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Pacheco, Anita
(2014).
DOI: https://doi.org/10.1353/rst.2014.0010
Abstract
A study of the play that foregrounds the role of its much-maligned clowns. It argues that the play's numerous references to Falstaff work to establish a close relationship between Behn's low-class reprobates and Shakespeare's dissolute knight and that this in turn calls into question the prominent critical view of this, Behn's last play, as an essentially Jacobite text.