Currently browsing: Items authored or edited by Stephen Edwards

32 items in this list.
Generated on Mon Aug 3 07:04:32 2020 BST.

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2015To Top

Edwards, Steve (2015). Allan Sekula’s Chronotopes: Uneven and Combined Capitalism. In: Van Gelde, Hilde ed. Allan Sekula. Ship of Fools / The Dockers Museum. Leuven University Press, pp. 31–43.

2014To Top

Edwards, Steve (2014). Décor and Decorum in the 'Temple of Photography'. In: Arnold, Dana ed. Interdisciplinary Encounters: Hidden and Visible Explorations of the Work of Adrian Rifkin. IB Tauris, pp. 73–105.

2013To Top

Edwards, Stephen (2013). Beard Patentee: Daguerrotype Property and Authorship. Oxford Art Journal, 36(3) pp. 369–394.

Edwards, Stephen (2013). An 'Ever Recurring Controversy': John Thompson, W.J. Stillman and the Boot Blacks. In: Carter, Warren; Haran, Barnaby and Schwartz, Frederic J. eds. ReNew Marxist Art History. London: Art/Books.

Edwards, Steve (2013). 'Socialism and the Sea: Allan Sekula 1951-2013'. Radical Philosophy(182) pp. 61–65.

2012To Top

Edwards, Stephen (2012). Una 'polemic recurrent': John Thompson, William James Stillman i els enllustradors de sabates. In: Ribalta, Jorge ed. Per Què La Fotografia Es Avui Més Important Com A Document Que Mai. Barcelona: The Private Space Books, pp. 71–103.

2010To Top

2009To Top

Edwards, Steve (2009). Apocalyptic Sublime: On the Brighton Photo-Biennial. Historical Materialism, 17(2) pp. 84–102.

2007To Top

Edwards, Steve (2007). Allegorical photography. In: Hannavay, John ed. Encyclopedia of Nineteenth-Century Photography, Volume 1. London: Routledge, pp. 27–29.

Edwards, Steve (2007). National survey: Great Britain. In: Hannavay, John ed. Encyclopedia of Nineteenth-Century Photography, Volume 1. Routledge, pp. 606–614.

Edwards, Steve (2007). Robert Hunt. In: Hannavay, John ed. Encyclopedia of Nineteenth-Century Photography, Volume 1. Routledge, pp. 731–732.

Edwards, Steve (2007). ‘Poor Ass!’ (A Donkey in Blackpool, 1999). Oxford Art Journal, 30(1) pp. 39–54.

Edwards, Steve; Fusco, Maria and O, Steve (2007). William Lake Price and James Mudd: the shattered utopia. In: Gergley, Chris ed. Copy Work. Vancouver: Contemporary Art Gallery, pp. 9–21.

Edwards, Stephen (2007). Jeff Wall: introduction. Oxford Art Journal, 30(1) pp. 1–15.

Edwards, Steve (2007). Societies, groups, institutions, and exhibitions in the United Kingdom. In: Hannavay, John ed. Encyclopedia of Nineteenth-Century Photography, Volume 2. Routledge, pp. 1303–1307.

Edwards, Steve (2007). Un 'paia en el mundo del arte': Richter marcha artas. In: Green, David ed. ¿Que ha sisdo de la fotografia? Barcelona: Gustavo Gili, pp. 30–48.

2006To Top

Edwards, Steve (2006). The Making of English Photography, Allegories. Pennsylvania, USA: Pennsylvania State University Press.

Edwards, Stephen (2006). Photography: A Very Short Introduction. Very Short Introductions. Oxford, UK: Oxford University Press.

Edwards, Steve (2006). Produkcija objektivnosti v fotografiji zgodnjega 19. stoletja. Borec: Revija Za Zgodivino, literaturo in antropologijo(LVIII) pp. 163–181.

Edwards, Steve (2006). Instantaneos de historia Passagens sobre o argumento pos-moderno. In: Nicolau, Ricardo ed. Fotografia Na Arte: De Ferramenta A Paradigma. Colecção de Arte Contemporânea Público Serralves (6). Porto: Fundação de Serralves, pp. 142–151.

2005To Top

Edwards, Steve (2005). Location, location, location: the place of provenance. In: Sheffield Hallam University and Showroom Cinema eds. Transmission: Speaking and Listening, Volume 4. Sheffield: Site Gallery, pp. 85–91.

2004To Top

Edwards, Steve (2004). The colonisation of Utopia. In: Mabb, David ed. William Morris. Manchester: Whitworth Art Gallery, pp. 12–40.

2003To Top

Edwards, Stephen (2003). A 'pariah in the world of art': Richter in Reverse Gear. In: Green, D.; Lowry, J. and Campany, D. eds. Where is the Photograph? Brighton, UK: Photoforum, pp. 31–46.

Edwards, Steve (2003). An interview with Martha Rosler. In: Campany, David ed. Art and Photography. London: Phaidon, p. 250.

2002To Top

Edwards, Steve (2002). Snapshooters of history: passages on the postmodern argument. In: Wells, Liz ed. The Photography Reader. Routledge, pp. 180–195.

Edwards, S. (2002). The Dialectics of Skill in Talbot's Dream World. History of Photography, 26(2) pp. 113–118.

2001To Top

Edwards, Stephen (2001). The accumulation of knowledge or, William Whewell's eye. In: Purbrick, Louise ed. The Great Exhibition of 1851: New Interdisciplinary Essays. Manchester: Manchester University Press, pp. 26–52.

Edwards, Steve (2001). Factory and fantasy in Andrew Ure. Journal of Design History, 14(1) pp. 17–33.

1999To Top

Edwards, Steve (1999). Art & language's doubt. In: Harrison, Charles ed. Art & Language in Practice,, Volume 2. Barcelona: Fundacio Antonio Tapie, pp. 101–107.

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