Copy the page URI to the clipboard
Wilkie, Katie; Holland, Simon and Mulholland, Paul
(2011).
URL: http://mcl.open.ac.uk/Workshop/uploads/wilkie_WeCa...
Abstract
In domains such as music, the ability to effectively engage in a variety of activities is often dependent on knowledge of domain-specific theories, terminologies, concepts and processes learned in an academic context and made implicit through repeated practice. For activities of this nature, creating or enhancing software-based interaction designs to support novice users can be a challenging undertaking. One promising approach to this challenge involves decoding musicians’ implicit domain knowledge into structures known as conceptual metaphors, metaphorical extensions of recurring embodied experiences applied to abstract domains, and using this information to inform subsequent Music Interaction designs. In this paper we propose a participatory approach to Music Interaction design, intended to produce interaction designs for music software that are more "intuitive" in a precise sense, based on the principles of Conceptual Metaphor Theory.
Viewing alternatives
Item Actions
Export
About
- Item ORO ID
- 39256
- Item Type
- Conference or Workshop Item
- Extra Information
- Workshop held as part of the BCS HCI Conference 2011
- Keywords
- embodied cognition; image schemas; conceptual metaphors; music interaction design; tonal harmony
- Academic Unit or School
-
Faculty of Science, Technology, Engineering and Mathematics (STEM) > Computing and Communications
Faculty of Science, Technology, Engineering and Mathematics (STEM)
Faculty of Science, Technology, Engineering and Mathematics (STEM) > Knowledge Media Institute (KMi) - Research Group
- Music Computing Lab
- Copyright Holders
- © 2011 The Author(s)
- Related URLs
- Depositing User
- Katie Wilkie