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Items Authored or Edited by Simon Holland

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Number of items: 39.

2013

Väljamäe, A.; Steffert, T.; Holland, S.; Marimon, X.; Benitez, R.; Mealla, S.; Oliveira, A. and Jordà, S. (2013). A review of real-time EEG sonification research. In: International Conference on Auditory Display 2013 (ICAD 2013), 6-10 July 2013, Lodz, Poland, pp. 85–93. file

Holland, Simon; Wilkie, Katie; Mulholland, Paul and Seago, Allan (2013). Music interaction: understanding music and human-computer interaction. In: Holland, Simon; Wilkie, Katie; Mulholland, Paul and Seago, Allan eds. Music and Human-Computer Interaction. Cultural Computing. London: Springer, pp. 1–28.

Wilkie, Katie; Holland, Simon and Mulholland, Paul (2013). Towards a participatory approach for interaction design based on conceptual metaphor theory: a case study from music interaction. In: Holland, Simon; Wilkie, Katie; Mulholland, Paul and Seago, Allan eds. Music and Human-Computer Interaction. Cultural Computing. London: Springer, pp. 259–270.

Bouwer, Anders; Holland, Simon and Dalgleish, Mat (2013). The Haptic Bracelets: learning multi-limb rhythm skills from haptic stimuli while reading. In: Holland, Simon; Wilkie, Katie; Mulholland, Paul and Seago, Allan eds. Music and Human-Computer Interaction. Cultural Computing. London: Springer, pp. 101–122. file

Bouwer, Anders; Holland, Simon and Dalgleish, Mat (2013). Song walker harmony space: embodied interaction design for complex musical skills. In: Holland, Simon; Wilkie, Katie; Mulholland, Paul and Seago, Allan eds. Music and Human-Computer Interaction. Cultural Computing. London: Springer, pp. 207–221. file

Holland, Simon; Wilkie, Katie; Mulholland, Paul and Seago, Allan eds. (2013). Music and Human-Computer Interaction. Cultural Computing. London: Springer .

Angelis, Vassilis; Holland, Simon; Upton, Paul J. and Clayton, Martin (2013). Testing a computational model of rhythm perception using polyrhythmic stimuli. Journal of New Music Research, 42(1) pp. 47–60. filefile

2012

Dalton, Nicholas; Mackay, Gordon and Holland, Simon (2012). Kolab: appropriation & improvisation in mobile tangible collaborative interaction. In: DIS 2012 Designing Interactive Systems , 11-15 June 2012, Newcastle, UK. file

Prechtl, Anthony; Milne, Andrew J.; Holland, Simon; Laney, Robin and Sharp, David B. (2012). A MIDI sequencer that widens access to the compositional possibilities of novel tunings. Computer Music Journal, 36(1) pp. 42–54. file

2011

Milne, Andrew; Carle, Martin; Sethares, William A; Noll, Thomas and Holland, Simon (2011). Scratching the scale labyrinth. In: Agon, C.; Amiot, E.; Andreatta, M.; Assayag, G.; Bresson, J. and Mandereau, J. eds. Mathematics and Computation in Music. Lecture Notes in Artificial Intelligence (6726). Berlin Heidelberg: Springer-Verlag, pp. 180–195. file

Wilkie, Katie; Holland, Simon and Mulholland, Paul (2011). We can work it out: towards a participatory approach to designing music interactions. In: When Words Fail: What can Music Interaction tell us about HCI?, 04 July 2011, Newcastle Upon Tyne.

Holland, Simon; Wilkie, Katie; Bouwer, Anders; Dalgleish, Mat and Mulholland, Paul (2011). Whole body interaction in abstract domains. In: England, David ed. Whole Body Interaction. Human-Computer Interaction Series. London, U.K.: Springer Verlag, pp. 19–34.

Milne, Andrew J.; Xambó, Anna; Laney, Robin; Sharp, David B.; Prechtl, Anthony and Holland, Simon (2011). Hex Player—a virtual musical controller. In: The International Conference on New Interfaces for Musical Expression 2011, 30 May – 01 June 2011, Oslo, Norway. file

Hughes, Craig; Wermelinger, Michel and Holland, Simon (2011). Sound Spheres: A Design Study of the Articulacy of a Non-Contact Finger Tracking Virtual Musical Instrument. In: 8th Sound and Music Computing Conference, 6-9 July 2011, Padova, Italy. file

2010

Wilkie, Katie; Holland, Simon and Mulholland, Paul (2010). What can the language of musicians tell us about music interaction design? Computer Music Journal, 34(4) pp. 34–48. file

Tetley, Josie; Holland, Caroline; Nederland, Trud; Toorn, Jessica van den; Reichert, Monika; Lis, Katharina; Mason, Anne; Kokol, Peter; Blazun , Helena; Hughes, Jonathan; Waights, Verina and Holland, Simon (2010). Older people & technological innovations-lifelong, learning and applications for health and wellbeing. In: Fourth European Nursing Congress Older Persons: the Future of Care. , 4 - 7 Oct 2010, Rotterdam. filefile

Tetley, Josephine; Holland, Caroline; Hughes, Jonathan; Waights, Verina and Holland, Simon (2010). Older people and technological innovations: lifelong learning and applications for health and wellbeing. In: 39th British Society of Gerontology Annual Conference , 6-8 July 2010, Brunel University, Uxbridge.

Seago, Allan; Holland, Simon and Mulholland, Paul (2010). A novel user interface for musical timbre design. In: Audio Engineering Society 128th Convention, 22 - 25 May 2010, London, UK. file

Holland, Simon; Bouwer, Anders J.; Dalgleish, Mat and Hurtig, Topi M. (2010). Feeling the beat where it counts: fostering multi-limb rhythm skills with the haptic drum kit. In: Proceedings of the fourth international conference on Tangible, embedded, and embodied interaction, 25-27 Jan 2010, Boston Cambridge Mass, USA, pp. 21–28. file

2009

Wilkie, Katie; Holland, Simon and Mulholland, Paul (2009). Analysis of conceptual metaphors to improve music software: the role of prior experience in inclusive music interaction. In: British Computer Society HCI Conference 2009 Workshop, 01 - 05 September 2009, Cambridge. file

Holland, Simon; Marshall, Paul; Bird, Jon; Dalton, Sheep; Morris, Richard; Pantidi, Nadia; Rogers, Yvonne and Clark, Andy (2009). Running up Blueberry Hill: Prototyping whole body interaction in harmony space. In: Proceedings of the 3rd international Conference on Tangible and Embedded interaction, 16-18 February 2009, Cambridge, UK. file

Wilkie, Katie; Holland, Simon and Mulholland, Paul (2009). Evaluating musical software using conceptual metaphors. In: Proceedings of BCS Human-Computer Interaction (HCI 2009), 1- 5 September 2009, Cambridge UK. file

2008

Bird, Jon; Holland, Simon; Marshall, Paul; Rogers, Yvonne and Clark, Andy (2008). Feel the force: Using tactile technologies to investigate the extended mind. In: Proceedings of Devices that Alter Perception, 21 September 2008, Seoul, Korea. file

Seago, Allan; Holland, Simon and Mulholland, Paul (2008). Timbre space as synthesis space: towards a navigation based approach to timbre specification. In: Spring Conference of the Institute of Acoustics 2008: Widening Horizons in Acoustics, 10-11 April 2008, Reading, UK. file

2007

Hill, Patrick; Holland, Simon and Laney, Robin (2007). An introduction to aspect-oriented music representation. Computer Music Journal, 31(4) pp. 45–56. file

Griffiths, Rob; Holland, Simon and Edwards, Marion (2007). Sense before syntax: a path to a deeper understanding of objects. Innovation in Teaching and Learning in Information and Computer Sciences, 6(4) pp. 125–144.

2006

Hill, Patrick; Holland, Simon and Laney, Robin (2006). Symmetric composition of musical concerns. In: Proceedings of the 5th international conference on Aspect-oriented software development, 20-24 Mar 2006, Bonn, Germany, ACM Press, pp. 226–236.

2005

Holland, Simon (2005). A first empirical study of direct combination in a ubiquitous environment. In: Fincher, Sally; Markpoulos, Panos; Moore, David and Ruddle, Roy eds. People and computers XVIII - Design for life: proceedings of HCI 2004. London, UK: Springer, pp. 229–247.

Seago, Allan; Holland, Simon and Mulholland, Paul (2005). Towards a mapping of timbral space. In: Proceedings of Conference on Interdisciplinary Musicology (CIM05), 10-12 Mar 2005, Montreal, Canada.

Holland, Simon and Holland, Caroline (2005). The simplification of complex interactions for more inclusive social communication technologies (position paper). In: HCI and the Older Population, 5th September 2005, Edinburgh, UK. file

2004

Seago, Allan; Holland, Simon and Mulholland, Paul (2004). A Critical Analysis of Synthesizer User Interfaces for Timbre. In: Dearden, Andy and Watt, Leon eds. Proceedings of the XVIII British HCI Group Annual Conference HCI 2004, Volume 2. Bristol, UK: Research Press International, pp. 105–108.

Holland, Simon (2004). Reflective Composition: the declarative composition of roles to unify objects, roles, and aspects [poster session]. In: Conference on Object Oriented Programming Systems Languages and Applications (OOPSLA 2004), 24-28 Oct 2004, Vancouver, BC, Canada, ACM Press, pp. 224–225.

Hill, Patrick; Holland, Simon and Laney, Robin (2004). Applying aspect-oriented programming to music computing. In: Agon, Carlos and Assayag, Gerard eds. SMC04 Conference Proceedings: First Sound and Music Computing Conference. Paris: Services Des Publications, IRCAM, pp. 169–165.

Holland, Simon; Day, Robert; Leplâtre, Grégory and Edwards, Alistair (2004). Mobile HCI and sound. In: Brewster, Stephen and Dunlop, Mark eds. Mobile Human-Computer Interaction – MobileHCI. Lecture Notes in Computer Science, 3160. Berlin: Springer, pp. 527–528.

Holland, Caroline and Holland, Simon (2004). Smart homes and extended families. In: HCI and the Older Population, British HCI Forum, 7 September 2004, Leeds, pp. 15–17. file

2002

Holland, S.; Morse, D.R. and Gedenryd, H. (2002). Direct combination: a new user interaction principle for mobile and ubiquitous HCI. In: Paterno, Fabio ed. Human Computer Interaction with Mobile Devices. Lecture Notes in Computer Science (2411). Berlin: Springer, pp. 108–122.

Holland, Simon; Morse, David R. and Gedenryd, Henrik (2002). AudioGPS: Spatial audio navigation with a minimal attention interface. Personal and Ubiquitous Computing, 6(4) pp. 253–259.

2001

Holland, Simon and Morse, David R. (2001). AudioGPS: spatial audio in a minimal attention interface. In: Third International Workshop on Human Computer Interaction with Mobile Devices, 10th September 2001, Lille, France.

1994

Howard, Patricia; Holland, Simon and Whitelock, Denise (1994). Sound investments: some applications of computers in music teaching, and a revolutionary new program. The Musical Times, 135(1817) pp. 467–471.

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