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Items Authored or Edited by Sara Haslam

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Jump to: 2013 | 2012 | 2011 | 2010 | 2009 | 2007 | 2006 | 2005 | 2003 | 2002 | 2000
Number of items: 28.

2013

Haslam, Sara (2013). Ford as Edwardian author: publishers, trends, markets. In: Colombino, Laura and Saunders, Max eds. The Edwardian Ford Madox Ford. International Ford Madox Ford Studies (12). Amsterdam/New York: Rodopi, pp. 35–48.

Haslam, Sara (2013). A literary intervention: writing alcohol in British literature 1915–1930. First World War Studies, 4(2) pp. 219–239.

2012

Haslam, Sara (2012). “The moaning of the world” and the “words that bring me peace”: Modernism and the First World War. In: Piette, Adam and Rawlinson, Mark eds. The Edinburgh Companion to British and American War Literature. Edinburgh: Edinburgh University Press, pp. 47–57. file

Haslam, Sara and Asbee, Sue eds. (2012). The Twentieth Century. Reading and Studying Literature, 3. London: Bloomsbury Academic.

Haslam, Sara (2012). Ford and gender. In: Chantler, Ashley and Hawkes, Rob eds. Ford Madox Ford: An Introduction. Rodopi, (In press).

Haslam, Sara (2012). Introduction: "Dreaming Territory". In: Haslam, Sara and O'Malley, Seamus eds. Ford Madox Ford and America. International Ford Madox Ford Studies (11). Amsterdam: Rodopi, pp. 17–44.

Haslam, Sara and O'Malley, Seamus eds. (2012). Ford Madox Ford and America. International Ford Madox Ford Studies, 11. Amsterdam: Rodopi .

2011

Haslam, Sara ed. (2011). A Man Could Stand Up- by Ford Madox Ford. Parade's End, 3. Manchester: Carcanet.

2010

Haslam, Sara (2010). Ford Madox Ford. In: Shaffer, Brian ed. The Encyclopedia of Twentieth Century Fiction, Volume 1. Wiley-Blackwell.

Haslam, Sara ed. (2010). The Good Soldier by Ford Madox Ford. Ware, Hertfordshire: Wordsworth Editions. file

2009

Haslam, Sara and Neale, Derek (2009). Life writing. Abingdon: Routledge.

Haslam, Sara (2009). 'To Cook, or to Paint, in Paris? Ford in Colour'. In: Colombino, Laura ed. Ford Madox Ford and Visual Culture. International Ford Madox Ford Studies, 8. Amsterdam; New York: Rodopi, pp. 85–97.

Haslam, Sara (2009). Wessex, literary pilgrims and Thomas Hardy. In: Watson, Nicola ed. Literary Tourism and Nineteenth-Century Culture. Basingstoke: Palgrave Macmillan, pp. 164–175.

2007

Haslam, Sara (2007). Making a text the Fordian way: Between St Dennis and St George, propaganda and the first world war. In: Hammond, Mary and Towheed, Shafquat eds. Publishing in the First World War: Essays in Book History. Basingstoke, UK: Palgrave Macmillan, pp. 202–214.

Haslam, Sara (2007). The prophet and the sceptic: George Eliot and Ford Madox Ford. In: Skinner, Paul ed. Ford Madox Ford's Literary Contacts. International Ford Madox Ford Studies, 6. Amsterdam and New York: Rodopi, pp. 49–62.

2006

Haslam, Sara (2006). England and Englishness: Ford's first trilogy. In: Brown, Dennis and Plastow, Jenny eds. Ford Madox Ford and Englishness. International Ford Madox Ford Studies, 5 (5). Rodopi, pp. 47–62.

Haslam, Sara (2006). Ford Madox Ford: the good soldier. In: Bradshaw, David and Dettmar, Kevin J. H. eds. A Companion to Modernist Literature and Culture. Blackwell Companions to Literature and Culture. Oxford, UK: Blackwell Publishing, pp. 350–357.

2005

Haslam, Sara (2005). Anton Chekhov: The Cherry Orchard. In: Brown, Richard and Gupta, Suman eds. Aestheticism and Modernism: Debating Twentieth-Century Literature 1900-1960. Abingdon, Oxfordshire: Routledge, pp. 19–67.

Haslam, Sara and Saunders, Max (2005). Portraits of Cities: Ford Madox Ford; Three Essays from an Unfinished Work;. In: Haslam, Sara ed. Ford Madox Ford and the City. International Ford Madox Ford Studies (4). New York/London: Rodopi, pp. 211–234.

Haslam, Sara ed. (2005). Ford Madox Ford and the city. International Ford Madox Ford Studies, 4. Amsterdam, Netherlands: Rodopi.

2003

Haslam, Sara (2003). England and the English by Ford Madox Ford. Carcanet Press, Manchester, UK.

Haslam, Sara (2003). Ford's training. In: Hampson, Robert and Saunders, Max eds. Ford Madox Ford's Modernity. International Ford Madox Ford Studies, 2. Amsterdam/New York, USA: Rodopi, pp. 35–46.

2002

Haslam, Sara (2002). Written in blood: Family, sex and violence in Wuthering Heights and Jane Eyre. The English Review, 13(1) pp. 8–11. file

Haslam, Sara (2002). Fragmenting modernism: Ford Madox Ford, the novel and the Great War. Manchester, UK: Manchester University Press.

Haslam, Sara (2002). 'These fragments I have shored against my ruins': Memory and Modernism. In: Modernism and the Individual Talent: Re-Canonizing Ford Madox Ford, 25-27 June 1999, Munster, Westphalia, Germany.

Haslam, Sara (2002). An 'Historian's Methods'?: Between St Dennis and St George and the Language of Propaganda. In: Fortunati, Vita and Lamberti, Elena eds. Ford Madox Ford and "The Republic of Letters". Bologna, Italy: CLUEB, pp. 41–50.

2000

Haslam, Sara (2000). Modern Knowledge and Ford's Modern Novel. Precursors and Aftermaths: Literature in English 1914-1945, 1(1) pp. 49–63.

Haslam, Sara (2000). A question of knowledge: James, Ford, "The Beast in the Jungle" and A Call. The Henry James Review, 21(1) pp. 72–82.

This list was generated on Tue Oct 21 23:06:09 2014 BST.

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