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Items Authored or Edited by Linda Walsh

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Jump to: 2012 | 2011 | 2010 | 2009 | 2008 | 2003 | 1999 | 1998 | 1996 | 1994
Number of items: 12.

2012

Walsh, Linda (2012). James Ward's 'Marengo': A Congruence of Aesthetic Theory, Pictorial Tradition, Natural History and National Pride. In: Open University MA Student Conference, 25 Feb 2012, Birkbeck, University of London, Not applicable.

Walsh, Linda (2012). Ausdrucksformen- Die Suche nach einer expressiven Sprache in der französischen Genremalerei des 18. Jahrhunderts. In: Klein, Tobias R. and Porath, Erik eds. Figuren des Ausdrucks: Formation einer Wissenskategorie zwischen 1700 und 1850. Munich: Wilhelm Fink, pp. 125–146.

2011

Walsh, Linda (2011). Deconstructing and Reconstructing the Self: Sofia Coppola's 'Marie Antoinette' and Three Portraits. Invited paper.

2010

Walsh, Linda (2010). Modes of expression in mid-eighteenth-century French genre painting. In: Klein, Tobias Robert and Porath, Erik eds. Figuren des Ausdrucks : Formation einer Wissenskategorie zwischen 1700 und 1850. Paderborn: Wilhelm Fink Verlag GmbH & Co. Verlag KG.

2009

Walsh, Linda (2009). Finding a middle way: the search for a language of expression in mid-eighteenth-century French genre painting. In: Figuren des Ausdrucks Conference, January 2009, Berlin.

2008

Walsh, Linda (2008). Art History at the Open University. In: Theory and Practice, January 2008, Open University, Milton Keynes.

Walsh, Linda (2008). The 'Hard Form' of sculpture: marble, matter and spirit in European sculpture from the Enlightenment through Romanticism. Modern Intellectual History, 5(3) pp. 455–486.

2003

Walsh, Linda (2003). "Crushing infamy": the Revoulutionary Sculpture & Joseph Chihard. British Journal for Eighteenth-Century Studies, 26(1) pp. 109–128.

1999

Walsh, Linda (1999). Charles Le Brun, 'art dictator of France'. In: Perry, Gillian and Cunningham, Colin eds. Academies, Museums and Canons of Art. Art and Its Histories. London, U.K. and New Haven, CT, U.S.: Yale University Press, pp. 86–123.

1998

Walsh, Linda (1998). Subjects, society, style: changing evaluations of Watteau and his art. In: Barker, Emma; Webb, Nick and Woods, Kim eds. The Changing Status of the Artist. Art and Its Histories (2). London, U.K and New Haven, U.S.: Yale University Press, pp. 220–248.

1996

Walsh, Linda (1996). The expressive face: manifestations of sensibility in eighteenth-century French art. Art History, 19(4) pp. 523–550.

1994

Walsh, Linda (1994). Arms to be kissed a thousands times: reservations about lust in Diderot's art criticism. In: Perry, Gillian and Rossington, M eds. Femininity and Masculinity in Eighteenth-Century Art and Culture. Manchester: Manchester University Press, pp. 162–183.

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