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Items Authored or Edited by Martin Clayton

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Jump to: 2013 | 2009 | 2008 | 2007 | 2005 | 2003 | 2002 | 2001 | 1999 | 1998 | 1997 | 1996 | 1993
Number of items: 26.

2013

Clayton, Martin; Dueck, Byron and Leante, Laura eds. (2013). Experience and Meaning in Music Performance. Oxford University Press.

Angelis, Vassilis; Holland, Simon; Upton, Paul J. and Clayton, Martin (2013). Testing a computational model of rhythm perception using polyrhythmic stimuli. Journal of New Music Research, 42(1) pp. 47–60. filefile

2009

Clayton, Martin (2009). Local practice, global network: The guitar in India as a case study. In: Wolf, Richard ed. Theorizing the local: Music, practice and experience in South Asia and beyond. New York: Oxford University Press, pp. 65–78. file

Clayton, Martin (2009). Crossing boundaries and bridging gaps: Thoughts on relationships between ethnomusicology and music psychology. Empirical Musicology Review, 4(2) pp. 75–77.

2008

Clayton, Martin (2008). The social and personal functions of music in cross-cultural perspective. In: Hallam, Susan; Cross, Ian and Thaut, Michael eds. The Oxford Handbook of Music Psychology. Oxford, UK: Oxford University Press, pp. 35–44.

Clayton, Martin (2008). Time in Indian Music: Rhythm, Metre, and Form in North Indian Rag Performance. Oxford Monographs on Music. New York: Oxford University Press.

Clayton, Martin (2008). Toward an ethnomusicology of sound experience. In: Stobart, Henry ed. The New (Ethno)musicologies. Lanham, MA: Scarecrow Press, pp. 135–169. file

2007

Clayton, Martin (2007). Musical Renaissance and its margins in England and India, 1874–1914. In: Clayton, Martin and Zon, Bennett eds. Music and Orientalism in the British Empire, 1780s to 1940s: Portrayal of the East. Music in 19th-Century Britain. Aldershot, UK: Ashgate, pp. 71–93. file

Clayton, Martin and Zon, Bennett eds. (2007). Music and Orientalism in the British Empire, 1780s to 1940s: Portrayal of the East. Music in 19th-Century Britain. Aldershot, UK: Ashgate.

Clayton, Martin (2007). Time, gesture and attention in a khyāl performance. Asian Music, 38(2) pp. 71–96. restricted access item, not available for direct download

Clayton, Martin R. L. (2007). Observing entrainment in music performance: Video-based observational analysis of Indian musicians’ tanpura playing and beat marking. Musicae Scientiae, 11(1) pp. 27–59. file

Clayton, Martin (2007). Music, time and place: Essays in comparative musicology. Delhi, India: B. R. Rhythms.

Clayton, Martin ed. (2007). Music, words, and voice: A reader. Manchester: Manchester University Press.

2005

Clayton, Martin; Sager, Rebecca and Will, Udo (2005). In time with the music: the concept of entrainment and its significance for ethnomusicology. European Meetings in Ethnomusicology, 11, pp. 3–142. file

Clayton, Martin (2005). Communication in Indian Raga performance. In: Miell, Dorothy; Hargreaves, David J. and MacDonald, Raymond eds. Musical Communication. Oxford, UK: Oxford University Press, pp. 361–381. file

2003

Clayton, Martin; Herbert, Trevor and Middleton, Richard eds. (2003). The Cultural study of music: A critical introduction. Abingdon, UK,: Routledge.

Clayton, Martin (2003). Comparing music, comparing musicology. In: Clayton, Martin; Herbert, Trevor and Middleton, Richard eds. The Cultural Study of Music: A Critical Introduction. New York: Routledge, pp. 57–68. file

2002

Clayton, Martin (2002). Teaching Indian music at a distance: A perspective from the UK. Journal of the Indian Musicological Society, 33 pp. 36–41. file

2001

(2001). Rock to Raga: the many lives of the Indian guitar. In: Bennett, Andy and Dawe, Kevin eds. Guitar cultures. Oxford, UK: Berg Publishers Ltd, pp. 179–208. file

Clayton, Martin (2001). Introduction: towards a theory of musical meaning (in India and elsewhere). British Journal of Ethnomusicology, 10(1) pp. 1–18.

1999

Clayton, Martin (1999). A. H. Fox Strangways and the music of Hindostan: Revisiting historical field recordings. Journal of the Royal Musical Association, 124 pp. 86–118.

1998

Clayton, Martin (1998). “You can't fuse yourself”: contemporary British-Asian music and the musical expression of identity. East European Meetings in Ethnomusicology, 5(1998) pp. 73–87. file

1997

Clayton, Martin (1997). Le mètre et le tâl dans la musique de l'Inde du Nord (Metre and tal in North Indian music). Cahiers de Musiques Traditionelles, 10 pp. 169–189.

1996

Clayton, Martin R. L. (1996). Free rhythm: ethnomusicology and the study of music without metre. Bulletin of the School of Oriental and African Studies, 59(2) pp. 323–332. file

Clayton, Martin (1996). Ethnographic wax cylinders at the British Library National Sound Archive: A brief history and description of the collection. British Journal of Ethnomusicology, 5 pp. 67–92.

1993

Clayton, Martin (1993). Two gat forms for the sitār: A case study in the rhythmic analysis of North Indian music. British Journal of Ethnomusicology, 2 pp. 75–98.

This list was generated on Tue Sep 2 22:38:41 2014 BST.

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