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2025To Top

Murray, Andrew (2025). Speculation. In: Winkenweder, Brian and Tunali, Tijen eds. The Routledge Companion to Marxisms in Art History. Routledge Art History and Visual Studies Companions. Abingdon, UK: Routledge (In Press).

2024To Top

Barnes, A. J. (2024). Revolutionary Heroes in Chinese Propaganda Posters. In: Allison, S. T.; Beggan, J. K. and Goethals, G. R. eds. Encyclopedia of Heroism Studies. Cham: Springer, pp. 1–7.

Carter, Warren (2024). Different Marxist Histories of Art Post-1968: T.J. Clark and O.K. Werckmeister. In: Tunali, Tijen and Winkenweder, Brian eds. The Routledge Companion to Marxisms in Art History. Abingdon: Routledge, (In press).

Crisp, Lindsay Polly (2024). Objects and bodies in Michael Landy's Shelf Life. In: Mohan, Urmila ed. The Efficacy of Intimacy and Belief in Worldmaking Practices. Routledge, pp. 58–72.

Dohmen, Renate (2024). ‘What’s In a Photo?’ Frederick Douglass and Ram Singh II, Maharaj of Jaipur. Or: Lateral Art History and The Postindian Trickster, An Experiment in Method. In: Burns, Emily and Price, Alice M. Rudy eds. Routledge Companion to Art and Empire: Imperialism and Aesthetic Practices. Routledge (In press).

McKellar, Elizabeth (2024). Beyond the Walls: Traversing the Boundaries of Architectural History. In: Arnold, Dana ed. Women and Architectural History: The Monstrous Regiment Then and Now. London, UK: Routledge, pp. 171–186.

Murray, Andrew and Bradshaw, Alan (2024). Could commodities themselves speak? An Introduction to the Agnotology of the Spectacle. Environment and Planning D: Society and Space, 42(2) pp. 275–293.

Taylor, Clare (2024). Old blocks and modern papers: the enduring appeal of eighteenth-century wallpaper patterns. The Wallpaper History Review, 2024 (In press).

Taylor, Clare (2024). Musical instrument covers and their makers in eighteenth and nineteenth century Britain and Ireland. Galpin Society Journal, 77 pp. 138–142.

Taylor, Clare (2024). An authentic material? Gilt leather imitations in late nineteenth-century Britain. In: Post-prints of the 12th Interim Meeting of the ICOM-CC Leather and Related Materials Working Group, Cultural Heritage Agency of the Netherlands.

2023To Top

Barker, Emma (2023). Woman in a Turban: Domenichino’s Sibyl, Staël’s Corinne and the Image of Female Genius. Word and Image, 39(2) pp. 235–259.

Barker, Emma (2023). The Virtuous Widow in Late Eighteenth-Century Art. In: Proceedings of the international conference: Figures of widows in the modern era (17th and 18th centuries): Images of an accepted, hidden, claimed social status? (Fesneau, Florence and Tauziède-Espariat, Maël eds.), Éditions du GRHAM, Paris, pp. 108–123.

Benton, Tim (2023). The painter Le Corbusier; Eileen Gray's villa E1027 and le Cabanon. Berlin: Birkhauser.

Charnley, Kim (2023). Introduction: Emancipatory technique, the Avant-Garde and 'Alter-Realism'. In: Roberts, John ed. Art and Emancipation. Historical Materialism (301). Leiden - Boston: Brill, pp. 1–22.

Fonnesberg-Schmidt, Iben; Kjaer, Lars and Kynan-Wilson, William (2023). In dialogue: responses to papal communication. Journal of Medieval History, 49(3) pp. 291–305.

Murray, Andrew and Van den Maagdenberg, Joannes, eds. Communes and Conflict: Urban Rebellion in Late Medieval Flanders. By Jelle Haemers and Jan Dumolyn (2023). Leiden, Brill (2023).

Kynan-Wilson, William (2023). Master Gregory [Magister Gregorius]. In Oxford Dictionary of National Biography Oxford Dictionary of National Biography, Oxford University Press.

Lymberopoulou, Angeliki (2023). Maniera Greca and Renaissance Europe: More than Meets the Eye. In: Brubaker, Leslie; Darley, Rebecca and Reynolds, Reynolds eds. Global Byzantium: Papers from the Fiftieth Spring Symposium of Byzantine Studies. Society for the Promotion of Byzantine Studies, 24. London and New York: Routledge, pp. 155–171.

Robinson, Joel (2023). The City on Display: Architecture Festivals and the Urban Commons. Routledge Research in Architecture Series. London: Routledge.

Sciampacone, Amanda (2023). "Invisible Destroyers": Cholera and COVID in British Visual Culture. In: Morton, Marsha and Akehurst, Ann-Marie eds. Visual Culture and Pandemic Disease since 1750: Capturing Contagion. Science and the Arts since 1750. New York: Routledge, pp. 137–156.

Thøfner, Margit (2023). Tasting God’s Wisdom: Music and Art in the Early Modern Lutheran Church. In: Mahler Kraaz, Sarah and De Mille, Charlotte eds. The Bloomsbury Handbook of Music and Art. Bloomsbury, pp. 9–24.

Wallis, Robert J. (2023). Introduction - The Art and Archaeology of Human Engagements with Birds or Prey: From Prehistory to the Present. In: Wallis, Robert J. ed. The Art and Archaeology of Human Engagements with Birds or Prey: From Prehistory to the Present. London: Bloomsbury Publishing, pp. 1–10.

Wallis, Robert J. (2023). Relating to Raptors: The ‘upper part of a hawk’s head and beak’ in a Chalcolithic/Early Bronze Age ‘Beaker’ Grave, Driffield, East Yorkshire. In: Wallis, Robert J. ed. The Art and Archaeology of Human Engagements with Birds of Prey: From Prehistory to the Present. London: Bloomsbury Publishing, pp. 119–135.

2022To Top

Baker-Bates, Piers (2022). Spanish Painting: Recreating a Perceived ‘Golden Age’. In: Potter, Matthew C. ed. Representing the Past in the Art of the Long Nineteenth Century: Historicism, Postmodernism, and Internationalism. Routledge Research in Art History. Routledge, pp. 106–123.

Clark, Leah (2022). Merchant-banker, Diplomat, Courtier or Agent? Intermediaries and Collecting Art in the Renaissance Courts. In: Reist, Inge ed. When Michelangelo Was Modern: The Art Market and Collecting in Italy, 1450-1650. Studies in the History of Collecting & Art Markets, 14. Leiden: Brill, pp. 34–50.

Clark, Leah R. and Campbell, Caroline (2022). Exhibition and Display. In: Campbell, Erin J. and Miller, Stephanie R. eds. A Cultural History of Furniture in the Middle Ages and Renaissance. A Cultural History of Furniture, 2. London: Bloomsbury.

Lora-Wainwright, Anna; Wainwright, Leon and Loong, Shona (2022). British Chinese or British ESEA? Articulating creativity and care across scales and disciplines. British Journal of Chinese Studies, 12(1) pp. 138–142.

Lymberopoulou, Angeliki (2022). Heavenly Beings: Icons of the Orthodox Christian World. Auckland Art Gallery Toi O Tamaki, Auckland Art Gallery Toi O Tamaki.

Murray, Andrew (2022). A Field of Invention: Fictive Frames in Van Eyck’s Portraits. In: Lecuppre-Desjardin, Elodie and Nils, Bock eds. Innovation and Medieval Communities (1200-1500). Turnhout: Brepols (In Press).

Thøfner, Margit (2022). Why Giants? In: Verberckmoes, Johan ed. Zwierige Reuzen in de 18e eeuw en de Lierse ommegang van 1722. Lier: Gezellen van 't Groot Volk, pp. 18–35.

Wainwright, Leon (2022). A New Paradigm, Moving on from Bakhtin. Journal of Festival Culture Inquiry and Analysis, 1(1) pp. 28–32.

2021To Top

Kynan-Wilson, William; Fonnesberg-Schmidt, Iben; Opitz-Trotman, Gesine and Lauge Christensen, Emil eds. (2021). The Papacy and Communication in the Central Middle Ages. London: Routledge.

Kynan-Wilson, William and Munns, J. M. eds. (2021). Henry of Blois: New Interpretations. Woodbridge: Boydell & Brewer.

Wood, Paul; Wainwright, Leon and Harrison, Charles eds. (2021). Art in Theory: The West in the World - An Anthology of Changing Ideas. Art in Theory -- An Anthology of Changing Ideas. United States: Wiley-Blackwell.

Baker-Bates, Piers (2021). Portraying the Ideal Spanish Tridentine Prelate. In: Baker-Bates, Piers and Brooke, Irene eds. Portrait Cultures of the Early Modern Cardinal. Visual and Material Culture, 1300-1700. Amsterdam: Amsterdam University Press, pp. 343–370.

Baker-Bates, Piers and Brooke, Irene (2021). Portraying the Princes of the Church. In: Baker-Bates, Piers and Brooke, Irene eds. Portrait Cultures of the Early Modern Cardinal. Visual and Material Culture, 1300–1700. Amsterdam: Amsterdam University Press, pp. 21–42.

Charnley, Kim (2021). Sociopolitical Aesthetics: Art, Crisis and Neoliberalism. Radical Aesthetics-Radical Art. London: Bloomsbury Publishing.

Kynan-Wilson, William (2021). Henry of Blois and the construction of Roman identity. In: Kynan-Wilson, William and Munns, J. M. eds. Henry of Blois: New Interpretations. Woodbridge: Boydell & Brewer, pp. 185–208.

Kynan-Wilson, William and Munns, J. M. (2021). Introduction: Approaches to Henry of Blois. In: Kynan-Wilson, William and Munns, J. M. eds. Henry of Blois: New Interpretations. Woodbridge: Boydell & Brewer, pp. 1–25.

Murray, Andrew (2021). Philip the Bold’s Tomb (1412): Creative Agency, Courtly Patronage and Labour History. In: Cordez, Philippe ed. Mittelalter und Mittelalterbild / Le Moyen Âge et son image. Heidelberg: Heidelberg University Publishing.

Wainwright, Leon (2021). The Parallax Effect. In: Westgeest, Helen and Zijlmans, Kitty eds. Mix and Stir: New Outlooks on Contemporary Art from Global Perspectives. Amsterdam: Valiz, with support of Mondriaan Fonds, Academy of Creative and Performing Arts (ACPA), University of the Arts, The Hague / Faculty of Humanities, Leiden University, pp. 347–352.

Wallis, Robert (2021). Reproduction, Simulation and the Hyperreal: A Case Study of 'Lascaux III'. In: Rozwadowski, Anrzej and Hampson, Jamie eds. Visual Culture and Identity: Using Rock Art to Reconnect Past and Present. Oxford: Archaeopress.

Wallis, Robert J. (2021). Hunters and shamans, sex and death: relational ontologies and the materiality of the Lascaux 'shaft-scene'. In: Moro Abadía, Oscar and Porr, Martin eds. Ontologies of Rock Art: Images, Relational Approaches and Indigenous Knowledge. Abingdon: Routledge, pp. 319–334.

2020To Top

Lymberopoulou, Angeliki ed. (2020). Hell in the Byzantine World. A History of Art and Religion in Venetian Crete and the Eastern Mediterranean. Volume 1 Essays. Hell in the Byzantine World A History of Art and Religion in Venetian Crete and the Eastern Mediterranean, 1. Cambridge: Cambridge University Press.

Barnes, Amy Jane (2020). 'Do the Chinese always smile?' Exhibiting the Cultural Revolution in Britain. In The Contemporary China Centre Blog Contemporary China Centre, University of Westminster.

Charlesworth, Amy and Begonia, Marissa (2020). 'Whose Housework, Whose Artwork? The Voice of Domestic Workers’. In: Deepwell, Katy ed. Feminist Art Activisms And Artivisms. Plural. Amsterdam: Valiz.

Lymberopoulou, Angeliki (2020). ‘…κέ παντός του λαου τοῡ χορίου τ(ης) Μάζας…’ Communal Patronage of Church Decoration in Rural Venetian Crete. In: The Art of the Poor The Aestehtic Material Culture of the Lower Classes in Europe 1300-1600 (Duits, Rembrandt ed.), Bloomsbury, London, pp. 53–63.

Lymberopoulou, Angeliki (2020). The five senses in Hell. Material religion, 16(3) pp. 364–367.

Lymberopoulou, Angeliki (2020). Hell on Crete. In: Lymberopoulou, Angeliki ed. Hell in the Byzantine World. A History of Art and Religion in Venetian Crete and the Eastern Mediterranean, Volume 1. Cambridge: Cambridge University Press, pp. 117–190.

Lymberopoulou, Angeliki (2020). Representations of Donors in Monumental Art of Venetian Crete. In: Privatporträt. Die Darstellung realer Personen in spätantiken und byzantinischen Kunst, Akten des Internationalen Workshops an der Österreichischen Akademie der Wissenschaften in Wien 14.-15. Februar 2013 (Tsamakda, Vasiliki and Zimmermann, Norbert eds.), Archäologische Forschungen, Verlag der Österreichischen Adademie der Wissenschaften, Vienna, pp. 209–218.

Lymberopoulou, Angeliki and Duits, Rembrandt (2020). Hell in the Byzantine World: A History of Art and Religion in Venetian Crete and the Eastern Mediterranean. Volume 2. A Catalogue of the Cretan Material. Hell in the Byzantine World. A History of Art and Religion in Venetian Crete and the Eastern Mediterranean, 2. Cambridge: Cambridge University Press.

Lymberopoulou, Angeliki and Panou, Eirini (2020). Introduction. In: Lymberopoulou, Angeliki ed. Hell in the Byzantine World. A History of Art and Religion in the Venetian Crete and the Eastern Mediterranean Volume 1: Essays, Volume 1. Cambridge: Cambridge University Press, pp. 1–18.

Murray, Andrew (2020). Rebellion, Dialogue and the Use of the “Common Good” in Philip the Bold’s Ordinances. Publications du Centre Européen d'Etudes Bourguignonnes, 60 pp. 63–78.

Murray, Andrew (2020). Statues. In: Bradshaw, Alan and Hietanen, Joel eds. The Dictionary of Coronavirus Culture. London: Repeater Books.

Murray, Andrew (2020). Political Emotion in the Mourners of Philip the Bold's Tomb. In: Ekardt, Philipp; Fehrenbach, Frank and Zumbusch, Cornelia eds. Politische Emotionen in den Künsten. Mnemosyne (7). Berlin: De Gruyter, pp. 25–42.

Perry, Gill (2020). All at Sea: Bad Girls, Hut Myths and Tracey Emin's 'Property by the Sea'. In: Kokoli, Alexandra and Cherry, Deborah eds. Tracey Emin: Art into Life. Bloomsbury.

Thøfner, Margit (2020). ‘Exulting and Adorning it in Exuberant Strains’: Music, Figuration and Ornamentation in Abel Schrøder’s altarpiece of 1667 (Skt Morten, Næstved, Denmark). In: Hart, Imogen and Jones, Claire eds. Sculpture and the Decorative in Britain and Europe, Seventeenth Century to Contemporary. Material Culture of Art and Design. London: Bloomsbury Visual Arts, pp. 19–46.

2019To Top

Baker-Bates, Piers (2019). Establishing Spanish Cultural Identities at Rome (1516–1598). Hispanic Research Journal, 19(5) pp. 461–480.

Barnes, Amy Jane (2019). ‘Knock Down the Gang of Four!’: caricatures in the British Library’s collection of post-1949 Chinese posters. In The Language of Authoritarian Regimes University of Sheffield; Birkbeck University.

Benzan, Carla (2019). Coming to Life at the Sacro Monte of Varallo: the sacred image al vivo in post-Tridentine Italy. In: Balfe, Thomas; Woodall, Joanna and Zittel, Claus eds. Ad Vivum: visual materials and the vocabulary of life-likeness in Europe before 1800. Intersections: Interdisciplinary studies in early modern culture (61). Leiden: Brill, pp. 224–246.

Clark, Leah R. (2019). Artefacts. In: Buono, Amy and Dupré, Sven eds. A Cultural History of Color in the Renaissance. A Cultural History of Color, vol. 3. London: Bloomsbury.

Clark, Leah R. (2019). The Politics of Acquisition: Venetian Objects in Italian Courtly Collections, ca. 1475-1525. In: Cordez, Philippe and Schnitz-Esser, Romedio eds. Typical Venice? Venetian Commodities, 13th-16th Centuries. Turnhout: Brepols.

Clark, Leah R. (2019). Representing the World: Collecting and Display in the Renaissance and Today. In: Galdy, Andrea ed. Collecting and Museology. Cambridge: Cambridge Scholars Publishing.

Kynan-Wilson, William (2019). Play and performance in Ottoman costume albums. In: Boyar, Ebru and Fleet, Kate eds. Entertainment among the Ottomans. Leiden: Brill, pp. 62–89.

Kynan-Wilson, William (2019). The Origins of Orientalism: A Plurality of Orients and Occidents (c.1500-1800). In: Greenwood, William and de Guise, Lucien eds. Inspired by the East: How the Islamic World Influenced Western Art. London: British Museum, pp. 32–43.

Kynan-Wilson, William (2019). Looking East catalogue entries. In: Greenwood, William and de Guise, Lucien eds. Inspired by the East: How the Islamic World Influenced Western Art. London: British Museum, pp. 112–135.

Lymberopoulou, Angeliki (2019). Domenikos Theotokopoulos and Ancient Greek Art. In: Assimakopoulou, Ianthi ed. Echoes of Antiquity in the Oeuvre of Domenikos Theotokopoulos. Heraklion: Municipality of Heraklion, pp. 15–36.

Lymberopoulou, Angeliki (2019). Palaiologan art from regional Crete: Artistic decline or social progress? In: Late Byzantium Reconsidered The Arts of the Palaiologan Era in the Mediterranean (Mattiello, Andrea and Rossi, Maria Alessia eds.), Routledge (Taylor & Francis Group), London and New York, pp. 132–155.

Murray, Andrew (2019). The Montpellier Parchment and the Signature of Iustitia. Acta Academiae Artium Vilnensis, 94 pp. 301–323.

Murray, Andrew and Dumolyn, Jan (2019). Artist. Kunst und Politik. Jahrbuch der Guernica-Gesellschaft, 21 pp. 21–27.

Wainwright, Leon (2019). Frank Bowling at Tate Britain: Provincialism, Transnationalism, and the Atlantic Divide. ASAP Journal Open-access platform of the Association for the Study of the Art of the Present (United States)

Wainwright, Leon (2019). Mona Hatoum’s Roadworks and Measures of Distance’. In: Aitken, Nick and Robles, Elizabeth eds. The Place is Here: Black Art in 1980s Britain. The Van Abbemuseum and Nottingham Contemporary: Sternberg Press, pp. 307–320.

2018To Top

Christian, Kathleen and de Divitiis, Bianca eds. (2018). Local antiquities, local identities: Art, literature and antiquarianism in Europe, c. 1400-1700. Manchester: Manchester University Press.

Lymberopoulou, Angeliki ed. (2018). Cross-Cultural Interaction between Byzantium and the West, 1204-1669. Whose Mediterranean is it anyway? Society for the Promotion of Byzantine Studies, 22. London: Routledge.

Shaw, Samuel; Shaw, Sarah and Carle, Naomi eds. (2018). Edwardian Culture: Beyond the Garden Party. Among the Victorians and Modernists. London: Routledge.

Althoff, Gerd; Fonnesberg-Schmidt, Iben and Kynan-Wilson, William (2018). Framing papal communication in the central Middle Ages. Journal of Medieval History, 44(3) pp. 251–260.

Barnes, Amy Jane (2018). Representing the China Dream: A case study in revolutionary cultural heritage. In: Watson, Sheila; Barnes, Amy Jane and Bunning, Katy eds. A Museum Studies Approach to Heritage. Leicester Readers in Museum Studies. Abingdon: Routledge, pp. 797–813.

Watson, Sheila; Barnes, Amy Jane and Bunning, Katy eds. (2018). A Museum Studies Approach to Heritage. Leicester Readers in Museum Studies. Abingdon: Routledge.

Barnes, Amy Jane (2018). Introduction to Part I. In: Watson, Sheila; Barnes, Amy Jane and Bunning, Katy eds. A Museum Studies Approach to Heritage. Leicester Readers in Museum Studies. Abingdon: Routledge, pp. 9–13.

Benton, Tim (2018). E-1027 and the «drôle de guerre». Rassegna di architettura e urbanistica(153) pp. 46–61.

Benzan, Carla (2018). Alone at the Summit: Solitude and the Ascetic Imagination at the Sacro Monte of Varallo. In: Enenkel, Karl A.E. and Göttler, Christine eds. Solitudo: Spaces, Places, and Times of Solitude in Late Medieval and Early Modern Cultures. Intersections: Interdisciplinary Studies in Early Modern Culture (56). Leiden and Boston: Brill, pp. 336–363.

Carter, Warren (2018). Mexican Muralism Reconsidered. In: Carter, Warren ed. Art after Empire: From Colonialism to Globalisation. Manchester: Manchester University Press in association with the OU, pp. 59–97.

Christian, Kathleen (2018). Roma caput mundi: Rome's local antiquities as symbol and source. In: Christian, Kathleen and de Divitiis, Bianca eds. Local antiquities, local identities: Art, literature and antiquarianism in Europe, c. 1400-1700. Manchester: Manchester University Press, pp. 57–78.

Clark, Leah R. (2018). From Naples to Ferrara. The Collections of Duchess Eleonora d’Aragona. In: Ippoliti, Alessandro ed. Atti del convegno internazionale: Biagio Rossetti e il suo tempo. Rome: Ginevra Bentivoglio Editoria, pp. 255–265.

Dohmen, Renate (2018). The Global, the Post-Abyssal and the Cosmopolitical: Casting a Creative Post-Underdeveloped, Post-Peripheral, Tropical Eye. In: Di Paola, Modesta ed. Cosmopolitics and Biopolitics. Ethics and Aesthetics in Contemporary Art. Art, Globalization, Interculturality. Barcelona: Barcelona University Press, pp. 77–94.

Kraamer, Malika and Barnes, Amy Jane (2018). Un-placed heritage: Making identity through fashion. In: Watson, Sheila; Barnes, Amy Jane and Bunning, Katy eds. A Museum Studies Approach to Heritage. Leicester Readers in Museum Studies. Abingdon: Routledge, pp. 598–618.

Lymberopoulou, Angeliki (2018). Sight and the Byzantine Icon. Body and Religion, 2(1) pp. 46–67.

Lymberopoulou, Angeliki (2018). Sight and the Byzantine Icon. In: Harvey, Graham and Hughes, Jessica eds. Sensual Religion. Religion and the Five Senses. Sheffield: Equinox Publishingh Ltd, pp. 109–130.

Lymberopoulou, Angeliki (2018). Introduction. In: Lymberopoulou, Angeliki ed. Cross-Cultural interaction between Byzantium and the West, 1204-1669. Whose Mediterranean is it anyway? Society for the Promotion of Byzantine Studies (22). London: Routledge, pp. 1–18.

Lymberopoulou, Angeliki (2018). The Fogg Triptych: Testimony of a case study to the society and artistic production of Venetian Crete. In: Cross-cultural interaction between Byzantium and the West, 1204-1669. Whose Mediterranean is it anyway? (Lymberopoulou, Angeliki ed.), Society for the Promotion of Byzantine Studies, Routledge, London, pp. 59–73.

Norman, Diana (2018). Siena and the Angevins (1300-1350): Art, Diplomacy and Dynastic Ambition. Beguinage of Turnhout, Belgium: Brepols Publishers.

Shaw, Samuel (2018). Weighing Down the Landscape: The Quarry as a Site of Rural Modernity. In: Bluemel, Kristin and McCluskey, Michael eds. Rural Modernity in Britain: A Critical Intervention. Edinburgh: Edinburgh University Press, pp. 69–83.

Shaw, Samuel (2018). Aliens at Prayer: Representing Jewish Life in the East End of London, c.1905. In: Shaw, Samuel; Shaw, Sarah and Carle, Naomi eds. Edwardian Culture: Beyond the Garden Party. Among the Victorians and Modernists. London: Routledge, pp. 133–153.

Shaw, Samuel and Plumb, Christopher (2018). Zebra. Animal Series. London: Reaktion Books.

Taylor, Clare (2018). [Book Review] Designing the French interior: the modern home and mass media. Cultural and Social History, 15(4) pp. 618–620.

Taylor, Clare (2018). The Design, Production and Reception of Eighteenth-century Wallpaper in Britain. The Histories of Material Culture and Collecting, 1700-1950, ed. Stacey J. Pierson. Abingdon, Oxon and New York: Routledge.

Wainwright, Leon (2018). Entwining Caribbean, British and American Art Histories: Trouble at the Turn to the "Transnational" and "Provincial". In Post: Notes on Contemporary Art around the Globe Post: Notes on Contemporary Art around the Globe. Museum of Modern Art (MoMA), New York.

Wainwright, Leon (2018). Visualising Figures of Caribbean Slavery through Modernism. In: Meecham, Pam ed. A Companion to Modern Art. Blackwell Companions to Art History. Chichester: Wiley-Blackwell, pp. 411–424.

Wainwright, Leon (2018). Materialities and Mobilities: A Note on the Political Geography of Contemporary Caribbean Art. In: Ueckmann, Natascha; Brüske, Anne and Bandau, Anja eds. Reshaping (g)local dynamics of the Caribbean: Relaciones y Deconexiones – Relations et Déconnexions – Relations and Disconnections. Heidelberg: Heidelberger Universitätsverlag HeiUp, pp. 143–157.

Watson, Sheila; Barnes, Amy Jane and Bunning, Katy (2018). Introduction. In: Watson, Sheila; Barnes, Amy Jane and Bunning, Katy eds. A Museum Studies Approach to Heritage. Leicester Readers in Museum Studies. Abingdon: Routledge, pp. 1–5.

2017To Top

Wainwright, Leon ed. (2017). Disturbing pasts: memories, controversies and creativity. Manchester: Manchester University Press.

Barnes, Amy Jane (2017). Introduction to Part III. In: Dudley, Sandra; Barnes, Amy Jane; Binnie, Jennifer; Petrov, Julia and Walklate, Jennifer eds. The Thing about Museums Objects and Experience, Representation and Contestation. Abingdon: Routledge, pp. 217–218.

Benton, Tim (2017). E-1027 and the Drôle De Guerre. In: Weaver, Thomas ed. AA Files, Volume 74. Architectural Association, pp. 123–143.

Benzan, Carla (2017). Atomic Atopic: Piero Manzoni’s space-age subtext and the ‘ins and outs’ of the modern intellectual. In: Guilbaut, Serge and O'Brian, John eds. Breathless Days: 1959–1960. Durham, NC: Duke University Press, pp. 275–312.

Christian, Kathleen (2017). Architecture and Antique Sculpture in Early Modern Rome. In: Mallgrave, Harry Francis and Payne, Alina eds. Companions to the History of Architecture: Volume I, Renaissance and Baroque Architecture. John Wiley & Sons, pp. 73–103.

Clark, Leah R (2017). Dispersal, Exchange and the Culture of Things in Fifteenth-century Italy. In: Jurkowlaniec, Grażyna; Matyjaszkiewicz, Ika and Sarnecka, Zuzanna eds. The Agency of Things in Medieval and Early Modern Art: Materials, Power and Manipulation. London: Routledge, pp. 91–102.

Kynan-Wilson, William (2017). The Ottoman Imagery of Jacopo Ligozzi. In: Arfioli, Maurizio and Caroscio, Marta eds. The Grand Ducal Medici and the Levant: Material Culture, Diplomacy, and Imagery in the Early Modern Mediterranean. The Medici Archive Project (3). Turnhout: Brepolis, pp. 101–111.

Kynan-Wilson, William (2017). ‘Painted by the Turcks themselves’: Reading Peter Mundy’s Ottoman Costume Album in Context. In: Babaie, Sussan and Gibson, Melanie eds. The Mercantile Effect: On Art and Exchange in the Islamicate World. London: Gingko Library, pp. 38–50.

Kynan-Wilson, William (2017). Roman Identity in William of Malmesbury’s Historical Writings. In: Thomson, R. M.; Dolmans, E. and Winkler, E. eds. Discovering William of Malmesbury. Woodbridge: Boydell & Brewer, pp. 81–91.

Norman, Diana (2017). Icona, Immaginis . . . cum Variis Miraculis: Preserving the Memory of the Blessed Andrea Gallerani in Siena. In: Cardarelli, Sandra and Fenelli, Laura eds. Saints, Miracles and the Image: Healing Saints and Miraculous Images in the Renaissance. Beguinage of Turnhout, Belgium: Brepols Publishers, pp. 53–73.

Charnley, Kim, ed. Delirium and Resistance. By Gregory Sholette . Pluto Press (2017).

Wainwright, Leon (2017). Phenomenal Difference: A Philosophy of Black British Art. Value: Art: Politics, 13. Liverpool: Liverpool University Press.

William, Kynan-Wilson (2017). Costume Albums. In: Fleet, Kate; Kramer, Gudrun; Matringe, Denis; Nawas, John and Rowson, Everett eds. The Encyclopaedia of Islam (3rd edition). Brill, pp. 25–27.

Woods, Kim (2017). The Tree of Jesse Gates from Scarisbrick Hall. In: Davies, Glyn and Townsend, Eleanor eds. A Reservoir of Ideas: Essays in honour of Paul Williamson. London: Paul Holberton Publishing in association with V&A publishing, pp. 235–244.

2016To Top

Holder, Julian and McKellar, Elizabeth eds. (2016). Neo-Georgian Architecture 1880-1970: a reappraisal. Swindon, UK: Historic England.

Barker, Emma (2016). Ghosts and Heroes: Girodet and the Ossianic Mode in Post-Revolutionary French Art. In: Padiyar, Satish; Shaw, Philip and Simpson, Philippa eds. Visual Culture and the Revolutionary and Napoleonic Wars. London and New York: Routledge, pp. 102–119.

Charlesworth, Amy (2016). The 1970s and Today. Oxford Art Journal, 39(1) pp. 147–152.

Christian, K. (2016). Apollo Belvedere. In: Wouk, Edward ed. Marcantonio Raimondi, Raphael and the image multiplied. Manchester: Manchester University Press.

Christian, K. (2016). The Three Graces. In: Wouk, Edward ed. Marcantonio Raimondi, Raphael and the image multiplied. Manchester: Manchester University Press.

Christian, Kathleen W. (2016). Raphael’s Vitruvius and Raimondi’s Caryatid Façade. In: Wouk, Edward ed. Marcantonio Raimondi, Raphael, and the Image Multiplied. Manchester University Press.

Dohmen, Renate (2016). Encounters beyond the Gallery. Relational Aesthetics and Cultural Difference? International Library of Modern and Contemporary Art. London: I.B.Tauris.

Dohmen, Renate (2016). Material (Re)collections of the ‘Shiny East’: A Late Nineteenth-Century Travel Account by a Young British Woman in India. In: Henes, Mary and Murray, Brian H. eds. Travel Writing, Visual Culture and Form, 1760–1900. Palgrave Studies in Nineteenth-Century Writing and Culture. Basingstoke: Palgrave Macmillan, pp. 42–64.

Dohmen, Renate (2016). A fraught challenge to the status quo: The 1883-4 Calcutta International Exhibition, conceptions of art and industry, and the politics of world fairs. In: Nichols, Kate; Wade, Rebecca and Williams, Gabriel eds. Art versus Industry? New Perspectives on Visual and Industrial Cultures in Nineteenth-Century Britain. Studies in Design and Material Culture. Manchester: Manchester University Press, pp. 199–216.

Hyde, Colin and Barnes, Amy Jane (2016). Displaying Ghost Signs Online. In: Schutt, Stefan; Roberts, Sam and White, Leanne eds. Advertising and Public Memory: Social, Cultural and Historical Perspectives on Ghost Signs. Routledge Research in Cultural and Media Studies. Routledge.

Kynan-Wilson, William (2016). Stories and Storytellers: The Naming of Textiles in West Africa. From Traditional to Contemporary Aesthetic Practices in West Africa, Benin and Togo. The Art Histories and Aesthetic Practices Blog, Medium.

McKellar, Elizabeth (2016). Writing the New Urbanism: Architecture and Guidebooks to London and Paris, c.1650-1730. In: Arnold, Dana and Cohen, Jean-Louis eds. Paris-Londres. Paris: INHA & Infolio, pp. 15–69.

McKellar, Elizabeth (2016). Georgian London before 'Georgian London': Beresford Chancellor, Rasmussen and the 'The true and sad story of Regent's Street. In: McKellar, Elizabeth and Holder, Julian eds. Neo-Georgian Architecture 1880-1970: a reappraisal. Swindon, UK: Historic England, pp. 38–51.

McKellar, Elizabeth and Holder, Julian (2016). Chapter 1: Introduction: reappraising the Neo-Georgian. In: McKellar, Elizabeth and Holder, Julian eds. Neo-Georgian Architecture 1880-1970: a reappraisal. Swindon, UK: Historic England, pp. 1–12.

Perry, Gill (2016). In Your Face: Immediacy, Masculinity and Skin. In: Bird, Jon and Perry, Gill eds. Leon Golub: Powerplay – The Political Portraits. Reaktion Books, pp. 34–53.

Perry, Gill (2016). Drawn-Out Games. In: Petherbridge, Deanna ed. Deanna Petherbridge: Drawing and Dialogue. Manchester Whitworth Gallery and Circa Press, pp. 30–40.

Shaw, Samuel (2016). "Characters in Search of an Author": The Single-Figure Study and the Pritzker Collection. In: Collins, Ian and Hughes, Eleanor eds. Modernism and Memory: Rhoda Pritzker and the Art of Collecting. New Haven: Yale University Press, pp. 93–126.

Shaw, Samuel and Rough, William (2016). In Focus: 'The Doll’s House' 1899–1900 by William Rothenstein. In Tate In Focus Tate.

Taylor, Clare (2016). ‘Modern Swedish rococo’: the Neo-Georgian interior in Britain, c 1920–c 1945. In: McKellar, Elizabeth and Holder, Julian eds. Neo-Georgian Architecture 1880-1970: A Reappraisal. Swindon: Historic England, pp. 151–166.

Wainwright, Leon (2016). Art and Caribbean Slavery: Modern Visions of the 1763 Guyana Rebellion. In: Bernier, Celeste-Marie and Durkin, Hannah eds. Visualising Slavery: Art Across the African Diaspora. Liverpool Studies in International Slavery (9). Liverpool: Liverpool University Press, pp. 168–183.

Woods, Kim (2016). Plantagenets in alabaster. In: Crooks, Peter; Green, David and Ormorod, W. Mark eds. The Plantagenet Empire, 1259-1453. Harlaxton Medieval studies, XXVI. Donington: Shaun Tyas Publishing, pp. 89–108.

2015To Top

Benton, Tim; Fontan del Junco, Manuel and Zozaya, Maria eds. (2015). Modern Taste: Art Deco in Paris 1910-1935. Madrid: Fundacion Juan March.

Wainwright, Leon and Fuglerud, Øivind eds. (2015). Objects and Imagination: Perspectives on Materialization and Meaning. Material Mediations: People and Things in a World of Movement, 3. Oxford: Berghahn Books.

Barnes, Amy Jane and Kraamer, Malika (2015). Japanese Saris: Dress, Globalisation and Multiple Migrants. Textile History, 46(2) pp. 169–188.

Benton, Tim (2015). Le Corbusier Peintre a Cap Martin. Paris: Editions du Patrimoine.

Christian, Kathleen (2015). Between reality and representation. Portraits, objects, and collectors. In: Settis, Salvatore; Anguissola, Anna and Gasparotto, Davide eds. Serial / Portable Classic. The Greek Canon and its Mutations. Milan: Fondazione Prada.

Edwards, Steve (2015). Allan Sekula’s Chronotopes: Uneven and Combined Capitalism. In: Van Gelde, Hilde ed. Allan Sekula. Ship of Fools / The Dockers Museum. Leuven University Press, pp. 31–43.

Lymberopoulou, Angeliki (2015). 'El Greco: A Cretan painter?'. In: El Greco (Moreno, Ana and de Cos, Leticia eds.), Museo Thyssen-Bornemisza, 2015, pp. 21–35.

Perry, Gill (2015). 'A lady on the stage and an actress off it’: Performance and femininity in images of Elizabeth Farren, Countess of Derby. In: Lloyd, Stephen ed. Art, Animals and Politics: Knowsley and the Earls of Derby. London: Unicorn Press, pp. 61–80.

Wainwright, Leon (2015). Timed Out: Pathways and Pitfalls for Art History and Caribbean Studies. Small Axe: A Caribbean Journal of Criticism, 19(2) pp. 185–196.

West, Susie (2015). Looking back from 1700: problems in locating the country house library. In: Dimmock, Matthew; Hadfield, Andrew and Healy, Margaret eds. The Intellectual Culture of the English Country House, 1500-1700. Manchester: Manchester University Press, pp. 178–194.

West, Susie (2015). 'Penshurst Place and Leicester House'. In: Hannay, Margaret P.; Brennan, Michael G. and Lamb, Mary Ellen eds. The Ashgate Research Companion to The Sidneys, 1500-1700. Ashgate Research Companions, 1. Farnham: Ashgate, pp. 281–296.

2014To Top

Christian, Kathleen W.; Guest, Clare E. L. and Wedepohl, Claudia eds. (2014). The Muses and their Afterlife in post-Classical Europe. Warburg Institute Colloquia 26. London: Warburg Institute.

Kennedy, Beccy; Mitha, Alnoor and Wainwright, Leon eds. (2014). Triennial City: Localising Asian Art. Manchester: Cornerhouse.

Barnes, Amy Jane (2014). Forum: Museums and Mental Health. Introduction. Museum Worlds: Advances in Research, 2(1) pp. 133–135.

Barnes, Amy Jane (2014). What makes a good museum? The Art Fund knows. In The Conversation The Conversation.

Benton, Tim (2014). Le Corbusier et la Méditerranée. In: Bonillo, Jean-Lucien ed. Domus Mare Nostrum. Toulon: Hemisud for Conseil General du Var, pp. 23–33.

Benton, Tim (2014). Dom-Ino and the Phantom Pilotis. In: Weaver, Thomas ed. AA Files. AA Files, 69 (69). London: Architectural Association, pp. 13–37.

Christian, Kathleen (2014). The multiplicity of the Muses: the reception of antique images of the Muses in Italy, 1400-1600. In: Christian, Kathleen; Guest, Clare and Wedepohl, Claudia eds. The Muses and their Afterlife in post-Classical Europe. Warburg Institute Colloquia (26). London: The Warburg Institute, pp. 103–153.

Christian, Kathleen (2014). Antiquities. In: Wyatt, Michael ed. The Cambridge Companion to the Italian Renaissance. Cambridge: Cambridge University Press, pp. 40–58.

Edwards, Steve (2014). Décor and Decorum in the 'Temple of Photography'. In: Arnold, Dana ed. Interdisciplinary Encounters: Hidden and Visible Explorations of the Work of Adrian Rifkin. IB Tauris, pp. 73–105.

McKellar, Elizabeth (2014). Defining the Boundaries of London: Perambulation and the City in the Long Eighteenth Century. In: Investigating and Writing Architectural History: Subjects, Methodologies and Frontiers Papers from the Third EAHN International Meeting (Rosso, Michela ed.), pp. 437–447.

Taylor, Clare (2014). “Painted paper of Pekin”: the taste for eighteenth-century Chinese papers in Britain, c.1918-c.1945. In: Huang, Michelle Ying-ling ed. The Reception of Chinese Art across Cultures. Cambridge: Cambridge Scholars Publishing, pp. 44–64.

Wainwright, Leon (2014). Globalization. In: Kelly, Michael ed. Encyclopedia of Aesthetics (2nd ed.). Oxford: Oxford University Press.

Wainwright, Leon (2014). Globalization. In: Kelly, Michael ed. The Encyclopedia of Aesthetics, Second Edition, Volume 3. New York: Oxford University Press, pp. 199–203.

Blacker, Uilleam; Edwards, Elizabeth and Wainwright, Leon eds. (2014). Disturbing Pasts: Memories, Controversies and Creativity. Open Arts Journal (3). The Open University.

Woods, Kim (2014). Altarpieces in alabaster. In: Fajt, Jiri and Hörsch, Markus eds. Niederländische Skulpturenexporte nach Nord- und Ostmitteleuropa vom 14. bis 16. Jahrhundert. Studia Jagellonica Lipsiensia. Ostfildern: Jan Thorbecke Verlag, pp. 41–58.

2013To Top

Lymberopoulou, Angeliki and Rembrandt, Duits eds. (2013). Byzantine Art and Renaissance Europe. Farnham: Ashgate.

Perry, Gill; Retford, Kate and Vibert, Jordan eds. (2013). Placing Faces: the portrait and the English country house in the long eighteenth century. Manchester: Manchester University Press.

Barker, Emma (2013). Greuze and England. In: Andries, Lise; Ogée, Frédéric; Dunkley, John and Sanfey, Daragh eds. Intellectual Journeys: The Translation of Ideas in Enlightenment England, France and Ireland. Studies on Voltaire and the Eighteenth Century. United Kingdom: Voltaire Foundation, pp. 133–165.

Barker, Emma (2013). Georgiana at Althorp: Spencer Family Portraits 1755-1783. In: Perry, Gillian; Retford, Kate; Vibert, Jordan and Lyons, Hannah eds. Placing Faces: The Portrait and the Country House 1650-1850. Manchester: Manchester University Press.

Benton, Tim (2013). Les peintures murales. In: Prélorenzo, Claude ed. Eileen Gray, L'Etoile de Mer, Le Corbusier: Trois Aventures en Méditerranée. Paris: Archibooks, pp. 122–133.

Benton, Tim (2013). Lc Foto : Le Corbusier : Secret Photographer. Zurich: Lars Müller.

Benton, Tim (2013). Atlantic Coast: nature as inspiration. In: Cohen, Jean-Louis ed. Le Corbusier: An Atlas of Modern Landscapes. New York: Museum of Modern Art, pp. 162–167.

Benton, Tim (2013). Marseille: Unité d'habitation or "The company of clouds, the sky, or the stars". In: Cohen, Jean-Louis ed. Le Corbusier: an Atlas of Modern Landscapes. New York: Museum of Modern Art, pp. 201–211.

Benton, Tim (2013). E1027, une icône de la modernité des années 1920. In: Prélorenzo, Claude ed. Eileen Gray, L'Etoile de Mer, Le Corbusier: Trois Aventures en Méditerrannée. Paris: Archibooks, pp. 67–76.

Carter, Warren (2013). Introduction: Towards a History of the Marxist History of Art. In: Carter, Warren; Haran, Barnaby and Schwartz, Frederic J. eds. ReNew Marxist Art History. Art Books Publishing, pp. 14–31.

Carter, Warren (2013). The Dialectical Legacies of Radical Art History: Meyer Schapiro and German Aesthetic Debates in the 1930s and 1940s. In: Carter, Warren; Haran, Barnaby and Schwartz, Frederic J. eds. ReNew Marxist Art History. Art Books Publishing, pp. 64–77.

Christian, Kathleen Wren (2013). Mummies, scimitars, and a lost Crucifixion by Domenichino: the collections of Pietro and Nicolò Francesco della Valle in seventeenth-century Rome. In: Israëls, Machtelt and Waldman, Louis A. eds. Renaissance Studies in Honor of Joseph Connors. Villa I Tatti (29). Florence: Villa I Tatti, pp. 568–573.

Clark, Leah (2013). Replication, quotation, and the ‘original’ in Quattrocento collecting practices. In: Großmann, G. Ulrich and Krutisch, Petra eds. The Challenge of the Object / Die Herausforderung des Objekts, Congress Proceedings (CIHA). Wissenschaftliche Beibände zum Anzeiger der Germanischen Nationalmuseums, 1 (32). Nuremberg: Germanisches Nationalmuseum Press, pp. 136–140.

Clark, Leah R. (2013). Collecting, exchange, and sociability in the Renaissance studiolo. Journal of the History of Collections, 25(2) pp. 171–184.

Corner, Marjorie (2013). The work of William Giles (1830-1913): his paintings and photography. PhD thesis The Open University.

Edwards, Stephen (2013). Beard Patentee: Daguerrotype Property and Authorship. Oxford Art Journal, 36(3) pp. 369–394.

Edwards, Stephen (2013). An 'Ever Recurring Controversy': John Thompson, W.J. Stillman and the Boot Blacks. In: Carter, Warren; Haran, Barnaby and Schwartz, Frederic J. eds. ReNew Marxist Art History. London: Art/Books.

Edwards, Steve (2013). 'Socialism and the Sea: Allan Sekula 1951-2013'. Radical Philosophy(182) pp. 61–65.

Lymberopoulou, Angeliki (2013). Regional Byzantine Monumental Art from Venetian Crete. In: Lymberopoulou, Angeliki and Duits, Rembrandt eds. Byzantine Art and Renaissance Europe. Farnham: Ashgate, pp. 61–99.

Perry, Gill (2013). Playing at Home: The House in Contemporary Art. Art Since the '80s. London: Reaktion books Ltd.

Perry, Gill; Retford, Kate and Vibert, Jordan (2013). Introduction. Placing Faces in the Country House. In: Perry, Gill; Retford, Kate and Vibert, Jordan eds. Placing Faces: the portrait and the English country house in the long eighteenth century. Manchester: Manchester University Press.

Sciampacone, Amanda (2013). Matter Pictured In Its Place: Cholera and the Slums of London. Dandelion: Postgraduate Arts Journal and Research Network, 4(1)

West, Susie (2013). ‘Life in the library’. In: Retford, Kate; Perry, Gillian and Vibert, Jordan eds. Placing Faces, the Portrait and the English Country House in the Long Eighteenth Century. Manchester: Manchester University Press, pp. 63–95.

Wood, Paul (2013). Western Art and the Wider World. Oxford: Wiley-Blackwell.

Woods, Kim (2013). Sculpture from the Elsloo Group in England. In: A Masterly Hand: Interdisciplinary Research on the Late-Medieval Sculptor Master of Elsloo in an International Perspective, Scientia Artis, Royal Institute for Cultural Heritage, pp. 148–161.

Woods, Kim (2013). Encountering icons: Byzantine art in the Netherlands, Bohemia and Spain during the 14th and 15th centuries. In: Lymberopoulou, Angeliki and Duits, Rembrandt eds. Byzantine art and Renaissance Europe. Ashgate, pp. 135–157.

2012To Top

Lymberopoulou, Angeliki; Bracewell-Homer, Pamela and Robinson, Joel eds. (2012). Art and Visual Culture: A Reader. London: Tate.

Barnes, Amy Jane (2012). Introduction to Part III. In: Dudley, Sandra; Barnes, Amy Jane; Binnie, Jennifer; Petrov, Julia and Walklate, Jennifer eds. Narrating objects, collecting stories: essays in honour of Professor Susan M. Pearce. London and New York: Routledge, pp. 121–124.

Dudley, Sandra H.; Barnes, Amy Jane; Binnie, Jennifer; Petrov, Julia and Walklate, Jennifer eds. (2012). Narrating Objects, Collecting Stories. Abingdon: Routledge.

Benton, Tim (2012). La rhétorique de la vérité: Le Corbusier à Alger. In: Bonillo, Jean-Lucien ed. Le Corbusier, Visions d'Alger. Les Rencontres de la Fondation Le Corbusier. Paris: Editions de La Villette, pp. 172–187.

Benton, Tim (2012). Art Deco and Japonisme. In: Brown, Kendall H. ed. Deco Japan: Shaping Modern Culture 1920-1945. Alexandria, VA, USA: Art Services International, pp. 25–34.

Benton, Tim (2012). The miracle of Le Corbusier's roof terrace. In: Gargiani, Roberto ed. L'Architrave, le Plancher, la Plate-forme: Nouvelle Histoire de la Construction. Lausanne: Presses Polytechniques et Universitaires Romandes, pp. 710–718.

Benton, Tim (2012). Le Corbusier's secret photographs. In: Herschdorfer, Natalie and Umstatter, Lada eds. Le Corbusier and the Power of Photography. London: Thames and Hudson, pp. 30–55.

Benton, Tim (2012). La maison La Roche et les ateliers d’artistes de Le Corbusier. In: Torres, Jorge ed. Le Corbusier Mise au Point. Memorias culturales. Valencia: General de Ediciones de la Arquitectura, pp. 10–35.

Benton, Tim (2012). Funktionnel. In: Torres, Jorge ed. Le Corbusier Mise au Point. Memorias Culturales. Valencia: General de Ediciones de Arquitectura, pp. 253–268.

Benton, Tim (2012). La maison La Roche et les ateliers d'artistes de Le Corbusier. In: Torres Cueco, Jorge ed. Le Corbusier Mise au Point. Valencia: Memorias Culturales, pp. 8–33.

Benton, Tim (2012). Funktionnel (HO). In: Torres Cueco, Jorge ed. Le Corbusier Mise au Point. Memorias Culturales, pp. 227–242.

Carter, Warren (2012). The Artist as Worker: Radical Responses to the New Deal Federal Art Projects. In: Moss, Avigail and Stakemeier, Kerstin eds. Painting: The Implicit Horizon. Maastricht: The Jan van Eyck Academie, pp. 23–38.

Christian, Kathleen (2012). For the Delight of Friends, Citizens, and Strangers: Maarten van Heemskerck’s Drawings of Antiquities Collections. In: Bartsch, Tatjana and Seiler, Peter eds. Rom zeichnen. Maarten van Heemskerck 1532-1536/37. Humboldt-Schriften zur Kunst- und Bildgeschichte (8). Berlin: Gebr. Mann Verlag, pp. 129–156.

Dumont D'Ayot, Catherine and Benton, Tim (2012). Le Corbusier's Pavilion for Zurich: Model and Prototype of an Ideal Exhibition Space. Ennetbaden: Lars Muller Verlag.

Edwards, Stephen (2012). Una 'polemic recurrent': John Thompson, William James Stillman i els enllustradors de sabates. In: Ribalta, Jorge ed. Per Què La Fotografia Es Avui Més Important Com A Document Que Mai. Barcelona: The Private Space Books, pp. 71–103.

Harrison, Jill (2012). Being Florentine : a question of identity in the Arte della Lana, Florence. In: Cardarelli, Sandra; Anderson, Emily Jane and Richards, John eds. Art and Identity: Visual Culture, Politics and Religion in the Middle Ages and the Renaissance. Newcastle upon Tyne: Cambridge Scholars Publishing, pp. 127–148.

Taylor, Clare (2012). English wallpaper manufacture, c.1700-c.1800. The Quarterly (Journal of the British Association of Paper Historians), 83 pp. 13–23.

Wainwright, Leon (2012). Global change and contemporary art of the Caribbean: notes on the futurology of a sustainable art community. In: Hoffmann, Nancy ed. Who More Sci-Fi Than Us? Contemporary Art from the Caribbean. Amsterdam: The Royal Tropical Institute (KIT), pp. 80–84.

Wainwright, Leon (2012). The emotions and ethnicity in the Indo-Caribbean. In: Svašek, Maruška ed. Moving Subjects, Moving Objects: Transnationalism, Cultural Production and Emotions. Berghahn, pp. 222–244.

Wainwright, Leon (2012). ‘Beyond globalisation in contemporary art history: learning from the transnational Caribbean’. In: ter Horst, Mariska ed. Changing Perspectives: Dealing with Globalisation in the Presentation and Collection of Contemporary Art. Amsterdam: The Royal Tropical Institute (KIT), Amsterdam, pp. 204–212.

Walsh, Linda (2012). James Ward's 'Marengo': A Congruence of Aesthetic Theory, Pictorial Tradition, Natural History and National Pride. In: Open University MA Student Conference, 25 Feb 2012, Birkbeck, University of London, Not applicable.

Walsh, Linda (2012). Ausdrucksformen- Die Suche nach einer expressiven Sprache in der französischen Genremalerei des 18. Jahrhunderts. In: Klein, Tobias R. and Porath, Erik eds. Figuren des Ausdrucks: Formation einer Wissenskategorie zwischen 1700 und 1850. Munich: Wilhelm Fink, pp. 125–146.

Woods, Kim (2012). The fortunes of art in alabaster: a historiographical analysis. In: From minor to major: the minor arts and their current status in art history, Mar 2011, Princeton, USA.

2011To Top

Baker-Bates, P. A. (2011). Sebastianello Nostro Venetiano: the career of Sebastiano del Piombo and the concept of a 'court artist' in renaissance Rome. The Court Historian - The International Journal of Court Studies, 16(1) pp. 7–23.

Baker-Bates, P.A. (2011). A means for the projection of soft power: 'Spanish churches' at Rome 1469-1527. Intersections: Interdisciplinary Studies in Early Modern Culture, 22

Barnes, Amy Jane (2011). Displaying the Communist Other: Perspectives on the Exhibition and Interpretation of Communist Visual Culture. In: Dudley, Sandra; Barnes, Amy Jane; Binnie, Jennifer; Petrov, Julia and Walklate, Jennifer eds. The Thing about Museums: Objects and Experience, Representation and Contestation. Routledge.

Dudley, Sandra; Barnes, Amy Jane; Binnie, Jennifer; Petrov, Julia and Walklate, Jennifer eds. (2011). The Thing about Museums: Objects and Experience, Representation and Contestation. Abingdon: Routledge.

Knell, Simon J.; Aronsson, Peter; Amundsen, Peter Bugge; Barnes, Amy Jane; Burch, Stuart; Carter, Jennifer; Gosselin, Viviane and Hughes, Sarah A. eds. (2011). National Museums: New Studies from Around the World. Abingdon: Routledge.

Barnes, Amy Jane (2011). Exhibiting China in London. In: Knell, Simon J.; Aronsson, Peter; Amunsden, Arne Bugge; Barnes, Amy Jane; Burch, Stuart; Carter, Jennifer; Gosselin, Viviane; Hughes, Sarah A. and Kirwan, Alan eds. National Museums: New Studies from Around the World. Routledge, pp. 386–399.

Barnes, Amy Jane and Walklate, Jennifer (2011). Afterword: a conversation with Sue Pearce. In: Dudley, Sandra; Barnes, Amy Jane; Binnie, Jennifer; Petrov, Julia and Walklate, Jennifer eds. The Thing About Museums: Objects and Experience, Representation and Contestation. Routledge.

Benton, Tim (2011). The Villa de Mandrot and the place of the imagination. In: Richard, Michel ed. Massilia 2011. Annuaire d'Études Corbuséennes. Marseilles: Editions Imbernon, pp. 92–105.

Clark, Leah R. (2011). Transient possessions: circulation, replication, and transmission of gems and jewels in Quattrocento Italy. Journal of Early Modern History, 15(3) pp. 185–221.

Harisson, Lynne; Ambers, Janet; Stacey, Rebecca; Cartwright, Caroline and Lymberopoulou, Angeliki (2011). The Noli me Tangere: study and conservation of a Cretan icon. The British Museum Technical Research Bulletin, 5 pp. 25–38.

Lymberopoulou, Angeliki; Harrison, Lynne and Ambers, Janet (2011). The Noli Me Tangere icon at the British Museum: vision, message and reality. In: Lymberopoulou, Angeliki ed. Images of the Byzantine World: Visions, Messages and Meanings: Studies presented to Leslie Brubaker. Farnham, UK: Ashgate, pp. 185–214.

McKellar, Elizabeth (2011). The villa: ideal type or vernacular variant? In: Guillery, Peter ed. Built from Below: British Architecture and the Vernacular. Abingdon: Routledge, pp. 49–72.

Perry, Gillian (2011). Crystal World: Introduction. The Royal Society, The Royal Society.

Perry, Gillian; Roach, Joseph and West, Shearer (2011). The First Actresses: Nell Gwyn to Sarah Siddons. London: National Portrait Gallery and University of Michigan Press.

Taylor, Clare (2011). Eckhardts & Co and the supply of wall decorations for Shugborough. The Georgian Group Journal, XIX pp. 145–150.

Wainwright, Leon (2011). Timed Out: Art and the Transnational Caribbean. Rethinking Art's Histories. Manchester: Manchester University Press.

Wainwright, Leon (2011). Alien nation: contemporary art and black Britain. In: Brunt, Rosalind and Cere, Rinella eds. Postcolonial Media Culture in Britain. Basingstoke: Palgrave Macmillan, pp. 27–40.

Wood, Paul (2011). Moving the goalposts: modernism and 'World art history'. Third Text, 25(5) pp. 503–513.

2010To Top

Christian, Kathleen Wren and Drogin, David J. eds. (2010). Patronage and Italian Renaissance Sculpture. Farnham: Ashgate.

Barker, Emma (2010). From Charity to Bienfaisance: Picturing Good Deeds in Late Eighteenth-Century France. Journal for Eighteenth-Century Studies, 33(3) pp. 285–311.

Benton, Tim (2010). Le Corbusier e il vernacolare: Le Sextant a Les Mathes 1935. In: Canziani, Andrea ed. Le Case per artisti sull'Isola Comacina. Quaderni fondation montandon. Como: NodoLibri, pp. 22–43.

Benton, Tim (2010). Il concorso per il palazzo del Littorio, 1934-1937. In: Reichlin, Bruno and Tedeschi, Letizia eds. Luigi Moretti Razionalismo e trasgressività tra barocco e informale. Milan: Electa.

Benton, Tim and Watson, Nicola (2010). Museum practice and heritage. In: West, Susie ed. Understanding Heritage in Practice. Manchester: Manchester University Press, pp. 127–165.

Lymberopoulou, Angeliki (2010). Fourteenth-century provincial Cretan church decoration: the case of the painter Pagomenos and his clientele. In: Towards Rewriting? New Approaches to Byzantine Art and Archaeology. Krakow Symposium on Byzantine Art and Archaeology, 8-10 Sep 2008, Krakow, Poland.

Lymberopoulou, Angeliki (2010). Late and post-Byzantine art under Venetian rule: frescoes vesrus icons, and Crete in the middle. In: James, Liz ed. A Companium to Byzantium. Oxford, UK: Wiley-Blackwell.

Perry, Gill (2010). Portraiture and Celebrity in the Eighteenth Century: The Actress as a Work of Art. In: Paparo, Jenifer ed. Portrait. Petit genres. Vancouver: Contemporary Art Gallery, Vancouver, pp. 36–55.

Wainwright, Leon (2010). Aubrey Williams: Atlantic fire. In: King, Reyahn ed. Aubrey Williams. Liverpool and London: National Museums Liverpool and October Gallery, pp. 46–55.

Wainwright, Leon (2010). Art (school) education and art history. In: Appignanesi, Richard ed. Beyond Cultural Diversity: the Case for Creativity. London: Third Text Publications, pp. 93–103.

Wainwright, Leon (2010). The Black Atlantic, Suriname and the Netherlands: challenges for curating and historicising art of the Caribbeah. In: Dölle, Mariette and Jonas, Malka eds. Conversations on Paramaribo Perspectives. Rotterdam: TENT.

Wainwright, Leon (2010). Speaking to contemporary art history: Denis Williams and Guyana. In: Williams, Charlotte and Williams, Evelyn A. eds. Denis Williams: a Life in Works. New and Collected Essays. Cross/Cultures: Readings in the Post/Colonial Literautres in English (120). Amsterdam: Rodopi Press, pp. 65–75.

Walsh, Linda (2010). Modes of expression in mid-eighteenth-century French genre painting. In: Klein, Tobias Robert and Porath, Erik eds. Figuren des Ausdrucks : Formation einer Wissenskategorie zwischen 1700 und 1850. Paderborn: Wilhelm Fink Verlag GmbH & Co. Verlag KG.

West, Susie (2010). Heritage and class. In: Harrison, Rodney ed. Understanding the Politics of Heritage. Understanding Global Heritage. Manchester and Milton Keynes: Manchester University Press and The Open University, pp. 270–303.

Woods, Kim (2010). The supply of alabaster in Northern and Mediterranean Europe in the Later Middle Ages. In: Kirby, Jo; Nash, Susie and Cannon, Joanna eds. Trade in Artists' Materials: Markets and Commerce in Europe to 1700. London, UK: Archeype Publications, pp. 86–93.

2009To Top

Barker, Emma (2009). Imaging childhood in eighteenth-century France: Greuze's Little Girl with a Dog. Art Bulletin, 91(4) pp. 426–445.

Barker, Emma (2009). Rehabilitating the Rococo. Oxford Art Journal, 32(2) pp. 306–313.

Benton, Tim (2009). The Rhetoric of Modernism: Le Corbusier as Lecturer. Basel: Birkhäuser Publications.

Benton, Tim (2009). New books on Le Corbusier. Journal of Design History, 22(3) pp. 271–284.

Benton, Tim (2009). The art of the well-tempered lecture: Reyner Banham and Le Corbusier. In: Aynsley, Jeremy and Atkinson, Harriet eds. The Banham Lectures: Essays on Designing the Future. Oxford, UK and New York, USA: Berg, pp. 11–32.

Edwards, Steve (2009). Apocalyptic Sublime: On the Brighton Photo-Biennial. Historical Materialism, 17(2) pp. 84–102.

McKellar, Elizabeth (2009). The suburban villa tradition in seventeenth and eighteenth-century London. In: Arciszewska, Barbara ed. The Baroque Villa: Suburban and Country Residencies c.1600-1800. Warsaw: Wilanow Palace Museum, pp. 197–208.

Norman, Diana (2009). Cardinal of Naples and Cardinal in Rome: The Patronage of Oliviero Carafa. In: Hollingsworth, Mary and Richardson, Carol M. eds. The Possessions of a Cardinal: Politics, Piety, and Art, 1450-1700. University Park, Pennsylvania: The Pennsylvania State University Press, pp. 77–91.

Perry, Gill (2009). Watery Weather: Roni Horn in Iceland. Art History, 32(1) pp. 177–182.

Taylor, Clare (2009). Chinese papers and English imitations in 18th Century Britain. In: Stavenow-Hidemark, Elisabet ed. New Discoveries New Research: Papers from the International wallpaper conference held at the Nordiska Museet, Stockholm, 2007. Stockholm: Nordiska Museets Forlag, pp. 36–53.

Wainwright, Leon (2009). On being unique: world art and its British institutions. Visual Culture in Britain, 10(1) pp. 87–101.

Wainwright, Leon (2009). New provincialisms: curating art of the African diaspora. Radical History Review(103) pp. 203–213.

Wainwright, Leon (2009). At Northern Intersections forever: art and the time trap. In: Ajji, Tejpal S. and Soske, John eds. South-South: Interruptions & Encounters. Toronto: Justina M. Barnicke Gallery and South Asian Visual Arts Centre, University of Toronto, pp. 73–76.

Wainwright, Leon (2009). Labelling and assembling: histories and challenges for an Asia Triennial. In: Mitha, Alnoor; Khan, Fareda and Rangasamy, Jacques eds. Asia Triennial Manchester 08. Manchester: Shisha.

Wainwright, Leon (2009). Mutual ground: post-empire canons of art in Britain and the Caribbean. In: Rahim, Jennifer and Lalla, Barbara eds. Beyond Borders: Cross-Culturalism and the Caribbean Canon. Mona, Kingston, Jamaica: University of the West Indies Press, pp. 116–148.

Wood, Paul (2009). Truth and beauty. In: Beech, David ed. Beauty. Documents of Contemporary Art. London: Whitechapel Gallery/MIT, pp. 183–188.

2008To Top

Baker-Bates, Piers (2008). A portrait of Cardinal Pompeo Colonna, rival and imitator of the papal Caesars. Papers of the British School at Rome, 76 pp. 183–199.

Baker-Bates, Piers (2008). The bishop and the artist: the quest for patronage in high renaissance rome. In: Burke, Jill and Bury, Michael eds. Art and Identity in Early Modern Rome. Aldershot, UK: Ashgate, pp. 45–58.

Barnes, Amy Jane; Chrusciel, Anna; Houlberg Rung, Mette; Lee, Jeong-eun; Lleras, Christina; Ottevanger, Jeremy and Woodham, Anna (2008). Museological Review, 13. In Museological Review School of Museum Studies, University of Leicester, Leicester.

Benton, Tim (2008). The complexities and contradicitions of modernism. Positions pp. 16–21.

Benton, Tim; Cohen, Jean-Louis and Phaidon Editors (2008). Le Corbusier le Grand. London: Phaidon.

Christian, Kathleen (2008). Landscapes of ruin and the imagination in the antiquarian gardens of renaissance Rome. In: Conan, Michel ed. Gardens and Imagination: Cultural History and Agency. Dumbarton Oaks Colloquium Series in the History of Landscape Architecture (30). Washington DC: Dumbarton Oaks Research Library and Collection (Distributed by Harvard University Press), pp. 116–137.

Christian, Kathleen Wren (2008). Instauratio and Pietas: the della Valle collections of ancient sculpture. In: Penny, Nicholas and Schmidt, Eike D. eds. Collecting Sculpture in Early Modern Europe. Studies in the History of Art (70). Washintgton: National Gallery of Art, pp. 33–65.

Cohen, Jean-Louis and Benton, Tim (2008). Le Corbusier the Great. London/New York: Phaidon.

Hebbert, Michael and McKellar, Elizabeth (2008). Tall buildings in the London landscape. The London Journal, 33(3) pp. 199–200.

Newall, Diana (2008). Appreciating Art. London: A&C Black / Herbert Press Ltd.

Norman, Diana (2008). The chapel of Saint Catherine in San Domenico: A studyof cultural relations between Renaissance Siena and Rome. In: Ascheri, Mario; Mazzoni, Gianni and Nevola, Fabrizio eds. L'ultimo secolo della Repubblica di Siena. Arti, cultura e societàe. Atti del Convegno Internazionale. Siena, Italy: Accademia Senese degli Intronati, pp. 405–419.

Perry, Gill (2008). Installations and exploding homes. In: Bindman, David and Stephens, Chris eds. The History of British Art: 1870-Now. The History of British Art (3). London: Tate, pp. 227–228.

Pooke, Grant and Newall, Diana (2008). Art History: the Basics. The Basics. Abingdon: Routledge.

Wainwright, Leon (2008). Frank Bowling and the appetite for British pop. Third Text, 22(2) pp. 195–208.

Walsh, Linda (2008). Art History at the Open University. In: Theory and Practice, Jan 2008, Open University, Milton Keynes.

West, Susie (2008). Hardwick Old Hall. London: English Heritage.

Wood, Paul (2008). Between God and the Saucepan: some aspects of art education in England from the mid-nineteenth century until today. In: Stephens, Chris ed. History of British Art: 1870 - now, Volume 3. London: Tate Publishing, pp. 162–187.

2007To Top

Barker, Emma (2007). Putting the viewer in the frame: Greuze as sentimentalist. In: Conisbee, Philip ed. French Genre Painting in the Eighteenth Century. Studies in the History of Art, National Gallery of Art, Washington, DC, 72. New Haven, US: Yale University Press, pp. 105–127.

Benton, Tim (2007). Le Corbusier conférencier. Paris, France: Editions Le Moniteur.

Edwards, Stephen (2007). Jeff Wall: introduction. Oxford Art Journal, 30(1) pp. 1–15.

Edwards, Stephen (2007). Special Issue of Oxford Art Journal: Jeff Wall. In Oxford Art Journal Oxford University Press, UK.

Edwards, Steve (2007). ‘Poor Ass!’ (A Donkey in Blackpool, 1999). Oxford Art Journal, 30(1) pp. 39–54.

Edwards, Steve (2007). Un 'paia en el mundo del arte': Richter marcha artas. In: Green, David ed. ¿Que ha sisdo de la fotografia? Barcelona: Gustavo Gili, pp. 30–48.

Edwards, Steve (2007). Allegorical photography. In: Hannavay, John ed. Encyclopedia of Nineteenth-Century Photography, Volume 1. London: Routledge, pp. 27–29.

Edwards, Steve (2007). National survey: Great Britain. In: Hannavay, John ed. Encyclopedia of Nineteenth-Century Photography, Volume 1. Routledge, pp. 606–614.

Edwards, Steve (2007). Societies, groups, institutions, and exhibitions in the United Kingdom. In: Hannavay, John ed. Encyclopedia of Nineteenth-Century Photography, Volume 2. Routledge, pp. 1303–1307.

Edwards, Steve (2007). Robert Hunt. In: Hannavay, John ed. Encyclopedia of Nineteenth-Century Photography, Volume 1. Routledge, pp. 731–732.

Edwards, Steve; Fusco, Maria and O, Steve (2007). William Lake Price and James Mudd: the shattered utopia. In: Gergley, Chris ed. Copy Work. Vancouver: Contemporary Art Gallery, pp. 9–21.

King, Catherine E. (2007). Representing Renaissance Art 1500-1600. Manchester, UK: Manchester University Press.

Kynan-Wilson, William (2007). Uniting the Strands: David Jones’ Quia per Incarnati. The David Jones Journal, 6 pp. 97–114.

Lymberopoulou, Angeliki (2007). 'Fish on a Dish' and its Table Companions in fourteenth-century Wall-Paintings on Venetian-dominated Crete. In: Eat, Drink, and Be Merry (Luke 12:19) – Food and Wine in Byzantium (Brubaker, Leslie and Linardou, Kallirroe eds.), Publications of the Society for the Promotion of Byzantine Studies, Ashgate.

Lymberopoulou, Angeliki (2007). The painter Angelos and post-Byzantine Art. In: Richardson, Carol M ed. Locating Renaissance Art. London: Yale University Press, pp. 175–212.

Lymberopoulou, Angeliki (2007). 'Pro anima mea', but do not touch my icons: provisions for personal icons in wills from Venetian-dominated Crete. In: The kindness of strangers. Charity in the pre-modern Mediterranean (Stathakopoulos, Dionysios ed.), King's College London, Occasional Publications, London, UK, pp. 71–89.

Lymberopoulou, Angeliki (2007). Audiences and markets for Cretan icons. In: Woods, Kim W; Richardson, Carol M and Lymberopoulou, Angeliki eds. Viewing Renaissance Art. London: Yale University Press, pp. 171–208.

McKellar, Elizabeth (2007). C.H.B. Quennell (1872-1935): architecture, history and the quest for the modern. Architectural History, 50 pp. 211–246.

Norman, Diana (2007). St Anthony Abbot in Sant'Agostino, Montalcino: an Augustinian Image in the Sienese contado. In: Bourdua, Louise and Dunlop, Anne eds. Art and the Augustinian Order in Early Renaissance Italy. Church, Faith and Culture in the Medieval West. Aldershot and Burlington VT: Ashgate, pp. 143–161.

Norman, Diana (2007). When Charity fails: Andrea Gallerani and memory of the Misericordia in Siena. In: Stathakopoulos, Dionysios ed. The Kindness of Strangers: Charity in the Pre-Modern Mediterranean. Occasional Publications from the Centre for Hellenic Studies. London: Centre for Hellenic Studies, King's College, pp. 91–118.

Wainwright, Leon (2007). ‘Indian Art’ in Trinidad? Ethnicity at its Limits. Journal of Creative Communications, 2(1&2) pp. 163–188.

Wainwright, Leon (2007). British responses to Caribbean art. In: Dabydeen, David; Gilmore, John and Jones, Cecily eds. The Oxford Companion to Black British History. Oxford Companions. Oxford, UK: Oxford University Press.

Wainwright, Leon (2007). Aubrey Williams. In: Dabydeen, David; Gilmore, John and Jones, Cecily eds. The Oxford Companion to Black British History. Oxford Companions. Oxford, UK: Oxford University Press.

Woods, Kim (2007). The Mercers' Christ re-examined. In: Marks, Richard ed. Late Gothic England: Art and Display. Donington, UK: Shaun Tyas, pp. 57–69.

2006To Top

Benton, Tim (2006). The Modernist Home. London: Victoria and Albert Museum.

Benton, Tim (2006). Building Utopia. Victoria and Albert Museum, London, UK.

Benton, Tim (2006). Modernism and nature. In: Wilk, Christopher ed. Modernism: designing a new world. London: Victoria and Albert Museum, pp. 311–339.

Christian, Kathleen (2006). Michelangelo's Bacchus and 'Forgeries' in Renaissance Collections of Ancient Sculpture. In: The XVIth International Congress of Classical Archaeology., 23-26 Aug 2003, Boston.

Christian, Kathleen (2006). Poetry and 'Spirited' Ancient Sculpture. In: Kenda, Barbara ed. Aeolian Winds and the Spirit of Renaissance Architecture: Academia Eolia Revisited. Taylor and Francis, pp. 103–24.

Edwards, Stephen (2006). Photography: A Very Short Introduction. Very Short Introductions. Oxford, UK: Oxford University Press.

Edwards, Steve (2006). The Making of English Photography, Allegories. Pennsylvania, USA: Pennsylvania State University Press.

Edwards, Steve (2006). Produkcija objektivnosti v fotografiji zgodnjega 19. stoletja. Borec: Revija Za Zgodivino, literaturo in antropologijo(LVIII) pp. 163–181.

Edwards, Steve (2006). Instantaneos de historia Passagens sobre o argumento pos-moderno. In: Nicolau, Ricardo ed. Fotografia Na Arte: De Ferramenta A Paradigma. Colecção de Arte Contemporânea Público Serralves (6). Porto: Fundação de Serralves, pp. 142–151.

King, Catherine (2006). An etching and Lelio Orsi's house. The Print Quarterly, 23(2) pp. 176–182.

Wainwright, Leon (2006). Francis Newton Souza and Aubrey Williams: Entwined Art Histories at the End of Empire. In: Faulkner, Simon and Ramamurthy, Anandi eds. Visual Culture and Decolonisation in Britain. Aldershot: Ashgate, pp. 101–126.

Wainwright, Leon (2006). Canon Questions: Art in 'Black Britain'. In: Low, Gail and Wynne-Davies, Marion eds. A Black British Canon? Basingstoke: Palgrave Macmillan, pp. 143–167.

Woods, Kim (2006). A passion altarpiece restored. Apollo pp. 40–45.

2005To Top

Barker, Emma (2005). Greuze and the painting of sentiment. Cambridge, UK: Cambridge University Press.

Clarke, Richard; McKellar, Elizabeth and Symes, Michael (2005). Russell Square: a lifelong resource for teaching and learning. Birkbeck FCE Occasional paper, 5. London: Centre for European Protected Area Research (CEPAR), Birkbeck, University of London.

Edwards, Steve (2005). Location, location, location: the place of provenance. In: Sheffield Hallam University and Showroom Cinema eds. Transmission: Speaking and Listening, Volume 4. Sheffield: Site Gallery, pp. 85–91.

Perry, Gill (2005). Playing with Paint: 'Pink Onions'. In: Bjerkhof, Sven ed. Matisse masterpieces at the Statens Museum for Kunst. Copenhagen, Denmark: Statens Museum for Kunst, pp. 88–106.

Wainwright, Leon (2005). Part Four. Recommended Readings: Introduction. In: Bailey, David A.; Baucom, Ian and Boyce, Sonia eds. Shades of Black: Assembling Black Arts in 1980s Britain. Duke University Press, pp. 307–318.

Woods, Kim (2005). Centres of excellence. In: Van de Velde, Carl; Beeckman, Hans; Van Acker, Joris and Verhaege, Frans eds. Constructing wooden images: organization of labour and working process of late Gothic carved altarpieces in the Low Countries. Brussels: Brussels University Press, pp. 51–74.

Woods, Kim W. (2005). Themes iconographiques et sources. In: D'Hainaut-Zveny, Brigitte and Schmitt, Jean-Claude eds. Miroirs du Sacre: les retables sculptes a Bruxelles XVe - XVIe Siecles. Brussels: CFC-Editions, pp. 77–93.

2004To Top

Perry, Gill ed. (2004). Difference and Excess In Contemporary Art: The Visibility of Women's Practice. Art History Special Issues. Oxford, UK: Blackwells.

Perry, Gill and Wood, Paul eds. (2004). Themes in Contemporary Art. London and New Haven: Yale University Press.

Arciszewska, Barbara and McKellar, Elizabeth (2004). Articulating British classicism: New approaches in Eighteenth Century architecture. Reinterpreting classicism: culture, reaction and appropriation. Aldershot, UK: Ashgate.

Christian, Kathleen Wren (2004). Raphael's 'Philemon' and the collecting of antiquities in Rome. The Burlington Magazine, 146(1220) pp. 760–763.

Edwards, Steve (2004). The colonisation of Utopia. In: Mabb, David ed. William Morris. Manchester: Whitworth Art Gallery, pp. 12–40.

McKellar, Elizabeth (2004). Popularism versus professionalism: John Summerson and the 20th-century creation of the 'Georgian'. In: Arciszewska, Barbara and McKellar, Elizabeth eds. Articulating British classicism: new approaches in Eighteenth-Century architecture. Reinterpreting Classicism: Culture, Reaction and Appropriation. Aldershot, UK: Ashgate, pp. 35–56.

Perry, Gill (2004). Dream houses: installations and the Home. In: Perry, Gill and Wood, Paul eds. Themes in contemporary art. Open University Art of the Twentieth Century, 4. New Haven: Yale University Press, pp. 231–276.

Perry, Gillian (2004). Gender and the Fauves: Flirting with 'wild beasts'. In: Edwards, Steve and Paul, Wood eds. Art and the Avant-Gardes. Yale University Press, pp. 62–83.

Perry, Gillian (2004). The expanding field: Anna Madieta's Silueta series. In: Gaiger, Jason ed. Frameworks for Modern Art. Yale University Press, pp. 152–205.

2003To Top

Benton, Tim (2003). Art Deco architecture. Victoria and Albert Museum, London, UK.

Benton, Tim (2003). Italian architecture and design. In: Benton, Charlotte; Benton, Tim and Woods, Ghislaine eds. Art Deco 1910-1939. London, UK: Victoria and Albert Museum, pp. 218–229.

Benton, Tim and Benton, Charlotte (2003). Avant garde sources. In: Benton, Charlotte; Benton, Tim and Woods, Ghislaine eds. Art Deco 1910-1939. London, UK: Victoria and Albert Museum, pp. 244–259.

Benton, Tim and Benton, Charlotte (2003). Decline and revival. In: Benton, Charlotte; Benton, Tim and Woods, Ghislaine eds. Art Deco 1910-1939. London, UK: Victoria and Albert Museum, pp. 426–429.

Benton, Tim and Benton, Charlotte (2003). The Style and the Age. In: Benton, Tim; Benton, Charlotte and Woods, Ghislaine eds. Art Deco 1910-1939. London, UK: Victoria and Albert Museum, pp. 12–27.

Christian, Kathleen Wren (2003). The Della Valle Sculpture Court Rediscovered. The Burlington Magazine, 145(1209) pp. 847–850.

Edwards, Stephen (2003). A 'pariah in the world of art': Richter in Reverse Gear. In: Green, D.; Lowry, J. and Campany, D. eds. Where is the Photograph? Brighton, UK: Photoforum, pp. 31–46.

Edwards, Steve (2003). An interview with Martha Rosler. In: Campany, David ed. Art and Photography. London: Phaidon, p. 250.

Norman, Diana (2003). Painting in late medieval and Renaissance Siena (1260-1555). New Haven, USA: Yale University Press.

Perry, Gill (2003). Ambiguity and desire in late eighteenth century portraits of the actress. In: Asleson, Robyn ed. Notorious muse: the actress in British art and culture 1776-1812. Studies in British Art. London, UK: Yale University Press, pp. 57–80.

Wainwright, Leon (2003). ‘British Art of the South Asian Diaspora’. South Asian Diaspora Literature and Arts Archive, SALIDAA.

Walsh, Linda (2003). "Crushing infamy": the Revoulutionary Sculpture & Joseph Chihard. British Journal for Eighteenth-Century Studies, 26(1) pp. 109–128.

Woods, Kim W. (2003). Questions d'attribution stylistique: retables inedits en Angleterre. In: Guillot de Suduiraut, Sophie ed. Retables brabançons des XVe et XVIe siècles. Paris, France: Musee du Louvre, pp. 345–376.

2002To Top

Wood, Paul and Harrison, Charles eds. (2002). Art in Theory 1900-2000. Oxford: Blackwell.

Scott, Rosemary; Barnes, Amy Jane; Nikles, Estelle; Teo, Catherine and Pierson, Stacey eds. (2002). Qingbai Ware: Chinese Porcelain of the Song and Yuan Dynasties. London: Percival David Foundation of Chinese Art.

Christian, Kathleen (2002). From ancestral cults to art: the Santacroce Collection of antiquities. Annali della Scuola normale superiore di Pisa. Classe di lettere e filosofia, 14 pp. 255–272.

Christian, Kathleen Wren (2002). The de' Rossi Collection of Ancient Sculptures, Leo X, and Raphael'. Journal of the Warburg and Courtauld Institutes, 65 pp. 132–200.

Edwards, S. (2002). A scene in a library. History of Photography, 26(2) pp. 113–118.

Edwards, Steve (2002). Snapshooters of history: passages on the postmodern argument. In: Wells, Liz ed. The Photography Reader. Routledge, pp. 180–195.

King, Catherine (2002). Artists' houses: mass advertising artistic status and theory in Antwerp c. 1565. In: Heck, Michèle-Caroline; Lemerle, Frédérique and Pauwels, Yves eds. Théorie des arts et création artistique dans l'Europe du Nord du XVIe au début du XVIIIe siècle. Villeneuve d’Ascq, France: Université Charles-de-Gaulle - Lille 3, pp. 173–189.

Pierson, Stacey and Barnes, Amy Jane (2002). A Collector's Vision: Ceramics for the Qianlong Emperor. London: Percival David Foundation of Chinese Art.

Wainwright, Leon (2002). Art Forms. In: Donnell, Alison ed. Companion to Contemporary Black British Culture. Routledge, pp. 20–22.

Woods, Kim W. (2002). The pre-reformation altarpiece of Long Melford Church. Antiquaries Journal, 82 pp. 93–104.

2001To Top

Benton, Tim (2001). Humanism and fascism. Comparative Criticism: An Annual Journal, 23 pp. 69–115.

Christian, Kathleen (2001). Petrarch's Triumph of Chastity in Leonardo's Lady with an Ermine. In: Jones, Lars and Matthew, Louisa eds. Coming About ... A Festschrift for John Shearman. Cambridge MA: Harvard University Art Museums, pp. 33–40.

Edwards, Stephen (2001). The accumulation of knowledge or, William Whewell's eye. In: Purbrick, Louise ed. The Great Exhibition of 1851: New Interdisciplinary Essays. Manchester: Manchester University Press, pp. 26–52.

Edwards, Steve (2001). Factory and fantasy in Andrew Ure. Journal of Design History, 14(1) pp. 17–33.

Perry, Gill (2001). The spectacle of the muse: exhibiting the actress at the Royal Academy. In: Solkin, David H ed. Art on the Line: the Royal Academy Exhibitions at Somerset House 1780-1836. New Haven: Yale University Press, pp. 111–125.

Perry, Gillian (2001). Women Painting Women: Gender, Modernism and Feminine Art, c.1910-1930. In: Hjort, Oystein; Jensen, Niels Marup and Christensen, Hans Dam eds. Rethinking art between the wars: new perspectives in art history. Copenhagen, Denmark: Museum Tusculanum Press, pp. 47–72.

2000To Top

Laurence, Anne; Bellamy, Joan and Perry, Gillian eds. (2000). Women, Scholarship and Criticism: Gender and Knowledge, c.1790-1900. Manchester: Manchester University Press.

1999To Top

Perry, Gillian ed. (1999). Gender and Art. Yale University Press.

Perry, Gillian and Cunningham, Colin eds. (1999). Academies, Museums and Canons of Art. Yale University Press.

Tarlow, Sarah and West, Susie eds. (1999). The Familiar Past? Archaeologies of Later Historical Britain. London and New York: Routledge.

Edwards, Steve (1999). Art & language's doubt. In: Harrison, Charles ed. Art & Language in Practice,, Volume 2. Barcelona: Fundacio Antonio Tapie, pp. 101–107.

McKellar, Elizabeth (1999). Peripheral Visions: Alternative aspects and rural presences in mid-eighteenth century London. In: Arnold, Dana ed. The Metropolis and its images: Constructing Identities for London, c. 1750-1950. Oxford, UK: Blackwell, pp. 29–47.

Norman, Diana (1999). Siena and the Virgin: Art and Politics in a Late-Medieval City State. London and New Haven, USA: Yale University Press.

Perry, Gill (1999). Exhibiting 'les Indépendants': Gauguin and the Café Volpini show. In: Wood, Paul ed. The Challenge of the Avant-Garde. Art and its Histories (4). New Haven: Yale University Press, pp. 164–181.

Perry, Gill and King, Catherine (1999). Introduction. In: King, Catherine ed. Views of Difference: Different Views of Art. Art and its Histories (5). New: Yale University Press, pp. 7–22.

Walsh, Linda (1999). Charles Le Brun, 'art dictator of France'. In: Perry, Gillian and Cunningham, Colin eds. Academies, Museums and Canons of Art. Art and Its Histories. London, U.K. and New Haven, CT, U.S.: Yale University Press, pp. 86–123.

1998To Top

Harrison, Charles; Wood, Paul W. and Gaiger, Jason eds. (1998). Art in Theory 1815-1900: An Anthology of Changing Ideas. Oxford: Blackwell.

Walsh, Linda (1998). Subjects, society, style: changing evaluations of Watteau and his art. In: Barker, Emma; Webb, Nick and Woods, Kim eds. The Changing Status of the Artist. Art and Its Histories (2). London, U.K and New Haven, U.S.: Yale University Press, pp. 220–248.

1997To Top

Perry, Gill (1997). Suzanne Valadon, Emilie Charmy, Paula Modersohn-Becker, Marie Laurencin, Jacqueline Marvel, Marevna. In: Gaze, Delia ed. The Dictionary of Women Artists, Volume 2. London, U.K.: Fitzroy Dearborn, pp. 919–921.

Perry, Gillian (1997). Artistic training and Modernism: women artists in France 1900-1930. In: Gaze, Delia ed. The Dictionary of Women Artists, Volume 1. London: Fitzroy Dearborn, pp. 92–95.

1996To Top

McKellar, Elizabeth (1996). The city and the country: the London vernacular in the late seventeenth and early eighteenth century. In: Burton, Neil ed. Georgian Vernacular. London: The Georgian Group, pp. 10–18.

1995To Top

1994To Top

Perry, Gillian and Rossington, Michael eds. (1994). Femininity and Masculinity in Eighteenth-century Art and Culture. Manchester: Manchester University Press.

Perry, Gillian (1994). Expressionism. In: Crystal, David ed. Cambridge Biographical Encylopedia. Cambridge University Press, pp. 1130–1132.

Walsh, Linda (1994). Arms to be kissed a thousands times: reservations about lust in Diderot's art criticism. In: Perry, Gillian and Rossington, M eds. Femininity and Masculinity in Eighteenth-Century Art and Culture. Manchester: Manchester University Press, pp. 162–183.

1993To Top

Perry, Gillian; Frascina, Francis and Harrison, Charles eds. (1993). Primitivism, Cubism, Abstraction: The Early Twentieth Century. Yale University Press.

Perry, Gill (1993). 'The ascent to nature' - some metaphors of 'Nature' in early expressionist art'. In: Behr, Shulamith; Fanning, David and Jarman, Douglas eds. Expressionism Reassessed. Manchester: Manchester University Press, pp. 53–64.

1990To Top

Englander, David; Norman, Diana; O'Day, Rosemary and Owens, William eds. (1990). Culture and Belief in Europe 1450-1600: An Anthology of Sources. Oxford, U.K.: John Wiley and Sons Ltd.

1989To Top

1979To Top

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