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Anderson, Linda and Neale, Derek (2009). Writing fiction. Abingdon: Routledge.

Benatti, Francesca (2024). Innovations in Digital Comics: A Popular Revolution. Elements in Publishing and Book Culture. Cambridge, UK: Cambridge University Press.

Brown, Richard Danson (2009). Louis MacNeice and the Poetry of the 1930s. Writers and their Work. Tavistock, UK: Northcote House Publishers Ltd.

Brown, Richard Danson (2019). The art of The Faerie Queene. The Manchester Spenser. Manchester: Manchester University Press.

Brown, Richard Danson and Lethbridge, Julian (2013). Concordance to the Rhymes of the Faerie Queene: with two studies of Spenser's Rhymes. The Manchester Spenser. Manchester: Manchester University Press.

Bullock, Emily (2021). Human Terrain. Reflex Fiction.

Bullock, Emily (2015). The Longest Fight. Myriad Editions.

Bullock, Emily (2020). Inside the Beautiful Inside. Everything with Words.

Campbell, Siobhan (2017). Heat Signature. Bridgend, Wales: Seren Press.

Campbell, Siobhan and O'Mahony, Nessa (2017). Eavan Boland: Inside History. London, Dublin and New York: Arlen House.

Cathcart, Charles (2008). Marston, Rivalry, Rapprochement, and Jonson. Aldershot: Ashgate.

Chambers, Helen (2018). Conrad's Reading: Space, Time, Networks. New Directions in Book History (NDBH). London: Palgrave Macmillan, Cham.

da Sousa Correa, Delia (2003). George Eliot, music and Victorian culture. Basingstoke, UK: Palgrave Macmillan.

Dobson, Michael and Watson, Nicola J. (2002). England's Elizabeth: an afterlife in fame and fantasy. Oxford, UK: Oxford University Press.

Doloughan, Fiona J. (2023). Radical Realism, Autofictional Narratives and the Reinvention of the Novel. Anthem Frontiers of Global Political Economy and Development. London: Anthem Press.

Doloughan, Fiona (2011). Contemporary Narrative: Textual Production, Multimodality and Multiliteracies. London and New York: Continuum.

Doloughan, Fiona (2001). Communication Skills and the Knowledge Economy: language, literacy and the production of meaning. Perspectives on Education Policy (11). London, U.K.: Institute of Education.

Doloughan, Fiona J. (2015). English as a Literature in Translation. London: Bloomsbury.

Fraser, Robert (2001). The chameleon poet: a life of George Barker. London, UK: Jonathan Cape.

Fraser, Robert (2002). The Chameleon Poet: A Life of George Barker. Paperback edition [revised]. London, UK: Pimlico.

Fraser, Robert (2002). Ben Okri: Towards the Invisible City. Writers and their work. Tavistock, UK: Northcote House.

Fraser, Robert (2008). Book History Through Postcolonial Eyes: Rewriting the Script. London, UK: Routledge.

Fraser, Robert (2012). Night Thoughts: The Surreal Life of the Poet David Gascoyne. Oxford, UK: Oxford University Press.

Furbank, P. N. and Owens, W. R. (2006). A political biography of Daniel Defoe. Eighteenth century political biographies. London, UK: Pickering & Chatto.

Furbank, P. N. and Owens, W. R. (1988). The Canonisation of Daniel Defoe. New Haven and London: Yale University Press.

Furbank, P. N. and Owens, W. R. (1994). Defoe De-Attributions: A Critique of J. R. Moore's 'Checklist'. London and Rio Grande: The Hambledon Press.

Furbank, P. N. and Owens, W. R. (1998). A Critical Bibliography of Daniel Defoe. London: Pickering and Chatto.

Griffiths, Andrew (2015). The New Journalism, the New Imperialism and the Fiction of Empire, 1870-1900. Palgrave Studies in the History of the Media. London: Palgrave Macmillan.

Gupta, Suman (2022). Political Catchphrases and Contemporary History: A Critique of New Normals. Oxford: Oxford University Press.

Gupta, Suman and Tu, Peter H. (2024). The Practical Philosophy of AI-Assistants: An Engineering-Humanities Conversation. World Scientific.

Gupta, Suman (2003). Re-reading Harry Potter. Basingstoke, UK: Palgrave Macmillan.

Gupta, Suman (2006). Theory and reality of democracy: a case study in Iraq. UK: Continuum.

Gupta, Suman (2001). Corporate capitalism and political philosophy. London, UK: Pluto.

Gupta, Suman (2002). The replication of violence: thoughts on international terrorism after September 11th 2001. London, UK: Pluto Press.

Gupta, Suman (2007). Social constructionist identity politics and literary studies. Basingstoke, UK: Palgrave Macmillan.

Gupta, Suman (2009). Re-Reading Harry Potter (2nd Edn). Houndmills: Palgrave Macmillan.

Gupta, Suman (2009). Globalization and Literature. Cambridge: Polity.

Gupta, Suman (2011). Imagining Iraq: Literature in English and the Iraq Invasion. Basingstoke: Palgrave Macmillan.

Gupta, Suman (2011). Contemporary Literature: The Basics. Basics. London: Routledge.

Gupta, Suman (2015). Philology and Global English Studies: Retracings. London: Palgrave Macmillan.

Gupta, Suman (2015). Consumable Texts in Contemporary India: Uncultured Books and Bibliographical Sociology. New Directions in Book History. Basingstoke: Palgrave Macmillan.

Gupta, Suman (2020). Digital India and the Poor: Policy, Technology and Society. Routledge.

Gupta, Suman; Allen, Richard; Chattarji, Subarno and Chaudhuri, Supriya (2015). Reconsidering English Studies in Indian Higher Education. Routledge Research in Higher Education. Abingdon: Routledge.

Gupta, Suman; Allen, Richard; Schuller, Sebastian; Tu, Peter; Basu, Maitrayee; Gupta, Ayan-Yue; Durao, Fabio Akcelrud and Katsarska, Milena (2020). Social Analysis and the COVID-19 Crisis: A Collective Journal. Delhi and London: Routledge.

Gupta, Suman; Katsarska, Milena; Spyros, Theodoros A. and Hajimichael, Mike (2017). Usurping Suicide: The Political Resonances of Individual Deaths. London: Zed.

Gupta, Suman; Search, Alexander; Durao, Fabio A. and McDonough, Terrence (2017). Entrepreneurial Literary Theory: A Debate on Research and the Future of Academia. London: Shot in the Dark.

Gupta, Suman and Tu, Peter H (2020). What is Artificial Intelligence?: A Conversation between an AI Engineer and a Humanities Researcher. Singapore and London: World Scientific.

Haslam, Sara (2002). Fragmenting modernism: Ford Madox Ford, the novel and the Great War. Manchester, UK: Manchester University Press.

Haslam, Sara and Neale, Derek (2009). Life writing. Abingdon: Routledge.

Heck, Thomas F.; Erenstein, Robert; Katritzky, M. A.; Peeters, Frank; Smith, William A. and de Vries, Lyckle (1999). Picturing Performance: The Iconography of the Performing Arts in Concept and Practice. Rochester, NY: University of Rochester Press.

Hogan, Edward (2020). The Electric. London: John Murray.

Jensen, Meg and Campbell, Siobhan M. (2017). The Expressive Life-Writing Handbook. London and Edinburgh: Beyond Borders Scotland in association with The Stabilisation and Recovery Network.

Johnson, David (2011). Imagining the Cape Colony. History, Literature and the South African Nation. Edinburgh: Edinburgh University Press.

Johnson, David (1996). Shakespeare and South Africa. Oxford: Clarendon Press.

Johnson, David (2019). Dreaming of Freedom in South Africa: Literature between Critique and Utopia. Edinburgh: Edinburgh University Press.

Johnson, David; Pete, Steve and Du Plessis, Max (2001). Jurisprudence: a South African perspective. Durban, South Africa: Butterworths.

Jones, Richard J. (2011). Tobias Smollett in the Enlightenment: Travels through France, Italy and Scotland. Transits: Literature, Thought & Culture 1650-1850. Lewisburg: Bucknell University Press.

Katritzky, M. A. (2006). The art of commedia: a study in the commedia dell'arte 1560-1620 with special reference to the visual records. Internationale Forschungen zur Allgemeinen und Vergleichenden Literatur, 100. Amsterdam, Netherlands: Rodopi.

Katritzky, M. A. (2007). Women, medicine and theatre 1500-1750: literary mountebanks and performing quacks. Studies in performance and early modern drama. Aldershot, UK: Ashgate.

Katritzky, M.A. (2012). Healing, performance and ceremony in the writings of three early modern physicians: Hippolytus Guarinonius and the brothers Felix and Thomas Platter. The history of medicine in context. Ashgate.

Lavery, Hannah (2014). The Impotency Poem from Ancient Latin to Restoration English Literature. Farnham: Ashgate.

Midorikawa, Emily and Sweeney, Emma Claire (2017). A Secret Sisterhood: The Hidden Friendships of Austen, Bronte, Eliot and Woolf. Aurum Press.

Nasta, Susheila (2002). Home truths: fictions of the South Asian diaspora in Britain. Basingstoke, UK: Palgrave.

Nasta, Susheila (1992). An Annotated Bibliography of Novelists from Africa, the Caribbean and South Asia. London, UK: British Council Publications.

Nasta, Susheila and Stadtler, Florian (2013). Asian Britain: A Photographic History. London: Westbourne Press.

Neale, Derek (2012). The Book of Guardians. London: Salt.

Owens, W. R. and Furbank, P. N. (1985). A KWIC Concordance to Daniel Defoe's 'Moll Flanders'. Garland Reference Library of the Humanities. New York and London: Garland.

Pacheco, Anita (2007). William Shakespeare: Coriolanus. Writers and their Work. Tavistock, Devon: Northcote House.

Reardon, Joanne (2020). The Weight of Bones. Gwynedd: Leaf by Leaf, imprint of Cinnamon Press.

Reardon, Joanne and Kenton Webb, Richard (2015). Still Life with Blackbirds. London: Artists Choice Editions.

Richardson, Heather (2023). A Dress for Kathleen. Norwich: Story Machine.

Richardson, Heather (2017). Doubting Thomas. Glasgow: Vagabond Voices.

Rodgers, Michael (2018). Nabokov and Nietzsche: Problems and Perspectives. Bloomsbury.

Spackman, I. J.; Owens, W. R. and Furbank, P. N. (1987). A KWIC Concordance to Daniel Defoe's 'Robinson Crusoe'. New York and London: Garland Publishing.

Sweeney, Emma Claire (2016). Owl Song at Dawn. London: Legend Press.

Tickell, Alex (2007). Arundhati Roy's The God of Small Things. Routledge Guides to Literature. Abingdon: Routledge.

Tickell, Alex (2012). Terrorism, Insurgency and Indian-English Literature, 1830-1947. Routledge Research in Postcolonial Literatures. London: Routledge.

Walder, Dennis (2003). Athol Fugard. Writers and their work. Tavistock, UK: Northcote House.

Walder, Dennis (2011). Postcolonial Nostalgias: Writing, Representation, and Memory. Routledge Research in Postcolonial Literatures. Abingdon: Routledge.

Watson, N. J. (2020). The Author’s Effects: On the Writer’s House Museum. Oxford, New York: Oxford University Press.

Watson, Nicola (1994). Revolution and the Form of the British Novel 1790-1825: Intercepted Letters, Interrupted Seductions. Oxford: Clarendon Press.

Watson, Nicola J. (2006). The Literary Tourist: Readers and Places in Romantic and Victorian Britain. Basingstoke, UK: Palgrave Macmillan.

Wright, Patrick (2017). Nullaby. Lorgnette series. London: Eyewear Publishing.

Wright, Patrick (2020). Full Sight of Her. London: Eyewear Publishing.

Wright, Patrick (2013). Fallen Pictures. Oneiros Books.

Yeh, Jane (2005). Marabou. Manchester, UK: Carcanet Press.

Yeh, Jane (2012). The Ninjas. Manchester, UK: Carcanet Press.

Yeh, Jane (2019). Discipline. Manchester, UK: Carcanet Press.

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Antonini, Alessio and Benatti, Francesca eds. (2023). HT '23: Proceedings of the 34th ACM Conference on Hypertext and Social Media. Hypertext Conference Proceedings. New York: Association for Computing Machinery.

Asbee, Sue ed. (2013). Yellow Book Writers. The Women Aesthetes: British Writers, 1870 - 1900, 3. London: Pickering and Chatto.

Bajetta, Carlo M.; Coatalen, Guillaume and Gibson, Jonathan eds. (2014). Elizabeth I's Foreign Correspondence: Letters, Rhetoric, and Politics. Queenship and Power. Basingstoke: Palgrave Macmillan.

Benatti, Francesca; Ryder, Sean and Tonra, Justin eds. (2013). Thomas Moore: Texts, Contexts, Hypertext. Reimagining Ireland, 24. Peter Lang.

Brewer, Derek and Gibson, Jonathan eds. (1997). A companion to the Gawain-poet. Arthurian Studies, 38. Cambridge: D.S. Brewer.

Burke, Victoria E. and Gibson, Jonathan eds. (2004). Early Modern Women's Manuscript Writing: Selected Papers from the Trinity/Trent Colloquium. Aldershot: Ashgate.

Coleclough, Sharon; Michael-Fox, Bethan and Visser, Renske eds. (2024). Difficult Death, Dying and the Dead in Media and Culture. Palgrave Macmillan, Cham.

Crone, Rosalind and Towheed, Shafquat eds. (2011). The History of Reading, Volume 3: Methods, Strategies, Tactics. Basingstoke, UK: Palgrave Macmillan.

da Sousa Correa, Delia ed. (2006). Phrase and subject: studies in literature and music. Oxford, UK: Modern Humanities Research Association and Maney Publishing.

da Sousa Correa, Delia ed. (2000). The Nineteenth-Century Novel: Realisms. Routledge.

da Sousa Correa, Delia ed. (2020). The Edinburgh Companion to Literature and Music. Edinburgh Companions to Literature and the Humanities. Edinburgh University Press.

da Sousa Correa, Delia and Owens, W. R. eds. (2010). The Handbook to Literary Research. Abingdon: Routledge.

Davis, Caroline and Johnson, David eds. (2015). The Book in Africa: Critical Debates. New Directions in Book History. Basingstoke: Palgrave Macmillan.

Dixon, Izabela; Doran, Selina E.M. and Michael, Bethan eds. (2016). There's More to Fear than Fear Itself: Fears and Anxieties in the 21st Century. Oxford and Leiden: Inter-Disciplinary Press and Brill.

Eliot, Simon and Owens, W.R. eds. (1998). A Handbook to Literary Research. London: Routledge.

Englander, David; Norman, Diana; O'Day, Rosemary and Owens, William eds. (1990). Culture and Belief in Europe 1450-1600: An Anthology of Sources. Oxford, U.K.: John Wiley and Sons Ltd.

Favret, Mary A. and Watson, Nicola eds. (1994). At the Limits of Romanticism: Essays in Cultural, Feminist, and Materialist Criticism. Bloomington, Indiana: Indiana University Press.

Fraser, Robert ed. (2011). La Rama Dorada: Magia y religion. Seccion de Obras de Antropologica. Mexico: Fondo de Cultura Economica.

Fraser, Robert and Hammond, Mary eds. (2008). Books Without Borders, Volume 1: The Cross-national Dimension in Print Culture. Houndmills, Basingstoke, U.K.: Palgrave Macmillan.

Fraser, Robert and Hammond, Mary eds. (2008). Books Without Borders, Volume 2: Perspectives from South Asia. Basingstoke: Palgrave.

Griffiths, Andrew; Alves, Audrey and Trindade, Alice eds. (2018). Literary Journalism and Africa's Wars: Colonial, Decolonial and Postcolonial Perspectives. ReportAGES. Nancy, France: Presses Universitaires de Nancy.

Griffiths, Andrew; Prieto, Sara and Zehle, Soenke eds. (2017). Literary Journalism and World War I: Marginal Voices. ReportAGES. Nancy, France: Presses Universitaires de Nancy.

Gupta, Suman; Basu, Tapan and Chattarji, Subarno eds. (2009). Globalization in India: Contents and Discontents. Delhi: Pearson Education.

Gupta, Suman; Habjan, Jernej and Tutek, Hrvoje eds. (2016). Academic Labour, Unemployment and Global Higher Education: Neoliberal Policies of Funding and Management. Palgrave Critical University Studies. London: Palgrave Macmillan.

Gupta, Suman and Katsarska, Milena eds. (2010). English Studies On This Side: Post-2007 Reckonings. Plovdiv, Bulgaria: University of Plovdiv Press.

Gupta, Suman and Omoniyi, Tope eds. (2007). The cultures of economic migration: international perspectives. Studies in Migration and Diaspora. Aldershot, UK: Ashgate.

Gupta, Suman and Virdee, Satnam eds. (2018). Race and Crisis. Ethnic & Racial Studies. London: Routledge.

Hammond, Mary and Towheed, Shafquat eds. (2007). Publishing in the First World War: Essays in Book History. Basingstoke, UK: Palgrave Macmillan.

Haslam, Sara ed. (2005). Ford Madox Ford and the city. International Ford Madox Ford Studies, 4. Amsterdam, Netherlands: Rodopi.

Haslam, Sara ed. (2011). A Man Could Stand Up- by Ford Madox Ford. Parade's End, 3. Manchester: Carcanet.

Haslam, Sara and Asbee, Sue eds. (2012). The Twentieth Century. Reading and Studying Literature, 3. London: Bloomsbury Academic.

Haslam, Sara; Colombino, Laura and O'Malley, Seamus eds. (2018). The Routledge Research Companion to Ford Madox Ford. Routledge Research Companions. London and New York: Routledge.

Haslam, Sara and O'Malley, Seamus eds. (2012). Ford Madox Ford and America. International Ford Madox Ford Studies, 11. Amsterdam: Rodopi.

Henke, Robert and Katritzky, M. A. eds. (2014). European Theatre Performance Practice, 1580–1750. Critical Essays on European Theatre Performance Practice, 2. Farnham: Ashgate.

Hewings, Ann; Prescott, Lynda and Seargeant, Philip eds. (2016). Futures for English Studies: Teaching language, literature and creative writing in Higher Education. Basingstoke: Palgrave Macmillan.

Hutchison, David and Johnson, David eds. (2020). Stuart Hood: Twentieth-Century Partisan. Newcastle: Cambridge Scholars.

Johnson, David and Dee, Henry eds. (2022). 'I See You': The Industrial and Commercial Workers' Union of Africa, 1919-1930. Southern African Historical Documents, 3 (4). Cape Town: Historical Publications Southern Africa.

Johnson, David; Finkelstein, David and Davis, Caroline eds. (2024). The Edinburgh Companion to British Colonial Periodicals. Edinburgh Companions to Literature and the Humanities. Edinburgh: Edinburgh University Press.

Johnson, David; Nieftagodien, Noor and Van der Walt, Lucien eds. (2023). Labour Struggles in Southern Africa, 1919-1949: New Perspectives on the Industrial and Commercial Workers’ Union (ICU). Johannesburg, South Africa: HSRC Press.

Jones, Richard J ed. (2023). Tobias Smollett after 300 years: life, writing, reputation. Eighteenth-Century Moments. US and UK: Clemson University Press in association with Liverpool University Press (In Press).

Katritzky, M. A. and Davis, Jim eds. (2014). Critical Essays on European Theatre Performance Practice: 4-Volume Set. Farnham: Ashgate.

Katritzky, M. A. and Drábek, Pavel eds. (2019). Transnational Connections in Early Modern Theatre. Manchester: Manchester University Press.

King, Edmund G.C. and Smialkowska, Monika eds. (2021). Memorialising Shakespeare: Commemoration and Collective Identity, 1916-2016. Palgrave Shakespeare Studies (PASHST). Basingstoke: Palgrave Macmillan.

Laurence, Anne; Owens, W. R. and Sim, Stuart eds. (1990). John Bunyan and his England 1628-88. London: The Hambledon Press.

Martin, Graham and Owens, W. R. eds. (1988). Literature and Liberation: Selected Essays. Manchester, U.K.: Manchester University Press.

Montgomery, Heather and Watson, Nicola eds. (2009). Children's literature: Classic texts and contemporary trends. Houndmills, Basingstoke: Palgrave Macmillan.

Nasta, Susheila ed. (2004). Writing across worlds: contemporary writers talk. Abingdon, UK: Routledge.

Nasta, Susheila ed. (2005). Africa 05. London, UK: Wasafiri.

Nasta, Susheila ed. (1988). Critical Perspectives on Sam Selvon: A Collection of Essays, Reviews, Articles and Dialogues. Washington: Three Continents Press.

Nasta, Susheila ed. (1988). El Dorado West One. Leeds: Peepal Tree Press.

Nasta, Susheila ed. (1991). Motherlands: Black Women's Writing from the Caribbean, Africa and South Asia. Rutgers University Press.

Nasta, Susheila ed. (1992). Highway in the Sun. Leeds: Peepal Tree Press.

Nasta, Susheila ed. (2000). Reading the New Literatures in a Postcolonial Era. Essays and Studies, 53. Cambridge: Boydell & Brewer.

Nasta, Susheila ed. (2012). India in Britain: South Asian Networks and Connections, 1858-1950. Basingstoke: Palgrave.

Nasta, Susheila and Rutherford, Anna eds. (1995). Tiger's Triumph: Celebrating Sam Selvon. Sydney: Dangaroo Press.

Neale, Derek ed. (2009). A creative writing handbook: developing dramatic technique, individual style and voice. London: A&C Black.

Neale, Derek ed. (2020). Writing Talk: Interviews with writers about the creative process. London: Routledge.

Owens, W. R. ed. (1980). Seventeenth Century England: A Changing Culture Vol 2 Modern Studies. London, U.K.: Ward Lock Educational.

Owens, W. R. and Goodman, Lizbeth eds. (1996). Shakespeare, Aphra Behn and the Canon. London, U.K. and New York, NY, U.S.: Routledge.

Owens, W. R. and Sim, Stuart eds. (2007). Reception, Appropriation, Recollection: Bunyan's Pilgrim's Progress. Religions and Discourse, 33. Bern, Switzerland: Peter Lang.

Owens, W.R. and Johnson, Hamish eds. (1998). Romantic Writings: An Anthology. Milton Keynes, U.K.: The Open University.

Papaioannou, Tao and Gupta, Suman eds. (2017). Media Representations of Anti-Austerity Protests in the EU: Grievances, Identities and Agency. Routledge Research in Cultural and Media Studies. London: Routledge.

Poddar, Prem and Johnson, David eds. (2005). A Historical Companion to Postcolonial Literatures in English. Edinburgh, UK: Edinburgh University Press.

Prescott, Lynda ed. (2008). A World of Difference - An Anthology of Short Stories from Five Continents. US: Palgrave Macmillan.

Ramchand, Kenneth and Nasta, Susheila eds. (1989). Foreday Morning: Selected Prose 1946-1986. Longman Caribbean writers. Harlow: Longman.

Rodgers, Michael and Sweeney, Susan Elizabeth eds. (2016). Nabokov and the Question of Morality: Aesthetics, Metaphysics, and the Ethics of Fiction. New York: Palgrave Macmillan.

Saunders, Max and Haslam, Sara eds. (2015). Ford Madox Ford's The Good Soldier: Centenary Essays. International Ford Madox Ford Studies, 14. Leiden and Boston: Brill.

Tickell, Alex ed. (2005). Selections from 'Bengaliana' by Shoshee Chunder Dutt. Nottingham, UK: Trent Editions.

Tickell, Alex ed. (2016). South-Asian Fiction in English: Contemporary Transformations. Houndmills, Basingstoke: Palgrave Macmillan.

Tickell, Alex ed. (2019). The Novel in South and South East Asia since 1945. The Oxford History of the Novel in English, 10. Oxford: Oxford University Press.

Tickell, Alex ed. (2016). A335 Literature in Transition: from 1800 to the Present. Book 2 'Movements' (1870-1940). Milton Keynes: Open University.

Tickell, Alex and Morey, Peter eds. (2005). Alternative Indias: Writing, Nation and Communalism. Cross Cultures Readings in Post/Colonial Literatures in English. Amsterdam: Rodopi.

Tickell, Alex and Ranasinha, Ruvani eds. (2020). Delhi: New Literatures of the Megacity. Abingdon: Routledge.

Towheed, Shafquat ed. (2007). The Correspondence of Edith Wharton and Macmillan, 1901-1930. Basingstoke, UK: Palgrave Macmillan.

Towheed, Shafquat ed. (2007). New Readings in the Literature of British India, c.1780-1947. Studies in English Literatures, Koray Melikoglu (ed.), 9. Stuttgart, Germany: Ibidem Verlag.

Towheed, Shafquat; Crone, Rosalind and Halsey, Katie eds. (2010). The History of Reading. Routledge Literature Readers. London: Routledge.

Towheed, Shafquat and King, Edmund eds. (2015). Reading and the First World War: Readers, Texts, Archives. New Directions in Book History. Basingstoke: Palgrave Macmillan.

Towheed, Shafquat and Owens, W. R. eds. (2011). The History of Reading, Volume 1: International Perspectives, c.1500-1990. Basingstoke, UK: Palgrave Macmillan.

Walder, Dennis ed. (2003). Literature in the modern world: critical essays and documents. 2nd edition. Oxford, UK: Oxford University Press.

Watson, Nicola J. ed. (2009). Literary Tourism and Nineteenth-Century Culture. Houndmills, Basingstoke: Palgrave Macmillan.

Watson, Nicola J. and Maybin, Janet eds. (2009). Children's Literature: Approaches and Territories. Basingstoke, England: Palgrave Macmillan in association with The Open University.

Watson, Nicola J. and Towheed, Shafquat eds. (2011). Romantics and Victorians. Reading and Studying Literature, 2. London: Bloomsbury Academic.

Wilson, Janet; Kimber, Gerri and da Sousa Correa, Delia eds. (2013). Katherine Mansfield and the (Post)Colonial. Katherine Mansfield Studies, 5. Edinburgh: Edinburgh University Press.

Asbee, Sue ed. (2005). The Wooden Doctor by Margiad Evans. Honno Classics. Aberystwyth: Honno.

Haslam, Sara ed. (2010). The Good Soldier by Ford Madox Ford. Ware, Hertfordshire: Wordsworth Editions.

Nasta, Susheila ed. (2006). The Lonely Londoners by Sam Selvon. Penguin Modern Classics. London, U.K.: Penguin Books, v-xvii.

Nasta, Susheila and Stein, Mark U. eds. (2020). The Cambridge History of Black and Asian British Writing. Cambridge: Cambridge University Press.

Owens, W. R. and Furbank, P. N. eds. (2000). Social Reform. Political and Economic Writings of Daniel Defoe, 8. London: Pickering and Chatto.

Owens, W. R. and Furbank, P. N. eds. (2000). The Works of Daniel Defoe. London: Pickering and Chatto.

Owens, W. R. and Furbank, P. N. eds. (2000). Dissent. Political and Economic Writings of Daniel Defoe, 3. London: Pickering and Chatto.

Owens, W.R. ed. (2003). John Bunyan,'The Pilgrim's Progress'. Oxford World's Classics. Oxford, UK: Oxford University Press.

Pacheco, Anita ed. (2002). A companion to early modern women's writing. Blackwells Companions to Literature and Culture. Oxford, UK: Blackwell.

Haslam, Sara ed. (2020). The Complete Works Evelyn Waugh: Helena. Volume 11. The Complete Works of Evelyn Waugh, 11. UK: Oxford University Press.

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Allen, Richard (2001). Mary Shelley as editor of Percy Shelley. In: Bellamy, Joan; Laurence, Anne and Perry, Gillian eds. Women, Scholarship and Criticism: Gender & knowledge c.1790-1900. Manchester: Manchester University Press, pp. 77–90.

Allen, Richard (2010). Heritage and nationalism. In: Harrison, Rodney ed. Understanding the Politics of Heritage. Understanding global heritage. Manchester: Manchester University Press, pp. 197–233.

Asbee, Sue (2009). "To Write a Great Story": Margiad Evans' Illness Narratives. In: Bartoszko, Aleksandra and Vaccarella, Maria eds. The Patient: Probing Interdisciplinary Boundaries. Inter-Disciplinary Press, pp. 55–64.

Asbee, Sue (2013). ‘Not quite every character is a living person in this story. And not quite the reverse.’ Margiad Evans: Memory, fiction and autobiography. In: Bohata, Kirsti and Gramich, Katie eds. Rediscovering Margiad Evans - Marginality, Gender and Illness. Cardiff: University of Wales Press.

Asbee, Sue (2004). Margiad Evans's The Wooden Doctor: Illness and Sexuality. In: Brown, Tony ed. Welsh Writing in English, Volume 9. University of Wales Press, pp. 33–49.

Bajetta, Carlo M.; Coatalen, Guillaume and Gibson, Jonathan (2014). Introduction. In: Bajetta, Carlo M.; Coatalen, Guillaume and Gibson, Jonathan eds. Elizabeth I’s Foreign Correspondence: Letters, Rhetoric, and Politics. Queenship and Power. Basingstoke: Palgrave Macmillan, xix-xxv.

Benatti, Francesca (2019). Young Ireland and the Superannuated Bard: Rewriting Thomas Moore in The Nation. In: McCleave, Sarah and O'Hanlon, Triona eds. The Reputations of Thomas Moore: Poetry, Music, and Politics. Poetry and Song in the Age of Revolution. New York and London: Routledge, pp. 214–234.

Benatti, Francesca (2013). Joining the press-gang: Thomas Moore and the Edinburgh Review. In: Benatti, Francesca; Ryder, Sean and Tonra, Justin eds. Thomas Moore: Texts, Contexts, Hypertext. Reimagining Ireland (24). Oxford: Peter Lang.

Benatti, Francesca (2009). Charles Gavan Duffy. In: Brake, Laurel and Demoor, Marysa eds. Dictionary of Nineteenth-Century Journalism in Great Britain and Ireland. Gent and London: Academia Press and British Library, p. 184.

Benatti, Francesca (2009). John Mitchel. In: Brake, Laurel and Demoor, Marysa eds. Dictionary of Nineteenth-Century Journalism in Great Britain and Ireland. Gent and London: Academia Press and British Library, pp. 419–420.

Benatti, Francesca (2009). Philip Dixon Hardy. In: Brake, Laurel and Demoor, Marysa eds. Dictionary of Nineteenth-Century Journalism in Great Britain and Ireland. Gent and London: Academia Press and British Library.

Benatti, Francesca (2009). Samuel Lover. In: Brake, Laurel and Demoor, Marysa eds. Dictionary of Nineteenth-Century Journalism in Great Britain and Ireland. Gent and London: Academia Press and British Library, pp. 380–381.

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Benatti, Francesca (2009). The Ulsterman (1852-1858); later the Irishman (1858-1885). In: Brake, Laurel and Demoor, Marysa eds. Dictionary of Nineteenth-Century Journalism in Great Britain and Ireland. Gent and London: Academia Press and British Library.

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Katritzky, M A (2023). The 'English Comedy' in Early Modern Europe: Migration, Emigration, Integration. In: Meerzon, Yana and Wilmer, S.E. eds. The Palgrave Handbook of Theatre and Migration. Palgrave Macmillan Cham, pp. 255–266.

Katritzky, M A (2021). William Hogarth and Book Illustration: Visualizing “Otherness” in pre-Victorian images of Shakespeare’s Caliban. In: Pietrini, Sandra ed. Shakespearean Characters Transposed: Iconography, Adaptations, Cultural Exchanges and Staging. L’immaginario teatrale, 1. Alessandria: Edizioni dell’Orso, 65-83 & 237-241.

Katritzky, M A and Drábek, Pavel (2023). ‘Aktorzy angielscy w Rzeczypospolitej w 1. połowie XVII w.’. In: Żukowski, Jacek ed. Triumfalna Harmonia. Teatr Władysława IV – eseje. Warsaw: The Royal Castle in Warsaw-Museum, pp. 286–315.

Katritzky, M. A. (2023). Shackshoone: the disabled non-European performative body in 17th-century London. In: Hengerer, Mark ed. Der Körper in der Frühen Neuzeit: Praktiken, Rituale, Performanz. Wolfenbütteler Arbeiten zur Barockforschung. Wiesbaden, Germany: Harrassowitz Verlag, pp. 323–344.

Katritzky, M. A. (2008). English troupes in early modern Germany: the women. In: Henke, Robert and Nicholson, Eric eds. Transnational exchange in early modern theater. Studies in performance and early modern drama. Aldershot, UK: Ashgate, pp. 35–46.

Katritzky, M. A. (2023). Don Quixote in 18th Century British Book Culture: Tobias Smollett and Francis Hayman. In: Jones, Richard J ed. Tobias Smollett After 300 Years: Life, Writing, Reputation. Eighteenth-Century Moments. Clemson SC: Clemson University Press, pp. 59–76.

Katritzky, M. A. (2018). Stefanelo Botarga and Pickelhering: Fishy Italian and English Stage Clowns in Spain and Germany. In: Kuepper, Joachim and Pawlita, Leonie eds. Theatre Cultures within Globalising Empires: Looking at Early Modern England and Spain. Berlin/Boston: Walter de Gruyter, pp. 15–39.

Katritzky, M. A. (2015). Lucas van Leyden's 'Toothdrawer', 1523: Passion play merchant scenes and the religious origins of quack depictions. In: Mueller, Juergen and Muench, Birgit Ulrike eds. Peiraikos' Erben: Die Genese der Genremalerei bis 1550. Trierer Beitraege zu den historischen Kulturwissenschaften (14). Wiesbaden: Reichert Verlag, pp. 125–148.

Katritzky, M. A. (2021). Generisches und spezifisches Anderssein: Shackshoone (1665–1680), Antonio Martinelli (1718–1740) und frühneuzeitliche Darstellungen von menschlichen Doppelfehlbildungen. In: Stolberg, Michael ed. Körper-Bilder in der Frühen Neuzeit: Kunst-, medizin- und mediengeschichtliche Perspektiven. Schriften des Historischen Kollegs Herausgegeben von Hartmut Leppin Kolloquien 107. Berlin/Boston: Walter de Gruyter GmbH, pp. 199–228.

Katritzky, M .A. (2014). Historical and literary contexts for the Skimmington: impotence and Samuel Butler’s "Hudibras". In: Sara F., Matthews-Grieco ed. Cuckoldry, Impotence and Adultery in Europe, 15th–17th Century. Visual Culture in Early Modernity. Farnham: Ashgate, pp. 59–84.

Katritzky, M. A. (2008). Guarinonius' lazzi: English comedians, Italian charlatans, and German quacks in a medical treatise of 1610. In: Amann, Klaus and Siller, Max eds. Hippolytus Guarinonius. Akten des 5. Symposiums der Sterzinger Osterspiele (5.-7. 4. 2004) "Die Greuel der Verwüstung menschlichen Geschlechts." Zur 350. Wiederkehr des Todesjahres von Hippolytus Guarinonius (1571-1654). Schlern-Schriften (340). Innsbruck: Universitätsverlag Wagner, pp. 107–137.

Katritzky, M. A. (2018). German-Speaking Countries. In: Balme, Christopher B.; Vescovo, Piermario and Vianello, Daniele eds. Commedia dell'Arte in Context. Cambridge: Cambridge University Press, pp. 98–105.

Katritzky, M. A. (2008). Reading the actress in commedia imagery. In: Brown, Pamela Allen and Parolin, Peter eds. Women players in England, 1500-1660: beyond the all-male stage. Studies in performance and early modern drama. Aldershot, UK: Ashgate, pp. 109–143.

Katritzky, M. A. (1989). The Recueil Fossard 1928-88: a review and three reconstructions. In: Cairns, Christopher ed. The commedia dell'arte from the renaissance to Dario Fo. The Italian origins of European theatre (VI). Lewiston/Queenston/Lampeter: Edwin Mellen Press, pp. 99–116.

Katritzky, M. A. (1996). Scenery, setting and stages in late renaissance commedia dell'arte performances: some pictorial evidence. In: Cairns, Christopher ed. Scenery, set and staging in the Italian renaissance: studies in the practice of theatre. Lewiston, New York: Edwin Mellen Press, pp. 209–288.

Katritzky, M. A. (1999). Mountebanks, mummers and masqueraders in Thomas Platter's diary (1595-1600). In: Cairns, Christopher ed. The Renaissance Theatre: Texts, Performance, Design. Aldershot: Ashgate, pp. 12–29.

Katritzky, M. A. (2014). Images of the commedia dell'arte. In: Chaffee, Judith and Crick, Olly eds. The Routledge Companion to Commedia dell'Arte. Abingdon: Routledge, pp. 284–299.

Katritzky, M. A. (2010). Checklist of libraries, print, online and other research resources. In: Da Sousa Correa, Delia and Owens, W. R. eds. The Handbook to Literary Research, Volume 2nd editio. Abingdon: Routledge, pp. 224–249.

Katritzky, M. A. (2018). Les représentations du charlatan pendant la première modernité et leur origine dans la scène du marchand du théâtre religieux. In: Dhraief, Beya; Negrel, Eric and Ruimi, Jennifer eds. Théâtre et charlatans dans l'Europe moderne. Registres collection des etudes théâtrales. Paris: Presses Sorbonne Nouvelle, pp. 99–116.

Katritzky, M. A. (2020). Shakespeare’s picture of ‘We Three’ An image for illiterates? In: Duits, Rembrandt ed. The Art of the Poor: The Aesthetic Material Culture of the Lower Classes in Europe, 1300–1600. London: Bloomsbury, pp. 185–198.

Katritzky, M. A. (2018). Commedia dell’arte related glass: early modern Venice. In: Ferrone, S. ed. Commedia dell’arte . Nuova Serie, Volume 1. Polistampa, pp. 11–31.

Katritzky, M. A. (2012). “‘The picture of “We three”’: a transnational visual and verbal formula before, during and after the lifetime of Shakespeare. In: Filatkina, Natalia; Muench, Birgit Ulrike and Kleine-Engel, Ane eds. Formelhaftigkeit in Text und Bild. Trierer Beitraege zu den historischen Kulturwissenschaften (2). Wiesbaden: Reichert Verlag, pp. 223–244.

Katritzky, M. A. (2014). Shakespeare’s “portrait of a blinking idiot”: transnational reflections. In: Henke, Robert and Nicholson, Eric eds. Transnational Mobilities in Early Modern Theater. Studies in Performance and Early Modern Drama. Ashgate, pp. 157–175.

Katritzky, M. A. (2020). London and The Hague, 1638: Performing quacks at court. In: Katritzky, M. A. and Drábek, Pavel eds. Transnational Connections in Early Modern Theatre. Manchester: Manchester University Press, pp. 114–138.

Katritzky, M. A. (2011). Images of “monsters” and performers: J A Comenius's Orbis pictus and Aristotle's Masterpiece. In: Kümper, Hiram and Simić, Vladimir eds. Practicing new editions: transformation and transfer of the early modern book, 1450-1800. Bibliothemata (26). Nordhausen: Bautz, pp. 77–118.

Katritzky, M. A. (2000). Carnival and comedy in Georg Straub of St Gallen's printed album amicorum of 1600. In: Laufhuette, Hartmut ed. Kuenste und Natur in Diskursen der Fruehen Neuzeit. Wolfenbuetteler ARbeiten zur Barockforschung (35). Wiesbaden: Harrassowitz Verlag, pp. 603–633.

Katritzky, M. A. (1998). Harlekin demaskerad - en upptackt av Agne Beijer [Harlequin revealed: a discovery by Agne Beijer]. In: Lundgren, Eva ed. Drottningholms Slottsteater: Program 1998. Strangnas: Expo Print AB, pp. 92–103.

Katritzky, M. A. (2010). I costumi della commedia dell–arte Italiana negli alba amicorum tedeschi. In: Martino, Alberto and De Michele, Fausto eds. La Ricezione Della Commedia Dell'Arte Nell'Europa Centrale, 1568-1769 : Storia, Testi, Iconografia. Pisa, Italy: Fabrizio Serra Editore, pp. 461–509.

Katritzky, M. A. (1992). The diaries of Prince Ferdinand of Bavaria: commedia dell'arte at the wedding festivals of Florence (1565) and Munich (1568). In: Mulryne, J. R. and Shewring, Margaret eds. Italian renaissance festivals and their European influence. Studies in Italian Theatre and Commedia dell'Arte (3). Lewiston / Queenston / Lampeter: Edwin Mellen Press, pp. 143–172.

Katritzky, M. A. (2016). German Patrons of Venetian Carnival Art: Archduke Ferdinand II of Tyrol’s Ambras Collections and the 1579 Travel Journal of Prince Ferdinand of Bavaria. In: Münch, Birgit Ulrike; Tacke, Andreas; Herzog, Markwart and Heudecker, Sylvia eds. Von kurzer Dauer? Fallbeispiele zu temporären Kunstzentren der Vormoderne. Kunsthistorisches Forum Irsee (3). Petersberg, Germany: Michael Imhof Verlag, pp. 126–142.

Katritzky, M. A. (2017). Virtuous needleworkers, vicious apes: the embroideries of Mary Queen of Scots and Bess of Hardwick. In: Münch, Birgit Ulrike; Tacke, Andreas; Herzog, Markwart and Heudecker, Sylvia eds. Künstlerinnen: neue Perspektiven auf ein Forschungsfeld der Vormoderne. Kunsthistorisches Forum Irsee, 4. Petersberg: Michael Imhof Verlag, pp. 48–61.

Katritzky, M. A. (1996). Orlando di Lasso and the commedia dell'arte. In: Schmid, Bernhold ed. Orlando di Lasso in der Musikgeschichte. Bericht über das Symposium der Bayerischen Akademie der Wissenschaften München, 4-6. Juli 1994. Bayerischen Akademie der Wissenschaften, Philosophisch-Historische Klasse, Abhandlungen, Neue Folge (111). München, Germany: Verlag der Bayerischen Akademie der Wissenschaften / C. H. Beck Verlag, pp. 133–155.

Katritzky, M. A. (2020). Margaret Cavendish’s Female Fairground Performers. In: Sewell, Jan and Smout, Clare eds. The Palgrave Handbook of the History of Women on Stage. Palgrave Macmillan, pp. 151–175.

Katritzky, M. A. (2014). Literary anthropologies and Pedro González, the “Wild Man” of Tenerife. In: Slater, John; Pardo-Tomás, José and López-Terrada, Maríaluz eds. Medical Cultures of the Early Modern Spanish Empire. New Hispanisms: Cultural and Literary Studies. Farnham: Ashgate, pp. 107–128.

Katritzky, M. A. (2016). Die Ikonografie der Commedia dell'arte bis 1750. In: Sommer-Mathis, Andrea; Franke, Daniela and Risatti, Rudi eds. Spettacolo barocco! Triumph des Theaters. Vienna: KHM-Museumsband, Theatermuseum Wien & Michael Imhoff Verlag, pp. 82–97.

Katritzky, M. A. (2013). Travelers’ tales: magic and superstition on early modern European and London stages. In: Theile, Verena and McCarthy, Andrew D. eds. Staging the Superstitions of Early Modern Europe. Studies in Performance and Early Modern Drama. Farnham; Burlington, VT: Ashgate, pp. 217–238.

Katritzky, M. A. (2020). The itinerant healer as a stage role: its origins in religious drama. In: von Contzen, Eva and Goodblatt, Chanita eds. Enacting the Bible in medieval and early modern drama. Manchester Medieval Literature and Culture. Manchester: Manchester University Press, pp. 81–103.

Katritzky, M. A. and Heck, Thomas F. (1999). Selected iconographic research resources. In: Heck, Thomas F. ed. Picturing Performance: The Iconography of the Performing Arts in Concept and Practice. Rochester, NY: University of Rochester Press, pp. 163–186.

Katritzky, M.A. (2002). Theatre iconography in costume series: the "New York" friendship album. In: Balme, Christopher; Erenstein, Robert and Molinari, Cesare eds. European Theatre Iconography. Rome: Bulzoni Editore, pp. 171–196.

Katritzky, M.A. (2005). Reading the actress in commedia imagery. In: Brown, Pamela Allen and Parolin, Peter eds. Women players in England 1500-1660: beyond the all-male stage. Studies in performance and early modern drama. Aldershot, UK: Ashgate, pp. 109–143.

Katritzky, M.A. (2004). The autobiographical writings of Felix and Thomas II Platter: court festivals and commedia dell'arte. In: Eversmann, Peter; van Gaal, Rob and van der Zalm, Rob eds. Theaterwetenschap spelenderwijs: theatre studies at play. Amsterdam: Pallas Publications, pp. 34–56.

Katritzky, M.A. (2004). What did Vigil Raber's stage really look like? Questions of authenticity and integrity in medieval theatre iconography. In: Gebhardt, Michael and Siller, Max eds. Vigil Raber: zur 450. Wiederkehr seines Todesjahres. Schlern-Schriften, 326. Innsbruck: Universitaetsverlag Wagner.

Katritzky, M.A. (1999). Performing-arts iconography: tradition, techniques, and trends. In: Heck, Thomas F. ed. Picturing Performance: The Iconography of the Performing Arts in Concept and Practice. Rochester, NY: University of Rochester Press, pp. 68–90.

Katritzky, M.A. (2009). Quacksalber in den Schriften Christian Weises und Johann Kuhnaus: Der Politische Quacksalber (1693) und Der Musicalische Qvack=salber (1700). In: Hesse, Peter ed. Poet und Praeceptor Christian Weise (1642 - 1708) zum 300. Todestag; Tagungsband. Dresden: Neisse Verlag, pp. 319–340.

Katritzky, M.A. (2007). Text and performance: medieval religious stage quacks and the commedia dell'arte. In: Kasten, Ingrid and Fischer-Lichte, Erika eds. Transformationen des Religioesen. Performativitaet und Textualitaet im geistlichen Spiel. Trends in Medieval Philology, 11. Berlin: Walter de Gruyter, pp. 99–126.

Katritzky, M.A. (2007). 'Some tymes J have a shillinge aday, and some tymes nothinge, so that J leve in great poverty': British actors in the paintings of Frans Hals. In: Nichols, Tom ed. Others and Outcasts in Early Modern Europe: Picturing the Social Margins. UK: Ashgate, pp. 197–214.

Katritzky, M.A. (2001). Franco Bertelli's "Carnevale Italiano Mascherato" of 1642 and other printed influences on theatrical pictures in alba amicorum. In: Pelc, Milan ed. Klovicev Zbornik: minijatura - crtez - grafika 1450. - 1700. Zagreb, Croatia: Hrvatska akademiha znanosti i umjetnosti - Institut za povijest umjetnosti, pp. 217–229.

Katritzky, M.A. (2003). The mountebank: a case study in early modern theater iconography. In: Twining, William and Hampsher-Monk, Ian eds. Evidence and inference in history and law: interdisciplinary dialogues. Evanston, U.S.A.: Northwestern University Press, pp. 231–286.

Katritzky, M.A. (2001). Aby Warburg and the Florentine intermedi of 1589: extending the boundaries of art history. In: Woodfield, Richard ed. Art history as cultural history: Warburg's projects. Amsterdam: G+B Arts International, pp. 209–258.

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Towheed, Shafquat (2011). Negotiating the list: launching Macmillan's Colonial Library and author contracts. In: Spiers, John ed. The Culture of the Publisher's Series: Nationalisms and the National Canon, Volume 2. Basingstoke: Palgrave Macmillan.

Towheed, Shafquat (2019). Publishing the South and South East Asian Novel in the Global Market. In: Tickell, Alex ed. The Oxford History of the Novel in English, Volume 10: The Novel in South and South East Asia since 1945, Volume 10. Oxford: Oxford University Press, pp. 595–609.

Towheed, Shafquat (2015). Reading the Great War: An Examination of Edith Wharton’s Reading and Responses, 1914–1918. In: Towheed, Shafquat and King, Edmund G.C. eds. Reading and the First World War: Readers, Texts, Archives. New Directions in Book History. Palgrave Macmillan, pp. 78–95.

Towheed, Shafquat (2011). Arthur Conan Doyle, The Sign of Four. In: Watson, Nicola J. and Towheed, Shafquat eds. Romantics and Victorians. Reading and Studying Literature (2). London: Bloomsbury Academic, pp. 411–437.

Towheed, Shafquat (2011). Robert Louis Stevenson, 'The Beach of Falesá'. In: Watson, Nicola J. and Towheed, Shafquat eds. Romantics and Victorians. Reading and Studying Literature (2). London: Bloomsbury Academic, pp. 439–464.

Towheed, Shafquat (2010). Geneva v. St Petersburg: two concepts of literary property and the material lives of books in Under Western Eyes. In: Weedon, Alexis ed. The History of the Book in the West: 1914-2000. The History of the Book in the West: A Library of Critical Essays, 5 (5). Aldershot: Ashgate.

Towheed, Shafquat; Crone, Rosalind and Halsey, Katie (2010). Examining the evidence of reading: three examples from the Reading Experience Database, 1450-1945. In: Gunzenhauser, Bonnie ed. Reading in History: New Methodologies from the Anglo-American Tradition. The History of the Book. London: Pickering and Chatto, pp. 29–45.

Towheed, Shafquat and King, Edmund G. C. (2015). Introduction. In: Towheed, Shafquat and King, Edmund G. C. eds. Reading and the First World War: Readers, Texts, Archives. New Directions in Book History. Basingstoke: Palgrave Macmillan, pp. 1–25.

Towheed, Shafquat; Nash, Andrew and Squires, Claire (2019). Reading and Ownership. In: Nash, Andrew; Squires, Claire and Willison, I.R. eds. The Cambridge History of the Book in Britain, Volume 7: The Twentieth Century and Beyond. Cambridge History of the Book in Britain, 7. Cambridge: Cambridge University Press, pp. 231–276.

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Walder, Dennis (2004). 'On the threshold of the future?': Interview with Athol Fugard. In: Banham, Martin; Gibbs, James; Osofisan, Femi and Kerr, David eds. African Theatre: Southern Africa. Oxford: James Currey, pp. 68–78.

Walder, Dennis (2009). Remembering the Bushmen; nostalgia and postcolonial spiritualities. In: Brown, Duncan ed. Religion and Spirituality in South Africa: New Perspectives. Scottsville, South Africa: University of KwaZulu-Natal Press, pp. 205–218.

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Abodunrin, Femi; Dale, Leigh; Tiffin, Chris; Lane, Richard; Scafe, Suzanne; Tickell, Alex; Chambers, Claire and Wattie, Nelson (2006). New Literatures [The Indian Subcontinent and Sri Lanka]. Year's Work in English Studies, 85(1) pp. 978–1130.

Allen, Richard (2012). Raja Rao and world literature. Summerhill: Journal of the Indian Institute for Advanced Study, 18(2)

Antonini, Alessio; Adamou, Alessandro; Suarez Figueroa, Mari Carmen and Benatti, Francesca (2023). Experiential Observations: an Ontology Pattern-based Study on Capturing the Potential Content within Evidences of Experiences. Journal on Computing and Cultural Heritage, 16(3), article no. 58.

Antonini, Alessio; Suárez-Figueroa, Mari Carmen; Adamou, Alessandro; Benatti, Francesca; Vignale, François; Gravier, Guillaume and Lupi, Lucia (2021). Understanding the phenomenology of reading through modelling. Semantic Web Journal, 12(2) pp. 191–217.

Asbee, Sue (2011). Substance into Shadow: starvation and death in Arnold Bennett's Riceyman Steps. Double Dialogues: The Hunger Artists, 2011(15)

Bell, Simon; Benatti, Francesca; Edwards, Neil R.; Laney, Robin; Morse, David R.; Piccolo, Lara and Zanetti, Oliver (2018). Smart Cities and M3: Rapid Research, Meaningful Metrics and Co-Design. Systemic Practice and Action Research, 31(1) pp. 27–53.

Benatti, Francesca; Gooding, Paul and Sillence, Matthew (2021). Learning Digital Humanities in a Community of Practice: the DEAR model of Postgraduate Research Training. Digital Humanities Quarterly, 15(3)

Benatti, Francesca; Vignale, François; Antonini, Alessio and King, Edmund (2023). Reading in Europe—Challenges and lessons learned from the case studies of the READ-IT project. Digital Scholarship in the Humanities, 38(2) pp. 477–481.

Benatti, Francesca (2009). Irish patriots and Scottish adventurers: the Irish Penny Journal, 1840-1841. Canadian Journal of Irish Studies, 35(2) pp. 36–41.

Benatti, Francesca (2010). Postgraduate education. Research & Resources in a Digital Age: UCD Irish Virtual Research Library and Archive, 1(1)

Benatti, Francesca (2019). Superhero comics and the digital communications circuit: a case study of Strong Female Protagonist. Journal of Graphic Novels and Comics, 10(3) pp. 306–319.

Benatti, Francesca and Tonra, Justin (2015). English Bards and Unknown Reviewers: a Stylometric Analysis of Thomas Moore and the Christabel Review. Breac: A Digital Journal of Irish Studies, October

Blackburn-Daniels, Sally and G. C. King, Edmund (2022). Bookshelves, Social Media and Gaming. English Studies, 103(5) pp. 653–659.

Boehmer, Elleke and Tickell, Alex (2015). The 1990s: An Increasingly Postcolonial Decade. Journal of Commonwealth Literature, 50(3) pp. 315–352.

Booth, James; Nasta, Susheila; Guptara, Prabhu; Thieme, John and Steele, Charles (1984). African, Caribbean, Indian, Australian, and Canadian Literature in English. The Year's Work in English Studies, 65(1) pp. 665–761.

Booth, James; Nasta, Susheila and Knowles, Owen (1982). African, Caribbean, and Canadian literature. The Year's Work in English Studies, 63(1) pp. 462–491.

Booth, James; Nasta, Susheila; Steele, Charles R.; Pollard, Arthur and Guptara, Prabhu (1983). African, Caribbean, Canadian, Indian, and Australian Literature in English. The Year's Work in English Studies, 64(1) pp. 531–586.

Brown, Richard Danson (2025). Anger, Complaint, and Poetic Form in the Tristram Episode and The Faerie Queene, Book 6. Studies in English Literature 1500-1900 (SEL), 63(1) (In Press).

Brown, Richard Danson (2024). Spenser with Bruegel: Authority and Punishment in The Faerie Queene, Book V. Spenser Studies, 38 pp. 1–29.

Brown, Richard Danson (2024). [Book Review] Rebecca M. Rush, The Fetters of Rhyme: Liberty and Poetic Form in Early Modern England. Ben Jonson Journal, 31(1) pp. 117–122.

Brown, Richard Danson (2024). [Book Review] Lucy Wooding, Tudor England: A History New Haven: Yale University Press, 2022. Sidney Journal, 42(1)

Brown, Richard Danson and Chaghafi, Elisabeth (2023). “Looke backe, who list”: Reassessing the 1611 Folio Text of Complaints. Spenser Review, 53(2)

Brown, Richard Danson and Hadfield, Andrew (2024). Bad Spenser? A Dialogue. The Spenser Review, 54(1) pp. 1–14.

Brown, Richard Danson (2002). 'Your thoughts make shape like snow': Louis MacNeice on Stephen Spender. Twentieth-Century Literature, 48(3) pp. 292–323.

Brown, Richard Danson (2005). Neutrality and Commitment: MacNeice, Yeats, Ireland and the Second World War. Journal of Modern Literature, 28(3) pp. 109–129.

Brown, Richard Danson (2010). “Modern Bondage” or reading for rhyme. The English Review, 20(4) pp. 2–5.

Brown, Richard Danson (2008). W.S. Graham: I Leave This At Your Ear. The English Review, 19(2) pp. 9–12.

Brown, Richard Danson (2010). C Day-Lewis: A Life. The Modern Language Review, 105(4) pp. 859–860.

Brown, Richard Danson (2010). Book review: Edmund Spenser, Selected Letters and Other Papers, Christopher Burlinson and Andrew Zurcher (eds). The Modern Language Review, 105(3) pp. 832–834.

Brown, Richard Danson (2010). Book Review: Gerald Dawe (ed) 'Earth Voices Whispering: An Anthology of Irish War Poetry 1914-1945'. Wasafiri, 25(2) pp. 85–87.

Brown, Richard Danson (2009). Book review: Andrew Zurcher, Spenser's Legal Language: Law and Poetry in Early Modern England. The Modern Language Review, 104(2) pp. 546–548.

Brown, Richard Danson (2008). Book review: Richard Chamberlain, 'Radical Spenser: Pastoral, Politics and the New Aestheticism'. Yearbook of English Studies, 38(1 & 2) pp. 268–269.

Brown, Richard Danson (2008). Andrew Hadfield, ‘Shakespeare and Renaissance Politics’, and ‘Shakespeare, Spenser and the Matter of Britain’. Yearbook of English Studies, 38(1 & 2) pp. 269–271.

Brown, Richard Danson (2008). Book review: John Stubbs, 'Donne: The Reformed Soul'. Yearbook of English Studies, 38(1 & 2) pp. 272–274.

Brown, Richard Danson (2008). Book review: Louis MacNeice, ‘Collected Poems’, Peter McDonald (ed). The Modern Language Review, 103(1) pp. 213–214.

Brown, Richard Danson (2012). Review of Richard A. McCabe, ed. The Oxford Handbook of Edmund Spenser. Modern Language Review, 107(1) pp. 271–272.

Brown, Richard Danson (2011). Reading iambic pentameter. English Review, 22(2) pp. 34–37.

Brown, Richard Danson (2013). Call you ’em stanzos? Stanza form and reading poetry. The English Review, 23(4) pp. 32–34.

Brown, Richard Danson (2018). “And dearest loue”: Virgilian half-lines in Spenser’s Faerie Queene. Proceedings of the Virgil Society, 29 pp. 49–74.

Brown, Richard Danson (2018). Trevor Joyce, Fastness: a Translation from the English of Edmund Spenser. Spenser Review, 48(1), article no. 14.

Brown, Richard Danson (2018). [Book Review] Catherine Bates, ed., A Companion to Renaissance Poetry. The Spenser Review, 48(3)

Brown, Richard Danson (2019). Three Poems in Spenserian Poetry: 'Merlin's Mirror', 'Faerie Queene Palimpsest', 'Figures of Speech'. Spenser Review, 49(3), article no. 2.

Brown, Richard Danson (2020). Why at all Complain? "Bad" Poetry and Denatured Form in Spenser's Daphnaida. Spenser Studies, 34 pp. 77–110.

Brown, Richard Danson (2020). A. D. Cousins and Daniel Derrin, eds., Shakespeare and the Soliloquy in Early Modern English Drama. Spenser Review, 50(2), article no. 8.

Brown, Richard Danson; Berry, Craig A.; Hadfield, Andrew and Grogan, Jane (2019). Editorial Introduction: Creative Responses to Spenser; Spenserian Poetry. Spenser Review, 49(3), article no. 1.

Bullock, Emily; Harlow, Nicky; Richardson, Heather and Sweeney, Emma (2014). Articulating the Other. Writing in Education, 62 pp. 52–55.

Butcher, John and Clarke, Anactoria (2021). Widening HE participation in the arts: Impacts of an access module on learner preparedness. Arts and Humanities in Higher Education, 20(4) pp. 403–425.

Butcher, John; Clarke, Anactoria; Wood, Carlton; McPherson, Elaine and Fowle, Wendy (2019). How does a STEM Access module prepare adult learners to succeed in undergraduate science? Journal of Further and Higher Education, 43(9) pp. 1271–1283.

Calver, Kay and Michael-Fox, Bethan (2021). Under pressure: representations of student suicide in British documentary television. Mortality, 26(4) pp. 376–393.

Campbell, Siobhan (2021). New Poetry | Filíocht Nua. New Hibernia Review, 25(2) pp. 76–88.

Campbell, Siobhan and Jensen, Meg (2024). Expressive writing and telling and participatory action research: developing a relational ethics of practice for story-based interventions in crisis settings. Journal of Poetry Therapy (Early access).

Campbell, Siobhan (2017). Crossing the Lines: Borders, Transgressions, and a Spot of Smuggling. New Hibernia Review, 21(4) pp. 11–19.

Campbell, Siobhán (2014). Seamus Heaney's 'Casualty' - Causal or Casual? Poetry Ireland Review(113) pp. 133–134.

Campbell, Siobhán (2014). Filíocht Nua: New Poetry. New Hibernia Review, 18(4) pp. 36–43.

Campbell, Siobhán (2016). Periwinkles. Poetry Ireland Review(119) p. 88.

Campbell, Siobhan (2020). Writing in a Time of Violence: Padraic Fiacc’s Demotic Aesthetic. PNReview, 46(4)

Campbell, Siobhan and Jensen, Meg (2020). Writing-based interventions: from Communities of Practice to Life Stories. Writing in Education(82) pp. 54–60.

Cathcart, Charles (2021). A Source for the Satirised Vocabulary in Poetaster. Notes and Queries, 68(1) pp. 136–138.

Cathcart, Charles (2023). John Marston’s Stationers, 1607–1633. The Review of English Studies, 74 pp. 274–289.

Cathcart, Charles (2021). John Day and Edward Sharpham at the Black and White Friars. Medieval & Renaissance Drama in England, 34 pp. 19–40.

Cathcart, Charles (2023). Late Thomas Heywood and “insidiate”: Authorial Agency and The Second Part of the Theatre of God’s Judgements. The Papers of the Bibliographical Society of America, 117(2) pp. 173–213.

Cathcart, Charles (2023). Textual Transmission and the Enterprising Plagiarist: George Powell, The Treacherous Brothers, and The Dumb Knight. Renaissance Drama, 51(1) pp. 89–108.

Cathcart, Charles (2024). The Devil of the Vault and John Hanson’s Time is a Turncoat. Notes and Queries, 71(1) pp. 70–73.

Cathcart, Charles (2024). Isabella’s silence and Philocalia’s absence. The Explicator (early access).

Cathcart, C. (2013). 'The Masque Being Endid' and The Works of Mr John Marston. Notes and Queries, 60(4) pp. 538–542.

Cathcart, C. (2001). Hamlet: Date and Early Afterlife. The Review of English Studies, 52(207) pp. 341–359.

Cathcart, Charles (2019). Alexander Grosart, ‘The First True Gentleman That Ever Breathed’, and the Independent Scholar. English: Journal of the English Association, 68(262) pp. 264–282.

Cathcart, Charles (2019). ‘Heavens Tones’ and ‘Tones of Heaven’ in Antonio’s Revenge and What You Will. Notes and Queries, 66(3) pp. 469–473.

Cathcart, Charles (2019). Du Bartas’ Semaines and John Marston’s The Malcontent. Notes and Queries, 66(4) pp. 515–519.

Cathcart, Charles (2018). Thomas Brewer and his Associates: Hayman, Taylor, Heywood. Notes and Queries, 65(2) pp. 198–201.

Cathcart, Charles (2017). “Swell, swell, my joys”: Ben Jonson, Quotation, and A Help to Memory and Discourse. Ben Jonson Journal, 24(2) pp. 187–204.

Cathcart, Charles (2016). The Curtain-Drawer of the World: Hamlet, Lear , Parkes, and Becket. Notes and Queries, 63(4) pp. 543–547.

Cathcart, Charles (2016). ‘A Memento for Mortality’, the Publications of Leonard Becket, and the Afterlife of Hamlet. The Review of English Studies, 67(279) pp. 275–293.

Cathcart, Charles (2011). Guilpin and the Godly Satyre. The Review of English Studies, 62(253) pp. 64–79.

Cathcart, Charles (2010). John Davies of Hereford, Marston, and Hall. Ben Jonson Journal, 17(2) pp. 242–248.

Cathcart, Charles (2009). Lampatho's 'Delicious Sweet' in Marston's What You Will. Notes and Queries, 56(4) pp. 610–612.

Cathcart, Charles (2009). How a Man may Choose A Good Wife from a Bad and The Taming of the Shrew. Notes and Queries, 56(4) pp. 612–615.

Cathcart, Charles (2007). Guilpin, Shakespeare, and 'A Scourge of Wire'. Notes and Queries, 54(3) pp. 307–310.

Cathcart, Charles (2006). John Marston, The Malcontent, and the King's Men. The Review of English Studies, 57(228) pp. 43–63.

Cathcart, Charles (1999). Marston, Montaigne, and Lady Politic Would-be. English Language Notes, 36(1) pp. 4–8.

Cathcart, Charles (1999). "You will crown him King that slew your King": "Lust's Dominion" and Oliver Cromwell. Medieval & Renaissance Drama in England, 11 pp. 264–274.

Cathcart, Charles (2000). Twelfth Night and John Weever. Notes and Queries, 47(1) pp. 79–81.

Cathcart, Charles (2000). Plural Authorship, Attribution, and the Children of the King’s Revels. Renaissance Forum, 4(2) pp. 1–36.

Cathcart, Charles (2000). Ben Jonson and the Dedication of Antonio and Mellida. Notes and Queries, 47(1) pp. 100–103.

Cathcart, Charles (2001). "Lust's Dominion"; or, the "Lascivious Queen": Authorship, Date, and Revision. The Review of English Studies, 52(207) pp. 360–375.

Cathcart, Charles (2002). John Weever and the Jonson-Marston Rivalry. Ben Jonson Journal, 9(1) pp. 235–247.

Cathcart, Charles (2002). John Fletcher in 1600-1601: Two Early Poems, an Involvement in the "Poets' War," and a Network of Literary Connections. Philological Quarterly, 81(1) pp. 33–51.

Cathcart, Charles (2003). Lodge, Marston, and the Family of Love. Notes and Queries, 50(1) pp. 68–70.

Cathcart, Charles (2003). The Insatiate Countess: Date, Topicality, and Company Appropriation. Medieval & Renaissance Drama in England, 16 pp. 81–100.

Cathcart, Charles (2003). Histriomastix, Hamlet, and the "quintessence of Duckes". Notes and Queries, 50(4) pp. 427–430.

Cathcart, Charles (2003). Club Law, The Family of Love, and the Familist Sect. Notes and Queries, 50(1) pp. 65–68.

Cathcart, Charles (2003). Borrowings and the Authorial Domain: Gostanzo, Polonius, and Marston's Gonzago. Comparative Drama, 37(2) pp. 159–174.

Cathcart, Charles (2005). Authorship, Indebtedness, and the Children of the King's Revels. Studies in English Literature, 1500-1900, 45(2) pp. 357–374.

Cathcart, Charles (2019). The Insatiate Countess, William Barksted’s Hiren, the Fair Greek, and the Children of the King’s Revels. Early Theatre, 22(1) pp. 119–140.

Cathcart, Charles (2018). Leonard Becket, Stationer, and A help to discourse. The Library, 19(3) pp. 301–324.

Cathcart, Charles (2017). Robert Daborne's Irish critic. Medieval and Renaissance Drama in England, 30 pp. 36–51.

Cathcart, Charles (2016). Edward Greene, Goldsmith; William Marston, Apprentice; and Eastward Ho!. Early Theatre, 19(2) pp. 81–100.

Cathcart, Charles (2012). "Sir Giles Goosecap, Knight": George Chapman; "Poetaster"; and the Children of the Chapel. Medieval & Renaissance Drama in England, 25 pp. 42–61.

Cathcart, Charles (2010). Romeo at the Rose in 1598. Early Theatre, 13(2) pp. 149–162.

Cathcart, Charles (2009). Old Plays and the General Reader: an Essay in Praise of the Regents Renaissance Drama Series. Early Modern Literary Studies, 14(3), article no. 5.

Cathcart, Charles (2007). Poetaster and the Prince of Love. Ben Jonson Journal, 14(2) pp. 206–217.

Chambers, Helen (2017). “The first mate is a Polish count, a very quiet fellow”: Some New Torrens Documents. The Conradian, 42(2) pp. 69–87.

Clarke, Anactoria (2021). Manti kakon: The Uncanny Prophecies of Calchas in the Iliad and Beyond. Preternature: Critical and Historical Studies on the Preternatural, 10(1) pp. 11–33.

Clarke, Anactoria (2020). ‘Time and tide for no man wait’: Chiron’s qualities complicated in John Updike’s The Centaur’. New Classicists(3), article no. 2.

Cui, Feng and Tickell, Alex (2021). Han Suyin: The little voice of decolonizing Asia. Journal of Postcolonial Writing, 57(2) pp. 147–153.

da Sousa Correa, Delia and Golding, Rosemary (2024). [Book Review] Allan W. Atlas, ed., A Wilkie Collins Songbook Middleton, WI: A-R Editions, 2023. Nineteenth-Century Music Review (early access).

da Sousa Correa, Delia (2000). 'The music vibrating in her still': Music and memory in George Eliot's the mill on the floss and Daniel Deronda. Nineteenth-Century Contexts, 21(4) pp. 541–563.

da Sousa Correa, Delia (2009). Introduction. Katherine Mansfield Studies, 1(1) pp. 1–3.

da Sousa Correa, Delia (2011). Performativity in words: musical performance in Katherine Mansfield's stories. Katherine Mansfield Studies, 3 pp. 84–98.

da Sousa Correa, Delia (2012). George Eliot and the 'Expressiveness of Opera'. Forum for Modern Language Studies, 48(2) pp. 164–177.

da Sousa Correa, Delia (2020). From 'the great Handel chorus' to 'wild passion and fancy': Listening to Handel and Purcell in The Mill on the Floss. 19: Interdisciplinary Studies in the Long Nineteenth Century(29), article no. 1934.

da Sousa Correa, Delia; Chornik, Katia and Samuels, Robert (2009). Literature and music: Interdisciplinary research and teaching at the Open University. Working With English: Medieval and Modern Language, Literature and Drama, 5 pp. 50–61.

da Sousa Correa, Delia; Kimber, Gerri and Reid, Susan (2010). Introduction. Katherine Mansfield Studies, 2(1) pp. 1–3.

da Sousa Correa, Delia; Kimber, Gerri and Reid, Susan (2011). Introduction. Katherine Mansfield Studies

Dale, Leigh; Tiffin, Chris; Lane, Richard; Mills, Chester St. H.; Tickell, Alex and Wattie, Nelson (2005). New Literatures [India]. The Year's Work in English Studies, 84(1) pp. 945–1020.

De Ornellas, Kevin and Mac Cathmhaoill, Dónall (2021). Addressing the legacy of inter-communal violence through drama: mainstream theatre and community drama. Glencree Journal, 2021 pp. 164–174.

Dobson, Michael and Watson, Nicola (2002). Shakespeare en Elizabeth: Een liefdesgeschiedenis. Feit und Fictie, 5(3) pp. 62–81.

Doloughan, Fiona J. (2024). [Book Review] Paul Dawson, The Story of Fictional Truth: Realism from the Death to the Rise of the Novel (Theory and Interpretation of Narrativ), Columbus, OH: Ohio State University Press. Anglia, 142(2) pp. 397–401.

Doloughan, Fiona (2010). Bottling the Imagination: writing as metamorphosis in Ali Smith's Girl Meets Boy. New Writing: The International Journal for the Practice and Theory of Creative Writing, 7(3) pp. 241–251.

Doloughan, Fiona (2005). Reflections on the concept of 'voice' in translation. In Other Words: The Journal for Literary Translators(26) pp. 26–33.

Doloughan, Fiona (2006). Narratives of travel and the travelling concept of narrative: genre blending and the art of transformation. The Travelling Concept of Narrative, 1 pp. 134–144.

Doloughan, Fiona (2005). "Reading Images, Telling Tales: Meaning-Making and the Culture of Narrativity". International Journal of Learning, 11 pp. 1697–1701.

Doloughan, Fiona (2012). Transforming texts: learning to become a (creative) writer through reading. New Writing: The International Journal For the Practice and Theory of Creative Writing, 9(2) pp. 182–203.

Doloughan, Fiona (2015). The construction of space in contemporary narrative: a case study. Journal of Narrative Theory, 45(1)

Doloughan, Fiona (2016). Translation, Storytelling and Multimodality. Interférences littéraires/Literaire interferenties, 19 pp. 107–122.

Doloughan, Fiona J. (2002). Translating the self: Ariel Dorfman's bilingual journey. Language and Intercultural Communication, 2(2) pp. 147–152.

Doloughan, Fiona J. (2009). Text design and acts of translation: the art of textual remaking and generic transformation. Translation and Interpreting Studies, 4(1) pp. 101–115.

Doloughan, Fiona J. (2002). The language of reflective practice in art and design. Design Issues, 18(2) pp. 57–64.

Fraser, Robert (2001). "Not that fair field of Enna": Milton, Ruskin and Protestant Longing. The Long Poem Newsletter(10) pp. 3–4.

Fraser, Robert (2001). Lonely Londoners 1890's style: Joseph Casely-Hayford's Ethiopia Unbound. Wasafiri, 34 52 -55.

Fraser, Robert (2001). Postcolonial Cities: Michael Ondaatje's Toronto and Yvonne Vera's Bulawayo. Studies in Canadian Literature/ Etudes en litterature canadienne, 26(2) pp. 40–48.

Fraser, Robert (2002). "Is there a Gibbon in the house?": Migration, Postcoloniality and the Fall and Rise of Europe. Moving Worlds: A Journal of Transcultural Studies, 2(2) pp. 102–114.

Fraser, Robert (2003). Mapping the Mind: Borders, Migration and Myth. Wasafiri(39) pp. 47–54.

Fraser, Robert (2004). "Have fair fallen": Gerard Manley Hopkins and Henry Purcell. The London Magazine(April-May) pp. 58–66.

Fraser, Robert (2003). "Whatever is, is right": Handel's penultimate oratorio and the pity of war. Times Literary Supplement(5207) pp. 13–14.

Fraser, Robert (2003). Songs of a Tadpole. Times Literary Supplement p. 20.

Fraser, Robert (2004). Proust's Cup of Tea: Homoeroticism and Victorian Culture. Victorian Studies, 46(2 [Winter]) pp. 370–372.

Fraser, Robert (2004). Write disobediently. The London Magazine(August-Sep) pp. 116–120.

Fraser, Robert (2002). Hume, Sir James Frazer, Irony and Belief. The Edinburgh Review, 110(1) pp. 48–55.

Fraser, Robert (2005). War and the colonial book trade: the case of OUP India. Script and Print: Bulletin of the Bibliographical Society of Australia and New Zealand, 29 pp. 93–104.

Fraser, Robert (2007). Letters of J.G.Frazer. The Classical Review, 57 (New Se(1) pp. 243–245.

Fraser, Robert (2010). Fiction and the other reader: the reception of imperial adventure romance in Africa. Angles on the English-Speaking World, 10, 99 -107.

Fraser, Robert (2010). Bugger the skylarks: Lawrence and Mansfield at war: a battle in ten scenes. Katherine Mansfield Studies, 2(1) pp. 100–163.

Fraser, Robert (2009). Mere Idle Calumnies: How Sir James Frazer's anthopological open-mindedness was misappropriated to support a Blood Libel - and how he responded. Times Literary Supplement pp. 13–15.

Fraser, Robert (2010). Far removed. Times Literary Supplement(5614) p. 29.

Fraser, Robert (2011). Race and religion in the Victorian age: Charles Kingsley, Governor Eyre and the Morant Bay Rising. The Victorian Web

Fraser, Robert (1996). The loneliness of the long-distance cyclist: cyclic form in Frazer and Proust. Yearbook of English Studies, 26 pp. 163–172.

Fraser, Robert (2011). Riddling soul: John Donne, Theatrical Performer of His Various Selves and Maker of an Oddly Modern Music. Times Literary Supplement(5653) pp. 3–4.

Fraser, Robert (2012). Surrealists in the Storm: David Gascoyne, Spain and Mass Observation. Times Literary Supplement(5679) 14 -15.

Furbank, P N and Owens, W R (1997). The Defoe that never was: a tale of de-attribution. The American Scholar, 66(2) pp. 276–284.

Furbank, P. N. and Owens, W. R. (1984). "A Vindication of the Press" (1718): Not by Defoe? Papers of the Bibliographical Society of America, 78(3) pp. 355–360.

Furbank, P. N. and Owens, W. R. (1986). Defoe and the 'improvisatory' sentence. English Studies, 67(2) pp. 157–166.

Furbank, P. N. and Owens, W. R. (1986). What if Defoe did not write the "History of the Wars of Charles XII"? Papers of the Bibliographical Society of America, 80 pp. 333–347.

Furbank, P. N. and Owens, W. R. (1988). William Lee of Sheffield: Sanitary Reformer and Defoe Bibliographer. The Book Collector, 37(2) pp. 185–206.

Furbank, P. N. and Owens, W. R. (1988). The Defoe canon again. Papers of the Bibliographical Society of America, 82 pp. 95–98.

Furbank, P. N. and Owens, W. R. (1992). The Lost Property Office: some Defoe attributions reconsidered. Papers of the Bibliographical Society of America, 86 pp. 245–267.

Furbank, P. N. and Owens, W. R. (1991). Dangerous Relations. The Scriblerian, 23 pp. 242–244.

Furbank, P. N. and Owens, W. R. (1992). Defoe and Francis Noble. Eighteenth-Century Fiction, 4(4) pp. 301–313.

Furbank, P. N. and Owens, W. R. (1993). Defoe, Trent, and the 'Defection'. Review of English Studies, 44(173) pp. 70–76.

Furbank, P. N. and Owens, W. R. (1993). Defoe and A Curious Little Oration Deliver'd by Father Andrew. Notes and Queries, 238(3) p. 328.

Furbank, P. N. and Owens, W. R. (1993). Defoe and the 'Tippony Ale'. Scottish Historical Review, 72(1) pp. 86–89.

Furbank, P. N. and Owens, W. R. (1994). "A True Account of the Proceedings at Perth": The impact of an historical novel. Eighteenth-Century Fiction, 6(3) pp. 233–242.

Furbank, P. N. and Owens, W. R. (1995). Daniel Defoe and A Letter from a Gentleman at the Court of St Germains (1710). Etudes Anglaises, 48 pp. 61–66.

Furbank, P. N. and Owens, W. R. (1994). Defoe and 'Sir Andrew Politick'. British Journal for Eighteenth-Century Studies, 17(1) pp. 27–39.

Furbank, P. N. and Owens, W. R. (1996). On the attribution of periodicals and newspapers to Daniel Defoe. Publishing History, 40 pp. 83–98.

Furbank, P. N. and Owens, W. R. (1997). The dating of Defoe's "Atlantis Major". Notes and Queries, 242(2) pp. 189–190.

Furbank, P. N. and Owens, W. R. (1997). Whence the Defoe Canon? Eighteenth-Century Fiction, 9(2) pp. 223–225.

Furbank, P. N. and Owens, W. R. (1997). The lost continuation of Defoe's Roxana. Eighteenth-Century Fiction, 9(3) pp. 229–308.

Furbank, P. N. and Owens, W. R. (1997). The Myth of Defoe as 'Applebee's Man'. Review of English Studies, 48(190) pp. 198–204.

Furbank, P. N. and Owens, W. R. (1998). Defoe and the sham Flying-Post. Publishing History, 43 pp. 5–15.

Furbank, P. N. and Owens, W. R. (2000). Defoe, the De la Faye letters and Mercurius Politicus. British Journal for Eighteenth-Century Studies, 23(1) pp. 13–19.

Furbank, P. N. and Owens, W. R. (2001). Defoe and King William: a sceptical enquiry. Review of English Studies, 52(206) pp. 227–232.

Furbank, P. N. and Owens, W. R. (2001). Defoe's South-Sea and North-Sea schemes: a footnote to A New Voyage Round the World. Eighteenth-Century Fiction, 13 pp. 501–508.

Furbank, P. N. and Owens, W. R. (2002). Defoe's £17,000 bankruptcy. Notes and Queries, 247(3) pp. 363–364.

Furbank, P.N. and Owens, W. R. (1993). Defoe, William Hendley, and Charity Still a Christian Virtue (1719). Huntington Library Quarterly, 56(3) pp. 327–330.

Gibson, Jonathan (2023). Making the Memoirs: missing leaves in the manuscript of Lucy Hutchinson’s life of John Hutchinson. The Seventeenth Century, 38(3) pp. 403–412.

Gibson, Jonathan (1997). Significant space in manuscript letters. The Seventeenth Century, 12(1) pp. 1–10.

Gibson, Jonathan (2004). The legal context of Spenser's Daphnaïda. The Review of English Studies, 55(218) pp. 24–44.

Gibson, Jonathan (2012). Synchrony and process: editing manuscript miscellanies. Studies in English Literature 1500-1900 (SEL), 52(1) pp. 85–100.

Gibson, Jonathan (1999). King Lear and the patronage system. The Seventeenth Century, 14(2) pp. 95–114.

Gibson, Jonathan (2020). The Development of William Cecil's Italic Handwriting. Etudes Anglaises, 73(3) pp. 329–346.

Gibson, Jonathan and Coatalen, Guillaume (2020). Robert Cecil's Handwriting Advice to his Son. Etudes Anglaises, 73(3) pp. 313–328.

Green, Richard and Michael-Fox, Bethan (2023). Mortality, moral regulation, and (im)moral entrepreneurship in My Favorite Murder. Continuum: Journal of Media & Cultural Studies, 37(2) pp. 237–247.

Griffiths, Andrew (2021). Masculinity, Madness and Empire in Kipling’s ‘Thrown Away’ and ‘The Madness of Private Ortheris’. Journal of Victorian Culture, 26(4) pp. 552–567.

Griffiths, Andrew (2022). Edmund O'Donovan in Asia and Africa: Literary Journalism at the Edge of Empire. The Routledge Companion to World Literary Journalism pp. 239–252.

Griffiths, Andrew (2023). [Book Review] Chris Dubbs, An Unladylike Profession: American Women War Correspondents in World War I. First World War Studies, 14(2-3) pp. 396–398.

Griffiths, Andrew (2013). Winston Churchill, the Morning Post and the End of the Imperial Romance. Victorian Periodicals Review, 46(2) pp. 163–183.

Griffiths, Andrew (2018). Seeking the Sources of Heart of Darkness: the African Narratives of late-Victorian Explorers and Journalists. Continents manuscrits(11)

Griffiths, Andrew (2017). Literary Journalism and Empire: George Warrington Steevens in Africa, 1898–1900. Literary Journalism Studies, 9(1) pp. 60–81.

Gupta, Suman (2016). Philology of the Contemporary World: On Storying the Financial Crisis. Philology, 2016(2) pp. 275–296.

Gupta, Suman (2021). Procedural Democracy and Electronic Agents. AI Magazine, 42(1) pp. 30–38.

Gupta, Suman (2021). The University as a Political Site: 1968 and Now. European Review, 29(6) pp. 725–737.

Gupta, Suman and GRAF (2021). Brazil: the real dystopia project. Disjunctures, pandemics, and politics under Bolsonaro. Digithum(27) pp. 1–11.

Gupta, Suman and Gupta, Ayan-Yue (2022). “Resilience” as a policy keyword: Arts Council England and austerity. Policy Studies, 43(2) pp. 279–295.

Gupta, Suman (2005). Sociological speculations on the professions of children’s literature. The Lion and the Unicorn, 29(3) pp. 299–323.

Gupta, Suman (2003). In search of genius: T.S. Eliot as publisher. Journal of Modern Literature, 27(1-2) pp. 26–35.

Gupta, Suman (2009). From crowds to transnational massing: presence and representation. Storia della Storiografia, 55 pp. 128–143.

Gupta, Suman (2008). Editorial: Writing China. Wasafiri, 23(3) pp. 1–4.

Gupta, Suman (2010). Conceptualising the art of communist times. Third Text, 24(5) pp. 571–582.

Gupta, Suman (2010). Critical practice in the English Studies classroom: observations in Bulgaria. English Studies, 91(3) pp. 328–343.

Gupta, Suman (2010). Conceptualising classroom observations for a project on higher education English studies in non-Anglophone contexts. American, British and Canadian Studies, 14 pp. 151–167.

Gupta, Suman (2008). Li Rui, Mo Yan, Yan Lianke and Lin Bai: four contemporary Chinese writers interviewed. Wasafiri, 23(3) pp. 28–36.

Gupta, Suman (2012). Indian ‘commercial’ fiction in English, the publishing industry, and youth culture. Economic and Political Weekly, 46(5) pp. 46–53.

Gupta, Suman (2012). On the Indian readers of Hitler's Mein Kampf. Economic & Political Weekly, 47(46) pp. 51–58.

Gupta, Suman (2013). Big issues around a small-scale phenomenon: vernacular pulp fiction in English translation for Indian readers. Journal of Commonwealth Literature, 48(1) pp. 159–175.

Gupta, Suman (2015). Pixação and Tourist Appraisal. Wasafiri: International Contemporary Writing, 30(2) pp. 40–46.

Gupta, Suman (2015). Crisis and Representation: Notes on Media and Media Studies. Cyprus Review, 27(1) pp. 293–310.

Gupta, Suman (2015). Crisis of the Novel and the Novel of Crisis. Canadian Review of Comparative Literature, 42(4) pp. 454–467.

Gupta, Suman (2017). Disciplinary departures and discipline formation: The institutional rationale. TEXT Journal of Writing and Writing Courses, 21(2)

Gupta, Suman (2019). Indian student protests and the nationalist–neoliberal nexus. Postcolonial Studies, 22(1) pp. 1–15.

Gupta, Suman (2017). A Perspectiva Da Pensativa Traça De Livro Quanto À Pesquisa Literária e Linguística [The Thinking Bookworm’s View Of Literary And Linguistic Research]. Revista da Anpoll, 43 pp. 175–192.

Gupta, Suman (2018). [Book Review] On race: 34 conversations in a time of crisis. Ethnic and Racial Studies, 42(3) pp. 472–475.

Gupta, Suman (2019). Creative writing programmes and patronage. British Journal of Educational Studies, 67(3) pp. 321–336.

Gupta, Suman and Allen, Richard (2018). “Liderazgo académico” y las condiciones del trabajo académico. Literatura: teoría, historia, crítica, 20(2) pp. 293–319.

Gupta, Suman and Chattarji, Subarno (2019). Protests, Repression, Restructuring: Contemplating Indian Higher Education in 2018. Postcolonial Studies, 22(1) pp. 117–130.

Gupta, Suman and Katsarska, Milena (2010). The official record and the receptive field: Zlatyu Boyadzhiev in Communist times. Konsthistorisk Tidskrift/Journal of Arts History, 79(1) pp. 1–17.

Gupta, Suman and Virdee, Satnam (2018). Introduction: European crises: contemporary nationalisms and the language of “race”. Ethnic and Racial Studies, 41(10) pp. 1747–1764.

Haslam, Sara (2022). Losing and Finding Balance: Food as Fordian Diagnostic. Last Post: A literary journal from the Ford Madox Ford Society, 1(5) pp. 47–58.

Haslam, Sara (2022). The Hueffers and the Conrads in 1899. The Conradian, 47(1) pp. 66–75.

Haslam, Sara (2022). The Case of the Missing Cromwell: Ford Madox Ford, Art, Life and Letters in 1899. Last Post: A literary journal from the Ford Madox Ford Society, 1(8 & 9) pp. 57–85.

Haslam, Sara and King, Edmund G. C. (2021). “Medicinable Literature”: Bibliotherapy, Literary Caregiving, and the First World War. Literature and Medicine, 39(2) pp. 296–318.

Haslam, Sara (2002). Written in blood: Family, sex and violence in Wuthering Heights and Jane Eyre. The English Review, 13(1) pp. 8–11.

Haslam, Sara (2000). A question of knowledge: James, Ford, "The Beast in the Jungle" and A Call. The Henry James Review, 21(1) pp. 72–82.

Haslam, Sara (2000). Modern Knowledge and Ford's Modern Novel. Precursors and Aftermaths: Literature in English 1914-1945, 1(1) pp. 49–63.

Haslam, Sara (2013). A literary intervention: writing alcohol in British literature 1915–1930. First World War Studies, 4(2) pp. 219–239.

Haslam, Sara (2020). Reading, Trauma and Literary Caregiving 1914-1918: Helen Mary Gaskell and the War Library. Journal of Medical Humanities, 41 pp. 305–321.

Haslam, Sara (2018). Ford Madox Ford's Last Library: Details, Dedications, and Remaining Mysteries in the Berg Collection, New York. Last Post: A literary journal from the Ford Madox Ford Society, 1(1) pp. 1–23.

Haslam, Sara (2018). No more Parades End: Ford Madox Ford’s last library and what it tells us about ‘the Tietjens saga’. Times Literary Supplement(6010)

Hills, Laura; Clarke, Anactoria; Hughes, Jonathan; Butcher, John; Shelton, Isobel and McPherson, Elaine (2018). Chinese whispers? Investigating the consistency of the language of assessment between a distance education institution, its tutors and students. Open Learning: The Journal of Open, Distance and e-Learning, 33(3) pp. 238–349.

Hogan, Edward (2020). Loops And Reels: Narrative disruption in film, fiction, and cinemagoing history. Writing in Practice, 6

Howell, Anthony (2011). Southey and itinerancy. Wordsworth Circle, 42(1) pp. 68–72.

Hunt, Steven; Letchford, Clive; Lloyd, Mair; Manning, Laura and Plummer, Rachel (2018). The Virtue of Variety: Opening the Doors to Wider Pedagogical Practices in UK Schools and Universities. Journal of Classics Teaching, 19(38) pp. 53–60.

Hutchison, Yvette and Walder, Dennis (2011). Editorial. Contemporary Theatre Review, 21(1) pp. 3–7.

Johnson, David (2022). ‘With the Abyssinian Armies, in Defence of Africa’s Only Native State’: Varieties of South African Anti-Fascism, 1930s–1960s. South African Historical Journal, 74(1) pp. 55–74.

Johnson, David (2001). Literatures of nation and migration: Charles Mungoshi, Nadine Gordimer, and the postcolonial. Alternation, 8(2) pp. 36–54.

Johnson, David (2001). Editorial: Travellers' tales: alternative traditions. Wasafiri(34) pp. 1–2.

Johnson, David (2007). Representing the Cape 'Hottentots', from the French Enlightenment to post-apartheid South Africa. Eighteenth-Century Studies, 40(4) pp. 525–552.

Johnson, David (2009). Remembering the Khoikhoi victory over Dom Francisco Almeida at the Cape in 1510. Postcolonial Studies, 12(1) pp. 107–130.

Johnson, David (2010). British models of colonial governance: Adam Smith and John Bruce on the Cape Colony. The Eighteenth Century: Theory and Interpretation, 51(1-2) pp. 103–127.

Johnson, David (2010). Historical and literary re-iterations of Dutch settler Republicanism. South African Historical Journal, 62(3) pp. 463–486.

Johnson, David (2010). Representing Cape slavery: Literature, law, and history. Journal of Postcolonial Writing, 46(5) pp. 504–516.

Johnson, David (2011). Introduction to Samuel Eusebius Hudson's The Virtuoso (c. 1790). English in Africa, 38(1) pp. 9–15.

Johnson, David (2012). Representations of Cape Slavery in South African Literature. History Compass, 10(8) pp. 549–561.

Johnson, David (2013). Fanon’s travels in postcolonial theory and post-apartheid politics. College Literature, 40(2) pp. 52–80.

Johnson, David (2015). Clements Kadalie, the ICU, and the Language of Freedom. English in Africa, 42(3) pp. 43–69.

Johnson, David (1998). De Mist, Race and Nation. Alternation, 5(1) pp. 85–97.

Johnson, David (1994). Literature for the rainbow nation: The case of sol Plaatje's Mhudi. Journal of Literary Studies, 10(3-4) pp. 345–358.

Johnson, David (1994). Importing metropolitan Post-colonials. Current Writing, 6(1) pp. 73–85.

Johnson, David (1993). Aspects of a Liberal Education: Late Nineteenth-Century Attitudes to Race, from Cambridge to the Cape Colony. History Workshop Journal, 36(1) pp. 162–182.

Johnson, David (1993). Starting Positions: the Social Function of Literature in the Cape. Journal of Southern African Studies, 19(4) pp. 615–633.

Johnson, David (2019). An Interview with Ania Loomba and Suvir Kaul. Wasafiri, 34(1) pp. 52–57.

Jones, Richard J. (2019). The eighteenth-century review journal as allegory: Smollett’s Critical Review and the work of criticism. The Eighteenth Century: Theory and Interpretation, 60(1) pp. 45–63.

Jones, Richard J. (2018). Continued Continuations of Complete Histories: Tobias Smollett and the Work of History. Journal for Eighteenth-Century Studies, 41(3) pp. 391–406.

Jones, Richard J. (2018). Tobias Smollett and the work of writing. Literature Compass, 15(8), article no. e12485.

Katritzky, M. A. (2008). Issues in Review: New Developments in Commedia Research: The Commedia dell'Arte: New Perspectives and New Documents. Early Theatre, 11(2) pp. 141–155.

Katritzky, M. A. (2021). William Hogarth (1697–1764) and book illustration I: Hudibras, Quixote and the Littlecote House murals. Theatralia, 24(1) pp. 313–356.

Katritzky, M. A. (2021). Unreliable Memories: Documenting the Scenography of the 1589 Florentine intermedi. European Medieval Drama, 25 pp. 239–281.

Katritzky, M. A. (2005). Pickelhering and Hamlet in Dutch art: The English comedians of Robert Browne, John Green, and Robert Reynolds. Shakespeare Yearbook, 15 pp. 113–140.

Katritzky, M. A. (2004). Book reviews: Performance and Literature in the commedia dell'arte (Robert Henke); Music and Women of the commedia dell'arte in the Late Sixteenth Century (Anne MacNeil); Das Spiel mit Gattungen bei Isabella Canali Andreini: Band 1, zum Verhältnis von Improvisation und Schriftkultur in der Commedia dell'arte, Band II, Lettere (1607) (Britta Brandt); La Mirtilla: a pastoral (Isabella Andreini); Improvisation in the Arts of the Middle Ages and Renaissance (Timothy J. McGee); Theater am Hof und für das Volk. Beiträge zur vergleichenden Theater und Kulturgeschichte. Festschrift für Otto G Schindler zum 60. Geburtstag (Brigitte Marschall). Theatre Research International, 29(1) pp. 78–81.

Katritzky, M. A. (2001). Gendering tooth-drawers on the stage. Ludica, annali di storia e civilta del gioco, 5-6 (2000) pp. 144–181.

Katritzky, M. A. (2006). Improvisation in the arts of the middle ages and renaissance. Early Theatre, 9(1) pp. 149–152.

Katritzky, M. A. (2008). Secrets of women: Gender, generation and the origins of human dissection. Social History of Medicine, 21(1) pp. 198–199.

Katritzky, M. A. (1987). Lodewyk Toeput: Some pictures related to the commedia dell'arte. Renaissance Studies, 1(1) pp. 71–125.

Katritzky, M. A. (1987). Italian comedians in renaissance prints. The Print Quarterly, 4(3) pp. 236–254.

Katritzky, M. A. (1988). A renaissance commedia dell'arte performance: towards a definitive sequence of Sieur Fossard's woodcuts? Nationalmuseum Bulletin, 12(1) pp. 37–53.

Katritzky, M. A. (1991). How did the Commedia dell'arte cross the Alps to Bavaria? Theatre Research International, 16(3) pp. 201–215.

Katritzky, M. A. (1996). Eight portraits of Gelosi actors in 1589? Theatre Research International, 21(2) pp. 108–120.

Katritzky, M. A. (1996). The Florentine entrata of Joanna of Austria and other entrate described in a German diary. Journal of the Warburg and Courtauld Institutes, 59 pp. 148–173.

Katritzky, M. A. (1997). A German description of the Florentine intermedi of 1565. Italian Studies, 52(1) pp. 63–93.

Katritzky, M. A. (1997). Harlequin in renaissance pictures. Renaissance Studies, 11(4) pp. 381–419.

Katritzky, M. A. (1998). The Commedia dell'arte: An introduction. Theatre Research International, 23(2) pp. 99–103.

Katritzky, M. A. (1998). Was Commedia dell'arte performed by mountebanks? Album amicorum illustrations and Thomas Platter's description of 1598. Theatre Research International, 23(2) pp. 104–125.

Katritzky, M. A. (1999). Aby Warburg's 'Costumi teatrali' (1895) and the art historical foundations of theatre iconography. Theatre Research International, 24(2) pp. 160–167.

Katritzky, M. A. (1999). Hippolytus Guarinonius's descriptions of commedia dell'arte lazzi in Padua, 1594-97. Quaderni Veneti, 30, pp. 61–126.

Katritzky, M. A. (2000). Comic stage routines in Guarinonius's medical treatise of 1610. Theatre Research International, 25(3) pp. 217–232.

Katritzky, M. A. (2010). Zan Bragetta a Jean Potage: Divadelní kočovníci v raně novověké Evropě. Divaldelni Revue, 2(1) pp. 48–61.

Katritzky, M. A. (2009). Book review: From Physick to Pharmacology: Five Hundred Years of British Drug Retailing. The Sixteenth Century Journal, 40(4) pp. 1167–1169.

Katritzky, M. A. (2014). 'A wonderfull monster borne in Germany’: hairy girls in medieval and early modern German book, court and performance culture. German Life and Letters, 67(4) pp. 467–480.

Katritzky, M. A. (2016). The theatrical impact of St Francis Xavier's canonization: Pietro Della Valle's account of the 1624 Jesuit festivities in Goa. Ludica. Annali di storia e civiltà del gioco, 2013-2014(19-20) pp. 24–38.

Katritzky, M. A. (2016). Maik Goth, Monsters and the Poetic Imagination in The Faerie Queene, and Tara Pedersen, Mermaids and the Production of Knowledge in Early Modern England. Spenser Review, 46(1), article no. 6.

Katritzky, M. A. (2017). The Bal des Ardents (1393), Thomas of Woodstock (1397) and Richard II (1400): Three Medieval Conspiracy Rumours and the Scots’ Mine Play (1608). European Medieval Drama, 20 pp. 105–139.

Katritzky, M. A. (2019). Stefanelo Botarga and Zan Ganassa: Textual and visual records of a musical commedia dell’arte duo, in and beyond early modern Iberia. Music in Art, 44 pp. 83–104.

Katritzky, M.A. (2001). Marketing medicine: the image of the early modern mountebank. Renaissance Studies, 15(2) pp. 121–153.

Katritzky, M.A. (2005). The commedia dell'arte: a theatre-iconographical perspective. Maske und Kothurn, 50(3) pp. 19–43.

Katritzky, M.A. (2002). 'Unser sind drey': the quacks of Beer, Printz and Weise. Maske und Kothurn, 48(1-4) pp. 117–142.

Katritzky, M.A. (2003). What did medieval stages look like? Times Higher Education Supplement(1570) p. 13.

Katritzky, M.A. (1988). Commedia dell'arte och kvinnornas debut pa teaterscenen. Astra, 70(9) pp. 24–27.

King, Edmund G. C. (2021). [Book Review] Book Traces: Nineteenth-Century Readers and the Future of the Library, by Andrew M. Stauffer. Library & Information History, 37(2) pp. 186–187.

King, Edmund G. C. (2022). Unpacking the “Red Flag” Bookshelf: Negotiating Literary Value on Twitter. English Studies, 103(5) pp. 706–731.

King, Edmund (2008). Pope's 1723–25 Shakespear, classical editing, and humanistic reading practices. Eighteenth-Century Life, 32(2) pp. 3–13.

King, Edmund (2004). “Small-scale copyrights”?: Quotation marks in theory and in practice. Papers of the Bibliographical Society of America, 98(1) pp. 39–53.

King, Edmund (2010). Alexander Turnbull's ‘dream imperial’: collecting Shakespeare in the colonial antipodes. Script and Print: Bulletin of the Bibliographical Society of Australia and New Zealand, 34(2) pp. 69–86.

King, Edmund (2013). “Books are more to me than food”: British prisoners of war as readers, 1914-1918. Book History, 16 pp. 246–271.

King, Edmund (2014). E. W. Hornung’s unpublished “Diary,” the YMCA, and the reading soldier in the First World War. English Literature in Transition, 1880-1920, 57(3) pp. 361–387.

King, Edmund (2014). “A priceless book to have out here”: soldiers reading Shakespeare in the first world war. Shakespeare, 10(3) pp. 230–244.

King, Edmund G. C. (2010). Fragmenting authorship in the eighteenth-century Shakespeare edition. Shakespeare, 6(1) pp. 1–19.

King, Edmund G. C. (2010). Towards a prehistory of the gothic mode in nineteenth-century New Zealand writing. Journal of New Zealand Literature, 28(2) pp. 35–57.

King, Edmund G. C. (2016). Radicalism in the Margins: The Politics of Reading Wilfrid Scawen Blunt in 1920. Journal of British Studies, 55(3) pp. 501–518.

King, Edmund G. C. (2017). [Book Review] The British Soldier and His Libraries, c. 1822–1901. Library & Information History, 33(4) pp. 279–280.

King, Edmund G. C. (2019). [Book Review] John Kerrigan, Shakespeare's Originality. Spenser Review, 49(3), article no. 13.

King, Edmund G. C.; Parmar, Maya and Towheed, Shafquat (2019). Reusing Historical Questionnaire Data and Using Newly Commissioned Oral History Interviews as Evidence in the History of Reading. Participations: Journal of Audience & Reception Studies, 16(1) pp. 530–553.

Lavery, Hannah (2011). Social and political satire in the impotency poems of Rémy Belleau and Thomas Nashe. Early Modern Literary Studies, 15(3), article no. 3.

Lavery, Hannah (2012). Breaking down barriers with tablet technology for teaching. Educause Review Online

Lavery, Hannah (2013). From image to word: the making of Pietro Aretino's satire in I sonetti lussoriosi (c. 1527). Genre, 33 pp. 117–148.

Lavery, Hannah (2013). The development of the later English Restoration impotency poems. Papers on Language and Literature, 49(2) pp. 172–202.

Lloyd, Mair and Robson, James (2023). Battling for Latin: Instructors and Students on the Challenges of Teaching and Learning Beginners’ Latin in UK Universities. Classical World, 116(2) pp. 195–223.

Lloyd, Mair E. and Robson, James (2024). The Battle for Latin in UK Universities: A Statistical analysis of factors driving student success and failure in beginners’ Latin modules. Language Learning Journal, 52(3) pp. 349–365.

Lloyd, Mair E. and Robson, James (2018). A Survey of Beginner's Language Teaching in UK Classics Departments: Latin. Council of University Classical Departments Bulletin, 47

Lloyd, Mair E. and Robson, James (2019). Staying the distance: transforming Latin pedagogy at the Open University. Journal of Latin Linguistics, 18(1-2) pp. 101–128.

Mac Cathmhaoill, Dónall (2022). Boundaries: Respecting Authenticating Limits in the Production of a Play on Trans Marginality. Platform: Journal of Theatre and Performing Arts, 16(1) pp. 111–117.

Mac Cathmhaoill, Dónall (2024). [Book Review] Culture, Democracy and the Right to Make Art. Drama Research, 15

MacCathmhaoill, Dónall (2024). [Review] Stephen Kelly. Margaret Thatcher, the Conservative Party and the Northern Ireland Conflict, 1975-1990. (London: Bloomsbury Academic, 2022), 408 pp., ISBN: 9781350115378. Review of Irish Studies in Europe, 7(1) pp. 128–130.

Michael-Fox, Bethan (2022). [Book Review] Navigating miscarriage: social, medical and conceptual perspectives edited by Susie Kilshaw and Katie Berg. Mortality, 27(1) pp. 126–127.

Michael-Fox, Bethan (2022). [Book Review] Mediated Death by Johanna Sumiala, Cambridge, Polity Press, 2022. Mortality, 27(4) pp. 519–520.

Michael-Fox, Bethan (2022). [Book Review] Death in Contemporary Popular Culture edited by Adriana Teodorescu and Michael Hviid Jacobsen. Revenant: Critical and Creative Studies of the Supernatural, 8 pp. 422–424.

Michael-Fox, Bethan (2022). [Review] HEAR ME… Voices from a Care Home during the Covid 19 Pandemic by Anna Mankee-Williams and Ruth Heholt. The Revenant, 8 pp. 425–429.

Michael-Fox, Bethan (2022). [Book Review] Man-Eating Monsters: Anthropocentrism and Popular Culture by Dina Khapaeva (Editor). Revenant: Critical and Creative Studies of the Supernatural(8) pp. 430–432.

Michael-Fox, Bethan (2024). [Book Review] Hauntology: Ghosts of Futures Past by Merlin Coverley. Mortality, 29(2) pp. 361–362.

Michael-Fox, Bethan and Visser, Renske (2022). Death and the Screen: Editors’ Introduction. Revenant: Critical and Creative Studies of the Supernatural(8) pp. 7–19.

Michael-Fox, Bethan and Visser, Renske (2022). Death for Young Adult Audiences: Complexity, Complicity and Critique in Pretty Little Liars. Revenant: Critical and Creative Studies of the Supernatural(8) pp. 20–46.

Michael-Fox, Bethan (2020). What Do You Want? New Formations(100) pp. 214–217.

Michael-Fox, Bethan (2019). [Book Review] Death, the Dead and Popular Culture, by Ruth Penfold-Mounce. Mortality, 24(4) pp. 488–489.

Michael-Fox, Bethan and Hayden, Nikita (2018). Transforming the Community, Transforming the Self: Young People, Social Action and community Leadership. The Sheffield Student Journal for Sociology(2), article no. 7.

Michael-Fox, Bethan and Jarrett-Kerr, Adele (2019). Breastfeeding Beyond Infancy: An Autoethnographic Dialogue Between Two Women. CULTIVATE The Feminist Journal of the Centre for Women's Studies(2) pp. 31–42.

Miller, David Lee; Anderson, Judith H.; Brown, Richard Danson; Dolven, Jeff; Gross, Ken; Nohrnberg, James and Ramachandran, Ayesha (2020). Responses to Harry R. Berger, Resisting Allegory: interpretive delirium in Spenser's "Faerie Queene". Spenser Review, 50(2), article no. 50.2.2..

Nasta, Susheila (2006). Blake Morrison and Hanif Kureishi with Susheila Nasta. Wasafiri, 22(48) pp. 19–27.

Nasta, Susheila (2009). "Beyond the frame": Writing a life and Jamaica Kincaid's family album. Contemporary Women's Writing, 3(1) pp. 64–86.

Nasta, Susheila (1983). Samuel Selvon: a preliminary bibliography. Journal of Commonwealth Literature, 18(1) pp. 131–143.

Nasta, Susheila (1996). Githa Hariharan talks to Susheila Nasta. Wasafiri, 12(24) pp. 22–25.

Nasta, Susheila (2000). Beyond the millennium: Black women's writing. Women: A Cultural Review, 11(1-2) pp. 71–76.

Nasta, Susheila (2006). Writing a Life: Hanif Kureishi and Blake Morrison in Conversation. Wasafiri, 21(2) pp. 40–52.

Nasta, Susheila (2009). Everything to declare. Wasafiri, 24(3) pp. 1–3.

Nasta, Susheila (2011). Sealing a friendship: George Orwell and Mulk Raj Anand at the BBC (1941-43). Wasafiri, 26(4) pp. 14–21.

Nasta, Susheila (2012). End of empire and the English novel. British Academy Review, 19 pp. 46–49.

Nasta, Susheila (2013). An unexpected encounter with Sam Selvon at the National Portrait Gallery. Wasafiri, 28(2) pp. 33–35.

Nasta, Susheila (2004). Editorial: Making tracks: Wasafiri 1984-2004. Wasafiri(42)

Nasta, Susheila and Boehmer, Elleke (2007). Editorial: 'Cultures of Terror'. Wasafiri, 22(2) pp. 1–3.

Neale, Derek (2007). Writing a wicked commentary. Writing in Education(41) pp. 28–31.

Neale, Derek (2011). Writing and remembering: paradoxes of memory, imagination and fiction in stories about lives. Literature Compass, 8(12) pp. 951–961.

Neale, Derek (2011). Tributes and Testimonies: Carver and the short story. Writing in Education(53) pp. 14–15.

Neale, Derek (2011). Adaptation and Montage. Writing in Education(53) pp. 33–37.

Neale, Derek (2012). Short stories in the academy: mimesis, diegesis and the role of drama and film. Short Fiction in Theory and Practice, 2(1-2) pp. 43–58.

Neale, Derek (2012). Being in uncertainties, mysteries and doubts: negative capability and the place of the imagination in the academy today. Writing in Education(56) pp. 49–53.

Neale, Derek (2012). Writing and dreaming primary and primal scenes. New Writing: The International Journal for the Practice and Theory of Creative Writing, 10(1) pp. 39–51.

Neale, Derek (2017). Split digraphs, fronted adverbials and the problems of later creative writing study. Writing in Education, 72(6) pp. 6–7.

Neale, Derek (2017). Creativity and Research in the 21st Century. Writing in Education, 73(3) pp. 2–4.

Neale, Derek (2015). The 'Start Writing Fiction' MOOC: Teaching a class of twenty-five thousand. Writing in Education(67) pp. 58–61.

Neale, Derek (2018). World writing and radio drama. Writing in Education(76) pp. 8–9.

Neale, Derek (2018). Introduction: Critical and creative reflections on process. Writing in Practice, 4, article no. 1.

Neale, Derek (2017). Creative Writing Higher Education News. Writing in Education, 71 pp. 6–7.

Neale, Derek (2016). Fruitful reflections: research, assessment and farewells. Writing in Education, 74 pp. 5–6.

Neale, Derek (2017). Creative Writing and social entrepreneurship. Writing in Education, 75 pp. 4–6.

Neale, Derek (2019). Writing, research and paradox. Writing in Education(77) pp. 4–5.

Neale, Derek (2019). New directory and forthcoming election. Writing in Education(78) p. 5.

Neale, Derek (2019). Bright beginnings, end of term. Writing in Education(79) pp. 9–11.

Neale, Derek (2019). Practice research, a new terminology. Writing in Education(79) pp. 48–49.

Neale, Derek (2019). Introduction. Writing in Practice, 5

Neale, Derek (2020). 'Last' scenes: Experiments with the poetic and phatic, gender and genre. Liminalities: the journal of performance studies, 16(4)

Neale, Derek (2020). Introduction. Writing in Practice: the journal of creative writing research, 6

Olney, Tom; Walker, Steve; Wood, Carlton and Clarke, Anactoria (2021). Are We Living in LA (P)LA Land? Reporting on the Practice of 30 STEM Tutors in Their Use of a Learning Analytics Implementation at The Open University. Journal of Learning Analytics, 8(3) pp. 45–59.

Owens, W. R. (1986). The date of Bunyan's "Treatise of Antichrist". The Seventeenth Century, 1(2) pp. 153–157.

Owens, W. R. and Furbank, P. N. (1986). Defoe and the Dutch Alliance: some attributions examined. British Journal for Eighteenth-Century Studies, 9(1) pp. 169–182.

Owens, W. R. and Furbank, P. N. (1986). Defoe and imprisonment for debt: Some attributions reviewed. Review of English Studies, 37(148) pp. 495–502.

Owens, W. R. and Furbank, P. N. (1993). Defoe as secret agent: three unpublished letters. The Scriblerian, 25(2) pp. 145–153.

Owens, W. R. and Furbank, P. N. (1995). Sir Alexander Cumming and Defoe's Mercator. Notes and Queries, 42(4) pp. 454–455.

Owens, W. R. and Furbank, P. N. (1998). New light on John Pierce, Defoe's agent in Scotland. Edinburgh Bibliographical Society Transactions, 6(4) pp. 134–143.

Owens, W.R. and Furbank, P. N. (2002). Stylometry and the Defoe canon: a reply to Irving Rothman. Papers of the Bibliographical Society of America, 96(3) pp. 463–465.

Pacheco, Anita (2006). 'Swearing knaves and believing fools': false swearing in John Crowne's City Politiques. Restoration, 30(2) pp. 21–37.

Pacheco, Anita (2004). Reading Toryism in Aphra Behn's cit-cuckolding comedies. Review of English Studies, 55(222) pp. 690–708.

Pacheco, Anita (2013). '"Little Religion" but "Admirable Morals": Christianity and Honor in Aphra Behn's Oroonoko'. Modern Philology, 111(2) pp. 253–280.

Pacheco, Anita (2014). Festive comedy in the widdow ranter: Behn's clowns and Falstaff. Restoration: Studies in English Literary Culture, 1660-1700, 38(2) pp. 43–61.

Pacheco, Anita (2015). 'Where Lies this Power Divine?': The Representation of Kingship in Aphra Behn's Early Tragicomedies. Journal for Eighteenth-Century Studies, 38(3) pp. 317–334.

Pacheco, Anita (1994). Royalism and Honor in Aphra Behn's Oroonoko. Studies in English Literature 1500-1900, 34(3) pp. 491–506.

Pacheco, Anita (1998). Rape and the female subject in Aphra Behn's The Rover. ELH, 65(2) pp. 323–345.

Parsons, Isabelle (2021). "You just stood there and watched": The Transformative Power of a Woman’s Withholding in Edith Wharton’s Sanctuary. Edith Wharton Review, 37(2) pp. 151–167.

Parsons, Isabelle (2023). Flowers, Champagne, and Amputation in "The Men Who Saved the World," a War Story by Edith Wharton. Edith Wharton Review, 39(2) pp. 128–142.

Pollard, Phyllis; Nasta, Susheila; Guptara, Prabhu; Thieme, John and Hoeppner, Kenneth (1986). African, Caribbean, Indian, Australian, and Canadian literatures in English. The Year's Work in English Studies, 67 pp. 701–775.

Pollard, Phyllis; Nasta, Susheila; Thieme, John; Steele, Charles R. and Guptara, Prabhu S. (1985). African, Caribbean, Australian, Canadian, and Indian Literatures in English. The Year's Work in English Studies, 66 pp. 646–725.

Prescott, Lynda (2021). [Book review] Sarah Wasserman, The Death of Things: Ephemera and the American Novel. Literature & History, 30(1) pp. 97–99.

Prescott, Lynda (2006). Encounters with Conrad: self-experience and narrativity. Life Writing, 3(2) pp. 79–96.

Prescott, Lynda (2004). Autobiography as evasion: Joseph Conrad's 'A Personal Record'. Journal of Modern Literature, 28(1) pp. 177–188.

Prescott, Lynda (2005). Evelyn Waugh, Morris, and the ideal of craftsmanship. Journal of William Morris Studies, XVI(2-3) pp. 80–91.

Prescott, Lynda (2003). The Indian Connection in J.G.Farrell's 'Troubles'. Irish Studies Review, 11(2) pp. 165–173.

Prescott, Lynda (2002). 'Coming to London' in the 1950s. Wasafiri(35) pp. 19–23.

Prescott, Lynda (2008). Pat Barker's Regeneration trilogy: fiction and history. The English Review, 19(2) pp. 17–20.

Prescott, Lynda (2010). How to read a short story. The English Review, 20(4) pp. 32–34.

Prescott, Lynda (2012). Life writing and life-learning: an analysis of creative writing students' work. Studies in Continuing Education, 34(2) pp. 145–147.

Prescott, Lynda (2013). ‘Hard Times and history’. The English Review, 23(4) pp. 6–9.

Prescott, Lynda (2016). Using collaboration to foster academic integrity. Open Learning: The Journal of Open and Distance Learning, 31(2) pp. 152–162.

Reardon, Joanne (2020). Ekphrasis in Still Life with Black Birds: Finding a new space - art and prose in collaboration. Writing in Practice, 6 pp. 40–52.

Richardson, Heather (2023). Stitching a Divided City. TEXTILE: Cloth and Culture, 21(1) pp. 90–95.

Richardson, Heather (2022). 'The Mermaid's Curse': Case Study of a Multimodal Work-in-Progress. Writing in Practice, 7 pp. 18–29.

Richardson, Heather (2011). The plot thickens. Writing in Education(53) pp. 26–29.

Richardson, Heather (2012). ‘Texts of Poetics’ and historical fiction: authors’ critical reflections on their work. Writing in Education(56) pp. 34–37.

Richardson, Heather (2014). Sparta. Incubator Journal(3) pp. 18–25.

Richardson, Heather (2015). Waving at soldiers. European Journal of Life Writing, 4 C7-C18.

Richardson, Heather (2017). This is not a memoir: case study of a memoir-in-progress. New Writing: The International Journal For the Practice and Theory of Creative Writing, 14(2) pp. 160–166.

Richardson, Heather (2018). A dress for Kathleen. Review of Irish Studies in Europe, 2(1) pp. 279–294.

Robson, James and Lloyd, Mair E. (2018). A Survey of Beginner's Language Teaching in UK Classics Departments: Ancient Greek. Council of University Classical Departments Bulletin, 47

Rodgers, Michael (2011). Lolita's Nietzchean Morality. Philosophy and Literature, 35(1) pp. 104–120.

Rodgers, Michael (2012). Relationships of Ownership: Art and Theft in Bob Dylan's 1960s Trilogy. Imaginations: Journal of Cross-Cultural Image Studies, 3(1) pp. 17–29.

Rodgers, Michael (2015). A Theory of Genre Formation in the Twentieth Century. CLCWeb: Comparative Literature and Culture, 17(4), article no. 2.

Shi, Lijing; Stickler, Ursula and Lloyd, Mair E. (2017). The Interplay between attention, experience and skills in online language teaching. Language Learning in Higher Education. Journal of the European Confederation of Language Centres in Higher Education (CercleS), 7(1) pp. 205–238.

Simpson, Ormond and Asbee, Sue (1998). Partners, Families and Friends: Student support of the closest kind. Open Learning, 13(3) pp. 56–59.

Simpson, Ormond; Asbee, Sue and Woodall, Sue (1999). Student-student mentoring in distance education. Journal of Access and Credit Studies, 2(2) pp. 220–232.

Stewart, Lindsey (2019). ‘A New and Fierce Disorder’s Raging’: Monomania in Mary Barton (1848). Journal of Victorian Culture, 24(4) pp. 492–506.

Sullivan, Emma (2024). [Book Review] Stand-up Comedy and Contemporary Feminisms, Sexism, Stereotypes and Structural Inequalities, by Ellie Tomsett. London: Bloomsbury, 2023, 261 pp. Comedy Studies (early access).

Sullivan, Emma (2024). Tim Renkow’s Jerk: Cringe Comedy, Disability and Political Correctness. Open Library of Humanities, 10(2)

Taylor, Clare and Richardson, Heather (2021). The Creative Interactions Project. Writing in Education, 84 pp. 58–62.

Tickell, Alex (2021). Han Suyin’s Cold War fictions: Life-writing, intimacy, and decolonization. Journal of Postcolonial Writing, 57(2) pp. 241–254.

Tickell, Alex (2023). The Work of Art in the Age of Transnational Reproduction: Form and Intertextuality in Xiaolu Guo’s A Concise Chinese-English Dictionary for Lovers and A Lover’s Discourse. Studies in the Novel, 55(1) pp. 76–92.

Tickell, Alex (2024). [Book review] Dominic Davies, The broken promise of infrastructure. London, Lawrence Wishart, 2023. Journal of Postcolonial Writing (Early access).

Tickell, Alex (2009). Cawnpore, Kipling and Charivari: 1857 and the politics of commemoration. Literature and History, 18(2) pp. 1–19.

Tickell, Alex (2009). Kipling's famine-romance: masculinity, gender and colonial biopolitics in “William the Conqueror”. Journal of Postcolonial Writing, 45(3) pp. 251–263.

Tickell, Alex (2003). The God of Small Things: Arundhati Roy's Postcolonial Cosmopolitanism. Journal of Commonwealth Literature, 38(1) pp. 73–89.

Tickell, Alex (2001). Footprints on the Beach: Traces of Colonial Adventure in Narratives of Independent Tourism. Postcolonial Studies, 4(1) pp. 39–54.

Tickell, Alex (2005). Writing the nation's destiny: Indian fiction in English before 1910. Third World Quarterly, 26(3) pp. 525–541.

Tickell, Alex (2003). Terrorism and the Informative Romance: Two Early South-Asian Novels in English. Kunapipi, 25(1) pp. 73–82.

Tickell, Alex (2004). Negotiating the landscape: travel, transaction and the mapping of colonial India. Yearbook of English Studies, 34 pp. 18–30.

Tickell, Alex (2001). "How many Pakistans?" questions of space and identity in the writing of partition. Ariel: A Review of International English Literature, 32(3) pp. 155–179.

Tickell, Alex (2000). The road less travelled: Pather Panchali in translation. Journal of Commonwealth Literature, 35(1) pp. 147–162.

Tickell, Alex (2013). The Perils of Certain English Prisoners: Charles Dickens, Wilkie Collins and the limits of colonial government. Nineteenth-Century Literature, 67(4) pp. 457–489.

Tickell, Alex (2013). Review Essay: 'Elementary My Dear Hameed': Postcolonial Crime Fiction; Nels Pearson and Marc Singer, ed Detective Fiction in a Postcolonial and Transnational World; Ibne Safi The Laughing Corpse; Ibne Safi Dr Dread; M C Dutton The Singhing Detective. Wasafiri(75) pp. 73–76.

Tickell, Alex (2015). An Interview with Manju Kapur. Journal of Postcolonial Writing, 51(3) pp. 340–350.

Tickell, Alex (2018). Writing in the Necropolis: Arundhati Roy's The Ministry of Utmost Happiness. Moving Worlds: A Journal of Transcultural Studies, 18(1) pp. 100–112.

Tickell, Alex (2020). Postcolonial Fiction and the Question of Influence: Arundhati Roy, The God of Small Things and Rumer Godden. Postcolonial Text, 15(1)

Tickell, Alex and Ranasinha, Ruvani (2018). Delhi: New writings on the megacity. Journal of Postcolonial Writing, 54(3) pp. 297–306.

Towheed, Shafquat (2006). The Creative Evolution of Scientific Paradigms: Vernon Lee and the Debate over the Hereditary Transmission of Acquired Characters. Victorian Studies, 49(1) pp. 33–61.

Towheed, Shafquat (2007). Geneva v. Saint Petersburg: Two Concepts of Literary Property and the Material Lives of Books in Under Western Eyes. Book History, 10 pp. 169–191.

Towheed, Shafquat (2005). Determining 'Fluctuating Opinions': Vernon Lee, Popular Fiction, and Theories of Reading. Nineteenth-Century Literature, 60(2) pp. 199–236.

Towheed, Shafquat (2005). “An appreciative and grateful author”: Edith Wharton and the House of Macmillan. Publishing History, 58 pp. 43–77.

Towheed, Shafquat (2005). Rudyard Kipling's Literary Property, International Copyright Law and The Naulahka. English Literature in Transition, 1880-1920, 48(4) pp. 420–435.

Towheed, Shafquat (2009). Reading History and Nation: Robert Louis Stevenson's Reading of William Forbes-Mitchell's Reminiscences of the Great Mutiny 1857-9. Nineteenth-Century Contexts, 31(1) pp. 3–17.

Towheed, Shafquat (2010). Reading in the digital archive. Journal of Victorian Culture, 15(1) pp. 139–143.

Towheed, Shafquat (2010). ‘Music is not merely for musicians’: Vernon Lee's musical reading and response. Yearbook of English Studies, 40(1-2) pp. 273–294.

Towheed, Shafquat (2011). Locating the reader, or what do we do with the man in the hat? Methodological perspectives and evidence from the United Kingdom Reading Experience Database, 1450-1945 (UK RED). Primerjalna knizevnost (Comparative Literature), 34(2) pp. 173–186.

Towheed, Shafquat (2012). South Asian writing between the wars: publishers, reviewers, readers. Wasafiri, 27(2) pp. 80–82.

Towheed, Shafquat (2018). [Book Review] Alaistair Fowler, The Mind of the Book: Pictorial Title Pages. The Spenser Review, 48(2), article no. 3.

Towheed, Shafquat; Benatti, Francesca and King, Edmund G. C. (2015). Readers and Reading in the First World War. Yearbook of English Studies, 45 pp. 239–261.

Wadowski, Andrew; Hadfield, Andrew and Brown, Richard Danson (2024). "Bad Intro": Letter from the Editors. The Spenser Review, 54(1)

Wakefield, Donna; McEvoy, Mel; Blackburn-Daniels, Sally and Campbell, Siobhan (2023). Tackling the NHS mental health crisis of working through the COVID-19 pandemic; pilot creative writing programme has potential to support wellbeing of recovering healthcare workers. Journal of the Royal College of Physicians of Edinburgh, 53(1) pp. 81–82.

Walder, Dennis (2002). 'The fitful muse': Fugard's plays of memory. The European Legacy, 7(6) pp. 697–708.

Walder, Dennis (2003). ‘How is it going, Mr Naipaul?’ Identity, Memory and the Ethics of Post-Colonial Literatures. Journal of Commonwealth Literature, 38(3) pp. 5–18.

Walder, Dennis (2005). Remembering Rousseau: nostalgia and the responsibilities of the self. Third World Quarterly, 26(3) pp. 423–430.

Walder, Dennis (2005). A grand boyhood. EnterText: an interdisciplinary humanities e-journal, 4(2) pp. 163–176.

Walder, Dennis (2007). Decolonizing the (distance) curriculum. Arts and Humanities in Higher Education, 6(2) pp. 187–196.

Walder, Dennis (2008). "Alone in a landscape": Lessing's African stories remembered. Journal of Commonwealth Literature, 43(2) pp. 99–115.

Walder, Dennis (2009). Writing, representation, and postcolonial nostalgia. Textual Practice, 23(6) pp. 935–946.

Walder, Dennis (2011). "There is no first reading": (re)-reading nineteenth-century realist novels and their critics. Synthesis, 3 pp. 55–68.

Walder, Dennis (2013). Hysterical nostalgia in the postcolony: from Coming Home to District 9. Consumption Markets & Culture, 17(2) pp. 143–157.

Walder, Dennis (2014). Remembering trauma: Fugard's The Train Driver. South African Theatre Journal, 27(1) pp. 32–47.

Walder, Dennis (2016). Bart Moore-Gilbert (1952-2015). The Journal of Commonwealth Literature, 51(1) pp. 182–185.

Walder, Dennis (2015). Editorial. Journal of Southern African Studies, 41(6) pp. 1147–1150.

Walder, Dennis (2016). Editorial. Journal of Southern African Studies, 42(6) pp. 1027–1031.

Walker, Steve; Olney, Tom; Wood, Carlton; Clarke, Anactoria and Dunworth, Moira (2019). How do tutors use data to support their students? Open Learning: The Journal of Open, Distance and e-Learning, 34(1) pp. 118–133.

Watson, N. J. (2012). Afterword: ‘Dear Shakespeare-land’: investing in Stratford. Critical Survey, 24(2) pp. 88–98.

Watson, Nicola (2010). Lady of the Lake Colloquium: The Trossachs: 23rd May 2010. Edinburgh Sir Walter Scott Club Annual Bulletin, MMX pp. 48–51.

Watson, Nicola (2011). Fandom mapped: Rousseau, Scott and Byron on the itinerary of Lady Frances Shelley. Romantic Circles Praxis Series: Romantic Fandom, article no. , article 2.

Watson, Nicola J. (2018). [Book Review] Transatlantic Literature and Author Love in the Nineteenth Century, edited by Paul Westover and Ann Wierda Rowland. Victorian Studies, 60(4) pp. 666–668.

Watson, Nicola J. (2020). Afterword. Nineteenth-Century Contexts, 42(4) pp. 467–471.

Wetherilt, Anne (2021). Emergency politics and the middlebrow novel: A comparative analysis of Han Suyin’s … and the Rain my Drink and Mary McMinnies’s The Flying Fox. Journal of Postcolonial Writing, 57(2) pp. 255–268.

Wood, Carlton; Cook, Lynda and Clarke, Anactoria (2024). Supporting students effectively in an online teaching environment at the beginning of their student journey. Widening Participation and Lifelong Learning, 26(2) pp. 115–137.

Wright, Patrick (2021). The Ethics of Life Writing: Full Sight of Her. Writing in Education(83) pp. 73–75.

Wright, Patrick (2023). Making Use of Reproductions for Creative Writing at a Distance. Writing in Education(89) pp. 49–52.

Wright, P. (2017). Empathising with bog bodies: Seamus Heaney and the feminine sublime. Brief Encounters, 1(1)

Wright, P. (2020). 'Sunlit now, we see the devastation': Apocalyptic Themes in Michael Symmons Roberts' Drysalter. Brief Encounters, 1(4) pp. 101–109.

Wright, Patrick (2008). Coleridge’s Translucence: A Failed Transcendence? Romanticism and Victorianism on the Net(50)

Wright, Patrick (2010). A Timeless Sublime? reading the feminine sublime in the discourse of the sacred. Angelaki, 15(2) pp. 85–100.

Wright, Patrick (2009). Marguerite Porete's Mirror of Simple Souls and the Subject of Annihilation. Mystics Quarterly, 35(3/4) pp. 63–98.

Wright, Patrick (2017). Ekphrasis in Response to the Non-Figurative Image. Axon: Creative Explorations, 7(2)

Wright, Patrick (2018). Seeing flatly: Towards a New Approach to Ekphrasis. Writing in Education(77) pp. 44–50.

Ziegler, Molly (2021). ‘For Fear to Be Infect’: Reading the Female Body in Early Modern Revenge Drama. Journal of Early Modern Studies, 10 pp. 249–268.

Ziegler, Molly (2022). [Book review]: Sandra Young, Shakespeare in the Global South: Stories of Oceans Crossed in Contemporary Adaptation. Scottish Journal of Performance, 7(1) pp. 99–103.

Conference or Workshop ItemTo Top

Antonini, Alessio and Benatti, Francesca (2022). Cultural Challenges of DH Reflecting on DH Waves. In: Digital Humanities Congress 2022, 8-11 Sep 2022, Sheffield, UK.

Antonini, Alessio; Benatti, Francesca and Blackburn-Daniels, Sally (2020). On Links To Be: Exercises in Style #2. In: 31st ACM Conference on Hypertext and Social Media (HT’20), 13-15 Jul 2020, Online, pp. 27–36.

Antonini, Alessio; Benatti, Francesca; Watson, Nicola; King, Edmund and Gibson, Jonathan (2021). Death and Transmediations: Manuscripts in the Age of Hypertext. In: HT '21: Proceedings of the 32nd ACM Conference on Hypertext and Social Media, Association for Computing Machinery, New York, NY, USA, pp. 17–26.

Antonini, Alessio; Bushnell, Megan; Ohge, Christopher; Benatti, Francesca; Adamou, Alessandro and Brooker, Sam (2023). Hypertext as Method: Reflections on Hypertext as Design Logic. In: HT '23: Proceedings of the 34th ACM Conference on Hypertext and Social Media, ACM, article no. 45.

Antonini, Alessio and Benatti, Francesca (2020). *ing the Written Word: Digital Humanities Methods for Book History. In: SHARP 2020: Power of the Written Word, 11-15 Jul 2020, Amsterdam.

Antonini, Alessio; Benatti, Francesca and King, Edmund (2020). Restoration and Repurposing of DH legacy projects: the UK-RED case. In: Book of Abstracts of DH2020.

Antonini, Alessio; Benatti, Francesca; King, Edmund; François, Vignale and Guillaume, Gravier (2019). Modelling Changes in Diaries, Correspondence and Authors’ Libraries to support research on reading: the READ-IT approach. In: Open Data and Ontologies for Cultural Heritage (ODOCH'19), 3 - Jun -2019, Rome, Italy.

Antonini, Alessio; Brooker, Sam and Benatti, Francesca (2020). Circuits, Cycles, Configurations: an Interaction Model of Web Comics. In: The 13th International Conference on Interactive Digital Storytelling, 3-6 Nov 2020, Bournemouth, UK.

Benatti, Francesca and Antonini, Alessio (2021). Into the Macroscope: Systematic integration of micro- and macro-scale study of digital reading. In: The 17th IGEL Conference, 23 Jun - 26 Jun 2021, University of Liverpool (Remote).

Benatti, Francesca; Berube, Linda and Priego, Ernesto (2023). Web/Comics 2023: Webcomics and/as Hypertext. In: HT '23: Proceedings of the 34th ACM Conference on Hypertext and Social Media, ACM, article no. 49.

Benatti, Francesca; Berube, Linda and Priego, Ernesto (2024). Webcomics 2024: Creativity in Small Spaces [Web/Comics]. In: Proceedings of the 35th ACM Conference on Hypertext and Social Media, ACM, 4 pp. 386–387.

Benatti, Francesca; Norrick-Rühl, Corinna and Antonini, Alessio (2021). Reading Popular Culture Offline and Online: Outlining a Comparative Study of Reading Experiences Between Webcomics and Twenty-First Century Book Club Choices. In: 2nd International Conference of the European Association for Digital Humanities, 21-25 Sep 2021, Russia.

Benatti, Francesca; Towheed, Shafquat; Blackburn-Daniels, Sally and Antonini, Alessio (2024). @TellMeWhatUReadingbot: the Multi-modal Strategy of the READ-IT Project for Collecting Experiences of Reading. In: Proceedings of the 35th ACM Conference on Hypertext and Social Media, HT '24, Association for Computing Machinery, New York, NY, USA, pp. 217–222.

Benatti, Francesca; Gooding, Paul and Sillence, Matthew (2019). Developing a Community of Practice: The CHASE Model for Digital Humanities Researcher Training. In: Digital Humanities Conference 2019: Complexities, 9-12 Jul 2019, Utrecht, the Netherlands.

Benatti, Francesca and King, David (2016). In Search of the Voice of the Edinburgh Review. In: Romantic Voices, 22-23 Jun 2016, The Oxford Research Centre in the Humanities, Oxford, UK, British Association for Romantic Studies.

Benatti, Francesca and King, David (2016). A Question of Style: individual voices and corporate identity in the Edinburgh Review, 1814-1820. In: Digital Humanities Congress 2016, 8-10 Sep 2016, University of Sheffield, UK.

Benatti, Francesca and King, David (2017). A Question of Style: individual voices and corporate identity in the Edinburgh Review, 1814-1820. In: 49th Annual Conference of The Research Society for Victorian Periodicals: Borders and Border Crossings, 27-29 Jul 2017, University of Freiburg, Germany.

Benatti, Francesca and King, David (2018). One Year After. A Question of Style: individual voices and corporate identity in the Edinburgh Review, 1814-1820. In: RSVP/VSAWC 2018 The Body and the Page in Victorian Culture, 26-28 Jul 2018, University of Victoria, British Columbia, Canada.

Benatti, Francesca and King, David (2017). Algorithmic criticism, Distant Reading and the Edinburgh Review. In: BARS (British Association for Romantic Studies) 2017 Romantic Improvement, 27-30 Jul 2017, University of York, UK.

Benatti, Francesca and King, David (2017). Hidden Authors and Reading Machines: Investigating 19th-century authorship with 21st-century technologies. In: SHARP 2017: Technologies of the book, 9-12 Jul 2017, University of Victoria, Canada.

Benatti, Francesca and King, David (2017). A Question of Style: individual voices and corporate identity in the Edinburgh Review, 1814-1820. In: DHSI 2017 Colloquium, 6-15 Jun 2017, University of Victoria, Canada.

Benatti, Francesca and King, David (2018). A Question of Style: corpus building and stylistic analysis of the Edinburgh Review and Quarterly Review, 1814-1820. In: DHC (Digital Humanities Congress) 2018, 06-08 Sep 2018, University of Sheffield.

Brooker, Sam; Antonini, Alessio; Benatti, Francesca and Ohge, Christopher (2022). Missed Connections: Hypertext and Book History. In: DH+BH: An Interdisciplinary Conference on Digital Humanities and Book History, 22-24 Sep 2022, Virtual.

Haslam, Sara (2022). Biography of a wartime 'miracle': women's literary caregiving 1914 to 1918. In: 3rd Joint GOTH-Health & Wellbeing NetWorkshop, 3 Feb 2022, Online.

Haslam, Sara (2023). A New Era: Magic, Meaning, Memory and Modernism in Ford Madox Ford's Letters. In: Ford Madox Ford: at the dawn of an era, 9-10 Nov 2023, School of Arts and Humanities, University of Lisbon.

Haslam, Sara (2002). 'These fragments I have shored against my ruins': Memory and Modernism. In: Modernism and the Individual Talent: Re-Canonizing Ford Madox Ford, 25-27 Jun 1999, Munster, Westphalia, Germany.

Hogan, Edward (2023). ‘Becky and the Rockettes: Attrition, Affect(ion), and (Ex)Change in the Fieldwork Relationship by Hannah Hernandez Gould, Independent Academic.’. In: European Network of Short Fiction Research Conference, Landscape and Temporality, 23-25 Oct 2023, University of Manchester, Machester, UK.

Katritzky, M. A. (2014). “A plague o’ these pickle herring”: from London drinkers to European stage clown. In: Renaissance Shakespeare/Shakespeare Renaissances: Proceedings of the Ninth World Shakespeare Congress, World Shakespeare Congress Proceedings, University of Delaware Press; copublished with Rowman & Littlefield, pp. 159–168.

King, David and Benatti, Francesca (2018). A (Data) Tale Of Two Faculties. In: Data Conversations, 26 Nov 2018, The Open University, UK.

King, Edmund (2009). Lewis Theobald, Double Falshood, and the 1733 Works of Shakespeare. In: International Cardenio Colloquium, 22-24 May 2009, Victoria University of Wellington, New Zealand.

King, Edmund (2008). Jacob’s Sons in the South Pacific: The Geoeschatology of Edwin Fairburn’s "Ships of Tarshish". In: Flogging a Dead Horse: Are National Literatures Finished? A Stout Research Centre in the Humanities Conference, 10-13 Dec 2008, Victoria University of Wellington, New Zealand.

King, Edmund (2008). The Shakespearean Book in the Colonial Antipodes: The Case of Alexander Turnbull. In: Bibliographical Society of Australia and New Zealand Conference, 2008, 2-3 Oct 2008, University of Sydney, Australia.

King, Edmund (2008). "Fragments minutely broken": text, paratext, and authorship in the eighteenth-century Shakespeare edition. In: Australia and New Zealand Shakespeare Association Conference, 2008, 6-9 Feb 2008, University of Otago, Dunedin, New Zealand.

King, Edmund (2011). A captive audience? The reading lives of Australian prisoners of war, 1914–18. In: Open University Book History and Bibliography Research Group Seminars: Reading and the First World War, 12 Feb 2011, London, UK.

King, Edmund (2011). Reading the Great War through Wilfrid Scawen Blunt: J. A. Fallows, MA, and His Copy of My Diaries, 1900–1914. In: Society for the History of Authorship, Reading and Publishing Regional Conference, 28-30 Apr 2011, University of Queensland, Brisbane, Australia.

King, Edmund C. G. (2011). Man of science, man of religion: the reading of a medical missionary in Uganda, 1896-1918. In: SHARP 2011: The Book in Art and Science, 14-17 Jul 2011, Washington, D.C., USA.

McPherson, Elaine; Clarke, Anactoria; Gallen, Anne-Marie; Keys, Mary and Wolf, Petra (2022). Improving gender balance through a Combined STEM degree. In: 15th Annual International Conference of Education, Research and Innovation, 7-9 Nov 2022, Seville, Spain.

Naja, Iman; Divin, Natalie; Coward, Sarah; Campbell, Siobhan; Benatti, Francesca and Antonini, Alessio (2024). Conversational Media for Inclusive Access to Mental Health Interventions for Schoolchildren. In: Proceedings of the 35th ACM Conference on Hypertext and Social Media, Association for Computing Machinery, New York, NY, USA, pp. 29–34.

Rienties, Bart; Boroowa, Avinash; Cross, Simon; Farrington-Flint, Lee; Herodotou, Christothea; Prescott, Lynda; Mayles, Kevin; Olney, Tom; Toetenel, Lisette and Woodthorpe, John (2016). Reviewing three case-studies of learning analytics interventions at the open university UK. In: Proceedings of the Sixth International Conference on Learning Analytics & Knowledge, ACM International Conference Proceeding Series, ACM, New York, pp. 534–535.

Thomas, Rhodri and Spencer, Clare (2017). Online Rooms. In: All‐Wales AL Staff Development Event (Aling, Kim ed.), 16-17 Jun 2017, Cardiff.

Towheed, Shafquat; Antonini, Alessio; Benatti, Francesca and Brooker, Sam (2022). Reading Transmedia: Re-contextualising the Written Word in Popular Web-native Genres. In: SHARP 2022 – Power of the Written Word, 11-15 Jul 2022, Amsterdam, NL.

Vignale, François; Benatti, Francesca and Antonini, Alessio (2019). Reading in Europe - Challenge and Case Studies of READ-IT Project. In: Digital Humanities Conference 2019, 9-12 Jul 2019, Utrecht, Netherland.

Wright, Patrick (2023). Form, formlessness and the lyric: Art as a lens for re-presenting loss. In: Great Writing Conference, 15-16 Jul 2023, University College London.

Wright, Patrick (2023). Making use of digital technologies for creative writing in lockdown. In: National Association of Writers in Education Conference: Living as a Writer, 12-13 Mar 2023, Online.

Wright, Patrick (2022). Exploded form: Cornelia Parker's Cold Dark Matter. In: Contemporary Cultures of Writing, 15 Nov 2022, Online.

Wright, Patrick (2021). Ethics in life writing. In: National Association of Writers in Education Conference: What Next? Writing in Education and Communities in 2021 and Beyond, 12-13 Mar 2021, Online.

Wright, Patrick (2018). Seeing like a Martian: Ekphrasis with evenly-hovering attention. In: National Association of Writers in Education Conference, 09-11 Nov 2018, York.

Wright, Patrick (2019). A hybrid form? The ekphrastic prose poem. In: Prose Poetry Symposium, 13 Jul 2019, Leeds Trinity University.

Wright, Patrick (2019). Seeing Darkly: Ekphrasis of the formless or with impaired vision. In: Great Writing Conference, 06-07 Jul 2019, Imperial College London.

Wright, Patrick (2019). Not trusting our eyes: The ekphrasis of abstract and monochromatic painting. In: 2019 AHRC DTP Conference on Trust and Truth, 18-20 Sep 2019, University of Cambridge.

Wright, Patrick (2020). Between the margins: Formless painting and the ekphrastic prose poem. In: 5th Cambridge Arts and Humanities Research Council DTP International Conference, 21-22 Sep 2020, Online.

ThesisTo Top

Agboluaje, Oladipo (2003). Constructions of Identity in Contemporary African Drama: A Comparative Study of Wole Soyinka and Zakes Mda. PhD thesis The Open University.

Allington, Beata (2011). An Analysis of English Philology Undergraduates' Compulsory Literature Reading Experiences at Polish Universities. MRes thesis The Open University.

Austin, Stephen William (1988). The organic text : the process of developing scripts for theatrical presentation from improvisation. The Open University.

Baldwin, Adam (2024). New World Orders: The Scientific Romances of George Griffith. PhD thesis The Open University.

Bankes, Sophie (2014). James Lackington (1746-1815) and reading in the late eighteenth century. PhD thesis The Open University.

Bejjit, Nourdin (2009). The Publishing of African literature: Chinua Achebe, Ngugi wa Thiong'o and the Heinemann African Writers Series 1962 - 1988. PhD thesis The Open University.

Bownas, Jane Lesley (2010). Thomas Hardy and Empire: Colonisers and the Colonised in the Works of Thomas Hardy. PhD thesis The Open University.

Boyles, Helen Margaret (2012). Wordsworth, Wesley, Hazlitt, and the embarrassment of enthusiasm. PhD thesis The Open University.

Bramwell, Peter (2011). Aspects of contemporary paganism in modern children's fiction. PhD thesis The Open University.

Bridgeman, Pamela Anne (1991). Dionysus, Pan and Hermes: Greek Myth and Metaphysics in the Work of D.H. Lawrence. MPhil thesis The Open University.

Bullock, Emily (2013). The longest fight : a novel. PhD thesis The Open University.

Butler, Sarah (2021). Writing Home: An Exploration of The Writing of Jack and Bet (A Novel) And A Consideration of What the Novel – As A Space and A Practice – Might Offer to Our Understanding of The Concept of Home, And What A Consideration of Home Might Offer to Our Understanding of The Novel. PhD thesis The Open University.

Caperon, John Philip (1980). The Treatment Of Religion In Four Nineteenth-century Novelists: Mrs. Gaskell, George Eliot, Mrs. Olipant and William Hale White. MPhil thesis The Open University.

Chambers, Helen Margaret (2014). Books are an integral part of one's life : an evidence-based investigation of Joseph Conrad's reading. PhD thesis The Open University.

Chambers, Leslie (1995). The Swedenborgian influence on William Blake. PhD thesis The Open University.

Chornik, Katia Marcela (2011). The Role of Music in Selected Novels and Associated Writings of Alejo Carpentier: Primeval Expression, Structural Analogies and Performance. PhD thesis The Open University.

Choroba, Claire Elizabeth (2015). Gardens in the writing of Rumer Godden : a critical examination. PhD thesis The Open University.

Clark, Maria (1981). So soon distinguishable : style and rhetoric in Milton's divorce tracts. The Open University.

Constance-Hughes, Rachel Mary (2004). Some aspects of the provincial newspaper and Bible trade in and around Chepstow, with particular reference to the Clark family, 1855-1904. The Open University.

Cooper, Stephen A (2002). Revolt and orthodoxy in the work of Philip Larkin. The Open University.

Daniel, Alistair (2023). Montreal, a novel and critical commentary exploring voice in fictional autobiography. PhD thesis The Open University.

Davis, Caroline Ruth (2010). Postcolonial literary publishing : Oxford University Press in Africa and the Three Crowns series. PhD thesis The Open University.

De Gay, Jane (1998). Haunted houses: influence and the creative process in Virginia Woolf's novels. PhD thesis The Open University.

de Valk, Eva (2022). Acts of Terror: Representations of Terrorism on the Early Modern Stage. PhD thesis The Open University.

Dell, Marion (2012). Born into a large connection : Virginia Woolf's legacies from three nineteenth-century forebears: Julia Margaret Cameron, Anny Thackeray Ritchie and Julia Prinsep Stephen. PhD thesis The Open University.

Doubt, Jenny Suzanne (2014). Making memory work: Performing and inscribing HIV/AIDS in post-apartheid South Africa. PhD thesis The Open University.

Everington, Shanta (2022). Other Mothers: Curating and Creating Voices of Adoption, Surrogacy and Egg Donation. PhD thesis The Open University.

Eysell, Joanne (2002). A medical companion to Dickens's fiction. The Open University.

Fitton, Christine Ann (1989). From reactive to self-referencing poet : a study of twentieth-century British women's poetry. PhD thesis The Open University.

Forde, Clifford S. (1981). An Examination Of The Uses To Which Time As A Formal Principle Is Employed In Selected Works Of Joseph Conrad, James Joyce, And Virginia Woolf. MPhil thesis The Open University.

Freebury, Richard (2003). Attitudes to literary property, book prices and Anglo-American copyright as reflected in The Bookseller 1858-1891. The Open University.

Goldthorpe, David (1995). Textual instability : the fortunes and misfortunes of Moll Flanders. PhD thesis The Open University.

Golphin, Peter John (2012). "Ephemeral work"? : Louis MacNeice, broadcasting and poetry. PhD thesis The Open University.

Goulden, Jan (1999). The western, the buddy movie and noir : lesbian re-readings of the American action movie. The Open University.

Greaney, Philip John (2006). Less is More: American Short Story Minimalism in Ernest Hemingway, Raymond Carver and Frederick Barthelme. PhD thesis The Open University.

Gwilliams, Fay Lesley (2006). The early fiction of J.G.Farrell as influenced by the writing of Albert Camus, with special reference to L'Étranger. PhD thesis The Open University.

Hammond, Rhona Bobbi (2001). The influence of the classical tradition on the poetry of Derek Walcott. PhD thesis The Open University.

Hanford, Harold Robin (1998). Metaphor in the poetry of Derek Walcott : reflections in the shield of Achilles. PhD thesis The Open University.

Harlow, Nicky (2019). When I am Laid in Earth: a novel, and critical commentary investigating ‘Evocations of the Gothic: Creating “The Great Wrong Place’ and Material Evidence in Contemporary Crime Fiction. PhD thesis The Open University.

Hartley, John Cameron (2020). Lost in Transition: Hugh Walpole 1909-1941. PhD thesis The Open University.

Hendriok, Alexandra Michaela Petra (2000). Myth and identity in twentieth century Irish fiction and film. PhD thesis The Open University.

Herman, Ruth Annette (2000). The business of a woman : the political writings of Delarivier Manley (1667?-1724). PhD thesis The Open University.

Holderness, Graham (1979). Individualism and community in the early work of D.H. Lawrence. The Open University.

Ireland, Philippa Ruth (2011). Material factors affecting the publication of black British fiction. PhD thesis The Open University.

Jones, Clive (2001). The life and prose works of Amelia Opie (1769-1853). PhD thesis The Open University.

Laursen, Ole Birk (2012). Black and Asian British Life Writing: Race, Gender and Representation in Selected Novels From the 1990s. PhD thesis The Open University.

Lee, Richard Brian (2011). Women writing independence, partition and communal violence, 1947-2000. PhD thesis The Open University.

Littlewood, Derek George (1990). The signification of speech and writing in the work of Charles Dickens. PhD thesis The Open University.

Lyne, Anthony R (2002). The travel writings of Lawrence Durrell. BPhil thesis The Open University.

Lynn, Deirdre Mary (2013). "Grace at the Edge of the World", a novel, and 'The Blue Road : memory, imagination, family history and the influence of contemporary Irish fiction in the genesis of a novel'. PhD thesis The Open University.

Malhotra, Shane Gail (2013). Reading between the lines, 1839-1939 : popular narratives of the Afghan frontier. PhD thesis The Open University.

Manning, Toby (2015). "No-Men in This No-Man's Land": British State, Nation and Political Enemy in John le Carré's 1960s and 1970s Cold-War Novels. PhD thesis The Open University.

Marmion, Edward Geoffrey (1992). Ernest Hemingway; the early years (until 1931) : the development of a style and the emergence of themes. BPhil thesis The Open University.

Mathies, Susanne (2019). The Simulated Self - Fiction Reading and Narrative Identity. PhD thesis The Open University.

McDonald, Jeremy (2015). Masculinity, modernist form and the ends of Empire in Virginia's Woolf's fiction. PhD thesis The Open University.

Milligan, Don (2003). The aesthetic of emancipation : a study of the relation between Raymond Williams's socialism and his literary criticism, cultural analysis and theoretical writings. The Open University.

Millum, Trevor (1993). Tramps and their Excuses: A Study of the Writing of Travellers in Borneo in the 19th and 20th Centuries. MPhil thesis The Open University.

Mkinsi, Mourad (2001). Constructing Thatcherite man : political and literary discourse on an ideal subject. PhD thesis The Open University.

Montebello, Sophie (2024). The Representation and Self-Representation of Anglo-Indians in Literature from 1885 to the Present Day. PhD thesis The Open University.

Norman, Brian (1999). The Influence of Switzerland on the Life and Writings of Edward Gibbon. PhD thesis The Open University.

Owens, W. R. (1983). A critical edition of John Bunyan's posthumously published treatise Of Antichrist, and His Ruine (1692). PhD thesis The Open University.

Parsons, Isabelle (2021). Secrets and Silence: Withholding Women in the Works of Edith Wharton. PhD thesis The Open University.

Pierce, David (1987). Towers of accommodation : a joint-study of Yeats and Joyce as Irish writers. PhD thesis The Open University.

Piper, Jennifer Ann (2007). White, Carey and Nolan : national myth in Australian literature and painting. PhD thesis The Open University.

Prescott, Lynda (1990). Reading V.S. Naipaul : fiction and history 1967-1987. PhD thesis The Open University.

Richardson, Heather Evelyn (2014). Freethinkers, a novel, and 'Inventing history: how do research, imagination and memory fuse creatively in the writing of an historical novel?'. PhD thesis The Open University.

Rowanchild, Anira (2000). 'My mind on paper': Anne Lister and literary self-construction in early-nineteenth-century Halifax. PhD thesis The Open University.

Sabin, Roger (2002). Comics and graphic novels : their history and cultural context. PhD thesis The Open University.

Saunders, Christopher (2002). The definition of Edward Thomas : the poetry of identity. The Open University.

Scott, Rosemary (1992). Poetry and piety : the role of verse in mid-Victorian Sunday reading. PhD thesis The Open University.

Sennitt-Clough, Elisabeth Florence (2010). Diasporic identities in a changing society : a comparative analysis of David Arnason's and Michael Ondaatje's poetry and fiction. PhD thesis The Open University.

Shaw, Tony (2007). The Work of Lionel Britton. PhD thesis The Open University.

Sherwood, Marion Frances (2011). Tennyson and the Fabrication of Englishness. PhD thesis The Open University.

Sinha, Pooja (2014). Contemporary Indian English genre fiction: conventions and contexts in the marketplace. PhD thesis The Open University.

Sobotta, Monika (2020). The Reception of Katherine Mansfield in Germany. PhD thesis The Open University.

Stevens, David John (1986). Thomas Traherne's "Centuries of meditations": the Quality of Liberation. MPhil thesis The Open University.

Stewart, Lindsey (2018). Monomania: The Life and Death of a Psychiatric Idea in Nineteenth-Century Fiction 1836-1860. PhD thesis The Open University.

Stroud, Brenda Diane (2012). Charlotte Smith: Political Novelist. PhD thesis The Open University.

Sumner, Rosemary (1978). Analysis and Innovation in the Novels of Thomas Hardy. PhD thesis The Open University.

Sweeney, Emma (2015). The waifs and strays of Sea View Lodge, a novel, and If I could read your mind: how fiction can give voice to the unrecorded lives of those with profound learning disabilities [Critical Commentary only]. PhD thesis The Open University.

Tait, Adrian Geoffrey (2010). From Wessex Poems to Time's Laughingstocks : An eco-critical approach to the poetry of Thomas Hardy. PhD thesis The Open University.

Tarling, Barbara Frances (2010). Representations of the American War of Independence in the late eighteenth-century English novel. PhD thesis The Open University.

Taylor, James Lee (2018). Shakespeare, Decolonisation, and the Cold War. PhD thesis The Open University.

Tennant, Roger (1975). Form and Philosophy in the Fiction of Joseph Conrad. PhD thesis The Open University.

Toeman, Rosemary (1986). A grammar of radio drama. The Open University.

Topsfield, Valerie (1983). Samuel Beckett, "comedian of the impasse" : development of the humour in the early and middle works, 1930-1960. The Open University.

Vickers, Ilse Renate (1988). The influence of the new sciences on Daniel Defoe's habit of mind and literary method. PhD thesis The Open University.

Watt, Julie Margaret (1988). Take the High Road : a casestudy of Scottish Television's continuous drama serial, based on participoant observation and textual analysis, to assertain the function of its classic realist form in terms of audience response. . PhD thesis The Open University.

West-Burnham, Jocelyn (2001). Victorian religion and its influence on women writers: a study of four women: Grace Aguilar, Harriet Martineau, George Eliot and Mary Kingsley. PhD thesis The Open University.

Wright, Patrick (2023). Exit Strategy : Ekphrasis Through The Lens Of The Abstract And The Formless. PhD thesis The Open University.

Wright, Patrick (2007). Rapturous Visions: Mysticism, the Sublime, and the Discourse of Sacrifice. PhD thesis University of Manchester.

Scholarly EditionTo Top

Owens, W., ed. Grace Abounding to the Chief of Sinners. By John Bunyan (1666). Harmondsworth, Penguin Books (1987).

Owens, W. R., ed. The Miscellaneous Works of John Bunyan: Volume XII. By John Bunyan . Oxford, Clarendon Press (1994).

Owens, W. R., ed. The Miscellaneous Works of John Bunyan, Vol.13. By John Bunyan (1692). Oxford, Clarendon Press (1994).

Towheed, Shafquat, ed. The Sign of Four. By Arthur Conan Doyle (1890). Peterborough, Ontario, Canada, Broadview Press (2010).

Furbank, P. N.; Owens, W. R. and Coulson, A. J., eds. A Tour Through the Whole Island of Great Britain. By Daniel Defoe (1724). New Haven, Yale University Press (1991).

Furbank, Philip Nicholas and Owens, W. R., eds. The True-Born Englishman and Other Writings. By Daniel Defoe . London, Penguin Books (1997).

Owens, W. R., ed. The true-born Englishman and other poems. By Daniel Defoe . London, Pickering & Chatto (2003).

Owens, W. R., ed. A New Family Instructor. By Daniel Defoe (1727). London, Pickering & Chatto (2006).

Owens, W. R., ed. Daniel Defoe, The Compleat English Gentleman and Of Royal Education. By Daniel Defoe (1729). London, UK, Pickering & Chatto (2007).

Owens, W. R., ed. Daniel Defoe, The Life and Strange Surprizing Adventures of Robinson Crusoe. By Daniel Defoe (1719). London, Pickering & Chatto (2008).

Owens, W. R., ed. Daniel Defoe, The Farther Adventures of Robinson Crusoe. By Daniel Defoe (1719). London, Pickering & Chatto (2007).

Owens, W. R., ed. The Farther Adventures of Robinson Crusoe. By Daniel Defoe (1719). London, Pickering & Chatto (2008).

Haslam, Sara, ed. England and the English. By Madox Ford Ford (1905). Manchester, UK, Carcanet Press (2003).

Watson, Nicola, ed. The Antiquary. By Walter Scott (1816). Oxford, UK, Oxford University Press (2002).

Nasta, Susheila, ed. Introduction. By Sam Selvon (1956). London, UK, Penguin (2006).

Nasta, Susheila, ed. Moses Migrating: A Novel (new edition). By Samuel Selvon (1983). Boulder, Colorado, Lynne Reiner (2009).

OtherTo Top

Benatti, Francesca; Ryder, Sean and Tonra, Justin (2011). The Thomas Moore Archive. Moore Institute, National University of Ireland, Galway.

Brown, Richard Danson; Hadfield, Andrew and Wadowski, Andrew (2024). The Spenser Review, Vol 54, Issue 1. Special Issue: Spenser and Bad Poetry. International Spenser Society.

Brown, Richard Danson (2013). ‘Such ungodly terms’: style, taste, verse satire and epigram in The Dutch Courtesan. In The Dutch Courtesan Project Department of Theatre, Film and Television, University of York, York.

Bullock, Emily (2019). Portfolio of short stories: 2015-2019. (Various Publishers).

Cathcart, Charles (2013). “Passionate Man In His Slight Play”: John Marston’s Prologues And Epilogues. The Dutch Courtesan Project.

Chambers, Helen (2013). ‘“A Sort of Still Uproar”: Conrad’s Reading of Periodicals’. In Donovan, Stephen ed. Conrad First Conrad First, The Joseph Conrad Periodical Archive, Uppsala, Sweden.

Clarke, Anactoria (2019). The Jewel of Seven Stars - Bram Stoker. In The Literary Encyclopaedia The Literary Dictionary Company Limited.

Clarke, Anactoria (2017). Artemidorus. In The Literary Encyclopaedia The Literary Encyclopaedia.

Clarke, Anactoria (2020). [Book Review] ‘Review of Hammond’s ‘Artemidorus: The Interpretation of Dreams’ and Thonemann’s ‘An Ancient Dream Manual: Artemidorus’ The Interpretation of Dreams’. Classics for All.

da Sousa Correa, Delia; Kimber, Gerri and Reid, Susan (2010). Katherine Mansfield Studies 2. In Katherine Mansfield Studies Edinburgh University Press.

da Sousa Correa, Delia; Kimber, Gerri and Reid, Susan (2011). Katherine Mansfield Studies 3: Katherine Mansfield and the Arts. Edinburgh University Press, Edinburgh.

da Sousa Correa, Delia; Kimber, Gerri; Reid, Susan and Walker, Gina (2012). Katherine Mansfield Studies 4: Katherine Mansfield and the Fantastic. Edinburgh University Press, Edinburgh.

Gupta, Suman and Schneider, Ana-Karina (2010). American, British and Canadian Studies. Vol. 14: Special Issue, English Studies in Romania. The Academic Anglophone Society of Romania, Lucian Blaga University, Sibiu, Romania.

Hardie, Liz; Lowe, Jonquil; Pride, Mychelle; Waugh, Kevin; Hauck, Mirjam; Ryan, Francine; Gooch, Daniel; Patent, Volker; McCartney, Kieran; Maguire, Claire; Richards, Mike and Richardson, Heather (2024). Developing robust assessment in the light of Generative AI developments. NCFE; The Open University, Milton Keynes, UK.

Haslam, Sara (2015). Contested Ground: alcohol, attachment, and the hut habit at war. University College, Dublin. Humanities Institute.

Hogan, Edward (2023). Home Work. Manchester International Fiction Prize.

Hogan, Edward (2020). Bright Side. In The Manchester Writing Competition 2020 Manchester Fiction Prize Short List Manchester Metropolitan University, Manchester, UK.

Hogan, Edward (2021). A Guide to Household Infestations. In O'Connor, Rebecca ed. The Moth The Moth, Milltown, IRL.

Katritzky, M. A. (1998). A court festival set in the garden of an Italian villa. Trinity Fine Art, London.

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Research Dataset RecordTo Top

Nasta, Susheila; Ahmed, Rehana; Stadtler, Florian; Mukherjee, Sumita; Boehmer, Elleke and Ranasinha, Ruvani (2010). Making Britain: discover how South Asians shaped the nation, 1870-1950. The Open University.

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