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Items Authored or Edited by Sean Williams

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Jump to: 2016 | 2015 | 2014 | 2013 | 2012
Number of items: 32.

2016

Williams, Sean (2016). Interpretation and Performance Practice in Realizing Stockhausen's Studie II. Journal of the Royal Musical Association, 141(2) pp. 445–481.

Williams, Sean and Green, Owen (2016). Negotiating sonic space for group electronics. In: Fifth International Symposium on Music/Sonic Art: Practices and Theories, 26-29 July 2014, Karlsruhe, Germany.

2015

Williams, Sean (2015). Osaka Expo '70: The promise and reality of a spherical sound stage. In: Insonic, 26-28th November 2015, Karlsruhe, Germany. file

Williams, Sean (2015). Stockhausen Concerts Database. Edinburgh College of Art.

Collings, Matthew; Rawlinson, Jules and Williams, Sean (2015). Requiem for Edward Snowden. Sound Scotland.

Williams, Sean; Mooney, James and Green, Owen (2015). Celebrating the work of Hugh Davies 3. University of Leeds.

Green, Owen; Williams, Sean and Murray-Rust, Dave (2015). Concert with Aleks Kolkowski and Grey Area. Edinburgh College of Art.

Williams, Sean (2015). Technical influence and physical constraint in the realisation of Gesang der Jünglinge. In: Tracking the Creative Process in Music, 8-10 October 2015, Paris, France.

Collings, Matthew; Rawlinson, Jules and Williams, Sean (2015). Requiem for Edward Snowden. Edinburgh College of Art.

Williams, Sean (2015). Orchid House - world of sounds: Sound from around the world, between 3 am and 6 am. Edinburgh College of Art. file

Williams, Sean and Stockhausen, Karlheinz (2015). "Kontakte - electronic music" sound projection. Edinburgh College of Art. file

Williams, Sean and Stockhausen, Karlheinz (2015). "Hymnen - electronic music" sound projection. Edinburgh College of Art.

Williams, Sean; Moonie, James; Green, Owen; Green, Owen; Lloyd, Emma; Sturm, Armin and Murray-Rust, Dave (2015). Grey Area Performs: Hugh Davies, Stockhausen, Christian Wolff, Owen Green. University of Leeds.

2014

Williams, Sean (2014). Pinging Filters: From serialism through the 808 to DIY. In: Studying Music: An International Conference in Honour of Simon Frith, 10th – 12th April 2014, Edinburgh, United Kingdom.

Williams, Sean (2014). "Set Sail for the Sun", from "Aus den Sieben Tagen" by Karlheinz Stockhausen. Institute for Advanced Studies in the Humanities.

Williams, Sean (2014). Separation/Integration. The University of Edinburgh. file

Williams, Sean and Kolkowski, Aleks (2014). The Exponential Horn: In Search of Perfect Sound: "Spiral for soloist", Karlheinz Stockhausen. Science Museum, London.

Williams, Sean (2014). Gemini 8. Artifact Music Limited.

Williams, Sean (2014). Strict serialism or structured improvisation?: The performance practice inherent in the technical realisation of early electronic music in the WDR Studio, Cologne. In: Centre for Musical Performance as Creative Practice 3, 17-20 July 2014, Cambridge, United Kingdom.

Williams, Sean and Green, Owen (2014). Negotiating Sonic Space for Group Electronics. In: Fifth International Symposium on Music/Sonic Art: Practices and Theories, 14th June 2014, Karlsruhe, Germany.

Williams, Sean (2014). Distributed creativity in Karlheinz Stockhausen's Aus den Sieben Tagen. In: (Dis-)Owning the Sound: A Workshop on the Historical Development of Music Property & Authorship, 16 June 2014, Edinburgh, United Kingdom.

Williams, Sean and Strang, David (2014). Light Entropy. Contemporary Music Festival, Plymouth.

2013

Williams, Sean (2013). Making and Writing about Music: Spotlight on Practice-led Research. The Royal Musical Association, London.

Williams, Sean (2013). From centimetres to seconds: sound design’s shift from technical serialism to musically informed performance practice in the 1950s WDR Studio, Cologne. In: What is Sound Design?, 27-29 November 2013, Edinburgh, United Kingdom.

Williams, Sean; Currie, Colin; Hodges, Nicolas and Stockhausen, Karlheinz (2013). Kontakte with piano and percussion. Glasgow Life. file

Williams, Sean (2013). Performing shapes. In: Researching music as process: methods and approaches, 22nd November 2013, Oxford, United Kingdom.

Williams, Sean; Stockhausen, Karlheinz; Smith, Simon and Ligeti, György (2013). Ligeti and Stockhausen: A concert of piano and electronics works from the 195. Edinburgh College of Art. file

Williams, Sean (2013). Stockhausen meets King Tubby's: the stepped filter and its influence as a musical instrument on two different styles of music. In: Weium, Frode and Boon, Tim eds. Material Culture and Electronic Sound. Artefacts: Studies in the History of Science and Technology, 8. Smithsonian Institution Scholarly Press, pp. 163–188.

Williams, Sean, ed. Elektronische Studie II. By Karlheinz Stockhausen (1954). Universal Editions (2013).

2012

Williams, Sean (2012). Lachenmann's "Toccatina'' performed by Emma Lloyd: Sound Projection. Edinburgh College of Art.

Williams, Sean (2012). Electronic music instrument practice and the mechanisms of influence between technical design, performance practice and composition. PhD thesis University of Edinburgh.

Williams, Sean (2012). Tubby's Dub Style: The Live Art of Record Production. In: Frith, Simon and Zagorski-Thomas, Simon eds. The Art of Record Production: An Introductory Reader for a New Academic Field. Ashgate Popular and Folk Music Series. Ashgate Publishing, pp. 235–246.

This list was generated on Mon Nov 20 22:34:07 2017 GMT.

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