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Rowland, David
(2005).
URL: http://host.com.pl/nifc/?produkt=1_18
Abstract
The chapter examines the notation of early nineteenth-century concertos and its implication for performance. The possibility of performances of concertos as solos, duets, chamber and orchestral works is considered. Performance issues relating to Chopin's two concertos and other works for piano and 'orchestra' are considered in the light of contemporary trends.
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- Item ORO ID
- 3648
- Item Type
- Book Section
- ISBN
- 83-917410-6-0, 978-83-917410-6-1
- Extra Information
- Proceedings of a conference held at the Chopin Institute, Warsaw, Poland, December 2004.
- Keywords
- Chopin; concerto; performance
- Academic Unit or School
-
Faculty of Arts and Social Sciences (FASS) > Arts and Humanities > Music
Faculty of Arts and Social Sciences (FASS) > Arts and Humanities
Faculty of Arts and Social Sciences (FASS) - Depositing User
- David Rowland