Currently browsing: Items authored or edited by M. A. Katritzky https://orcid.org/0000-0001-9270-5419

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2020To Top

Katritzky, M. A. (2020). Margaret Cavendish’s Female Fairground Performers. In: Sewell, Jan and Smout, Clare eds. The Palgrave Handbook of the History of Women on Stage. Palgrave Macmillan, pp. 151–175.

Katritzky, M. A. (2020). The itinerant healer as a stage role: its origins in religious drama. In: von Contzen, Eva and Goodblatt, Chanita eds. Enacting the Bible in medieval and early modern drama. Manchester Medieval Literature and Culture. Manchester: Manchester University Press, pp. 81–103.

Katritzky, M. A. and Drábek, Pavel eds. (2020). Transnational Connections in Early Modern Theatre. Manchester: Manchester University Press.

Drábek, Pavel and Katritzky, M. A. (2020). Introduction. In: Katritzky, M. A. and Drábek, Pavel eds. Transnational Connections in Early Modern Theatre. Manchester: Manchester University Press, pp. 1–19.

Katritzky, M. A. (2020). London and The Hague, 1638: Performing quacks at court. In: Katritzky, M. A. and Drábek, Pavel eds. Transnational Connections in Early Modern Theatre. Manchester: Manchester University Press, pp. 114–138.

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2018To Top

Katritzky, M. A. (2018). Stefanelo Botarga and Pickelhering: Fishy Italian and English Stage Clowns in Spain and Germany. In: Kuepper, Joachim and Pawlita, Leonie eds. Theatre Cultures within Globalising Empires: Looking at Early Modern England and Spain. Berlin/Boston: Walter de Gruyter, pp. 15–39.

Katritzky, M. A. (2018). German-Speaking Countries. In: Balme, Christopher B.; Vescovo, Piermario and Vianello, Daniele eds. Commedia dell'Arte in Context. Cambridge: Cambridge University Press, pp. 98–105.

Katritzky, M. A. (2018). Commedia dell’arte related glass: early modern Venice. Commedia dell’arte: Studi storici, 1 pp. 11–31.

Katritzky, M. A. (2018). Les représentations du charlatan pendant la première modernité et leur origine dans la scène du marchand du théâtre religieux. In: Dhraief, Beya; Negrel, Eric and Ruimi, Jennifer eds. Théâtre et charlatans dans l'Europe moderne. Registres collection des etudes théâtrales. Paris: Presses Sorbonne Nouvelle, pp. 99–116.

2017To Top

Katritzky, M. A. (2017). Virtuous needleworkers, vicious apes: the embroideries of Mary Queen of Scots and Bess of Hardwick. In: Münch, Birgit Ulrike; Tacke, Andreas; Herzog, Markwart and Heudecker, Sylvia eds. Künstlerinnen: neue Perspektiven auf ein Forschungsfeld der Vormoderne. Kunsthistorisches Forum Irsee, 4. Petersberg: Michael Imhof Verlag, pp. 48–61.

2016To Top

Katritzky, M. A. (2016). Die Ikonografie der Commedia dell'arte bis 1750. In: Sommer-Mathis, Andrea; Franke, Daniela and Risatti, Rudi eds. Spettacolo barocco! Triumph des Theaters. Vienna: KHM-Museumsband, Theatermuseum Wien & Michael Imhoff Verlag, pp. 82–97.

Katritzky, M. A. (2016). German Patrons of Venetian Carnival Art: Archduke Ferdinand II of Tyrol’s Ambras Collections and the 1579 Travel Journal of Prince Ferdinand of Bavaria. In: Münch, Birgit Ulrike; Tacke, Andreas; Herzog, Markwart and Heudecker, Sylvia eds. Von kurzer Dauer? Fallbeispiele zu temporären Kunstzentren der Vormoderne. Kunsthistorisches Forum Irsee (3). Petersberg, Germany: Michael Imhof Verlag, pp. 126–142.

Drábek, Pavel and Katritzky, M. A. (2016). Shakespearean players in early modern Europe. In: Smith, Bruce R. ed. The Cambridge Guide to the Worlds of Shakespeare, Volume 2. Cambridge: Cambridge University Press, pp. 1527–1533.

2015To Top

Katritzky, M. A. (2015). Lucas van Leyden's 'Toothdrawer', 1523: Passion play merchant scenes and the religious origins of quack depictions. In: Mueller, Juergen and Muench, Birgit Ulrike eds. Peiraikos' Erben: Die Genese der Genremalerei bis 1550. Trierer Beitraege zu den historischen Kulturwissenschaften (14). Wiesbaden: Reichert Verlag, pp. 125–148.

2014To Top

Katritzky, M. A. (2014). Images of the commedia dell'arte. In: Chaffee, Judith and Crick, Olly eds. The Routledge Companion to Commedia dell'Arte. Abingdon: Routledge, pp. 284–299.

Katritzky, M. A. (2014). Literary anthropologies and Pedro González, the “Wild Man” of Tenerife. In: Slater, John; Pardo-Tomás, José and López-Terrada, Maríaluz eds. Medical Cultures of the Early Modern Spanish Empire. New Hispanisms: Cultural and Literary Studies. Farnham: Ashgate, pp. 107–128.

Katritzky, M .A. (2014). Historical and literary contexts for the Skimmington: impotence and Samuel Butler’s "Hudibras". In: Sara F., Matthews-Grieco ed. Cuckoldry, Impotence and Adultery in Europe, 15th–17th Century. Visual Culture in Early Modernity. Farnham: Ashgate, pp. 59–84.

Katritzky, M. A. (2014). Shakespeare’s “portrait of a blinking idiot”: transnational reflections. In: Henke, Robert and Nicholson, Eric eds. Transnational Mobilities in Early Modern Theater. Studies in Performance and Early Modern Drama. Ashgate, pp. 157–175.

Henke, Robert and Katritzky, M. A. eds. (2014). European Theatre Performance Practice, 1580–1750. Critical Essays on European Theatre Performance Practice, 2. Farnham: Ashgate.

Katritzky, M. A. (2014). “A plague o’ these pickle herring”: from London drinkers to European stage clown. In: Renaissance Shakespeare/Shakespeare Renaissances: Proceedings of the Ninth World Shakespeare Congress, World Shakespeare Congress Proceedings, University of Delaware Press; copublished with Rowman & Littlefield, pp. 159–168.

2013To Top

Katritzky, M. A. (2013). Travelers’ tales: magic and superstition on early modern European and London stages. In: Theile, Verena and McCarthy, Andrew D. eds. Staging the Superstitions of Early Modern Europe. Studies in Performance and Early Modern Drama. Farnham; Burlington, VT: Ashgate, pp. 217–238.

2012To Top

Katritzky, M. A. (2012). “‘The picture of “We three”’: a transnational visual and verbal formula before, during and after the lifetime of Shakespeare. In: Filatkina, Natalia; Muench, Birgit Ulrike and Kleine-Engel, Ane eds. Formelhaftigkeit in Text und Bild. Trierer Beitraege zu den historischen Kulturwissenschaften (2). Wiesbaden: Reichert Verlag, pp. 223–244.

2011To Top

Katritzky, M. A. (2011). Images of “monsters” and performers: J A Comenius's Orbis pictus and Aristotle's Masterpiece. In: Kümper, Hiram and Simić, Vladimir eds. Practicing new editions: transformation and transfer of the early modern book, 1450-1800. Bibliothemata (26). Nordhausen: Bautz, pp. 77–118.

2010To Top

Katritzky, M. A. (2010). I costumi della commedia dell–arte Italiana negli alba amicorum tedeschi. In: Martino, Alberto and De Michele, Fausto eds. La Ricezione Della Commedia Dell'Arte Nell'Europa Centrale, 1568-1769 : Storia, Testi, Iconografia. Pisa, Italy: Fabrizio Serra Editore, pp. 461–509.

Katritzky, M. A. (2010). Checklist of libraries, print, online and other research resources. In: Da Sousa Correa, Delia and Owens, W. R. eds. The Handbook to Literary Research, Volume 2nd editio. Abingdon: Routledge, pp. 224–249.

2009To Top

2008To Top

Katritzky, M. A. (2008). English troupes in early modern Germany: the women. In: Henke, Robert and Nicholson, Eric eds. Transnational exchange in early modern theater. Studies in performance and early modern drama. Aldershot, UK: Ashgate, pp. 35–46.

Katritzky, M. A. (2008). Reading the actress in commedia imagery. In: Brown, Pamela Allen and Parolin, Peter eds. Women players in England, 1500-1660: beyond the all-male stage. Studies in performance and early modern drama. Aldershot, UK: Ashgate, pp. 109–143.

Katritzky, M. A. (2008). Guarinonius' lazzi: English comedians, Italian charlatans, and German quacks in a medical treatise of 1610. In: Amann, Klaus and Siller, Max eds. Hippolytus Guarinonius. Akten des 5. Symposiums der Sterzinger Osterspiele (5.-7. 4. 2004) "Die Greuel der Verwüstung menschlichen Geschlechts." Zur 350. Wiederkehr des Todesjahres von Hippolytus Guarinonius (1571-1654). Schlern-Schriften (340). Innsbruck: Universitätsverlag Wagner, pp. 107–137.

2007To Top

Katritzky, M.A. (2007). 'Some tymes J have a shillinge aday, and some tymes nothinge, so that J leve in great poverty': British actors in the paintings of Frans Hals. In: Nichols, Tom ed. Others and Outcasts in Early Modern Europe: Picturing the Social Margins. UK: Ashgate, pp. 197–214.

Katritzky, M.A. (2007). Text and performance: medieval religious stage quacks and the commedia dell'arte. In: Kasten, Ingrid and Fischer-Lichte, Erika eds. Transformationen des Religioesen. Performativitaet und Textualitaet im geistlichen Spiel. Trends in Medieval Philology, 11. Berlin: Walter de Gruyter, pp. 99–126.

Katritzky, M. A. (2007). Women, medicine and theatre 1500-1750: literary mountebanks and performing quacks. Studies in performance and early modern drama. Aldershot, UK: Ashgate.

2006To Top

Katritzky, M. A. (2006). The art of commedia: a study in the commedia dell'arte 1560-1620 with special reference to the visual records. Internationale Forschungen zur Allgemeinen und Vergleichenden Literatur, 100. Amsterdam, Netherlands: Rodopi.

2005To Top

Katritzky, M.A. (2005). Reading the actress in commedia imagery. In: Brown, Pamela Allen and Parolin, Peter eds. Women players in England 1500-1660: beyond the all-male stage. Studies in performance and early modern drama. Aldershot, UK: Ashgate, pp. 109–143.

2004To Top

Katritzky, M.A. (2004). What did Vigil Raber's stage really look like? Questions of authenticity and integrity in medieval theatre iconography. In: Gebhardt, Michael and Siller, Max eds. Vigil Raber: zur 450. Wiederkehr seines Todesjahres. Schlern-Schriften, 326. Innsbruck: Universitaetsverlag Wagner.

Katritzky, M.A. (2004). The autobiographical writings of Felix and Thomas II Platter: court festivals and commedia dell'arte. In: Eversmann, Peter; van Gaal, Rob and van der Zalm, Rob eds. Theaterwetenschap spelenderwijs: theatre studies at play. Amsterdam: Pallas Publications, pp. 34–56.

2003To Top

Katritzky, M.A. (2003). What did medieval stages look like? Times Higher Education Supplement(1570) p. 13.

Katritzky, M.A. (2003). The mountebank: a case study in early modern theater iconography. In: Twining, William and Hampsher-Monk, Ian eds. Evidence and inference in history and law: interdisciplinary dialogues. Evanston, U.S.A.: Northwestern University Press, pp. 231–286.

2002To Top

Katritzky, M.A. (2002). Theatre iconography in costume series: the "New York" friendship album. In: Balme, Christopher; Erenstein, Robert and Molinari, Cesare eds. European Theatre Iconography. Rome: Bulzoni Editore, pp. 171–196.

2001To Top

Katritzky, M.A. (2001). Aby Warburg and the Florentine intermedi of 1589: extending the boundaries of art history. In: Woodfield, Richard ed. Art history as cultural history: Warburg's projects. Amsterdam: G+B Arts International, pp. 209–258.

Katritzky, M.A. (2001). Franco Bertelli's "Carnevale Italiano Mascherato" of 1642 and other printed influences on theatrical pictures in alba amicorum. In: Pelc, Milan ed. Klovicev Zbornik: minijatura - crtez - grafika 1450. - 1700. Zagreb, Croatia: Hrvatska akademiha znanosti i umjetnosti - Institut za povijest umjetnosti, pp. 217–229.

2000To Top

Katritzky, M. A. (2000). Carnival and comedy in Georg Straub of St Gallen's printed album amicorum of 1600. In: Laufhuette, Hartmut ed. Kuenste und Natur in Diskursen der Fruehen Neuzeit. Wolfenbuetteler ARbeiten zur Barockforschung (35). Wiesbaden: Harrassowitz Verlag, pp. 603–633.

1999To Top

Heck, Thomas F.; Erenstein, Robert; Katritzky, M. A.; Peeters, Frank; Smith, William A. and de Vries, Lyckle (1999). Picturing Performance: The Iconography of the Performing Arts in Concept and Practice. Rochester, NY: University of Rochester Press.

Katritzky, M.A. (1999). Performing-arts iconography: tradition, techniques, and trends. In: Heck, Thomas F. ed. Picturing Performance: The Iconography of the Performing Arts in Concept and Practice. Rochester, NY: University of Rochester Press, pp. 68–90.

Katritzky, M. A. and Heck, Thomas F. (1999). Selected iconographic research resources. In: Heck, Thomas F. ed. Picturing Performance: The Iconography of the Performing Arts in Concept and Practice. Rochester, NY: University of Rochester Press, pp. 163–186.

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1996To Top

Katritzky, M. A. (1996). Orlando di Lasso and the commedia dell'arte. In: Schmid, Bernhold ed. Orlando di Lasso in der Musikgeschichte. Bericht über das Symposium der Bayerischen Akademie der Wissenschaften München, 4-6. Juli 1994. Bayerischen Akademie der Wissenschaften, Philosophisch-Historische Klasse, Abhandlungen, Neue Folge (111). München, Germany: Verlag der Bayerischen Akademie der Wissenschaften / C. H. Beck Verlag, pp. 133–155.

Katritzky, M. A. (1996). Scenery, setting and stages in late renaissance commedia dell'arte performances: some pictorial evidence. In: Cairns, Christopher ed. Scenery, set and staging in the Italian renaissance: studies in the practice of theatre. Lewiston, New York: Edwin Mellen Press, pp. 209–288.

1992To Top

Katritzky, M. A. (1992). The diaries of Prince Ferdinand of Bavaria: commedia dell'arte at the wedding festivals of Florence (1565) and Munich (1568). In: Mulryne, J. R. and Shewring, Margaret eds. Italian renaissance festivals and their European influence. Studies in Italian Theatre and Commedia dell'Arte (3). Lewiston / Queenston / Lampeter: Edwin Mellen Press, pp. 143–172.

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1989To Top

Katritzky, M. A. (1989). The Recueil Fossard 1928-88: a review and three reconstructions. In: Cairns, Christopher ed. The commedia dell'arte from the renaissance to Dario Fo. The Italian origins of European theatre (VI). Lewiston/Queenston/Lampeter: Edwin Mellen Press, pp. 99–116.

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