The Open UniversitySkip to content

Open Research Online
Items Authored or Edited by Naomi Barker

Up a level
Export as [feed] Atom [feed] RSS 1.0 [feed] RSS 2.0 [Create Shortened URL] SURL
Group by: Published Date | Item Type | Authors/Editors/Creators | No Grouping
Jump to: 2019 | 2018 | 2015 | 2013 | 2007 | 2003 | 2000 | 1996 | 1992
Number of items: 11.


Barker, Naomi J. (2019). The Italian Keyboard Toccata c. 1615-1650: A Repository for Oral Compositional Practices. Royal Musical Association Research Chronicle, 50(1) pp. 1–28. restricted access item, not available for direct download

Barker, Naomi J. (2019). Mottos and Metaphors: Towards an Interpretation of the Emblems in Frescobaldi’s Primo libro d’arie musicali. Journal of Seventeenth-Century Music, 25(1)


Barker, Naomi J. (2018). Learning the trade: What did Froberger do in Rome? In: Vejvar, Andreas and Grassl, Markus eds. "Avec discrétion": Rethinking Froberger. Wiener Veröffentlichungen zur Musikgeschichte (14). Vienna: Böhlau Verlag, pp. 205–221.


Barker, Naomi J. (2015). Music, antiquity and self-fashioning in the Accademia dei Lincei. The Seventeenth Century, 30(4) pp. 375–390.


Barker, Naomi J. (2013). Charivari and popular ritual in 17th-century Italy: a source and context for improvised performance? Early Music, 41(3) pp. 447–459.

Barker, Naomi J. (2013). The ear of the lynx: The musical legacy of the Accademia dei Lincei. In: Smith, David J. and Taylor, Rachelle eds. Networks of music and culture in the late sixteenth and early seventeenth centuries. Surrey: Ashgate Publishing Limited, pp. 59–70.


Barker, Naomi (2007). Un-discarded images: illustrations of antique musical instruments in 17th- and 18th-century books, their sources and transmission. Early Music, 35(2) pp. 191–212.


Barker, Naomi Joy (2003). Viewing the stile espressivo: Doni, Poussin and the ancient genera. In: Dobszay, László ed. The past in the present, Volume 1. Budapest: Liszt Ferenc Academy of Music.


Barker, Naomi Joy (2000). ‘Diverse Passions’: Mode, Interval and Affect in Poussin’s Paintings. Music in Art, 25(1-2) pp. 5–24.


Barker, Naomi (1996). Parody and Provocation: Parade and the Dada Psyche. Repertoire International d'Iconographie Musicale / Research Center for Musical Iconography Newsletter, 21(1) pp. 29–31.


Barker, Naomi (1992). In Search of Mannerism: A New Approach to an Old Problem. South African Journal of Musicology, 12 pp. 11–19.

This list was generated on Fri May 29 15:09:40 2020 BST.

Policies | Disclaimer

© The Open University   contact the OU