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Doherty, Sophie
(2020).
URL: https://etheses.dur.ac.uk/13601/
Abstract
This research provides an original and timely contribution to conceptualisations of justice for victim-survivors of sexual violence. There is a justice gap when it comes to obtaining justice for victim-survivors of sexual violence when sought through conventional justice processes. Research has demonstrated that victim-survivors of sexual violence do not always frame their justice interests within traditional discourse, and so there is also a gap in understanding what justice for victim-survivors of sexual violence amounts to, and how it can be achieved. If the justice processes and justice interests of victim-survivors are not considered or understood, their sense of justice cannot be obtained.
The 1970s feminist movement saw a marked increase in the frequency of victim-survivors engaging in feminist visual art practice to express their experiences of sexual violence. Despite victim-survivors engaging in visual art practice for more than half a century, there is a gap in understanding how the engagement of victim-survivors of sexual violence with visual art practice may relate to justice. This research uses an innovative interdisciplinary and feminist methodology to address this gap. The thesis asks: how can an analysis of feminist activist visual art practice on the theme of sexual violence help to develop understandings of what justice means for victim-survivors of sexual violence?
Using a case study method and a semi-structured interview, this research develops “justice through expression” as an innovative justice process through which victim-survivors may achieve justice interests. It proposes that there are several justice interests that may be secured through this process, namely: “education and prevention”; “collective justice”; “expression and
engagement”; and, “closure.”