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Linson, Adam; Dobbyn, Chris and Laney, Robin
(2012).
URL: http://computationalcreativity.net/iccc2012/wp-con...
Abstract
As freely improvised music continues to be performed, it also continues to be implemented in interactive computer systems. For the scientific study of such systems to be possible, it is important to ensure the fitness for purpose of available evaluation methods. This paper will review several approaches to evaluating interactive computer music systems. It will also examine the uncritically-accepted assumption that quantitative evaluation invariably yields significant data, irrespective of context. Ultimately, it will be argued that, for some interactive computer systems, such as those designed for freely improvised music, qualitative evaluation by experts is the most appropriate evaluation method.
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- Item ORO ID
- 33742
- Item Type
- Conference or Workshop Item
- Extra Information
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Proceedings of the Third International Conference on Computational Creativity
edited by Mary Lou Maher, Kristian Hammond, Alison Pease, Rafael Pérez y Pérez, Dan Ventura and Geraint Wiggins
ISBN: 978-1-905254668
pp.145-149 - Academic Unit or School
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Faculty of Science, Technology, Engineering and Mathematics (STEM) > Computing and Communications
Faculty of Science, Technology, Engineering and Mathematics (STEM) - Research Group
-
Centre for Research in Computing (CRC)
Music Computing Lab - Copyright Holders
- © 2012 The Authors
- Related URLs
- Depositing User
- Adam Linson