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Items Authored or Edited by M. A. Katritzky

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Number of items: 67.

2014

Katritzky, M .A. (2014). Historical and literary contexts for the Skimmington: impotence and Samuel Butler’s "Hudibras". In: Sara F. , Matthews-Grieco ed. Cuckoldry, Impotence and Adultery in Europe, 15th–17th Century. Visual Culture in Early Modernity. Farnham: Ashgate, (In Press).

Katritzky, M. A. (2014). A wonderfull monster borne in Germany’: hairy girls in medieval and early modern German book, court and performance culture. German Life and Letters, 67(4) pp. 467–480. file

Katritzky, M. A. (2014). Shakespeare’s “portrait of a blinking idiot”: transnational reflections. In: Henke, Robert and Nicholson, Eric eds. Transnational Mobilities in Early Modern Theater. Studies in Performance and Early Modern Drama. Ashgate, pp. 157–175.

Henke, Robert and Katritzky, M. A. eds. (2014). European Theatre Performance Practice, 1580–1750. Critical Essays on European Theatre Performance Practice, 2. Farnham: Ashgate.

Katritzky, M. A. (2014). “A plague o’ these pickle herring”: from London drinkers to European stage clown. In: Ninth World Shakespeare Congress: Renaissance Shakespeare: Shakespeare Renaissances:, 17–22 July 2011, Prague, Czech Republic, University of Delaware Press; copublished with Rowman & Littlefield, pp. 159–168.

Katritzky, M. A. (2014). Literary anthropologies and Pedro González, the “Wild Man”
of Tenerife.
In: Slater, John ; Pardo-Tomás, José and López-Terrada, Maríaluz eds. Medical Cultures of the Early Modern Spanish Empire. New Hispanisms: Cultural and Literary Studies. Farnham: Ashgate, pp. 107–128.

Davis, Jim and Katritzky, M. A. eds. (2014). Critical Essays on European Theatre Performance Practice: 4-Volume Set. Farnham: Ashgate.

2013

Katritzky, M. A. (2013). Travelers’ tales: magic and superstition on early modern European and London stages. In: Theile, Verena and McCarthy, Andrew D. eds. Staging the Superstitions of Early Modern Europe. Studies in Performance and Early Modern Drama. Farnham; Burlington, VT: Ashgate, pp. 217–238.

2012

Katritzky, M. A. (2012). “‘The picture of “We three”’: a transnational visual and verbal formula before, during and after the lifetime of Shakespeare. In: Filatkina, Natalia; Muench, Birgit Ulrike and Kleine-Engel, Ane eds. Formelhaftigkeit in Text und Bild. Trierer Beitraege zu den historischen Kulturwissenschaften (2). Wiesbaden: Reichert Verlag, pp. 223–244.

Katritzky, M.A. (2012). Healing, performance and ceremony in the writings of three early modern physicians: Hippolytus Guarinonius and the brothers Felix and Thomas Platter. The history of medicine in context. Ashgate. file

2011

Katritzky, M. A. (2011). Images of “monsters” and performers: J A Comenius's Orbis pictus and Aristotle's Masterpiece. In: Kümper , Hiram and Simić , Vladimir eds. Practicing new editions: transformation and transfer of the early modern book, 1450-1800. Bibliothemata (26). Nordhausen: Bautz, pp. 77–118.

2010

Katritzky, M. A. (2010). I costumi della commedia dell–arte Italiana negli alba amicorum tedeschi. In: Martino, Alberto and De Michele, Fausto eds. La Ricezione Della Commedia Dell'Arte Nell'Europa Centrale, 1568-1769 : Storia, Testi, Iconografia. Pisa, Italy: Fabrizio Serra Editore, pp. 461–509. file

Katritzky, M. A. (2010). Checklist of libraries, print, online and other research resources. In: Da Sousa Correa, Delia and Owens, W. R. eds. The Handbook to Literary Research, Volume 2nd edition. Abingdon: Routledge, pp. 224–249.

Katritzky, M. A. (2010). Zan Bragetta a Jean Potage: divadelní ko?ovníci v ran? novov?ké Evrop? Divaldelni Revue, 2(1) pp. 48–61. file

2009

Katritzky, M.A. (2009). Quacksalber in den Schriften Christian Weises und Johann Kuhnaus: "Der Politische Quacksalber" (1693) und "Der Musicalische Qvack=salber" (1700). In: Hesse, Peter ed. Poet und Praeceptor Christian Weise (1642 - 1708) zum 300. Todestag; Tagungsband. Dresden: Neisse Verlag, pp. 319–340.

Katritzky, M. A. (2009). Book review: From Physick to Pharmacology: Five Hundred Years of British Drug Retailing. The Sixteenth Century Journal, 40(4) pp. 1167–1169.

2008

Katritzky, M. A. (2008). Issues in Review: New Developments in Commedia Research: The Commedia dell'Arte: New Perspectives and New Documents. Early Theatre, 11(2) pp. 141–155.

Katritzky, M. A. (2008). English troupes in early modern Germany: the women. In: Henke, Robert and Nicholson, Eric eds. Transnational exchange in early modern theater. Studies in performance and early modern drama. Aldershot, UK: Ashgate, pp. 35–46.

Katritzky, M. A. (2008). Secrets of women: Gender, generation and the origins of human dissection. Social History of Medicine, 21(1) pp. 198–199.

Katritzky, M. A. (2008). Reading the actress in commedia imagery. In: Brown, Pamela Allen and Parolin, Peter eds. Women players in England, 1500-1660: beyond the all-male stage. Studies in performance and early modern drama. Aldershot, UK: Ashgate, pp. 109–143.

Katritzky, M. A. (2008). Guarinonius' lazzi: English comedians, Italian charlatans, and German quacks in a medical treatise of 1610. In: Amann, Klaus and Siller, Max eds. Hippolytus Guarinonius. Akten des 5. Symposiums der Sterzinger Osterspiele (5.-7. 4. 2004) "Die Greuel der Verwüstung menschlichen Geschlechts." Zur 350. Wiederkehr des Todesjahres von Hippolytus Guarinonius (1571-1654). Schlern-Schriften (340). Innsbruck: Universitätsverlag Wagner, pp. 107–137.

Katritzky, M. A. (2008). Special section of [the journal] Early Theatre. Issues in Review Essays: New Developments in Commedia Research. Centre for Reformation and Renaissance Studies.

2007

Katritzky, M.A. (2007). 'Some tymes J have a shillinge aday, and some tymes nothinge, so that J leve in great poverty': British actors in the paintings of Frans Hals. In: Nichols, Tom ed. Others and Outcasts in Early Modern Europe: Picturing the Social Margins. UK: Ashgate, pp. 197–214.

Katritzky, M.A. (2007). Text and performance: medieval religious stage quacks and the commedia dell'arte. In: Kasten, Ingrid and Fischer-Lichte, Erika eds. Transformationen des Religioesen. Performativitaet und Textualitaet im geistlichen Spiel. Trends in Medieval Philology, 11. Berlin: Walter de Gruyter, pp. 99–126.

Katritzky, M. A. (2007). Women, medicine and theatre 1500-1750: literary mountebanks and performing quacks. Studies in performance and early modern drama. Aldershot, UK: Ashgate.

2006

Katritzky, M. A. (2006). The art of commedia: a study in the commedia dell'arte 1560-1620 with special reference to the visual records. Internationale Forschungen zur Allgemeinen und Vergleichenden Literatur, 100. Amsterdam, Netherlands: Rodopi.

Katritzky, M. A. (2006). Improvisation in the arts of the middle ages and renaissance. Early Theatre, 9(1) pp. 149–152.

2005

Katritzky, M.A. (2005). Reading the actress in commedia imagery. In: Brown, Pamela Allen and Parolin, Peter eds. Women players in England 1500-1660: beyond the all-male stage. Studies in performance and early modern drama. Aldershot, UK: Ashgate, pp. 109–143.

Katritzky, M.A. (2005). The commedia dell'arte: a theatre-iconographical perspective. Maske und Kothurn, 50(3) pp. 19–43.

2004

Katritzky, M.A. (2004). What did Vigil Raber's stage really look like? Questions of authenticity and integrity in medieval theatre iconography. In: Gebhardt, Michael and Siller, Max eds. Vigil Raber: zur 450. Wiederkehr seines Todesjahres. Schlern-Schriften, 326. Innsbruck: Universitaetsverlag Wagner.

Katritzky, M.A. (2004). The autobiographical writings of Felix and Thomas II Platter: court festivals and commedia dell'arte. In: Eversmann, Peter; van Gaal, Rob and van der Zalm, Rob eds. Theaterwetenschap spelenderwijs: theatre studies at play. Amsterdam: Pallas Publications, pp. 34–56.

Katritzky, M. A. (2004). Pickelhering and Hamlet in Dutch art: The English comedians of Robert Browne, John Green, and Robert Reynolds. Shakespeare Yearbook, 15(Shakespeare and the Low Countries) pp. 113–140.

Katritzky, M. A. (2004). Book reviews: Performance and Literature in the commedia dell'arte (Robert Henke); Music and Women of the commedia dell'arte in the Late Sixteenth Century (Anne MacNeil); Das Spiel mit Gattungen bei Isabella Canali Andreini: Band 1, zum Verhältnis von Improvisation und Schriftkultur in der Commedia dell'arte, Band II, Lettere (1607) (Britta Brandt); La Mirtilla: a pastoral (Isabella Andreini); Improvisation in the Arts of the Middle Ages and Renaissance (Timothy J. McGee); Theater am Hof und für das Volk. Beiträge zur vergleichenden Theater und Kulturgeschichte. Festschrift für Otto G Schindler zum 60. Geburtstag (Brigitte Marschall). Theatre Research International, 29(1) pp. 78–81. file

2003

Katritzky, M.A. (2003). What did medieval stages look like? Times Higher Education Supplement(1570) p. 13.

Katritzky, M.A. (2003). The mountebank: a case study in early modern theater iconography. In: Twining, William and Hampsher-Monk, Ian eds. Evidence and inference in history and law: interdisciplinary dialogues. Evanston, U.S.A.: Northwestern University Press, pp. 231–286.

2002

Katritzky, M.A. (2002). Theatre iconography in costume series: the "New York" friendship album. In: Balme, Christopher; Erenstein, Robert and Molinari, Cesare eds. European Theatre Iconography. Rome: Bulzoni Editore, pp. 171–196.

Katritzky, M.A. (2002). 'Unser sind drey': the quacks of Beer, Printz and Weise. Maske und Kothurn, 48(1-4) pp. 117–142.

2001

Katritzky, M. A. (2001). Gendering tooth-drawers on the stage. Ludica, annali di storia e civilta del gioco, 5-6 (2000) pp. 144–181.

Katritzky, M.A. (2001). Marketing medicine: the image of the early modern mountebank. Renaissance Studies, 15(2) pp. 121–153. file

Katritzky, M.A. (2001). Aby Warburg and the Florentine intermedi of 1589: extending the boundaries of art history. In: Woodfield, Richard ed. Art history as cultural history: Warburg's projects. Amsterdam: G+B Arts International, pp. 209–258.

Katritzky, M.A. (2001). Franco Bertelli's "Carnevale Italiano Mascherato" of 1642 and other printed influences on theatrical pictures in alba amicorum. In: Pelc, Milan ed. Klovicev Zbornik: minijatura - crtez - grafika 1450. - 1700. Zagreb, Croatia: Hrvatska akademiha znanosti i umjetnosti - Institut za povijest umjetnosti, pp. 217–229.

2000

Katritzky, M. A. (2000). Comic stage routines in Guarinonius's medical treatise of 1610. Theatre Research International, 25(3) pp. 217–232. file

Katritzky, M. A. (2000). Carnival and comedy in Georg Straub of St Gallen's printed album amicorum of 1600. In: Laufhuette, Hartmut ed. Kuenste und Natur in Diskursen der Fruehen Neuzeit. Wolfenbuetteler ARbeiten zur Barockforschung (35). Wiesbaden: Harrassowitz Verlag, pp. 603–633.

1999

Heck, Thomas F.; Erenstein, Robert; Katritzky, M. A.; Peeters, Frank; Smith, William A. and de Vries, Lyckle (1999). Picturing Performance: The Iconography of the Performing Arts in Concept and Practice. Rochester, NY: University of Rochester Press.

Katritzky, M.A. (1999). Performing-arts iconography: tradition, techniques, and trends. In: Heck, Thomas F. ed. Picturing Performance: The Iconography of the Performing Arts in Concept and Practice. Rochester, NY: University of Rochester Press, pp. 68–90.

Katritzky, M. A. and Heck, Thomas F. (1999). Selected iconographic research resources. In: Heck, Thomas F. ed. Picturing Performance: The Iconography of the Performing Arts in Concept and Practice. Rochester, NY: University of Rochester Press, pp. 163–186.

Katritzky, M. A. (1999). Aby Warburg's 'Costumi teatrali' (1895) and the art historical foundations of theatre iconography. Theatre Research International, 24(2) pp. 160–167. file

Katritzky, M. A. (1999). Mountebanks, mummers and masqueraders in Thomas Platter's diary (1595-1600). In: Cairns, Christopher ed. The Renaissance Theatre: Texts, Performance, Design. Aldershot: Ashgate, pp. 12–29.

Katritzky, M. A. (1999). Hippolytus Guarinonius's descriptions of commedia dell'arte lazzi in Padua, 1594-97. Quaderni Veneti, 30, pp. 61–126.

1998

Katritzky, M. A. (1998). Special Issue of Theatre Research International: The Commedia dell'Arte. Cambridge University Press.

Katritzky, M. A. (1998). The Commedia dell'arte: An introduction. Theatre Research International, 23(2) pp. 99–103. file

Katritzky, M. A. (1998). Was Commedia dell'arte performed by mountebanks? Album amicorum illustrations and Thomas Platter's description of 1598. Theatre Research International, 23(2) pp. 104–125. file

Katritzky, M. A. (1998). Harlekin demaskerad - en upptackt av Agne Beijer [Harlequin revealed: a discovery by Agne Beijer]. In: Lundgren, Eva ed. Drottningholms Slottsteater: Program 1998. Strangnas: Expo Print AB, pp. 92–103.

Katritzky, M. A. (1998). A court festival set in the garden of an Italian villa. Trinity Fine Art, London.

1997

Katritzky, M. A. (1997). A German description of the Florentine intermedi of 1565. Italian Studies, 52 pp. 63–93.

Katritzky, M. A. (1997). Harlequin in renaissance pictures. Renaissance Studies, 11(4) pp. 381–419. file

1996

Katritzky, M. A. (1996). Orlando di Lasso and the commedia dell'arte. In: Schmid, Bernhold ed. Orlando di Lasso in der Musikgeschichte. Bericht über das Symposium der Bayerischen Akademie der Wissenschaften München, 4-6. Juli 1994. Bayerischen Akademie der Wissenschaften, Philosophisch-Historische Klasse, Abhandlungen, Neue Folge (111). München, Germany: Verlag der Bayerischen Akademie der Wissenschaften / C. H. Beck Verlag, pp. 133–155.

Katritzky, M. A. (1996). Scenery, setting and stages in late renaissance commedia dell'arte performances: some pictorial evidence. In: Cairns, Christopher ed. Scenery, set and staging in the Italian renaissance: studies in the practice of theatre. Lewiston, New York: Edwin Mellen Press, pp. 209–288.

Katritzky, M. A. (1996). Eight portraits of Gelosi actors in 1589? Theatre Research International, 21(2) pp. 108–120. file

Katritzky, M. A. (1996). The Florentine entrata of Joanna of Austria and other entrate described in a German diary. Journal of the Warburg and Courtauld Institutes, 59 pp. 148–173. file

1992

Katritzky, M. A. (1992). The diaries of Prince Ferdinand of Bavaria: commedia dell'arte at the wedding festivals of Florence (1565) and Munich (1568). In: Mulryne, J. R. and Shewring, Margaret eds. Italian renaissance festivals and their European influence. Studies in Italian Theatre and Commedia dell'Arte (3). Lewiston / Queenston / Lampeter: Edwin Mellen Press, pp. 143–172.

1991

Katritzky, M. A. (1991). How did the Commedia dell'arte cross the Alps to Bavaria? Theatre Research International, 16(3) pp. 201–215. file

1989

Katritzky, M. A. (1989). The Recueil Fossard 1928-88: a review and three reconstructions. In: Cairns, Christopher ed. The commedia dell'arte from the renaissance to Dario Fo. The Italian origins of European theatre (VI). Lewiston/Queenston/Lampeter: Edwin Mellen Press, pp. 99–116.

1988

Katritzky, M. A. (1988). A renaissance commedia dell'arte performance: towards a definitive sequence of Sieur Fossard's woodcuts? Nationalmuseum Bulletin, 12(1) pp. 37–53.

Katritzky, M.A. (1988). Commedia dell'arte och kvinnornas debut pa teaterscenen. Astra, 70(9) pp. 24–27.

1987

Katritzky, M. A. (1987). Lodewyk Toeput: Some pictures related to the commedia dell'arte. Renaissance Studies, 1(1) pp. 71–125. file

Katritzky, M. A. (1987). Italian comedians in renaissance prints. The Print Quarterly, 4(3) pp. 236–254.

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