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Rose, Gillian
(2003).
DOI: https://doi.org/10.1111/1475-5661.00074
Abstract
This paper elaborates the argument that domestic space should be considered as the product of relations that extend beyond the home. It examines one common domestic object – family photographs – and explores how the particularity of this photography and the specificity of its display by white middle-class mothers with young children in South-east England produce just such an extended domestic space. The stretched space co-produced by these mothers and photographs is also a form of stretched time, and it is integrative in complex ways; it contains different kinds of absences which disturb but do not break its cohesion. The paper also discusses why the display of family photographs is done almost exclusively by women.
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- Item ORO ID
- 7672
- Item Type
- Journal Item
- ISSN
- 1475-5661
- Academic Unit or School
-
Faculty of Arts and Social Sciences (FASS) > Social Sciences and Global Studies
Faculty of Arts and Social Sciences (FASS) - Research Group
- OpenSpace Research Centre (OSRC)
- Depositing User
- Jan Smith