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Linson, Adam; Dobbyn, Chris and Laney, Robin
(2012).
URL: http://www.pt-ai.org/turing-test/
Abstract
The field of behaviour-based artificial intelligence (AI), with its roots in the robotics research of Rodney Brooks, is not predominantly tied to linguistic interaction in the sense of the classic Turing test (or, "imitation game"). Yet, it is worth noting, both are centred on a behavioural model of intelligence. Similarly, there is no intrinsic connection between musical AI and the language-based Turing test, though there have been many attempts to forge connections between them. Nonetheless, there are aspects of musical AI and the Turing test that can be considered in the context of non-language-based interactive environments–-in particular, when dealing with real-time musical AI, especially interactive improvisation software. This paper draws out the threads of intentional agency and human indistinguishability from Turing’s original 1950 characterisation of AI. On the basis of this distinction, it considers different approaches to musical AI. In doing so, it highlights possibilities for non-hierarchical interplay between human and computer agents.
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- Item ORO ID
- 33948
- Item Type
- Conference or Workshop Item
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Published in the proceedings volume
Muller, Vincent C. and Ayesh Aladdin (eds.) (2012), Revisiting turing and his Test: Comprehensiveness, Qualia, and the Real World (AISB/IACAP Symposium) (Hove: AISB) - Keywords
- behaviour-based artificial intelligence (BBAI), human-computer interaction (HCI), music, improvisation, interactivity,
- Academic Unit or School
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Faculty of Science, Technology, Engineering and Mathematics (STEM) > Computing and Communications
Faculty of Science, Technology, Engineering and Mathematics (STEM) - Research Group
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Centre for Research in Computing (CRC)
Music Computing Lab - Copyright Holders
- © 2012 The Authors
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- Depositing User
- Adam Linson