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Hamer, Laura
(2021).
DOI: https://doi.org/10.1017/9781108556491.001
URL: https://www.cambridge.org/core/books/cambridge-com...
Abstract
The preface briefly outlines the evolving situation of women in music since 1900, and also explores the development of women in music studies/feminist musicology since the 1980s. The Cambridge Companion to Women in Music since 1900 is situated within this field. An overview of the contents of the volume – which considers women in classical music, women in popular music, women and music technology, and women’s wider work in music (including music education and the music industries) – is provided. The preface concludes with a short section of acknowledgements.