The Recueil Fossard 1928-88: a review and three reconstructions

Katritzky, M. A. (1989). The Recueil Fossard 1928-88: a review and three reconstructions. In: Cairns, Christopher ed. The commedia dell'arte from the renaissance to Dario Fo. The Italian origins of European theatre (VI). Lewiston/Queenston/Lampeter: Edwin Mellen Press, pp. 99–116.

URL: http://www.mellenpress.com/mellenpress.cfm?bookid=...

Abstract

Sieur Fossard, a musician at the court of Louis XIV, amassed a vast collection of theatrical and festival prints and drawings that was dispersed and largely lost after his death. 163 Fossard pictures are now preserved in Copenhagen, evidence of more has been recently discovered in London (two Fossard titlepages, one dated 1691, are here reproduced for the first time), and 85, many relating to the early commedia dell'arte, are in Stockholm. With reference to compositional and stylistic variants (reproduced), one Stockholm engraving is linked to Ambrose I Francken, a composite etching is attributed to Ambrogio Brambilla, and the Stockholm commedia dell'arte woodcuts are further discussed.

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• Item ORO ID
• 21723
• Item Type
• Book Section
• ISBN
• 0-88946-080-9, 978-0-88946-080-5
• Project Funding Details

• Funded Project Name	Project ID	Funding Body
  Not Set	Not Set	London University Central Resarch Fund, Irwin Award; The British Academy; Oxford University (The Bryce Read Fund & St Catherine's College)

• Academic Unit or School
• Faculty of Arts and Social Sciences (FASS) > Arts and Humanities > English & Creative Writing
  Faculty of Arts and Social Sciences (FASS) > Arts and Humanities
  Faculty of Arts and Social Sciences (FASS)
• Copyright Holders
• © 1989 The Author
• Depositing User
• M. A. Katritzky