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Wilkinson, Robert
(2011).
URL: http://www.editions-harmattan.fr/index.asp?navig=c...
Abstract
This essay is an interpretation of the phrase qiyun shengdong shi ye, recognised as the key to the aesthetics of classical Chinese painting. It is compared to the aesthetics of European Romanticism and of the eminent contemporary French poet, Yves Bonnefoy, all instances of a common logical pattern in aesthetics which tends to recur against a common metaphysical background.