The Art of Counterinsurgency: Phase Analysis with Primary Reference to Malaya (1948-60), and Secondary Reference to Kenya (1952-60). In: Thomas, Martin and Curless, Gareth eds. Decolonization and Conflict: Colonial Comparisons and Legacies. London: Bloomsbury, pp. 177–196.

Hancock-Jones, Robert; Renshaw, James and Swift, Laura (2017). Greek Theatre and Imperial Image: OCR Classical Civilisation AS and A Level Components 21 and 22. Bloomsbury Academic.

Hayes, Tracy L. (2017). "Only the rames of a man": Investigating Masculinities in the Novels of Thomas Hardy. PhD thesis The Open University.

Hazareesingh, Sandip (2017). The creation of a conflictual border: India-Pakistan. Open University, Milton Keynes.

Hazareesingh, Sandip and Patent, Volker (2017). Peace movements in contemporary India and Pakistan. Open University, Milton Keynes.

Hobden, Fiona (2017). Ancient world documentaries. In: Pomeroy, Arthur ed. A Companion to Ancient Greece and Rome on Screen. Blackwell Companions to the Ancient World. Oxford: Wiley-Blackwell, pp. 491–514.

Holmes, Janice (2017). John Bunyan's The Pilgrim's Progress in Nineteenth-Century Ulster. In: Gudmundsson, David; Maurits, Alexander and Nykvist, Martin eds. Classics in Northern European Church History over 500 Years: essays in honour of Anders Jarlert. Frankfurt am Main: Peter Lang, pp. 61–84.

Holmes, Janice (2017). The "Absence" of Family in 19th-Century Irish Presbyterian Clerical Biographies. In: Spiritual and Ecclesiastical Biographies. Research, Results, and Reading (Jarlert, Anders ed.), Konferenser (Conferences), Kungl. Vitterhets Historie och Antikvitets Akademien (Royal Swedish Academy of Letters, History and Antiquities), Stockholm, pp. 105–120.

Holmes, Janice (2017). Methodists and Holiness. In: Larsen, Timothy and Ledger-Lomas, Michael eds. The Oxford History of Protestant Dissenting Traditions Volume III: The Nineteenth Century. Oxford: Oxford University Press, pp. 124–149.

Hope, Valerie (2017). Living without the dead: finding solace in ancient Rome. In: Tappenden, Frederick S. and Daniel-Hughes, Carly eds. Coming Back to Life: The Permeability of Past and Present, Mortality and Immortality, Death and Life in the Ancient Mediterranean. Montreal, Quebec: McGill Scholarly Publishing, pp. 39–70.

Hope, Valerie M. (2017). A sense of grief: the role of the senses in the performance of Roman mourning. In: Betts, Eleanor ed. Senses of the Empire. Multisensory Approaches to Roman Culture. Abingdon: Routledge, pp. 86–103.

Hughes, Jessica (2017). Votive Body Parts in Greek and Roman Religion. Cambridge Classical Studies. Cambridge: Cambridge University Press.

Hughes, Jessica (2017). 'Souvenirs of the Self': Personal Belongings as Votive Offerings in Ancient Religion. Religion in the Roman Empire, 3(2) pp. 181–201.

Hughes, Jessica (2017). Studying Votives Across Cultures. Material Religion, 13(1) pp. 104–106.

Hughes, Lotte (2017). Implementing cultural rights (nature, issues at stake and challenges) - Report 2010 (A/HRC/14/36). In: Belder, Lucky and Porsdam, Helle eds. Negotiating Cultural Rights: Issues at Stake, Challenges and Recommendations. Edward Elgar, pp. 37–58.

Hughes, Lotte (2017). Memorialization and Mau Mau: A Critical Review. In: MacArthur, Julie ed. Dedan Kimathi on Trial: Colonial Justice and Popular Memory in Kenya's Mau Mau rebellion. Research in International Studies, Global and Comparative Studies, (17). Ohio University Press, pp. 339–374.

Hughes, Lotte (2017). Mau Mau: The Divisive Heritage of Liberation Struggle in Kenya. In: Walters, Diana; Laven, Daniel and Davis, Peter eds. Heritage and Peacebuilding. Heritage Matters. Woodbridge, Suffolk: The Boydell Press, pp. 179–190.

Jensen, Meg and Campbell, Siobhan M. (2017). The Expressive Life-Writing Handbook. London and Edinburgh: Beyond Borders Scotland in association with The Stabilisation and Recovery Network.

Johnson, David (2017). Anti-apartheid people's histories and post-apartheid nationalist biographies. In: Choudry, Aziz and Vally, Salim eds. Reflections on Knowledge, Learning and Social Movements: History's Schools. London and New York: Routledge, pp. 88–103.

Katritzky, M. A. (2017). The Bal des Ardents (1393), Thomas of Woodstock (1397) and Richard II (1400): Three Medieval Conspiracy Rumours and the Scots’ Mine Play (1608). European Medieval Drama, 20 pp. 105–139.

Katritzky, M. A. (2017). Virtuous needleworkers, vicious apes: the embroideries of Mary Queen of Scots and Bess of Hardwick. In: Münch, Birgit Ulrike; Tacke, Andreas; Herzog, Markwart and Heudecker, Sylvia eds. Künstlerinnen: neue Perspektiven auf ein Forschungsfeld der Vormoderne. Kunsthistorisches Forum Irsee, 4. Petersberg: Michael Imhof Verlag, pp. 48–61.

King, Edmund G. C. (2017). [Book Review] The British Soldier and His Libraries, c. 1822–1901. Library & Information History, 33(4) pp. 279–280.

King, Edmund G. C. (2017). Discovering Shakespeare’s Personal Style: Editing and Connoisseurship in the Eighteenth Century. In: Depledge, Emma and Kirwan, Peter eds. Canonising Shakespeare: Stationers and the Book Trade, 1640–1740. Cambridge: Cambridge University Press, pp. 130–142.

Kynan-Wilson, William (2017). The Ottoman Imagery of Jacopo Ligozzi. In: Arfioli, Maurizio and Caroscio, Marta eds. The Grand Ducal Medici and the Levant: Material Culture, Diplomacy, and Imagery in the Early Modern Mediterranean. The Medici Archive Project (3). Turnhout: Brepolis, pp. 101–111.

Kynan-Wilson, William (2017). ‘Painted by the Turcks themselves’: Reading Peter Mundy’s Ottoman Costume Album in Context. In: Babaie, Sussan and Gibson, Melanie eds. The Mercantile Effect: On Art and Exchange in the Islamicate World. London: Gingko Library, pp. 38–50.

Kynan-Wilson, William (2017). Roman Identity in William of Malmesbury’s Historical Writings. In: Thomson, R. M.; Dolmans, E. and Winkler, E. eds. Discovering William of Malmesbury. Woodbridge: Boydell & Brewer, pp. 81–91.

Langley, Chris R. (2017). Caring for Soldiers, Veterans and Families in Scotland, 1638-1651. History, 102(349) pp. 5–23.

Langley, Chris R. (2017). Sheltering under the Covenant: The National Covenant, Orthodoxy and the Irish Rebellion, 1638–1644. The Scottish Historical Review, 96(2) pp. 137–160.

Langley, Chris R. (2017). Lying Sick to Die: Dying, Informal Care and Authority in Scotland, ca. 1600–1660. Sixteenth Century Journal, 48(1) pp. 27–46.

Lawrence, Paul (2017). The Vagrancy Act (1824) and the Persistence of Pre-emptive Policing in England since 1750. British Journal of Criminology, 57(3) pp. 513–531.

Loftus, Donna (2017). Time, history and the making of the industrial middle class: the story of Samuel Smith. Social History, 42(1) pp. 29–51.

Marsden, Richard and Bestic, Penni (2017). The Weakness of European Wales. Planet: the Welsh Internationalist, 225 pp. 29–36.

Mcbride, Terence (2017). Migrants and the Public World in Scotland, 1885–1939: A Way Forward for Comparative Research. Journal of Migration History, 3(1) pp. 54–77.

Mckie, Stuart (2017). The Social Significance of Curse Tablets in the North-Western Provinces of the Roman Empire. PhD thesis The Open University.

Mera, Miguel; Sadoff, Ronald and Winters, Ben (2017). Introduction: Framing Screen Music and Sound. In: Mera, Miguel; Sadoff, Ronald and Winters, Ben eds. The Routledge Companion to Screen Music and Sound. New York: Routledge, pp. 1–14.

Midorikawa, Emily and Sweeney, Emma Claire (2017). A Secret Sisterhood: The Hidden Friendships of Austen, Bronte, Eliot and Woolf. Aurum Press.

Mombauer, Annika (2017). The German centenary of the First World War. War & Society, 36(4) pp. 276–288.

Mooney, James; Green, Owen and Williams, Sean (2017). Performing Hugh Davies’s Live Electronic Music. In: Performing Indeterminacy, 30 Jun - 2 Jul 2017, University of Leeds.

Morris, Robert M. (2017). What the Met brought to the party - reinforcement, colonization, specialization and fusion. In: Stevenson, K; Cox, D. J. and Channing, I eds. LEADING THE POLICE: A HISTORY OF CHIEF CONSTABLES 1835-2017. Routledge SOLON Explorations in Crime and Criminal Justice Histories. Abingdon: Routledge, pp. 158–173.

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Neale, Derek (2017). Creative Writing Higher Education News. Writing in Education, 71 pp. 6–7.

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Norman, Diana (2017). Icona, Immaginis . . . cum Variis Miraculis: Preserving the Memory of the Blessed Andrea Gallerani in Siena. In: Cardarelli, Sandra and Fenelli, Laura eds. Saints, Miracles and the Image: Healing Saints and Miraculous Images in the Renaissance. Beguinage of Turnhout, Belgium: Brepols Publishers, pp. 53–73.

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Paul, Joanna (2017). The Half-Blood Hero: Percy Jackson and Mythmaking in the Twenty-First Century. In: Zajko, Vanda and Hoyle, Helena eds. A Handbook to the Reception of Classical Mythology. Wiley-Blackwell, pp. 231–242.

Perkins, Phil (2017). DNA and Etruscan identity. In: Naso, Alessandro ed. Etruscology. Berlin: De Gruyter, pp. 109–118.

Perkins, Phil (2017). The landscape and environment of Etruria. In: Naso, Alessandro ed. Etruscology. Berlin: De Gruyter, pp. 1239–1250.

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RÊVE (2017). RÊVE: Romantic Europe: The Virtual Exhibition. European Romanticisms in Association.

Richards, Fiona (2017). Sensibility and listening in England before and after the Great War. In: Barlow, Helen and Rowland, David eds. Listening to Music: People, Practices and Experiences. The Open University.

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Richardson, Heather (2017). All the rules we could ask for. In: Anderson, Linda and Sherratt-Bado, Dawn Miranda eds. Female Lines: New Writing by Women from Northern Ireland. Dublin: New Island.

Robson, James (2017). Aristophanes. In: Burgess, J.; Kneebone, E.; Liapis, V. and Swift, L. eds. The Literary Encyclopedia, Volume 1.1.1: Archaic, Classical, Hellenistic and Imperial Greek Writing and Culture, 800-100 B.C.E., Volume 1.1.1. The Literary Encyclopedia.

Robson, James (2017). Humouring the masses: The Theatre Audience and the Highs and Lows of Aristophanic Comedy. In: Grig, Lucy ed. Popular Culture in the Ancient World. Cambridge: Cambridge University Press, pp. 66–87.

Rothe, Ursula (2017). Ethnicity. In: Harlow, Mary ed. A Cultural History of Dress and Fashion, Vol. 1: Antiquity. Bloomsbury.

Rowland, David (2017). London's Art Music and provincial listeners in England c.1700-1850. In: Barlow, Helen and Rowland, David eds. Listening to Music: People, Practices and Experiences. Milton Keynes: The Open University.

Rowland, David (2017). Introduction. In: Barlow, Helen and Rowland, David eds. Listening to Music: People, Practices and Experiences. Milton Keynes: The Open University.

Rowland, David (2017). The development of piano technique in England c. 1790-1810. In: Zur Entwicklung des Klavierspiels von Carl Philipp Emanuel Bach bis Clara Schumann (Philipsen, Christian; Lustig, Monika and Omonsky, Ute eds.), Michaelsteiner Konferenzberichte, Wissner Verlag, Kloster Michaelstein, Augsburg, Michaelstein, pp. 237–249.

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Charnley, Kim, ed. Delirium and Resistance. By Gregory Sholette . Pluto Press (2017).

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Sinha, Bijon Kumar (2017). The Crete and Cretans of Euripides: Perceptions and Representations. PhD thesis The Open University.

Slight, John (2017). Pilgrimage to Mecca by British converts to Islam in the interwar period. In: Flaskerud, Ingvild and Natvig, Richard J. eds. Muslim Pilgrimage in Europe. Routledge Studies in Pilgrimage, Religious Travel and Tourism. Routledge, pp. 70–82.

Stadtler, Florian (2017). ‘Home’ front: Indian soldiers and civilians in Britain, 1939–45. In: Roy, Kaushik and Rand, Gavin eds. Culture, Conflict and the Military in Colonial South Asia. War and Society in South Asia. Routledge, pp. 258–276.

Swift, Laura (2017). Narratorial Authority and its Subversion in Archilochus. In: Bakker, Egbert ed. Authorship and Greek Song: Authority, Authenticity, and Performance. Brill, pp. 161–177.

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Thompson, Marie (2017). Beyond Unwanted Sound: Noise, Affect and Aesthetic Moralism. New York: Bloomsbury.

Thompson, Marie (2017). Experimental music and the question of what can a body do? In: Moisala, Pirkko; Leppänen, Taru; Tiainen, Milla and Väätäinen, Hanna eds. Musical Encounters with Deleuze and Guattari. Bloomsbury, pp. 149–168.

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Williams, Sean (2017). Reinterpreting Koenig’s Funktion pieces: historic reconstruction and recontextualisation. In: Tracking the Creative Process in Music, 14-16 Sep 2017, University of Huddersfield.

Williams, Sean (2017). Organic to electronic and vice versa: acoustic and electronic noise through Stockhausen’s compositional practice. In: Music and Sonic Arts conference 2017, 7-9 Jul 2017, Karlsruhe, Germany.

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Woods, Kim (2017). The Tree of Jesse Gates from Scarisbrick Hall. In: Davies, Glyn and Townsend, Eleanor eds. A Reservoir of Ideas: Essays in honour of Paul Williamson. London: Paul Holberton Publishing in association with V&A publishing, pp. 235–244.

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Wright, Patrick (2017). Nullaby. Lorgnette series. London: Eyewear Publishing.

Wright, Patrick (2017). Ekphrasis in Response to the Non-Figurative Image. Axon: Creative Explorations, 7(2)

Yamagata, Naoko (2017). ホメーロスと『平家物語』における生死の選択―英雄美女が死を選ぶ時 [Choices of Life and Death in Homer and the Tale of the Heike: When Heroes and Heroines commit suicide]. Journal of Classical Studies, 65 pp. 1–11.

2016To Top

Barker, Elton; Bouzarovski, Stefan; Isaksen, Leif and Pelling, Chris eds. (2016). New Worlds from Old Texts: Revisiting Ancient Space and Place. Oxford: Oxford University Press.

Dixon, Izabela; Doran, Selina E.M. and Michael, Bethan eds. (2016). There's More to Fear than Fear Itself: Fears and Anxieties in the 21st Century. Oxford and Leiden: Inter-Disciplinary Press and Brill.

Donington, Katie; Hanley, Ryan and Moody, Jessica eds. (2016). Britain’s History and Memory of Transatlantic Slavery: Local Nuances of a ‘National Sin’. Studies in International Slavery. Liverpool: Liverpool University Press.

Draycott, Jane and Graham, Emma-Jayne eds. (2016). Bodies of Evidence: Ancient Anatomical Votives Past, Present and Future. Medicine and the Body in Antiquity. London: Routledge.

Grell, Ole Peter and Cunningham, Andrew eds. (2016). Medicine, Natural Philosophy and Religion in Post-Reformation Scandinavia. The History of Medicine in Context. London/New York: Routledge.

Gupta, Suman; Habjan, Jernej and Tutek, Hrvoje eds. (2016). Academic Labour, Unemployment and Global Higher Education: Neoliberal Policies of Funding and Management. Palgrave Critical University Studies. London: Palgrave Macmillan.

Hewings, Ann; Prescott, Lynda and Seargeant, Philip eds. (2016). Futures for English Studies: Teaching language, literature and creative writing in Higher Education. Basingstoke: Palgrave Macmillan.

Holder, Julian and McKellar, Elizabeth eds. (2016). Neo-Georgian Architecture 1880-1970: a reappraisal. Swindon, UK: Historic England.

Langley, Chris R. ed. (2016). The Minutes of the Synod of Lothian and Tweeddale, 1648-1659. Scottish History Society 6th Series, 11. Woodbridge: Boydell Press.

Maat, Haaro and Hazareesingh, Sandip eds. (2016). Local Subversions of Colonial Cultures. Commodities and Anti-Commodities in Global History. Palgrave Macmillan.

Rodgers, Michael and Sweeney, Susan Elizabeth eds. (2016). Nabokov and the Question of Morality: Aesthetics, Metaphysics, and the Ethics of Fiction. New York: Palgrave Macmillan.

Swift, Laura and Carey, Chris eds. (2016). Iambus and Elegy: New Approaches. Oxford: Oxford University Press.

Tickell, Alex ed. (2016). South-Asian Fiction in English: Contemporary Transformations. Houndmills, Basingstoke: Palgrave Macmillan.

Tickell, Alex ed. (2016). A335 Literature in Transition: from 1800 to the Present. Book 2 'Movements' (1870-1940). Milton Keynes: Open University.

Allen, Gemma (2016). Women as counsellors in sixteenth-century England: The letters of Lady Anne Bacon and Lady Elizabeth Russell. In: Daybell, James and Gordon, Andrew eds. Women and Epistolary Agency in Early Modern Culture, 1450-1690. Women and Gender in the Early Modern World. Abingdon: Routledge, pp. 81–95.

Barker, Elton (2016). Orestes. In: McClure, Laura K. ed. A Companion to Euripides. Wiley-Blackwell, pp. 270–283.

Barker, Elton and Bouzarovski, Stefan (2016). Between east and west: movements and transformations in Herodotean topology. In: Barker, Elton; Bouzarovski, Stefan; Isaksen, Leif and Pelling, Chris eds. New Worlds from Old Texts: Revisiting Ancient Space and Place. Oxford: Oxford University Press, pp. 155–180.

Barker, Elton; Bouzarovski, Stefan and Isaksen, Leif (2016). Introduction: Creating new worlds out of old texts. In: Barker, Elton; Bouzarovski, Stefan; Isaksen, Leif and Pelling, Chris eds. New Worlds from Old Texts: Revisiting Ancient Space and Place. Oxford: Oxford University Press, pp. 1–21.

Barker, Elton; Isaksen, Leif and Ogden, Jessica (2016). Telling stories with maps: digital experiments with Herodotean geography. In: Barker, Elton; Bouzarovski, Stefan; Isaksen, Leif and Pelling, Chris eds. New Worlds from Old Texts: Revisiting Ancient Space and Place. Oxford: Oxford University Press, pp. 181–224.

Barker, Elton and Pelling, Chris (2016). Space-Travelling in Herodotus 5. In: Barker, Elton; Bouzarovski, Stefan; Isaksen, Leif and Pelling, Chris eds. New Worlds from Old Texts: Revisiting Ancient Space and Place. Oxford: Oxford University Press, pp. 225–251.

Barker, Elton; Simon, Rainer; Isaksen, Leif and de Soto Cañamares, Pau (2016). Peripleo: a Tool for Exploring Heterogeneous Data through the Dimensions of Space and Time. Code4Lib, 31

Barker, Elton; Simon, Rainer; Isaksen, Leif and de Soto Cañamares, Pau (2016). The Pleiades Gazetteer and the Pelagios Project. In: Berman, Merrick Lex; Mostern, Ruth and Southall, Humphrey eds. Placing Names: Enriching and Integrating Gazetteers. Bloomington: Indiana University Press, pp. 97–109.

Barker, Elton and Terras, Melissa (2016). Greek Literature, the Digital Humanities, and the Shifting Technologies of Reading. In Oxford Handbooks Online: Scholarly Research Reviews Oxford University Press, Oxford.

Barker, Elton T. E. and Christensen, Joel P. (2016). Odysseus’s nostos and the Odyssey’s nostoi: rivalry within the epic cycle. Philologia Antiqua, 7 pp. 85–110.

Barker, Emma (2016). Ghosts and Heroes: Girodet and the Ossianic Mode in Post-Revolutionary French Art. In: Padiyar, Satish; Shaw, Philip and Simpson, Philippa eds. Visual Culture and the Revolutionary and Napoleonic Wars. London and New York: Routledge, pp. 102–119.

Barlow, Helen (2016). From the Band of Musick to the Concert Party, ca. 1780–1918: Musical Entertainment in the British Army. Music in Art, 41

Benatti, Francesca and King, David (2016). In Search of the Voice of the Edinburgh Review. In: Romantic Voices, 22-23 Jun 2016, The Oxford Research Centre in the Humanities, Oxford, UK, British Association for Romantic Studies.

Benatti, Francesca and King, David (2016). A Question of Style: individual voices and corporate identity in the Edinburgh Review, 1814-1820. In: Digital Humanities Congress 2016, 8-10 Sep 2016, University of Sheffield, UK.

Betts, Eleanor (2016). Places of transition and deposition: phenomena of water in the sacred landscape of Iron Age Central Adriatic Italy. Accordia Research Papers, 14 pp. 63–83.

Campbell, Siobhán (2016). Periwinkles. Poetry Ireland Review(119) p. 88.

Cathcart, Charles (2016). The Curtain-Drawer of the World: Hamlet, Lear , Parkes, and Becket. Notes and Queries, 63(4) pp. 543–547.

Cathcart, Charles (2016). ‘A Memento for Mortality’, the Publications of Leonard Becket, and the Afterlife of Hamlet. The Review of English Studies, 67(279) pp. 275–293.

Cathcart, Charles (2016). Edward Greene, Goldsmith; William Marston, Apprentice; and Eastward Ho!. Early Theatre, 19(2) pp. 81–100.

Chambers, Helen (2016). ‘Le traducteur E. M. (une femme)’: Conrad, The Hueffers and the 1903 Maupassant translations. In: Becquet, Alexandra and Davison-Pégon, Claire eds. Ford Madox Ford’s Cosmopolis: Psycho-geography, Flânerie and the Cultures of Paris. International Ford Madox Ford Studies (15). Amsterdam: Brill Rodopi, pp. 155–173.

Charlesworth, Amy (2016). The 1970s and Today. Oxford Art Journal, 39(1) pp. 147–152.

Charnley, Kim (2016). Failure, Revolution and Institutional Critique. Art & the Public Sphere, 5(1) pp. 35–52.

Christian, K. (2016). Apollo Belvedere. In: Wouk, Edward ed. Marcantonio Raimondi, Raphael and the image multiplied. Manchester: Manchester University Press.

Christian, K. (2016). The Three Graces. In: Wouk, Edward ed. Marcantonio Raimondi, Raphael and the image multiplied. Manchester: Manchester University Press.

Christian, Kathleen W. (2016). Raphael’s Vitruvius and Raimondi’s Caryatid Façade. Bulletin of the John Rylands Library, 92(2) pp. 91–127.

Christian, Kathleen W. (2016). Raphael’s Vitruvius and Raimondi’s Caryatid Façade. In: Wouk, Edward ed. Marcantonio Raimondi, Raphael, and the Image Multiplied. Manchester University Press.

Clark, Leah and Um, Nancy (2016). Co-edited special volume of the Journal of Early Modern History, ‘The Art of Embassy: Objects and Images of Early Modern Diplomacy’. Koninklijke Brill NV, Leiden.

Clark, Leah and Um, Nancy (2016). Introduction: The Art of Embassy: Situating Objects and Images in the Early Modern Diplomatic Encounter. Journal of Early Modern History, 20 pp. 1–16.

Clark, Leah R. (2016). Collecting and replicating antiquities: casts, substitutions, and the culture of the copy in the Quattrocento. Journal of the History of Collections, 28(1) pp. 1–13.

Clarke, Martin (2016). "And can it be": analysing the words, music and contexts of an iconic Methodist hymn. Yale Journal of Music and Religion, 2(1), article no. 2.

Clarke, Martin V. (2016). [Digital Resource Review] Digital Hymnology: Canterbury Dictionary of Hymnology, Hymn Tune Index, Hymnary.org. Nineteenth-Century Music Review, 13(2) pp. 421–430.

Crone, Rosalind (2016). Education in the working-class home: modes of learning as revealed by nineteenth-century criminal records. In: de Bellaigue, Christina ed. Home Education in Historical Perspective: Domestic pedagogies in England and Wales, 1750-1900. Routledge.

Crone, Rosalind (2016). Literacy. In: John, Juliet ed. Oxford Bibliographies: Victorian Literature. Oxford: Oxford University Press.

De Renzi, Silvia (2016). [Book Review] Forensic Medicine and Death Investigation in Medieval England, written by Sara M. Butler, 2015. Early Science and Medicine, 21(1) pp. 87–89.

den Hollander, A.A. and Grell, Ole Peter (2016). Bibles in the Dutch and Scandinavian vernaculars to c. 1750. In: Cameron, Euan ed. The New Cambridge History of the Bible from 1450 to 1750. The New Cambridge History of the Bible, 3. Cambridge: Cambridge University Press, pp. 239–262.

Dohmen, Renate (2016). All Bark and No Bite: India at Tate Britain’s ‘Artist and Empire’ Exhibition. Third Text Forum: Artist and Empire Part 1: Tate.

Dohmen, Renate (2016). Encounters beyond the Gallery. Relational Aesthetics and Cultural Difference? International Library of Modern and Contemporary Art. London: I.B.Tauris.

Dohmen, Renate (2016). Material (Re)collections of the ‘Shiny East’: A Late Nineteenth-Century Travel Account by a Young British Woman in India. In: Henes, Mary and Murray, Brian H. eds. Travel Writing, Visual Culture and Form, 1760–1900. Palgrave Studies in Nineteenth-Century Writing and Culture. Basingstoke: Palgrave Macmillan, pp. 42–64.

Dohmen, Renate (2016). A fraught challenge to the status quo: The 1883-4 Calcutta International Exhibition, conceptions of art and industry, and the politics of world fairs. In: Nichols, Kate; Wade, Rebecca and Williams, Gabriel eds. Art versus Industry? New Perspectives on Visual and Industrial Cultures in Nineteenth-Century Britain. Studies in Design and Material Culture. Manchester: Manchester University Press, pp. 199–216.

Doloughan, Fiona (2016). Translation, Storytelling and Multimodality. Interférences littéraires/Literaire interferenties, 19 pp. 107–122.

Donington, Katie (2016). Local roots/global routes: slavery, memory and identity in Hackney. In: Donington, Katie; Hanley, Ryan and Moody, Jessica eds. Britain’s History and Memory of Transatlantic Slavery: Local Nuances of a ‘National Sin’. Liverpool Studies in International Slavery. Liverpool: Liverpool University Press, pp. 186–208.

Donington, Katie; Hanley, Ryan and Moody, Jessica (2016). Introduction. In: Donington, Katie; Hanley, Ryan and Moody, Jessica eds. Britain’s History and Memory of Transatlantic Slavery: Local Nuances of a ‘National Sin’. Studies in International Slavery. Liverpool: Liverpool University Press, pp. 15–32.

Donnachie, Ian (2016). Landscape, Industry and the Reforming Vision of David Dale and Robert Owen: Visitors to the Falls of Clyde and New Lanark in the later 18th and early 19th centuries. The Pleasaunce: ‘Falls of Clyde’ special issue pp. 10–17.

Donnachie, Ian (2016). 'Anything You Want It to Mean'? Scotland's Changing Heritage Landscape. In: Hooper, Glenn ed. Heritage and Tourism in Britain and Ireland. London: Palgrave Macmillan, pp. 145–160.

Dooley, James (2016). formuls: audiovisual performance at SPECTRA Festival, Malaysia. [Performance]

Dooley, James (2016). formuls: performance at sonADA Festival. [Performance]

Dooley, James (2016). formuls: performance at Electric Nights Festival, Athens, Greece. [Performance]

Dooley, James (2016). entryiseasierthantheexit_entry. Self-published.

Dooley, James (2016). entryiseasierthantheexit_exit. Self-published.

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