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2024To Top

Cook, James; Kolassa, Alexander; Robinson, Alexander and Whittaker, Adam eds. (2024). History as Fantasy in Music, Sound, Image and Media. Music and Visual Culture. New York, USA and Oxon, UK: Routledge.

Rowland, David ed. (2024). Clementi Correspondence and Other Documents. Muzio Clementi Opera Omnia, CCE 5. Bologna: Ut Orpheus Edizioni.

Attah, Tom; Cavett, Esther; Dueck, Byron; Miller, Sue and Redhead, Lauren (2024). Teaching music theory in UK higher education today: contexts and commentaries. Music Education Research (Early access).

Barker, Naomi J. (2024). Music, Medicine and Religion at the Ospedale di Santo Spirito in Rome 1550–1750. Music in Society and Culture, 12. Woodbridge: Boydell Press.

Clarke, Martin V. (2024). Music and Charles Wesley’s Legacy. The Journal of Religious History, Literature and Culture (In Press).

Clarke, Martin V. (2024). Music and Spirituality in Communal Song: Methodists and Welsh Sporting Crowds. In: Corbett, George and Moerman, Sarah eds. Music and Spirituality: Theological Approaches, Empirical Methods, and Christian Worship. Cambridge, UK: Open Book Publishers, pp. 371–388.

Clarke, Martin V. (2024). 1780 Collection of Hymns. In: Norris, Clive Murray and Cunningham, Joseph W eds. The Routledge Companion to John Wesley. Routledge Religion Companions. Abingdon: Routledge, pp. 114–125.

Cook, James; Kolassa, Alexander; Robinson, Alexander and Whittaker, Adam (2024). Introduction: Beyond authenticity in music, history, and fantasy. In: Cook, James; Kolassa, Alexander; Robinson, Alexander and Whittaker, Adam eds. History as Fantasy in Music, Sound, Image and Media. Music and Visual Culture. New York, USA and Oxon, UK: Routledge.

Golding, Rosemary (2024). Classical Music in British Children’s Television: Narrative, Communication, and Cultural Meaning. Music, Sound, and the Moving Image (In press).

Kolassa, Alexander (2024). Haunted by the Past: Music and Folk Horror in Children of the Stones. In: Cook, James; Kolassa, Alexander; Robinson, Alexander and Whittaker, Adam eds. History as Fantasy in Music, Sound, Image and Media. Music and Visual Culture. Routledge.

Kolassa, Alexander (2024). Beyond nostalgia: hearing anachronism in Westworld and television's new golden age. In: Halfyard, Steve and Reyland, Nicholas eds. Palgrave Handbook of Music and Sound in Peak TV. Palgrave MacMillan (In Press).

Morales Tirado, Alba; Carvalho, Jason; Ratta, Marco; Uwasomba, Chukwudi; Mulholland, Paul; Barlow, Helen; Herbert, Trevor and Daga, Enrico (2024). Musical Meetups Knowledge Graph (MMKG): a collection of evidence for historical social network analysis. In: The Semantic Web. ESWC 2024. Lecture Notes in Computer Science, vol 14665 (Meroño Peñuela, Albert; Dimou, Anastasia; Troncy, Raphael; Hartig, Olaf; Acosta, Maribel; Alam, Mehwish; Paulheim, Heiko and Lisena, Pasquale eds.), Springer, Cham.

Rowland, David (2024). Performing Simultaneous Triplets and Dotted Rhythms in Schubert's Piano Music. In: Gardiner, Matthew and Martin, Christine eds. Schubert's Piano. Cambridge: Cambridge University Press (In Press), pp. 116–135.

Thompson, Marie (2024). Mapping tinnitus. The Senses and Society (Early Access).

Thompson, Marie (2024). Introduction: The aesthetics of tinnitus. The Senses and Society (early access).

2023To Top

Coffey, Helen (2023). Civic and courtly dancing. Musikleben des Spätmittelalters in der Region Österreich, University of Vienna.

Dooley, James (2023). GRAZpatterns. James Dooley.

Golding, Rosemary (2023). [Book Review] Choral Treatises and Singing Societies in the Romantic Age. Journal of Historical Research in Music Education, 44(2) pp. 279–280.

Golding, Rosemary (2023). On the edges of society: the hidden musical cultures of nineteenth-century British lunatic asylums. In: Cortizo, Maria Encina and Nommick, Yvan eds. Between Centres and Peripheries: Music in Europe from the French Revolution to WWI. Turnhout: Brepols, pp. 323–342.

Hamer, Laura and Minors, Helen Julia (2023). Introducing WMLON: The Women’s Musical Leadership Online Network. In: Cimardi, Linda and Nenić, Iva eds. Women’s Leadership in Music: Modes, Legacies, Alliances. Bielefeld: Transcript Verlag, pp. 141–152.

Herbert, Trevor (2023). Military Musical Instruments and the Culture of Perfection in the Long 19th Century. In: Cottrell, Stephen ed. Shaping Sound and Society: The Cultural Study of Musical Instruments. London, UK: Routledge, pp. 230–248.

Kawabata, Maiko (2023). The New “Yellow Peril” in “Western” European Symphony Orchestras. In: Bull, Anna and Scharff, Christina eds. Voices for Change in the Classical Music Profession: New Ideas for Tackling Inequalities and Exclusions. Oxford: Oxford University Press, pp. 159–171.

Miller, Malcolm (2023). ‘A Place of Refuge in Your Arms’: Reizenstein’s Anna Kraus as Holocaust Opera. In: Miller, Malcolm and Hansen, Jutta Raab eds. Music and Exile. Yearbook of the Research Centre for German and Austrian Exile Studies, 22. Leiden, The Netherlands: Koninklijke Brill NV, pp. 168–191.

Miller, Malcolm and Hansen, Jutta Raab (2023). Introduction. Music and Exile: From 1933 to the Present Day. In: Miller, Malcolm and Hansen, Jutta Raab eds. Music and Exile. Yearbook of the Research Centre for German and Austrian Exile Studies, 22. Leiden, The Netherlands.: Koninklijke Brill NV, pp. 1–9.

Mulholland, Paul; Stoneman, Adam; Barker, Naomi; Maguire, Mark; Carvalho, Jason; Daga, Enrico and Warren, Paul (2023). The Sound of Paintings: Using Citizen Curation to Explore the Cross-Modal Personalization of Museum Experiences. In: UMAP '23 Adjunct: Adjunct Proceedings of the 31st ACM Conference on User Modeling, Adaptation and Personalization, ACM, pp. 408–418.

2022To Top

Golding, Rosemary ed. (2022). Music in Nineteenth-Century Britain. Routledge Historical Resources. UK: Routledge.

Herbert, Trevor; Clarke, Martin V. and Barlow, Helen eds. (2022). A History of Welsh Music. Cambridge: Cambridge University Press.

Barlow, Helen (2022). The Celtic Revival. In: Herbert, Trevor; Clarke, Martin V. and Barlow, Helen eds. A History of Welsh Music. Cambridge: Cambridge University Press, pp. 171–194.

Barlow, Helen and Clarke, Martin V. (2022). Singing Welshness: Sport, Music and the Crowd. In: Herbert, Trevor; Clarke, Martin V. and Barlow, Helen eds. A History of Welsh Music. Cambridge: Cambridge University Press, pp. 332–354.

Blackburn, Manuella and Harkins, Paul (2022). Finding the Female Users: A Feminist Historiography of the Fairlight CMI. In: Rethinking the History of Technology-based Music, 9 Jun 2022, University of Huddersfield.

Clarke, Martin V. (2022). A Brief History of Congregational Song: Shaping Theology through Hymn Compilations. In: Hawn, C. Michael ed. Sing with Understanding (Third Edition). Chicago: GIA, pp. 77–112.

Clarke, Martin V. (2022). Nonconformists and Their Music. In: Herbert, Trevor; Clarke, Martin V. and Barlow, Helen eds. A History of Welsh Music. Cambridge: Cambridge University Press, pp. 218–242.

Clarke, Martin V. and Hawn, C. Michael (2022). An Introduction to the Study of Congregational Song. In: Hawn, C. Michael ed. Sing with Understanding (Third Edition). Chicago: GIA, pp. 441–474.

Clarke, Martin V. and Howard, Beverly A. (2022). How Does a Hymn Mean? In: Hawn, C. Michael ed. Sing with Understanding - Third Edition. Chicago: GIA, pp. 49–76.

Clarke, Martin V. and Moore, Geoffrey C. (2022). "God in Three Persons, Blessed Trinity": Singing the Trinity. In: Hawn, C. Michael ed. Sing with Understanding (Third Edition). Chicago: GIA, pp. 277–286.

Coffey, Helen (2022). Music in Medieval Towns and Cities. Oxford University Press.

Drott, Eric and Thompson, Marie (2022). "Is your baby getting enough music?" Musical interventions into gestational labor. Women and Music: a Journal of Gender and Culture, 26 pp. 125–147.

Gale, Michael (2022). [Book Review] Music, Dance, and Drama in Early Modern English Schools. Journal of Historical Research in Music Education, 44(1) pp. 122–124.

Hawn, C. Michael; Clarke, Martin V. and Howard, Beverly A. (2022). Christian Hymn: A Proposed Definition. In: Hawn, C. Michael ed. Sing with Understanding - Third Edition. Chicago: GIA, pp. 41–48.

Kolassa, Alexander (2022). ‘A crazy clutter of the mediaeval, medical mind’: Ken Russell, Peter Maxwell Davies, and Modernist Medievalism in The Devils. Journal of the Royal Musical Association, 147(1) pp. 135–170.

Kolassa, Alexander (2022). The medievalist origins of (British) modernist music. In: Falconieri, Tommaso di Carpegna; Savy, Pierre and Yawn, Lila eds. Middle Ages without Borders: an international conversation on medievalism. Rome: École française de Rome.

Lee, Peggy Kyoungwon; Oliveira, Pedro; Osman, Shanti Suki and Thompson, Marie (2022). A Conversation on Race, Sound, and the Im/possibility of Decolonised Listening. In: Ismaiel-Wendt, Johannes Salim and Schoon, Andi eds. Postcolonial Repercussions: On Sound Ontologies and Decolonised Listening. Sound Studies, 6. Bielefeld: transcript Verlag, pp. 45–58.

Rowland, David (2022). Further Light on Clementi's 1807 Contract with Beethoven. In: Miller, Malcolm and Kinderman, William eds. Beethoven the European: Transcultural Contexts of Performance, Interpretation and Reception. Speculum Musicae (48). Turnhout: Brepols, pp. 203–216.

2021To Top

Hamer, Laura ed. (2021). The Cambridge Companion to Women in Music since 1900. Cambridge Companions. Cambridge: Cambridge University Press.

Arts & Ideas Podcast (2021). New Thinking: Diverse Classical Music. BBC Radio 3.

Blackburn, Manuella (2021). In Her Own Words: Practitioner Contribution 3. In: Laura, Hamer ed. The Cambridge Companion to Women in Music since 1900. Cambridge Companions. Cambridge University Press, pp. 228–234.

Burrows, Donald (2021). Handel’s singers from the London choirs. Early Music, 49(2) pp. 173–183.

Clarke, Martin V. (2021). Music. In: Barbeau, Jeffrey W. ed. The Cambridge Companion to British Romanticism and Religion. Cambridge Companions. Cambridge: Cambridge University Press, pp. 293–310.

Coffey, Helen (2021). Life as an Emperor's Musician. In Musikleben des Spätmittelalters in der Region Österreich Musikleben des Spätmittelalters in der Region Österreich.

Dooley, James and Hall, Simon (2021). MYtrOmbone: exploring gesture controlled live electronics in solo trombone performance. In: Proceedings of the International Computer Music Conference 2021 (Cádiz, Rodrigo F. ed.), International Computer Music Association, Inc., San Francisco, CA, pp. 23–26.

Goh, Annie and Thompson, Marie (2021). Sonic Cyberfeminisms: Introduction. Feminist Review, 127(1) pp. 1–12.

Golding, Rosemary (2021). Music and Moral Management in the Nineteenth-Century English Lunatic Asylum. Mental Health in Historical Perspective, 1. Cham, Switzerland: Palgrave Macmillan.

Granieri, Niccolò; Dooley, James and Michailidis, Tychonas (2021). Retaining pianistic virtuosity in #MIs: Exploring pre-existing gestural nuances for live sound modulation through a comparative study. In: Hepworth-Sawyer, Russ; Paterson, Justin and Toulson, Rob eds. Innovation in Music: Future Opportunities. Abingdon, UK: Routledge.

Hamer, Laura (2021). 'Preface'. In: Hamer, Laura ed. The Cambridge Companion to Women in Music since 1900. Cambridge: Cambridge University Press, xxi-xxix.

Hamer, Laura (2021). 'On the Podium: Women Conductors'. In: Hamer, Laura ed. The Cambridge Companion to Women in Music since 1900. Cambridge: Cambridge University Press, pp. 64–79.

Kolassa, Alexander (2021). Intertextuality and (modernist) medievalism in British post-war music. In: Kostka, Violetta; Castro, Paulo Ferreira de and Everett, William eds. Intertextuality in Music: Dialogic Composition. London: Routledge, pp. 114–128.

Kyratsou, Chrysi; McNulty Burrows, Cathrinea; Nguyen, Hoa; Barry, Heather E. and Simones, Lilian (2021). [Editorial] Introducing the IMPACT Journal and its First Issue. International Modern Perspectives in Academia and Community Today(1)

Winters, Ben (2021). Historical sound-film presentation and the closed-curtain roadshow overture. In: Cenciarelli, Carlo ed. The Oxford Handbook of Cinematic Listening. Oxford Handbooks. Oxford University Press.

2020To Top

Clarke, Martin V. (2020). Churches and Devotional Practice. In: Watt, Paul; Collins, Sarah and Allis, Michael eds. The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century. Oxford: Oxford University Press.

Hamer, Laura (2020). [Book Review] Paul Dukas, Composer and Critic. Music & Letters, 101(1) pp. 172–174.

Rowland, David (2020). British Listeners c1780-1830. Nineteenth-Century Music Review, 17(3) pp. 359–379.

Rowland, David (2020). Composers, publishers and the market in late Georgian Britain. In: Sala, Massimiliano ed. Music publishing and composers (1750-1850). Speculum Musicae (37). Turnhout: Brepols, pp. 85–112.

Thompson, Marie (2020). Sonic Feminisms: Doing Gender in Neoliberal Times. In: Bull, Michael and Corbussen, Marcel eds. The Bloomsbury Handbook of Sonic Methodologies. Bloomsbury.

Thompson, Marie (2020). Sound Studies. In: van Orden, Kate ed. Music. Oxford Bibliographies.

Winters, Ben (2020). Influence. In: Kristiansen, Morten and Jones, Joseph E. eds. Richard Strauss in Context. Composers in Context. Cambridge: Cambridge University Press, pp. 311–319.

Winters, Ben (2020). Analogue Authenticity and the Sound of Wes Anderson. In: Vernallis, Carol; Rogers, Holly and Perrott, Lisa eds. Transmedia Directors: Artistry, Industry and New Audiovisual Aesthetics. New Approaches to Sound, Music and Media. Bloomsbury Press, pp. 50–55.

2019To Top

Barlow, Helen (2019). Progress and tradition: listening to the singing of the Welsh c.1870 to c.1920. In: Barlow, Helen and Rowland, David eds. The experience of listening to music: methodologies, identities, histories. The Open University.

Clarke, Martin V. (2019). [Book Review] Wesley Hymns. Wesley and Methodist Studies, 11(2) pp. 222–224.

Clarke, Martin V. (2019). ‘O Lord, open thou our lips’: listeners’ experiences of BBC Radio 3’s Choral Evensong on The New Radio 3 Forum. In: Barlow, Helen and Rowland, David eds. The Experience of Listening to Music: Methodologies, Identities, Histories. Milton Keynes: The Open University.

Clarke, Martin V. (2019). “Come, all you people”: Lutheran Influences on the Spread of Global Hymnody. In: Schildt, Maria; Lundberg, Mattias and Lundblad, Jonas eds. Celebrating Lutheran Music: Scholarly Perspectives at the Quincentenary. Studia musicologica Upsaliensia. Uppsala: Acta Universitatis Upsaliensis, pp. 337–350.

Coffey, Helen (2019). Music and ceremony in Maximilian's Innsbruck. Musikleben des Spätmittelalters in der Region Österreich.

Di Donato, Balandino; Dooley, James and Coccioli, Lamberto (2019). HarpCI, Empowering Performers to Control and Transform Harp Sounds in Live Performance. Contemporary Music Review, 38(6) pp. 667–686.

Dueck, Byron (2019). Powwow and Indigenous Modernities: Traditional Music, Public Education, and Child Welfare. In: Levine, Victoria Lindsay and Robinson, Dylan eds. Music and Modernity Among First Peoples of North America. Wesleyan University Press, pp. 158–173.

Golding, Rosemary (2019). Music and Mass Education: Cultivation or Control? In: Collins, Sarah ed. Music and Victorian Liberalism: Composing the Liberal Subject. Cambridge University Press, pp. 60–80.

Hamer, Laura (2019). Critiquing the Canon: The Role of Criticism in Canon Formation. In: Dingle, Christopher ed. The Cambridge History of Music Criticism. The Cambridge History of Music. Cambridge University Press, pp. 231–248.

Hamer, Laura (2019). The Gender Paradox: Criticism of Women and Women as Critics. In: Dingle, Christopher ed. The Cambridge History of Music Criticism. The Cambridge History of Music. Cambridge University Press, pp. 272–290.

Hamer, Laura (2019). A Cultural Formation: Paul Dukas and Elsa Barraine. In: Minors, Helen Julia and Watson, Laura eds. Paul Dukas: Legacies of a French Musician. Abingdon and New York: Routledge, pp. 131–149.

Herbert, Trevor (2019). Solo and ensemble brass instrument recordings. Early Music, 47(2) pp. 277–280.

Johnson, Liz; Dooley, James; Hurst, Dane and McNeill, Jack (2019). Scintilla for dancer, clarinet and live electronics. Sound and Music.

Moohan, Elaine and Elliott, Kenneth, eds. Complete Works (Musica Scotica vol. 8). By Robert Johnson . Glasgow, Musica Scotica (2019).

Rowland, David (2019). The listening experiences of John Yeoman (1748 – 1824). In: Barlow, Helen and Rowland, David eds. The experience of listening to music: methodologies, identities, histories. Milton Keynes: The Open University.

Rowland, David (2019). Music Publishing in Britain ca. 1840-1900. In: Sala, Massimiliano ed. Music and the Second Industrial Revolution. Music, Science & Technology (2). Turnhout: Brepols.

Williams, Sean (2019). The EMS Synthi 100: Rare, expensive and not actually very good. In: Sustainable Sounds: Interrogating the Materials of Music Making Technologies, 11 May 2019, University of Edinburgh.

Williams, Sean (2019). New composition strategies and the EMS Synthi 100. In: Music and Sonic Art conference 2019, 31 Jun - 2 Jul 2019, Karlsruhe, Germany.

Winters, Ben (2019). New Opportunities in Film: Korngold and Warner Bros. In: Goldmark, Daniel and Karnes, Kevin C eds. Korngold and His World. Princeton: Princeton University Press, pp. 111–130.

2018To Top

Attfield, Nicholas and Winters, Ben eds. (2018). Music, Modern Culture, and the Critical Ear. Abingdon: Routledge.

Cook, James; Kolassa, Alexander and Whittaker, Adam eds. (2018). Recomposing the Past: Representations of Early Music on Stage and Screen. Ashgate Screen Music Series. Abingdon and New York: Routledge.

Herbert, Trevor; Myers, Arnold and Wallace, John eds. (2018). The Cambridge Encyclopedia of Brass Instruments. Cambridge: Cambridge University Press.

Hoppe, C.; Goldbeck, M. and Kawabata, M. eds. (2018). Exploring Virtuosities: Heinrich Wilhelm Ernst, Nineteenth-Century Musical Practices and Beyond. Göttingen Studies in Musicology, 10. Olms.

Barker, Naomi J. (2018). Learning the trade: What did Froberger do in Rome? In: Vejvar, Andreas and Grassl, Markus eds. "Avec discrétion": Rethinking Froberger. Wiener Veröffentlichungen zur Musikgeschichte (14). Vienna: Böhlau Verlag, pp. 205–221.

Barlow, Helen (2018). The British Army and the music profession: the impact of regimental bands on the status and identity of professional musicians. In: Golding, Rosemary ed. The Music Profession in Britain, 1780-1920: New Perspectives on Status and Identity. Music in Nineteenth-Century Britain. London: Routledge, pp. 72–89.

Clarke, Martin V. (2018). 'Above all sing spiritually': musical reform and revival in Methodism. In: Fourteenth Institute of Methodist Theological Studies, 2018, Oxford Institute, Oxford.

Clarke, Martin V. (2018). Church musicians in nineteenth-century Durham. In: Golding, Rosemary ed. The Music Profession in Britain, 1780-1920: New Perspectives on Status and Identity. Music in Nineteenth-Century Britain. Abingdon: Routledge, pp. 90–109.

Cook, James; Kolassa, Alexander and Whittaker, Adam (2018). [Introduction] Understanding the present through the past and the past through the present. In: Kolassa, Alexander; Cook, James and Whittaker, Adam eds. Recomposing the Past: Representations of Early Music on Stage and Screen. Ashgate Screen Music Series. Abingdon: Routledge, pp. 1–14.

Cook, James; Kolassa, Alexander and Whittaker, Adam (2018). Music in fantasy pasts: neomedievalism and Game of Thrones. In: Kolassa, Alexander; Cook, James and Whittaker, Adam eds. Recomposing the Past: Representations of Early Music on Stage and Screen. Ashgate Screen Music Series. Abingdon: Routledge, pp. 229–250.

Dooley, James (2018). rive (moog). Royal Birmingham Conservatoire, Birmingham, UK. [Performance]. (Unpublished)

Dueck, Byron (2018). North American Indigenous Song, the Sacred and the Senses. In: Harvey, Graham and Hughes, Jessica eds. Sensual Religion: Religion and the Five Senses. Equinox Publishing Ltd., pp. 170–188.

Golding, Rosemary (2018). Introduction. In: Golding, Rosemary ed. The Music Profession in Britain, 1780-1920: New Perspectives on Status and Identity. Routledge, pp. 1–11.

Golding, Rosemary (2018). Music teaching in the late-nineteenth century: a professional occupation? In: Golding, Rosemary ed. The Music Profession in Britain, 1780-1920: New Perspectives on Status and Identity. Music in Nineteenth-Century Britain. Routledge, pp. 128–148.

Golding, Rosemary (2018). Finding Musicology in nineteenth-century Britain: contexts and conflicts. In: Wald-Fuhrmann, Melanie and Keym, Stefan eds. Wege zur Musikwissenschaft / Paths to Musicology. Bärenreiter Verlag.

Hamer, Laura (2018). Beyond neoclassicism: symphonic form, catharsis, and political commentary in Barraine’s Deuxième symphonie (1938). In: Mawer, Deborah ed. Historical Interplay in French Music and Culture 1860 - 1960. Abingdon and New York: Routledge, pp. 121–138.

Herbert, Trevor (2018). Cornett. In: Lawson, Colin and Stowell, Robin eds. The Cambridge Encyclopedia of Historical Performance in Music. Cambridge: Cambridge University Press, pp. 151–152.

Herbert, Trevor (2018). Military music. In: Lawson, Colin and Stowell, Robin eds. The Cambridge Encyclopedia of Historical Performance in Music. Cambridge: Cambridge University Press, pp. 409–411.

Herbert, Trevor (2018). Musica Reservata. In: Lawson, Colin and Stowell, Robin eds. The Cambridge Encyclopedia of Historical Performance in Music. Cambridge: Cambridge University Press, p. 427.

Herbert, Trevor (2018). Serpent. In: Lawson, Colin and Stowell, Robin eds. The Cambridge Encyclopedia of Historical Performance in Music. Cambridge: Cambridge University Press, pp. 572–573.

Herbert, Trevor (2018). Trombone. In: Lawson, Colin and Stowell, Robin eds. The Cambridge Encyclopedia of Historical Performance in Music. Cambridge: Cambridge University Press, pp. 630–632.

Herbert, Trevor (2018). Tuba and ophicleide. In: Lawson, Colin and Stowell, Robin eds. The Cambridge Encyclopedia of Historical Performance in Music. Cambridge: Cambridge University Press, pp. 636–638.

Herbert, Trevor (2018). Foreword: amateur bands, their localities, and their challenges – the lessons of history. In: Reily, Suzel A. and Brucher, Katherine eds. The Routledge Companion to the Study of Local Musicking. Routledge Music Companions. Abingdon: Routledge, xv-xxv.

Kolassa, Alexander (2018). Presentness and the past in contemporary British opera. In: Cook, James; Kolassa, Alexander and Whittaker, Adam eds. Recomposing the Past: Representations of Early Music on Stage and Screen. Ashgate Screen Music Series. Abingdon and New York: Routledge, pp. 155–173.

Kolassa, Alexander (2018). The Past is a Different Planet: Sounding Medievalism in Aleksei German’s Hard to Be a God. In: Fugelso, Karl ed. Studies in Medievalism XXVII: Authenticity, Medievalism, Music. Studies in Medievalism, XXVII. Cambridge: D.S.Brewer, pp. 227–250.

Kolassa, Alexander (2018). Introduction to Part III. In: Fugelso, Karl ed. Authenticity, Medievalism, Music. Studies in Medievalism (27). Cambridge: Boydell & Brewer, pp. 181–182.

Michailidis, Tychonas; Dooley, James; Granieri, Niccolò and Di Donato, Balandino (2018). Improvising through the senses: a performance approach with the indirect use of technology. Digital Creativity, 29(2-3) pp. 149–164.

Richards, Fiona (2018). Australasia. In: Herbert, Trevor; Myers, Arnold and Wallace, John eds. The Cambridge Encyclopedia of Brass Instruments. Cambridge University Press, pp. 41–44.

Rowland, David (2018). Composers and publishers in Clementi's London. In: Golding, Rosemary ed. The Music Profession in Britain, 1780-1920: New Perspectives on Status and Identity. Music in Nineteenth-Century Britain. London and New York: Routledge, pp. 32–52.

Rowland, David (2018). Clementi's Introduction in European musical life, 1801-1830. In: Sala, Luca Lévi and Stewart-MacDonald, Rohan H. eds. Muzio Clementi and British Musical Culture: Sources, Performance Practice and Style. Abingdon: Routledge, pp. 69–83.

Thompson, Marie (2018). Gendered sound. In: Bull, Michael ed. The Routledge Companion to Sound Studies. Routledge Media and Cultural Studies Companions. Abingdon: Routledge, pp. 108–117.

Williams, Sean (2018). Architecture for musical performance: backstage at the West German spherical pavilion at Expo 70, Osaka. In: Performance Studies Network 2018, 5-8 Jul 2018, Norwegian Academy of Music, Oslo.

Williams, Sean and Green, Owen (2018). Negotiating sonic space for group electronics. In: Doğantan-Dack, Mine and Dack, John eds. Music and Sonic Art: Theories and Practices. Cambridge Scholars Publishing, pp. 200–217.

2017To Top

Mera, Miguel; Sadoff, Ronald and Winters, Ben eds. (2017). The Routledge Companion to Screen Music and Sound. New York: Routledge.

Attfield, Nicholas and Winters, Ben (2017). Introduction. In: Attfield, Nicholas and Winters, Ben eds. Music, Modern Culture, and the Critical Ear. Abingdon: Routledge, pp. 1–12.

Barlow, Helen (2017). “Human voices are alone themselves sufficient”: Protestant and Catholic currents in the listening experiences of an Anglo-Prussian marriage. In: Barlow, Helen and Rowland, David eds. Listening to Music: People, Practices and Experiences. The Open University.

Clarke, Martin (2017). Listening to a singing people: accounts of Methodist hymn-singing. In: Barlow, Helen and Rowland, David eds. Listening to music: people, practices and experiences. The Open University.

Clarke, Martin V. (2017). British Methodist Hymnody: Theology, Heritage, and Experience. Routledge Methodist Studies. Abingdon: Routledge.

Coffey, Helen (2017). City life and music for secular entertainment during the reign of Maximilian I. In: Biddle, Ian and Gibson, Kirsten eds. Cultural Histories of Noise, Sound and Listening in Europe, 1300–1918. Routledge, pp. 171–185.

Coffey, Helen (2017). Opera for the House of Brunswick-Lüneburg: Italian Singers at the Hanover Court. In: Kaufold, Claudia; Strohmann, Nicole K. and Timms, Colin eds. Agostino Steffani: European Composer, Hanoverian Diplomat and Bishop in the Age of Leibniz. Goettingen: Vandenhoeck & Ruprecht, pp. 107–122.

Dooley, James (2017). rive: splitting sound and light. ZKM_Cube. Center for Art and Media, Karlsruhe, Germany.

Dooley, James (2017). arK1a. Self-published.

Dueck, Byron (2017). Imagining identifications: how musicians align their practices with publics. In: MacDonald, Raymond; Hargreaves, David J. and Miell, Dorothy eds. Handbook of Musical Identities. Oxford: Oxford University Press, pp. 383–402.

Mera, Miguel; Sadoff, Ronald and Winters, Ben (2017). Introduction: Framing Screen Music and Sound. In: Mera, Miguel; Sadoff, Ronald and Winters, Ben eds. The Routledge Companion to Screen Music and Sound. New York: Routledge, pp. 1–14.

Mooney, James; Green, Owen and Williams, Sean (2017). Performing Hugh Davies’s Live Electronic Music. In: Performing Indeterminacy, 30 Jun - 2 Jul 2017, University of Leeds.

Richards, Fiona (2017). Sensibility and listening in England before and after the Great War. In: Barlow, Helen and Rowland, David eds. Listening to Music: People, Practices and Experiences. The Open University.

Rowland, David (2017). London's Art Music and provincial listeners in England c.1700-1850. In: Barlow, Helen and Rowland, David eds. Listening to Music: People, Practices and Experiences. Milton Keynes: The Open University.

Rowland, David (2017). Introduction. In: Barlow, Helen and Rowland, David eds. Listening to Music: People, Practices and Experiences. Milton Keynes: The Open University.

Rowland, David (2017). The development of piano technique in England c. 1790-1810. In: Zur Entwicklung des Klavierspiels von Carl Philipp Emanuel Bach bis Clara Schumann (Philipsen, Christian; Lustig, Monika and Omonsky, Ute eds.), Michaelsteiner Konferenzberichte, Wissner Verlag, Kloster Michaelstein, Augsburg, Michaelstein, pp. 237–249.

Rowland, David (2017). Piano sonority and melody c.1800-1835. In: The lyric and the vocal element in instrumental music of the nineteenth century (Stepien-Kutera, Kamila ed.), Narodowy Instytut Fryderyka Chopina, Warsaw, pp. 39–61.

Sabri, Sonia; Dooley, James and Di Donato, Balandino (2017). NuBody. [Performance]

Simones, Lilian; Rodger, Matthew and Schroeder, Franziska (2017). Seeing How It Sounds: Observation, Imitation, and Improved Learning in Piano Playing. Cognition and Instruction, 35(2) pp. 125–140.

Thompson, Marie (2017). Experimental music and the question of what can a body do? In: Moisala, Pirkko; Leppänen, Taru; Tiainen, Milla and Väätäinen, Hanna eds. Musical Encounters with Deleuze and Guattari. Bloomsbury, pp. 149–168.

Williams, Sean (2017). Reinterpreting Koenig’s Funktion pieces: historic reconstruction and recontextualisation. In: Tracking the Creative Process in Music, 14-16 Sep 2017, University of Huddersfield.

Williams, Sean (2017). Organic to electronic and vice versa: acoustic and electronic noise through Stockhausen’s compositional practice. In: Music and Sonic Arts conference 2017, 7-9 Jul 2017, Karlsruhe, Germany.

Winters, Ben (2017). Idolizing the Synchronized Score: Studying Indiana Jones Hypertexts. In: Mera, Miguel; Sadoff, Ronald and Winters, Ben eds. The Routledge Companion to Screen Music and Sound. New York: Routledge, pp. 531–542.

Winters, Ben (2017). Korngold's Violanta: Venice, carnival, and the masking of identities. In: Winters, Ben and Attfield, Nicholas eds. Music, Modern Culture, and the Critical Ear. Abingdon: Routledge, pp. 51–74.

2016To Top

Dooley, James (2016). esthesis. Vimeo.

Dooley, James and Di Donato, Balandino (2016). Equinode II. Integra Lab, Birmingham.

Dueck, Byron (2016). Song, Participation, and Intimacy at Truth and Reconciliation Gatherings. In: Robinson, Dylan and Martin, Keavy eds. Arts of Engagement: Taking Aesthetic Action In and Beyond the Truth and Reconciliation Commission of Canada. Waterloo, ON, Canada: Wilfrid Laurier University Press, pp. 267–281.

Herbert, T. (2016). Carl Florian Mandel and the production, consumption and status of "military" brass-wind instruments in the nineteenth century. In: Libin, L. ed. Instrumental Odyssey: A Tribute to Herbert Heyde. Bucina: The Historic Brass Society Series (9). New York: Pendragon Press.

Herbert, Trevor (2016). Trumpets, drums and the sources for their symbolic authority in Britain. Music in Art: International Journal for Music Iconography,, 41(1-2) pp. 65–81.

Herbert, Trevor (2016). Adolphe Sax, his saxhorns and their international influence. Revue belge de musicologie/Belgisch tijdschrift voor muziekwetenschap, 70 pp. 65–76.

Payne, Emily; Schuling, Floris; Stroud, Rachel and Williams, Sean (2016). Performing Notations: Relational Approaches to Musical Materials. In: Royal Musical Association Conference 2016, 3-5 Sep 2016, The Guildhall, London.

Rowland, David (2016). European music publishing during the Napoleonic wars. In: Jardin, Étienne ed. Music and War in Europe from the French Revolution to WWI. Music, criticism and politics (2). Turnhaut: Brepols, pp. 223–232.

Williams, Sean (2016). Interpretation and Performance Practice in Realizing Stockhausen's Studie II. Journal of the Royal Musical Association, 141(2) pp. 445–481.

Williams, Sean (2016). The Hohner Electronium: a 1950s portable monophonic valve synthesizer. In: Alternative Histories of Electronic Music, 14-15 Apr 2016, Scinece Museum, London.

Williams, Sean (2016). Stockhausen Concerts Database report. In: Performance Studies Network conference 2016, 14-17 Jul 2016, Bath Spa University.

Williams, Sean (2016). The mythical Modul 69A Klangwandler and the viability of composer designed instruments. In: Music and Sonic Art conference 2016, 1-3 Jul 2016, Karlsruhe, Germany.

Williams, Sean and Green, Owen (2016). Negotiating sonic space for group electronics. In: Fifth International Symposium on Music/Sonic Art: Practices and Theories, 26-29 Jul 2014, Karlsruhe, Germany.

Winters, Ben (2016). The Composer and the Studio: Korngold and Warner Bros. In: Cooke, Mervyn and Ford, Fiona eds. The Cambridge Companion to Film Music. Cambridge Companions to Music. Cambridge: Cambridge University Press, pp. 51–66.

Winters, Ben (2016). The sound of satire; or, trading places with Mozart. In: Evans, Mark and Hayward, Philip eds. Sounding Funny: Sound and Comedy Cinema. Genre, Music and Sound. Equinox Press, pp. 29–50.

2015To Top

Burrows, Donald; Coffey, Helen; Greenacombe, John and Hicks, Anthony eds. (2015). George Frideric Handel: Collected Documents: Volume 2: 1725-1734. Cambridge: Cambridge University Press.

Barker, Naomi J. (2015). Music, antiquity and self-fashioning in the Accademia dei Lincei. The Seventeenth Century, 30(4) pp. 375–390.

Coffey, Helen (2015). Music for an Elector and King: the Hanover Hofkapelle during the reigns of George I and II. In: Händel und die Musikgeschichte des Hauses Hannover, 10-11 Jun 2014, Halle, Saale, Georg-Friedrich-Händel-Gesellschaft e. V., pp. 135–152.

Collings, Matthew; Rawlinson, Jules and Williams, Sean (2015). Requiem for Edward Snowden. Sound Scotland.

Collings, Matthew; Rawlinson, Jules and Williams, Sean (2015). Requiem for Edward Snowden. Edinburgh College of Art.

Dooley, James and Di Donato, Balandino (2015). equinode. [Show/Exhibition]

Green, Owen; Williams, Sean and Murray-Rust, Dave (2015). Concert with Aleks Kolkowski and Grey Area. Edinburgh College of Art.

Laney, Robin; Samuels, Robert and Capulet, Emilie (2015). Cross entropy as a measure of musical contrast. In: Mathematics and Computation in Music (Collins, Tom; Meredith, David and Volk, Anja eds.), Lecture Notes in Computer Science, Springer International Publishing, Cham, Switzerland, pp. 193–198.

Richards, Fiona (2015). ‘so insistently literary’: the Englishness of Randolph Stow. Journal of the Association for the Study of Australian Literature, 14(5), article no. 8.

Richards, Fiona (2015). Strange Territories: John Ireland and Arthur Machen. Faunus: The Journal of the Friends of Arthur Machen, 32 pp. 29–41.

Rowland, David (2015). Pianists and the European music trade c. 1790-1820. In: Sala, Massimiliano ed. Piano culture in 19th-century Paris. Turnhout: Brepols, pp. 17–26.

Simones, Lilian; Schroeder, Franziska and Rodger, Matthew (2015). Categorizations of physical gesture in piano teaching: A preliminary enquiry. Psychology of Music, 43(1) pp. 103–121.

Williams, Sean (2015). Stockhausen Concerts Database. Edinburgh College of Art.

Williams, Sean (2015). Technical influence and physical constraint in the realisation of Gesang der Jünglinge. In: Tracking the Creative Process in Music, 8-10 Oct 2015, Paris, France.

Williams, Sean (2015). Orchid House - world of sounds: Sound from around the world, between 3 am and 6 am. In Sound from around the world, between 3 am and 6 am Edinburgh College of Art.

Williams, Sean; Mooney, James and Green, Owen (2015). Celebrating the work of Hugh Davies 3. University of Leeds.

Williams, Sean; Moonie, James; Green, Owen; Green, Owen; Lloyd, Emma; Sturm, Armin and Murray-Rust, Dave (2015). Grey Area Performs: Hugh Davies, Stockhausen, Christian Wolff, Owen Green. In Hugh Davies, Stockhausen, Christian Wolff, Owen Green University of Leeds.

Williams, Sean and Stockhausen, Karlheinz (2015). "Hymnen - electronic music" sound projection. In Karlheinz Stockhausen's 4-channel tape piece Edinburgh College of Art.

2014To Top

Adamou, Alessandro; d'Aquin, Mathieu; Barlow, Helen and Brown, Simon (2014). LED: curated and crowdsourced linked data on music listening experiences. In: Proceedings of the ISWC 2014 Posters & Demonstrations Track, CEUR Workshop Proceedings, CEUR-WS.org, pp. 93–96.

Blackburn, Manuella (2014). Instruments INDIA: A sound archive for educational and compositional use. Organised Sound, 19(2) pp. 146–153.

Blackburn, Manuella (2014). Editorial. Organised Sound, 19(2) pp. 107–109.

Brown, Simon; Adamou, Alessandro; Barlow, Helen and d'Aquin, Mathieu (2014). Building listening experience Linked Data through crowd-sourcing and reuse of library data. In: Proceedings of the 1st International Workshop on Digital Libraries for Musicology - DLfM '14, DLfM '14, ACM, pp. 1–8.

Burrows, Donald (2014). The Power of Music - the significance of "Alexander's Feast" in Handel's London career. In: ed. Händel-Jahrbuch 2014, 60. Bärenreiter, pp. 243–252.

Burrows, Donald (2014). Handel, the British Court and the London public. In: Marx, H. J. and Sandberger, Wolfberger eds. Göttinger Händel-Beiträge XV. Göttingen: Vandenhoeck & Ruprecht, pp. 109–118.

Dueck, Byron (2014). Standard, advantage, and race in British discourse about jazz. In: Toynbee, Jason; Tackley, Catherine and Doffman, Mark eds. Black British Jazz: Routes, Ownership, and Performance. Ashgate Popular and Folk Music Series. Farnham: Ashgate, pp. 199–220.

Golding, Rosemary (2014). Organ Recitals, education, repertoire, and a new musical public in nineteenth-century Edinburgh. Ad Parnassum. A Journal of Eighteenth- and Nineteenth-Century Instrumental Music, 12(24) pp. 89–113.

Kawabata, Maiko (2014). The aura of Stradivari’s violins. Ad Parnassum. A Journal of Eighteenth- and Nineteenth-Century Instrumental Music, 12(23) pp. 61–74.

Prechtl, Anthony; Laney, Robin; Willis, Alistair and Samuels, Robert (2014). Algorithmic music as intelligent game music. In: AISB50: The 50th Annual Convention of the AISB, 1-4 Apr 2014, London, UK.

Prechtl, Anthony; Laney, Robin; Willis, Alistair and Samuels, Robert (2014). Methodological approaches to the evaluation of game music systems. In: AM '14 Proceedings of the 9th Audio Mostly: A Conference on Interaction With Sound, ACM, article no. 26.

Rowland, David (2014). Nineteenth-century pianists and Baroque music. Musurgia. Analyse et pratique musicales, 21(1-2) pp. 79–90.

Samuels, Robert (2014). Schubert’s instrumental voice: vocality in melodic construction in the late works. In: Bernhart, Walter and Kramer, Lawrence eds. On Voice. Word and Music Studies, 13. Amsterdam: Rodopi, pp. 161–178.

Williams, Sean (2014). "Set Sail for the Sun", from "Aus den Sieben Tagen" by Karlheinz Stockhausen. Institute for Advanced Studies in the Humanities.

Williams, Sean (2014). Distributed creativity in Karlheinz Stockhausen's Aus den Sieben Tagen. In: (Dis-)Owning the Sound: A Workshop on the Historical Development of Music Property & Authorship, 16 Jun 2014, Edinburgh, United Kingdom.

Williams, Sean (2014). Gemini 8. Artifact Music Limited.

Williams, Sean (2014). Separation/Integration. In Concert of works centred on David C Johnson The University of Edinburgh.

Williams, Sean (2014). Pinging Filters: From serialism through the 808 to DIY. In: Studying Music: An International Conference in Honour of Simon Frith, 10-12 Apr 2014, Edinburgh, United Kingdom.

Williams, Sean and Green, Owen (2014). Negotiating Sonic Space for Group Electronics. In: Fifth International Symposium on Music/Sonic Art: Practices and Theories, 14 Jun 2014, Karlsruhe, Germany.

Williams, Sean and Kolkowski, Aleks (2014). The Exponential Horn: In Search of Perfect Sound: "Spiral for soloist", Karlheinz Stockhausen. In "Spiral for soloist", Karlheinz Stockhausen Science Museum, London.

Williams, Sean and Strang, David (2014). Light Entropy. Contemporary Music Festival, Plymouth.

Winters, Ben (2014). Swearing an oath: Korngold, film and the sound of resistance? In: Levi, Erik ed. The Impact of Nazism on Twentieth-Century Music. Exil.Arte-Schriften. Vienna: Böhlau Verlag, pp. 61–76.

2013To Top

Burrows, Donald; Coffey, Helen; Greenacombe, John and Hicks, Anthony eds. (2013). George Frideric Handel: collected documents: volume 1 1609-1725. Cambridge University Press.

Thompson, Marie and Biddle, Ian eds. (2013). Sound, Music, Affect: Theorizing Sonic Experience. New York: Bloomsbury.

Barker, Naomi J. (2013). The ear of the lynx: The musical legacy of the Accademia dei Lincei. In: Smith, David J. and Taylor, Rachelle eds. Networks of music and culture in the late sixteenth and early seventeenth centuries. Surrey: Ashgate Publishing Limited, pp. 59–70.

Bullock, Jamie; Coccioli, Lamberto; Dooley, James and Michailidis, Tychonas (2013). Live Electronics in Practice: Approaches to Training Professional Performers. Organised Sound, 18(2) pp. 170–177.

Rowland, David, ed. Chopin Rondos. By Frederic Chopin . London, Edition Peters (2013).

Dueck, Byron (2013). Jazz endings, aesthetic discourse, and musical publics. Black Music Research Journal, 33(1) pp. 91–115.

Dueck, Byron (2013). Civil twilight: country music, alcohol, and the spaces of Manitoban aboriginal sociability. In: Born, Georgina ed. Music, Sound and Space: Transformations of Public and Private Experience. Cambridge, UK: Cambridge University Press, pp. 239–256.

Dueck, Byron (2013). Rhythm and role recruitment in Manitoban aboriginal music. In: Clayton, Martin; Dueck, Byron and Leante, Laura eds. Experience and Meaning in Music Performance. Oxford: Oxford University Press.

Golding, Rosemary (2013). Music and Academia in Victorian Britain. Music in Nineteenth-Century Britain. Farnham: Ashgate.

Hamer, Laura and Murray, Christopher Brent (2013). Olivier Messiaen and the prix de Rome as a Rite of Passage. In: Dingle, Christopher and Fallon, Robert eds. Messiaen Perspectives 1: Sources and Influence. Farnham: Ashgate, pp. 13–43.

Herbert, Trevor (2013). Brass and military bands in Britain - performance domains, the factors that construct them and their influence. In: Brucher, Kate and Reily, Suzel eds. Brass Bands of the World: Bands: Militarism, Colonial Legacies, and Local Music Making. SOAS Musicology Series. Farnham: Ashgate, pp. 33–54.

King, Richard David (2013). 50 years on : the liturgical music legacy of Vatican II - a local study. PhD thesis The Open University.

Richards, Fiona (2013). Sound and music in the works of Randolph Stow. Antipodes, 27(2) pp. 177–183.

Rowland, David (2013). Haydn's music and Clementi's publishing circle. In: Chesser, Richard and Wyn Jones, David eds. The Land of Opportunity: Joseph Haydn and Britain. London: British Library Publishing, pp. 92–111.

Williams, Sean, ed. Elektronische Studie II. By Karlheinz Stockhausen (1954). Universal Editions (2013).

Williams, Sean (2013). Making and Writing about Music: Spotlight on Practice-led Research. In Royal Musical Association Student Blog, Royal Musical Association Student Blog The Royal Musical Association, London.

Williams, Sean (2013). Performing shapes. In: Researching music as process: methods and approaches, 22 Nov 2013, Oxford, United Kingdom.

Williams, Sean (2013). Noise and Fidelity. Syndicate.

Williams, Sean (2013). Stockhausen meets King Tubby's: the stepped filter and its influence as a musical instrument on two different styles of music. In: Weium, Frode and Boon, Tim eds. Material Culture and Electronic Sound. Artefacts: Studies in the History of Science and Technology, 8. Smithsonian Institution Scholarly Press, pp. 163–188.

Williams, Sean; Currie, Colin; Hodges, Nicolas and Stockhausen, Karlheinz (2013). Kontakte with piano and percussion. Glasgow Life.

Williams, Sean; Stockhausen, Karlheinz; Smith, Simon and Ligeti, György (2013). Ligeti and Stockhausen: A concert of piano and electronics works from the 195. In A concert of piano and electronics works from the 1950s Edinburgh College of Art.

Wright, Seymour Bevan (2013). The group learning of an original creative practice : 1960s emergent AMM. PhD thesis The Open University.

2012To Top

Clarke, Martin ed. (2012). Music and Theology in Nineteenth-Century Britain. Music in Ninteenth-Century Britain. Farnham: Ashgate.

Barlow, Helen (2012). The military band images of George Scharf. Music in Art, XXXVII(1-2) pp. 9–24.

Burrows, Donald (2012). Handel. New York: Oxford University Press.

Clarke, Martin (2012). 'Meet and Right it is to Sing': nineteenth-century hymnals and the reasons for singing. In: Clarke, Martin ed. Music and Theology in Nineteenth-Century Britain. Music in Ninteenth-Century Britain. Farnham: Ashgate, pp. 21–36.

Clarke, Martin V. (2012). Introduction. In: Clarke, Martin V. ed. Music and Theology in Nineteenth-Century Britain. Music in Nineteenth-Century Britain. Farnham: Ashgate, pp. 1–4.

Dueck, Byron (2012). 'No heartaches in Heaven': a response to aboriginal suicide. In: Hoefnagels, Anna and Diamond, Beverley eds. Aboriginal Music in Contemporary Canada: Echoes and Exchanges. McGill-Queen's Native and Northern Series (66). Montreal: McGill-Queen's University Press.

Golding, Rosemary (2012). (Re)-configuring the idea of the Conservatoire in late-nineteenth-century London. In: Sirch, Licia; Sità, Maria Grazia and Vaccarini, Marina eds. L´insegnamento dei conservatori, la composizione e la vita musicale nell´Europa dell´Ottocento. Strumenti della Ricerca Musicale (19). Lucca: Libreria Musicale Italiana.

Green, Helen (2012). Wind instrumentalists in the churches of Maximilian I’s Augsburg. Historic Brass Society Journal, 24 pp. 25–35.

Hamer, Laura (2012). Armande de Polignac: An Aristocratic Compositrice in Fin-de-siècle Paris. In: Fryer, Paul ed. Women in the Arts in the Belle Époque: Essays on Influential Artists, Writers and Performers. Jefferson, North Carolina and London: McFarland, pp. 165–185.

Hamer, Laura (2012). Entre Satie et Stravinsky: les modèles néoclassiques de Germaine Tailleferre. In: Terrien, Pascal ed. Musique française : esthétique et identité en mutation 1892-1992. Paris: Delatour France, pp. 89–96.

Herbert, T. and Barlow, H. (2012). The British military as a musical institution, c.1780-c.1860. In: Rodmell, P. ed. Music and Institutions in Nineteenth-Century Britain. Music in Nineteenth-Century Britain. Farnham, UK: Ashgate, pp. 247–266.

Herbert, Trevor (2012). Music in words: a guide to researching and writing about music (2nd edition). London: Associated Board of the Royal Schools of Music.

Richards, Fiona (2012). ''Rubbed by the warming violins'': music and Patrick White. Cercles: Revue Pluridiscipline du Monde Anglophone, 26 pp. 22–38.

Rowland, David (2012). Dussek in London's commercial world. In: Stewart-MacDonald, Rohan and Illiano, Roberto eds. Jan Ladislav Dussek: A Bohemian Composer «en voyage» through Europe. Quaderni Clementiani (4). Bologna: Ut Orpheus Edizioni, pp. 87–111.

Williams, Sean (2012). Lachenmann's "Toccatina'' performed by Emma Lloyd: Sound Projection. In Sound projection Edinburgh College of Art.

Williams, Sean (2012). Tubby's Dub Style: The Live Art of Record Production. In: Frith, Simon and Zagorski-Thomas, Simon eds. The Art of Record Production: An Introductory Reader for a New Academic Field. Ashgate Popular and Folk Music Series. Ashgate Publishing, pp. 235–246.

Winters, Ben (2012). Musical Wallpaper? Towards an Appreciation of Non-narrating Music in Film. Music, Sound, and the Moving Image, 6(1) pp. 39–54.

Winters, Ben (2012). Music and Narrative: An Introduction. Music, Sound, and the Moving Image, 6(1) pp. 3–7.

Winters, Ben (2012). Superman as mythic narrative: music, romanticism, and the ‘oneiric climate’. In: Halfyard, Janet K. ed. The Music of Fantasy Cinema. Genre, Music and Sound. Sheffield: Equinox Press, pp. 111–131.

Winters, Ben (2012). ‘It’s all really happening’: sonic shaping in the films of Wes Anderson. In: Wierzbicki, James ed. Music, Sound, and Filmmakers: Sonic Style in Cinema. Routledge Music and Screen Media Series. Abingdon: Routledge, pp. 45–60.

2011To Top

Clayton, Martin; Herbert, Trevor and Middleton, Richard eds. (2011). The Cultural Study of Music: a Critical Introduction (2nd ed.). Abingdon: Routledge.

Toynbee, Jason and Dueck, Byron eds. (2011). Migrating Music. CRESC. Abingdon: Routledge.

Burrows, Donald (2011). G. F. Handel: Te Deum in A Major. Novello and Company, London.

Burrows, Donald (2011). “Sometimes it is impossible to guess why Handel was so scrupulous”: Handel’s versions of the aria ‘Thou art gone up on high’ in "Messiah". In: Hirschmann, Wolfgang ed. Aria. Eine Festschrift für Wolklfgang Ruf. Studien und Materialien zur Musikwissenschaft (65). Hildesheim: Georg Olms, pp. 280–307.

Burrows, Donald (2011). Good for the garden: the composition of Handel’s Ariodante. In: Joncus, Berta and Barlow, Jeremy eds. The Stage's Glory: John Rich 1692-1761. Newark / Lanham, MD.: University of Delaware Press / Rowman and Littlefield, pp. 149–156.

Burrows, Donald, ed. Canticles and anthems with orchestra. By William Croft . London, Stainer and Bell (2011).

Herbert, Trevor (2011). Brass instruments. Oxford Bibliographies Online: Music.

Herbert, Trevor (2011). Social history and music history. In: Clayton, Martin; Herbert, Trevor and Middleton, Richard eds. The Cultural Study of Music: A Critical Introduction (2nd ed). Abingdon: Routledge, pp. 49–58.

Richards, Fiona (2011). John Ireland's personal world. In: Foreman, Lewis ed. The John Ireland Companion. Woodbridge: Boydell & Brewer, pp. 42–53.

Richards, Fiona (2011). Helen Perkin: pianist, composer and muse of John Ireland. In: Foreman, Lewis ed. The John Ireland Companion. Woodbridge: Boydell & Brewer, pp. 132–146.

Rowland, David (2011). Clementi's music business. In: Kassler, Michael ed. The Music Trade in Georgian England. Farnham, Surrey and Burlington, VT: Ashgate, pp. 125–157.

Rowland, David (2011). Clementi as publisher. In: Kassler, Michael ed. The Music Trade in Georgian England. Farnham, Surrey and Burlington, VT: Ashgate, pp. 159–191.

Samuels, Robert (2011). The act of performance as Mahlerian topic. In: Bernhart, Walter and Halliwell, Michael eds. Word and Music Studies: essays on performativity and on surveying the field. Words and Music Studies (12). Amsterdam: Rodopi, pp. 35–52.

Toynbee, Jason and Dueck, Byron (2011). Migrating music. In: Toynbee, Jason and Dueck, Byron eds. Migrating Music. CRESC. Abingdon, U.K and New York, NY, U.S.: Routledge, pp. 1–18.

Winters, Ben (2011). Silencing the truth: music and identity in The Unforgiven. In: Kalinak, Kathryn ed. Music in the Western: Notes from the Frontier. Routledge Music and Screen Media Series. Abingdon, UK: Routledge, pp. 77–93.

2010To Top

Rowland, David ed. (2010). The Correspondence of Muzio Clementi. Muzio Clementi Opera Omnia. Critical Edition, 14. Bologna: Ut Orpheus Edizioni.

Burrows, Donald (2010). What we know – and what we don’t know – about Handel’s career in Rome. In: Ehrmann-Herfort, Sabine and Schnettger, Matthias eds. Georg Friedrich Händel in Rom. Analecta Musicologica (44). Barenreiter, pp. 97–108.

Burrows, Donald (2010). Lists of Musicians for Performances of Handel’s Messiah at the Foundling Hospital, 1754-1777. Royal Musical Association Research Chronicle, 43 pp. 85–109.

Clarke, Martin (2010). John Frederick Lampe's Hymns on the Great Festivals and Other Occasions. In: Temperley, Nicholas and Banfield, Stephen eds. Music and the Wesleys. Urbana: University of Illinois Press, pp. 52–62.

Herbert, Trevor (2010). Sousa, the band and the 'American century'. Journal of the Royal Musical Association, 135(1) pp. 183–190.

Rowland, David (2010). Clementi & Co. in international markets. In: Illiano, Roberto and Sala, Luca eds. Instrumental Music and the Industrial Revolution. Ad Parnassum Studies (5). Bologna: Ut Orpheus Edizioni, pp. 525–542.

Rowland, David (2010). Chopin and early nineteenth century piano schools. In: Szklener, Artur ed. The Sources Of Chopin’s Creative Style: Inspirations And Contexts. Warsaw: Narodowy Instytut Fryderyka Chopina, pp. 83–96.

Samuels, Robert (2010). Mahler within Mahler: allusion as quotation, self-reference, and metareference. In: Bernhart, Walter and Wolf, Werner eds. Self-Reference in Literature and Other Media. Word and Music Studies (11). Amsterdam: Rodopi, pp. 33–50.

2009To Top

Burrows, Donald ed. (2009). Handel's Will: Facsimiles and Commentary. London: Gerald Coke Handel Foundation.

Burrows, Donald ed. (2009). Georg Friedrich Händel, ‘Messiah’. Documenta Musicologica, Zweite Reihe, Handschriften, xl. Kassel, Germany: Barenreiter.

Burrows, Donald (2009). The Royal Music Library and its Handel collection. The Electronic British Library Journal, 2009, article no. 2.

Burrows, Donald (2009). Didn’t Handel go to Oxford in 1749? Musical Times, 150(1909) pp. 31–38.

Burrows, Donald (2009). Die Kastratenrollen in Händels Londoner Opern. In: Jacobshagen, Arnold and Mucke, Panja eds. Handels Opern. Das Handbuch. Das Händel-Handbuch (2). Laaber, pp. 143–163.

Burrows, Donald (2009). Who does what, when? On the instrumentation of the basso continuo and the use of the organ in Handel’s English oratorios. In: King, Richard G. ed. Handel Studies: a Gedenkschrift for Howard Serwer. Hillsdale, NY: Pendragon, pp. 107–126.

Butlin, Roy Norman (2009). The perception and reception of English opera from Ivanhoe to Peter Grimes. The Open University.

Green, Helen (2009). Meetings of City and Court: Music and Ceremony in the Imperial Cities of Maximilian I. In: Hartmann, Sieglinde and Müller, Ulrich eds. Kaiser Maximilian I. (1459 bis 1519) und die Hofkultur seiner Zeit. Jahrbuch Der Oswald Von Wolkenstein Gesellschaft, 17. Reichert, pp. 261–274.

Hall, Mark M. and Hamer, Laura A. (2009). Der Einfluss der Eisenbahn auf das Konzertwesen des 19. Jahrhunderts. In: Angewandte Geoinformatik 2009 - Beiträge zum 21. AGIT-Symposium Salzburg, 8-10 Jul 2009, Salzburg Universität, Austria.

Herbert, Trevor (2009). Trombone idiom in the twentieth century: classical, jazz, and hybrid influences. In: Weiner, Howard T. ed. Early Twentieth-Century Brass Idioms: Art, Jazz, and Other Popular Traditions. Studies in Jazz. Lanham, MD, USA: Scarecrow Press.

Herbert, Trevor (2009). Introduction: Brass playing in the early twentieth century: idioms and cultures of performance. In: Weiner, Howard T. ed. Early Twentieth-Century Brass Idioms: Art, Jazz, and Other Popular Traditions. Studies in Jazz (58). Lanham, MD: Scarecrow Press, xi-xvii.

Rowland, David (2009). Piano businesses in England and France. In: Getreau, Florence ed. Le pianoforte en France 1780-1820. Musique Images Instruments (11). Paris: CNRS Editions, pp. 127–135.

Winters, Ben and Mera, Miguel (2009). Screen Music Sources in the UK and Ireland. Brio, 46(2) pp. 37–65.

Wollston, Silas (2009). The instrumentation of English violin-band music, 1660-1685. PhD thesis The Open University.

2008To Top

Burrows, Donald (2008). Handel and the English Chapel Royal (revised paperback edition). Oxford Studies in British Church Music. Oxford: Oxford University Press.

Burrows, Donald (2008). John Walsh and his Handel editions. In: Myers, Robin; Harris, Michael and Mandelbrote, Giles eds. Music and the Book Trade from the Sixteenth to the Twentieth Century. London: The British Library, pp. 69–104.

Herbert, Trevor (2008). Brass instruments : repertoires, practices and cultures. The Open University.

2007To Top

Richards, Fiona (2007). Granville Bantock and the Orient in the Midlands. In: Clayton, Martin and Zon, Bennett eds. Music and Orientalism in the British Empire, 1780s to 1940s: Portrayal of the East. Music in Nineteenth-Century Britain. Aldershot, UK: Ashgate Publishing, pp. 129–146.

Winters, Ben (2007). Erich Wolfgang Korngold’s The Adventures of Robin Hood: A Film Score Guide. Scarecrow Film Score Guides, 6. Lanham, MD: Scarecrow Press.

Winters, Ben (2007). Catching Dreams: Editing Film Scores for Publication. Journal of the Royal Musical Association, 132(1) pp. 115–140.

2006To Top

Bagust, Susan Jennifer (2006). The concept of modernism and the history of modern music. PhD thesis The Open University.

Herbert, Trevor (2006). The Trombone. Yale Musical Instrument Series. Yale University Press.

Richards, Fiona (2006). Introduction: Spirit of place, spiritual journeys. In: Richards, Fiona ed. The Soundscapes of Australia: music, place and spirituality. Ashgate.

Richards, Fiona (2006). Journeys across Australia: Ealing film scores of the 1940s and '50s. In: Richards, Fiona ed. The Soundscapes of Australia: music, place and spirituality. Ashgate.

Rowland, David (2006). Viotti and Clementi: Friendship, publishing, the Philharmonic Society and the Royal Academy of Music. In: Sala, Massimiliano ed. Giovanni Battista Viotti: A composer between the two revolutions. Bologna, Italy: Ut Orpheus Edizioni, pp. 377–394.

Samuels, Robert (2006). Music as Narrative's Limit and Supplement. In: Benito, Jesús and Manzanas, Ana Mª eds. The Dynamics of the Threshold: Essays on Liminal Negotiations. Studies in Liminality and Literature, 5. Madrid, Spain: The Gateway Press, pp. 149–163.

Samuels, Robert (2006). Narratives of masculinity and femininity: two Schumann song cycles. In: Da Sousa Correa, Delia ed. Phrase and subject: Studies in Literature and Music. Oxford, UK: Legenda, pp. 135–145.

2005To Top

Decroupet, Pascal and Samuels, Robert [trans.] eds. (2005). Pierre Boulez. Le marteau sans maître: facsimile of the draft score and the first fair copy of the full score. Publications from the Paul Sacher Foundation. Mainz; London: Schott.

Munro, Gordon; Campbell, Stuart; Hair, Greta-Mary; MacKay, Margaret A.; Moohan, Elaine and Hair, Graham eds. (2005). Notis Musycall: Essays on Music and Scottish Culture in Honour of Kenneth Elliott. Historical studies of Scottish music. Glasgow, UK: Musica Scotica Trust.

Buckley, Linda Jean (2005). Alfred Bruneau and the Third Republic : aesthetics, politics and reception. PhD thesis The Open University.

Burrows, Donald (2005). Handel and the English Chapel Royal. Oxford Studies in British Church Music. Oxford, UK: Oxford University Press.

Burrows, Donald (2005). The word-books for Handel's performances of 'Samson'. Musical Times, 146(1890) pp. 7–15.

Burrows, Donald (2005). The Word-Books for Handel's Performances of "Samson". The Musical Times, 146(1890) pp. 7–15.

Burrows, Donald (2005). An edition with preface of G. F. Handel, Samson. Novello & Co. Ltd., London, UK.

Clarke, Martin (2005). [CD Review] The English Hymn – 5. Nineteenth-Century Music Review, 2(2) pp. 226–228.

Herbert, Trevor (2005). Matthew Locke and the cornett and sackbut ensemble in England after the Restoration: the 'labelled evidence'. In: Polk, Keith ed. Brass Music at the Cross Roads of Europe: The Low Countries and Contexts of Brass Musicians from the Renaissance into the Nineteenth Century. Utrecht, Netherlands: STIMU, pp. 57–67.

Herbert, Trevor (2005). Susato's colleagues: the trombonists of the Tudor court. In: Polk, Keith ed. Tielman Susato and the music of his time: print culture, compositional technique and instrumental music in the Renaissance. Bucina: The Historic Brass Society Series (5). Hillsdale, New York: Pendragon Press, pp. 117–132.

Moohan, Elaine (2005). The Sacred Music Institution in Glasgow, 1796-1805. In: Munro, Gordon; Campbell, Stuart; Hair, Greta-Mary; Mackay, Margaret A.; Moohan, Elaine and Hair, Graham eds. Notis Musycall: Essays on Music and Scottish Culture in Honour of Kenneth Elliott. Historical Studies of Scottish Music. Glasgow: Musica Scotica Trust, pp. 231–250.

Rowland, David (2005). Performance practices in the nineteenth-century concerto. In: Keefe, Simon ed. The Cambridge companion to the concerto. Cambridge Companions Series. Cambridge, UK: Cambridge University Press, pp. 227–246.

Rowland, David (2005). The Performance of Chopin's works for piano and orchestra. In: Szklener, Artur ed. Chopin in performance: History, theory, practice. Warsaw, Poland: Narodowy Instytut Fryderyka Chopina, pp. 169–183.

Weber, William and Burrows, Donald (2005). Henry Purcell and The Universal Journal: the building of musical canon in the 1720s. In: Jackson, Jeffrey H and Pelkey, Stanley C eds. Music and History: Bridging the Disciplines. Jackson: University Press of Mississippi, pp. 181–199.

2004To Top

Boulez, Pierre and Samuels, Robert [trans.] (2004). The musician writes: for the eyes of the deaf? In: Ashby, Arved ed. The Pleasure of Modernist Music: Listening, Meaning, Intention, Ideology. Eastman Studies in Music. Rochester, NY: University of Rochester Press, pp. 197–222.

Burrows, Donald (2004). Orchestras in the new Cathedral. In: Keene, Derek; Burns, Arthur and Saint, Andrew eds. St Paul’s: The Cathedral Church of London, 604-2004. London: Yale University Press.

Burrows, Donald (2004). Musicians and music copyists in mid-eighteenth-century Oxford. In: Wollenberg, Susan and McVeigh, Simon eds. Concert Life in Eighteenth-Century Britain. Aldershot: Ashgate, pp. 115–140.

Kawabata, Maiko (2004). The Concerto that Wasn't: Paganini, Urhan and Harold in Italy. Nineteenth-Century Music Review, 1(1) pp. 67–114.

Richards, Fiona (2004). British islands: an obsession of British composers. In: Dawe, Kevin ed. Island musics. Oxford, UK: Berg, pp. 199–212.

Rowland, David (2004). Clementi's early business career: new documents. In: Bösel, Richard and Sala, Massimiliano eds. Muzio Clementi. Cosmopolita della Musica. Atti del convegno internazionale in occasione del 250° anniversario della nascita (1752-2002). Roma, 4-6 dicembre 2002. Bologna, Italy: Ut Orpheus Edizioni, pp. 49–59.

2003To Top

Clayton, Martin; Herbert, Trevor and Middleton, Richard eds. (2003). The Cultural study of music: A critical introduction. Abingdon, UK,: Routledge.

Barker, Naomi Joy (2003). Viewing the stile espressivo: Doni, Poussin and the ancient genera. In: Dobszay, László ed. The past in the present, Volume 1. Budapest: Liszt Ferenc Academy of Music.

Ward Jones, Peter and Burrows, Donald (2003). An Inventory of Mid-Eighteenth-Century Oxford Musical Hands. Royal Musical Association Research Chronicle(35) pp. 61–139.

2002To Top

Burrows, Donald and Dunhill, Rosemary (2002). Music and theatre in Handel's world : the family papers of James Harris 1732-1780. Oxford, UK: Oxford University Press.

Richards, Fiona (2002). Changing identities: the pianist and composer Helen Perkin. Australasian Music Research, 7 pp. 15–30.

Richards, Fiona (2002). An Anthology of friendship: the letters from John Ireland to Father Kenneth Thompson. In: Fuller, Sophie and Whitesell, Lloyd eds. Queer episodes in music and modern identity. Urbana, USA: University of Illinois Press, pp. 245–267.

Rowland, David (2002). Clementi and the British concerto tradition. In: Illiano, Roberto; Sala, Luca and Sala, Massimiliano eds. Muzio Clementi: studies and prospects. Muzio Clementi Omnia Opera (61). Bologna, Italy: Ut Orpheus Edizioni, pp. 179–190.

2001To Top

Herbert, Trevor and Stead, Peter eds. (2001). Hymns and Arias: Great Welsh Voices. Cardiff: University of Wales Press.

Fleming, Michael Jonathan (2001). Viol-making in England c. 1580-1660. PhD thesis The Open University.

Herbert, Trevor (2001). Baltic Brass. Deux-Elles.

Sayce, Lynda (2001). The development of Italianate continuo lutes. PhD thesis The Open University.

2000To Top

Herbert, Trevor ed. (2000). The British Brass Band: a Musical and Social History. Oxford: Oxford University Press.

Herbert, Trevor (2000). Popular nationalism: Griffith Rhys Jones (‘Caradog’) and the Welsh choral tradition. In: Bashford, Christina and Langley, Leanne eds. Music and British Culture, 1785-1914: Essays in Honour of Cyril Ehrlich. Oxford: Oxford University Press, pp. 255–274.

Herbert, Trevor (2000). Nineteenth-century bands: making a movement. In: Herbert, Trevor ed. The British Brass Band: a Musical and Social History. Oxford: Oxford University Press, pp. 10–67.

Herbert, Trevor (2000). God's perfect minstrels: the bands of the Salvation Army. In: Herbert, Trevor ed. The British Brass Band: a Musical and Social History. Oxford: Oxford University Press, pp. 187–216.

Herbert, Trevor (2000). Introduction. In: Herbert, Trevor ed. The British Brass Band: a Musical and Social History. Oxford: Oxford University Press, pp. 1–9.

Herbert, Trevor (2000). Trombones and the English court, c. 1480-c.1680. In: Lustig, Monika and Weiner, Howard T. eds. Posaunen und Trompeten: Geschichte, Akustik, Spieltechnik: 19. Musikinstrumentenbau-Symposium in Michaelstein, 20. bis 22. November 1998. Michaelsteiner Konferenzberichte (60). Blankenburg: Stiftung Kloster Michaelstein, pp. 31–38.

Herbert, Trevor and Wallace, John (2000). Aspects of performance practices: the brass band and its influence on other brass-playing styles. In: Herbert, Trevor ed. The British Brass Band: a Musical and Social History. Oxford: Oxford University Press, pp. 278–305.

1999To Top

Herbert, Trevor (1999). Volunteers, salvationists and committees: consensus versus regulation in amateur Victorian brass bands. In: Chastagner, Claude ed. La musique populaire des Iles Britanniques, 1835-1915. Cahiers Victoriens et Édouardiens (50). Montpellier: Centre d'Études et de Recherches Victoriennes et Édouardiennes de l'Université Paul-Valéry, pp. 105–121.

Herbert, Trevor (1999). Military music articles in the Farmer Collection. In: Cowl, Carl and Craik, Sheila M. eds. Henry George Farmer: A Bibliography. Glasgow: Glasgow University Library, xvii-xxi.

Herbert, Trevor (1999). The practice and context of a private Victorian brass band. In: Zon, Bennett ed. Nineteenth-Century British Music Studies, Volume 1. Aldershot: Ashgate, pp. 105–118.

1998To Top

Herbert, Trevor (1998). Victorian brass bands: class, taste and space. In: Leyshon, Andrew; Matless, David and Revill, George eds. The Place of Music. New York: The Guilford Press, pp. 104–128.

Salter, Frank William (1998). An examination of certain dramaturgical devices in the operas of Verdi up to "La Traviata". PhD thesis The Open University.

1997To Top

Herbert, Trevor and Wallace, John eds. (1997). The Cambridge Companion to Brass Instruments. Cambridge Companions to Music. Cambridge: Cambridge University Press.

Dudgeon, Ralph T.; Eastop, Phillip; Herbert, Trevor and Wallace, John (1997). Playing, learning and teaching brass. In: Herbert, Trevor and Wallace, John eds. The Cambridge Companion to Brass Instruments. Cambridge Companions to Music. Cambridge: Cambridge University Press, pp. 193–206.

Herbert, Trevor (1997). Reconstruction of nineteenth-century band repertory: towards a protocol. In: Carter, Stewart ed. Persepctives in Brass Scholarship: Proceedings of the International Historic Brass Society Symposium, Amherst, 1995. Bucina: The Historic Brass Society Series (2). Stuyvesant, NY: Pendragon Press, pp. 185–213.

Herbert, Trevor (1997). ‘Sackbut’: the early trombone. In: Herbert, Trevor and Wallace, John eds. The Cambridge Companion to Brass Instruments. Cambridge Companions to Music. Cambridge: Cambridge University Press, pp. 68–83.

Herbert, Trevor (1997). Brass bands and other vernacular brass traditions. In: Herbert, Trevor and Wallace, John eds. The Cambridge Companion to Brass Instruments. Cambridge Companions to Music. Cambridge: Cambridge University Press, pp. 177–192.

Herbert, Trevor and Sarkissian, Margaret (1997). Victorian bands and their dissemination in the colonies. Popular Music, 16(2) pp. 165–179.

1996To Top

Barker, Naomi (1996). Parody and Provocation: Parade and the Dada Psyche. Repertoire International d'Iconographie Musicale / Research Center for Musical Iconography Newsletter, 21(1) pp. 29–31.

1995To Top

Herbert, Trevor and Jones, Gareth Elwyn eds. (1995). Post-War Wales. Welsh History and its Sources. Cardiff: University of Wales Press.

Samuels, Robert (1995). Mahler's Sixth Symphony: a Study in Musical Semiotics. Cambridge Studies in Music Theory and Analysis, 6. Cambridge: Cambridge University Press.

Whitelock, Denise; Holland, Simon and Howard, Patricia (1995). Understanding harmony and technology in music education. In: Proceedings of the ICTE 1995: the 12th International Conference on Technology and Education (Sechrest, T.; Thomas, M. and Estes, N. eds.), University of Texas, Texas, pp. 382–384.

1994To Top

Birkett, James Gordon (1994). Gaining access to the inner mechanisms of jazz improvisation. PhD thesis The Open University.

Samuels, Robert (1994). Music as text: Mahler, Schumann and issues in analysis. In: Pople, Anthony ed. Theory, Analysis and Meaning in Music. Cambridge: Cambridge University Press, pp. 152–163.

1993To Top

Nattiez, Jean-Jacques and Samuels, Robert [trans.] eds. (1993). The Boulez-Cage Carrespondence. Cambridge: Cambridge University Press.

Herbert, Trevor (1993). The sackbut and pre-Reformation English church music. Historic Brass Society Journal, 5 pp. 146–158.

Potter, John (1993). Vocal authority : style and hegemony in the history of English singing. PhD thesis The Open University.

1992To Top

Barker, Naomi (1992). In Search of Mannerism: A New Approach to an Old Problem. South African Journal of Musicology, 12 pp. 11–19.

Herbert, Trevor (1992). A softening influence: R. T. Crawshay and the Cyfarthfa Band. In: Holley, T. F. ed. Merthyr Historian, Volume 5. Merthyr Tydfil: Merthyr Tydfil Historical Society, pp. 35–42.

Wilson, Paul William (1992). Octatonic-diatonic interaction in three works by Stravinsky. BPhil thesis The Open University.

1991To Top

Herbert, Trevor ed. (1991). Bands: the Brass Band Movement in the 19th and 20th Centuries. Popular Music in Britain. Buckingham: Open University Press.

Burrows, Donald (1991). Handel's Messiah (Korean edition). Cambridge music handbooks. Seoul: Imprima Korean Agency.

Herbert, Trevor (1991). A lament for Sam Hughes: the last Ophicleidist. Planet: the Welsh Internationalist, 87 pp. 66–75.

1990To Top

Herbert, Trevor (1990). The repertory of a Victorian provincial brass band. Popular Music, 9(1) pp. 117–132.

Herbert, Trevor and Myers, Arnold (1990). Catalogue of the European Wind and Percussion Instruments in the Cyfarthfa Castle Museum Collection. Merthyr Tydfil: Cyfarthfa Castle Museum and Art Gallery.

1989To Top

Samuels, Robert (1989). Derrida and Snarrenberg. In Theory Only, 11(1-2) pp. 45–58.

Sondheim, Stephen and Herbert, Trevor (1989). Sondheim's technique. Contemporary Music Review, 5(1) pp. 199–214.

1988To Top

Herbert, Trevor and Jones, Gareth Elwyn eds. (1988). Tudor Wales. Welsh History and its Sources. Cardiff: University of Wales Press.

Herbert, Trevor and Jones, Gareth Elwyn eds. (1988). Wales 1880-1914. Welsh History adnd its Sources. Cardiff: University of Wales Press.

Herbert, Trevor and Jones, Gareth Elwyn eds. (1988). People and Protest: Wales 1815-1880. Welsh History and its Sources. Cardiff: University of Wales Press.

Herbert, Trevor and Jones, Gareth Elwyn eds. (1988). Wales Between the Wars. Welsh History and its Sources. Cardiff: University of Wales Press.

Herbert, Trevor and Jones, Gareth Elwyn eds. (1988). The Remaking of Wales in the Eighteenth Century. Welsh History and its Sources. Cardiff: University of Wales Press.

Herbert, Trevor and Jones, Gareth Elwyn eds. (1988). Edward I and Wales. Welsh History and its Sources. Cardiff: University of Wales Press.

Herbert, Trevor (1988). The virtuosi of Merthyr. Llafur: the Journal of the Society for the Study of Welsh Labour History, 5(1) pp. 60–69.

Herbert, Trevor and Myers, Arnold (1988). Instruments of the Cyfarthfa Band. Galpin Society Journal, 41 pp. 2–10.

Herbert, Trevor and Wallace, John (1988). Divertimento in D: (Trumpet and Piano) by Josef Fiala. Faber Music, London.

1984To Top

Herbert, Trevor (1984). The trombone in Britain before 1800. PhD thesis The Open University.

1983To Top

Hall, Monica (1983). The guitar anthologies of Santiago de Murcia. PhD thesis The Open University.

1982To Top

1981To Top

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